One [Enhanced]

Track Listings

1. Intro

2. Contagious

3. Homework, Pt. 1 - Etch, J.B.L., Mission

4. Rockin' It

5. 59 Pontiac

6. Disturbing Behaviour

7. Homework, Pt. 2

8. Now I Shine

9. Mission: 2

10. Hands Up

11. Chocolate Milk and Apricots

12. Transit

13. More Than You Know

14. Last Night

15. Homework, Pt. 3

16. BS II MF [Remix]

17. Don't Stop (Interlude)

18. It's The...

One,Mission:,Insiduous Urban,Alternative Rap,Hip-Hop,Pop,Rap & Hip-Hop,Underground Rap

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Paul Potts [United Kingdom]: One Chance

Manufacturer: Sony / Bmg Import
ProductGroup: Music
Binding: Audio CD

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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
The #1 Opera Album
The Most Famous Opera Arias
The Best of Italian Opera
Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988)

ASIN: B000SKO0OY
Release Date: 2007-07-30

Tracks:

Nessun Dorma
Con Te Partiro (Time To Say Goodbye)
Amapola
Ognuno Soffre (Everybody Hurts)
Caruso
Nella Fantasia
Por Ti Sere (You Raise Me Up)
A Mi Manera (My Way)
Cavatina
Music Of The Night

Album Description

2007 debut album from the winner of the first season of Britain's Got Talent. Potts' winning performance of Puccini's 'Nessun Dorma' is now one of the most watched clips in You Tube's history (10 million+). The album includes that track as well as the equally captivating 'Time To Say Goodbye', a Spanish version of 'My Way' and Italian version of REM's 'Everybody Hurts'. 12 tracks. RCA.

Product Description

This Unassuming Man, a 36 Year Old Phone Salesman from South Wales and Amateur Opera Singer, Stepped Up to the Microphone on Simon Cowell's British Itv Show "Britain's Got Talent" and Literally Stole the Show. Many Anticipated Another William Hung, but Instead Got a Caruso! the Performance Brought the Entire Audience to their Feet, Even Winning High Praise from Cowell Himself. Potts Went on to Resoundingly Win the Competition! his is a Real Rags to Riches Tale, Having Been £30,000 in Debt and Suffering Years of Bullying and Recovering from a Serious Motorbike Accident. His Winning the Competition Got Him Signed to a Lucrative Recording Contract and He Gained Considerable Media Exposure all Over the World. This Debut Album Naturally features the Piece He Auditioned with (Puccini's "Nessun Dorma") as Well as his Heart Stopping Version of "Con Te Partiro/Time to Say Goodbye", the Song He Sang in the Finals, Originally Made Famous by Sarah Brightman and Andrea Bocelli.

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Magic!
A Stoke of Amazon Luck
Amazing Debut Album
One Cell in the Sea: A sonorous journey
The Finest Frenzy

One Cell In the Sea
A Fine Frenzy
Manufacturer: Virgin Records
ProductGroup: Music
Binding: Audio CD

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The Reminder
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ASIN: B000QCK99E
Release Date: 2007-07-17

Tracks:

Come On, Come Out
The Minnow & The Trout
Whisper
You Picked Me
Rangers
Almost Lover
Think of You
Ashes and Wine
Liar, Liar
Last of Days
Lifesize
Near To You
Hope for the Hopeless
Borrowed Time

Amazon.com

A Fine Frenzy is actually just a fine young singer-songwriter from Seattle, born Alison Sudol. A self-taught piano player, on her debut album she pairs sweeping orchestral arrangements with dreamlike lyrics inspired by the classic works of fantasy writers like CS Lewis, EB White, and Lewis Carroll. Add to that a propensity for frilly shirts and cryptic song titles such as "The Minnow & the Trout" and you half-expect to find a back alley Joanna Newsom. Instead Sudol specializes in accessible pop epics, the kind of songs that fit perfectly over the end credits of a great Hollywood tearjerker. Despite the gentle melancholia that runs through "Ashes and Wine" and "You Picked Me," each tune arrives wrapped in an exuberant melody and topped by the singer's commanding voice. On the disc's standout moment, "Almost Lover," she shows she can do simplicity as well, musing over a sublime piano medley, "Shoulda known you'd bring me heartache/ Oh, most lovers always do." --Aidin Vaziri

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A Fine Frenzy Photos

Customer Reviews:

Magic!.......2007-07-23

I heard A Fine Frenzy on One Tree Hill and really loved what I heard. i am very happy to have the whole cd now! My favorites are Minnow and the trout, You Picked Me, Almost Lover, Last of Days, Near To You, and Hope fotr the hopeless but i really like all of them really. I kind of hope Alison doesnt get too famous because i feel like ive found a best kept secret!! I have been listening to this album non stop!

A Stoke of Amazon Luck.......2007-07-21

I can't remember what prompted me to order ths album. I had never heard of A Fine Frenzy or Alison Sudol, but something in the Amazon marketing machine suggested it to me-- whether it was recommended or a "deal" if I bought two, I don't know. I am sure a listened to the 30 sec. teasers, and gave it a shot.

I think Alison Sudol may have the loveliest voice I have heard since Sarah McLachlan and/or Eva Cassidy. That is a major concession from me. I am a lyrics lover to the core, and so far I am impressed. Maybe I am easy, but you will have to decide for yourself.

Amazing Debut Album.......2007-07-21

I just heard this album last night and am already in love with it. I've been listening to it non-stop and it has only become more brilliant. The music is gorgeous and has utterly transfixed me. I can't recommend it enough!

If you love/like Tori Amos, Fiona Apple, Sarah McLachlan, Imogen Heap/Frou Frou then you will love A Fine Frenzy.

