The End: Rasassination [Explicit Lyrics]

The End: Rasassination [Explicit Lyrics]

Track Listings
1. Endtro
2. Rasassination
3. Ghetto Fabulous - Dr. Dre, Mack 10, Ras Kass
4. Lapdance
5. Skit #1
6. Conceited Bastard
7. Ice Age - El Drex, , Ras Kass
8. ...In a Coogi Sweatsuit (Skit)
9. H2oproof - Ras Kass, Saafir
10. It Is What It Is - Jazze Pha, Ras Kass
11. Interview With a Vampire
12. Wild Pitch - Ras Kass, Xzibit
13. Oohwee!
14. All or Nuthin' - Ras Kass, Twista
15. Grindin' - Bad Azz, Ras Kass
16. I Ain't Fucking With You
17. Get at Me
18. End - RZA, Ras Kass, Wu-Tang Clan

Editorial Reviews
Vibe
...Ras hasn't abandoned his trademark philosophical dissertations. [His] lyrics are forced to carry the entire weight of his album While beasts by Stu-B-Doo (Dr. Dre's understudy) are consistent (at best), they still fail to match Ras's verbal intensity.

The End: Rasassination,Ras Kass,Priority Records,Hip-Hop,Pop,Rap & Hip-Hop

Pirates Of The Caribbean: At World's End
Average customer rating: 4.5 out of 5 stars
  • Hoist The Colours!!!
  • Wow
  • Movie Soundtrack Review
  • Get on the freeway, roll down the windows and DRIVE!
  • AHOY!
 Pirates Of The Caribbean: At World's End

Manufacturer: Walt Disney Records
ProductGroup: Music
Binding: Audio CD

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  1. Pirates Of The Caribbean: Dead Man's Chest
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ASIN: B000P0J02E
Release Date: 2007-05-22

Tracks:

  1. Hoist the Colours
  2. Singapore
  3. At Wit's End
  4. Multiple Jacks
  5. Up Is Down
  6. I See Dead People In Boats
  7. The Brethren Court
  8. Parlay
  9. Calypso
  10. What Shall We Die For
  11. I Don't Think Now Is the Best Time
  12. One Day
  13. Drink Up Me Hearties

Amazon.com

The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Hoist The Colours!!!.......2007-07-25

I have always been a fan of soundtracks. I really adore the works of Harry Gregson-Williams, Danny Elfman and, of course, John Williams. I now can say I have a new composer that I can add to my list; Hans Zimmer, the composer for Pirates of the Caribbean Dead Man's Chest, At World's End and he also Overproduced the score for The Curse of the Black Pearl. Compared to past "attempts" I believe that Hans Zimmer has hit the jackpot.

The CD "Pirates of the Caribbean: At World's End" is unbelievably the best CD of the three. It contains 13 tracks including, one of my favorites, Hoist the Colours (the song the boy sings at the beginning of the movie, which becomes the back tone of the entire movie). It is a must buy for all soundtrack, movie, Disney and pirate lovers. I have never listened to a soundtrack this much since John Williams Star Wars Episode 1 Special Edition CD.

But there is a draw back for me. The CD is a Digipak. A Digipak is a CD that has cardboard-like outside rather than a plastic cover like most CD's. I don't `hate' them, I just don't like seeing things of mine getting ripped. So if you don't want your case/album art warped, get it on iTunes.

Overall it is a great CD and a must buy! " Pirates of the Caribbean: At World's End" soundtrack gets 5 stars out of 5.

My name is Amone. Adios!

5 out of 5 stars Wow.......2007-07-17

This is the best soundtrack in the "Pirates" series. Hans Zimmer has melded the Eastern sounds with the West and composed an intricate melody which is hard to forget. My favorite soundtrack so far!

5 out of 5 stars Movie Soundtrack Review.......2007-07-16

I love his music. And all the movie soundtracks he has done. I already have two of these,one for my car,and one for my home. This purchase was for my best friend on her birthday. His music for soundtracks,always intenses and blends so well with the movie,which it is all about. He's a wonderful composer.

5 out of 5 stars Get on the freeway, roll down the windows and DRIVE!.......2007-07-16

I LOVE this CD! It is just so much fun.
If you gotta' travel the road to work, school, etc.
or you gotta' run errands or you are just in the
mood to GO -
Well, get in the car, get on the road, stick in this CD,
roll the windows all the way down, turn up the sound,
and DRIVE!
Have a ball!

