The G-Spot [CD-single]

Track Listings

1. G Spot [Radio Version]

2. G Spot [Instrumental]

The G-Spot,Kompozur,All Net,Hip-Hop,Pop,Rap & Hip-Hop

The G-Spot [CD-single]

Average customer rating:

Sarah's Best Easy Listening CD
Best Brightman CD
Sarah Brightman is a Classic
Not The Best - Not the Worst - From Sarah Brightman
Nice Cover

Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Time to Say Goodbye
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La Luna

ASIN: B00005RD78
Release Date: 2001-11-20

Tracks:

Ave Maria (new recording)
La Wally (from Time To Say Goodbye)
Winter Light (new recording)
Anytime, Anywhere (from Eden)
Alhambra (new recording)
Lascia Ch'io Pianga (from Eden)
Dans La Nuit (new recording)
Serenade/How Fair This Place (from La Luna)
O Mio Babbino Caro (new recording)
La Luna (from La Luna)
Pie Jesu (new recording)
Figlio Perduto (from La Luna)
Nessun Dorma (new recording)
Bailero (from Eden)
Time To Say Goodbye (New solo version--previously unavailable)

Amazon.com

Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

Sarah's Best Easy Listening CD.......2007-03-15

Sarah Brightman's talent is limitless. Her soprano and/or alto voice is among the best and she lets it show in 'CLASSICS'. CLASSICS is a beautiful, easy listening, and peaceful CD. CLASSICS is one to listen to in tranquil or relaxing moments. "CLASICS" is a collection of great pieces of music written by great composers (Shuburt, Handel, Chopin, Puccini, and the like). I have listened to CLASSICS about 15 times now and it always puts me in a quiet and peaceful mood (I am ~50 years old).

Best Brightman CD.......2007-02-07

A classical composition which showcases the beautiful voice of Sarah Brightman. A timeless CD which will continue to be a favourite over the years.

Sarah Brightman is a Classic.......2007-01-02

Sarah Brightman is at her best in "Classics." From Dvorak's "Rusalka" (Opera B.203) to Beethoven's haunting Op 52, slow movement (Symphony #7), Brightman's voice and lyrical style are a joy. I particularly enjoy her performances of Schubert's Ave Maria and Andrew Lloyd Weber's Pie Jesu. This is a great add to my collection of serious music.

Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30

After purchasing this CD for my iPod for iTunes, I must say that I'm a little bit dissapointed. 7 new recordings and 8 old ones, ones that I already happen to have. I do like the fact that they're all on one CD! Some of her new recordings, including, "Ave Maria", "Winter Light", "Alhambra", "Dans La Nuit", and the new recording of "Pie Jesu" are just too breathy for my taste. It seems as with every changing CD, Sarah's voice changes. I'm not saying that the result is bad; it actually gives the songs more of a dream like quality, but I'm used to the younger, more Andrew Lloyd-Webber integrated Sarah. Scooping continually occurs in new recordings of "O Mio Babbino Caro", and "Nessun Dorma". In some tracks from La Luna, like "Figlio Perduto", Sarah's voice is TOTALLY dominated by harmonizing recordings that sound almost mechanical.

OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!

Nice Cover.......2006-12-27

I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).

As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.

In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...

Average customer rating:

Marvellous!
The best violinist ever!

Itzhak Perlman's Greatest Hits, Vol. 2

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Itzhak Perlman's Greatest Hits
Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more
Cinema Serenade
Itzhak Perlman - A la carte / Lawrence Foster
Cinema Serenade II: The Golden Age

ASIN: B00004XST2
Release Date: 2000-09-12

Tracks:

Chanson Sans Paroles
Polonaise De Concert No.1, Op.4
It's Peaceful Here, Op.21 No.7
Chanson Russe
Liebesleid
Slavonic Dance In E Minor, Op.46, No.2
Tempo Di Minuetto (In The Style Of Pugnani)
Romanza Andaluza, Op.22
Melodie
Serenade Espagnole
Serenade (Frasquita)
La Capricieuse, Op.17
Sicilienne
Molly On The Shore
Andantino (In The Style Of Martini)
Marguerite (Daisies), Op.38, No.3
Melodie, Op.42 No.3
Estrellita
Spanish Dance No.5
Berceuse Sfaradite
Caprice In A Minor

Customer Reviews:

Marvellous!.......2005-11-26

I don't play violin, and I can't even read music, but as a classical music amateur I find this CD outstanding. Even an incompetent like myself can easily understand why Perlman is regarded as one of the greates violinists ever. This is a marvellous collection of pieces. The rendition of "Chanson Russe" by itself is, in my opinion, worth more than the price of the CD. If you listen to the audio samples on Amazon's pages and you like violin you will surely understand why I like this CD so much. I am grateful to People like Perlman, who make this world a better place to live in.

The best violinist ever!.......2001-01-26

All I can say to this CD is it's the best I've ever heard. In this CD, Itzhak Perlman truly demonstrates his best performances of the past years. I have always been a great admirer of Perlman, but since I own this CD, it's all I've listened to for the past three months. I myself play the violin and Perlman has become an inspiration to me, almost a musical idol. For any of those violinists out there, especially young musicians, who don't feel any excitement about playing the violin, listen to this CD and I promise you, you will strive to being able to play like this man does. He is truly the best musician I've ever known.

