Black 9
Track Listings
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1. Depths of Below
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2. Pimping Ain't Easy
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3. Back Down Memory Lane
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4. Problem Child
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5. Product of Society
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6. Set It Off
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7. I'm an O.G.
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8. Life of the D.O.G.
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9. On and On
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10. Terrordome
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Average customer rating:
- A musical treasure-box
- a beautiful journey into melancholy
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Byrd, William
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Similar Items:
- Dowland: Complete Lute Works, Vol.1-5
- William Byrd: Consort Songs
- Bach: The Landowska Recordings
- Britten Conducts Britten
- Janácek: Operas
ASIN: B000004CYV
Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
A musical treasure-box.......2006-09-10
Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
- Would you like ketchup with your bug?
- he makes you get up and dance
- Live in Dublin
- Live in Dublin
- Live audience is great.
|
Live In Dublin
Andre Rieu
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000CABHH
Release Date: 2003-10-07 |
Tracks:
- Dark Eyes
- Thunder & Lightning
- The Merry Widow
- Song of the Volga Boatman
- Hor Ich Zimbalklange
- Espana Cani (Bull)
- O Mio Babbino Caro
- The Blue Danube Waltz
- Announcement Olympia Song
- Song of Olympia (puppet)
- My Heart Will Go On (Titanic)
- All Men Shall Be Brothers - Beethoven 9th
- Radetzky March
- Opera Potpourri
- The Red Rose Cafe
- The Marino Waltz
- Irish Washerwoman
- The Last Rose
- Chianti Song
- Lullaby
Album Description
Recorded at the filming in Dublin's famous downtown train terminal, LIVE IN DUBLIN features Andre and the orchestra performing a collection of old favorites and exciting new selections. Already a smash PBS program LIVE IN DUBLIN captures Andre Rieu and his magical live performances at their most elegant best!
Customer Reviews:
Would you like ketchup with your bug?.......2007-05-05
The person who sang O Mio Babbino Caro is Carmen Monarcha. Do a search for her on YouTube; she's really fantastic!
Anyway, I saw Andre Rieu on a PBS special on television and it looked like such an awesome, high-energy concert! The CD is not so exciting, but it is worth buying just for that beautiful aria.
he makes you get up and dance.......2007-04-10
my 3 yr old enjoys this as much as us
Live in Dublin.......2007-02-17
The music is really toe tapping and excellent. Andre Rieu is a master of music.
Live in Dublin.......2006-07-05
This concert is magnificent in its energy and in the great performances by Andre Rieu and the Johann Stauss orchestra. I watch it when I need lifting up. I love the audience interaction which makes me feel as if I'm there in person.
Live audience is great........2006-05-03
This has to be one of Andre's best. The live audience adds much to the music being played. I wish I had been there for the performance.
Average customer rating:
- A historical legacy!
- Masterpieces played by the great Horowitz
- Insert Here Any Superlative You Can Think Of
- WHAT IS GOING ON?
- Just the Facts...
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Horowitz Live and Unedited [includes Bonus DVD]
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B0000CF314
Release Date: 2003-09-30 |
Tracks:
- Organ Toccata, Adagio And Fugue In C Major, BWV 564 I. - J.S. Bach
- Organ Toccata, Adagio And Fugue In C Major, BWV 564 II. - J.S. Bach
- Organ Toccata, Adagio And Fugue In C Major, BWV 564 III. - J.S. Bach
- Fantasy In C Major, Op.17 (I)
- Fantasy In C Major, Op.17 (II)
- Fantasy In C Major, Op.17 (III)
- Piano Sonata No. 9 In F Major, Op. 68 'Black Mass' - Scriabin
- Poeme In F-Sharp Major, Op. 32, No. 1 - Scriabin
Tracks:
- Mazurka In C-Sharp Minor, Op. 30, No.4 - Chopin
- Etude No. 8 In F Major, Op. 10 - Chopin
- Ballade in G Minor, Op. 23, No.1 - Chopin
- Serenade For The Doll No.3 - DeBussy
- Etude In C-Sharp Minor, Op.2, No.1 - Scriabin
- Etude No. 11 In A-Flat Major, Op.72 - Moszkowski
- Traumerei
- Kinderszenen, Op. 15 (1)
- Kinderszenen, Op. 15 (2)
- Kinderszenen, Op. 15 (3)
- Kinderszenen, Op. 15 (4)
- Kinderszenen, Op. 15 (5)
- Kinderszenen, Op. 15 (6)
- Kinderszenen, Op. 15 (7)
- Kinderszenen, Op. 15 (8)
- Kinderszenen, Op. 15 (9)
- Kinderszenen, Op. 15 (10)
- Kinderszenen, Op. 15 (11)
- Kinderszenen, Op. 15 (12)
- Kinderszenen, Op. 15 (13)
Customer Reviews:
A historical legacy!.......2006-03-28
Despite I am not a Horowitz admirer, it 's worthy to underline and emphasize the colossal pianism and thunderous fingering around every one of its different performances.
