Life in General [Explicit Lyrics]
Track Listings
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1. My Man
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2. Life in General
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3. Up in Traffic
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4. Deep
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5. In Memory Of - Young Lo,
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6. Yellow Brick Road
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7. Sticky Situations - Bruno, , Young Lo
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8. God - Young Lo, ,
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9. Paper Chaser
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10. No Love
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11. Yall Zaggin'
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12. What We See
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13. Survivor - Young Lo,
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14. Dead End - First Degree the D.E., Young Lo
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15. What Goes Around Comes Around
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16. Bury Me G
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Life in General,Young Lo,New Jack Ent.,Hip-Hop,Pop,Rap,Rap & Hip-Hop,Urban
Average customer rating:
- One of my favorite albums of all time!
- Barely classifies as "Christian"... They Rock
- If you don't mind Christian pop punk this cd is awesome!
- I have to agree, this CD is their best....
- Life in General is AWESOME!
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Life in General
MxPx
Manufacturer: Tooth & Nail Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Teenage Politics
- Pokinatcha
- Let It Happen
- Before Everything & After
- On the Cover
ASIN: B000003ZFY
Release Date: 1998-01-29 |
Tracks:
- Middlename
- My Mom Still Cleans My Room
- Do Your Feet Hurt
- Sometimes You Have To Ask Yourself
- The Wonder Years
- Move To Bremerton
- New York To Nowhere
- Andrea
- Your Problem My Emergency
- Chick Magnet
- Today Is In My Way
- Sorry So Sorry
- Doing Time
- Correct Me If I'm Wrong
- Cristalena
- Destroyed By You
- Southbound
Customer Reviews:
One of my favorite albums of all time!.......2006-07-29
Over time, I have heard a lot of different music by many different artists, and I have to say MxPx is one of the best bands I've ever heard. Their lyrics are clean, and the music will be stuck in your head a lot. (which is a good thing) I would have to say they are pros at writing lyrics, and the music itself.
So here you are, looking at this album, wondering if you should buy it or not. The answer? YES! This is one of their best albums, and it contains many of their classics (Chick Magnet, Doing Time, Southbound, etc.) If you want to get into MxPx but don't know where to start, you should get this first. End of story.
Barely classifies as "Christian"... They Rock.......2004-02-19
MxPx has released so many albums which are all supremely done, incredibly catchy and also very successful. The kids from Bremerton have a huge fan following and they remain one of punk's most beloved bands. Now some people might call them a "Christian" band and while that may have some merit, they dont yell and scream about jesus and god (not that it's necessarily terrible...) but they dont really swear and their songs are often about "christian" issues. To put it bluntly, if you hadn't read this review, you'd never think they were a "christian" band, so if that really bugs you, then try to put in behind you because this album is one of their best. For all you bassists (like myself), Chick Magnet has an awesome bass line and a wicked catchy chorus...
It's certainly worth your money, so go nuts, its an AWESOME buy...
If you don't mind Christian pop punk this cd is awesome!.......2003-07-13
If you like bands like Blink 182, and New Found Glory, you'll love this CD. This is MxPx at their best. It's pop punk, and there is none of that fake stuff they tend to do, where they try to be all hard. You can sing along with this entire CD and never get tried of it. MxPx is still a good band but nothing is better than Life in general. Sure it's user-friendly punk, but it's still REALLY good. Sure it's Christian rock but it's not preachy, like their old stuff, and it's not too cheesy. There are some great underline messages in all the songs like Do your feet hurt, which is about being in love but also about waiting until you are married before losing your virginity. So if you don't have a big problem with Christian rock or Pop Punk, get this CD, it totally rocks!
I have to agree, this CD is their best...........2003-04-11
I own 9 MXPX CDs and have to agree with most of the reviewers that say it's their best. I love "Slowly Going the Way of the Buffalo," and "Let it Happen" - well, ok, I love them all, but just about EVERY song on this disc is hard and fast and raw. Yuri is pounding the life out of the drums and Mike is belting out lyrics like he's not using a mic. I'd have to say that if you don't own any MXPX CDs this is a good one to start with. If, however, you already have some but not this one, then this is a MUST OWN since you'll find it will re-energize your love for this band. Also check out their side project "Cootees" and certainly the hidden gem of a band - "Slick Shoes," very similar to MXPX.
