King of Bass

Track Listings

1. How Low

2. Frequency

3. Bass Down

4. Art of Bass

5. Nasty Bass

6. Super Boom

7. Up Tempo Bass

8. Arcade Bump

9. Bass Test Tone

10. Bass Test Tone [26 HZ]

11. Bass Test Tone [33 Hz]

12. Bass Test Tone [39 Hz]

13. Bass Test Tone [41 Hz]

14. Bass Test Tone [46 Hz]

15. Bass Test Tone [58 Hz]

King of Bass

My Fair Lady (1956 Original Broadway Cast)

Average customer rating:

Excellent Sound Track
Great gift!
Good, but not for the Family
fantastic......
"A" for Andrews

My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Camelot (1960 Original Broadway Cast)
South Pacific (Original 1949 Broadway Cast)
West Side Story (1957 Original Broadway Cast)
The Music Man (1957 Original Broadway Cast)
Fiddler on the Roof (1964 Original Broadway Cast)

ASIN: B0000024PL
Release Date: 1990-10-25

Tracks:

Overture; Why Can't The English?
Wouldn't It Be Loverly?
With A Little Bit Of Luck
I'm An Ordinary Man
Just You Wait
The Rain in Spain
I Could Have Danced All Night
Ascot Gavotte
On The Street Where You Live
You Did it
Show Me
Get Me To The Church On Time
A Hymn to Him
Without You
I've Grown Accustomed To Her Face

Amazon.com

This recording was produced more than 40 years ago, only in mono, but from the day it was released it was a deserved phenomenon. It out-grossed the mega-hit show for months, and it still holds the record for the most weeks as a Billboard Top 40 album: 292. The reasons are many. Start with the 20-year-old Julie Andrews in peak voice, singing no fewer than eight sensational Lerner and Loewe songs, soaring most memorably to high C in "I Could Have Danced All Night." Rex Harrison perfected the art of talk-singing in a clutch of equally captivating numbers written especially for his voice, of which the most indelibly delivered is "I've Grown Accustomed to Her Face." And Stanley Holloway brought the best English music-hall style to an eager American audience with "A Little Bit of Luck" and "Get Me to the Church on Time." There were no scene-changers in Frederick Loewe's best score, and Alan Jay Lerner managed to fashion his libretto and lyrics so close to the language of George Bernard Shaw (on whose play Pygmalion the musical was based) that experts couldn't tell where Shaw left off and Lerner took over. Every song created character and advanced the plot. My Fair Lady was a show you "got"--and still get--on first listening--without having seen it. The London cast album (with the same leads) can give you stereo; the movie version, a fuller orchestra, Harrison and Holloway in full sail, and Marni Nixon dubbing Audrey Hepburn. But the Broadway cast album is still the one to have, and the one absolute must in any musical collector's CD library. --Robert Windeler

Customer Reviews:

Excellent Sound Track.......2007-06-27

I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.

Great gift!.......2007-06-01

Bought this as a gift for a friend.Received it quickly and she was delighted.

Good, but not for the Family.......2007-05-29

I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.

fantastic.............2007-05-16

MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!

The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!

"A" for Andrews.......2007-04-15

For years I had only the movie soundtrack and I was perfectly content with it, it was after all one of the best shows ever to hit the boards and I think Marie Nixon did a wonderful in the role of Liza Doolittle - she matched Hepburns voice closely plus she's a professional singer who soars with good material.

It's amazing listening to Ms. Nixon in The King & I; she is much closer to Deborah Kerr's voice and they sounded more natural between speaking and singing but that was the clinker for me. I realized the distance between Ms. Hepburn and Ms. Nixon in the movie version - so I went back to square one and GOT THE ORIGINAL.

You have to hand it to Goddard Leiberman (head of Columbia years ago and protege of Fanny Brice) for starting the tradition of recording Original Broadway Cast 'albums' at the time they opened.

Finally listening to Julie Andrews sing the most popular songs from one of the best shows ever penned almost made me cry. You can tell she's riding the crest of the wave - she literally soars, defying gravity. Her diction, as always, is perfect but she's perfect as the brash cockney flower girl, a young girl on an adventure and a refinded lady. I will always be grateful to Marnie Nixon for the work she did for the film but once you listen to original Eliza Doolittle you will realize there is only ONE and that ONE is JULIE ANDREWS.

