Leaving You with This
Track Listings
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1. Freeze
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2. Emma Pad
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3. Klub Cola
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4. Move [Terranova Remix]
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5. Am Naschmarkt [Walkner/Möstl Remix]
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6. Green Girl
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7. Freeze [Pulsinger Remix]
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8. Leaving You With This
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9. Klub Kola
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10. Move
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11. Am Naschmarkt [Mum Remix]
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12. Klub Kola [Dubplate Mix]
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13. Leaving You With This [Rework Edit]
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14. Am Naschmarkt
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Leaving You with This
Average customer rating:
- English is an asset and a drawback
- You Will Love Opera After Hearing Carmen In English
- A wholly credible "Carmen" -- finally!
- I love Carmen!
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Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
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Operettas
| Opera & Vocal
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General
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Similar Items:
- Mozart: The Magic Flute
- The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
- Verdi: La Traviata
- Mozart: The Marriage of Figaro
- Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry
ASIN: B00007JGRN
Release Date: 2003-03-11 |
Tracks:
- Prelude
- In The Plaza
- Just Look At That Delicious Morsel
- Here Come Our New Soldier Boys
- Jose! There Was A Girl Here Looking For You Just Now
- Off With You Old Soldier Boys
- Corporal! Sir!
- We Have Heard The Bell Summon Us To Meet Here
- Ah, Just Look!
- But Why Hasn't She Come, Our Carmencita?
- Love's A Bird Wild As Any Rebel
- Carmen! We Will Follow You High And Low!
- The Cheek Of It!
- Give Me News Of My Mother!
- Your Dear Mother And I Were Leaving Church This Morning
- I See My Mother's Face!
- Wait A Moment - I'm Going To Read The Letter
- Come And Help
- So, Corporal: Tell Me What Happened
- Well, Carmencita: What Do You Have To Say For Yourself?
- Where Are You Taking Me?
- There's An Old Bar In The City
- Careful - It's Lieutenant!
- Entr'acte
- From Far Away Mysterious Sounds
- Bravo, Bravo! More! Keep Dancing!
- Hurrah! Hurrah! The Torero!
- Who's That? It's Escamillo, The Bullfighter From Granada
- Hurrah! Hurrah! The Torero!
- You're Most Kind
- We'll Come With You, Senor Torero
- Toreador, Be Ready!
- At Last! We Got Rid Of Them As Quickly As We Could
- There's A Little Job That We're Starting!
- Being In Love Is Not A Reason
Tracks:
- To Bid You Welcome To Our Bar
- La La La La La La La La...
- Back To Camp!... Go At Once!
- That Flow'r You Threw To Me I Treasured
- No, It's Not Love At All!
- Hello! Carmen!
- Lieutenant Fair, It's True
- The Sky Above The Open Road
- Entr'acte
- Keep Going, Dear Old Friend, Kep Going!
- Right! Let's Stop For A While
- Shuffle! Cut Them!
- In Vain You Would Avoid The Bitter Things They're Saying
- You're Back!
- As For That Man, It Should Be Easy!
- Is This The Place?
- I Say That There's Nothing To Fear
- It's Him! I'm Sure It's Him Over There!
- Escamillo Is My Name, And I Come From Granada
- She Had A Lover Here
- Hola! Hola! Jose!
- You Should Take Care, Carmen
- Alas! Jose, Your Mother Is Ill
- Entr'acte
- A Few Cuartos! A Few Cuartos!
- Here They Come! Here They Come!
- If You Love Me, Carmen
- It's You! It's Me!
- Viva! Viva! What A Corrida!
Customer Reviews:
English is an asset and a drawback.......2004-07-20
The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.
Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.
This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.
You Will Love Opera After Hearing Carmen In English.......2004-02-09
What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.
The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.
A wholly credible "Carmen" -- finally!.......2003-09-17
This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.
I love Carmen!.......2003-08-15
I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.
And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.
The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.
The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.
A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.