Life in General is AWESOME!.......2003-01-18
MxPx, one of the best punk bands out, have released a very awesome album. Every song on this album is excellent. After buying Let it Happen, It made me want to buy life in general because of the awesome songs at the end. The first song middlename, is a nice intro for the album. My mom still cleans my room has some awesome vocals, do your feet hurt is the slowest song, but very awesome. Sometimes you have to ask yourself to your problem my emergency are great tracks but i think the best tracks on this album are at the end starting at chick magnet. That song and on have very nice choruses, and addicting guitar riffs. The best songs on this album are Middlename, My Mom Still Cleans My Room, Do Your Feet Hurt, Move to Bremerton, Chick Magnet, Today is in my Way, Doing Time, Destroyed by you, and Southbound. Southbound is an awesome song because if its closing guitar riff. The bass is great, the drumming is fast, and the vocals are perfect. And that is why Life in General by MxPx got a perfect 5 out of 5. If you never heard of MxPx, this album is perfect for people curious about what they sound like. Rock on.
Average customer rating:
- A musical treasure-box
- a beautiful journey into melancholy
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
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ASIN: B000004CYV
Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
A musical treasure-box.......2006-09-10
Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
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Cello Adagios
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- Violin Adagios
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ASIN: B0001WU1QK
Release Date: 2004-05-11 |
Tracks:
- Carnival Of The Animals - Bruno Canino
- Vocalise, Op.34 No.14 - Lynn Harrell
- Thais - Julian Lloyd Webber
- Adagio - Janos Starker
- Apres Un Reve - Bruno Canino
- Adagio - Julian Lloyd Webber
- Ave Maria - Julian Lloyd Webber
- Adagio - Julian Lloyd Webber
- Traumerei (Dreaming) - Bruno Canino
- Notturno: Andante - Julian Lloyd Webber
- Sicilienne - Bruno Canino
- An Die Musik, D547 - Bruno Canino
- Reverie - Julian Lloyd Webber
- Prayer - Bruno Canino
- Ebben? Ne Andro Lontana - Bruno Canino
- Salut D'amour, Op.12 - Bruno Canino
- Valse Sentimentale, Op.15 No.6 - Samuel Sanders
- Kol Nidrei, Op.47 - Julian Lloyd Webber
Tracks:
- Air (Air On A G String) - Julian Lloyd Webber
- Clair De Lune - Julian Lloyd Webber
- Elegie, Op.24 - Jullian Lloyd Webber
- Andante - Heinrich Schiff
- Romance In D Minor, Op.62 - Julian Lloyd Webber
- Beau Soir - Bruno Canino
- Sicilienne, Op.78 - Bruno Canino
- Panis Angelicus - Julian Lloyd Webber
- Nocturne In E Flat Major, Op.9 No.2 - Julian Lloyd Webber
- Cantabile - Samuel Sanders
- Liebesleid - Samuel Sanders
- Adagio Ma Non Troppo - Janos Starker
- Bereuse - Julian Lloyd Webber
- Cantilena - Julian Lloyd Webber
- Melodie, Op.20 No.1 - Julian Lloyd Webber
Customer Reviews:
really like it.......2007-03-05
This is the first classical cd I have ever bought. The two-disc album was a great price. I really love the performance of Lynn Harrell. I like the collection of Adagios because they are perfect to fall asleep to or study to.
Average customer rating:
- The Best Of Gilbert And Sullivan
- Pure delight
- Delicious G&S samplings abound here.
- Fine Intro to G&S
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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
All Works by Sullivan
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ASIN: B000003D1Y
Release Date: 1996-01-23 |
Tracks:
- A Wandering Minstrel I
- Behold The Lord High Executioner!
- Three Little Maids From School Are We
- Braid The Raven Hair
- The Flowers That Bloom In The Spring
- On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
- For He's Gone And Married Yum-Yum
- We Sail The Ocean Blue
- I'm Called Little Buttercup
- My Gallant Crew
- When I Was A Lad
- Things Are Seldom What They Seem
- Never Mind The Why And Wherefore
- Climbing Over Rocky Mountain
- Poor Wand'ring One
- How Beautifully Blue The Sky
- I Am The Very Model Of A Modern Major-General
- When The Foeman Bares His Steel
- Ah, Leave Me Not To Pine
- With Cat-Like Tread
- Is Life A Boon?
