Unleash the Beast [Explicit Lyrics]

Unleash the Beast [Explicit Lyrics]

Track Listings
1. Mayham (Intro)
2. Unleash the Beast
3. Parking Lot [Skit]
4. F*** Something - Dorasel, Flawless
5. Get Cha Hands Up
6. Message [Skit]
7. Do the Math - Dorasel, , Phats Bossi, Yukmouth
8. Get Ready
9. Bounce
10. Shame on It - Dorasel, Napoleon
11. Them Fools
12. Agreement
13. Cold World
14. My Life - Dorasel, Snypaz
15. War

Unleash the Beast,Dorasel,Virgin Records,Gangsta Rap,Hardcore Rap,Pop,Rap & Hip-Hop,Southern Rap


Unleash the Beast [Explicit Lyrics]
Unleash the Beast
Average customer rating: 4 out of 5 stars
  • Suffers the North American airplay syndrome
  • My Favorite Saxon Album
  • Return to Glory...
  • Saxon - 'Unleash The Beast' (CMC International)
  • best one since power and the glory!
Unleash the Beast
Saxon
Manufacturer: Sanctuary Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
British MetalBritish Metal | Hard Rock & Metal | Styles | Music
GeneralGeneral | Hard Rock & Metal | Styles | Music
Hard RockHard Rock | Hard Rock & Metal | Styles | Music
Similar Items:
  1. Killing Ground
  2. Metalhead
  3. Solid Ball of Rock
  4. Lionheart
  5. Innocence Is No Excuse

ASIN: B000001YAJ
Release Date: 1997-10-14

Tracks:

  1. Gothic Dreams
  2. Unleash the Beast
  3. Terminal Velocity
  4. Circle of Light
  5. Thin Red Line
  6. Ministry of Fools
  7. Precher
  8. Bloodletter
  9. Cut Out the Disease
  10. Absent Friends
  11. All Hell Breaking Loose

Album Details

All New Material, Tracks Include: Gothic Dreams, Unleash the Beast, Absent Friends, Bloodletter, Preacher, Thin Red Line, Terminal Velocity, Cut Out the Disease, Ministry of Fools, Circl of Light and all Hell Breaking Loose.

Customer Reviews:

3 out of 5 stars Suffers the North American airplay syndrome.......2006-06-07

This was a first North American release in a long time.

It suffers like Innocence is No Excuse and Rock the Nations in wimping out in a number of songs in order to get North American airplay, or increased sales.

Not as good as previous recordings like Dogs of War, Solid Ball of Rock, where there was no such pressure.

I bet you, the cuts that did not make the recording, would have if not for this North American airplay syndrome, and made it comparable to such non-North American recordings

5 out of 5 stars My Favorite Saxon Album.......2004-07-02

During the 1990's when heavy metal had lost some of it's popularity and was seen by many as a style of music that belonged to a decade past, Saxon stood tall as champions of the genre and continued to provide us metalheads with what we wanted to hear.

Saxon started the '90s with "Solid Ball Of Rock" which is exactly what that album was, followed by "Forever Free" in '93. 1995 saw the release of another of their better albums in "Dogs Of War", but it was "Unleash The Beast" in 1997 which was their best album since the early-mid '80's.

Doug Scarrat made his debut with the band on this album, replacing original member Graham Oliver on guitar, and whilst it is always sad when an original member goes, Scarrat fitted in perfectly and injected a freshness to the Saxon sound.

Saxon started to build a more aggressive, harder sound in the '90's after their more commercial sounding late '80's albums and with Dogs Of War this was most evident. Again they took another step in the harder direction with Unleash The Beast, and I think they hit it right on with this album.

The album has a great dark gothic picture on the cover, and mirrors the album perfectly, which starts off with the intro "Gothic Dreams". The album has a darker tone than previous Saxon albums, and the band experiments more with their sound whilst still maintaining that classic Saxon sound all us fans love. Following the intro is the great opener "Unleash The Beast" and this is exactly what Saxon have done. After a big intro of crashing drums and Byford's scream the guitars rip in and the pace picks up, with this being one of the faster tracks on the album. The next track "Terminal Velocity" keeps up the pace, with that classic Saxon guitar driven rock, and Byford getting a slightly more aggressive tone to his vocals. This song really pumps in the style of past songs such as Solid Ball Of Rock.