One Cell in the Sea: A sonorous journey.......2007-07-19

Lately we've been greeted with a king's court full of singer/songwriters. I don't review their music too often and when I do, I can only draft a few terse sentences. For my part, I find many of them to be musicians, not artists. Musicians merely recite their compositions and, after a few repeat plays, I'm left hollow, finding little of themselves, their vulnerability, in the work. The artists, however, paint, weave, and sculpt with music, and you know what dangerous creatures they can be, cleverly lacing the notes with their aspirations, their fears, their essence. You can sense it in their voice, every syllable of the lyrics as they slip into you.

Such is the case with A Fine Frenzy. When I heard their album, One Cell in the Sea, I was struck by its dimensionality. With her vocal and writing talents, singer/songwriter Alison Sudol folds our hand into hers and guides us through her mysterious wonderland (evidenced by the album's cool cover and booklet art), conjuring picturesque landscapes with "Come On, Come Out", the excellent "Rangers", "You Picked Me" and "The Minnow and the Trout" and ensnaring us in sumptuous wine-dark woodlands with her intimate offerings "Almost Lover", "Hope for the Hopeless", "Near to You" and "Ashes and Wine".

By the time the final track, "Borrowed Time", concluded, I found myself in a well of thoughts and emotions, albeit delightedly so. Sudol has not only crafted an outstanding and bravely personal album, but a magical world I look forward to visiting time and again.

The Finest Frenzy.......2007-07-18

It is true that Alison's music is "easy" when you want it to be so (just listen to it while laying down on the couch with your mind wandering). The gorgeous melody and her beautiful voice will soothe you and give you something to hum along with. That's the pop side of this album.

At the same time, her music can also be very profound, with such very well-crafted lyrics and emotions that she puts in every single breath in her voice. There, you get the singer-songwriter part of this album.

I admit that I might be a little bit biased on this album (since I've been listening to "Rangers" as long as back to midst 2006 and keep repeating it over and over along with "Come On Come Out" and "The Well" when she released them on her MySpace page. Heck I even had her "Let It Snow" recorded from her MySpace page during Christmas time). I can't recall the last time I had ever eagerly waited for the release of a new album like this before.

Now that the album has come out, the whole picture is complete. I can't even skip a single song from beginning to end. From the "you-and-me-against-the-world" anthem, "Rangers", to the sad, tragic, achingly painful "Almost Lover". From the peppy "Lifesize" or "You Picked Me" to the semi-acoustic "Borrowed Time". They are all gems. They show range, each has distinct and recognizable melody (as any good pop song should be).

And it doesn't hurt that Alison is quite easy on the eyes. I mean, really, how could you resist someone as beautiful as Alison "Whisper"-ing "I'm down.. to whisper.. in a daydream.. can you hear me?"

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All the # 1 hits of the Beatles.
As good as you think it is
great collection
Memories of past music
I'm in love with the Beatles, and I feel fine

The Beatles 1
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004ZAV3
Release Date: 2000-11-14

Tracks:

Love Me Do
From Me to You
She Loves You
I Want to Hold Your Hand
Can't Buy Me Love
A Hard Day's Night
I Feel Fine
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Amazon.com essential recording

Proving yet again their willingness to dice 'n' slice their burgeoning legacy into new--if not exactly fresh--product, the Fab Four Minus One have released this single-disc compendium of their No. 1 hits. Though obviously superfluous to the faithful (who may also find themselves quibbling over the precise definition of "No. 1 hit" and the exclusion of seeming contenders like "Please Please Me" and "Strawberry Fields"), newly arrived visitors from the Pleiades star cluster and other neophytes will find it a concise and generous (nearly 80 minutes) single-disc introduction to the band's career-spanning, unparalleled dominance of pop music in the 1960s. But beyond being a mere trophy case of commercial success (and it won't be hard to find critics who'll argue that these singles aren't even the band's best work), it's also a Cliff's Notes take on a remarkable seven-year run of musical evolution, one that stretches from the neo-skiffle of "Love Me Do" through a remarkable synthesis of R&B, rockabilly, Tin Pan Alley, gospel, country, and classical that still defies efforts to effectively deconstruct it. This is the pop monument equivalent of the '27 Yankees and '90s Bulls; it's every bit as obvious and dominating--and just as essential. --Jerry McCulley

Customer Reviews:

All the # 1 hits of the Beatles........2007-07-18

This record has all the number one hits in the history of the Beatles, what you can add to that.

As good as you think it is.......2007-07-08

John, Paul, George, and Ringo. If this phrase does not move you then you should go back to your George Michael videos and prey he'll become heterosexual! This is everything that you remember from the Beatles.

great collection.......2007-07-06

Beatles 1 is a good collection of the Beatles #1 hit singles. Perfect for the casual Beatles fan or for someone just being introduced to the Beatles music for the first time. If you are interested in hearing more Beatles music, collect their albums. Depending on your taste, you can get their early 60s stuff or their late 60s stuff or both time periods. Personally, I enjoy their early 60s stuff more than their late 60s stuff and have a collection of their early 60s albums.

Memories of past music.......2007-06-27

I guess this is a CD of their best songs and is well worth buying. Now I have a tape and CD of their music and could not be happier.

I'm in love with the Beatles, and I feel fine.......2007-06-18

"Beatles 1" is a great album. I could leave it at that, but I think I would just be stating the obvious, so I will give you a more in depth look.

You are probably aware, but just in case you don't know by now, "Beatles 1' is chronologically organized using songs that reached number one in the United States and/or the United Kingdom. Even though that means that some of your favorite songs won't be on here, and even some number ones will not make it (Strawberry Fields Forever, Please Please Me), it is still an exceptional collection of music that very few bands in history could ever dream of putting together. From "Love Me Do" to "The Long And Winding Road," this album is fantastic. While "Beatles 1" does have some weak spots, even those songs are far above the best of most other bands.

All in all, I have to say that If you are new to The Beatles, then you should get this album in a heartbeat. However, if you own a lot of Beatles music, then you probably shouldn't buy this album, unless you really want to here the digitally Remastered quality, because you probably will already know most of the songs.