5 out of 5 stars AHOY!.......2007-07-14

Love it. Listening to it is like re+living the movie over and over again.
An End Has a Start
Average customer rating: 4 out of 5 stars
  • Very ambitious album is not as urgent as "Back Room"
  • Retreat! Retreat!
  • REACHING FOR A BIGGER SOUND (3.9 stars)
  • Unfairly Criticized.
  • No sophomore slump!!
 An End Has a Start
Editors
Manufacturer: Fader Label
ProductGroup: Music
Binding: Audio CD

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  1. Our Love to Admire
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ASIN: B000PUAZDW
Release Date: 2007-07-17

Tracks:

  1. Smokers Outside The Hospital Doors
  2. An End Has A Start
  3. The Weight of The World
  4. Bones
  5. When Anger Shows
  6. The Racing Rats
  7. Push Your Head Towards The Air
  8. Escape The Nest
  9. Spiders
  10. Well Word Hand

From Amazon.co.uk

Editors were not the only band suckling on Joy Division's bleak teat in 2005 when they released their debut The Back Room, and they never initially seemed the ones most likely to succeed either. They were like a pencil sketch of gothic depression, too tidy, too clean, too neatly attired to attain any lasting emotional credibility. But there was just one problem with that cursory diagnosis; the incendiary skinny-ribbed barrage of short, sharp, repetitive and achingly insistent singles, titled with an absolute maximum of two syllables as if to ram that point home. There was zero puppy fat on Editors' bones, but what they did carry was toned and worked to perfection. But even considering that discipline, the competent grandeur of its follow up, An End Has a Start, takes you aback. Awash with constellation-scraping omnipresence, opening track "Smokers Outside the Hospital Doors" seems all around you at once, building, lifting and frankly doing a better impression of late '80s U2-sized epic than Coldplay mustered on X&Y. The album rebounds between that sense of rounded, accessible awe and the more industrious pounding in the engine room that they perfected on their debut, the latter particularly demonstrable on the title track and a truly hammering "Escape the Nest". Tom Smith's rudimentary lyrics and forced baritone may lack some of the poetic depth that the music craves, but like their overall style he directs what he does possess with admirable precision. --James Berry

Album Description

Following the debut release 'The Back Room', the English indie-rock band is back with their 2nd album. Their brand of sweeping indie rock is frequently compared to the sound of bands such as Interpol, Joy Division, Echo and the Bunnymen, Franz Ferdinand, Kitchens of Distinction, The Chameleons, Big Country and U2. 1st single: Smokers Outside The Hospital Doors. Sony/BMG. 2007.

Customer Reviews:

4 out of 5 stars Very ambitious album is not as urgent as "Back Room".......2007-07-22

Editors stormed onto the UK music scene in 2005 with several singles and then their impeccable debut album "The Back Room", which was released in the US in early 2006. Now comes the eagerly awaited follow-up album.

"An End Has A Start" (10 tracks, 45 min.) starts off with "Smokers Outside the Hospital Room", a departure yet ambitious tune which I find a curious choice as the album's first single, as there is no immediate hook. The title track follows, a hard charging song that ranks among the band's best. A pattern seems to follow for the remainder of the album: slower song, followed by an upbeat song: "The Weight of the World" is an epic song (reminding me of Big Country, with its searing guitars), followed by the best track of the album, "Bones", with an irresitable guitar-and-drum hook (and which seems to me to have been a more obvious choice as the lead-off single). Other highlights for me include "The Racing Rats" and "Escape The Nest". The album falters a bit towards the end, and it is clear to me that Tom Smith (singer-main song writer) wanted to reach out for the stars and become more ambitious, which is fine, but the bottom line is that this album doesn't match the immediate urgency that was on display on "The Back Room".

I've seen Editors in concert a number of times, and was particularly intruiged by a then-unknown and new song they played at last year's Coachella festival, which now shows up on this album: "Bones". Editors are one of the better bands to come out of the rich music UK fertile grounds in the last couple of years. While I like "The Back Room" better, this is a pretty good album too, and I can't wait to see where Editors go from here. Highly recommended!

3 out of 5 stars Retreat! Retreat!.......2007-07-18

I was very impressed with Editors' excellent debut album "The Back Room" and have been anticipating their second release for the past two years to see what they would do, and if they could top the first outing. Sadly, I am definitely underwhelmed by "An End Has A Start".