Yes, her leading man is also good. One surprise however was Stanley Holloway - it was a shock to realizae that it was about ten years between the show and the film and he does sound ten years younger. The man is a delight at any age, it's not important, it just adds to the fun.

If you really like the show, and the songs, treat yourself and get the Original Broadway Cast - the cast hit the studio at the peak of their form with a solid hit under their belt and that confidence sets this recording light years ahead of any other recording.

Now if it were in stero that would make it a 5 star review.

Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Average customer rating:

Greatest baby gift ever
Great for the whole family
More Great Fun
One is better but this is still awesome!! Gotta have it!
Absolute joy, and endless fun!

Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Beethoven's Wig: Sing Along Symphonies
Beethoven's Wig 3: Many More Sing-Along Symphonies
Mozart's Magnificent Voyage
Mr. Bach Comes To Call
World's Very Best Opera for Kids... in English!

ASIN: B0001I2C8O
Release Date: 2004-03-16

Tracks:

Stuck In The Saddle Again (Light Cavalry March, Suppe)
Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
Musical Bs (Hungarian Dance #5, Brahms)
Dont Play That Violin (Violin Concerto #2, Paganini)
Schuberts Trout (Trout Quintet, Schubert)
Dvorak The Czechoslovak (Humoresque #7, Dvorak)
A Fan of Chopin (Prelude 7, Op. 28, Chopin)
Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
Its Spring! (Spring, from The Four Seasons, Vivaldi)
Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
Instrumental Performances:
Light Cavalry March, Suppe
La donna e mobile, from Rigoletto, Verdi (with vocals)
In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
Hungarian Dance #5, Brahms
Violin Concerto #2, Paganini
Trout Quintet, Schubert
Humoresque #7, Dvorak
Prelude 7, Op. 28, Chopin
Blue Danube Waltz, Strauss
Spring, from The Four Seasons, Vivaldi

Amazon.com

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce

Customer Reviews:

Greatest baby gift ever.......2007-03-15

Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.

Great for the whole family.......2007-01-04

My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.

More Great Fun.......2006-03-13

Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.

One is better but this is still awesome!! Gotta have it!.......2006-01-10

My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!

Absolute joy, and endless fun!.......2005-11-15

The tunes and word stay with you and before you know it, you are signing them along. My two kids (ages 9 and 7) ask me to put the CD on as soon as we get into the car. What a wonderful and fun way to get them to love classical music!

Average customer rating:

Mad about Baroque
The beauty of the songs brings tears to my eyes
Brilliant
Be Welcome then, great Sirs (and Mesdames).
Brilliant Purcell Disc

Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Purcell: The Fairy Queen
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
Purcell: Full Anthems & Organ Music

ASIN: B000002ZDU
Release Date: 1995-04-10

Tracks:

Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
The Choir Of The King's Consort: Hear My Prayer, O Lord
Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
Complete Anthems And Services Vol.3: Hosanna To The Highest
Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
Complete Anthems And Services Vol. 11: An Evening Hymn
Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Disassemble Dub
Average customer rating:

The Sound Bites Just as Good

Hats off to dub-masters Joshua Elrod and Craig Allen!

Worthy companion of the Hi-Fidelity Dub Sessions

The Best Dub Yet.

peacemaker

Disassemble Dub
Phase Selector Sound
Manufacturer: Roir
ProductGroup: Music
Binding: Audio CD

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Dub from the Secret Vaults

Exploring The Dangers Of

Trojan Dub Massive: Chapter One

New Heavy

Dub Side of the Moon

ASIN: B00000JMKI
Release Date: 1999-08-03

Tracks:

Sinewave
MSP 2004
Sci Fi Dub
LK Pryr
Lefty's Choice
Dubstep
Factory Preset
Subpart J.
Refraction
Honey Dub
Jackson Park
Moving Coil
Meditation
Halo and Snake
Version

Album Description

As most rock & roll bands started in someone's garage or basement or living room, Phase Selector Sound are two (ex?) punk rockers working out of their ad hoc home studios (heavily influenced by Radio Shack equipment). They create a powerful roots dub that is hypnotic, mesmerizing and trance-inducing. Very much in keeping with ROIR's long history of releasing the absolute best in dub by such artists as Lee Perry, Niney The Observer, Mikey Dread, Mad Professor, Black Uhuru, Badawi, Bill Laswell, Dub Syndicate, Ras Michael, Scientist, Yabby You, Oku Onuora --- and the list goes on! Produced arranged and mixed by Phase Selector Sound.