- I Have A Song To Sing, O!
- Were I Thy Bride
- Oh, A Private Buffoon Is A Light-Hearted Loon
- When A Wooer Goes A-Wooing
- When I, Good Friends, Was Called To The Bar
- A Nice Dilemma We Have Here
- Oh, Joy Unbounded
Customer Reviews:
The Best Of Gilbert And Sullivan.......2004-03-15
At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.
But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.
The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.
Pure delight.......2003-08-02
--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.
--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.
--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).
--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.
--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.
--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.
--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.
Delicious G&S samplings abound here........2003-05-06
The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."
Fine Intro to G&S.......2000-12-30
This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.
Average customer rating:
- The best is wonderful, but there are a few duds
- Beautiful Voice, Bad Choices
- A Great Showcase of Hampson's Voice and Artistry
- Comprehensive coverage of Hampson's range in song
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Thomas Hampson - A Portrait
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Leading Man
- The Very Best of Thomas Hampson
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- Song of America
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ASIN: B000024D1I
Release Date: 1997-01-01 |
Customer Reviews:
The best is wonderful, but there are a few duds.......2006-07-17
No portrait of a singer can satisfy all cmers, so EMI has shrugged its shoulders and tossed a bit of everything into the pot. (Without including any bonus tracks, one should note.) Hampson is without a doubt the successor to Fischer-Dieskau as the world's most famous operatic baritone. His strengths, like F-D's, are in song, especially American song. Seven of the 19 cuts here are American songs, which isn't enough. We don't really need Hampson's rather plodding and earnest Viennese operetta aria, nor his duet, "Anything You Can Do, I Can Do Better" with the shrill Kim Criswell (to tell the truth, neither does very well). Two small slivers from Schumann's Dichterlieve cycle seems rather silly, too.
But that leaves a lot that's wonderful--all the American selections, the Rossini and Liszt songs, the aria form Korngold's Die Tote Stadt, and above all Hampson's rollicking, let-'er-rip rendition of Figaro's aria form the Barber of Seville. If this omnium gatherum entices listeners to bu the complete recordings, it will serve a very good purpose.
Beautiful Voice, Bad Choices.......2003-11-25
Short and Sweet.
I love listening to this beautiful baritone's voice, but I really don't like his choice of songs on this album. Beautiful Dreamer is so hackneyed and I can't stand to listen to it (also why I didn't buy the Stephen Foster album). I did like is choice of two classic lieder by Schumann. I would have chosen more lieder for a different album, he does great things with it. The Live recording of Largo al factotum from Barber is distracting with audience claps and poor mics for the recording. You can hear him walking away from the mics (fading in and out). The absolute worst choice is "Anything You Can Do" from Annie Get Your Gun. It sounds nice but I hate this song. The rest of the songs swing from Sappy awful to beautifully sung.
Bottom Line: Inconsistent and Not worth your money. He can do much better
A Great Showcase of Hampson's Voice and Artistry.......2002-02-23
Thomas Hampson is definitely one of the greatest artists on today's musical scene. This CD displays the beauty of Hampson's voice and the intelligence and artistry that he brings to a great variety of musical styles (German, French and Italian Opera; Italian, French and German art song, and American music). Among the highlights are the first selection, the beautiful "Mein Sehnen, mein Wähnen" from DIE TOTE STADT by Korngold, sung with great control and melting pianissimos. The same can be said of the aria from TANNHAUSER. His live "Largo al Factotum" from IL BARBIERE DI SIVIGLIA is just virtuosistic, with effortless high notes (even a cadenza up to high C) and energetic vocal acting. In the art songs he is no less impressive, with total involvement in the style and mood of the songs, being particularly impressive "Oh, quand je dors" by Lizt. The American repertoire is also a delight. Hampson displays all kind of nuances for this repertoire, from the estatic quality of "Beautiful Dreamer" to the humor and bawdiness of "Where Is The Life that Late I Led". In summary, this is a delightful and eclectic souvenir from one of the most charismatic and intelligent singers of our time.