The special distinction around this album is the fresh inspiration and notable musicality emanated in this Recital, that deserves to be catalogued as a cult recording among the impressive and even excellent live recordings in the Sixties.
A bravura performance and a genuine expression make of this album a very special recommendation.
Masterpieces played by the great Horowitz.......2004-12-12
This Carnegie Hall return recital is one of the greatest recordings by Horowitz. With a huge audience, Horowitz did not disappoint. He plays the Bach/Busoni as only he can play; it is eternally beautiful. Schumann has some mistakes, but those mistakes make the playing even more fascinating. The Scriabin is also excellent.
I am confident in saying that Horowitz's mazurka here is the best recording of op. 30 no. 4. Horowitz takes his time and does not rush the tempo, which is soooo easy to do with this piece. The etude is played awesomely, but the real treat is the Ballade no. 1. Horowitz played this piece all his life and played it very different many times, but this ballade is the best, most musical he ever played, mistakes and all.
The encores are also a treat, and the complete Kinderszenen bonus is another reason to buy this cd. The bonus dvd contains Liszt's Au Bord D'une Source, Chopin's Black key etude, and Moszkowski's etude in f major, op. 72, no.6.
This cd is my favorite, and I have a lot...
Insert Here Any Superlative You Can Think Of.......2004-06-10
For those of you who don't enjoy reading long drawn-out reviews: This is the best CD set I could possibly imagine buying before I bought it. After I bought it, I wept twice in the first listening of just the second disc. The Chopin recordings on this disc are simply legendary, definitive, and indescribably beautiful.
Horowitz out-did even himself at this concert. Sure, wow, wrong notes, even in the first couple measures. Who cares. You had better not. I noticed two exposed wrong notes in my first listen of this disc. It is by far the best CD set I own.
Toccata, Adagio and Fugue in C Major: Sure, wrong note. Grand. I'm not too large a fan of this piece, but, regardless, if you like Bach, you like Horowitz for this recording.
Fantasy in C Major: True to its title, this performance was indeed fantastic. Horowitz is acclaimed most for his different tones on the piano. Let me tell you, that is for a reason.
Scriaban: I, personally, do not like Scriaban. An acquired taste. If you do like him, however, you will by all means enjoy these two recordings of the Black Mass Sonata and the Poeme in F-sharp Major.
The Chopin: The Mazurka is the greatest mazurka recording I have ever heard, period. The Etude is technically flawless and musically flawless. The Ballade. One of my favorite pieces of all time. This is my favorite recording, simply. It is quite, quite unbelievable. I wept. Every theme Chopin includes, Horowitz includes with care. This piece is one that takes a long long long time to figure out. Musically, it is one of the hardest. Horowitz seems to finally understand it after having played it for almost forty years undoubtedly. I have heard roughly 10 or 12 recordings of this piece, and Horowitz's trumps all.
The encores: Debussy, Scriaban, Moszkowski are all wonderful in their own right, but Traumerei is practically Horowitz's child. People in the audience were weeping when they heard this piece. I went in with the intention of not weeping, and failed miserably. It is the singly most beautiful performance I have ever heard.
Buy this set. You will absolutely not regret it.
WHAT IS GOING ON?.......2003-12-27
WHAT IS WRONG WITH YOU PEOPLE? WHY CANT YOU JUST LEAVE THE POOR MAN ALONE? I AM A PIANO STUDENT WHO JUST FINISHED A CONCERT SERIES OUTSIDE OF MY OWN COUNTRY AND I HAVE JUST READ SOME OF THE OTHER REIEWS ABOUT HOROWITZ HERE AND I AM FRANKLY DIGUSTED.
ARE WRONG NOTES ALL YOU PEOPLE LISTEN TO?
HOROWITZ WAS BRILLIANT, YES, BUT HE WAS ALSO HUMAN LIKE ALL OF US. I MAKE MY FAIR SHARE OF WRONG NOTES AND WOULD HATE TO THINK THAT THEY WOULD BE THE ONLY THING THAT AN AUDIENCE WOULD REMEMBER AFTER A CONCERT. WRONG NOTES ARE A PART OF LIFE AND SOMETIMES ITS MORE IMPORTANT TO TAKE RISKS, EVEN IF IT RESULTS IN FAILIURE. ITS WHAT BREATHES LIFE INTO A PERSONS PLAYING, KNOWING THAT ONE SPLIT NOTE OR TWO IS NOT THE END OF THE WORLD. GIVEN THE CHOICE BETWEEN BEING MORE MUSICAL OR MORE TECHNICAL, I WOULD RATHER BE A MUSICIAN AND NOT A ROBOT.
IN HOROWITZ'S PLAYING, THERE ARE MORE IMPORTANT THINGS TO LISTEN TO. SO NEXT TIME YOU SWITCH ON ONE OF HIS RECORDINGS, WHY NOT TRY TO FORGET EVERYTHING YOU HAVE HAD BRAINWASHED INTO YOU ABOUT PERFECTION AND JUST LISTEN WITH YOUR HEART INSTEAD OF YOUR HEAD.