Much of the edginess, menace and urgency of "The Back Room" has been ditched in favor of a fuller, more anthemic (almost Coldplay-ish) sound and more blatantly mopey lyrics (running heavily to broken hearts/bones). More unfortunately, the catchiness quotient has gone down quite a bit, and the songs start to sound the same after a while. The album is heavily frontloaded and starts to run out of steam halfway through.

It's certainly not a bad album - I can truthfully say that I like it, but I really wanted to LOVE it. Despite some very good moments (basically tracks 1-4) and some nice soaring guitar work, much of the material is just not very memorable. I won't be shouting out these choruses with my friends like we do with most of the songs on "The Back Room". Still, I will keep listening to it and maybe it will grow on me, and I will be looking forward to their third album.

I would give this album 3-1/2 stars, but I can't bring myself to round it up to four. Overall, "An End Has A Start" is a disappointment for me. Sophomore slump? Yes indeedy.

By the way, I could apply much of the above commentary to Interpol's "Our Love To Admire", another decent but somewhat disappointing effort.

4 out of 5 stars REACHING FOR A BIGGER SOUND (3.9 stars).......2007-07-17

We've seen this a number of times this year, and it can be a tricky proposal for some. In attempts to broaden and enlarge one's sound, bands can straddle the fence between a big sound and a bland bunch of recordings. On their second full length, An End Has a Start, Editors definitely reach for some of those loftier goals, and while it may miss a few here and there, the record on the whole gets plenty right in the process. The band keep their sound very much intact and only try to improve what has done before.

Leading off with the first single, Smokers Outside the Hospital Doors, the record does in fact sound bigger. The single is a good starting point but it clocks in a bit too long and as some have pointed out, is a little too Coldplay-ish, but I find it still pretty good none-the-less. By the time the second track starts up, you can notice the step up in production. The production on the entire record is rich and full, with a rather large nod going to producer Jacknife Lee. Adding things like a stronger vocal mix for Tom, string sections, and even a choir attest to this bigger, fuller sound.

So how are the "tunes" though? In short, much like (their debut) The Back Room. About half of An End Has a Start can point to a "sister" tune off of the Back Room. Bones for example, is the new Munich while the pacing and sound of Escape the Nest is pretty much what is found on Camera or Fall. Similarities aside, a fan of Editors is going to love the new album. I somehow find it dynamic without it being as hook driven as their first release. There are a couple of forgettable songs on here, but the overall quality of production and songwriting far outweigh any shortcomings. It's a bit of a "grower" as they say, but over time, I'll be happy to mark the doorframe.

P.S.
Anyone thinking about the deluxe package of An End Has A Start, might want to pass unless they HAVE to have it, as it really doesn't have much to offer than an over-sized bound book type of package. There isn't any lyrics or extras photos or anything. Just an FYI.

5 out of 5 stars Unfairly Criticized. .......2007-07-17

I just did a search for The Editors here and I think it is kind of funny that Interpol's new CD turned up four positions down on the page result because the only reason an old guy like me has even heard of this band was due to my conducting a search a few weeks ago regarding the release date for Our Love to Admire. I came across an article in which the reporter claimed that The Editors were a rip-off of Interpol. Whether that is true or not I cannot say although the influence of the great band on The Editors is undeniable in the tracks of An End Has a Start. That they may possibly be derivative is irrelevant to me, however, as I love these songs and love this album. I am not surprised that another reviewer had a line from "The Weight of the World" as his title because the tune is both haunting and excellent. Really, the first time through I thought this was an uneven CD and one that I would give three stars to but I was totally wrong. I now appreciate every song and think they range from excellent to above average.

5 out of 5 stars No sophomore slump!!.......2007-07-17

"An end has a start" is British rock group Editors' sophomore disc, following up their Mercury prize nominated #2 debut "The back room". At just ten tracks, every track stands out! The album ahs already topped the UK album charts.

The sound isn't drastically different this time around, still gloomy and upbeat in the right places, with loads of piano, jangling and rippling guitar sounds. Lead singer Tom Smith has a rich, sonorous voice, which fits the songs perfectly.

This though is a bit more guitar driven with wider "stadium" sounds a-la Coldplay or U2. Perfect example is opening cut and lead off single, the stadium-esque "Smokers outside the hospital doors".