Comprehensive coverage of Hampson's range in song.......2001-11-01
This EMI disc, "Thomas Hampson, Portrait" is an excellent example of the wide range of this melliflous baritone. From the first German aria, Korngold's "Mein Sehnen, mein Wahnen" one of my personal favourites, to Jerome Kern's "The Last Time I saw Paris" you have great variety of opera, lieder and popular song offering you examples of Hampson's great talent. Buy and enjoy! Jill Whitburn
Average customer rating:
- A "Sequel" that Surpasses the Original
- Just Right for Internet Work
|
Viveza: Encore
Manufacturer: Skylark
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Binding: Audio CD
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Similar Items:
- Ancient and Modern
- Jeeves & Wooster - The Complete Series
- Not Too Late
ASIN: B000003Y22
Release Date: 1991-06-01 |
Tracks:
- Jeeves and Wooster
- Melodie
- The Happy Home
- None but the Lonely Heart
- Hungarian Dance #6 in D
- Songs My Mother Taught Me
- Serenade Espagnole
- Danse Espagnole
- Playera
- Malaguena
- Lundu de Marqueza de Santos
- Nesta Rua
- Evocacao
- Mood Indigo
- Ballad of the Easy Life
- Tango
- Moritat (Mack the Knife)
- Der Glocken Ruf
- Simplemente... triste
- Schreib mir einen Brief!
- Milonga del Angel
- Alegro Tangabile
Album Description
Viveza, one of the world's favourite salon groups does it again! With "Encore" this Canadian quintet brings alive salon music from Europe and South America with a freshness and vivacity that you have to hear to believe.
Salon music flourished in the 1920's and 30's, especially in the grand hotels. The repertoire of each ensemble was as varied as the patrons who frequented these fabled "palm courts." In an evening at the Ritz one was likely to hear music from Dvorak to Ravel, Lehar to Brahms or gypsy folksongs.
As you will discover with Viveza's Encore, the salon repertoire offers a cornucopia of tasty delights for your listening pleasure.
Customer Reviews:
A "Sequel" that Surpasses the Original.......2006-08-26
This album tops the previous "Viveza, Music in the Palm Court Style". The groups' inventiveness really shines in this CD. From a marimba version of Piazzola's "Milonga del Angel" to an absolutely smashing version of Moritat (Mack the Knife from Threepenny Opera), the selections are superb. I highly recommend this one!
Just Right for Internet Work.......2000-03-21
We have entertained ourselves with the video Jeeves and Wooster for the past two years. Since my wife and I played in classical orchestras, we greatly enjoy the quality and "just right" musical pace of the CD for office internet work stimulation. Now we ordered another copy for home entertainment.
Average customer rating:
- A Spectrum of Romance in American Musical Composition
- a rare gem of a CD
|
Sure on This Shining Night: 20th-Century Romantic Songs of America
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Songs from the Labyrinth (Music by John Dowland)
ASIN: B000002ZYW
Release Date: 1997-04-10 |
Tracks:
- The Children
- The Year's At The Spring
- When Stars Are In The Quiet Skies
- Orpheus With His Lute
- Rose Marie
- Ives
- Song To The Witch Of The Cloisters
- Sure On This Shining Night
- Sigh No More, Ladies
- Come Away, Death
- On Hearing 'The Last Rose Of Summer'
- Echo
- If I Could Tell You
- The Collection
- The Lord's Prayer
- Nature, The Gentlest Mother
- The Tiger
- Never More Will The Wind
- Little Elegy
- One Alone
- Do Not Go, My Love
- To A Stranger
- When I Have Sung My Songs
- These, My Ophelia
- An Old Song Re-sung
- Ah! Sweet Mystery Of Life
- June Night
- Triolet
Customer Reviews:
A Spectrum of Romance in American Musical Composition.......2006-01-15
Often American music is thought to be jaunty, combative, or tragic in content, especially when it comes to songs/lieder for the classical repertoire. This engaging CD takes umbrage with that misconception and in presenting some twenty-eight songs by various composers clearly identifies the romantic side of American composers.