HOROWITZ WOULD HAVE BEEN THE FIRST PERSON TO TELL YOU THAT A PERFECT TECHNIQUE IS A COMPLETE MYTH. EVERYONE MAKES MISTAKES, WE CANT BE PERFECT FOR YOU ALL THE TIME, SO JUST GIVE US A BREAK.
Just the Facts..........2003-11-29
This is not a review per se. My review is elsewhere on this page. But I wanted to follow-up and correct a few errors, which have been circulated in regard to this recording.
First, the corrections used on the original version of Horowitz at Carnegie Hall were not made at a "patch session at Carnegie a few days" after the concert. Columbia's engineers had already recorded Horowitz's rehearsals and used that material for the editing.
Second, the editing in the album was neither as extensive as some have suggested, nor as insignificant as the anonymous reviewer from Baltimore states.
Here is a (mostly) complete list of the patches on the original album, which have been removed from this new edition:
Bach-Busoni: Preludio: Measures 2-12 and parts of the coda (Horowitz, by the way, does not play the ossias at bars 8, 10, and 12); Intermezzo: Small patches at bars 7 and 11; Fugue: Several edits between bars 97 and 110, and again in the coda.
Schumann Fantasy: 1st Movement: patches at 7:32 and 10:21; 2nd Movement: small patches at 2:44 and 4:32, and a series of patches in the coda 6:58-7:39; 3rd Movement: No edits.
Scriabin: Sonata No 9: No Edits. Poem in F-sharp: Patch from 2:16-2:26
Chopin: Mazurka: Small edit at 2:02; Etude: Patched sections from 1:27-1:33 and 2:15-2:20; Ballade: Small edits at 2:04 and 4:52, at least four patches in the coda.
None of the encores were edited.
Patched or not, the 1965 return concert contains some stunning piano playing. Can anyone imagine the pressure Horowitz was under on that day? To prove you have not just retained your original greatness, but have deepened and become even greater cannot have been easy. The new, unedited version of the concert is not a revelation, but serves as a reminder of Horowitz's all too human frailty.
Average customer rating:
- Nice Collection
- PERFECT!
- Great singing and excellent value for money
- More than two hours of beautiful 17th century 'ayres'
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Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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ASIN: B000059LOH
Release Date: 2001-06-05 |
Tracks:
- O Solitude - Nancy Argenta/Nigel North
- Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
- Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
- Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
- Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
- Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
- From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
- Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
- I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
- Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Fairest Isle - Nancy Argenta/Nigel North
- O Solitude - Nancy Argenta/Richard Boothby
Tracks:
- Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
- Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
- Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
- See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
- Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
- Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
- Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
- To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
- O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
- Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Music For A While - Nancy Argenta/John Toll
- If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
- Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
- When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
- Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
- Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North
Customer Reviews:
Nice Collection.......2007-03-05
I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.
PERFECT!.......2006-10-26
There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.
Great singing and excellent value for money.......2004-09-19
This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!
More than two hours of beautiful 17th century 'ayres'.......2001-08-02
Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.
Average customer rating:
- Horowitz Review
- No better place to hear musical genius!
- Incredible performance, scratchy sound.
- I undoubtedly declare that Horowitz is the best.
- Horowitz is amazing as usual, BUT...
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Horowitz Plays Mussorgsky, Scriabin, Prokofiev, and others
Manufacturer: RCA
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All Works by Mussorgsky
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ASIN: B000003F1S
Release Date: 1992-03-10 |
Tracks:
- Promenade
- The Gnome
- Promenade
- The Old Castle
- Promenade
- Tuleries
- Bydlo
- Promenade
- Ballet of the Unhatched Chicks
- Samuel Goldenberg & Schmuyle
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- The Hut on Fowl's Legs
- The Great Gate at Kiev
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- Variations On A Theme From 'Carmen'
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- Barcarolle, Op. 10, No. 3
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- The Stars And Stripes Forever
Amazon.com essential recording
Horowitz's Pictures is one of his most controversial recordings. In true Romantic tradition, he made changes in Mussorgsky's much-maligned score. Ignore those strict constructionists who hold that the composer's word is law, and you'll revel in the sheer high spirits and unabashed virtuosity of this electrifying performance. Few make this piece as exciting as Horowitz. The fillers offer his inimitable versions of various Russian favorites along with his not-to-be-missed transcriptions of Carmen highlights and a Sousa Stars and Stripes Forever as you've never heard it. --Dan Davis
Customer Reviews:
Horowitz Review.......2007-01-10
This recording was made in 1947 and the recording quality reflects that. It sounds like the CD was made from a scratchy record with no clean up.
I have heard better Horowitz performances. This one is very mechanical, without much color or feeling.
No better place to hear musical genius!.......2005-08-22
Horowitz' arrangement of Stars and Stripes Forever is possibly the most incredible piece I have ever heard (and I don't even like that song very much.) If you have never heard it in its entirety, you have really been missing something. The first half is really good but the second half is mind-blowing. Horowitz was a genius!!!