More upbeat is the title track "An end has a start" with fiercely pulsing guitars. My favourite track though is the lovely midtempo "Weight of the world" with lyrics pondering death, and lines like "Every little piece of your life/Will mean something to someone". Pensive, yet catchy!

"Bones" is a driving dance/rocker with a catchy guitar riff. "When anger shows" reminds me a wee bit of "Wires" by Athlete. "The racing rats" (full of nice jangly and wailing guitars) is a nice dance/rocker with lyrics like "If a plane were to fall from the sky/how big a hole would it leave/In the surface of the earth".

Lowering the tempo, there's the piano driven "Put your head towards the air" (which builds in intensity), "Escape the nest" (brilliant guitars), the simply stunning "Spiders", and closing piano epic, the melancholic "Well worn hand".

Look out for even bigger things from The Editors!!
At the End of Paths Taken
Average customer rating: 4.5 out of 5 stars
  • The Junkies Just Improve With Age
  • Fantastic
  • What a great CD...
  • Same Talent, Different Direction
 At the End of Paths Taken
The Cowboy Junkies
Manufacturer: Zoe Records
ProductGroup: Music
Binding: Audio CD

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  1. Long Journey Home
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ASIN: B000NVIXIW
Release Date: 2007-04-17

Tracks:

  1. Brand New World
  2. Still Lost
  3. Cutting Board Blues
  4. Spiral Down
  5. My Little Basquiat
  6. Someday Soon
  7. Follower 2
  8. It Doesn't Really Matter Anyway
  9. Blues Eyed Saviour
  10. Mountain
  11. My Only Guarantee

Amazon.com

The Cowboy Junkies' gothic Americana takes a psychedelic hue on At the End of Paths Taken, replete with Beatlesque string sections and snarling, distorted guitar leads. It's an often epic album, exemplified by the opening track, "Brand New World," which starts off like a lament and ends with a triumph of surging strings. Atop it all sits singer Margo Timmins. She's the lover everyone wants, a voice that is at once world-weary and inviting, domineering and seductive. She's the perfect vehicle for writer and brother Michael Timmins--especially on an album that deals with adult themes--because if nothing else, Margo sounds like an adult, a woman who has experienced the world and life and things that maybe we shouldn't talk about. A mother's frustration never sounded as ominous and threatening as on "Cutting Board Blues." Sitting astride a buzzsaw guitar riff and a groove of doom, she talks about walking away from it all, leaving her cutting board behind. Many of the themes concern adulthood and children with a sense of despair about the world those children are entering on songs like "My Little Basquiat." There are moments of light and hope on At the End of Paths Taken, but overall it is a deliriously dark and brooding album. --John Diliberto

Album Description

Despite its title, the new Cowboy Junkies album, At the End of Paths Taken, is as much about new beginnings as it is about endings. It is also about human connections, the struggle to sustain those connections over time, and the complexities that can arise even when those connections are maintained. It is, in other words, a classic Cowboy Junkies album - a suite of smart, richly textured songs that value subtlety over broad, generic strokes, songs that prize insight and casual revelations over easily digestible clichés. Family lies at the heart of the album's eleven songs, and, of course, that is appropriate, too. Three of the band's members - singer Margo Timmins; songwriter, producer and guitarist Michael Timmins; and drummer Peter Timmins - are siblings, and bassist Alan Anton has been a member since the group formed in Toronto in 1985. Few bands have lasted nearly as long with their original line-up intact, and fewer still have created as consistently satisfying a body of work.

Customer Reviews:

5 out of 5 stars The Junkies Just Improve With Age.......2007-06-21

How anyone could rate this less than five stars is completely beyond me. I have followed the Junkies since their second album, and really got into them with an assigned review of 'Lay It Down', which I still consider a masterpiece. But this recording is something else entirely. I've lived with it now for quite awhile (I think I had it about a month before official release, so add that time to the date of this 'review'), and I'm still awed by its strength in all directions. The writing is superb, Michael's guitar work gets better and better as time goes on, Margo's voice sounds more tuned and better than it did twenty something years ago with 'Whites Off Earth Now', and the arrangements (including strings) are simply amazing. Try listening to 'Brand New World' (the first track), and see if you don't feel optomistic about the world today. By the time the closing track, 'My Only Guarantee' finishes, it's clear that you've reached the end of THIS path taken, but I can't wait to hear where they will go next. I stand up and applaud this grand achievement of the Junkies, quite possibly the finest recording of their long career and one I will treasure for years to come. Now if they would only issue it on vinyl too...