Average customer rating:

Sorry Lyrics
Fabulous
My Favorite CD
One X
Very cool modern rock

One X
Three Days Grace
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FBGBPC
Release Date: 2006-06-13

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It's All Over
Pain
Animal I Have Become
Never Too Late
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Riot
Get Out Alive
Let It Die
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One-X

Amazon.com

Loaded with lyrics about nightmares, pain, isolation and broken relationships, One X, the sophomore effort from Three Days Grace should be a downright bummer of a ride. Instead, the listener manages to find uplift lurking beneath the weighty lyrics as the quartet churns out a series of anthemic, crunch-chord songs. The band moves from arena-ready light metal with "It's All Over" to the sex groove of "Animal I Have Become," before plunging the listener into full-on chaotic heaviness during the anti-alienation anthem "Riot" and easing us into the atmospheric future hit "Get Out Alive." Throughout, TDG remains true to its core alt-metal sound. While that sound has been called unimaginative and unoriginal and at times does feel a little too familiar, the material on One X is never less than convincing and it packs a serious and stinging rock `n' roll punch track after track. --Jedd Beaudoin

Customer Reviews:

Sorry Lyrics.......2007-07-06

The band is excellent. They are good musicians and play tightly together. The problem is the lyrics are awful. This is nothing less than nightmares set to music. If you have these same thoughts running through your head, seek some professional psychiatric help. Absolutely not recommended for young listeners. Parents you are warned. No wonder the record industry is on the ropes.

Fabulous.......2007-06-28

I think I blew out a speaker in my car listening to this CD... It is fabulous

My Favorite CD.......2007-06-13

My Favorite CD
Three Days Grace is not only for one group of people. A lot of people I know and people I don't know love Three Days Grace.Rockers, punk, and the girls scream for them. I went to their concert when they came to buffalo and they were sweet. I never heard a band that sounded just as good live as they are on the CD.Here are some of there songs: Are You Ready, Pain, Never Too late, Just Like You, I Hate Everything About You, and tons more.
When I first listened to the CD I never stopped.In my opinion this CD is amazing and I can't wait until they make another one.I play the drums and when I heard the drummer I was BLOWN away.
I recommend this CD to everyone who is willing to listen to something new.You will be impressed,Even my mom loves them.

One X.......2007-06-12

I like the CD One X by Three Days Grace. This CD has 12 songs on it. These songs are about 3 minutes long. Three Days Grace is a Canadian band. I like the songs Riot, One X and all the other song on the CD. There is some swearing in three of the songs. My opinion of this CD would be a 10 out of 10. I love this CD so much that I downloaded it on my I pod. I would recommend this CD to kids that are older than 12 because of the swearing. I would also recommend this CD to people that like rock music

Very cool modern rock.......2007-06-10

I recently went to a Nickelback concert and Three Days Grace was opening for them. I fell in love with the band hearing their music at the concert and felt that Nickelback should opening for Three Days Grace, not the other way around!

Top Songs for me: Animal I Have Become, Pain, It's Not Over, Never Too Late, and Get Out Alive

Average customer rating:

Biggest ripoff in the history of music!
Zeppelin's First
classic blues rock
It's a bird! It's a plane! It's... Led Zeppelin
4 1/2 stars-- a powerful debut.

Led Zeppelin 1
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002J01
Release Date: 1994-06-21

Tracks:

Good Times Bad Times
Babe I'm Gonna Leave You
You Shook Me
Dazed And Confused
Your Time Is Gonna Come
Black Mountain Side
Communication Breakdown
I Can't Quit You Baby
How Many More Times

Amazon.com

As it turned out, Led Zeppelin's infamous 1969 debut album was indicative of the decade to come--one that, fittingly, this band helped define with its decadently exaggerated, bowdlerized blues-rock. In shrieker Robert Plant, ex-Yardbird Jimmy Page found a vocalist who could match his guitar pyrotechnics, and the band pounded out its music with swaggering ferocity and Richter-scale-worthy volume. Pumping up blues classics such as Otis Rush's "I Can't Quit You Baby" and Howlin' Wolf's "How Many More Times" into near-cartoon parodies, the band also hinted at things to come with the manic "Communication Breakdown" and the lumbering set stopper "Dazed and Confused." --Billy Altman

Customer Reviews:

Biggest ripoff in the history of music!.......2007-07-05

I understand I am about to anger many legions of Led Zeppelin fans. Unfortunately not all Zeppelin fans have done their homework as well as Page and Plant and company did for this album. Here they shamelessly steal from other artists' songs and put their names on them for songwriting credits!! Don't believe me? Well, here goes.

1) Good Times Bad Times-A great Zeppelin tune, hands down! Unfortunately it is the only one they truly wrote for this album.

2) Babe I'm Gonna leave You-Another great Zeppelin tune? Not quite. This is a dead ripoff of Joan Baez's version of an Ann Breden song of the same title. Check it out...same lyrics and music. How Zeppelin originally credited themselves for writing this song is despicable.

3) You Shook Me-A Credited Willie Dixon tune. However, if you listen to Jeff Beck's version on Truth, you will find shocking similarities.

4) Dazed and Confused- A Zeppelin warhorse if there ever was one. Too bad the song is a dead ripoff of Jake Holmes' song titled, of course, Dazed and Confused. Oh, it's just a title you say? Listen to Holmes' version and you will hear the same exact riff! When Page was with The Yardbirds, Holmes was an opening act and hence, Page's introduction to a song he would selfishly give himself credit for writing.

5) Your Time Is Gonna Come-Listen to the intro to this song and then listen to Traffic's Dear Mr. Fantasy and tell me if you don't see a similarity, or in fact, a carbon copy!

6) Black Mountain Side-This is laughable!! Bert Jansch wrote and performed a song titled..HAHA, Black Water Side. Interesting to note that the riffs are shockingly similar..And it makes me wonder...

7) Communication Breakdown-A rewrite of Eddie Cochran's Nervous Breakdown.

8) I Can't Quit You Baby-Another Willie Dixon cover which they appropriately give him credit for. A rarity on this release.