Average customer rating:

The Best
Buy This Now!!!!

Rachmaninoff for Relaxation

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Debussy for Relaxation
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Bach for Relaxation

ASIN: B00005KCGZ
Release Date: 2001-06-19

Tracks:

Rhap On A Theme Of Paganini, Op.43: Var 18 - Dmitri Alexeev
Sym No.2 in e, Op.27: III. Adagio - The Philadelphia Orch/Eugene Ormandy
Prld in G, Op.32 No.5 - Alexis Weissenberg
Vocalise, Op.34 No.14 - Anna Moffo
Prld in F - Mikhail Kazakevich
Prld in D, Op.23 No.4 - Barry Douglas
Prld in E-flat, Op.23 No.6 - Barry Douglas
Vc Con in g, Op.19: III. Andante - Janos Starker/Shigeo Neriki
It's Peaceful Here, Op.21 No.7 - Vladimir Spivakov/Sergei Bezrodny
Pno On No.1 in f#, Op.1: II. Andante - Byron Janis
Pno Con No.2 in c, Op.18: II. Adagio Sostenuto - Barry Douglas

Customer Reviews:

The Best.......2002-08-31

I thought this was so good, especially tracks 8 thru 11 that I bought copies for my six siblings.

Buy This Now!!!!.......2001-09-07

This is a beautiful work by the master composer Rachmaninoff. I have been a fan of his work, but when I heard this recording it nearly blew me away. Listen to Vocalise - the beauty of this track is what sold me on the rest of the album.

Average customer rating:

Dedicated to experts?
Zappa Attempts Stockhausen
The Yello Shark, performed by the Modern Music Ensemble
ZAP!
A Frank Zappa Treasure. Better than many of his CDs

The Yellow Shark

Manufacturer: Zappa Records
ProductGroup: Music
Binding: Audio CD

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Jazz From Hell
Make a Jazz Noise Here
The Grand Wazoo
Burnt Weeny Sandwich
The Perfect Stranger

ASIN: B0000009VU
Release Date: 1995-05-30

Tracks:

Intro
Dog Breath Variations
Uncle Meat
Outrage At Valdez
Times Beach II
III Revised
The Girl In The Magnesium Dress
Be-Bop Tango
Ruth Is Sleeping
None Of The Above
Pentagon Afternoon
Questi Cazzi Di Piccione
Times Beach III
Food Gathering In Post-Industrial America, 1992
Welcome To The United States
Pound For A Brown
Exercise #4
Get Whitey
G-Spot Tornado

Amazon.com

Released shortly after his death in 1993, The Yellow Shark represents one of the only accurate performances of Frank Zappa's "serious" orchestral music--at least as far as the composer was concerned. Assembled from a series of sold-out performances in Germany by the Ensemble Moderne, the set includes re-workings of old favorites like "The Dog Breath Variations" and "Uncle Meat," live arrangements of some of his hairiest computer music like "The Girl in the Magnesium Dress" and "G-Spot Tornado" and new works by Zappa composed specifically for the event. The performances are astonishing and the music? Pure Zappa. --Andrew Boscardin

Album Description

The 26-member Ensemble Modern performs FZ's 'most-humanly-impossible-to-play' compositions. Piano duets, string quintets & small ballets. Simply exquisite, with a 60-page booklet to explain it all. Originally released in 1993, it stayed on the classical chart for most of `94. Includes the tracks 'Outrage At Valdez,' 'None Of The Above,' & 'Welcome To The United States', plus arrangements of some of the most fiendishly difficult pieces from FZ's back catalogue & even a 'greatest hit' or two (some would pick this as the definitive version of 'Dog Breath Variations'). Sadly, this was the last album released by FZ during his lifetime. The didipak and the booklet are housed in a slipcase. Rykodisc.

Customer Reviews:

Dedicated to experts?.......2007-06-25

Frank Zappa was very proud of this great and difficult work done at the end of his (too short) life.
It requires also great concentation and a capability that probably I don't have to well understand this kind of experimental classic music.
It goes beyond the experimental rock that is typical of many of his works, leading him to the level of great contemporary experimental classic composers.
Given such a level of difficulty I don't know how much I can suggest to buy it. You just should try to hear at this music and decide if it does fit with your soul (how could I believe just a few years ago that today I would like so much 'Your funeral my trial' of Nick Cave?)

Zappa Attempts Stockhausen.......2007-02-13

FZ goes to Germany to upstage Karlheinz and tries an avant garde stage performance which is an elegant and popular form of expression in Germany. The Germans have perfected this type of marriage between romanticism and neoclassicism. In this case it's an overly technical performance, a display. The orchestra all sound good yet Zappa has given the music to another conductor, Peter Rundel. There is no rhythm section and without a background the result is too intellectual.

