Touch It [CD-single] [Explicit Lyrics]

Touch It [CD-single] [Explicit Lyrics]

Track Listings
1. Clean Radio Edit
2. Clean Album Version

Touch It,Monifah,Universal,Hip-Hop,Pop,R&B,Urban

I Wish It So
Average customer rating: 5 out of 5 stars
  • Crossover at Its Best
  • If Dawn Upshaw had made only one album...
  • Great songs by a better than average singer. Buy It.
  • A must album for all musical theatre lovers.
  • Timeless recording
 I Wish It So
soprano Dawn Upshaw , Marc Blitzstein , Eric Stern , Stephen Sondheim , Kurt Weill , Leslie Stifelman , Leonard Bernstein , and Matthias Naegele
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Dawn Upshaw Sings Rodgers & Hart
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ASIN: B000005J2V
Release Date: 1994-08-02

Tracks:

  1. I Wish It So
  2. There Won't Be Trumpets - Sondheim
  3. What More Do I Need? - Sondheim
  4. That's Him
  5. The Girls Of Summer - Sondheim
  6. The Saga Of Jenny
  7. Like It Was
  8. Stay Well
  9. I Feel Pretty
  10. Glitter And Be Gay
  11. My Ship
  12. In The Clear
  13. Never Get Lost - Take Me To The World
  14. My New Friends - Bernstein

Amazon.com essential recording

With a spirit of innocence and excitement, no audible breaks of register, and perfect diction, Dawn Upshaw graces us with a satisfying crossover recording in which each song is a fully realized musical monologue. The eclectic and infrequently performed repertoire, from Bernstein, Blitzstein, Sondheim, and Weill, compliments her charm and interpretive acuity. There's her humorous "Saga of Jenny," her adorable "That's Him," her poignant "Like It Was," and her freshly vibrant "I Feel Pretty." Conductor Eric Stern is divine in his arrangements and accompaniment. This is one of the best musical theater albums available. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars Crossover at Its Best.......2006-11-15

"I Wish It So" is the CD that first introduced the exceptional "crossover" talents of soprano Dawn Upshaw. The album, which comprises (mostly) little-heard songs by Kurt Weill, Marc Blitzstein, Leonard Bernstein, and Stephen Sondheim, opens with the title number, a lyrical gem from Blitzstein's JUNO, and continues with Sondheim's vibrant "There Won't Be Trumpets," in which Upshaw, rather than belting, lets her voice ring. She then slam-dunks Sondheim's "What More Do I Need," a truly raucous number. Other highlights include the two songs from Weill's LADY IN THE DARK: the haunting ballad "My Ship" and the witty "The Saga of Jenny," presented here in a superb jazz arrangement. The sound of Upshaw's lower middle voice in this number is thrilling. Her combining of Blizstein's "Never Get Lost" and Sondheim's soaring, life-affirming "Take Me to the World" is perfect, as is her musical yet emotional rendition of "Like It Was" from Sondheim's MERRILY WE ROLL ALONG. The album climaxes with the mock-coloratura aria "Glitter and Be Gay" from Bernstein's CANDIDE, in which Upshaw scales the heights with consistently pure and beautiful tone. In a day when many great opera singers attempt, unsuccessfully, to sing "popular" song, "I Wish It So" is an example of crossover at its very best. It is a CD that no one who loves both opera and musicals should miss.

5 out of 5 stars If Dawn Upshaw had made only one album..........2006-08-24

I have a weak spot for crossover albums by opera stars, which can often be train wrecks or embarrissing self-parodies. There's not a cringe-worthy note in this one, however. Dawn Upshaw has never been as vibrant on disc, and her style in pop music (albeit serious pop music) surpasses expectations. She is a master at touching vulnerability and stars-in-her-eyes vulnerability. There's no current Broadway star who can match her in any of these songs form Sondheim, Weill, and Bernstein, certainly not for sheer beauty of voice and charm. Upshaw went on to make an excellent album of Rodgers and Hart songs, but nothing else quite matches this first effort.

5 out of 5 stars Great songs by a better than average singer. Buy It........2006-04-24

'I Wish It So' sung by popular / classical switch hitter, Dawn Upshaw is a very, very good interpretation of classical American musical theatre pieces by four masters of the genre, Leonard Bernstein (music), Marc Blitzstein (lyrics), Stephen Sondheim (lyrics) and Kurt Weill (music). As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations. Primarily, I believe she suffers from never actually performing the works on stage, as Lenya has.

And, since Ute Lemper did an album with a similar collection of songs (Illusions) from Sondheim and others, I thing Lemper still has the edge on interpreting other composers as well.

On the positive side, I find Upshaw's interpretation as good or better than almost everyone else who makes a career out of these songs, such as, dare I say it, Barbra Streisand. This is a good thing, because I believe Upshaw is not up to the very best mezzos who share her classical works. She can't hold a candle, for example, to Renee Fleming or Anne Sofie von Otter, although her interpretations of Weill are as good as von Otter, just not as good as Lenya and Lemper.

A very, very nice album if you like female vocalists.

5 out of 5 stars A must album for all musical theatre lovers........2005-04-21

Dawn Upshaw once again disproves the adage that opera singers can't sing showtunes properly. Her diction, her ability to act out the lyrics and her crystal clear angel-like voice are just heavenly. Miss Upshaw could teach quite a few Broadway and Cabaret singers a thing or two about interpretation and she would have her hands full teaching opera singers like Te Kanawa or Fleming how to put over a showtune properly. Simply divine!