Customer Reviews:

The Sound Bites Just as Good.......2007-03-10

Pleasant background cocktail party music with reggae/dub beats, I purchased it liking the sound bites, but there is nothing more to the album than the soundbites. Never does it get dense or goes anyplace surprising. Cover is better than music. Groups like St. Germain, or the various Parisian club mix albums, like Paris Under a Groove or Hotel Costas series are far better, and I wouldn't really recommend those either,unless you want "chill" coctail party music. Still I don't regret purchase becasue sometimes I just want a groove and to otherwise basically ignore kind of hip "muzak" while I do something else than listen, which is what I would consider this good for. I love that Summer in Paris, Hotel Costas, thing, but much prefer Orb to any of this to fill a similar need in my music. Actually, Orb can be brilliant at times. A couple maybe three Orb albums are superb. I took best tracks from three of them and made one great burned CD. Truth is for "chill" purpose,not that that expression conveys very much to me,I've never heard anything in 30 years that comes close to Discrete Music by Eno or Evening Star by Fripp and Eno. Compared to greats like those ... Well for a "chill" relaxing, after work space, they've never been touched to my knowledge. Sorry if lumping them in with this offends anybody. "Chill" never really made all that much sense to me as a label for music anyway. Sorry if this isnt' what you're looking for.

Hats off to dub-masters Joshua Elrod and Craig Allen!.......2005-09-29

I can only agree with previous reviewers, this is the best dub album I've ever heard, all categories... The coolest thing is that it bridges roots dub with modern dub like no other. The great Hi-fidelity dub series, for example, does on occasions reach the level of Phase Selector Sound. At the same time this album would easily match any dub release blood&fire could possibly throw at you! These guys takes dub to the next level. The production has a fantastic old-school feel to it, with a setup that is simple yet profound. This is truly beautiful music and the album doesn't contain one single tedious moment, every track stands out against the others. Phase Selector Sound kicks off at the highest possible level and stay there throughout the entire album. There's no end to the superlatives this album merits.

Worthy companion of the Hi-Fidelity Dub Sessions.......2005-07-20

This is, without a doubt, the best original dub offering I've purchased - online or off - bar none.

In the tradition of the kings of dub (like Augustus Pablo, Mad Scientist, Lee Perry, or the Professor), this album retains very strong ties to its roots (you'll hear snatches of old Upsetter tracks, along with some other nods to those old school influential artists).

At the same time, the album has a very modern feel to it, along the lines of the excellent Hi-Fidelity Dub releases (1-4). There's no question that this album is strictly roots, but the tracks all feel like they have had updating for the downbeat era.

The most shocking thing to me is that this album was released 6 years ago, and I've only discovered it in 2005! Do yourself a favour and purchase it straight away...before it goes out of print (come on...how many other products can you find that have ALL customer reviews giving it 5 out of 5 stars? ;).

The Best Dub Yet........2003-04-01

I've heard a lot of dub, and I own a lot of dub, but I've got to say that this is the best dub yet, I mean the entire CD. Personally this CD is #1 in my book so far. It's worth buying at almost any price. So if you like dub this is the one for you. I can't wait to see what he put out next.

peacemaker.......2001-11-14

Ideal proportion of "ridim", bass and sounds of mind and heart.

Average customer rating:

I am in a Box with Berlioz Box Sets
A superb set, well worth the price!
all the overtures *NOT*
A wonderful collection of Berlioz

Berlioz: Complete Orchestral Works

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Liszt: Works for Piano and Orchestra
Strauss: Orchestral Works
Bruckner: The Complete Symphonies
Grieg: Complete Music with Orchestra
Debussy, Ravel: Orchestral Works

ASIN: B0000041MZ
Release Date: 1997-09-16

Tracks:

Symphony Fantastique, Op. 14: 1. Rries, Passions (Largo - Allegro agitato ed appassinonato assai)
Symphony Fantastique, Op. 14: 2. Un bal (Valse: Allegro non troppo)
Symphony Fantastique, Op. 14: 3. Sc aux champs (Adagio)
Symphony Fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)
Symphony Fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro- Ronde du Sabbat: Poco menu mosso)
Tristia, Op 18 (excerpts): 3. Marche fune pour la derni sc d'Hamlet (Allegretto moderato)
La Damnation De Faust, Op. 24 (excerpts): Menuet des follets
La Damnation De Faust, Op. 24 (excerpts): Marche hongroise

