The Man and His Music [Explicit Lyrics]
Track Listings
|
1. Destiny Previews
|
|
2. Intro Head 2 da Sky
|
|
3. On and On
|
|
4. 2000
|
|
5. Good Old Days [Remix] - Fesu, , Stick
|
|
6. Bounce That Thang
|
|
7. Hater's Interlude
|
|
8. On Top of My Game
|
|
9. Let Me Be the One
|
|
10. Who's da Papa - Stick,
|
|
11. Madd Singer
|
|
12. Ain't No High
|
|
13. If I Say I Luv U
|
|
14. Man's Plea
|
|
15. Have a Little Fun
|
|
16. If You Were Here 2 Night - Eric Gable, Stick
|
|
17. Get Down
|
|
18. Outro ("The Stick Speaks")
|
The Man and His Music,Stick,Destiny (Select),Pop,Rap & Hip-Hop
The Man and His Music [Explicit Lyrics]
Average customer rating:
- Check out Other Versions. Don't be swayed by Others' Reviews.
- beautiful music for a haunting story.....
- Man of LaMancha As Good As Ever
- Don Quixote
- Magnificent voices
|
Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Mitch Leigh , Joe Darion , Richard Kiley , and Joan Diener
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Camelot (1960 Original Broadway Cast)
- Man of La Mancha
- Fiddler on the Roof (1964 Original Broadway Cast)
- My Fair Lady (1956 Original Broadway Cast)
- The Music Man (1957 Original Broadway Cast)
ASIN: B00005A8KE
Release Date: 2001-03-06 |
Tracks:
- Overture
- Man Of La Mancha (I, Don Quixote)
- It's All The Same
- Dulcinea
- I'm Only Thinking Of Him
- I Really Like Him - Joan Diener
- What Do You Want of Me - Joan Diener
- Little Bird, Little Bird
- Barber's Song/Golden Helmet
- To Each His Dulcinea (To Every Man His Dulcinea)
- The Impossible Dream
- The Combat (Previously Unreleased Reissue Track)
- Dubbing (Knight of the Woeful Countenance) - Joan Diener
- The Abduction
- Aldonza - Joan Diener
- A Little Gossip
- Dulcinea (Reprise) /The Impossible Dream (Reprise) /Man of Mancha (Repr - Joan Diener
- Finale (The Impossible Dream) - Joan Diener
Amazon.com
Man of La Mancha, the show that introduced "The Impossible Dream" to the world (and lounge singers everywhere), was the hit of the 1965 Broadway season. Richard Kiley is magnificent in his career-defining performance as the deluded wannabe knight Don Quixote. His leading lad Joan Diener sings the role of the kitchen wench Aldonza with just the right balance of dignity and vulgarity. Irving Jacobson turns in a fine comic performance as the Don's faithful squire, Sancho Panza. The score, with music by Mitch Leigh and lyrics by Joe Darion, was revolutionary in its time. The orchestra had no violins--just brass, woodwinds, percussion, and flamenco guitars. Man of La Mancha is one of Broadway's most inspiring musicals and it well deserves its high reputation. --Michael Simmons
Customer Reviews:
Check out Other Versions. Don't be swayed by Others' Reviews........2007-06-09
I've never seen this show on stage and my first exposure to the music was the Sony CD Man of La Mancha featuring Placido Domingo, Pandy Patankin, and Julia Migenes-Johnson. Despite lackluster reviews of the disk, I enjoy it, and when I saw this version at a second hand book/music store, I decided check it out too. My initial impression was that the Sony version was the better disk but decided to compare both versions by setting up a playlist in Media Player, playing tracks from both version back-to-back.
After that test, I have to agree with the reviews here that Richard Kiley is the superior Don Quixote. Domingo's voice is, of course wonderful, but Kiley acts the role better on the CD and Domingo's accent is a major distraction.
In the role of Aldonza - no contest. Julia Mingenes-Johnson's singing and performance on the Sony version is far superior to Joan Diener's. I didn't have to hear the tracks back-to-back to realize that. Ms. Diener's performance just grated on my ears from the beginning.
Bucking the crowd, I prefer Mandy Patankin's Sancho (Sony version) to Irving Jacobson's. I may be biased, having had more exposure to the Sony version, but Patankin seemed to be trying to inject a bit more feeling into the character. Jacobson, singing in an annoying, scratchy voice, came across almost like a cartoon trying to fit in among live characters. It seems like most people either like Patankin or hate him. Guess I'm one of the former.
The Orchestration does seem brighter/clearer in this version compared to the Sony version, but, in general, the tempo on most tracks seems slower than the same tracks on the Sony version. I preferred the up-tempo, Sony versions of "The Barber Song", "Little Bird, Little Bird", "The Dubbing" and "A Little Gossip".