5 out of 5 stars Timeless recording.......2004-07-20

This is an endlessly rewarding album by an operatic soprano who demonstrates an expressiveness and range rare in crossover albums of this sort. Upshaw modifies her classical technique without compromising it, narrating with a conversational tone and youthful ebullience well-suited to musical theater. She continues her tradition of championing obscure American art songs with three gorgeous Blitzstein pieces, and wisely avoids the standard, overdone Sondheim showpieces in favor of several gorgeous lesser-known songs. "I Feel Pretty" is given a refreshing makeover, while "Glitter and Be Gay" demonstrates both her impressive vocal control and comedic prowess. Despite the odd choice of "There Won't Be Trumpets", which demands a belter to properly execute the climax, this album is a well-conceived and cohesive collection that becomes more enjoyable on each subsequent listen.
The Incredible Film Music Box
Average customer rating: 4.5 out of 5 stars
  • Six Decades of Film Music
  • Excellent collection with fine performances
  • "essential film scores from 1939 to 2004 ~ Incredible Music"
 The Incredible Film Music Box

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007S687Y
Release Date: 2005-05-10

Tracks:

  1. Gone With The Wind: Overture
  2. Citizen Kane: Overture
  3. Casablanca: As Time Goes By
  4. It's A Wonderful Life: It's A Wonderful Life
  5. The Third Man: The Harry Lime Theme
  6. The Searchers: Suite
  7. The Bridge On The River Kwai: Colonel Bogey March
  8. Vertigo: Prelude
  9. Touch Of Evil: Main Title
  10. Ben-Hur: Parade Of The Charioteers
  11. North By Northwest: Prelude
  12. Psycho: Suite
  13. The Magnificent Seven: The Magnificent Seven
  14. Lawrence Of Arabia: Overture

Tracks:

  1. To Kill A Mockingbird: Suite
  2. The Great Escape: Main Title
  3. Doctor Zhivago: Main Title & Lara's Theme
  4. The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
  5. Once Upon A Time In The West: Jill's Theme
  6. 2001: A Space Odyssey: Also Sprach Zarathustra
  7. Midnight Cowboy: Midnight Cowboy
  8. Get Carter: Main Title
  9. A Clockwork Orange: Ode To Joy
  10. The Godfather: Waltz & Love Theme
  11. Jaws: Jaws
  12. Rocky: Gonna Fly Now
  13. Taxi Driver: Suite
  14. Star Wars: Episode IV: A New Hope

Tracks:

  1. Superman: Main Theme
  2. Alien: End Title
  3. Raging Bull: Intermezzo From Cavalleria Rusticana
  4. Raiders Of The Lost Ark: Raiders March
  5. Blade Runner: End Titles
  6. E.T.: The Extraterrestrial: Adventures On Earth
  7. Once Upon A Time In America: Deborah's Theme
  8. Back To The Future: Main Theme
  9. Witness: Building The Barn
  10. Aliens: Main Title
  11. Cinema Paradiso: Cinema Paradiso
  12. Glory: Charging Frot Wagner
  13. Dances With Wolves: The John Dunbar Theme
  14. Unforgiven: Claudia's Theme

Tracks:

  1. The Piano: The Heart Asks Pleasure First
  2. Schindler's List: Main Theme
  3. Braveheart: End Credits
  4. Titanic: My Heart Will Go On
  5. Saving Private Ryan: Hymn To The Fallen
  6. American Beauty: Any Other Name
  7. Gladiator: Now We Are Free
  8. Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
  9. The Girl With The Pearl Earring: Griet's Theme
  10. Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
  11. Harry Potter And The Prisoner Of Azkaban: Suite
  12. Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
  13. Finding Neverland: Impossible Opening
  14. The Incredibles: Overture

Customer Reviews:

4 out of 5 stars Six Decades of Film Music.......2007-05-13

This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.

5 out of 5 stars Excellent collection with fine performances.......2007-03-28

Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.

5 out of 5 stars "essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16

When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004

There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!

Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.

Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!

Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Say It with Music (A Touch of Latin)
Average customer rating: 5 out of 5 stars
  • LATINISISISISIMO!!!!!!!
  • Conniff Magic
  • i wore out the vinyl edition
  • It's Ray Conniff with a Latin flair!
  • Excellent!
 Say It with Music (A Touch of Latin)
Ray Conniff
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000024QX
Release Date: 1991-09-03

Tracks:

  1. Besame Mucho
  2. Stranger In Paradise
  3. Summertime
  4. I've Got You Under My Skin
  5. Too Young
  6. Softly, As In A Morning Sunrise
  7. Just One Of Those Things
  8. Deep Purple
  9. Brazil
  10. Night And Day
  11. Temptation
  12. Say It With Music

Customer Reviews:

5 out of 5 stars LATINISISISISIMO!!!!!!!.......2007-05-06

Ray Conniff demostrando que puede ser un fantastico arreglista de melodias latinas tan clasicas como BESAME MUCHO y TENTACION (que grandes interpretaciones al estilo Conniff); incluyendo canciones tan lindas como STRANGER IN PARADISE, la movidisima I'VE GOT YOU UNDER MY SKIN, grandes baladas como SOFTLY AS IN A MORNING SUNRISE, NIGHT AND DAY, la preciosas y melancolicas DEEP PURPLE y SUMMERTIME, y alegres piezas como TOO YOUNG y SAY IT WITH MUSIC; un gran disco infaltable en cualquier coleccion de todo amante de la musica!!