The Yello Shark, performed by the Modern Music Ensemble.......2007-01-19

This CD addresses the more serious, compositional aspect of Frank Zappa's career, and it could not be addressed in a more suitable manner. It includes some of FZ's more difficult works, such as "Bee Bop Tango", "Uncle Meat", and "G-Spot Tornado". The conductor is Peter Rundel, and as Zappa says himself, he is a fine conductor. This is highly recommended for anyone who has already developed a taste for Zappa's complex and imaginative arrangements.

ZAP!.......2006-01-20

Trying to define this album to my good friend was hard. "Well it's Zappa's songs done with an orechestra, but's not really classical sounding . . . it's just Zappa." And my friend just simply nodded and said "Sounds awesome." and i realized that if any reviewer would've just said 'It's Zappa!' it wouldn't take much more to sway me. so - It's Zappa! And it's damn near perfect it's so good! Riveting!!!

Be warned! You may like nobody (musically or real life) or anything (musically or real life) ever again after listening to this album, but it's not that big of a deal!

A Frank Zappa Treasure. Better than many of his CDs.......2005-07-29

`The Yellow Shark', with words and music by Frank Zappa is a collection of `chamber music' pieces recorded in 1993 in Germany, performed by a German orchestra, `Ensemble Modern', which, I believe, commissioned Herr Zappa to assemble these pieces for their concerts. In the accompanying booklet, Frank is pictured with a baton in hand, but the credits only have him conducting three pieces, those with a very significant spoken word aspect (all spoken in English). He also makes a brief appearance at the beginning of the CD where he introduces the Ensemble Modern conductor, Peter Rundel.

This recording is probably one of the very last to be done by Zappa himself, before his unexpected death due to illness. Of all the musical figures of the 1960s lost to us over the years, I miss Zappa almost as much as I miss John Lennon, and I am very happy that if we had to lose them, it was not to drugs or any other kind of self abuse.

There are fourteen musical pieces and three `spoken word' pieces on the recording. I confess that the spoken word pieces may actually be a bit dated, especially the `Welcome to the United States' track on a questionnaire for immigrants which makes a reference to terrorism which may seem entirely too glib in our current environment.

Two of the earliest tracks `Dog Breath Variations' and `Uncle Meat' are instantly recognizable from their music and titles as `quotes' from earlier albums, with very little `classical' varnish over their strongly jazzy sound. Most of the other musical pieces have more subtle quotes from earlier Zappa works, and demonstrate influences from George Gershwin, Kurt Weill, the movie music from `Spartacus', and his old mentor, Edgar Varese.

I noticed that the applause on these tracks was louder than the music and I was wondering whether the audience was appreciating the music itself or the presence of that formidable 1960's icon, Frank Zappa. I'm sure it was a little bit of both, but Zappa and audience couldn't resist quoting from one of his best albums, `The Mothers Fillmore East - June 1971'.

I think this quote was entirely appropriate, in that we owe so much musical innovation to the popular musical performers who were nutured by 1960's, producing such wonders as Zappa and the great bands such as The Rolling Stones and The Who, who are still scoring our artistic perceptions on both commercials and dramatic themes on TV.

This may not be Zappa's greatest album, but it is one of his cleanest. Like `Hot Rats', there is very little `throw away' material. And, it is one of the very few pop or classical recordings by a major musical figure where you will hear the performance of a didgeridoo (Australian aborigonal flute).

Highly recommended for Zappa fans and fans of 1960s music in general.

Average customer rating:

Another Winner
Missing You.....Gerald
This CD finds MINE!
TIME TO JUDGE A BOOK BY ITS COVER...
3 1/2 stars

The G Spot
Gerald Levert
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music
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Gerald's World

ASIN: B00006I08G
Release Date: 2002-10-15

Tracks:

Too Much Room
Since You Ain't Around
Wilding Me Out
Funny
The Top Of My Head
The G Spot
Oh What A Night
Closure
Raindrops
Your Smile
Backbone
Catchin' Feelings
All That Matters

Amazon.com

Most of us have had real-life kisses that felt less sexy than Gerald Levert's best soul songs. On the unabashedly sensual The G Spot, Levert creates music so intimate that you almost want to turn you head away from the stereo to give the man some privacy. That's absolutely true of the title track, which graphically illustrates how Levert pleases his lady, while reenacting his own release. You don't hear that every day, but it's easy to forgive the chart-topping singer, songwriter, and producer such titillating excess, because the rest of the disc is so damn good. The slow-grooving "Funny" paints smirking come-hither lyrics across a lazy swell of strings and a wheezing organ. Album highlight "Raindrops" is a fleet-footed classic, its chiming chorus forming a pop hook sharp enough to carve alabaster. Only the first song, "Too Much Room," featuring rapper Mystikal, and the finger-snapping doo-wop charmer "Your Smile" depart from the cozy R&B template that is Levert's calling card, but even on those, Levert's deep, almost textured voice is spellbinding. These are swoon tunes second to none. --Kim Hughes

Album Description

On this album he takes a very personal look at passion, love and life and as always his powerful voice is the main attraction. Featuring Mystikal & Roy Ayers. Elektra. 2002.