"Circle Of Light" again is dark and aggressive, a song about a person's life in the balance, when the next world beckons and the next few seconds will decide which path is taken.

The next song "The Thin Red Line" is my favorite song on the album, and one of my all time Saxon favorites. Perhaps only the great Iron Maiden can do battle/war songs as well as Saxon, but this is a great one to sing along to, with that classic Saxon melodic chorus. It also has a quieter moment in the middle of it when the guitars die down and Nibb's base just pumps along, before a great guitar solo breaks in. This conveys the calm before combat or during a lull in it, and builds again into the clash of warriors in battle.

"Ministry Of Fools" picks up the pace a bit again and also has a great chorus. It also gives a much-deserved slap to those supposed "respected" people who hold positions of authority in society and influence our lives.

"The Preacher" is another song with a dark undertone, but also a great intro that builds into that guitar driven rock sound.

"Bloodletter" is more frantic and aggressive, the fastest paced song on the album with great guitar work.

"Cut Out The Disease" again has a dark tone but also has a more experimental sound with timing changes, acoustic guitars and quieter moments, and great crashing heavy guitars. It is a different type of song to the classic Saxon of the past, but it is a great song that still has that unmistakable Saxon sound.

"Absent Friends" shows the band experimenting again, this time with a more mellow sounding acoustic song reflecting on the unexpected passing of friends. It has a good guitar solo in the middle, and it's mellow sound adds a good variance amongst the other heavier tracks.

"All Hell Breaking Loose" finishes off the album in the rapid fire, fast paced Saxon way. It's a good album closer.

To summarise, this is perhaps the most consistent album Saxon has ever recorded. There is not one bad song on it. It sounds dark but fresh, hard and aggressive with great guitar work, and Biff Byford's voice sounds just as good as ever (if not better).

This album is a must have for all Saxon fans, or if you just appreciate good classic sounding metal (real metal). Saxon has released many great albums and fantastic songs, but of them all "Unleash The Beast" is my favorite.

5 out of 5 stars Return to Glory..........2004-05-16

This was the first Saxon album I had purchased since the 1990 release of "Solid Ball of Rock" (which had me losing interest in Saxon, as that release sounded one dimensional and lacking any emotion). This album oozes energy, fire and captures the soul the boyz had back in the early 1980's. There is not a bad song on this album, and a highlight here that exemplifies the Saxon that hooked and solidified me as a fan with "Denim and Leather" and "Strong Arm of the Law" releases, is the song "Thin Red Line." The guitars are strong and forceful here, and foreward the rapid fire energy of the early days. Biff Byford has never sounded better, and the songwriting is very professional and entertaining, losing the corny subject matter representation of the last few albums. For fans new to Saxon, this is an excellent place to start, and then pick up the newer release, which is a more groove oriented hard rock opus, "Killing Ground." THEN go back and experiment with the roots stuff of "Wheels of Steel," "Denim and Leather" and "Strong Arm of the Law." There is such a tremendous history.....but don't purchase all of the stuff (unless you are a Saxon Metalhead like me), as the group really has not veered much from the formula that has made these five albums successful.

4 out of 5 stars Saxon - 'Unleash The Beast' (CMC International).......2004-04-10

Glad to see that Saxon STILL exists to this day.I've debated with other fans that 'Unleash...' is just as good as their 1990 effort 'Solid Ball Of Rock'This disc has three original/classic members: vocalist Biff Byford,drummer Nigel Glocker and guitarist Paul Quinn.All cuts here are good,but the best include the brief intro "Gothic Dreams",the title track,"Terminal Velocity","Thin Red Line" and "The Preacher".The last three I listed DEFINITELY have the classic feel of old Saxon.You know what I'm talking about...it makes you feel like dumping beer over people's heads and causing a disturance in the AM hours.Like most Saxon albums,this one features a nifty ballad,"Absent Friends" which,of course showcases a mellower side of the band.Nice scary cover.