The other works on the disc are great too but I prefer more recent recordings such as Evgeny Kissin's Pictures at an Exhibition. Of course it's not that Evgeny plays it better than Vladimir but the recording quality has much improved since 1947.
Whatever you do, don't miss Stars and Stripes Forever. You will never forget it.
Incredible performance, scratchy sound........2000-12-17
A very good CD, but some of the titles are also on the Encores CD, and all the titles except the Rachmaninoff (recorded in 1979) are in mono. Besides the Rachmaninoff, the recording dates range from 1928 (whew!) to 1956. That said, this is Horowitz! It's great! I'd pay the money for the Prokofiev and Danse Excentrique alone. I just want to warn you that this is not the crystal-clear CD sound we're used to.
I undoubtedly declare that Horowitz is the best........2000-12-03
You may know that Horowitz is a TOP pianist. But there is a one more. This recording is the most suitable recording that shows the differences beteween Horowitz and other pianists. In other words, this recording represents the genuine playstyle of Horowitz. One of the conspicuous specialty of Horowitz is ffff. The Grate Gate At Kiev (Pictures at an Exhibition) needs exteremly strong finger power.(Self-confidence of piano touch) Also to "Prokofiev sonata No.7","The Stars and Stripes Forever", the same can be told. I want to say, It`s needless to say who is the second, at least in these pieces. ( the gap between 1st and 2nd is too wide )(And, I`m not saying abut all the pieces of Horowitz. I`m only telling you about the pieces in this record.) I have an absolute pitch, and can compose a little.So believe me. Have a nice day!
P.S. To music lover who want`s to listen awesome 'Carmen Vars.' : Horowitz recorded 'carmen vars' not only once. (because it revised several times.) Carmen.V. in this CD is different from "Horowitz Encore". After buing this record, listen carefully the samples (in Horowitz Encore). They are not the same. (Both has it`s tastes.)
Horowitz is amazing as usual, BUT..........1998-09-27
Horowitz is amazing as we have all come to expect, but at the time that Mussorgsky's PICTURES AT AN EXHIBITION was recorded, recording techiniques had not been perfected as they have today. The rest of the CD is outstanding. If you are a Horowitz fan, I highly recommend this recording.
Average customer rating:
- Taub's Scriabin Sonatas
- The best set overall of the complete Scriabin sonatas
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Scriabin: 10 Piano Sonatas
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
Scriabin, Alexander
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ASIN: B00099FVC4
Release Date: 2005-09-13 |
Tracks:
- Allegro Non Fuoco
- Andante
- Presto
- Funebre
- Andante
- Presto
- Drammatico
- Allegretto
- Andante
- Presto Con Fuoco
- Andante
- Prestissimo Volando
- Sonata No.5, Op.53
Tracks:
- Sonata No.6, Op.62
- Sonata No.7, Op.64 'White Mass'
- Sonata No.8, Op.66
- Sonata No.9, Op.68 'Black Mass'
- Sonata No.10, Op.70
Customer Reviews:
Taub's Scriabin Sonatas.......2006-05-31
Robert Taub gives rock solid performances of the Scriabin sonatas. He is loud when he should be, soft when he should be, fast when he should be, and slow when he should be. As a set, Taub offers one of the best next to Hamelin's set of Scriabin sonatas. Taub's set is a very even one; he is more successful though on the second disc, sonatas 6-10, than on the first disc, 1-5. For these, I would prefer the following: Hamelin (1), Richter (2), Gilels (3), Hamelin (4), and Horowitz/Hamelin (5).
The best set overall of the complete Scriabin sonatas.......2006-04-08
Regrettably, the posthumous sonatas are not included and not every performance is outstanding, but this is the best set overall. Not only does it have great sound quality (excepting the 2nd sonata where the treble notes are hard to hear), but it has some truly outstanding performances, particularly #5 and #10. #3, #4, and #6 are also particularly good. Its weaknesses are the 7th and 8th sonatas. The second movement of the second sonata is a bit awkward, too. Otherwise, this is a very nice collection. Scriabin fans should supplement it with other recordings, though.
I have the following complete sets: Laredo, Taub, Ashkenazy, Hamelin, Mikhailov, Szidon, Ponti, and Ogdon. I have two discs of Glemser and Horowitz, and one disc of: Sofronitsky, Pletnev, Kocyan, Bogdonov, Florentino, Coombs, Trpceski, and Richter.
Here is my list of suggested performances of the sonatas, taken from those I've heard. They are ranked from left to right:
G#m posthumous: Hamelin.
Ebm posthumous: Glemser.
No. 1: Kocyan, then Ashkenazy, then Taub. Kocyan tells a story. Ashkenazy is passionate. Taub is darker.
No. 2: Kocyan, then Glemser or Sofronitsky, then Ashkenazy. Kocyan's fluidity takes it, but Sofronitsky is artistic. Glemser's first movement is beautiful.
No. 3: Laredo or Horowitz. Then Glemser or Taub. Then Ashkenazy or Sofronitsky.
No. 4: Taub or Sofronitsky. The latter has more artistry, the former a more coherent and appropriate tone.