In Summary: For Kiley's Don Quixote, you'll probably want this version, but for tracks featuring Aldonza (and maybe Sancho) you'll want to check out the Sony version. Since I have both disks, I will probably come up with a mix of my favorite tracks, in general, favoring the Sony disk but substituting the tracks that feature Richard Kiley's Don Quixote where I can.
beautiful music for a haunting story............2007-06-07
I remember reading excerpts from Cervantes' DON QUIXOTE, as a Spanish student, way back in junior high school. The saga of the madman fighting windmills and pursuing his illusions [and delusions] was very sad, but very romantic at the same time. When the musical adaptation, MAN OF LA MANCHA, was brought to the stage in 1965, Richard Kiley (as the title character, Don Quixote) absolutely transfixed the audience with his sensitively heartfelt portrayal of the tragic madman. The plight of Don Quixote, who travels on horseback, with his faithful companion, Sancho Panza (Irving Jacobson), and absolutely lovestruck by kitched wench Aldonza (Joan Denier), is alternately pathetic and profound. Perhaps one of the best known (and most remade) songs in the repertoire from LA MANCHA, is "The Impossible Dream." Richard Kiley really make it his own, here, and after you hear his version, it's hard to listen to others' versions of it. It's just not the same. Though, this story is anything but joyful, the music will glide through your ears and carry you on a surrealistic journey through attempted triumph and (ultimately) tragedy.
Man of LaMancha As Good As Ever.......2007-05-07
Very pleased with ourchase of this item. Quality is great as was the price. Delivery was timely. Easy transaction! A++++++++
Don Quixote.......2006-09-14
Back in High School my band leader, Mr. DeYoung, decided (agianst much opposition from those of us in the band let me tell you) to have us perform select pieces from this musical
I hated the idea. But when we began to play, he even had us watch the musical, I fell in love with the melody. The many songs of a man who believes the best in the world. YOu find that in Dulcinea, The Impossible Dream, etc.
From one maginificently rendered song to another, you can be lost in its melodic elegance.
My favorite song is the initial rendition of 'Little Bird, Little Bird'. It's a soft song, sung as a love ballad. In the musical you discover it's being sung to a local whore by a bunch of randy men. Despite that, I still like it.
This along with others are among the great works of the stage!
Magnificent voices.......2006-07-05
Voices and music make a revival of this beautiful play. Full of passion.
Average customer rating:
- Excellent
- A sound and soul unique
- Magical
- Best Music On The Planet
- Too much talk - not enough music
|
IZ in Concert: The Man and His Music
Israel Kamakawiwo'ole
Manufacturer: Mountain Apple Company
ProductGroup: Music
Binding: Audio CD
General
| International
| Styles
| Music
Hawaii
| Pacific Islands
| International
| Styles
| Music
General
| International
| Indie Music
| Stores
| Music
Pacific Islands
| International
| Indie Music
| Stores
| Music
Similar Items:
- Facing Future
- In Dis Life
- Alone in IZ World
- E Ala E
- Ka 'Ano'i
ASIN: B00000JFG2
Release Date: 1999-05-20 |
Tracks:
- Ahi Wela
- E Ku'u Morning Dew
- Kamalani
- Kaleohano
- Margarita
- "This Hawaiian Man" Intro
- Chant
- E Ala E
- Hene Hene Kou Aka
- Lover of Mine
- White Sandy Beach
- 'Opae E
- n Dis Life
- Maui Hawaiian Sup'pa Man
- Hawai'i '78
- Hawai'i Aloha
Album Description
This compact disc is being released on IZ's birthday, as a gift to his fans from his 'ohana. The aloha he felt for all of his audiences was passionate-whether they were seeing him in concert or just listening to one of his albums. IZ's life is in his music.
Customer Reviews:
Excellent.......2007-07-09
Having just visited Hawaii this is a wonderful cd to enjoy to keep the Aloha spirit alive.
A sound and soul unique.......2006-08-07
IZ's voice is well known to many from his background music on a television commercial for a toy company. He makes everything he sings his own, no matter the genre, the era. He sings traditional (pre-statehood) Hawaiian music with a vibrance that reflects his love of the islands and the early way of island life which he worked to promote. He sings popular standards adding his own soaring improvisations, his own interpretations, revealing music we never knew was there. Buy this recording. Buy all his recordings, as I have. Listen to them all by yourself, then listen to them with your closest friends. They are deeply-felt, deeply-personal works of music that have touched me and broadened my vision of what good music can be.
Magical.......2006-03-11
I love this man's music and spirit, however, this was not my very favorite of all his albums. I loved "Facing Future" the very most. But there is not a time or an album that you cannot be extremely moved by Iz's music and soul and love of his Hawaii.
Best Music On The Planet.......2005-10-27
In the beginning of the movie Contact, our planet earth is shown wildly spinning through space, expelling out transmissions of television and radio. The feeling is that we are representing ourselves to possible listeners from beyond. It's a fascinating thought, and more than a little embarrassing if you think about it.
This live cd by Bruddah Iz is something very special. It's something that would make me proud to broadcast into space, traveling until it's received and pondered by an intelligent lifeform. It's powerful, beautiful music, presented by a kind-hearted man. This is absolutely how I would like our planet to be represented. Perhaps this is why I frequently listen to Iz after I've overdosed on the complexities and harshness of living, or the bad vibes seen on the news.