Average customer rating:
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Enclosure Two: Harry Partch
Manufacturer: INNOVA
ProductGroup: Music
Binding: Audio CD
Ballets
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Partch, Harry
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Similar Items:
- The Harry Partch Collection, Volume 1
- Enclosure Five: Harry Partch
- Harry Partch: Enclosure 7
- The Harry Partch Collection, Volume 2
ASIN: B000004AF9
Release Date: 2000-12-06 |
Tracks:
- I am Harry Partch - Harry Partch
- By the Rivers of Babylon - Harry Partch
- Texts and Music: A Wagnerian Wrestling Match - Harry Partch
- Ten Li Po Lyrics: 1 - A Dream - Harry Partch
- Ten Li Po Lyrics: 2 - An Encounter in the Field - Harry Partch
- Ten Li Po Lyrics: 3 - On Hearing the Flute - Harry Partch
- Ten Li Po Lyrics: 4 - The Intruder - Harry Partch
- Ten Li Po Lyrics: 5 - I am a Peach Tree - Harry Partch
- Ten Li Po Lyrics: 6 - With a Man of Leisure - Harry Partch
- Ten Li Po Lyrics: 7 - A Midnight Farewell - Harry Partch
- Ten Li Po Lyrics: 8 - Before the Cask of Wine - Harry Partch
- Ten Li Po Lyrics: 9 - On the Ship of Spicewood - Harry Partch
- Ten Li Po Lyrics: 10 - By the Great Wall - Harry Partch
- The Use of English in Serious Music - Harry Partch
- Barstow - Eight Hitch-Hiker's Inscriptions. . . - Harry Partch
- San Francisco - Newsboy Cries - Harry Partch
- Life is too precious to spend it with important people - Harry Partch
- U. S. Highball - A Musical Account of Slim's Transcontinental Hobo Trip - Harry Partch
- While my Heart Keeps Beating Time - Harry Partch
- San Francisco II - Harry Partch
Tracks:
- I'm going to start right off by giving you some sounds - Harry Partch
- Two Settings from Joyce's Finnegan's Wake: 1 - Isobel - Harry Partch
- Two Settings from Joyce's Finnegan's Wake: 2 - Annah the Allmaziful - Harry Partch
- Dark Brother - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 1 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 2 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 3 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 4 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 5 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 6 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 7 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 8 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 9 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 10 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 11 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 12 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 13 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 14 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 15 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 16 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 17 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 18 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 19 - Harry Partch
Tracks:
- June 11, 1935 - Santa Rosa, California - H. PARTCH
- June 12 - Federal Shelter, Stockton - H. PARTCH
- June 13 - H. PARTCH
- June 14 - H. PARTCH
- June 16 - Huntington Ranch, San Joaquin - H. PARTCH
- June 17 - H. PARTCH
- July 4 - H. PARTCH
- July 14 - H. PARTCH
- July 16 - H. PARTCH
- July 19 - H. PARTCH
- July 20 - Heading north, between Sacramento and Redding (Later incorporated into The Wind) - H. PARTCH
- July 24 - Federal Shelter, Portland - H. PARTCH
- July 25 - Blue Ox Lodge, Seattle, Washington - H. PARTCH
- July 27 - H. PARTCH
- July 29 - H. PARTCH
- July 30 - H. PARTCH
- August 7 - Between Grants Pass and Klamath Falls, Oregon - H. PARTCH
- August 15 - H. PARTCH
- October 22 - Nearing Monterey (reworked in 1943 as The Letter) - H. PARTCH
- October 24 - Leaving Big Sur - H. PARTCH
- October 25 - Near Slate's Hot Springs (Now the Esalen Institute) - H. PARTCH
- October 26 - H. PARTCH
- October 27 - H. PARTCH
- October 28 - H. PARTCH
- October 29 - H. PARTCH
- October 30 - Big Creek - H. PARTCH
- November 12 - Santa Barbara - H. PARTCH
- November 14 - H. PARTCH
- November 15 - Leaving Santa Barbara - H. PARTCH
- November 16 - Ojai - H. PARTCH