Here are songs well known and not so well known by familiar and not so familiar composers, and in the hands of tenor Robert White and pianist Samuel Sanders they all come across as important. Included are rarities by composers such as Amy Beach, Theodor Chanler, Isabelle Firestone, Eric Ewazen, Albert Hay Malotte, Marc Marder, John Musto and Richard Hageman, with popular composers Rudolf Friml and Sigmund Romberg, along with the greats: Ives, Schuman, Hindemith, Barber, Thomson, Korngold, Copland. Rorem, Bolcom, Corigliano, and Griffes. It is a huge spectrum of work and while some are less successful than other, they all are given respectful and loving renditions by White and Sanders. It is great fun to hear Firestone's famous 'If I could tell you' that opened the Voice of Firestone for so many years along side Samuel Barber's gorgeous 'Sure on this shining night' and Aaron Copland's settings of Emily Dickinson's poems.
This a rare treat for connoisseurs of lieder and for lovers of beautiful songs. Recommended. Grady Harp, January 06
a rare gem of a CD.......2002-07-08
Sure On This Shining Night is not my usual musical cup of tea...yet, it has become one of my favorite CDs. This collection of American Romantic songs has burrowed its way into my heart.
There is a universality to the longing involved in Romanticism. These songs capture this feeling perfectly. From the first song to the last, these songs do one thing perfectly: evoke an emotional response.
This is due in no short measure to the wonderful performance Robert White gives. Rather than being merely technically accurate, White actually gives each of these songs a life of their own. He achieves this effect by getting inside not only the words, but the feelings involved.
Some of the highlights for me are: the lovely and memorable "Rose Marie," Ewazen's setting of Blake's "The Tiger," a moving version of "The Lord's Prayer" and the haunting "Never More Will the Wind."
Samuel Sanders is a worthy musical companion to White. His playing is reciprocally lovely and introspective. The notes are extensive and informative as well.
Even though it may be an acquired taste in our postmodern age, I give Sure On This Shining Night my full recommendation.
Average customer rating:
- a voice teacher and early music fan
- Joy and sadness perfectly combined
- Good music, okay performances
|
Music For Queen Mary-A Celebration Of The Life And Death Of Queen Mary
Manufacturer: Sony
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Binding: Audio CD
Purcell, Henry
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Similar Items:
- The Coronation of King George II / The King's Consort · Robert King
- Glorious Sound of Brass
ASIN: B000002AP6
Release Date: 1995-04-04 |
Tracks:
- Anthem: I Was Glad
- Anthem: Praise The Lord, O Jerusalem
- Whilst He Abroad Does Like The Sun
- The Sullen Years Are Past
- Stript Of Their Green Our Groves Appear
- ODE FOR QUEEN MARY'S BIRTHDAY: Symphony
- ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now Does The Glorious Day Appear
- ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Not Any One Such Joy Could Bring
- ODE FOR QUEEN MARY'S BIRTHDAY: Tenor Solo: This Does Our Fertile Island With Glory Crown
- ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now Does The Glorious Day Appear
- ODE FOR QUEEN MARY'S BIRTHDAY: Bass Solo: It Was A Work Of Full As Great A Weight
- ODE FOR QUEEN MARY'S BIRTHDAY: Countertenor Solo: By Beauteous Softness Mixt With Majesty
- ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Her Hero, To Whose Conduct And Whose Arms
- ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Our Dear Religion
- ODE FOR QUEEN MARY'S BIRTHDAY: Tenor Solo: No More Shall We The Great Eliza Boast
- ODE FOR QUEEN MARY'S BIRTHDAY: Symphony
- ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now With One United Voice
- ODE FOR QUEEN MARY'S BIRTHDAY: O Dive Custos - Elegy On The Death Of Queen Mary
- ODE FOR QUEEN MARY'S BIRTHDAY: Incassum, Lesbia - The Queen's Epicedium
- The Queen's Farewell. March
- The Queen's Farewell. March
- March
- THE BURIAL SERVICE: I Am The Resurrection (Morley)
- THE BURIAL SERVICE: Thou Knowest, Lord (Purcell)
- THE BURIAL SERVICE: Canzona (Purcell)
- THE BURIAL SERVICE: I Heard A Voice (Morley)
Customer Reviews:
a voice teacher and early music fan.......2006-01-27
Purcell compositions for Queen Mary span the whole of her brief reign. He provided music for her coronation, on April 11,1689; for the formal celebraton of her birthday on April 30 each year; and for her funeral, on March 5, 1695. At the coronation of William and Mary his 'I was glad' was one of 9 anthems performed during this ceremony. Purcell, in his position as Abbey Organist had tailored the music with precision. The opening passage is in stately block chords-straightforward for the choir to co-ordinate while proceeding along the nave, and arriving in their places just in time to watch the conductor for the closing bars. Later in the service the 2nd anthem by Purcell was sung:"Praise the Lord, O Jerusalem",
The centerpiece of this disc is the Ode for Queen Mary's birthday"Now does the glorious day appear" and glorious it is!!! It is divided into 14 sections; some solos, some duets and some choruses. It was easily the finest royal ode he had as yet composed, and also the most richly scored; laid out for five part strings, the violas being divided. Thanks to this exotic scoring, the ode abounds in moments of gorgeous opulence. For Mary's funeral services (she died at the age of 33) Purcell composed 3 pieces all included in this disc and all memorable.