Someone below stated that there is too much talking, and not enough music. I don't get it. I have everything that Iz ever created, including cds, dvds and videos, and treasure every single one. The fact that he does talk is what is special here. Iz is a generous window into an indigenous culture, and he shares this like no other. But, the cd is mostly about the music, and I never gained a sense that this is chatty or unmusical. I love hearing him talk, especially since he has moved on and the talking has stopped. At the end of Alone In IZ World there is a secret track, where he is talking about having trouble breathing, shortly before he moved on. This is powerful, and very moving.
Facing Future is a great place to start, and this cd is a great second ... or perhaps E Ala E. But, I've nearly worn this one out. Iz was musical down to his bones, but more than that his music is healing and represents the highest nature of us.
Too much talk - not enough music.......2005-05-12
I buy albums for the music, and this one does not deliver. Because of all of the chat it is not an album I could play more than twice without getting bored by it.
Personally, I have taken some tracks to mp3 so that I just get the music, and even some of those needed editting to remove more superfluous chat.
Not, in my opinion, an album for those just wanting to listen to music.
Average customer rating:
- I hate to be rude, but . . .
- Outstanding
- Sacred Songs
- My favorite of Fleming's CDs so far
- Inspiring and beautiful
|
Sacred Songs
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Bernstein
| Bernstein, Leonard
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Franck, César
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Humperdinck, Engelbert
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Poulenc
| Poulenc, Francis
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Reger, Max
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
General
| Reger, Max
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Bach, Johann Sebastian
| ( B )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Berlioz, Hector
| ( B )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Bernstein, Leonard
| ( B )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Fauré, Gabriel
| ( F )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Franck, César
| ( F )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Gounod, Charles
| ( G )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Handel, George Frideric
| ( H )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Humperdinck, Engelbert
| ( H )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Mozart, Wolfgang Amadeus
| ( M )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Poulenc, Francis
| ( P )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Reger, Max
| ( R )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Schubert, Franz
| ( S )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
- Haunted Heart
- The Inner Voice : The Making of a Singer
- Bryn Terfel - Simple Gifts
- HOMAGE: The Age of the Diva
ASIN: B000AM6OXK
Release Date: 2005-09-27 |
Tracks:
- Ave Maria
- Jesu bleibet meine Freude
- Dank sei dir, Herr
- Ave Maria, D839
- Laudamus te
- Panis Angelicus
- Air: "He shall feed his Flock"
- Simple Song
- Pie Jesu
- Domine Deus
- Laudate Dominum omnes gentes
- Air: Rejoice greatly, o daughter of Zion
- Abends will ich schlafen gehn
- L'Adieu des bergers
- Mariiegenlied, Op.76/52
- Amazing Grace
Amazon.com
This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine
Customer Reviews:
I hate to be rude, but . . ........2007-05-06
As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!
Outstanding.......2007-03-07
I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.
Sacred Songs.......2007-01-21
I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style
My favorite of Fleming's CDs so far.......2006-12-07
There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.
Inspiring and beautiful.......2006-07-20
I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.
Average customer rating:
- Wonderful, but not my first choice
- THE BEST recording of the BEST oratorio ever...
- Too bad there are so few recordings of Elijah
|
Mendelssohn: Elijah
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Similar Items:
- Franz Joseph Haydn: The Creation
- Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
- Mahler: Das Lied von der Erde
- Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
- Brahms: Ein deutsches Requiem [A German Requiem]
ASIN: B0002XV31A
Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Average customer rating:
- it doesn't get better than this.....
- cd heaven
- Nothing Rains on this Parade
- Streisand in prime vocal condition
- Needs more songs. Missing SECOND HAND ROSE.
|
Funny Girl
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
Classic Vocalists
| Broadway & Vocalists
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Contemporary
| Vocal Pop
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
General
| Adult Contemporary
| Pop
| Styles
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Opera & Vocal
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Musicals
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- Funny Lady: Original Soundtrack Recording
- Hello, Dolly! (1969 Film Soundtrack)
- Funny Girl
- Funny Girl (1964 Original Broadway Cast)
- Yentl (1983 Film)
ASIN: B00005V3WI
Release Date: 2002-01-29 |
Tracks:
- Overture
- I'm The Greatest Star
- If A Girl Isn't Pretty
- Roller Skate Rag
- I'd Rather Be Blue Over You (Than Happy With Somebody Else)
- His Love Makes Me Beautiful
- People
- You Are Woman, I Am Man
- Don't Rain On My Parade
- Sadie, Sadie
- The Swan
- Funny Girl
- My Man
- Finale
Customer Reviews:
it doesn't get better than this............2007-07-18
This soundtrack takes me back. I was probably about six years old when I first heard the soundtrack from FUNNY GIRL, the successful movie musical based on the life story of the late great vaudevillian, Fanny Brice. Though, Brice was not conventionally beautiful, she made quite an impression on those sitting in the theaters she performed in. The woman truly was a gifted and accomplished stand up comedian. She didn't even have to stand up to do it--she was perfectly good at it while slipping in rollerskates, dancing in a parody of Swan Like [Chicken Ballet], and sitting down while singing a torch song.