4 out of 5 stars Conniff Magic.......2006-08-14

This is a trip down memory lane with the very smooth Conniff magic at its best. Quality is excellent.

5 out of 5 stars i wore out the vinyl edition.......2005-08-12

there are some conniff recordings that fans come back to again and again. this 1960 effort is one of those that i've revisited many, many times over its 45 years.

"say it with music" was somewhat of a departure for ray in that he introduced his latin-flamenco guitar device with resounding success. these renditions prove conniff's mettle as a skillful and innovative arranger. the sound is big band, the production values are impeccable, and the rhythms are infectious. one of conniff's superior productions.

sidemen for this album include billy butterfield (his treatment of "summertime" is incredibly beautiful) and doc severinsen on trumpet.

to think that ray conniff's first full-fledged recording ('s wonderful) was a mere 3 years earlier than this particular album....what a tremendous evolution in the conniff sound in such a short period.

"say it with music" is consummate conniff!

5 out of 5 stars It's Ray Conniff with a Latin flair!.......2003-10-12

If you enjoy the melodies of George Gershwin and Irving Berlin done with a Latin beat then this is the Ray Conniff C.D. I personally recommend.The orchestra and voices blend together for an uptempo 12 tune set. "Night and Day" and "Deep Purple" are my favoites from Mr. Conniff. In later years, Conniff was a big star in Latin America and this is how his music was introduced to that part of the world. Hope you enjoy this C.D.!

5 out of 5 stars Excellent!.......2003-05-03

This album offers some really great songs with some of the best dance band arrangements I've ever heard. Conniff melds a lively latin tinged band with wordless voices singing harmony with trumpets and trombones. This isn't truly swing, and it's not the easy listening music that the Conniff sound later degenerated into, but it's a nifty fusion of the two, with emphasis on the swing. I can't recommend this highly enough.
The Rocky Horror Show (2000 Broadway Revival Cast)
Average customer rating: 4 out of 5 stars
  • One of my favorite cast recordings
  • Thougt You Were The Candyman Didn't ya freggy!
  • The Rockiest Recording to Date
  • Good recording, bad show.
  • Oh Daphne!
 The Rocky Horror Show (2000 Broadway Revival Cast)
Alice Ripley , Tom Hewitt , Raul Esparza , Sebastian Lacause , Jarrod Emick , Lea Delaria , Daphne Rubin-Vega , and Richard O'Brien
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005B605
Release Date: 2001-05-15

Tracks:

  1. Overture
  2. Science Fiction Double Feature
  3. Damn It, Janet
  4. Over At The Frankenstein Place
  5. Time Warp
  6. Sweet Transvestite
  7. The Sword Of Damocles
  8. I Can Make You A Man
  9. Hot Patootie
  10. I Can Make You A Man (reprise)
  11. Touch-A-Touch-A-Touch Me
  12. Once In A While
  13. Eddie's Teddy
  14. Planet Schmanet-Wise Up Janet Weiss
  15. Floor Show/Rose Tint My World
  16. I'm Going Home
  17. Spaceship
  18. Super Heroes
  19. Science Fiction Double Feature (reprise)
  20. Time Warp (reprise)

Amazon.com's Best of 2001

The movie version of The Rocky Horror Show has turned into such an enduring cult success that it has pretty much obliterated the fact that it all started with a stage show. And now Richard O'Brien's musical is back on stage, where some say it truly belongs (it was nominated for the category Best Revival of a Musical in the 2001 Tony Awards). With a great cast that includes Dick Cavett, Alice Ripley (Janet), Tom Hewitt (Frank 'N' Furter), and Daphne Rubin-Vega (Magenta), the revival fires on all cylinders. Note that while Joan Jett was in the cast as Columbia, she's not on the CD (Kristen Lee Kelly is). But Lea DeLaria, last seen stealing the show in On the Town, more than compensates by playing both Eddie (Meat Loaf in the movie!) and Dr. Scott--and doing great by both. As a bonus, the song "Once in a While" is back after being cut from the movie. Bursting with energy, this recording brings the rock back in Rocky. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars One of my favorite cast recordings.......2007-01-17

This was the first Rocky Horror album I've ever listened to besides the movie soundtrack. Despite the lack of Joan Jett as Columbia and the 2nd Usherette, this album is sweet. Daphne-Rubin Vega is perfect as Magenta. And Tom Hewlett 's interpretation as Frank N. Furter is just in sync with the character. But he's still no Tim Curry. And the rest of the cast is sublime. And with Dick Cavett as the Criminologist and famed lesbian comedienne Lea DeLaria as both Eddie and Dr. Scott is just excellent.

5 out of 5 stars Thougt You Were The Candyman Didn't ya freggy!.......2006-06-22

I thought that this was gonna be just another edition of the Rocky Horror Show.But boy was I wrong.I loved it they really modernized and gave it more of a Rock flavor than in the original play which was more pop.I just loved how they had the Overture and Space shipa partof the cd.They really recreated great for broadway.When i heard that broadway was doing Then Rocky Horror Show I didn't know what to think.Because Rocky Horror had been an off-broadway show for many years.The thought of it being onBroadway was just amazing Because people back in the 70's and 80's always thought that The Rocky Horror Show was much too trashy to be put on Broadway.Because you always think about broadway plays as being classy and eligent.They didn't want a play about Sex and Horror and Gay Transvestites.But this was just a head turner.I loved it.It's definitely 5 stars.The cd quality was great.It was so professionally done and it was great.I think any RHS Fan will love it.This was no candyman!