Customer Reviews:

Another Winner.......2007-03-08

This modern R&B stalwart has always offered the perfect blend of dreamy old-school soul textures; jangly, guitar-driven atmospheres; and slick, modern funk grooves. And oh, that voice -- mellow and sexy, seductive to the core. The best "come to beddy bye" tone since Barry White, and so steeped in that era. The vibe on "Too Much Room" artfully merges all of those things and sounds like a modern twist on the O'Jays (where his dad, Eddie Levert, still holds court), but he gets a little ambitious with the sometimes-annoying scowl/screech of guest artist Mystical. "Since You Ain't Around" is all bedroom-eyes fun, his vocals almost a plea. "Wilding Me Out" has a sparse production (mostly just Fender Rhodes and a rhythm track) which allows for one of the clearest vocal tracks on the recording. Levert will hopefully educate some of his fans to the art of jazz with the inclusion of Roy Ayers' vibes on "Oh What a Night." Levert's scatting duet with Ayers is a highlight

Missing You.....Gerald.......2006-11-11

I've had this cd for sometime now and it's smooth from beginning to end. Upon hearing the news of his death, at the age of 40 I felt the need to reflect. R.I.P. Gerald

This CD finds MINE! .......2006-03-17

This is one of my all time Favs! I never get sick of it! It seems to get better all the time...great make-out tunes,feel good grooves, (whether you are with company or with a BOB...LOL) it is THE BOMB! MAKE IT STOP!!!!

TIME TO JUDGE A BOOK BY ITS COVER..........2003-11-14

...or a cd by its woeful attempt to pour soulful music into your ears.

It was actually difficult for me to listen to the title track "the G Spot", and not laugh out loud. All of the songs except for one are written by Levert, but G Spot sounds like he is literally making it up as the track plays in the backgoround. The lyrics are uninspired....as if he picked them up from some cheap porno movie.

There are plenty of other vocalists in this genre that sing, write and sound 100 times better. I'm glad I picked this up from the local library and didn't have to pay for it.

If I were on a cruise and Levert was announced as the musical guest, I'd jump overboard.

3 1/2 stars.......2002-12-28

Gerald Levert is the Jay-Z of R&B in that he releases an album every year (side note: 2000's G was supposed to drop in 1999). But unlike Jay-Z, none of his albums stink. Add The G Spot to your list of overall great Gerald releases.

The album starts off with "Too Much Room" with Mystikal (which was supposed to be Gerald's first single, but due to Mystikal's legal matters, they changed it to "Funny"). This song is meant to be a club-rocker and things go fine until Mystikal starts spitting his usual cliches like, "Get on the floor!!!" If you're more used to classic Gerald, then "Wildin' Me Out" and "Closure" may be more up your alley. The former has dope percussion and a good storyline, while the latter is a tear-jearker. All of these qualities are typical of Gerald.

Other good songs are "Your Smile" featuring newcomer Zero (check out the Marvin Gaye/Tammy Terell's "Precious Love" sample), "All That Matters" (check the O'Jays "Family Reunion" sample--Gerald uses all of these samples subtlely and well), and "Oh What a Night" with Roy Ayers. Here, Roy gives a great performance that'll have fans reminiscing on when he played with Eric Benet on 1999's "When You Think of Me". I also liked "Funny" when he laughs at the end; I think that's, well, funny.

I was surprised when I saw a reviewer say that he needs to stop songwriting. Actually, Gerald does that the best: see "Catchin' Feelings" and "Backbone". With only a few songs that could have been left behind ("Raindrops"; the title track, which will only appeal to women; and "Top of My Head", where he revisits falsetto-land with okay results), this album isn't a classic but it's good enough. While Love & Consequences and Gerald's World remain as Gerald's best albums, The G Spot is still the place to get to.

Spinning World: 13 Ways of Looking at a Waltz
Average customer rating:

Beautiful, Romantic Music!

Sex and the City

Quite brilliant!

Beautiful

I just got this CD on a lark, and I love it

Spinning World: 13 Ways of Looking at a Waltz
Gunnar Madsen
Manufacturer: G-Spot (City Hall)
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music
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La Esperanza

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Ants in My Pants

Old Mr. Mackle Hackle

ASIN: B000006P53
Release Date: 1998-08-10

Tracks:

Anna
Wedding Waltz
Far And Away
Five Lakes
The Old Vienna
Hans Is Happy
Eye Of The Camel
Model A Waltz
Sentimental Rag
Greater Than The Earth
Lota
Tipsy Arabella
St. Agnes

Customer Reviews:

Beautiful, Romantic Music!.......2006-09-09

Like many others, I discovered this CD because of Sex in the City and LOVE it. If "Anna" is the song that appeals to you, you'll be absolutely swept away by Regina Carter's Paganini, which is exquisite and was also played on the show.

Sex and the City.......2006-04-08

Looks like a good bit of people bought this for the same reason. Anna from the end episode "La Douleur Exquise!" of season 2 of Sex and the City. Aparently other songs from teh CD were in the show too.

I had to do a good bit of googling before I finally found out the song and artist. Listening to the whole song is no disappointment...