No. 5: Horowitz or Taub. The former has electric genius, the latter has wonderful refinement. Hamelin's is excellent (definitely his best Scriabin performance). I've heard that Richter's is great, but I don't have it.
No. 6: Richter (genius but bad sound quality), then Taub. Hamelin's is athletic and precise, although not mysterious.
No. 7: Glemser, then Laredo. The former brings out all the complexity with precision, the latter is sharp and clear. I have not heard Richter's.
No. 8: Ashkenazy. Then Szidon or Laredo. I've read that Sofronitsky's is good, but I don't have it.
No. 9: Sofronitsky, then Horowitz (all versions), then Glemser, then Szidon and Taub.
No. 10: Horowitz or Taub. Same contrast of styles between the pianists as the fifth sonata. Like the fifth, this is Taub's other brilliant performance.
Other pieces:
Fantasy in B minor: Glemser
Vers la flamme: Sofronitsky or Horowitz, then Laredo.
Piano concerto: Ugorski/Boulez, then Ashkenazy/Maazel. Both are excellent, but I give the edge to Ugorski.
Poem of Ecstasy: Maazel
Prometheus: Ashkenazy/Maazel
Average customer rating:
- One Of Glenn's Best Albums!
- samhain separating themselves from the misfits-y sound
- Good, But Not Great
- Music for the Occult!!
- GLENN DANZIG!
|
November-Coming-Fire
Samhain
Manufacturer: Plan 9 Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Final Descent
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ASIN: B00001ZTJ2
Release Date: 1996-01-13 |
Tracks:
- Diabolos '88
- In My Grip
- Mother of Mercy
- To Walk the Night
- Birthright
- Let the Day Begin
- Halloween II
- Novembers Fire
- Kiss of Steel
- Unbridled
- Human Pony Girl
Customer Reviews:
One Of Glenn's Best Albums!.......2006-09-24
When I first got into Samhain, I got Initium first. That album is pretty good, but it's only a decent work compared to this masterpiece that I found next!
I'm really loving the gothic rock o this album. It's one of my faves. I like this even more than Danzig(the band). This is almost as good as Static Age and Collection I of The Misfits, which is saying ALOT!!!
I haven't listened to this enough to give it an inside review, but I love it to bits! If you like Misfits, Danzig, gothmetal, or just like heavy music alltogether, buy, download, burn, or steal this album whenever possible! I'm sure ou won't regret it!
samhain separating themselves from the misfits-y sound.......2006-06-09
this album may be my favorite thing glenn danzig has ever done..yes, the misfits albums are very tempting, but this has more longevity and consistancy to me...with initium, glenn was still working the kinks out of samhain...hence them sounding more like the misfits on that release.....all in all, this album has enough speed, agression and halloween feel to please the misfits fiends, but has enough serious lyrics and overture to please danzig fans.
its hard to classify samahin though..some people say that they are the forgotten misfits albums, and some say it is merely the danzig band before they hit it big with "mother." all in all, i think punk and metal fans alike will dig this band..especially this cd.
Good, But Not Great.......2005-02-21
I honestly don't know how Samhain was so successful. I suppose that Danzig just used the success of The Misfit's as a trampoline to reach the success that greatness that Samhain achieved. Both The Misfits and Danzig are better than Samhain, but that doesn't mean that Samhain is lousy. This CD isn't the best Samhain CD ever released, but its still okay. "Let That Day Begin" and "Halloween II" are by far the CD's best songs. Only buy this CD if you are a die hard Misfits fan, a die hard fan of Glenn Danzig, or a die hard fan of horror punk in general. Otherwise, avoid it.
Music for the Occult!!.......2004-05-24
For anyone who's ever been into the Occult in any way, whether it was worshipping demi-gods, divining the future on a burnt piece of aluminum foil, or just plain worshipping Satan. This is the soundtrack. No, this isn't like Deicide, or Slayer..This isn't mosh pit stuff here. Instead, a much more hypnotizing, melodic rock with a black magic darkness rarely executed, almost never pulled off, except by the MASTER Glenn Danzig that would serve much better for a night of dark prayers than either aforementioned bands. Every song on this album is catchy and great. With powerful guitars and wailing vocals. The thing I love about this album is it's non-popularity. Almost nobody's heard this stuff. Which makes it easier for me to pretend that I'm the only one that has. I love Samhain. Always have. If you've stumbled onto this page and this review take my word for it. You'll NEVER hear anything else quite like it. And as Glenn sang: WE ALL NEED OUR TIME IN HELL !! WE ALL LOVE OUR TIME IN HELL!!
GLENN DANZIG!.......2003-07-04
i loved the misfits but glenn was always my favorite in the misfits, samhain is a great band his lyrics are creppy and sexy at the same time as they were with the fits. much less "punk" then the fits but still good to me very very good
Average customer rating:
- Horowitz: good. Amazon: good. Sony Classical: BAD.
- ARE YOU CRAZY RICH OR CRAZY STUPID?
- merely spectacular!
- I have never regretted buying this...
- The greatest 20th Cent. pianist at his best!