4 out of 5 stars The Rockiest Recording to Date.......2006-06-07

This 2000 Broadway revival of the cult classic THE ROCKY HORROR SHOW boasts a completely re-vamped orchestration of Richard O'Brien's score. This is certainly the most rock-fused version of these songs to date, and right from the "Overture" the listener can assume this. Many may not be able to accept this harder, bolder score and I myself am a bit skeptical, considering the more piano-driven and sci-fi sounding orchestrations of the film soundtrack or Roxy cast recording. However, it is so interesting to hear these songs done like this that I cannot help but enjoy it. The performances are half-and-half. Daphne Rubin-Vega belts out the opening number in that great gravelly voice she has, and Raul Esparzza sends chills down my spine every time I hear his two great solo moments ("The darkness must flow down the river...." and "Frank 'N' Furter, it's all over..."). Sebastian LaCause is amazing as Rocky, as thankless a part that is. Eddie and Dr. Scott being portrayed by a woman (Lea DeLaria) is one of the strangest casting decisions ever and is too distracting to be able to even listen to her (his? I don't know!!!) songs: "Hot Patootie" and "Eddie's Teddy." Tom Hewitt does his best as Frank 'N' Furter, but the character was so well defined by Tim Curry in the film (one of the most underrated performances ever) that one can't help but ignore him. I'd say that this recording is something every ROCKY HORROR fan should listen to; it just all depends on whether you like the new or original orchestrations.

3 out of 5 stars Good recording, bad show........2006-03-10

Rocky Horror is an American institution. It's indelible, unforgettable, and entirely unique. But without the audience participation, the show is revealed - it's simply not very good. It's a passable (if dated) parody of '50s B-movies with a transvestite main character and some halfway decent songs. The show lives with and dies without an audience. The lyrics, the characters - nothing is half as fun without the audience throwing and shouting and bantering right along.

That said, this is a VERY good recording of what's there. Tom Hewitt does as good a job as anyone trying to fill Tim Curry's sequined heels, and brings some nice twists to the table instead of going the Curry-imitation route. Raul Esparza as Riff-Raff is electric - his rendition of "Time Warp" is unlike anything else you're likely to hear on a cast recording. He blasts it right into outer space, screaming like the world's going to end. Daphne Rubin-Vega is plenty of fun as Columbia, giving a nicely sinuous and raw-edged sexiness to the role. The orchestra gives their all to the new arrangements, and they sound crystal clear.

It's definitely the best recording of the show available, even sans Tim Curry.

3 out of 5 stars Oh Daphne!.......2005-12-29

Most of the reviews have it right here - this production wasn't really Rocky at it's best. That being said, I must say that Daphne Ruben-Vega as magenta is probably one of the most interesting, refreshing, and note worthy things about this recording. Very cool in that regard.

That's All...
Kurt Weill: The Centennial
Average customer rating: 5 out of 5 stars
  • Kurt Weill: Re-discovery...
  • Incredible Live Album
 Kurt Weill: The Centennial
Kurt Weill , Brock Peters , Carole Cook , Charlotte Rae , Nancy Dussault , Norm Lewis , Peter Becker , Rod McKuen , Shirley Jones , Tim Curry , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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  1. Life Upon the Wicked Stage
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  5. Over The Rainbow: The Music Of Harold Arlen (1995 Benefit Concert Cast)

ASIN: B00005U8HM
Release Date: 2002-01-08

Tracks:

  1. Act 1: Pirate Jenny - Charlotte Rae
  2. Act 1: I'm A Stranger Here Myself - Jodi Stevens
  3. Act 1: Economics - Jane A. Johnston
  4. Act 1: Is It Him Or Is It Me? - Pam Dawber
  5. Act 1: Barbara Song - Linda Purl
  6. Act 1: Lullaby - Kathryn Skatula
  7. Act 1: That's Him - Nancy Dussault
  8. Act 1: Don't Look Now - Sharon Lawrence
  9. Act 1: Apple Jack - Norm Lewis
  10. Act 1: Speak Low - Sally Kellerman
  11. Act 1: September Song - Rod McKuen
  12. Act 1: Ice Cream Sextet - David Holladay

Tracks:

  1. Act 2: Wouldn't You Like To Be On Broadway? - David Holladay
  2. Act 2: What Good Would The Moon Be - Melissa Dye
  3. Act 2: It Never Was You - Hugh Panaro
  4. Act 2: We'll Go Away Together - Hugh Panaro
  5. Act 2: Tschaikowsky - Jack Noseworthy
  6. Act 2: The Saga Of Jenny - Carole Cook
  7. Act 2: Surabaya Johnny - Tim Curry
  8. Act 2: My Ship - Shirley Jones
  9. Act 2: Mack The Knife - Loretta Devine
  10. Act 2: Lost In The Stars - Brock Peters

Customer Reviews:

5 out of 5 stars Kurt Weill: Re-discovery..........2006-11-10

I am so impressed and pleased to have found this recording on Amazon.com. I am always amazed when I find these seemingly obscure recordings, and thrilled to know they exist. What a wonderful history of our musical world---and what a chance to hear interesting, challenging, and unusual performances from so many well-known people. The songs live on--the composer is 'new' again, and this recording becomes part of history re-discovered. Thank you Amazon.com for your continued professionalism and for having these recordings available.