Tracks:

Lo ou Le retour a vie, Op. 14b: 1. Le peur (Goethe, Duboys)
Lo ou Le retour a vie, Op. 14b: 2. Choeur d'ombres (Berlioz)
Lo ou Le retour a vie, Op. 14b: 3. Chanson de brigands (Berlioz)
Lo ou Le retour a vie, Op. 14b: 4. Chant de bonheur (Berlioz)
Lo ou Le retour a vie, Op. 14b: 5. La harpe ienne - Souvenirs
Lo ou Le retour a vie, Op. 14b: 6. Fantasie sur la Temp de Shakespeare (Berlioz)
Grande Symphonie fune et triomphale, Op. 15: 1. Marche fune (Moderato un poco lento)
Grande Symphonie fune et triomphale, Op. 15: 2. Oraison fune (Adagio non tanto - Andantino un poco lento e sostenuto)
Grande Symphonie fune et triomphale, Op. 15: 3. Apothe (Allegro non troppo e pomposo)

Tracks:

Harold en Italie, Op.16: 1a. Harold aux montagnes (Adagio)
Harold en Italie, Op.16: 1b. Harold aux montagnes (Allegro)
Harold en Italie, Op.16: 2. Marche des prins (Allegretto)
Harold en Italie, Op.16: 3. Snade (Allegro assai - Allegretto)
Harold en Italie, Op.16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I)
Les Troyens arthage: Prelude From: Les Troyens arthage: Part II, Act III
Les Troyens (Act IV): No. 29: Chasse royale et orage - Pantomime
Les Troyens (Act IV): No. 32: Marche pour l'entrde la reine; No. 33: Ballets
Les Troyens (Act IV): -A: Pas des Alm
Les Troyens (Act IV): -B: Danse des esclaves
Les Troyens (Act IV): - C: Pas d'esclaves nubiennes
Rrie et Caprice, Op.8

Tracks:

Romeo et Juliette, Op. 17: Part I, Introduction
Romeo et Juliette, Op. 17: Part I, Prologue: 'D'anciennes haines endormies'
Romeo et Juliette, Op. 17: Part I, Strophe 1: 'Premiers transports que nul n' oublie'
Romeo et Juliette, Op. 17: Part I, Strophe 2: 'Heureux enfants aux coers de flamme'
Romeo et Juliette, Op. 17: Part I, Rtatif et Scherzetto: 'Bientot de Romeo' - 'Mab! la messagere' - Bientot la mort est souveraine'
Romeo et Juliette, Op. 17: Part II, Romseul - Tristesse - Concert eet bal
Romeo et Juliette, Op. 17: Part II, Grande f chez les Capulets
Romeo et Juliette, Op. 17: Part III, 'Ohe! Capulets! Bonsoir, bonsoir!'
Romeo et Juliette, Op. 17: Part III, Sc d'amour

Tracks:

Romeo et Juliette, Op. 17: Part IV, Scherzo: La reine Mab ou la fdes songes
Romeo et Juliette, Op. 17: Part IV, Convoi fune de Juliette: 'Jetez des fleurs pour la vierge expiree!'
Romeo et Juliette, Op. 17: Part IV, Romau tombeau des Capulets
Romeo et Juliette, Op. 17: Part IV, Finale. Choeurs et Rtatif du P Laurence: 'Quo! Romeo de retour!'
Romeo et Juliette, Op. 17: Part IV, Finale. Air du P Laurence: 'Pauvres enfants que je pleure' - 'Mais notre sang rougit leur glaive'
Romeo et Juliette, Op. 17: Part IV, Finale. Serment de rnciliation: 'Jurez donc'

Tracks:

Beatrice et Benedict
Benvenuto Cellini
Overtures: Le roi Lear, Op. 4
Les Francs - juges, Op. 3
Waverley, Op. 1
Le corsaire, Op. 21
Carnaval romain, Op. 9