The performers include Westminster Abbey Choir; the New London Consort; soloists: sopranos Emma Kirkby and Evelyn Tubb-countertenor Michael Chance-tenor Ian Bostridge-basses Stephen Richardson and Simon Birchall. All of this under the direction of Martin Neary.
The notable distinction of this recording is as follows and I quote from the accompanying jacket:"Complete music for Queen Mary's funeral, newly assembled and edited, and performed in Westminster Abbey by the Abbey Choir for the first time since 1695". The recording is beautifully adorned inside and out, and the sticker on the outside proclaims that it is music featured in the Westminster Abbey Funeral service fo Diana, Princess of Wales.
Joy and sadness perfectly combined.......2000-02-19
This CD is subtitled "A Celebration of the Life and Death of Queen Mary" and it thus divides into two sections. To begin with, we hear a number of works written for the Queen during her life, among which are short songs by John Blow (including "The sullen years are past" which has never been recorded before) and a massive setting of one of many odes for the royal birthday celebrations by Henry Purcell - "Now does the glorious day appear," which is a sweeping and powerful work with a variety of ground bass arias, duets, recitatives, choruses and orchestral symphonies - all making for a fine and rewarding listening experience.
In the second section, the focus moves onto music written during the mourning period after Queen Mary's death. Purcell continues to prove himself the greatest composer of the time, in his semi-sacred songs (in Latin) mourning her death, and in the music he wrote for her funeral. This section is indeed a highlight of the disc as it attempts, in a very scholarly way, to recreate the funeral in the Abbey as it might have sounded in 1695, with the Funeral Sentences by Thomas Morley interspersed with Purcell's own material and a number of Farewell Marches for trumpets and drums only.
The members of the Abbey Choir under Martin Neary do an admirable job of stepping into the shoes of their forebears under Purcell; accompanied by the period instrument-equipped New London Consort, the sound is truly magnificent. In addition, a number of prestigious soloists appear, including Emma Kirkby and Ian Bostridge (undoubtedly key performers for capturing the purity and delicacy of this music), Michael Chance (who seems a little under-utilised), Stephen Richardson (a rich and profound bass voice if ever I heard one) along with members of the Abbey Choir itself. Of special note- one does not often find a choral CD on which all three senior musical officials at the cathedral (Organist, Assistant Organist and Organ Scholar) are heard playing, but this is one such recording: Martin Baker and Stephen Le Prevost fill in organ continuo parts in various places, as does Dr Neary himself (who also plays the harpsichord for most of the solo pieces).
Arc of Light have done it again- a recording of extreme loveliness, going right down to the packaging which features some beautiful artistry (in fact, the main cover photograph is given an explanation in the booklet notes owing to the special way in which it was produced). A true gem in all respects.