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Complete Masterworks Recordings, 1962-1973
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Similar Items:
- Complete Recordings on Deutsche Grammophon
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- Liszt: Piano Works
- Horowitz: Discovered Treasures
- Horowitz Live and Unedited [includes Bonus DVD]
ASIN: B000002909
Release Date: 1993-10-05 |
Tracks:
- Sonata In E Major, K 531 (L430): Allegro
- Sonata In A Major, K322 (L483): Allegro
- Sonata In G Major K455 (L209): Allegro
- Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
- Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
- Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
- Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
- Etude in C minor, Op. 10 No. 12: Allegro con fuoco
- Etude In C-sharp Minor, Op. 25 No. 7: Lento
- Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
- 3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
- 3 Preludes - From Book II: V. Bruyeres. Calme
- 3 Preludes - From Book II: VI. General Lavine - eccentric.
- Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
- Etude In C-Sharp Minor, Op. 2 No. 1: Andante
- Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
Tracks:
- Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
- Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
- Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
- Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
- Etude-Tableau In C, Op.33 No.2: Allegro
- Etude-Tableau In C, Op.33 No.2: Appassionato
- Arabeske In C, Op.18: Leicht und zart
- Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
- KINDERSZENEN, OP.15: 2. Kuriose Geschichte
- KINDERSZENEN, OP.15: 3. Hansche-Mann
- KINDERSZENEN, OP.15: 4. Bittendes Kind
- KINDERSZENEN, OP.15: 5. Gluckes genug
- KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
- KINDERSZENEN, OP.15: 7. Traumerei
- KINDERSZENEN, OP.15: 8. Am Kamin
- KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
- KINDERSZENEN, OP.15: 10. Fast zu ernst
- KINDERSZENEN, OP.15: 11. Furchtenmachen
- KINDERSZENEN, OP.15: 12. Kind im Einschlummern
- KINDERSZENEN, OP.15: 13. Der Dichter spricht
- Toccata In C, Op.7: Allegro
- Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)
Tracks:
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante moderato
- Keyboard Sonatas: Allegretto
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante
- Keyboard Sonatas: Andante e cantabile
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante e cantabile
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante moderato
- Keyboard Sonatas: Vivo
- Keyboard Sonatas: Allegro
Tracks:
- Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
- Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
- Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
- Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
- Fantasie In C, Op.17: II. Massig. Durchaus energisch
- Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
- Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
- Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile
Tracks:
- Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
- Etude In F major, Op. 10 No. 8: Allegro
- Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
- Serenade For The Doll. Allegro ma non troppo
- Etude In C-Sharp Minor, Op. 2 No. 1: Andante
- Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
- Traumerei
- Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
- Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
- Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
- Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso
Tracks:
- Mazurka In B minor, Op. 33 No. 4: Mesto
- Nocturne In E Minor, Op. 72 No. 1: Andante
- Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
- Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
- Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
- Piano Sonata In F Major, Hob. XVI: 23: III. Finale
- Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
- L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
- Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento
Tracks:
- Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
- Nocturne In F Minor, Op. 55 No. 1: Andante
- Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
- Sonata In E major, K 380 (L23): Andante commodo
- Sonata In G major, K 55 (L335): Allegro
- Arabeske In C Major, Op. 18: Leicht und zart
- Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
- Traumerei
- Variations On A Theme From Bizet's Opera 'Carmen'
Tracks:
- Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
- Adagio sostenuto In F Major
- Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
- Sonata In A Major, Op. 50 No. 1: II. Adagio
- Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
- Sonata In F-Sharp Major, K 319 (L35): Allegro
- Sonata In G Major, K 260 (L124): Allegro
- Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
- Sonata In C major, Hob. XVI:48: II. Rondo
- Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
- Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
- Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro
Tracks:
- Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
- II. Allegretto
- Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
- Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
- Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
- Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
- Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
- Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
- Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto
Tracks:
- Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
- Etude in G-flat major, Op. 10 No. 5: Vivace
- Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
- Waltz in A minor, Op. 34 No. 2: Lento
- Polonaise in A-flat Major, Op. 53: Maestoso
- Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
- Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
- Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
- Mazurka in E minor, Op. 41 No. 2: Andantino
- Mazurka in D major, Op. 33 No. 2: Vivace
- Etude in C-sharp minor, Op. 10 No. 4: Presto
- Etude in E major, Op. 10 No. 3: Lento, ma non troppo
- Etude in C minor, Op. 10 No. 12: Allegro con fuoco
- Prelidu In B Minor, Op. 28 No. 6: Lento assai
Tracks:
- Posonaise in A major, Op. 40 No. 1: Allegro con brio
- Prelude in D-flat major, Op. 28 No. 15: Sostenuto
- Etude in E-flat minor, Op. 10 No. 6: Andante
- Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
- Mazurka In F Minor, Op. 7 No. 3
- Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
- Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
- Kreisleriana, Op. 16: I. Ausserst bewegt
- Kreisleriana, Op. 16: II.Sehr innig
- Kreisleriana, Op. 16: III. Sehr aufgeregt
- Kreisleriana, Op. 16: IV. Sehr langsam
- Kreisleriana, Op. 16: V. Sehr lebhaft
- Kreisleriana, Op. 16: VI. Sehr langsam
- Kreisleriana, Op. 16: VII. Sehr rasch
- Kreisleriana, Op. 16: VIII. Schnell und spielend
Tracks:
- Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
- Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
- Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
- Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
- Consolation In E Major S. 172 (R.12) No. 2
- Pour les arpeges composes: Dolce e lusingando
- La terrasse des audiences du clair de lune: Lent
- Etude In A Minor Op. 104b No. 3: Allegro vivace
- Scherzo & March S. 177 (R.20)
Tracks:
- Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
- Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
- Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
- Etude In D-Flat Major Op. 8 No. 10: Allegro
- Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
- Etude In F-Sharp Major Op. 42 No 3: Prestissimo
- Etude In F-Sharp Major Op. 42 No. 4: Andante
- Etude In C-Sharp Minor Op. 42 No. 5: Affannato
- Etude Op. 65 No. 3: Molto vivace
- No. 1: Allegretto
- 2 Poemes Op. 69: No. 2: Allegretto
- Vers la flamme Op. 72: Allegro moderato
- Feuillet d'album Op. 58
- Fairy Tale In A Major Op. 51 No. 3
- Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
- Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
- Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
- Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
- Moment musical In B Minor Op. 16 No. 3: Andante cantabile
- Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
- Etude-Tableau In C Major Op. 33 No. 2: Allegro
- Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)
Amazon.com
It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz
Customer Reviews:
Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24
I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!