...however the other CDs advertized by this artest seem inordinanly different... I heard somewhere that this song was made because it did a better job of representing what the artists grandmother would have liked (who gave him everything she owned when she passed away simply because she loved the fact that he wanted to study music)...

Anyhow, the end result was a very good song.

Quite brilliant!.......2005-09-09

Like a lot of other people, my intention in purchasing this album was to hear the 'Anna' track that I had heard and fallen for on a particular Sex and the City episode. Turns out the rest of the tracks are just as magnificent. I'd highly recommend this to anyone seeking some truly touching and pleasant sounds.

Beautiful.......2005-08-18

I first heard Gunnar Madsen on Sex and the City. I couldn't figure out what song it was, but I would play it over and over with Carrie's voice over and everything. Then I figured out it was "Anna" and a moment later bought this CD. It is better than I expected, only having heard "Anna." I play this CD all the time. It is perfect for when I'm reading, driving, cooking, doing anything. It's fabulous!

I just got this CD on a lark, and I love it.......2004-12-05

This CD is amazing, It is my favorite music to cook to, and I am a great cook. Wonderful. I am buying one for my mom now.

Reneé Fleming & Jean-Yves Thibaudet - Night Songs (Fauré, Debussy, Marx, Strauss, Rachmaninov)

Average customer rating:

A lovely compilation of songs from wonderful composers
Masterful
Night Songs, Day Songs, whatever...this album is a must have!!
Musical Collaboration: Night Songs/Fleming/Thibaudet
What in the world...????

Reneé Fleming & Jean-Yves Thibaudet - Night Songs (Fauré, Debussy, Marx, Strauss, Rachmaninov)
Gabriel Fauré , and Claude Debussy
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Renée Fleming - I Want Magic! ~ American Opera Arias
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Renée Fleming: Bel Canto

ASIN: B00005AWIA
Release Date: 2001-04-03

Tracks:

Clair De Lune, Op. 42 No. 2
Mandoline, Op. 46 No. 2
Apres Un Reve , Op.58 No.1
Soir, Op. 83 No. 2
Nell, Op. 18 No. 1
Beau Soir
Mandoline
Apparition
Chansons De Bilitis: I - La Flute De Pan
Chansons De Bilitis: II - La Chevelure
Chansons De Bilitis: III - Le Tombeau Des Naiades
Nocturne
Nachtgebet
Selige Nacht
Pierrot Dandy
Ruhe, Meine Seele!, Op. 27 No. 1
Schlechtes Wetter, Op. 69 No. 5
Leises Lied, Op. 39 No. 1
Leise Lieder, Op. 41a No. 5
Cacilie, Op. 27 No. 2
Zdes Khorosho, Op. 21 No. 7
V Molchani Nochi Taynoy, Op. 4 No. 3
Rechnaya Liliya, Op. 8 No. 1
Son, Op. 38 No. 5
Eti Letniye Nochi, Op. 14 No. 5
Ne Poy, Krasavitsa, Op. 4 No. 4

Amazon.com's Best of 2001

Soprano Renée Fleming's mastery of a wide repertory extends to the more rarefied world of song on this disc. A French group opens the disc--11 songs by Fauré and Debussy that are often elusive, wedded to a style of intimacy not always comfortable for non-French opera singers. Fleming's not completely at home in them, often overinterpreting songs whose style is too fragile and understated for such an approach. Still, she offers many moments of rapturous singing, such as the way she floats the last word, "mystérieuse," of Fauré's "Après un rëve," tingeing it with eroticism.

"Mandolin" appears in two versions, Fauré's gently swinging one balanced by Debussy's bouncier take. The Rachmaninoff set also fascinates, her sensuous voice bringing its own rewards. Best of all are the German lieder by Joseph Marx and Richard Strauss. This is closer to home for Fleming, and one senses an ease in her singing that digs behind the words to the meaning of the poems. The Marx set is the highlight, perhaps because his songs are the least familiar here. They're also things of great beauty, and Fleming makes the most of the dreamily sensuous "Selige Nacht" and the twisted, nightmarish waltz of "Pierrot Dandy." The Strauss songs are as good: to cite one highlight, Fleming's rapt inwardness makes "Ruhe meine Seele" compelling. Her voice is never less than drop-dead gorgeous, and she's neatly accompanied by pianist Jean-Yves Thibaudet. A feast for Fleming fans. --Dan Davis

Customer Reviews:

A lovely compilation of songs from wonderful composers.......2007-06-08

It was thrilling to hear songs from Rachmaninov on this album. And the Strauss and Marx pieces give almost a contemporary feel (considering they ARE almost contemporary composers).

Thibaudet plays with a sensitive, emotional touch and was a wonderful choice as a pianist on this album.

My reason for a less than perfect scoring was due to the almost harsh edges of Renee Fleming's singing due to her unyielding control. For a voice so full of warmth and depth to be so forcefully held back, the result is a tension that the ear pushes to resolve, but never does. I wonder how she would sound if she would allow more freedom in her voice.