5 out of 5 stars Incredible Live Album.......2002-02-10

This incredible concert (which i attended) benefitting The Actors' Fund of America, contains some absolute MUST performances for any Broadway collector.

For me, the highlights are HUGH PANARO ("It Never Was You"), NANCY DUSSAULT ("It's Him") and TIM CURRY singing "Surabaya Johnny" in German!

Loretta Divine, Brock Peters, they're all great!
Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
Average customer rating: 5 out of 5 stars
  • A Splendid Souvenir to Remember a Spectacular Performance!
  • god moves in a peculiar way.........i am god......
  • Orpheus in the Underworld
  • Excerpts
  • Highlights or total Opera?
 Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)

Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD

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  1. Offenbach: Gaite Parisienne; Orpheus in the Underworld; Voyage to the Moon
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  3. Gluck - Orphée & Eurydice (Berlioz version) / von Otter, Barbara Hendricks, Fournier, Gardiner
  4. Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
  5. Gluck: Orphée et Eurydice (Berlioz version) / Larmore, Upshaw, Hagley, Runnicles

ASIN: B00001O2XK
Release Date: 1999-09-14

Tracks:

  1. Orpheus In The Underworld: Prelude
  2. Orpheus In The Underworld: Hello, I'm Public Opinion
  3. Orpheus In The Underworld: Eurydice Is All A-flutter!
  4. Orpheus In The Underworld: So That's The Game
  5. Orpheus In The Underworld: I Feel A Cool Intoxication
  6. Orpheus In The Underworld: We, The Watchdog Of The People
  7. Orpheus In The Underworld: Tzing, Tzing, Tzing, Tzing!
  8. Orpheus In The Underworld: A Night On The Town
  9. Orpheus In The Underworld: Remember What You Did To Leda
  10. Orpheus In The Underworld: Look Out, Look Out, Move Over There!
  11. Orpheus In The Underworld: He Is Coming, Oh, How Boring
  12. Orpheus In The Underworld: Oh, Oh, Look At That Look He's Giving Me
  13. Orpheus In The Underworld: Though I Was King Of All Beotia
  14. Orpheus In The Underworld: We Can Tell She's In Hell
  15. Orpheus In The Underworld: My Little Spies Uncover
  16. Orpheus In The Underworld: There You Are, You Look So Neat
  17. Orpheus In The Underworld: It's Strange, But A Touch Seemed To Wake...
  18. Orpheus In The Underworld: Do Not Look Back Or All Will Be Lost
  19. Orpheus In The Underworld: ...He Is The Only God
  20. Orpheus In The Underworld: Infernal Gallop

Customer Reviews:

5 out of 5 stars A Splendid Souvenir to Remember a Spectacular Performance!.......2003-10-30

Having been fortunate to have seen the English National Opera's production in 1988 of "Orpheus" with Wilson and Pountney's outrageously naughty English text, this highlight CD serves as an audio souvenir. Too bad the ENO didn't have the foresight to film the production-would have made a great DVD. The CD booklet does have a few photos of the sets designed by Gerald Scarfe (who also designed Pink Floyd's "The Wall" album artwork) so you get a taste, combined with the CD selections, of what the production was like.

5 out of 5 stars god moves in a peculiar way.........i am god.............2002-01-17

Offenbach is great anyhow, but this recording is riotous. The translation into English is first-rate, really funny stuff, and the singing is pretty good, too. Very worthwhile.

5 out of 5 stars Orpheus in the Underworld.......2000-03-17

The rewritten lyrics, in English, are some of the wittiest and wicked in operetta. Wilson and Pountney have recaptured the spirit of naughtiness, not a small accomplishment in our licentious times. Though delighted to have the highlights, I wished a CD set or video of the full production were available.

4 out of 5 stars Excerpts.......1999-12-23

This is a collection of excerpts. It is in English and is quite good. The performance of the entire operetta has been discontinued and it is a pity.

5 out of 5 stars Highlights or total Opera?.......1999-11-01

I would like to know if this is highlights from the opera or the total opera.
Stratas Sings Weill
Average customer rating: 5 out of 5 stars
  • Her voice is every color of dream
  • Stratas is sublime
  • It is dangerous to use words like "definative," but....
  • Amazing
  • The One
 Stratas Sings Weill

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  5. Sings Kurt Weill, Vol. 2

ASIN: B000005IXU
Release Date: 1991-06-25

Tracks:

  1. One Touch of Venus: I'm A Stranger Here Myself
  2. Ausfstieg und Fall der Stadt Mahagonny: Havanna - Lied
  3. Happy End: Surabaya-Johnny
  4. One Touch of Venus: Foolish Heart
  5. Der Silbersee: Ich bin eine arme Verwandre (Fennimore's Song)
  6. Lady In The Dark: One Life To Live
  7. Marie Galante: J'attends un navire
  8. Happy End: Das Lied von der harten Nuss
  9. Street Scene: Lonely House
  10. Marie Galante: Le Roi d'Aquitaine
  11. Ausfstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet
  12. Marie Galante: Le Train du ciel
  13. Die Dreigroschenoper: Das Lied von der Untulanglichkeit menschlichen Strebens
  14. Knickerbocker Holiday: It Never Was You
  15. Happy End: Der kleine Leutnant des lieben Gotten