When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.
Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.
And kudos to you Amazon; you're really looking out for your customers!
ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25
Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.
merely spectacular!.......2001-03-10
I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.
I have never regretted buying this..........2000-08-22
Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.
For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.
And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.
For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.
The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.
Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.
The greatest 20th Cent. pianist at his best!.......2000-04-15
If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!
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- Canadian Bagpipes American Brass
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Canadian Bagpipes American Brass
Various Artists
Manufacturer: Altissimo Records
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ASIN: B00006RY82
Release Date: 2002-10-29 |
Tracks:
- Olympic Fanfare
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Album Description
Together on the same CD! The Canadian Scottish Regiment (Princess Mary's) Pipes & Drums and The Third Marine Aircraft Wing Band of The United States Marine Corps.
Customer Reviews:
Canadian Bagpipes American Brass.......2003-11-11
I recently ordered and have just received the above mentioned album.
THANK YOU........
I ordered it just to have a copy of "Amazing Grace" on bagpipes, but after listening to the album, I am completely blown away. It is perhaps the greatest piece of music I now own. Depending on the song, I can get lifted up, mellowed out, or layed back, again THANK YOU, for having this album. I'm a very satisfied customer.
Not a Great CD.......2003-11-07
This CD was originally longer with more titles. It seems the Altissimo! people after they acquired it from the Canadian Scottish cut out several titles and reduced the overall quality of the CD. Because of this and various other technical factors I would not recommend this CD at this inflated price.
Average customer rating:
- Gentle crossover that gets a bit sleepy
- An Example of When Crossover Works
- Lullabies for All Ages
- A Wonderful Gift for a Baby!
- Voice of an Angel
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Angelika Kirchschlager - when night falls
Wolfgang Amadeus Mozart , Marie-Joseph Canteloube , Stephen Sondheim , Franz Schubert , Gian Carlo Menotti , Franz Joseph Haydn , Johannes Brahms , Richard Rodgers , Carl Maria von Weber , Manuel de Falla , Xavier Montsalvatage , Aaron Copland , Miguel Kertsman , Alexander Zemlinsky , Angelika Kirchschlager , Roger Vignoles , Helmut Deutsch , John [guitar] Williams , Yuri Bashmet , London Metropolitan Ensemble , and Jonathan Rees
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00002MZ4Y
Release Date: 1999-11-02 |
Tracks:
- 'Not While I'm Around'
- The Sound Of Music: 'Edelweiss'
- 'Wiegenlied'
- 'Gestilte Sehnsucht'
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- 'The Little Horses' (Lullaby)
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Amazon.com
This record is most notable for its performances. Kirchschlager's singing is ravishingly beautiful and deeply expressive; the pianists and other instrumentalists are all first rate. Its content seems designed less for consistent musical quality and a balanced program than for variety and popular appeal. Yet the predominantly slow songs induce a certain monotony, and Mozart and Menotti, Brahms and Broadway musicals make strange stylistic bedfellows. However, many gems stand out in the mix: the two Brahms songs with viola, in which the renowned Yuri Bashmet is unfortunately almost inaudible; two Schubert Cradle Songs, one famous, one unknown; several enchanting Spanish songs; a Haydn arrangement of a Welsh lullaby better known as "All through the Night"; a lovely romantic song by Zemlinsky; and a lush, soaring one by Miguel Kertsman written for Kirchschlager and just right for her expressively inflected voice. She identifies with every idiom and pours so much care and affection into each song that one can well imagine a loving mother singing to her child, and indeed the record is dedicated to her little son. --Edith Eisler
Customer Reviews:
Gentle crossover that gets a bit sleepy.......2006-06-01
When Sony's artist executives were German, they tried to promote the young Austrian mezzo Angelika Kirchschlager, but because of her difficult name (I am guessing) and the slackening classical music market, she never caught on. Today Kirchschlager is a star in Europe, and one sees her name on the Met roster. This, her second CD, is a gentle recital of lullabies, made more varied by adding Broadway tunes into the mix and bringing in star musicians like John Williams on guitar and Yuri Bashmet on viola.