9) How Many More Times-What do you get when you combine a Howlin' Wolf cover of How Many More Years and Albert King's The Hunter? You get THIS song credited to Zeppelin as writers.

Don't believe me? If you can find the above mentioned songs I DARE you to play them back to back with the Zeppelin versions. Zeppelin proves, on this release anyway, that they were the greatest cover band in the history of music. I am sickened and disappointed. How sad that such great musicians can so obviously rip off other artists and not give them credit for these songs. Pathetic, actually.

Sadly, these are not the only songs in Zeppelin's catalogue that are partially or fully taken from other artists that Zeppelin shamelessy wears as their own. I also have references for Stairway to Heaven, Custard Pie, Whole Lotta Love, The Lemon Song, In My time Of Dying, When the Levee Breaks..etc..Yes, eventually Zep DID give SOME artists their just due...after being sued. You can argue and say Who Cares? These versions are great, and that may very well be. But the truth should be known and if you ARE going to listen to Zeppelin at least be aware of what has taken place. It's ok to cover someone else's song...IF YOU GIVE THEM PROPER CREDIT WITHOUT PASSING IT OFF AS YOUR OWN AND DECEIVING THE PUBLIC. As a music fan, I am insulted. Why do you think Zep sold all the rights to their songs to Atlantic Records? One word: Lawsuits!

These 'Gods' of rock are thieves and if you're serious about music and care anything about artistic integrity you should be at least a little bit angry at this deceitfulness. If you're not then either integrity means nothing to you OR you are as big a thief as Page and comp. were.

Zeppelin's First.......2007-06-22

And in my opinion it is still the best.
Led Zeppelin I began the start of the world's most famous and most influential heavy bluesy folk rock band ever. Also Led Zep are cited as pioneers of heavy metal (although 1/3 of I's music was acoustic) just before Black Sabbath hit.
Advancing the sound of Cream, Led Zeppelin created a sound that was unique and one that was all their own back in 1969. Heck, Led Zeppelin advanced the boundaries of Rock 'n' Roll and inspired millions of others in their wake.
Besides The Beatles, Led Zeppelin was the first Rock band that I have ever heard and got into.
My Father used to shake the whole house while playing "Dazed and Confused" late at night, almost every night downstairs in our basement at that time. Slowly the song crept into my thoughts and introduced me to a whole "new" sound being only 9 or 10 years old.
I can still feel the vibrations under my feet from listening to that deep descending bassline that begans "Dazed and Confused". Still my favorite song on this, their debut.
"Good Times Bad Times" kicks this album off and early on in my childhood this was one of my favorite Led Zeppelin songs. It's just really catchy and upbeat & contains a swirling guitar effect set by Jimmy Page(one of the greatest guitarists ever).
"Babe I'm Gonna Leave You" is still one of the most beautiful and most memeorable acoustic tracks that I have ever heard - "I Can hear it Calling me..." - The song was inspired by Joan Baez's song from 1962.
Other favorites of mine include : "Communication Breakdown" and "How Many More Times" - which in the early days was also Led Zep's (The Hammer Of the Gods) closing number during concert tours.
Led Zeppelin's First will always be one of my All-Time Favorite albums and it also holds one of my fondest childhood memories.

classic blues rock.......2007-06-17

You know, I think by this point, Zeppelin's first album is now my favorite. The following four albums have been played quite frequently through the years (yes, even Zeppelin III). The original has been played just as much (I won't deny that) but there's something about the first album that just stays with me through the years.

Maybe it's the fact that the production is amazing for 1969 standards. Seriously, how many albums back then were this loud? Maybe Tommy from the Who. I can't think of many others. Black Sabbath's debut was released a year later, so that doesn't count.

Anyway, I really like what Zeppelin was doing here. You have fairly lengthy and successful attempts at blues rock, with extraordinary jamming skills scattered throughout the album. Zeppelin was just not the same after this one. I especially love the drumming and the creepy bass work. Great album.

It's a bird! It's a plane! It's... Led Zeppelin.......2007-05-12

Led Zeppelin I (1969) Led Zeppelin's first studio album.

Out of the ashes of the Yardbird's came rock's most skilled - if not most important - guitarist of all time. Jimmy Page, joining forces with Plant, Jones, and Bonham, formed what would become the definitive hard rock band. Not only did Led Zeppelin help define a new genre of rock, they explored every possible point. This album was the jumping point.

Let's cut to the chase; it don't matter how these four geniuses came together, the important thing is that they did. The music here is very good, several of which are classic rock radio staples. The opener "Good Times, Bad Times" is a relatively soft introduction to what the rest of the album had in store. The slow blues of "Dazed and Confused" and manic rush of "Communication Breakdown" as well as the great instrumental "Black Mountain Side" help to create with a single stroke Zeppelin's distinctive sound.

I own the original vinyl from 1969, and this transfer is wonderful. But it's expected; Page is so darn protective of his (or their) music that he wouldn't settle for a remaster that didn't sound excellent. This is one of the greater albums of all time, yet is not the finest in the Zeppelin catalog. Anyone who is looking to get into Zeppelin should not start here, though; "IV" is the best place to go first, followed by "II" and "Physical Graffiti".

4 1/2 stars-- a powerful debut........2007-05-08

One of the most well-realized debut albums of rock history, Led Zeppelin's self titled debut record must have ruffled some feathers when it was released. Certainly, nothing in rock music has quite been the same since-- the band's reinfusing rock with its blues roots and embracing distortion pretty much rewrote the course of rock music. Moreso than being the right band at the right time, Led Zeppelin was the right set of musicians with the right set of influences at the right time, combining a willingness and desire to try new things by borrowing from the old with the musicianship to pull it off. Session guitarist and brief member of the Yardbirds Jimmy Page possessed of seemingly endless arranging skills and a great, natural feeling for a blues solo. Providing perhaps the best foil for him was John Paul Jones-- bassist, organist and a musician who has proven over the years that he can fit anything naturally. The two London session hacks were joined by a pair of younger musicians, vocalist Robert Plant and drummer John Bonham, both of whom possessed a fierce power and energy that showed their youth but were no less virtuosos than the Page and Jones.