Amazon.com

Berlioz was the first Romantic master of the orchestra. His music hasn't been surpassed in terms of sheer brilliance and accuracy of effect. This set includes all of the overtures, the Symphonie fantastique, Harold in Italy, the Royal Hunt and Storm from Les Troyens, orchestral music from The Damnation of Faust and Romeo and Juliet, and the completely insane Grande Symphonie funebre et triumphale. Davis achieved his reputation as a conductor as a Berlioz specialist, and he proves an expert advocate on behalf of this stimulating, bizarre, and totally original genius. The recording quality, so critical in such colorful music, is also very good. --David Hurwitz

Customer Reviews:

I am in a Box with Berlioz Box Sets.......2004-02-22

First I ordered Hector Berlioz Complete Orchestral Works (Box Set) in a 6-CD set by Sir Colin Davis because orchestral is what I like best. That was in 2002. Now I have ordered The Berlioz Edition (Box Set)in a 24-CD Box Set by Sir Colin Davis because I like what I have heard of Berlioz by Davis. I will put this up for sale, and if it doesn't go I will consider putting The Berlioz Edition up for sale after I have heard it. As I said I am in a Box with Berlioz Box Sets and can't afford both.

A superb set, well worth the price!.......2002-08-16

For those of us who grew up in the 1950s and '60s, the music of Berlioz means Munch and Toscanini: Munch for his incendiary performances of "Symphonie Fantastique," "Romeo et Juliette," "Damnation of Faust," the Requiem and the overtures (among others), Toscanini primarily for his gorgeous reading of "Harold in Italy" but also for his versions of the Roman Carnival Overture and (for those who could find it) the "Romeo" with Gladys Swarthout. These readings had one thing going for them, which was a rhythmic impetus that made even the slow movements exciting. Unfortunately, for those of us who read scores, when we checked these versions against the music we found that Toscanini and Munch had fiddled a bit with tempi and bowing accents in an attempt to make the music more exciting. Is this so bad? Not necessarily, because these conductors had this music in their blood, they were presenting Berlioz as they had processed him over a lifetime of love, and so their fast tempi had little in common with the rattly, jangly readings often turned out by John Eliot Gardiner.

Sir Colin Davis was, and of this reading remains, the greatest Berlioz interpreter of the stereo/digital era. This is no mean feat when one realizes that he now has several competitors in the field, among them James Levine and Charles Dutoit, but in my view only the wonderful John Nelson (whose recordings of the Te Deum and "Nuits d'Ete" with Susan Graham are so wonderful) really comes close. And what makes Davis so great is that, like those legendary conductors of old, he really gets under the skin of Berlioz and makes him exciting while maintaining score tempi. Listen, for instance, to his "Symphonie Fantastique," still the benchmark modern recording after nearly 30 years. Davis also excels in his readings of the Overtures, music from "Les Troyens," and the Symphonie Funebre et Triomphale which grabs the listener and pulls him/her into its vortex of sound.

In the other two symphonies, "Harold in Italy" and "Romeo et Juliette," I sense a lapse of sorts: the slow music is conducted not necessarily too slowly, but with a certain Romantic mushiness bordering on easy listening. This, for me, robs the "Romeo alone" and "Scene d'amour" of its passion, though of course it is wonderful to hear the score in modern stereo instead of Munch's cramped mono, and for me Toscanini's second movement of "Harold," with its peculiar yet engaging walking gait, shall never be surpassed--and, unlike Munch, Toscanini somewhat transcended his mono sound because of the wonderful clarity and transparency of his orchestra. Nevertheless, if I were forced to I would live with this Davis set over my Munch and Toscanini recordings because of their overall warmth and excellent sound.

Other highlights include excerpts from "Lelio" sung superbly by pre-leukemia Jose Carreras (listen to him ascend fearlessly to those high notes--he hasn't done that in nearly a quarter-century!), dramatically astute singing by Patricia Kerns and John Shirley-Quirk in "Romeo," and marvelous interpretations of the Overtures (oh, and you can forget "Rob Roy"...Berlioz decided after one performance that he would never publish it or even bother revising it, hence it is not here). I do question the omission of the Requiem and Te Deum (after all, they ARE "orchestral works"), but with so many riches at such a low price, who cares? Liner notes are sparse, and this is a slimline box which means paper sleeves and no jewel boxes, but so what? For this much Berlioz, so beautifully sung and conducted, the composer himself would gladly have plunked down ...

all the overtures *NOT*.......2001-05-04

This isn't a "complete" recording of Berlioz' orchestral music - what about the 'Rob Roy' overture? Granted it recycles some of Harold in Italy, but still...