Amazon.com

Revealing an affinity for Weill, Teresa Stratas fulfills her promise to Lotte Lenya on her deathbed to "carry on the torch for Kurt Weill's music." Stratas's glorious soprano has never sounded better as she applies her operatic expertise to deliciously caress this music without losing any of the underlying subtext. Lacking the grittiness of other interpreters, she captures the emotional angles by letting her beautiful voice express the tortured heart beneath it; where others shout at you, Stratas sings at you. She casually bounces off the cheerier selections from One Touch of Venus and Happy End, letting Gerard Schwarz's brilliantly conducted orchestra display their wit. Program notes include a fascinating interview with Stratas. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars Her voice is every color of dream.......2005-12-03

I don't care who knows it--I've been in love with Teresa Stratas since I was a senior in high school and saw her as Mimi in La Boheme one Friday night in 1961. That obsession preceded and outlasted my marriage:-). I lost a lot of years away from opera, then discovered that Stratas' recorded output is shamefully small. A difficult performer, probably, renowned for some unendearing quirks. But. What's there is gold. I have heard recordings I should not of her as Suor Angelica, Butterfly, and Melisande. I have seen her famous Zefirelli Boheme and Traviata. And Amahl. But the Weill material...it's unbelievable. When Lenya "ordained" her as her successor after seeing a performance of Mahagonny, the old lady knew what she was doing. Stratas has the perfect temperament for Weill's music. The voice coos, snarls, belts, and weeps. My favorite of all Weill songs, "Surabaya Johnny," is a mini-drama of love, hate, rage and despair. The only person who comes close to her in that song is the late Cathy Berberian.

Yes, get this. Get "The Unknown Kurt Weill." Lobby the Met to release her broadcasts, esp. The Bartered Bride. She was absolutely magnetic and the field isn't quite gone yet.

5 out of 5 stars Stratas is sublime.......2005-03-27

Teresa Stratas is one of those singers whose reputation as a temperamental diva precedes her. Well, in my book, if it takes being temperamental to accomplish a collection like this, the end justifies the means. She is a singer of tremendous vocal and emotional range, and Weill's music provides what seems to be a perfect vehicle for both.

I've had this CD for at least 12 or 13 years and, no matter how many times I listen, I still notice new details in her interpretations.

5 out of 5 stars It is dangerous to use words like "definative," but...........2004-04-04

Stratas's interpretations make one rush headlong into that danger.

Many singers have done beautiful Surabaya Johnnys but have any been as shattering as Stratas? Though years later she stumbled with her ill-concieved and eccentric Seven Deadly Sins, this CD is Stratas at in her prime, making bold choices about the material that blows the cobwebs off song we thought we knew. Even 15 years later, this album is fresh, uncliched, deeply affecting, and enthralling.

Stratas proves herself not only a great singer, but a great actress as well.

5 out of 5 stars Amazing.......2000-06-29

Until I heard this and the Unknown Weill, I was a "stranger myself here,' as Stratas sings in the first selection. I simply did not appreciate nor understand the immediacy and importance of Weill to our musical heritage. Stratas simply transcends and reveals this music so intuitively that it is amazing.

5 out of 5 stars The One.......2000-06-01

Stratas is the Weill singer, and everyone else is an also-ran. Ute Lemper is just a poser, and while Lenya was an important figure for Weill and she has her charms, but Weill wanted trained, operatic voices to sing his music, but not in the style of Verdi or Mozart. Here, Stratas delivers the composer's wish. Her voice is beautiful and cultivated in the best way, but it is her manner that is so important; straightforward, sincere, artless. From the opening "I'm a Stranger Here Myself" her affinity for this music is fully apparent. The selections span Weill's career and are delivered in many English, French and German, and regardless of the language, Stratas communicates completely. The orchestra plays the original orchestrations, and the sound is simply wonderful, nostalgic and modern all at once. This is where all Weill listeners and lovers should start.
The Art of Removing Wallpaper
Average customer rating: 4.5 out of 5 stars
  • This is the BEST
  • Some Very Good Songs on a Misfire Album
  • She's the nicest person in the world.
  • Totally engaging
  • Terri Rocks
 The Art of Removing Wallpaper
Terri Hendrix
Manufacturer: Wilory Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00028CJK4
Release Date: 2004-06-08

Tracks:

  1. Break Down
  2. Enjoy The Ride
  3. It's About Time
  4. One Way
  5. Judgment Day
  6. Monopoly
  7. One Night Stand
  8. I Need Love
  9. Jeannie's Song
  10. Quiet Me
  11. Long Ride Home
  12. Hey Now

Customer Reviews:

5 out of 5 stars This is the BEST.......2006-06-23

I've got every Terri Hendix CD, and with each one I think - Wow! This is the best ever! Playful, introspective, thoughtful, funny - with music and lyrics complimenting each other to a 'T'. This is one of my favoite CD's of all time - Can't wait for the next one!

3 out of 5 stars Some Very Good Songs on a Misfire Album.......2005-12-18

Like many folk and indie artists in the last few years, Terri Hendrix has been moved by the muse to craft a social/political album. And like many social/political albums in the last few years, this one has some very good songs, and clunks in between.