All of this is pretty much evident from the start-- opener "Good Times Bad Times" features a galloping, excitable riff and an unusually confident and relaxed vocal for such a young vocalist in Robert Plant, especially at the bridge, before turning proceeding over to a fierce guitar solo. It wraps up in less than three minutes and in many ways ends up being a summary of everything the band is. The remainder of the album is a nice mix of standards, adaptations and originals that, nearly 40 years later, are still FM radio staples, from the delicate, fingerplucked steel-string guitars interspersing chugging riffs of "Babe I'm Gonna Leave You" to the manic "Dazed and Confused" and the frantic, explosive "Communication Breakdown". Along the way, the band hits droning guitars ("You Shook Me"), agile organ-driven pop ("Your Time is Gonna Come"), folky instrumentals ("Black Mountain Side") and Willie Dixon ("I Can't Quit You Baby").

Perhaps the most remarkable thing about "Led Zeppelin" is that even if you haven't heard the record before, it's all somehow familiar. The band has worked their way into the collective consciousness. They'd go on to many better records, but this isn't to take away from their debut, it's a great album. Highly recommended.

Average customer rating:

A real talent - great album, great live
Great Retro debut from really talented singer
Whatever 'school' you put him in, Ryan Shaw's definitely head of the class
True Soul - Not New Soul
deja vu

This Is Ryan Shaw
Ryan Shaw
Manufacturer: One Haven / RED / Columbia
ProductGroup: Music
Binding: Audio CD

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S.O.S.: Save Our Soul ( Amazon Exclusive with Bonus Track )
Introducing Joss Stone

ASIN: B000NJXBYA
Release Date: 2007-04-17

Tracks:

Do the 45
We Got Love
Nobody
I Am Your Man
Working on a Building of Love
I Found a Love
I Do the Jerk
Lookin' for a Love
I'll Always Love You
I'll Be Satisfied
Mish Mash Soul
Over & Done

Amazon.com

Just when you thought the 21st century retro-R&B revolution was grinding to a sunken-hearted halt, Ryan Shaw comes along and revives the revivalist moment: This Is Ryan Shaw, the 26-year-old's phenomenal debut, dazzles not just because he can sing a song like Bobby Womack's "Lookin' for a Love" without letting the rear-view mirror leach him of his own soul, but because his originals--first single "Nobody," "We Got Love," and set closer "Over and Done"--convincingly replicate the classic sound of such forebears as Otis Redding, Sam Cooke, and Wilson Pickett. Here's a man who can plead, please, and play out love-struck dramas with his voice as though the '60s never ended; if his sound borrows heavily, it pays back what it owes with genuine contributions to the genre. Shaw's is real R&B without the raunch--a return to uplift too self-respecting and sincere to land on the retread pile. --Tammy La Gorce

Customer Reviews:

A real talent - great album, great live.......2007-07-25

I saw Ryan Shaw open for Buddy Guy in Ann Arbor. Most of the crowd probably did not know who he was before the concert, but he left to a standing ovation. (Buddy did great too - he's a legend and a must see).

Ryan is a great talent, singing with such soul. He sings with such range and seems comfortable in several different styles. Some songs remind me of Memphis Stax (in the sytles of Sam & Dave, Otis Redding) of 60's Motown (Do the 45, I Found a Love), some like Keb'Mo (We got love), and some have a little funk (Nobody).

Tell your friends. Buy the album. See him live. You won't be disappointed.

A great talent like his should be appreciated by the masses.

Great Retro debut from really talented singer.......2007-07-12

Ryan Shaw has a great voice, a really great voice, similar to Terence Trent D'Arby without all his dramatic attitude and he sounds like he's actually having fun. He clearly loves the genre of old school R&B, Motown, and Soul and could hold his own among all but Otis, Stevie, Marvin, and James Brown. The majority of the songs however are too retro for my taste. They have that late fifties, early sixties simplicity that's full of energy but offer nothing you haven't heard before on a Time Life commercial for oldies compilations and the arrangements offer nothing new like Joss Stone's latest does.

That said, the songs "Nobody" and "We Got Love" are unbelievably good and worth the price of the disc alone. I've been playing them constantly. In another era they'd garner him instant stardom. They may even do that now.

Whatever 'school' you put him in, Ryan Shaw's definitely head of the class.......2007-07-10

What a voice. The first time I heard "Nobody" I thought I was on an oldies station. Ryan Shaw can belt the lyrics out with more soul than I've heard in a long time. He does make me think of Sam Cooke or Otis Redding, but honestly--he's himself and that's way beyond fine with me.

Shaw clearly demonstrates the old adage of RESPECT as well. There's no explicit language or situations that would prevent an Old School grandparent from introducing the kids to this music.

True Soul - Not New Soul.......2007-07-06

From the blog [...]:
Want some new music that's not filled with "B*&%$ and H@$"? You've got to check this young man out! Ryan Shaw is a 26 year old from Decatur, GA that will take you back to the days of sweet soul music with Otis Redding, Wilson Pickett, and Sam Cooke. Great voice and slammin' retro tunes. I'm hoping he gets the air play he deserves on the so-called 'urban' stations.

The cd is a stable, midranger - a few new tunes by the artist, familiar standby's from Bobby Womack and Otis Redding. Right now I'm listening to Nobody, It's Over, and We Got Love. Sweet. Check him out, he's touring this summer with Joss Stone.
Now when you've finished checking this out, go tell yo' momma AND your daughter!

deja vu.......2007-06-28

You will think you've traveled back to 60's Motown with this disc, but it's well worth it! Don't play it while driving, as all you will want to do is DANCE!!!

Average customer rating:

Underrated, but another fine Gretchen Wilson album
Grand Ole Gretchen
good
This girl Rocks
GREAATT!!