5 out of 5 stars best one since power and the glory!.......2004-02-25

if you know this band, the title of my reveiw is all you need to know. biff stopped smoking, so his voice is as good as ever. when you look up metal in the dictionary, there should be a picture of this band! NO ONE makes a battle song as good as SAXON!!!!!!!!! they are the best, just like the steelers!
Unleash the Beast
Average customer rating: 3.5 out of 5 stars
  • This Beast aint playing
  • Bitin' Cube
  • Unleash the Beast Iz Tha best
Unleash the Beast
Dorasel
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Southern RapSouthern Rap | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
ASIN: B00005MJZB
Release Date: 2001-10-09

Tracks:

  1. Mayham (Intro)
  2. Unleash The Beast
  3. Parking Lot (Skit)
  4. F*** Something
  5. Get Cha Hands Up
  6. Message (Skit)
  7. Do The Math
  8. Get Ready
  9. Bounce
  10. Shame On It
  11. Them Fools
  12. The Agreement
  13. Cold World
  14. My Life
  15. War

Customer Reviews:

4 out of 5 stars This Beast aint playing.......2006-10-27

Standout tracks: UNLEASH THE BEAST, GET CHA HANDS UP, GET READY, SHAME ON IT, THE AGREEMENT, THEM FOOLS, COLD WORLD, MY LIFE(killer matchup with the Snypaz) and WAR(the hardest song on this album). Filler: F**k something(Wack plus Flawless cant rap a lick), Do the math(All those guests and it still sucked)and Bounce(nice beat but he like he's forcing himself to do a club record). Bottom Line: Dorasel can flow and he put together a pretty good album album. Songs like War, Unleash the Beast, Cold World etc show you that he is not playing on the mic. I wonder what happened to him?

2 out of 5 stars Bitin' Cube.......2003-01-29

Dorasel undoubtedly has skillz, but is bitin' Ice Cube like craaaazy. hes got the same flow technique almost exactly. Like all the Pac biters out there....any real rap critic loses alot of respect and credibility towards the artist. Remold your style and come hit us with sumthin original bro. otherwise the beats and rhymes are pretty sick...but why not listen to Cube?

5 out of 5 stars Unleash the Beast Iz Tha best.......2001-12-03

This cd iz so good all the trackz are really good and the beatz are off tha hook and he even getz so the outlawz on his cd this cd iz good so go cop it
Unleash the Beast
Average customer rating: Not rated
    Unleash the Beast

    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
    ElectronicaElectronica | Dance & DJ | Styles | Music
    Dance & DJDance & DJ | Imports | Stores | Music
    ASIN: B000FILI9E
    Release Date: 2006-08-01
    Unleash the Beast
    Average customer rating: Not rated
      Unleash the Beast
      Bowlo
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Rap & Hip-Hop | Styles | Music
      ASIN: B000G8P73Q
      Release Date: 2006-05-09

      Tracks:

      1. Love Song
      2. On the Run
      3. Headbanger
      4. Lifestyle
      5. Can I Live
      6. 2007 Ether
      7. Pray for Me
      8. Eyes of a Crackhead
      9. End of My Tunnel
      10. Niceness
      Unleash the Beast
      Average customer rating: Not rated
        Unleash the Beast
        Dorasel
        Manufacturer: Virgin Records Us
        ProductGroup: Music
        Binding: Audio CD

        Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
        GeneralGeneral | Rap & Hip-Hop | Styles | Music
        Southern RapSouthern Rap | Rap & Hip-Hop | Styles | Music
        Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
        ASIN: B00005MJZG
        Release Date: 2001-10-09

        Tracks:

        1. Mayham (Intro)
        2. Unleash The Beast
        3. Parking Lot (Skit)
        4. F*** Something
        5. Get Cha Hands Up
        6. Message (Skit)
        7. Do The Math
        8. Get Ready
        9. Bounce
        10. Shame On It
        11. Them Fools
        12. The Agreement
        13. Cold World
        14. My Life
        15. War
        Crush... Unleash The Beast
        Average customer rating: Not rated
          Crush... Unleash The Beast

          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Rock | Styles | Music
          GeneralGeneral | Rock | Indie Music | Stores | Music
          ASIN: B00005M0T8
          Release Date: 2001-06-08