How did the life story of Fanny Brice transfer to the screen, and on vinyl and CD? It was done with style, class and great humor. What's more, a wonderful score by Jule Styne did wonders in conveying the range of emotions, triumphs and successes that Brice experienced during the course of her career--this encompasses her formative years as a young performer, to her more "domesticated" years [if you can call them that!]. FUNNY GIRL was also a star-making vehicle for [then] twenty-one year old Barbra Streisand. The score includes the larger-than-life "I'm The Greatest Star," the hilarious "His Love Makes Me Beautiful," and one of Streisand's most recognized songs, "People." You will love this soundtrack, and I guarantee it will make you want to see the film afterwards. Though, as a little girl, I felt as though this music was filled with so much color and life already, I could SEE the film through hearing the songs. Brilliant and incomparable.
cd heaven.......2007-01-19
cannot buy cd's cheaper at any store. this is an oldie but a great christmas gift for an oldie.
Nothing Rains on this Parade.......2007-01-04
"Funny Girl" was one of the greatest musicals and cast recordings to come ouf of broadway and it created one of the world's greatest performers ever. Happily Barbra Streisand successfully transported herself to film and out came one of the most enjoyable soundtracks ever produced for a film. The film score is so minutely different, the show's composers Styne and Merrill had to take out a couple of songs from the show and wrote the beautiful "Funny Girl" in it's place for the film. This soundtrack tends to in my opinion be more authentic than the original cast recording because they put in non-original material such as "I'd Rather Be Blue Over You (Than Happy with Somebody Else)" written by Billy Rose who would much later marry Fanny Brice and it fits the early 1900's era for which "Funny Girl" is set and Barbra's comedic skills are timeless on this song you may not see it but you can hear it in her voice such as with "The Swan" .Another song they use at the film's climax is "My Man" not only was it a staple in the real Fanny Brice's act it is a power-house. Barbra insisted to sing the first part live on screen and record the latter part it is so effective and you do get all the advantages of this on the soundtrack. One more bonus to this recording is the overture composed for the film is gorgeous and they never played it in the film only on the soundtrack, interestingly they used the the opening theme music from the film as the closing music to the soundtrack. Definitely get this soundtrack it is one of the most delightful scores to one of Hollywood's greatest musicals adapted from the stage and that can't be said too often. "Funny Girl was also one of the last great musicals ever produced out of Hollywood and the linear notes in the CD are informative and fun for musical lovers.
Streisand in prime vocal condition.......2006-09-16
Barbra Streisand will forever be linked to the autobiographical Fanny Brice, a role she originally made her own on Broadway in 1964 and in London the following year; immortalised onscreen four years later (earning an Academy Award as well as countless other trophies). On the original soundtrack album, Ms Streisand is in prime vocal condition, though I do prefer her performance on the OBC album just a little bit more, for she is more brash and unkempt and far more vulnerable with her spin on Fanny. In the film, she is more confident and showman-like.
The film score of FUNNY GIRL does vary greatly from it's Broadway counterpart. The roles of Mrs Brice and Eddie Ryan don't get much to sing (with the deletion of "Who Taught Her Everything?" and "Find Yourself a Man"). Fanny's solo numbers "Who Are You Now?" and "The Music That Makes Me Dance" were abandoned in favour of numbers that the real Fanny was famous for ("I'd Rather Be Blue" and "My Man"). I believe the producers committed the cardinal sin with the deletion of "The Music That Makes Me Dance", a ballad far more memorable and moving than the show's big number "People" (and I know a lot of others feel the same way). Nevertheless, the film soundtrack of FUNNY GIRL is the perfect sonic representation of Streisand's greatest hour on celluloid.
I own the earlier Sony CD pressing (which is full of analogue hiss, reverb and noise), yet from what I hear about the more recent "remaster", the quality of the overall recording is virtually the same. Highly-recommended, but don't expect miracles with sound quality.
Needs more songs. Missing SECOND HAND ROSE........2006-08-08
The soundtrack is good to excellent, but it makes me very
unconfortable that important songs are MISSING. Can you
imagine SECOND HAND ROSE is missing, and Barbra sings it a little
different from the version she did in MY NAME IS BARBRA TV special. I also love the part where Barbra sings " Mr Anstein,
Mr. Arnstein, what a beautiful name". Those two sequences could be combined into a song. I also would have loved a little spoken
comedy in this soundtrack, such as Barbra as Baby Snooks scene,
where she meets the reporters and ends with "the name is Arnstein". Barbra is marvelous in this comedy scene. Barbra is
perfect as a stand-up comedienne, and she would be great
acting such a part in a film.
Barbra recorded the song PEOPLE countless times over the last
decades. Why was SECOND HAND ROSE left out of the soundtrack.
There is enough space on the Audio CD to include this song, as
well as additional ones. A few Bonus songs of Barbra singing
Fanny Brice songs that were considered but that were left out
of the film, would be most welcomed. Looking forward to the next
edition of this soundtrack. hoping that it will be the definite
edition. We Barbra Streisand fans deserve the best.
Average customer rating:
- Well worth the price
- Not Exactly "The Ultimate" Collection...
- Where's the chicks?!?!
- Not quite the ultimate....