One of the Boys
Gretchen Wilson
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000N60H6I
Release Date: 2007-05-15

Tracks:

The Girl I Am
Come To Bed
One Of The Boys
You Don't Have To Go Home
Heaven Help Me
There's A Place In The Whiskey
If You Want A Mother
Pain Killer
There Goes The Neighborhood
Good Ole Boy
To Tell You The Truth

Amazon.com

Now this is more like it. A song-by-song retort to fans who might confine Wilson to some trailer-park queendom and to critics who might dethrone her for All Jacked Up, a half-hearted, hurried sequel to her quintuple-platinum debut, Gretchen Wilson's third album fires on all radio-ready-honky-tonk-and-hillbilly-rock cylinders. It's also a portrait of a tough, talented woman making her own way in what's still largely a man's, man's country world. She gets plenty of help from hot Nashville writers John Rich, Rivers Rutherford, and Vicky McGehee, but her working-class and feminist spin on country archetypes--temptation, whiskey, work, and Mom--is authentic and her own. Even when, as on the title track, she revisits "Redneck Woman," she retools the conceits with one of her best melodies. When she goes for the throat on "You Don't Have to Go Home," with a ripping fiddle line and an AC/DC guitar break, she's not just wailing last call: she's showing the whole honky-tonk who's boss. She still loves classic rock boogie--"Place in the Whiskey" quotes both Bob Seger and the melody of "Call Me the Breeze"--but she counters all the butt-kicking with solid ballads like "Heaven Help Me," "Pain Killer," and "To Tell You the Truth," her most heartbreaking and honest lyric. Funny, feisty, rocking and, best of all, true to herself, Wilson didn't really need a comeback album; nevertheless, she's made one that brings her all the way back. --Roy Kasten

Customer Reviews:

Underrated, but another fine Gretchen Wilson album.......2007-07-23

A little background before I ever review ONE OF THE BOYS for itself. Bear with me.

Honestly, this isn't the way it should've gone down for Gretchen Wilson. When HERE FOR THE PARTY bowed in 2004, it was the most (or atleast one of the most)anticipated country album(s) of the year. It slid in behind the unstoppable Usher who'd had the no. 1 spot locked for several weeks and sold 228,000, not bad for a debut artist. It spawned the massive crossover hit "Redneck Woman", which peaked in the top 30 of the Billboard Hot 100 Chart, a very esteemed achievement for a country single. It propelled her debut album to multi-platinum status - approximately 4 million sold in just the U.S. alone. With the processes of propelling a debut artist to success with here debut album, all looked like it was set it stone that Gretchen Wilson was country's next big superstar in the league of Faith Hill or Shania Twain. Then 2005's ALL JACKED UP arrived to debut at no. 1 with 264,000, more than here debut. However, the "Redneck Woman" styled single "All Jacked Up" failed to rack up reviews even close to that of the single that made Gretchen Wilson, well Gretchen Wilson. Sure, the album didn't go unnoticed in the sense that it didn't sell, but how does 1.1 million compare to 4 million. Making a promising career's problems worse, ONE OF THE BOYS just maybe the sinker. With a tepid no. 5 debut and a devastatingly low 73,000 copies sold, first week sales and follow-up week sales of this fine country album by Wilson have been disappointing.

Sure, ONE OF THE BOYS is a credible, strong effort. But ONE OF THE BOYS lacks two things that made even the underrated ALL JACKED UP a moderate success. One, it lacks "Redneck Woman" which will probably never be replicated by Wilson, ever and two, it lacks anything that remotely sounds close to "Redneck Woman". Even ALL JACKED UP had "All Jacked Up", despite how unnoticed it ultimately went. It's that 'bad-girl' appeal that Wilson had on HERE FOR THE PARTY that disipated with her forthcoming albums that lost some of Wilson's fans. That coupled with the growing devastation of album sales has practically sunk ONE OF THE BOYS. Enough chit-chat about commercial success, let me discuss the album itself.

The album opens with "Girl I Am", which is solid G.W., though not as energized or as exhilarating as the openings of previous G.W. albums ("Here for the Party" and "All Jacked Up"). Vocally, Wilson is great and there is still an air of catchiness as Wilson sings lines like "I don't ever make apologies/ because I don't give a damn..." which leaves hope to the fans that left Wilson that the 'redneck woman' is still in her. "Come To Bed" features John Rich from none other than crazy country duo Big & Rich and the blend is magnificent between him and G.W. The songwriting is top-rate and the hook is more accesible for singing along here than it was on "Girl I Am". Sure, it isn't the second coming, but what is these days? "One of the Boys" serves to buck the trend with title-tracks and despite its conservative tempo, the songwriting is ever vigorous with its comical overtones and Wilson as always is at her best, 'redneck woman' or not. Three for three ladies and gents.

"You Don't Have to Go Home" is the best track up to this point from ONE OF THE BOYS with its country-rock feel and sick guitars. Despite the repetitive nature of the track, it keeps the air of 'traditionalist' country alive and that is very important. "Heaven Help Me" shows an even mellower Wilson (which seems to be an adverse effect for some fans unfortunatly) backed by acoustic sounds of piano, guitar, and strings. Despite her mellow turn, the bluesed-out "There's a Place in the Whiskey" is more production than vocal, but it is a welcome addition to G.W.'s catalogue of songs. Sure it's a bit too busy, but none can deny the potent nature of the blues licks. "If You Want A Mother" is solid while "Pain Killer" is a bit awkward, though still a solid track. What is notable about "Pain Killer", which is by no means my favorite track, is that vocally Wilson is at her strongest and the songwriting is nearly flawless. Eight for eight and still going strong.

"There Goes The Neighborhood" is a personal favorite of mine once again employing blues-influenced riffs. "Good Ole Boy" uses 'cutesy' songwriting, which the unstoppable G.W. pulls off perfectly. Finally the closer "To Tell You the Truth" is heavier in its overall tone as Wilson tackles serious songwriting, which may/may not be a hindrance. It isn't catchy like the rest of her tunes, but if you commit yourself as a true Gretchen Wilson fan, you will appreciate the message and the idea that Wilson is trying to emote on the closing track.