A wonderful collection of Berlioz.......2000-08-15

This incredible six CD set features all of Hector Berlioz's purely orchestral music conducted by the great Sir Colin Davis, widely regarded as one of the greatest living Berlioz interpreters. In addition to favorites such as Symphonie fantastique, Harold en Italie and Romeo et Juliette, the set also includes the lesser known Lelio and several other works. The works were recorded between 1965 and 1980, and the sound is wonderful and rich. His interpretations are also lively and full of energy, especially in the overtures.

Tracks:

Mr. John Langston's Pavan
Mistresse Nichols Almand
The Earle of Essex Galiard
A Sheperd in a Shade
Lasso vita mia
M. Buctons Galiard
M. henry Noel his galiard
M. Thomas Collier his Galiard
Farewell (In Nomine)
Semper Dowland semper dolens
Sweet stay awhile
Can she excuse my wrongs
A Fancy
M. Giles Hobbies Galiard
Captaine Digorie Piper his Galiard
The King of Denmark's Galiard
Burst forth my tears
Dowland's Adieu for Master Oliver Cromwell
M. George Whitehead his Almand
M. Nicholas Gryffith his Galiard
Sir John Souch his Galiard
All ye whom love or fortune
Sir Henry Umpton's Funerall

Customer Reviews:

Wonderful sampler of Dowland's music.......2007-03-25

An excellent sampler of Dowland's repertoire. The Rose Consort of Viols plays wonderfully and are well supported by a warm and immediate recording. I have spent many hours enjoying this album. Naxos strikes gold once again. Highly recommended!

A great introduction to Dowlandýs and renaissance music.......2000-09-18

If you are a classic or pop fan (or both), and you are not familiar with early music, buy this CD. After you will become addicted to it (as I had) you will rush to buy other CDs of this composer and period (as I did). It contains a balanced repertoire of galliards and other viols' music, songs and lute pieces, and all possible combinations of them. While not making any allowance for popularity, it does contain several timeless pieces that will nail you from first listening (try "lasso vita mia", for example), and the other pieces will get under your skin after several more. The sound of the Rose Consort of Viols is amazingly warm, makes you wonder why classical composers ever stopped writing for these instruments. Dowland's music is beautifully polyphonic, yet it never quits being melodious and lyrical. In fact, for pop fans it might be very enjoyable to discover Bach in a natural way by starting with Dowland, and not the other way around. This CD is not perfect: I would like my galliards with a bit more swing to them, and perhaps this is why this CD seems to over-emphasize the melancholic side of Dowland. Overall, however, this one is still closer to five stars than four, in the disc library of any music fan.

Average customer rating:

Good job
Masterful!
Great CD of Classical music's power pieces!

Time Life Presents: Classical Thunder

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Thunderous Classics
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Classical Thunder II: Time Life Library of Classical Favorites
Heavy Classix

ASIN: B00081U6XC
Release Date: 2005-04-26

Tracks:

Introduction
Ride Of The Valkyries
Mars, The Bringer Of War
Montagues And Capulets
Sabre Dance
William Tell Overture (Conclusion)
In The Hall Of The Mountain King
The Hut On Fowl's Legs
The Great Gate At Kiev
Fanfare For The Common Man
Allegro Con Brio
Marche Au Supplice (March To The Scaffold)
Sacrificial Dance (The Chosen One)
Circus Maximus
Les Toreadors
Finlandia, Op.26
1812 Overture, Op.49 (Conclusion)

Tracks:

Procession Of The Nobles
Rakoczy March
Ritual Fire Dance
The Hero's Battlefield
Pines Of The Appian Way
Dies Irae
Allegro Con Brio
Allegretto
Air Et Danse Bacchanale
Farandole
Infernal Dance Of King Kastchei
O Fortuna
The Wedding Of Kije
Hurricane
Marche Slave, Op.31

Customer Reviews:

Good job.......2005-08-26

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

Masterful!.......2005-06-15

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

Great CD of Classical music's power pieces!.......2005-06-07

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.