If you've heard tracks like "Breakdown" and "Monopoly," you know that Terri Hendrix has some sharp, incisive views. She has the ability to cut through the chatter and get right to the heart of what's wrong in our world today. But if you listen to the album cuts that haven't been released to radio and podcasts, tracks like "It's About Time" and "Judgement Day," the lyrical content becomes leaden and declarative. She feels the need to spell everything out, like she can't quite trust her audience to follow what she's saying and come to their own conclusions. It's as though she lapses into a professorial mentality, lecturing to students who are hunched over their composition books taking notes.

Sonically, this album is sterling. Hendrix doesn't abandon the guitar-driven Texas country sound that has characterized most of her music to date. But she does incorporate a little more of a peppy pop aspect that steers her ringing voice into more Mariah and less Loretta Lynn. Reading over what I've just written, I realize that could sound like an insult, but I don't mean it that way. Rather, Terri uses the mainstream like a buffet, picking and choosing what serves the very individual hybrid sound she's trying to create.

Late in the album, she slackens on the political drive, and a sturdier, more organic lyric crive comes through. I admit to not liking Luka Bloom's version "I Need Love" from a few years ago, but Terri Hendrix makes it her own, and it works well. "Quiet Me" and "Long Ride Home" were both written by other artists, but Hendrix makes them her own, adding a welcome dose of personal introspection at the end of the disc.

Fans of Terri Hendrix will find plenty to like about this CD. So will fans of indie folk and lo-fi country. Even the weaker political songs have good musical resonance, including some violin and cello, and supporting vocals from Ruthie Foster. This album isn't a future classic, and it isn't even going to be remembered as one of Hendrix's better efforts. But it is going to be heard and remembered, and that's what really matters.

5 out of 5 stars She's the nicest person in the world........2004-11-11

She has a dynamic voice, great songs, and a great personality. She is very witty, and her songs showcase her wit well. If you like a great variety of music, you'll likely enjoy this album -- her diverse interests shine through brightly. It's a great cd (as are all of her others). I even like her live cd's, which is entirely out-of-character for me. Hope to see you at another PA show!

5 out of 5 stars Totally engaging.......2004-10-20

This is my first Terri Hendrix album but it won't be my last. Every song is a winner. She's totally engaging with a voice that draws you in, first rate music, and lyrics that are deep and personal.

5 out of 5 stars Terri Rocks.......2004-10-13

This is a great CD. Every single song is incredible. Terri's songwriting skills are only eclipsed by the way she sings these songs. If you have a chance to see her live DO NOT MISS IT. She is even better live.
When It Comes Upon You
Average customer rating: 5 out of 5 stars
  • Intelligent ensemble
 When It Comes Upon You
Touch Acoustra
Manufacturer: Lost Wax Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Jazz | Styles | Music
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ASIN: B00007KYQ9
Release Date: 2002-10-22

Tracks:

  1. Big Bird
  2. Touch Acoustra
  3. Glass Water
  4. Bapuji
  5. Ecliptic
  6. Tita's Song
  7. The Bay
  8. Byroneous Funk
  9. Abha
  10. Will You Still Love Me Tomorrow

Album Description

Contempory Jazz that is sophisticated yet accessible. When It Comes Upon You is healing, soulful and exciting.

Customer Reviews:

5 out of 5 stars Intelligent ensemble.......2003-03-17

Touch Acoustra; Intelligent ensemble jazz with a rich variety that rewards repeated listenings. Lead by Washington DC guitarist Rob Coltun, a core trio with bassist Paul Phillips and drummer Byron McWilliams host a variety of talented guest artists including Nora Jones. On the only cover tune of the CD, Ms Jones owns the Carol King/ Gerry Goffin classic, Will you still love me tomorrow. Nora's understated style works perfectly and the band supports her, giving the same easy pace and feel. The title track has Rob Burger on pump organ that lends a folk feel to a lovely lilting melody line that is my personal favorite. The recording is top flight; Produced by Adam Levy, recorded in New York at Sorcerer Studio. These may be in large part DC area players, but make no mistake; this is a national level production. The rhythm section is relaxed and steady with the twisting guitar lines and guest horn riffs winding a blue path between them. There is such a variety of artists that this work can be played time and time again without losing a freshness.
Kurt Weill: Life, Love, & Laughter--Dance Arrangements, 1927-50
Average customer rating: 4 out of 5 stars
  • SAIL ON, KURT!
  • Not at All Vile Weill
  • ELEVATOR MUSIC
 Kurt Weill: Life, Love, & Laughter--Dance Arrangements, 1927-50
H.K. Gruber , and Palast Orchestra
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  5. Superhits V.2

ASIN: B000055YBR
Release Date: 2001-02-12

Tracks:

  1. Mile After Mile
  2. Bilbao Song
  3. Stay Well
  4. Life, Love And Laughter
  5. My Ship
  6. Green-up Time
  7. The Little Gray House
  8. Blues Potpourri
  9. September Song
  10. All At Once
  11. Le Roi d'Aquitaine (Waltz)
  12. Foxtrot Potporri
  13. Alabama Song
  14. Lied Der Jenny
  15. Speak Low
  16. It Never Was You
  17. What Good Would the Moon Be
  18. Tango Ballade
  19. Kanonen-Song