Good music, okay performances.......1999-03-26
This disc presents a somewhat eclectic collection of music devoted to Queen Mary (mostly by Purcell, but by some other contemporaries as well). Despite the common theme I couldn't get rid of the feeling that the pieces didn't "click." Neither did the soloists sound at ease. Michael Chance, perhaps, deserves the most praise. But alas, some of the pieces that he normally sings (e.g. Incassum Lesbia) were given to sopranos, who couldn't do them nearly as much justice. The voice of one of the sopranos kept cracking up (don't know which one: the past-her-prime Emma Kirkby or whoever-she-is Evelyn Tubb). Ian Bostridge is undeniably a great performer, mainly known for his brilliant lieder interpretations. I don't want to say that baroque is not his cup of tea because he is vocally well suited to this repertory. Yet I didn't think he was as great in Purcell as many of his countrymen, such as John Mark Ainsley, Charles Daniels or Mark Padmore (to the extent one recording is enough of a basis to judge, which perhaps it is not). I don't want to be unfair, but I've heard Purcell performed better. This is not a bad recording, just not the best.
Average customer rating:
|
Baker Sings Gluck, Lully, Marcello, etc.
Manufacturer: BBC Legends
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- Philips and Decca Recordings, 1961-1979 (Limited Edition)
ASIN: B00008OP2A
Release Date: 2003-05-20 |
Tracks:
- O Del Mio Dolce Ardor
- Bois Epais
- Il Mio Bel Foco - Quella Fiamma Che M'accende
- Lauds (Among The Leaves)
- O Lurcher-Loving Collier
- What's In Your Mind, My Dove
- Eyes Look Into The Well
- Carry Her Over The Water
- Come Away, Come Away, Death
- Who Is Sylvia?
- Fear No More The Heat Of The Sun
- O Mistress Mine
- It Was A Lover And His Lass
- Let Beauty Awake
- Tired
- Silent Noon
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- The Sally Gardens
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- O Waly, Waly
- Come You Not From Newcastle?
- Sleep, Adam, Sleep And Take Thy Rest
- Lord, What Is A Man
- Sleep
- Pretty Ring Time
- Rest, Sweet Nymphs
- The Jolly Sheperd
Average customer rating:
- a voice teacher and early music fan
- SUPERB
- Absolute Scholl
|
Andreas Scholl - A Musicall Banquet
John Dowland , Giulio Caccini , and Andreas Scholl
Manufacturer: Decca
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Scholl, Andreas
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Similar Items:
- Andreas Scholl - English Folksongs & Lute Songs (17th Century)
- The Voice
- Arcadia
- Vivaldi: Nisi Dominus; Motets
- Wayfaring Stranger: Folksongs
ASIN: B0000523PF
Release Date: 2001-03-13 |
Tracks:
- A Musicall Banquet 1610: My Heavy Sprite
- A Musicall Banquet 1610: Lady, If You So Spite Me
- A Musicall Banquet 1610: In Darkness Let Me Dwell
- A Musicall Banquet 1610: O Dear Life, When Shall It Be
- A Musicall Banquet 1610: Ce Penser Qui Sans Fin Tirannise Ma Vie
- A Musicall Banquet 1610: Si Le Parler Et Le Silence
- A Musicall Banquet 1610: Change Thy Mind Since She Doth Change
- A Musicall Banquet 1610: Go, My Flock, Go Get You Hence
- A Musicall Banquet 1610: Se Di Farmi Morire
- A Musicall Banquet 1610: Amarilli Mia Bella
- A Musicall Banquet 1610: Passava Amor Su Arco Desarmado
- A Musicall Banquet 1610: Far From Triumphing Court
- A Musicall Banquet 1610: Sir Robert Sidney His Galliard
- A Musicall Banquet 1610: In A Grove Most Rich Of Shade
- A Musicall Banquet 1610: Vous Que Le Bonheur Rappelle
- A Musicall Banquet 1610: Vuestros Ojos Tienen D'Amor
- A Musicall Banquet 1610: Sta Notte Mi Sognava
- A Musicall Banquet 1610: To Plead My Faith
- A Musicall Banquet 1610: O Eyes, Leave Off Your Weeping
- A Musicall Banquet 1610: Dovro Dunque Morire?