Overall, ONE OF THE BOYS would be a fine album if it was another country artist besides Gretchen Wilson, which is unfortunate. No, it isn't as memorable as her first and maybe in some respects as her underrated second, but it is still very fine in my eyes, despite what the charts or anybody says. I hope that ONE OF THE BOY'S commercial woes don't sink the career of a very promising, young country star. 4 stars.

Grand Ole Gretchen.......2007-07-09

Excellent 3rd effort By Gretchen years down the road we'll be adding her name to the likes of Tanya , Loretta , Tammy , etc. great record

good.......2007-07-03

If you like Gretchen you will be happy with this . Sounds like her previous albums .

This girl Rocks.......2007-06-27

Wow what can I say I love this cd, she just keeps getting better and better. You keep on rockin baby, hottt.

GREAATT!!.......2007-06-26

I became a fan from the start! Her 1st 2 albums were good & a lot of fun, especially "Here for the Party"...I think "One of the Boys" is just as good, she hasnt missed a beat. She sings the truth!!! Love it.

Average customer rating:

THIS ALBUM ROCKS!!!
Refreshing.
Dancing Taranta

Super Taranta
Gogol Bordello
Manufacturer: Side One Dummy
ProductGroup: Music
Binding: Audio CD

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ASIN: B000RGSOI2
Release Date: 2007-07-10

Tracks:

Ultimate
Wonderlust King
Zina-Marina
Super Theory Of Super Everything
Harem In Tuscany (Taranta)
Dub the Frequencies Of Love
My Strange Uncles From Abroad
Tribal Connection
Forces Of Victory
Alcohol
Suddenly...(I Miss Carpaty)
Your Country
American Wedding
Super Taranta!

Amazon.com

What Operation Ivy is to the latter-day ska revival, Gogol Bordello is to the increasingly popular revival of Eastern European music. Blending gypsy rhythms with the intensity of alternative-rock, metal (and even rap), the group is justly renown for their charged live performances. The title track is a lovely mix of Balkan strings with pleasant screams from lead singer/ shouter Eugene Hutz. If only more of the songs followed its lead. As a whole, the album sounds like Leftie bumper stickers set to vaguely aggro "gypsy rock." "My Strange Uncles from Abroad" makes its political statement in a personal and affecting manner, but other tunes such as "Forces of Victory" are merely affected. It's hard not to agree with their world view or love for the woozy sounds of Eastern Europe. But on this album, GB make the Dead Kennedys seem subtle. And it would be nice if there were more variety to their sound. Perhaps they should collaborate with Beirut, Muzsikas, or Hawk and a Hacksaw next time? --Mike McGonigal

Album Description

Gogol Bordello has been breaking down musical barriers since 1999 with a supercharged music based on a brutal gypsy two step rhythm that sounds like an Eastern European cousin of ska, augmented by punk, metal, rap, flamenco, roots reggae, Italian spaghetti western twang, dub, and other sounds generated by gypsies and rebels from across the globe. This is intense transglobal rebel rock, not light headed world fusion pop. It's about believing that music and art can transform negative energy to positive and inspire individual intelligence.

Customer Reviews:

THIS ALBUM ROCKS!!!.......2007-07-23

This band is only getting better and better. Their melodies and instrumentation is really tightening up and I truly cannot get enough of this album! ...listen to it a few times and you won't be able to get the songs out of your head. THIS IS GREAT MUSIC PEOPLE!

Refreshing........2007-07-10

As the Pogues once fused Irish folk with punk rock, so Gogol Bordello do the same with fiery Balkan gipsy music.
Although a formidable live presence, the New York band have been hit and miss on record.
Super Taranta! is a step forward. Roaring choruses are interspersed with manic violins, dub interludes and raucous polemics growled by luxuriantly moustachioed frontman Eugene Hutz.
"Gogol Bordello"'s red-blooded passion is refreshing, and they finally have another batch of boisterous singalongs to match it.
This 'gypsy punk' cacophony is all those times rolled into one.
Party on, dudes !

Dancing Taranta.......2007-07-10

Gogol Bordello hit the big time with their last album of raucous gypsy-punk, which coincided with frontman Eugene Hutz's screen debut.

And they stick to their past sound in "Super Taranta!" -- a mad, frenetic ride splattered with heavy doses of Balkan folk music. Their sound and vibe don't shift too much in this one, but their energy and wildness hasn't failed them, or their kooky blend of gypsy and Pogues-style rock'n'roll.

"If we are here not to do/what you and I wanna do?/And go for rubber, crazy with it/why the hell we are livin' here? DAH!" Eugene Hutz calls out a capella...

... just before the music lapses into a swaying, colourful Balkan melody... which goes into fast-forward about halfway through. Hutz is roaring and growning about how "there were never any good old days/they are today, they are tomorrow!/It's a stupid thing to say" as the music revs around him.

It gets even more energetic in the wild festival sound of "Wonderlust King," and the driving bass-rocker "Zina Marina." With those done, they spin off into a series of energetic Balkan rockers: accordion pop, jibbering fiddlerock, darkly gleeful punk, wailing guitar laments, and what sounds like the theme song to a gypsy James Bond movie.

It has to be admitted, Gogol Bordello hasn't really changed their sound much. Not that stops it from being fun frenetic, colourful, slightly messy and very insane, without a shred of self-consciousness. It's a Jackson Pollock of Balkan noise.

But "Super Taranta" does adjust their sound a bit -- there's a bit more gypsy in their music, and a few bits less punk, with tighter melodies than before. We get a tangle of raging, twining guitar and bass (and Eliot Ferguson's solid drums) driving the melodies along, but often they're swathed in dancey fiddle and blaring accordion. It's a pretty wild ride, all around.