The result is winning and thoroughly professional. Kirchschlager sings especially well in English, with a hybrid British-American accent but almost no German mannerisms. The closest comparison in terms of high mezzos would be with von Otter, and Kirchschlager's voice is at least as beautiful. But she lacks von Otter's imaginaiton, and after a while everything sounds a bit too square and placid--after all, these songs may be for babies, but the intended audience is also adults who go to lieder recitals, isn't it?
An Example of When Crossover Works.......2006-01-09
Angelika Kirchschlager is well known on the operatic stage and in chamber and orchestral programs where her forte is Mozart and Bach. Hers is a voice creamy rich and produced with incredible intelligence. She is also a communicator - in recital, in opera, in anything she does. It comes as no surprise then that an artist of this caliber (or her agent....!) is able to set the standard for the now ubiquitous 'crossover album' that most of the major singers find it necessary to make to gather in more admirers.
Selecting a wide variety of lullabies with varying settings feels so natural in Kirchschlager's elegant mezzo-soprano voice. Other artists have produced recitals of lullabies: Dawn Upshaw and Richard Goode immediately come to mind. But in this album, though not all of the works are of genius quality, Kirchschlager gives each her considerable talent and the result is a little night music that is equally as lovely for adults as for the intended audience of children (and of course their parents...).
With fine support from the London Metropolitan Ensemble, pianists Roger Vignoles and Helmut Deutsch, guitarist John Williams and violist Yuri Bashmet among others, Kirchschlager offers a rich variety of songs from Mozart, von Weber, Haydn, Brahms, Schubert, Canteloube, de Falla, Copeland, Sondheim, Rogers and Hammerstein and Zelimsky. And no matter the language or the setting they all work. This is an album to cherish and share and raises the respect for Angelika Kirchschlager even higher. Highly Recommended. Grady Harp, January 06
Lullabies for All Ages.......2005-07-13
I bought this CD as a gift for my first grandchild to introduce her to the world of classical music. But when I played it, it enchanted me and my grandchild's parents even more than it did the baby. Angelika Kirschlager is a young Austrian mezzo-soprano who had previously been unknown to me. She sings these simple songs with a beautiful round warmth of tone.
The twenty selections on this CD include Brahms famous lullaby together with two lesser-known songs of Brahms accompanied by piano and viola. Schubert's two lullabies are included, and they are melting. There is a Mozart song (the theme of which he used in the third movement of his final piano concerto) and a Haydn arrangement of the Welsh folk -song "All Through the Night", which features an accompanying trio of violin, cello, and piano.
Aaron Copland's arrangement of "All the Pretty Little Horses" will delight young listeners, and there are songs by Richard Rogers, Steven Sondheim, C.M. Von Weber, and others to fill out an enchanting CD of music and dreams. Ms Kirschlager's singing is the highlight of this CD. She is accompanied well by a variety of pianists and by performers on the guitar, violin, cello, and flute. Texts and translations for the songs are included in the liner notes.
Although I bought this CD for my granddaughter, others dear to me have expressed interest, and I will be buying another copy.
Thanks to my Amazon friend Scott Morrison for recommending this CD and to the other perceptive reviewers of this lovely music.
Robin Friedman
A Wonderful Gift for a Baby!.......2005-02-15
Our family has just been blessed with a new grandson and one of my very thoughtful friends had the brilliant and generous idea to send the baby a copy of this wonderful collection of lullabies and nightsongs done so stunningly by the marvelous German mezzo, Angelika Kirchschlager. I am happy to report that the very first selection, Schubert's 'Wiegenlied' ('Cradle Song'), seemed to make him smile, even at his tender age. This bodes well for his developing discriminating musical taste because Ms Kirchschlager is a terrific singer. Her various accompanists provide sensitive support for her lovely and perfectly managed voice. She sings with impeccable diction in several languages and even in English I don't pick up any accent at all.
I must point out, however, that Amazon has listed the contents of this disc in an order different from that on the CD, but the musical samples they provide do match the titles listed.
Scott Morrison
Voice of an Angel.......2000-05-02
I was first introduced to Ms. Kirchlager three years ago and was instantly impressed. Her sumptuous voice and incredible beauty make her a delight to listen to, time and time again. When Night Falls, is only the most recent of what promises to be a long and impressionable career. From the ever popular "Edelweiss" to the easily recognizable "Wiegenlied", Ms. Kirchschlager approaches each song with the same heart-felt emotion as if she were singing to her own child. I have often listened to her CD late at night to help myself fall into my own sweet dreamland of "The Little Horses".
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