5 out of 5 stars Fantastic.......2007-05-02

I've just listened to this once, so there's probably so much more that I didn't catch yet. But what a fantastic, gorgeous, and enthralling album. This is the Junks 11th studio release - and it's the same band from when they began more than 20 years ago. But this is not the same sound sonically. Michael's guitar playing and approach continues to mature and grow (listen to Cutting Board Blues). Margo's voice has never sounded better, IMO - it's like a fine wine aging to perfection. Peter is here, along with long-time guests Jaro Czerwinec and Jeff Bird. Alan's trademark bass is very under-stated on most of the tracks, though. But the big difference is the presence of strings on nearly all of the songs. It's a great fit with Margo's voice and the tone of the album, which is very oriented towards family. There's a children's choir on the ending song, along with a recording of Father Timmins (which makes up the under-lying element of Mountain).

Highlights of the album are Cutting Board Blues, My Little Basquiat, Follower 2, and It Doesn't Really Matter. The album reminds me of Open in some ways - a big departure in sound from their previous albums. I'd rank it up there with One Soul Now, which is my favourite album of theirs in the last decade (Caution Horses remains my personal favourite).

Buy the album - and don't forget to see the band live if they're coming to your neck of the woods (unfortunately no Texas dates yet - drat).

4 out of 5 stars What a great CD..........2007-04-21

I am a longtime Cowboy Junkies fan. Their sound has taken various twists and turns over their various releases, but overall they still find a way to keep their "signature" sound within each release. "At The End of Paths Taken" is yet another example. They still sound like the Junkies, but again, they have found a way to incorporate something different and new in this release. I love it. The mellowness, the moodiness, the creativity, the complexity. I think it's one of their best. There's something that just grabs you in from the first song, and makes you want to keep listening until the last. It's easy to get lost in this CD. Thanks for more great music, CJ's!

4 out of 5 stars Same Talent, Different Direction.......2007-04-21

This album is very different from the work the Cowboy Junkies did in the nineties and late eighties (I haven't listened to the 2004 One Soul Now, so I'm not sure how it compares). Their characteristic harmonica has taken a vacation, and drums have a much larger role along with several additional instruments (many that I can't even correctly identify). Further, the music is more complex, layered and psychedelic than in their 80's and 90's albums. Finally, their themes have changed, and instead of being about heartbreak, violence and despair and they are now about "family" (using Margo's term).

I have noticed these same changes in other artists' music as they have matured. In most cases, I have found these developments disappointing (Sting, Annie Lennox, Tori Amos, Peter Gabriel) as it seems like the angst and edge that originally drove these artists' creativity later gave way too something over-worked, something more science than art, something more benignly pleasant than engaging. In this case, however, I am not disappointed for the most part. Margo's hauntingly beautiful voice is still entrancing (although its changed a little too). The family themes are real rather than overly sentimental. The Cowboys still have some edge, as shown in Cutting Board Blues. And there's still some of that forlorn feeling of their earlier work in Spiral Down. It Doesn't Really Matter Anyway has a little of each and is a great song. Someday Soon didn't work for me at all, but maybe its just a matter of taste. Also, even though Mountain could be a great song, I don't like the rambling male voice in the background, its too distracting. And I wasn't hip on the kids' voices in My Only Guarantee, even though it would also be an otherwise great song. (Maybe these two songs waded into the "over worked" category just a bit).

Ultimately, while there are selected albums out there that I like better than any of the Cowboy Junkies albums that I have, I think the Cowboy Junkies could easily be characterized as consistently being the best band of the last three decades. They deserve more recognition than they have received in the U.S, but perhaps a lack of commercial success in the U.S. is part of what has kept them so great over the years. Also, Cowboy Junkies, if you read this - thank you for coming to Idaho to play. I never thought I'd get a chance to see you live and it was wonderful.
The End of History
Average customer rating: 5 out of 5 stars
  • God Bless Computer Generated Recommendations!!
 The End of History
Fionn Regan
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFAG3K
Release Date: 2007-07-10

Tracks:

  1. Be Good Or Be Gone
  2. The Underwood Typewriter
  3. Hunters Map
  4. Hey Rabbit
  5. Black Water Child
  6. Put a Penny In the Slot
  7. The Cowshed
  8. Snowy Atlas Mountains
  9. Noah (Ghost In a Sheet)
  10. The End Of History
  11. Abacus
  12. Bunker Or Basement