Masterful.......2007-03-22

Apart from an occasional very slight diction problem this is a masterful recital disc that belongs in the very highest echelon.

Fleming combines an highly imaginative approach with an equally appropriate chameleon like adaptation of the coloration of her voice to each of the individual composers. Thibaudet, who performs all of the featured composers in his piano repertoire is an ideal accompanist.
The recording is colorful and provides a flawless balance between voice and piano.

In all, a masterful must.

Night Songs, Day Songs, whatever...this album is a must have!!.......2005-10-30

This is a CD that every household should have. Masterful piano playing and even more masterful singing make this CD exquisite. Yes, I'm quite partial to Diva Fleming, but let's face it, America hasn't had a soprano with such skill in an awfully long time. Listen to her breath control on track 8 - OY! The closing number "Ne Poy, Krasavitsa" gets me every time. Here she starts to wail pretty heavily, ending the climactic powerful phrase with a wallop of a high A and then proceeds to float, pretty effortlessly, a string of beautiful pianissimo notes. If you can sit and listen to that one piece (itself, worth the price of the album) and not be moved, then you, my friend, have no soul.

Musical Collaboration: Night Songs/Fleming/Thibaudet.......2004-07-12

A perfect disc for a midsummer's evening - or for any season of the year for that matter - NIGHT SONGS is one of those too rare recitals that is based on a theme, executed by musicians who not only are able to stand on their own but who are also able to commit to each other in a true collaboration. This is an intelligent, eloquent selection of songs by varied composers all of whom wrote languorously about the night and its mystery. From Faure's 'Apres un reve' to Debussy's 'Beau soir' through some newly discovered treasures by Joseph Marx like 'Nocturne' and 'Selige Nacht' to the better known repertoire of Strauss and Rachmaninov which gives us newly rethought versions of 'Ruhe, meine Seele!' and 'Cacille' as well as the indescribably beautiful Rachmaninov songs. Fleming and Thibaudet are in fine form and the communication in the various languages is strong. Only one quibble of significance here: the miking is so close to the singer that it often covers what usually is a perfect blend of piano and voice. Bit perhaps that is the fault of my system....

What in the world...????.......2002-08-08

For two reasons.

First, may I ask, why was this CD given anything other then 5 stars? What does a person have to do to become liked these days? Bye their hair purple and sing through their noses? (Like Brittney Spears?)

This is an amazing CD!

Reneé's french singing is beautiful, and amazing. She really has the correct tone for french songs!

The german was also lovely. However, it is nothing Reneé did wrong, I just like french songs better then the german.

Tracks:

Night School
Sofa
Black Page #2
Uncle Meat
Igor's Boogie
Zoot Allures
Big Swifty
T'Mershi Duween
Alien Orifice
Idiot Bastard Son
RDNZL
Orange County Lumber Truck
Echidna's Arf (Of You)
Inca Roads
G-Spot Tornado

Amazon.com

Since his death, Frank Zappa has enjoyed several translations of his extremely original and quirky material onto discs performed by jazz ensembles and major European orchestras with such eminent conductors as Pierre Boulez. Not too shabby. This disc by the Finnish Ensemble Ambrosius takes some of Zappa's more tuneful pieces and reworks them for Baroque instruments. This is actually a brilliant maneuver, since much of Zappa's writing translates well for such instruments as oboe, harpsichord, and mandolin (or lute). Highlights here include the catchy theme from Uncle Meat, the short but goofy "Igor's Boogie," and "Idiot Bastard Son," sung with the solemnity of a monk's chant. The performances are above average, but there is some blurring of textures and some lack of clarity in the recorded sound. Overall, though, it's a worthy effort that advances the cause of Zappa's music. --Paul Cook

Customer Reviews:

Excellent Buy it!.......2005-06-30

This is one of my favorite non FZ produced cds of FZ music. Heck it may even be my favorite. This is FZ music stripped of all artifice except melody / harmony (i'm aware of the over-simpflication, but roll with me here). FZ dinner music this is. I play it for people who "normally don't like FZ " and they like it. Gorgeous melodies. Performed and arranged lovingly. When you want to put the pedal to the metal: pull out the FZ produced canon. When you want to bliss out on his melodic sense and ability to craft the finest of tunes and variations on a theme: this is the place.

A Brilliant Baroque Ensemble Whipping It Out.......2005-02-17

Firstly I need to address the validity of this album as many have questioned its validity as a Zappa tribute - and be clear that I believe it's an amazing tribute.

Frank Zappa was the greatest composer of the 20th century in terms of the stunning spectrum of elements he was able to incorporate in his works without being consumed by them. He wasn't just a rock and roll guitarist a la Carolina Hard Core Ecstasy. He had fun doing that but he was so much more than that. As an improviser, Frank Zappa was unique but then again so is anyone who's good at it, and many of his guitar solos still thrill me today. That part of Frank Zappa will never be seen again but there is so much more to the man that can still be brought to life - in his own words "My main interest is composition - getting an idea and manifesting it in a way that people can listen to". He was a person who listened to Edgar Varese for entertainment as a teenager. "I didn't write rock and roll until I was in my twenties, but I started writing other kinds of music. I couldn't play it, I could only write it. I liked the way music looked on paper. It was fascinating to me that you could see the notes and somebody who knew what they were doing would look at them and music would come out. I thought it was a miracle". How many rock musicians does that apply to?