- Great Music - Questionable Selection
|
The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Sullivan
| Sullivan, Arthur
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Brannigan, Owen
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- The Best of Gilbert & Sullivan
- Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
- Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
- Topsy-Turvy
- The Best of Gilbert & Sullivan
ASIN: B000007OU0
Release Date: 1998-06-09 |
Tracks:
- H.M.S. Pinafore: We Shall Sail The Ocean Blue
- H.M.S. Pinafore: I'm Called Little Buttercup
- H.M.S. Pinafore: My Galant Crew, Good Morning
- H.M.S. Pinafore: I'm The Monarch Of The Sea
- H.M.S. Pinafore: When I Was A Lad
- H.M.S. Pinafore: Nevermind The Why And Wherefore
- H.M.S. Pinafore: Kind Captain, I've Important Information
- H.M.S. Pinafore: Carefully On Tip - Toe Stealing
- H.M.S. Pinafore: For He Is An Englishman
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- The Pirates Of Penzance: With Cat Like Tread
- The Sorcerer: My Name Is John Wellinton Wells
- The Gondoliers: Take A Pair Of Sparkling Eyes
- Patience: If You're Anxious To Shine
- The Mikado: If You Want To Know Who We Are
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Behold The Lord High Executioner
- The Mikado: As Someday It May Happen
- The Mikado: Three Little Maids From School Are We
- The Mikado: The Sun Whose Rays Are All Ablaze
- The Mikado: Here's A How - De - Do!
- The Mikado: From Ev'ry Kind Of Man Obedience I Expect
- The Mikado: A More Humane Mikado Never Did In Japan Exist
- The Mikado: The Criminal Cried As He Dropp'd Him Down
- The Mikado: The Flowers That Bloom In The Spring, Tra La
- The Mikado: On A Tree By A River A Little Tom Tit
- The Mikado: There Is Beauty In The Bellow Of The Blast
- The Mikado: For He's Gone And Married Yum-Yum
Customer Reviews:
Well worth the price.......2006-04-13
I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.
Not Exactly "The Ultimate" Collection..........2004-12-23
It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).
In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.
Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.
Where's the chicks?!?!.......2003-05-15
It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.
Not quite the ultimate...........2002-03-25
This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!
Great Music - Questionable Selection.......2002-02-05
It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
Average customer rating:
- Bach and Handel Treats
- Fine recording, but doesn't work for me.
- rock on!!!!!
- This song is the best I have ever heard. It rocks!!!!!
|
Jesu, Joy of Man's Desiring / Mormon Tabernacle Choir
Johann Sebastian Bach , George Frideric Handel , Dr. Jerold D. Ottley , Eugene Ormandy , Richard P. Condie , Columbia Symphony Orchestra , Philadelphia Orchestra , Royal Philharmonic Orchestra , and Mormon Tabernacle Choir
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Mormon Tabernacle Choir
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Anthems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Magnificats
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
$6.99 and Under
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Bach, Johann Sebastian
| ( B )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Handel, George Frideric
| ( H )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Mormon Tabernacle Choir
| ( M )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Opera & Vocal
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- Make A Joyful Noise
- Rock of Ages: 30 Favorite Hymns
- The Mormon Tabernacle Choir's Greatest Hits: 22 Best-Loved Favorites
- More Greatest Hits: 18 Best Loved Favorites
- The Essential Mormon Tabernacle Choir
ASIN: B0000027YR
Release Date: 1992-07-14 |
Tracks:
- Cantata No. 80: A Mighty Fortress Is Our God
- Cantata No. 140: Zion Hears The Watchmen's Voices
- Magnificant In D Major, BWV 243: My Soul Doth Magnify The Lord
- Cantata No.147: Jesu, Joy Of Man's Desiring
- Cantata No. 4: Now Keep We All This Holy Feast
- Cantata No. 208: Sheep May Safely Graze
- Mass In B Minor, BWV 232: Et Resurrexit
- Cantata No. 79: Now Thank We All Our God
- Cantata No. 140: Sleepers Awake
- Samson: Awake The Trumpet's Lofty Sound
- Samson: Let Their Celestial Concerts All Unite
- Judas Maccabaeus: See, The Conqu'ring Hero Comes!
- Judas Maccabaeus: Sing Unto God
- Judas Maccabaeus: Hallelujah, Amen
- Saul: Welcome, Welcome Mighty King
- Saul: David, His Ten Thousands Slew
- Israel In Egypt: But As For His People
- Israel In Egypt: Sing Ye To The Lord
- Coronation Anthem: Zadok The Priest
- Messiah: Hallelujah
Customer Reviews:
Bach and Handel Treats.......2000-08-04
The unfortunate thingÑif anything can be said to the contrary about this collectionÑis that is an older recording. As far as authenticity, what was available in the days of Bach and Handel to perform their music, and what they may have had in mind as the formidable way of presenting it to the publicÑas well as to the heavensÑmay be quite different things. Viewed in this way, authenticity may be an abstraction we are not here priviledged to comment on.
I have marveled for years, even when these were two separate LP's, of the power and dimensionality conveyed by the way these works are performed. I still switch from one to another piece as which is my favorite. In this respect, the experience is a hermenutic delight. Any lover or respecter of Bach or Handel would not go wrong by including this collection in their musical library.