          Album Description

          "With this first album called ""Crush"", BLACKNESS announces the great come-back of the mighty thrash metal ! The music of the band takes first its influences from heavy-metal legends to become later a lot more personal. Speed riffs which stays very tight & precise, numerous break parts, BLACKNESS brilliantly proves that it knows perfectly this style of music. The band can easily be compared to other acts like SLAYER, KREATOR, LOUDBLAST or METALLICA (Old period). More, Blackness has already shared the stage with some of the best like atrick RONDAT, AMORPHIS, SAMAEL, MOONSPELL to name a few. Powerful metal with a lot of energy !"
          Unleash the Beast
          Average customer rating: 5 out of 5 stars
          • UNLEASH THE BEAST
          Unleash the Beast
          Saxon
          Manufacturer: Avex Trax Japan
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Rock | Styles | Music
          British MetalBritish Metal | Hard Rock & Metal | Styles | Music
          GeneralGeneral | Hard Rock & Metal | Styles | Music
          Hard RockHard Rock | Hard Rock & Metal | Styles | Music
          Hard Rock & MetalHard Rock & Metal | Imports | Stores | Music
          RockRock | Imports | Stores | Music
          ASIN: B000006ZZX
          Release Date: 1997-09-04

          Tracks:

          1. Gothic Dreams
          2. Unleash the Beast
          3. Terminal Velocity
          4. Circle of Light
          5. Thin Red Line
          6. Ministry of Fools
          7. Preacher
          8. Bloodletter
          9. Cut Out the Disease
          10. Absent Friends
          11. All Hell Breaking Loose

          Album Details

          Japanese Release to Include an Exclusive Bonus Track.

          Customer Reviews:

          5 out of 5 stars UNLEASH THE BEAST.......2000-01-14

          THIS IS A GREAT ALBUM, SAXON ARE BACK AND ROCK'IN, IF YOU LOVE METAL YOU NEED THIS C.D. ,BUT THIS IMPORT DOESNT CONTAIN ANY BONUS TRACKS, I KNOW I BOUGHT IT, AND THE USA COPY TOO.
          Crush: Unleash the Beast
          Average customer rating: Not rated
            Crush: Unleash the Beast
            Blackness
            Manufacturer: Musea Records France
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Rock | Styles | Music
            RockRock | Imports | Stores | Music
            ASIN: B00007GZNX
            Release Date: 2001-01-01
            Unleash the Beast
            Average customer rating: Not rated
              Unleash the Beast
              Saxon
              Manufacturer: Msi/Emd
              ProductGroup: Music
              Binding: Audio CD

              British MetalBritish Metal | Hard Rock & Metal | Styles | Music
              GeneralGeneral | Hard Rock & Metal | Styles | Music
              Hard RockHard Rock | Hard Rock & Metal | Styles | Music
              Hard Rock & MetalHard Rock & Metal | Imports | Stores | Music
              ASIN: B000006ZKQ
              Release Date: 1997-05-20

              Tracks:

              1. Gothic Dreams
              2. Unleash the Beast
              3. Terminal Velocity
              4. Circle of Light
              5. Thin Red Line
              6. Ministry of Fools
              7. Preacher
              8. Bloodletter
              9. Cut Out the Disease
              10. Absent Friends
              11. All Hell Breaking Loose

              Album Details

              All New Material, Tracks Include: Gothic Dreams, Unleash the Beast, Absent Friends, Bloodletter, Preacher, Thin Red Line, Terminal Velocity, Cut Out the Disease, Ministry of Fools, Circl of Light and all Hell Breaking Loose.
              Instruments of the Orchestra
              Average customer rating: 4.5 out of 5 stars
              • Instruments of the Orchestra - Great Reference Material!
              • Beginner or Expert
              • Very Informative and Enjoyable
              • Frank's view
              • Excellent Intro for Those Not Familiar with the Orchestra
              Instruments of the Orchestra
              Various Artists
              Manufacturer: Naxos
              ProductGroup: Music
              Binding: Audio CD

              GeneralGeneral | Symphonies | Classical | Styles | Music
              GeneralGeneral | Classical | Styles | Music
              Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
              London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
              Moscow Philharmonic OrchestraMoscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music
              National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
              GeneralGeneral | Rap & Hip-Hop | Styles | Music
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              GeneralGeneral | Instructional | Miscellaneous | Styles | Music
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              London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music
              Moscow Philharmonic OrchestraMoscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music
              National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music
              InstrumentalInstrumental | Classical Music Blowout | Stores | Music
              Similar Items:
              1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
              2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
              3. The Young Person's Guide to the Orchestra (Book & CD)
              4. What to Listen for in Music
              5. Study of Orchestration, Third Edition