- A Musicall Banquet 1610: O Bella Piu
Customer Reviews:
a voice teacher and early music fan.......2006-02-09
Robert Dowland,the son of John Dowland, is really only remembered today for the two collections he published in 1610:'Varieties of Lute Lessons' and 'A Musicall Banquet'-the subject of this recording. In both cases,however, there are grounds for suspecting that the prime mover behind the collections was John Dowland rather than Robert, and that he put Robert's name on the title-pages as a wayof launching his son's musical career. 'A Musicall Banquet'was the first lute song collection to include material drawn from continental collections, and marked the beginning of a more eclectic phase in the history of the English song.This album was somewhat of a disappointment to me. Oh, the voice is excellent as usual, but the repertoire chosen for this recording lacked variety as well as performing aptitude on the part of Scholl. Over half of the songs were English lute songs that Scholl sang as if they were arias from an opera by Handel. He just doesn't come across with this kind of song. And his English diction is very difficult to understand even with songs that are known. On the other hand there were a few renditions of Spanish and Italian as well as French songs that were very well done. The accompaniments were excellent in every case, so the disc is worth purchasing if you are a fan of Andreas.
SUPERB.......2001-04-30
Andreas Scholl, arguably, the finest countertenor singing today, has released this new, superb album. It consists of a collection of songs accompanied by lute put together by Robert Dowland, a minor composer (1591-1641) under the title A MUSCALL BANQUET (no, I didn't misspell it). It is a fine cross-section of songs in English, Spanish, Italian and French.
Scholl has many "hit" CD's to his credit, including a beautiful collection of Vivaldi songs, an album called "Heroes" in which he sings some gorgeous Handel & Gluck opera arias and he is the male soloist on a new recording of Pergolisi's "Stabat Mater." His voice is absolutely pure and beautiful.
Three fine musicians accompany him on lute, guitar, harpsichord. etc. Recommended.
Absolute Scholl.......2001-02-27
These lovely songs are full of period metaphor, subtle music and complexity despite the deceptive simplicity of the presentation. They challenge the listener unused to the poetry of the period but more than repay a little concentration. If you like melancholy, you'll love it. Scholl himself described this genre of English song as `incredibly melancholy' - but not everything on this CD is, and not all the songs are English: there is lyrical Italian and French material, as well as fiery Spanish music.
These are not easy songs for a singer to do well but Andreas Scholl is ready for them, now: his voice bigger, deeper and more resonant than formerly. His thoughtful approach to text shines, as usual. His ornamentation in all the songs is just ... so. Not too much, and nothing is wanting.
He imbues In Darkness Let Me Dwell with an incredibly dark sound and a powerful intensity that I don't think he could have executed as well in earlier years. The final bars of To Plead My Faith are wrenchingly sad. The Spanish songs are spectacular in his live performance, especially Vuestros Ojos, which, live, he takes at one hell of a lick, to the immense pleasure of the audience; a fraction slower on the recording, but still very exciting. The coloratura tour de force of Sta Notte Mi Sognava is accomplished with almost throw-way ease. The genteel innuendo of Lady If You So Spite Me is done with sardonic humour and energy alternating with pathos - quite a combination. In Go My Flock, Go Get You Hence, he sounds about seventeen and full of teenage desperation: at `No, she hates me!' you can imagine the infatuated teenager flinging his arms about. The final track, O Bella Piu, is a little miracle of interpretation. Apart from the sheer perfection of voice and delivery, he does `pining' so well! He begins with quiet adoration; `non piu dolore!' is a gnat's whisker from a sob but without any loss of control or musicality - no extraneous funny business - moving into pleading in the first `Pieta!', and sheer desperation in the second. A heart-stopper.
The accompanying instrumentalists are all first rate. Christophe Coin's bass viol solo in O, Dear Life When Shall It Be is fascinating. Edin Karamazov - a star in his own right if ever there was - is a perfect match for Scholl and he also gets a short, beautiful lute solo. All the performers are on top form, as are the recording engineers. The whole CD is distilled pleasure from start to finish: each song is fully revealed and brought to vibrant life. Andreas Scholl's singing on this recording is peerless - but `Lieber erstmal Lieder', as he would say (he puts the music he sings before what he calls, self-deprecatingly, the present cult of his stardom) and on this CD he certainly lives up to his motto.
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