When I use the word "treats" in the title, I mean just that: it is a collection of works that one would be hard pressed to find performed together on any available recording. And so I use the metaphor "treat," as if I were given a morsel and then devoured it; and another, and devoured that one, each with a fullness of pleasure and delight, and with soul filling satisfaction.
These indivdual recordings are for the most part masterpieces in and of themselves, and to be able to listen to them as they are performed flawlessly, and in a manner that invites the Spirit of GodÑby saying they are a "treat"Ñis to merely to treat them minimally.
Fine recording, but doesn't work for me........1999-05-07
I love several of J.S. Bach's cantatas, and enjoy hearing them in a variety of ways--period performances, orchestral arrangements, etc. Therefore I'm not one to insist on authenticity. Nevertheless, the chorus here sounds too big for the Bach. Also, the program needs more variety for straight through listening. Chorus after (massive) chorus doesn't work for me.
rock on!!!!!.......1999-02-09
Jesu joy of man's desiring, holy wisdom love most bright
This song is the best I have ever heard. It rocks!!!!!.......1999-02-09
Jesu joy of man's desiring, holy wisdom love most bright
Average customer rating:
- Michel Legrand
- Sunlight on his fingertips
- all the stars you've got
- Maestro Legrand , at last !
- For Jazz piano purest... Only!
|
Michel Legrand by Michel Legrand
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
France
| Continental Europe
| Europe
| International
| Styles
| Music
General
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Michel Plays Legrand
- The Essential Michel Legrand Film Music Collection
- I Love Paris
- Legrand Jazz
- Summer of 42
ASIN: B00005YW0W
Release Date: 2002-04-16 |
Tracks:
- I Will Wait For You
- The Windmills Of Your Mind
- The Summer Knows
- How Do You Keep The Music Playing?
- Watch What Happens
- What Are You Doing The Rest Of Your Life?
- His Eyes, Her Eyes
- The Hands Of Time
- Ordinary Man
- Summer Me, Winter Me
- You Must Believe In Spring
- Once Upon A Summertime
- L'Amour Fantome
- Yentl Medley: Papa Can You Hear Me/The Way He Makes Me Feel/A Piece Of Sky
Amazon.com
If the American pop culture profile of French composer-jazz pianist Michel Legrand doesn't seem what it once was, don't be misled: his European indie film scores continue six decades on, now numbering nearly 200. But Legrand's most beloved work remains the lovely, evocative themes he created in the '60s and '70s, including "I Will Wait for You" from The Umbrellas of Cherbourg, The Thomas Crown Affair's "Windmills of Your Mind," the theme from Summer of '42, and his work on Barbra Streisand's Yentl. This collection marks Legrand's first solo piano recordings, presenting those and other film score highlights in spontaneously improvised performances that offer a glimpse of Legrand's musical soul. If, as in "Windmills," his enthusiasm gets the best of him and he occasionally lapses into flights of melodramatic pianistic self-parody, there are more than enough sublime moments here to compensate, especially on lesser-known songs like Best Friends' "How Do You Keep the Music Playing?," "What Are You Doing the Rest of Your Life?" from The Happy Ending, and Brian's Song's "Hands of Time." --Jerry McCulley
Customer Reviews:
Michel Legrand.......2007-03-12
This is a great CD! Sound is awesome. I highly recommend it.
Sunlight on his fingertips.......2005-08-10
Sunlight on his fingertips
The very bright talent of Michele Legrand you can feel especially when Maestro is playing piano himself.
I heard some orchestra performance of Legrand before, that was good, but I was still thinking about him just like about pop music composer.
Now I think different - he is Genius!
all the stars you've got.......2005-01-29
Bill Evans once said that technique in jazz "is the ability to translate your ideas into sound through your instrument." If that's the case, Legrand possesses technique in spades.
Before commenting on this rewarding disc, a few words about Legrand himself:
Is there a better songwriter or a more versatile all-around musican alive today? I think you have to go back to people like Gershwin and Billy Strayhorn to find a rough parallel to Legrand's multifaceted, genre-crossing genius. A pupil of Nadia Boulanger (who studied with Faure and taught many important American composers, including Aaron Copland and Philip Glass), Legrand is an heir of the great French tradition of music--but one who has chosen to express himself through popular songs, film scores, and jazz. He possesses that rare combination of an absolutely rigorous theoretical knowledge of music and an intuitive, spontaneous instinct for both melody and improvisation. He combines exquisite refinement with a popular touch, a need to communicate directly with all who love music. To me, his work represents the most perfect expression of such typically French traits as lightness, insouciance, wit, melodic charm, and direct emotional expression since Poulenc.
Here you'll find many of Legrand's signature songs--"I Will Wait for You," "The Windmills of Your Mind," "What Are You Doing the Rest of Your Life?," "The Hands of Time," "You Must Believe in Spring," etc.--reharmonized and enriched in stunningly beautiful solo recreations. Those unfamiliar with Legrand's pianistic abilities will probably be surprised by what they hear, for he's no part-time piano tickler. He can easily hold his own in the company of the best modern jazz pianists. He has a wonderfully refined touch that is incapable of making a harsh sound and a profusive sense of fantasy that keeps you constantly guessing as to where the music will go next. Yet you always feel satisfied when you find out, because Legrand possesses a composer's comprehension of harmony and form. And his own style is in no way compromised by an occasional nod here and there toward Bill Evans, Erroll Garner, Rachmaninoff, and so on. (Please: disregard the Amazon reviewer's remark about "flights of melodramatic pianistic self-parody." It's called a stride chorus, and it's just one example of Legrand's surprising way of recasting these songs--and of his encyclopedic command of jazz styles.)