              ASIN: B00006O0NT
              Release Date: 2002-12-03

              Tracks:

              1. Overture To 'Tannhauser'
              2. Domna, Pos Vos Ay Chausida
              3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
              4. Hungarian Dance No.7
              5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
              6. Violin Concerto In D Major (Adagio)
              7. But For A Long Time It Was Seen As The Instrument Of The Devil.
              8. The Soldier's Tale: Triumphal March Of The Devil
              9. The Manipulative Seductiveness Of The Gypsy Violin.
              10. Csardas Music
              11. The Violin And The Initiation Of Nature
              12. The Four Seasons (Spring, Mvt 1)
              13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
              14. The Four Seasons (Summer, Mvt 1)
              15. Like The Devil, The Violin Is A Master Of Disguise.
              16. Old Viennese Dance No.3 'Schon Rosmarin'
              17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
              18. Tzigane
              19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
              20. Caprice No.24
              21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
              22. Variations On A Theme Of Frank Bridge (No.7)
              23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
              24. Romeo And Juliet: Act IV
              25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
              26. The Four Seasons (Winter, Mvt 1)
              27. The Violin Muted
              28. Clair De Lune
              29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
              30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
              31. The Pizzicato Violin
              32. Pizzicato Polka
              33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
              34. Violin Concerto No.2 In G Minor (Slow Mvt)
              35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
              36. The Planets (Mars - The Bringer Of War)
              37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
              38. Hungarian Dance No.4
              39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
              40. The Four Seasons (Autumn, Mvt 1)
              41. Now The Same Technique, But The Sound Might Have Come From Another World.
              42. Bolero
              43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
              44. Cadenza To The Violin Concerto By Brahms
              45. Now Compare That With A Real Violin Duet.
              46. Forty-Four Duos (No. 1: Teasing Song)
              47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
              48. Forty-Four Duos (No.2: Maypole Dance)
              49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
              50. Concerto In D Minor For Two Violins (Largo)
              51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
              52. Violin Concerto No.1 In D Major (Mvt 2)
              53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
              54. Symphony No.1 'Titan' (Mvt 1, Opening)
              55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
              56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
              57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
              58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
              59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
              60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
              61. Also Sprach Zarathustra (Of The Afterworldsmen)
              62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
              63. Variations On A Theme Of Frank Bridge (No. 4)
              64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
              65. Four Sea Interludes (Dawn) From 'Peter Grimes'
              66. To End This Outing With The Violins, A Charming Little Elfin Dance
              67. Elfenreigen

              Tracks:

              1. Introduction To The Viola
              2. Viola Concerto (Mvt 1)
              3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
              4. Gayane Suite No.1 (Armen's Solo)
              5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
              6. Passacaglia, Op.33b From 'Peter Grimes'
              7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
              8. Harold In Italy (Mvt 4)
              9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
              10. Cypresses (No.9)
              11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
              12. Symphony No.4 (Mvt 3)
              13. The 'Period' Viola In Bach
              14. Brandenburg Concerto No.6 (Last Mvt)
              15. The Cello: A Voice Of Unique Nobility
              16. Suite No.1 For Unaccompanied Cello (Prelude)
              17. Brahms And The 'Soul' Of The Cello
              18. Piano Concerto No.2 In B Flat Major (Mvt 3)
              19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
              20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
              21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
              22. Symphony No.3 'Eroica' (Finale)
              23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
              24. Elfentanz, Op.39
              25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
              26. The Protecting Veil (Opening)
              27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
              28. Flamenco
              29. Double-Stopping In The Lower Reaches Of The Cello's Range
              30. Solo Suiet For Cello And Piano (Sardana)
              31. It's In The Middle Register That The Cello Really Comes Into Its Own.
              32. Oriental Dance, Op.2 No.2
              33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
              34. Symphony No.9 (Finale)
              35. Introduction To The Double-Bass
              36. The Carnival Of The Animals (The Elephant)
              37. But The Double-Bass Can Be Intensely Expressive And Graceful.
              38. Elegy No.1 In D Major
              39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
              40. Capriccio Di Bravura
              41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
              42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
              43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

              Tracks:

              1. The Antiquity And Magic Of The Flute
              2. Prelude A L'Apres-Midi D'Un Faune
              3. The Versatility And Agility Of The Flute
              4. Orchestral Suite No.2 In B Minor (Badinerie)
              5. The Flute In Fifteenth-Century Spain
              6. Sa'Dawi
              7. Other Flutes: The Bass And Alto
              8. Chamber Music No.II
              9. The Piccolo - Aptly Named
              10. La Naissance D'Osiris (Mvt 6)
              11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
              12. Suite No.1 For Small Orchestra (Valse)
              13. A Variety Of Techniques
              14. Chamber Music No.II
              15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
              16. The Nutcracker (Act II, No.2: Scene)
              17. From The Transverse To The Vertical: The Baroque Recorder
              18. Recorded Suite In A Minor (Menuet II)
              19. An Unfamiliar, Early Vision Of The Instrument
              20. Naelden, Naelden
              21. The Bachian Oboe
              22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
              23. Introduction To The Cor Anglais Or 'English Born'
              24. Symphony No.9 'From The New World' (Mvt 2)
              25. The Loneliness Of The Cor Anglais
              26. The Swan Of Tuonela
              27. The Cor Anglais Joins The French Horn In Haydn.
              28. Symphony No.22 'The Philosopher' (Opening)
              29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
              30. Bolero
              31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
              32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
              33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
              34. Gayane Suite No. 1 (Mvt 5)
              35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
              36. The Range Of The Normal Clarinet Parts Goes Quite High...
              37. The Snow Maiden (Scene 5: Melodrama)
              38. ...And Quite Low.
              39. Peter And The Wolf (The Cat)
              40. The Clarinet As Concerto Soloist
              41. Clarinet Concerto In A Major (Rondo)
              42. But That's Not The Instrument Mozart Wrote It For; This Is:
              43. Clarinet Concerto In A Major (Rondo)
              44. Introduction To The Saxophone
              45. Hary Janos Suite (Mvt 4)
              46. The Soprano Saxophone Has Quite A Different Feel To It.
              47. L'Arlesienne Suite No.1 (Minuet)
              48. The Little Sopranino Sax Goes Even Higher.
              49. Bolero
              50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
              51. Pictures At An Exhibition (The Old Castle)
              52. The Saxophone Can Be Quite Contagiously Good-Humoured.
              53. Sax-O-Phun
              54. The Puffa-Puffa Image Of The Bassoon
              55. Peter And The Wolf (Grandfather)
              56. The Bachian Bassoon, In Accompanimental Mode
              57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
              58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
              59. And Ravel, Also In Spanish Mode, Does Likewise.
              60. Bolero
              61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
              62. Symphony No.3 (Opening)
              63. The Eerie Bassoon In Its Highest Register
              64. The Rite Of Spring (Opening)
              65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
              66. The Firebird Suite (1919, Berceuse)
              67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
              68. Bassoon Concerto In G Minor (Finale)
              69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
              70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
              71. The French Horn Under Its Woodwind Hat
              72. Wind Quintet, Op.43 (Last Mvt)
              73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
              74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
              75. The Horn In Harmonious Blend With Strings In Another Quintet
              76. Horn Quintet, K.407 (Finale)

              Tracks:

              1. The Trumpet As Virtuoso Soloist
              2. Brandenburg Concerto No.2 (Last Mvt)
              3. The Special Brillance Of Paired Trumpets
              4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
              5. The Ceremonial Trumpet
              6. Fanfare For The Common Man
              7. Trumpets And Drums - An Incomparable Alliance
              8. Messiah (The Trumpet Shall Sound)
              9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
              10. Piano Concerto In F (Slow Mvt)
              11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
              12. Carmen Suite No.2 (Habanera)
              13. The Trumpet As The Voice Of Strength And Courage
              14. Carmet Suite No.2 (Toreador's Song)
              15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
              16. Billy The Kid
              17. The Trumpet As Character Actor
              18. Pictures At An Exhibition (No.6)
              19. The Trumpet As The Voice Of God
              20. Mass In B Minor ('Et Exspecto')
              21. The Birth Of The Trombone
              22. Aenmerckt Nu Hier
              23. The Birth Of The Brass As A Family
              24. Canzon 12 In Double Echo
              25. The Trombone In The Eighteenth Century
              26. Trombone Concerto In B Flat Major (Finale)
              27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
              28. Hosannah
              29. The Trombones Become Part Of The Orchestra.
              30. Symphony No.5 (Finale)
              31. The Wagnerian Trombone:/Overture To 'Tannhauser'
              32. The Trombone As Caricaturist
              33. Pulcinella (No.19: Vivo)
              34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
              35. The Horn And The Hunt
              36. Horn Concerto No.4 In E Flat, K.495 (Finale)
              37. The Challenging Horn Of The Baroque
              38. Abaris Ou Les Boreades (Menuet)
              39. The Scarcity Of First-Rate Players In Handel's Time
              40. Walter Music (Minuet 1)
              41. The Horn As Magician/The Firebird Suite (1919, Finale)
              42. Horns And The Sound Of Nobility
              43. Overture To 'Tannhauser' (Opening)
              44. The Special Sound Of The Horn In Its Higher Register
              45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
              46. The Trumpet-Like Sound Of Massed Horns
              47. Symphony No.3 (Mvt 1, Opening)
              48. The Tuba - Unfairly Maligned?
              49. Symphony No.6 (Mvt 3)
              50. The Tuba Perfectly Cast By Ravel
              51. Pictures At An Exhibition (Bydlo)