- November 17 - H. PARTCH
- November 23 - Los Angeles - H. PARTCH
- November 28 - H. PARTCH
- December 4 - H. PARTCH
- December, 1935 - H. PARTCH
- Feburary 1, 1936 - San Bernardino - H. PARTCH
Tracks:
- Yankee Doodle Birds - H. PARTCH
- Y.D. Fantasy - On the Words of an Early American Tune - H. PARTCH
- O Frabjous Day! - H. PARTCH
- You are charged with being guilty. Are you drunk or not drunk? - H. PARTCH
- Ring Around the Moon - A Dance Fantasm for Here - H. PARTCH
- Bless This Home - H. PARTCH
- Harrys Wake - H. PARTCH
Amazon.com
Enclosure 2, all four cds, is curated as a sprawling notebook filled with sounds and speech instead of sketches and words. Of any Partch recording extant, it gives the best picture of the man--as the curmudgeonly, extremely innovative misanthrope that he was, as the composer who was impossibly unlike anyone else before or since. The essence of Partch's music reflects the history of the world--from his particular perspective--the imaginings of ancient Greece to the influence of Chinese musical melodrama, all propelled by homemade instruments based on a 43-tone scale named things like the "Kithara" and the "Boo." These recordings also give the best sense of his philosophy of language in music. Lamenting the whole time how text in music had become detached from the language of everyday life, Partch ran music alongside newsboys' cries and hobos' diaries, following the forms, cadence, and dynamics of speech, rather than the other way around. From his juvenilia (a wonderful song he wrote at 18) to a 45-minute segment of his wake in 1974, the first steps towards exploring Partch's sparkling works fully are made here. --Robin Edgerton
Average customer rating:
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Stand on Your Own
Manufacturer: Full Service
ProductGroup: Music
Binding: Audio CD
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CAFSDM
Release Date: 2005-03-29 |
Average customer rating:
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Written in Ink
Liam Gallagher
Manufacturer: Liam Gallagher
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
ASIN: B000CA9MHA
Release Date: 2005-06-14 |
Tracks:
- Letter
- Byron
- Evil Man
- Don't You See?
- Live Another Day
- Original Moment
- Belief
- Just Like You and I
- Loneliest
- Perfect Sight
Average customer rating:
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Bring Back the Magic
Manufacturer: Justesen Inc
ProductGroup: Music
Binding: Audio CD
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CAGA70
Release Date: 2003-12-09 |
Average customer rating:
- Too much variety and too different
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Leaving You with This
Planet E
Manufacturer: Klein [Studio]
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
House
| Dance & DJ
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
Pop Rap
| Rap & Hip-Hop
| Styles
| Music
Techno-House
| Dance & DJ
| Indie Music
| Stores
| Music
General
| Rap & Hip-Hop
| Indie Music
| Stores
| Music
ASIN: B00004W5IM
Release Date: 2000-08-29 |
Tracks:
- Freeze
- Emma Pad
- Klub Cola
- Move [Terranova Remix]
- Am Naschmarkt [Walkner/M Remix]
- Green Girl
- Freeze [Pulsinger Remix]
- Leaving You With This
- Klub Kola
- Move
- Am Naschmarkt [Mum Remix]
- Klub Kola [Dubplate Mix]
- Leaving You With This [Rework Edit]
- Am Naschmarkt
Customer Reviews:
Too much variety and too different.......2004-07-30
This remix CD by the Austrian group consists of genres like hip-hop, funk, jazz, drum-n-bass, and ambient, all mixed together. Some songs are fast, some slow. Chances are, you won't like most of the tracks. I only liked #3 personally.
Rap Music:
- Live and Die for Hip Hop [CD-single]
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- Mista Marc
- Mob Life: The Album [Explicit Lyrics]
- Move Somethin' [Explicit Lyrics]
- Mr. Magic's Rap Attack, Vol. 2
- Mum
- No Limit Soldiers Compilation: We Can't Be Stopped [Clean]
- No One Can Do It Better [Explicit Lyrics]
- Politics of the Business [Explicit Lyrics] [Explicit Lyrics]
Rap Music
rap music
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