This disc represents the essence of Legrand. It really should have been recorded a long time ago, but the fact that it has captured his undiminished abilities as he enters his twilight years lends it an added poignance--a sense of "just in time!"--that makes it all the sweeter. If you're already a Legrand fan, it should be a self-recommending treasure, and if you're a fan of great piano playing or of sophisticated jazz treatments of great songs, odds are you'll find this a very rewarding disc indeed. For me, the highlight is this version of "What Are You Doing the Rest of Your Life?" in which every note seems inevitable--not at all an easy thing to make happen in an improvisation.
Miles Davis once said of a Duke Ellington recording, "Give that one all the stars you've got." That's the way I feel about this disc, and I thought that phrase "all the stars you've got" was appropriate because it almost sounds like the title of a Legrand song.
Maestro Legrand , at last !.......2004-10-10
Legrand has recorded at last one of his more intimate renditions to himself with his most remarkable themes along his brilliant career .
From a summer of 42 , The windmills of your mind (The Thomas crown afair) , what are you doing the rest of your life or the romantic Umbrellas of Cherbourg ; all those unforgettable themes are played in this album for piano solo in the real intimacy between him and the listener .
Legrand is the golden master of soundtracks in France and one of the top in the world . He owns that inner vision to catch the spirit of every movie he accompains . He composes music as he was a real director movie . The psychological concerns , the romantic efluvies and the precise and lyrical atmosphere , with that touch of class, artistic elegance and sublime eloquency .
Think also in the important recordings with Miles Davis . That issue will give you the size of that artist and anothe point to remark . In 1954 , Legrand made a golden jewel : I lvoe Paris (See my review) that has become through the years in the most famous and the best album of instrumental music ever recorded .
What other background do you need to acquire this gem ?
For Jazz piano purest... Only!.......2002-09-07
I love the music of Michele Legrand! It is a rich mixture of
graceful tones and notes, that create memories of a certain
time and place in each of our own lives.
When accompaned with great orchestration Its wonderful. When done in a jazz piano style, its not as good. Not to take anyting away from the talents of Mr Legrand as a pianist. Its just that like hearing a lusher, grander version of his music. So if you like jazz piano music, and Michele Legrand.
Then this is the cd for you!
Average customer rating:
- The Better of the two
- Not as good as version 1 in this series
- Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'
|
Early American Choral Music, Vol. 2
Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD
All Works by Dowland
| Dowland, John
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Psalms
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
$6.99 and Under
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Dowland, John
| ( D )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Early American Choral Music, Vol. 1
- Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)
- Wake Ev'ry Breath - Music of William Billings
- The Shapenote Album
- Lost Music of Early America: Music of the Moravians
ASIN: B00005UVPB
Release Date: 2002-04-09 |
Customer Reviews:
The Better of the two.......2006-06-03
I have both disc in the series. I liked the music on this disc much more than the first. The selections seem more focused and the sounds are much clearer. Also, the particular pieces fit better together. I love the sound of this group and hope they make more in the future.
Not as good as version 1 in this series.......2004-09-03
This is by the same group who did the wonderful & engaging Early American Choral Music 1. Somehow this CD did not live up to its predecessor in some ways. The performance is still top notch, but somehow the CD as a whole isn't quite as engaging to listen to as the first. Perhaps version 2's strength is also its weakness. Its diversity of composers allows you to pear past the shadow of William Billings and sample other notable early American hymn writers. That exposure is valuable & appreciated. I just couldn't get into it as much.
A final note: many of the texts are beautiful (and available from the publisher's web site). However, I would criticize "Who is this that cometh from Edom?" as dwelling just a bit too much on the Jews' rejection of Jesus. Among other reasons & issues, Christianity says that we are all sinners & there is no cause to single a particular group out negatively.
Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'.......2004-02-21
Please note this CD is a duplicate of His Majestie's Clerkes's "Goostly Psalmes: Anglo-American Psalmody 1550-1800" -- identical contents but a different name and cover. I ordered both and was irritated to discover this. This CD is cheaper, so I recommend this one. It is a lovely choral work from a little-known period of sacred music.
Average customer rating:
- Wonderful original recording, plenty extras.