              Tracks:

              1. Introduction. And We Begin With A Bang.
              2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
              3. At The Opposite Extreme Is The Triangle.
              4. Piano Concerto No.1 In E Flat (Scherzo)
              5. Categories Of Percussion: Tuned And Untuned. The Side Drum
              6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
              7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
              8. The Tambourine. One Of The Oldest Instruments In The World
              9. Den Hoboecken Dans
              10. Even Older Is The Originally Oriental Gong.
              11. Ma Mere L'Oye - Mother Goose (Laideronette)
              12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
              13. Gymnopedie No.2
              14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
              15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
              16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
              17. Rodeo (Hoe-Down)
              18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
              19. Scherzi Musicali (Damigella Tutta Belle)
              20. A Still Earlier Example From Fifteenth-Century Spain
              21. Yo M'Enamori D'Un Aire
              22. The Birth Of The Bongo
              23. Symphonic Dances From 'West Side Story'
              24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
              25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
              26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
              27. Onwards To The Tuned Percussion. First, The Timpani
              28. Also Sprach Zarathustra (Introduction)
              29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
              30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
              31. Taking Advantage Of Tunability
              32. Music For Strings, Percussion And Celeste (Mvt 2)
              33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
              34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
              35. Saint-Saens And The Xylophone
              36. The Carnival Of The Animals (Fossils)
              37. Ravel And The Xylophone
              38. Ma Mere L'Oye - Mother Goose (Laideronette)
              39. Introducing The Marimba/Carmen Suite (First Intermezzo)
              40. Introducing The Vibraphone
              41. The Treasure Of The Sierra Madre (Narange Dolce)
              42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
              43. Introducing The Hungarian Cimbalom
              44. Folk Dances
              45. The Cimbalom And The Symphony Orchestra
              46. Hary Janos Suite (Mvt 3)
              47. Introducing The Tubular Bells
              48. Hary Janos Suite (Viennese Musical Clock)
              49. A More 'Up-Front' Approach From Rodion Shchedrin
              50. Carmen Suite (Introduction)
              51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
              52. Introducing The Celeste
              53. The Nutcracker (Dance Of The Sugar Plum Fairy)
              54. Magic, In The Use Of Collective Percussion
              55. Miroirs (La Vallee Des Cloches)
              56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
              57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
              58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
              59. Brandenburg Concerto No.2 (Slow Mvt)
              60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
              61. Petrushka (Russian Dance)
              62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
              63. Music For Strings, Percussion And Celeste (Last Mvt)

              Tracks:

              1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
              2. Symphony No.3 'Organ' (Finale)
              3. But Things In Handel's Day Were Very Different.
              4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
              5. The Organ Is Difficult To Classify.
              6. An Unexpected, Organ-related Guest
              7. Concerto Pour Zampogna (Last Mvt)
              8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
              9. Les Miserables (Drink With Me)
              10. Outside Artefacts And The Power Of Association
              11. Mahler's Sleighbells
              12. Symphony No.4 (Opening)
              13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
              14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
              15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
              16. Don Quixote (Variation VIII)
              17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
              18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
              19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
              20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
              21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
              22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
              23. The Sitar Of India/Evening Raga: Bhapoli
              24. The Accordion For France (Especially Paris)/Paris Canaille
              25. The Zither For Vienna/The Third Man (Theme)
              26. The Cimbalom For Hungary/Folk Dances
              27. The Guitar As An Integral Part Of The Orchestra/Rondena
              28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
              29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
              30. Nocturnes
              31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
              32. The Carnival Of The Animals (The Cuckoo)
              33. The Flute As An All-purpose Aviary
              34. The Carnival Of The Animals (The Aviary)
              35. The Oboe As Duck
              36. Peter And The Wolf (The Duck)
              37. The Recording Of Reality. Does It Work As Well?
              38. The Pines Of Rome (The Pines Of The Janiculum)
              39. The Recording Of Reality Electronically Reborn In New Guises
              40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
              41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
              42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
              43. Some Improbable Casting: The Violin As Braying Donkey
              44. The Carnival Of The Animals (Persons With Long Ears)
              45. A Truly Orchestral Hee-haw To Be Reckoned With
              46. Overture To 'A Midsummer Night's Dream'
              47. A Thunderstorm In A Million
              48. Symphony No.6 'Pastoral (Allegro-Allegretto)
              49. the Instrumental Depiction Of A Silent World
              50. The Carnival Of The Animals (The Aquarium)
              51. Saint-Saens' Menagerie Takes A Curtain Call.
              52. The Carnival Of The Animals (Finale)

              Tracks:

              1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
              2. Forty-Four Duos (No.4)
              3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
              4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
              5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
              6. String Trio In B Flat (Menuetto)
              7. The String Quartet: Two Violins, Viola, And Cello
              8. String Quartet In F, Op.18 No.1 (Mvt 3)
              9. The String Quintet - When The Extra Instrument Is A Second Viola
              10. String Quartet No.5 In D, K.593 (Adagio)
              11. The String Quintet - When The Extra Instrument Is A Second Cello
              12. String Quintet In C (Mvt 3)
              13. The String Sextet: Two Violins, Two Violas, And Two Cellos
              14. String Sextet In B Flat (Mvt 2)
              15. The String Octet: The Standard String Quaret Times Two
              16. Octet In E Flat, Op.20 (Mvt 1)
              17. Double The String Octet: A Fully Fledged String Orchestra
              18. String Symphony No.2 (Finale)
              19. The Massed Strings Of A Symphony Orchestra
              20. Fantasia On A Theme Of Thomas Tallis
              21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
              22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
              23. In The First Variation It's The Horn That Gets The Lion's Share.
              24. Wind Quintet In A Minor, Variation 1
              25. In Variation Two The Torch Is Handed To The Bassoon.
              26. Wind Quintet In A Minor, Variation 2
              27. In Variation Three The Oboe Leads.
              28. Wind Quintet In A Minor, Variation 3
              29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
              30. Wind Quintet In A Minor, Variation 4
              31. And Variation Five is Dominated By The Clarinet.
              32. Wind Quintet In A Minor, Variation 5
              33. The Next To Be Featured Is The Virtuoso Flute.
              34. Wind Quintet In A Minor, Variation 6
              35. Individual Farewells And A Closing Chorus
              36. Wind Quintet In A Minor, Variation 7
              37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
              38. Octet In F (Mvt 3)
              39. The Early Classical Symphony Orchestra Of Haydn And Mozart
              40. Symphony No.29 In A, K.201 (Finale)
              41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
              42. Canzon 28
              43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
              44. Symphony No.5 (Finale)
              45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
              46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
              47. Symphoy No.6 'Tragic' (Mvt 1)
              48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
              49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
              50. When Large Doesn't Necessarily Mean Loud: Debussy
              51. Images (Gigues)
              52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
              53. Turangalila Symphony (Chant D'amour 1)
              54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
              55. Balle De Xerxes (Gavotte En Rondeau)
              56. Computer And Synthesiser: Friends Or Foes?
              57. Concerto In D Minor For Two Violins (Largo)
              58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

              Customer Reviews:

              5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

              This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

              5 out of 5 stars Beginner or Expert.......2007-03-12

              This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

              5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

              Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

              3 out of 5 stars Frank's view.......2006-08-19

              This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

              5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

              I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

              The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

              I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

              The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

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