Throughout his musical career he produced music in many different styles and many different formats and those two points are distinct - for example he would have rock and roll type themes played in a symphonic format or neo classical type themes played in a jazz/rock big band format. The formats he chose were not always purely dictated by his own whim, he lived in the real world and worked with the resources available to him at any given time and projects some times collapsed as with his original aims with the combination of the early Mothers and 14 members of the BBC orchestra on 28th October 1968 in the Royal Festival Hall, London. The album that was originally intended never materialised.

When Zappa was approached by the Ensemble Modern he was initially sceptical about what could be achieved but he warmed to the idea and The Yellow Shark album is a testament to what was possible. I believe if he was still alive and was approached by Ensemble Ambrosius he wouldn't turn them away and Olli Vertaperko might have been saved one or two years of his life. None the less, Olli's work on transcribing Zappa's compositions is nothing short of incredible. Those close to Frank have commented about how long it took him to complete some of his pieces and his attention to detail and I think that Olli's arrangements have captured that element of Frank's work. Zappa may or may not have suggested a different choice of pieces had he collaborated with Ensemble Ambrosius but he surely would not have knocked back their choice of instruments. One of them plays the harpsichord - so naturally it appears a great deal in the arrangements.

As I've said elsewhere, we need brave new productions of Zappa's music. The Zappa Album by Ensemble Ambrosius is brave, new, unique and brilliant and just as there is no Carolina Hard Core Ecstasy on Yellow Shark there isn't one here either and so what? We should leave it to rock bands perhaps to attempt to capture that aspect of Zappa's work, note that there are no members of the BBC orchestra, or any other classical ensemble for that matter on the Bong Fury version of Carolina Hard Core Ecstasy. Let's not forget that a significant motivation for Zappa's rock music participation was to make a living, it wasn't his prime directive. In his own words when asked during the last year of his life if he missed the rock and roll life - "No". And his attitude to the guitar at that time - "Every once in a while, I feel like playing the guitar, but I stop and think what I'd have to go through in order to do it. The urge goes away". He was a composer to the end and was working on the completion of Civilisation Phase lll, which by the way, also has no Carolina Hard Core Ecstasy.

My favourite piece on The Zappa Album is RDNZL, and I mean the arrangement and performance on this album. All the other tracks are just as amazing in my opinion. It's made pretty clear that this album is performed on baroque instruments so don't be surprised if you buy it and find its performed on baroque instruments. Many baroque instruments aren't very loud and to amplify them would compromise their baroque character. Hence the production is often very subtle and might take some time to grow on you, it only took me two listens to figure it out. Play it really loud at least once. I can't see how anyone who appreciates the entire spectrum of Zappa could not at least respect this album. It is an honourable tribute to him and I'm sure he would have appreciated it. If I could have got my copy for 99 cents it would be one of the best deals I've ever had.

Love it or hate it - choose only one.......2004-08-10

I have been listening to Frank Zappa on LPs, CDs and at concerts since FREAK OUT! was released in 1966. I own a copy of most of his material including two obscure interview CDs.

Prior to buying ENSEMBLE AMBROSIUS, I noticed a wide diversity of opinion among the Amazon reviewers. In fact, based on these reviews, it appears that a person is either going to love or hate ENSEMBLE AMBROSIUS. There seems be no middle ground of appreciation for this work. Because of the negative reviews, I purchased it with a great deal of hesitation.

The question becomes, why do so many people hate it? and conversely, how can so many others love it? I've been reading and rereading the other reviews and thinking about their comments for several days and have come to one conclusion. Those who liked it, were expecting something unusual and their expectations were fulfilled. Those who hated ENSEMBLE AMBROSIUS, I believe were expecting to find Zappa's soul or imprint on this CD. Zappa is not on this CD. Ensemble Ambrosius didn't miss notes, didn't hit the wrong pitch, they didn't get "it" wrong. It is not a rotten tribute. It is their interpretation of Zappa and, most importantly, you may not like it.

In the end, you're either going to love ENSEMBLE AMBROSIUS or hate it. There will be no middle ground. The problem: Amazon, as with so many other CDs, does NOT offer (at the time of this writing) its potential customers an opportunity to listen to sound bites prior to purchase. The negative reviews nearly stopped me from buying this CD. I suspect that others who would like this CD will not buy it because of the reviews, but, in fact, would enjoy owning it if they had an opportunity to listening to bites of the CD on Amazon's web page.

Wondrous And Exotic.......2003-11-17

This is an excellent album.

When I first heard it, I had two criticisms. The fast lick near the end of "The Black Page #2" seemed sloppy to me. But it's just phrased differently.

And the vocalist on "Idiot Bastard Son" sounds a little strange on some low notes, but I've gotten used to it. The treatment of the tune is beautiful.

The great music on this album makes up for any minor weaknesses.