- This one is really fine.
|
Die Dreigroschenoper: Berlin 1930
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
All Works by Weill
| Weill, Kurt
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- The Threepenny Opera (1954 New York Cast) (Blitzstein Adaptation)
- The Collector's The Threepenny Opera
- Lotte Lenya sings Kurt Weill's The Seven Deadly Sins & Berlin Theatre Songs
- Weill: Aufstieg und Fall der Stadt Mahagonny
- The Threepenny Opera
ASIN: B00005Y34P
Release Date: 2003-02-18 |
Tracks:
- Ouvertd Moritat Von Mackie Messer
- Seererjenny
- Kanonensong [Cannon Song]
- Liebeslied
- Barbara Song
- Erstes Dreigroschen-Finale
- Abschied
- Zuherbassatle
- Ballade Von Angenehmen Leben
- Eifersuchtsduett - Lotte Lenya, Theo Mackeben & his Jazz Orchestra
- Zweites Dreigroschen-Finale - Lotte Lenya, Theo Mackeben & his Jazz Orchestra
- Lied Von Der Unzullichkeit des Menschlichen Strebens
- Moritat und Schlusschoral - Marlene Dietrich
- Wie Man Sich Bettet - Curt Bois
- Alabama Song - Marlene Dietrich
- Nachtgespenst
- Peter - Lotte Lenya, Theo Mackeben & his Jazz Orchestra
- Guck Doch Nicht Immer Nach Dem Tangogeiger Hin
- Jonny
- Vom Seemann Kuttel Daddeldu
- Chant des Canons
- Chant d'Amour
- Tangoballade
- Ballade de la Vie Agrle
- Die Seererjenny
- Barbara Song
- Die Moritat Von Mackie-Messer
- Lied Von Der Unzullichkeit des Menschlichen Strebens
- Alabama Song [Alternate Take]
Amazon.com
Performed in 1930 by the cast and orchestra of the 1928 Berlin premiere (except for Willi Trenk-Trebitsch, the Mackie of the 1929 Prague premiere), this extraordinary recording must be the last word in genuine, unvarnished "authenticity." Even the remastered sound is amazingly good and life-like. The half-spoken, half-sung delivery captures the biting sarcasm of Brecht's text as well as the abrasive bitterness and sinuous lyricism of Weill's melodies, underlined by the punchy, swinging rhythms and indigenously jazzy sound of the orchestra. The result is an uncanny evocation of a historical period and its atmosphere. One can smell the smoky nightclub air, see the garish colors, and feel the unbridled sensuousness. This "abridged" version offers 13 familiar numbers, with most strophic repeats omitted, but includes alternate versions of several songs--four in French, two sung by Brecht himself. There are also two songs from Mahagonny, a long "scene" by Wilhelm Grosz, and two songs each by Rudolf Nelson and Friedrich Hollaender (who wrote the music for the film "The Blue Angel), two of them sung by Marlene Dietrich with her inimitable lascivious sensuality. --Edith Eisler
Customer Reviews:
Wonderful original recording, plenty extras. .......2006-09-11
In quick summary:
- If you're at all familiar with the Dreigroschenoper and all its incarnations, be sure to buy this album. It's the closest you could get to an 'original'.
- If you're completely new to the Threepenny story, I would recommend starting with the 1999 Nina Hagen concert version instead. It's got all the songs left out here, better recording quality, and a more modern approach to the music.
This is not a complete collection of original cast Dreigroschen songs. Rather, it's a selection of the best tracks from the play, often censored and cut short (in all the usual ways), and filled up with seemingly random extras in the genre.
The performers are all quite brilliant, and it's refreshing to hear a 3P without all the screaming and biting from recent versions. Though the songs are by no means slow, they're much more relaxed, more saccharine I would say, than what they've later evolved into. I love both type interpretations, but I often prefer this one.
One very nice bonus is the inclusion of a handful Threepenny songs in French. Otherwise pretty hard to come by. Also, the famous final lines of the movie version (Moritat reprise) are present, which I've only seen in one other recording (the 1981, also led by Miss Lotte Lenya). All in all, an essential CD for Brecht/Weill fans.
This one is really fine. .......2006-03-03
I've been a three-penny freak ever since I was a hanger-on at a Stanford production 40 years ago directed by a Brecht associate from Berlin. It's wonderful to get the authentic original cast records. I really like the added Berlin Chansons, too. "Don't Goggle at that Tango Dancer, Keep Your Eyes on the Guy You Came with!" Or Marlene Dietrich, with "Jonny, When it's Your Birthday, I'll Be Your Guest for a Night."
Rap Music:
- The Source Hip-Hop Music Awards 2001 [Clean]
- This Or That [CD-single]
- Throw Your Set in the Air [EP]
- Thug Thistle [Explicit Lyrics]
- Trap Affiliated [Explicit Lyrics]
- Trouble Will Find U [Explicit Lyrics]
- Veteranz Day
- Welcome To My World [Explicit Lyrics]
- Where Do I Go [Explicit Lyrics]
- Where-U-At/Fun
Rap Music
rap music
Recommended Music:
Backtracks
Dvorak: Violin Concerto,Op.53/Romance In F/Mazurek,Op.49/Legend In D/Legend In G/Scherzo Capriccioso
George Frideric Handel: Concerti Grossi Op. 6
Live 1965
Hair of the Dog [Import]
Live! [Live]
I'll Be Around [CD-single] [Import]
Fauré: Nocturnes, Impromptus, Romances, Barcarolles
Full Western Dress
Jazz-Club: Guitar
Free Improv for Robots
Energized [Import]
Here for One [CD-single] [Import]
Some Assembly Required
The Wild West: The Essential Western Film Music Collection