Amazon.com

Here's a disc of 19 familiar and unfamiliar Kurt Weill songs arranged for dance band and played by an expert group of specialists in Roaring Twenties band music. They're led by singer-conductor-composer H.K. Gruber, whose previous recordings include Weill's Die Dreigroschenoper. The result is a start-to-finish delight. From the first notes, you're beamed back in time to one of those sleek transatlantic passenger liners, sitting in an art deco ballroom watching elegant couples in tuxedos and ball-gowns swirl by while the band plays hits from Weill's German and Broadway triumphs. Sure, the venom is leached from the originals, but who needs agitprop when you're on a dance floor? The arrangements are by a variety of hands, hired by Weill's European and American publishers with his approval to get more mileage from his musical theater works. They're delightfully square rhythmically and formulaic in transferring Weill's music to conventional dance bands, but the music still holds up and is fun to hear in its new clothes. A special treat is the eight tracks with Max Raabe, whose light tenor and falsetto singing preserve the spirit of Weill's songs, as well as perfectly mimic the boy band singers of times gone by. --Dan Davis

Customer Reviews:

5 out of 5 stars SAIL ON, KURT!.......2006-04-23

I wouldn't take offence here oh, Weill purists! These reconstructions are charming and harmonically reverent to their originals, more than could be said for many versions of the Weill Songbook through the decades, including Lou Reed's friendly `adaptation' of the September Song's chord progression and melodic line!

Shoenberg and Webern expressed their disdain of Weill's music; curiously, Arnold had also disclosed a secret wish of having his own audiences walk back home "whistling his tunes", oh, don't ask why... You can certainly whistle, hum and sway your partner now, as the transatlantic's bouncy dancehall sails on just as Kurt, Lotte and the lot of them did when escaping the lethal hounds of early 30s Berlin.... the-next-little-dollar bound.

5 out of 5 stars Not at All Vile Weill.......2001-08-13

The ever versatile HK Gruber has done it again digging up these gorgeous dance arrangements for Weill's music--proving, if anything, Weill's versatility. Anyone familiar with the Capriccio historical Weill recordings will be aware of the long tradition of dance bands taking Weill's music as the lead for dance music or pop music incarnations (all the way up through the more obvious appropriations familiar to Americans: Mack the Knife and September Song). Hardly MUZAK arrangements (listen to the delicate violin in track 17's "What Good Would the Moon Be" to hear what I mean), this generous helping of 19 songs offers a chance to see Weill through a delightfully different but entirely compatible lens. Max Raabe provides the ideal vocal compliment on 8 of the tracks, his tenor floating effortlessly into his head voice suggesting a "period" sound reminiscent of Bing Crosby. The import title for this disc is "Charming Weill," and that modest adjective expresses the least of its virtues.

2 out of 5 stars ELEVATOR MUSIC.......2001-05-23

This is a very strange CD: why would anyone want to take the quirky rhythms and melodies of the great Kurt Weill and "tame" them into dance arrangements? Certainly one has listened to (& even perhaps admired) dance arrangements of composers from Victor Herbert to Cole Porter to Jerry Herman, but these are all, if you will, main stream composers-- men whose music sounds good in original Broadway or Hollywood arrangements and just as good (or almost as good) as played by a dance band...think "Begin The Beguine" as done by Fred Astaire on film or "Begin The Beguine" done by Jo Stafford with the Paul Weston Orchestra.

But Weill was an innovator: a man who can still be listened to experiencing the thrill of something fresh and new. One immediately thinks of his collaborations with Bertolt Brecht in Germany: "Threepenny Opera" and "The Rise & Fall Of The City of Mahagonny" or "The Seven Deadly Sins", etc. his American opera, "Street Scene" with Langston Hughes or his American musical plays: "One Touch of Venus" with Ogden Nash or "Love Life" with Alan Jay Lerner, etc. The songs on this CD all deserve great recordings from the "Alabama Song" to "September Song" but they turn into a kind of flattened elevator music instead of having fresh interpretations or even more traditional ones. What happens is that the longing in "What Good Would the Moon Be" and the romance of "Speak Low" and the raucousness of "Bilbao Song" are all much too similar and much too easy.

It's a little weird to think of husbands whispering to their wives," Listen, honey, they're playing 'As You Make Your Bed' from "Mahagonny".........let's fox trot!"

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The Southern Harmony and Musical Companion [Enhanced]

Beethoven and Mozart: Manchester Music Festival

Charles Koechlin: Piano Works - Paysages et Marines (Landscapes & Seascapes), Op. 63 / Nocturne Chromatique (Chromatic Nocturne), Op. 33 / L'Ancienne Maison de Campagne (The Old Country House), Suite for Piano, Op. 124 - Deborah Richards

"Conway Twitty & Merle Haggard - Greatest Hits, Vol. 1/Greatest Hits, Vol. 1-2"

Lick 'em and Leave 'em [Explicit Lyrics]

Eternity, Vol. 2: A Romantic Collection

Brand New Tennessee Waltz

Benjamin Britten: Variations on a Theme of Frank Bridge, Op. 10 / Simple Symphony, Op. 4 / Prelude & Fugue, Op. 29 - Richard Hickox

Basil for Nino

Bill Hardman [Import]

At the End of the Day

Bassima... [Import]

Augustin Ramirez

Face the Nation

Kenny Burrell & The Jazz Giants