Highlights include : "RDNZL", "Inca Roads",
"Uncles Meat", "Alien Orifice", "Echidna's Arf",
"Night School", "G-Spot Tornado" and "Igor's Boogie".

The harpsichord doing the incredibly fast melody that Ruth Underwood used to play toward the end of "Inca Roads" is something to hear.

Not for Zappa Fans.......2003-06-25

Do not look for Carolina's Hardcore Esctacy on this CD (lalalalalaa la). I don't think its that FZ's music doesn't mix with baroque instruments, I think these musicians have gotten it all wrong. They try (and fail) to 'be creative' with the rhythmn, hit a few totally errant notes (which can sometimes be excused), and show a lame ability to rework Frank'z music and get it right. If there was a 99 cent bin in my town, it would be there. Since there's not, I think Mom will cotten to this "Frank Zappa lite" album - slow, simple and inoffensive - it that a rotten tribute or what?!

Average customer rating:

G-Spot
Wayne Marshall
Manufacturer: Robbins Ent. Llc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000006O49
Release Date: 1998-04-21

The Best of Film Works: 20 Years of Soundtrack Music

Average customer rating:

A good overview of Zorn's soundtrack compositions.
Curious about Zorn?

The Best of Film Works: 20 Years of Soundtrack Music

Manufacturer: Tzadik
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A0GPJU
Release Date: 2005-08-23

Tracks:

Main Title
End Titles
Yakisoba
Punk Rock Hero
Through The Night
Surfing Samba
Fanfare/Theme
France
Sweden
Arsenal Dance Mix
Main Title
Wheelchair Racers
Pueblo
Lituus
Fireworks
End Titles
Deseo
Shanghai
Trembling Before G-d
Filming
Shabbos Noir
Chippy Charm
Vocal Phase
Shaolin Spirit
Main Title
Sekhel (Vocal Version)
Protocols Of Zion
Indonesia

Customer Reviews:

A good overview of Zorn's soundtrack compositions........2005-10-24

Over the past twenty years or so, John Zorn has built up an enormous library of composition for film, released on sixteen CDs (cleverly titled "Filmworks I", "Filmworks II", and so on...) on his Tzadik record label. For a neophyte, this can be a bit much to tackle, as such, this album, "Filmworks Anthology: 20 Years of Soundtrack Music" has been released to provide an overview of Zorn's soundtrack composition.

As an overview of Zorn's work, this succeeds well. It also appears that another goal was to represent every volume, as at least one piece is drawn from each (volumes VI and VIII get two cuts, I and XII get three, and III and VII get four). Just about everything in Zorn's diverse catalog of film soundtracks is covered-- movies, documentaries, pornography, cartoons and commercials (certainly none I've seen!) are all represented with a suitably diverse array of pieces, from gamelan to string trios to surf rock, Zorn pretty much covers a wide array of sounds and moods-- if nothing else, the diversity of these 28 tracks is a testament to his vast skills to compose in virtually any environment. I could make a few arguments about what cuts I would have picked, but by-and-large, the compilation is a rather good and thorough overview, and the cast of performers is immense, with virtually all key players in the downtown scene involved to some extent or another.

Another notable point about this release is the artwork-- packed in a digipack with a pair of photos of Zorn (one from '86, one from '05) and stills from the various pieces littered throughout the liner notes, it certainly looks great. And speaking of the liner notes, Zorn offers a superb essay on film soundtrack composition and appreciations by musicians Marc Ribot, Anthony Coleman, Jamie Saft and Cyro Baptista (all of whom appear to some extent or another on the music) are included.

I've got currently about half of the filmworks series and I found value in this overview. Several of the individual pieces hold together far better than this recording does, but it certainly does a great job providing an impression of Zorn's diverse film scoring career.

Curious about Zorn?.......2005-10-23

Considering myself a casual fan of John Zorn I have been at times either annoyingly put off or enthusiastically engaged with the diversity of his music. Admittedly, It can be daunting for a Zorn novice to find a suitable entry point in which to begin navigating through the extremities of his musical output. This new collection, which pulls material from the sixteen releases (thus far) of his FILMWORKS series, is everything the curious could want in a well-rounded introduction.

The selections chosen for this disc make for an exhilarating listening experience from start to finish as the focus jumps from one musical genre to the next, from cartoon scores to punk rock to jazz and surf music. Most selections early on clock in at under 4 minutes, with many others zipping by under just one. All these various styles meld together so effortlessly that it's impressive it all comes from a single creative mind.

The packaging is also deserving of mention, as the CD is housed in a fold-out digipack case with two booklets attached inside. In one of these booklets Zorn describes his methods and self-imposed rules in creating music for film (as well as for dealing with snoopy film directors). The other booklet features short essays by a few of Zorn's collaborators on what the creative sessions were like. There are also many photos from the films the music accompanies. (So far the only films I've seen with Zorn's scores are "Trembling Before G-D" and "Protocols of Zion".)

Favorite tracks: "Surfing Samba", "Arsenal Dance Mix", "Shanghai", "Main Title (Invitation to a Suicide)"
Final Rating: 4.5 out of 5.

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