And Hutz provides practically all the singing himself, in a voice that always sounds like he's about to pop a vocal cord. Raw, rough, untamed. He growls, wails, howls, and roars out his political, party-hearty lyrics: "My strange uncles from beyond/I'll meet 'em on the cosmos street/and we will drink to how we told/to never trust a plastic beat!"

"Super Taranta" is the sort of music that gets your heart racing and adrenaline shooting. A raucous, wild party album for an East European festival.

Average customer rating:

SOLID
R & B is back
Lovin This CD
Left alot to be desired
BANGING

Sex Love & Pain
Tank
Manufacturer: Blackground Records
ProductGroup: Music
Binding: Audio CD

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Luvanmusiq

ASIN: B000P6R822
Release Date: 2007-05-15

Tracks:

Coldest
I'm Coming Home
My Body
Please Don't Go
I Hate You
Heartbreaker
Who Dat
When
Wedding Song
My Heart
I Love You
I Love Them Girls

Amazon.com

Tank, on Sex, Love & Pain, is like Luther Vandross only slightly lewder: He'll be the first to admit, as he does on the three-part opening track "Coldest," that he's "somewhat of a hustler out here on the street... occasional strip clubs and shots of Hennessy." That doesn't stop him from laying his heart on the line, though. Repeatedly. Midtempo grooves like "I'm Coming Home," a hopeful reunion song, and "Heartbreaker," a limber-voiced lament that outlines a crumbled relationship, show Tank's tender side and take the romantically inclined places more real-seeming than Luther's songs. Throughout the long lineup of love-gone-wrong tracks, the brawny guy with the tattooed back doesn't forget his playful side, either. Before Timbaland sidles up and gets closing track "I Love Them Girls" all trademark-sizzly, Tank does some titillating of his own via the sexed-up steamer "My Body." --Tammy La Gorce

Customer Reviews:

SOLID.......2007-07-25

Okay - for any of you that don't know... Tank is the most underrated male R&B singer in the game. Granted - he's making his dough... he's working with the Underdogs, and penned most of Jamie Foxx's album - Unpredictable and wrote Ruben Studdard's "Change Me"... the man is a musical genius. He's the kind of guy you want to have in the studio doing the vocal arrangements; they're so layered and rich. The brotha is doing it major on his junior release.

I don't know many brothas that can sing with as much emotion and range as Tank. Hands down, other than Joe and Eric Benet, Tank is what the game needs more of. Like I've heard one person say already - this my generation is into the catchy young hip-hop layered beat with these simple hooks. I'm cool with it, but people don't sing anymore. I mean - there is no distinction between most young artist, and few of them have longevity in the game. Tank shows versatility, range, and style by jumping the cd off like I haven't heard since 112 at their prime. I mean, the opening track shows you some crazy vocals. No offense to the otha brothas - but I have yet to pop in a Chris Brown, Lloyd, Marques Houston, Omarion, or WHOEVER's CD and been wowed by the vocals talent and depth. I've heard many people do their songs better than it was recorded... and Tank doesn't even give you a chance - many people try and fail horribly.. LOL!

My personal favorites are: "Coldest","My Body" "Please Don't Go", "Heartbreaker", and "When"

There is one part that upsets me about this - I was mad that Blackground didn't take the time to separate the Intro - which is BEASTLY. I mean Tank opens up w/fire reminiscent of when people did interludes. He also reaches some ungodly note when he segways into "Heartbreaker" (which also should've had a interlude to it). The unfortunate thing about it was Joe had a banging CD and Musiq did as well... not to mention Trey Songz and Mario are also highly anticipated projects. So this year for male R&B singer - he has competition. I think that if Tank worked with some other producers and really diversified his CD and made it one of those albums that you can't skip a song, he would be in there! He gets 3 stars alone off of his talent! And another star because of some beast "interludes" and infectuous melodies of some of his songs. It's a solid CD - I haven't taken it out of the disc changer since I got it... It's worth tha money!

R & B is back.......2007-07-19

Wonderful cd. Listened to it 3 times in a row. Im glad he's back. Songs are very well written, kind of reminds me of Jaheim "Ghetto Love" CD.

Lovin This CD.......2007-07-13

This cd stays in constant rotation in my player at work and home. I love the whole cd, especially "My Body" and "Who Dat". Tank out did himself on this one.

Left alot to be desired.......2007-07-04

Anticipated this album so much, but it turned out to be a let down. Most of the songs sounded the same, you would think he would write himself a lot of #1 hits as he has done for others but it just wasn't the case here. I really gave it a 3 because I still think he is so sexy.

BANGING.......2007-07-03

THIS IS ONE OF THE BEST AND BANGING CD I HAVE PURCHASED. I AM LOOKING FOR TO THE NEW CD FROM TANK, TYRESE AND GUIWINE. SORRY IF I SPELLED SOMETHING WRONG. I LISTEN TO THIS EACH AND EVERYDAY. GOOD JOB TANK

Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)

Average customer rating:

Mamma Mia
Mamma Mia Musical CD
JUST GREAT MUSIC
Mamma Mia
Not good at all

Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000031WEN
Release Date: 2000-10-17

Tracks:

Overture/Prologue
Honey, Honey
Money, Money, Money
Thank You For The Music
Mamma Mia
Chiquitita
Dancing Queen
Lay All Your Love On Me
Super Trouper
Gimme! Gimme! Gimme!
The Name Of The Game
Voulez-Vous
Entr'acte
Under Attack
One Of Us
S.O.S.
Does Your Mother Know
Knowing Me, Knowing You
Our Last Summer
Slipping Through My Fingers
The Winner Takes It All
Take A Chance On Me
I Do, I Do, I Do, I Do, I Do
I Have A Dream

Amazon.com

Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli

Customer Reviews:

Mamma Mia.......2007-03-22

I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!

Mamma Mia Musical CD.......2007-03-21

This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!

JUST GREAT MUSIC.......2007-03-08

I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.

Mamma Mia.......2007-01-29

Every time I hear the music and songs it brings back memories of seeing the Broadway Show

Not good at all.......2007-01-09

This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.

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