Average customer rating:

The Essential Wedding Collection

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

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German | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Classical Wedding
Disney's Fairy Tale Weddings
25 Wedding Favorites
Call Me Irresponsible
Night at the Museum (Widescreen Edition)

ASIN: B0001U0GCG
Release Date: 2004-05-11

Tracks:

Sheep May Safely Graze - Stuttgarter Kammerorchester
Jesu, Joy Of Man's Desiring - Stuttgarter Kammerorchester
Aria (Air On The G String) - Stuttgarter Kammerorchester
Air - Academy Of St. Martin-In-The-Fields
Love Divine, All Loves Excelling - Richard Farnes
Canon in D major - Stuttgarter Kammerorchester
Bridal Chorus - Stephen Cleobury
The Prince Of Denmark's March - Michael Laird Brass
Trumpet Tune And Air - Peter Hurford
Panis Angelicus - Luciano Pavarotti
Ave Maria - Wandsworth School Boys' Choir, National Philharmonic Orchestra and Luciano Pavarotti
Exsultate, Jubilate, K. 165 - Leontyne Price
Water Music - Stephen Cleobury
Wedding March - Peter Hurford
The Lord's My Shepherd - Huddersfield Choral Society
Laudate Dominum - Wren Orchestra
Let The Bright Seraphim - Dame Joan Sutherland
Abide With Me - Anthony Way
Ombra Mai Fu - Anthony Way
On Wings Of Song - Utah Symphony Orchestra
Toccata - Stephen Cleobury
Praise, My Soul, The King Of Heaven - Richard Farnes

Tracks:

My Heart Will Go On - James Horner
I Will Always Love You - Dolly Parton
Love Theme - Nino Rota
Up Where We Belong - Will Jennings
As Time Goes By - Herman Hupfeld
Take My Breath Away - Giorgio Moroder
Can You Feel The Love Tonight? - Elton John
Evergreen - Barbra Streisand
Love Is All Around - Reg Presley
Maid Marian At The Waterfall (Everything I Do) I Do For You - Seattle Symphony Orchestra
Moon River - Henry Mancini
Where Do I Begin - Francis Lai
When A Man Loves A Woman - Andrew Wright
The Way We Were - Marvin Hamlisch
Unchained Melody - Hollywood Bowl Orchestra

Average customer rating:

Jacobs was overrated
The Great Arnold Jacobs Captured on C.D.
arnold jacobs
inspiring technician musician artist
Arnold Jacobs - Icon of education and performance

Portrait of an Artist: Arnold Jacobs

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
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Orchestral Excerpts for Tuba
Legacy of an Artist
Bobissimo! The Best of Roger Bobo
The Chicago Principal: First Chair Soloist Play Famous Concertos
Tuba Tracks

ASIN: B00004UDEY
Release Date: 2000-08-15

Tracks:

Buxtehude: Fanfare - Adolph Herseth/Vincent Cichowicz/William Scarlett/Charles Geyer/Dale Clevenger/Jay Friedman...
We Are Enormously Complex
Hn Con No.1 in E flat: 1st Movt: Allegro
Hn Con No.1 in E flat: 2nd Movt: Andante
Hn Con No.1 in E flat: 3rd Movt: Allegro
The Musician Plays The Instrument
Playing For The Audience
Programming The Brain
Czardas
Carnival Of Venice
Con: 1st Movt
Etude No.24
'Czardas' With The Metronome
This Is An Art Form
We Play By Song And Wind
Canzon Per Sonare No.2 - Adolph Herseth/Vincent Cichowicz/Dale Clevenger/Jay Friedman/Arnold Jacobs
Lohengrin: King Heinrich's Call (Exc) - Jay Friedman/Arnold Jacobs
Sym Fantastique: Dies Irae
Become A Singer In Your Brain
There Must Be A Source Of Vibration
Breath As A Motor Force
Sonatine: 1st Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 2nd Movt: Andante Ma Non Troppo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 3rd Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 4th Movt: Largo; Allegro - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Keeping Music As An Art Form
Breathe To Expand
F Tuba Demonstration With Berlioz
Romeo And Juliet (Exc) - Chicago SO/Carlo Maria Giulini
Con: 2nd Movt (Exc) - Chicago SO/Fritz Reiner
Petrouchka (Exc) - Chicago SO/James Levine
Sym No.4: 1st Movt (Exc) - Chicago SO/Jean Martinon
Sym No.4: 1st Movt (Exc) - Chicago SO/Daniel Barenboim
The Key For Communicating In Music
Pictures At An Exhibition: The Great Gate Of Kiev (Exc) - Chicago SO/Fritz Reiner

Customer Reviews:

Jacobs was overrated.......2005-09-28

Arnold Jacobs was a brilliant man who could have succeeded in practically any profession. He was also a fine musical pedagogue, judging from his verbal insights on this CD with respect to the human body as a musical instrument. Yet, I am amazed that he rose to the rank of tubist in a world-class orchestra such as the Chicago Symphony. Frankly, I found his tone quality uninspiring, although he had fine techinque. I have heard at least half a dozen tubists whose tone is far more pleasing musically. Among the bassmen/women of the world, Jacobs has become a semi-divine entity. I believe that he has been somewhat overrated as a result. I felt that his verbal commentaries were highly educational; I was disappointed by his playing overall.

The Great Arnold Jacobs Captured on C.D........2005-04-02

This is a prolific set of audio that captures the historical sound of Arnold Jacobs' playing and teaching. I bought this C.D. because I wanted to explore the limits and capabilities of a tuba player so that I could see if playing music on the tuba was for me. This C.D. banished any doubt that I had about the ability of a tuba player to achieve at the utmost musical level. I have never meet Mr. Jacobs in real life, but this C.D. made me feel as if I was in a master class or recital hall listening to him myself. I would recommend this C.D. to anyone who loves music. As Arnold Jacbos said " It's not about the tuba, it's about music".

arnold jacobs.......2001-05-16

This cd tries to capture arnold jacobs: a prolific teacher, player and above all a great man. while listening, you'll discover the ideals, the methods and ideas that made arnold jacobs the best tuba player that there'll probably ever be. The more complex issues and artistry of brass playing are explained in simple words and sayings. a great deal of jacobs' lectures is also given, and you can also see the importance of understanding the functioning of other body units that help us trough our playing (the brain). a great disc, highly recommended, not only for tuba players, but for all brass players.

inspiring technician musician artist.......2000-09-01

Cannot agree more,this is a wonderful exposition of Jacobs the teacher,for he had developed working concepts any wind player could adopt.His studio in the Fine Arts Building in Chicago was like a mecca for all wind players coming to Jacobs to resolve some deep-rooted performing problem. As he says( my paraphrasing) " they get tied up in knots,worrying about all the motions of the lip. . .you can't think about all those motions for they are thousands of motions from the brain to engage in performing a brass instrument "

As a brass player myself,(trombone & tuba) I have always sensed we have little repertoire to play of any interest,but Jacobs in a lecture here reveals this problem and one way to solve it, is to consciously search for things to play,like an aria from Puccini,or a particular non-tuba passage,to duplicate it,a piano or violin solo. What this approach implies is then for the brass player to develop skills as a consummate musician/ virtuoso,for you are forever challenged then to expand your repertoire endlessly,as much as the instrument or your technique will allow. I now find myself playing Chopin Preludes(Eb-minor,B-minor melodies only) on the trombone,and contrabass orchestral excerpts or trumpet etudes on the tuba,and Jacobs encourages tuba players to learn to read treble clef to be able to read any melody.

There are wonderful examples here from all genres in music from solo etudes in his studio to Berlioz and Wagner excerpts, solo and within the context of the orchestra. It all reveals the seemless consistent sound Jacobs was able to summon from his York tuba. Every attach was uniform,every tone even and pure,at least that is what he heard in his ear. That's another Jacobs credo,you have to have the sound in your head,what do you want your listener to hear. You command that.

The Bozza Sonatine(brass quintet) is also a wonderful performance of great brass music,great use of colours and entrances,breaking down the quintet into smaller duets and trios.This all with Chicago Symphony players makes it all the more interesting,a vintage performance from 1966.I recall those days where solo brass was considered an oddity,and unaccompanied solos even more so.

Jacob's sound should remain in your mind's hearing to duplicate it. Eugene Pokorny (Jacob's Chicago Symphony successor) also provides insightful interesting notes here.

Arnold Jacobs - Icon of education and performance.......2000-08-23

Amazing! For the students who studied directly with Arnold Jacobs, "Protrait of an Artist" will take you back to his studio, sitting right next to him. This excellent collection of lectures (lessons) and demonstrations are a fantastic embodiment of Arnold Jacobs' concepts and teachings. It is certainly a must for any music performer or educator. From the samples of CSO performances at the end of this CD to the practice tapes, the music on this CD is truely inspirational.

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