Amazon.com

Imagine a whimsical, sunnier Nick Drake. Or perhaps a young Donovan for the 21st century. With his lithe, limber, and conversational tenor complemented by the subtle virtuosity of his acoustic guitar, the Dublin troubadour sustains an engaging intimacy even when his material seems on the slight side (more precocious than profound). Though his childlike innocence extends to the hand-lettered lyrics in the CD booklet, he invokes the literary influence of Saul Bellow and Paul Auster on "Put a Penny in the Slot." Much of this self-produced release finds Regan playing solo (often with double-tracked harmonies), with the spare employment of strings, piano, and percussion making their use all the more striking. An unlisted bonus cut seems to channel the range of Jeff Buckley. --Don McLeese

Album Description

The community of musicians can be divided into two categories -- those who want to create and those who do so because they have no other choice. As he proves on his dauntingly mature, intriguingly nuanced Lost Highway debut, The End of History, singer-songwriter Fionn Regan clearly falls into the decidedly rarefied latter category.

The soft-spoken 26-year-old coaxes an intoxicating array of emotion and detail into his fragile-yet-gripping songs -- a body of work that's already elicited comparisons to forebears as varied as Nick Drake for his guitar playing and to Woody Guthrie for his wordplay. It's easy to understand why, given the filigreed acoustic finger-picking and raw lyrical stance of songs like the cinematic "Be Good or Be Gone" the menacing "Snowy Atlas Mountains" or the allegorical "Hey Rabbit" with its social conscience, songs that paint intensely vivid pictures -- so vivid, in fact, that Regan hesitates to elaborate as to their deeper origins.

He keeps the frills to a minimum on the dozen-song collection, getting his point across with little more than voice, acoustic guitar and piano (most of The End of History's songs were captured in one or two takes) he never gives the idea that he's practicing minimalism for its own sake. That comes into particularly sharp focus when one hones in on his guitar playing, a beguiling brew of rhythmically sturdy finger-picking (the backbone of "Hunters Map") and (as on the twinkling "Abacus"), lissome passages in which every note resonates with crystalline clarity.

Customer Reviews:

5 out of 5 stars God Bless Computer Generated Recommendations!!.......2007-07-18

I was referred to Fionn Regan via similar artists recommendation (if you like ____, then you'll love _____) and am so thankful that I took a leap of faith on The End of History.

What I discovered was an alluring, delicate and emotional piece - an incredible journey that you will want to share after your first listen (hence this review). Like other sites that recommend similar artists, Fionn is often grouped with the legends (Dylan, Drake, Cohen) and today's singer-songwriters like Conor Oberst, Elliott Smith(rip) and Damien Rice... but Fionn also seems to be his own musician and while there might be some influence in his music, the album is totally unique.

Fionn's lyricism and blending of melodies stand out on several tracks. While "Be Good or Be Gone" seems to be the flagship song with an amazingly unique video (check it out), other tracks like "Hunter's Map," "Snowy Atlas Mountains," and "Abacus" are phenomenal songs that you will never tire of.

To wrap it up... The End of History is a versatile album you can play when alone on a cold, snowy day but also the perfect album to play when having friends over for dinner. You'll never have to get up to skip over a track... and at the end of the day, isn't that what we all want?
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Average customer rating: 5 out of 5 stars
  • Beautiful
  • Awesome
  • Excellent Music tracks from Movie
  • Complete?
  • Great Collection, Poor Packaging
 The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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  1. The Lord of the Rings: The Two Towers - The Complete Recordings
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ASIN: B000BNI90O
Release Date: 2005-12-13

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
  2. Lord of the Rings: The Fellowship of the Ring/The Shire
  3. Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
  4. Lord of the Rings: The Fellowship of the Ring/Very Old Friends
  5. Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
  6. Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
  7. Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
  8. Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
  9. Lord of the Rings: The Fellowship of the Ring/Three Is Company
  10. Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
  11. Lord of the Rings: The Fellowship of the Ring/Saruman the White
  12. Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
  13. Lord of the Rings: The Fellowship of the Ring/Strider
  14. Lord of the Rings: The Fellowship of the Ring/The Nazgul ...

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Weathertop
  2. Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
  3. Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
  4. Lord of the Rings: The Fellowship of the Ring/Orthanc
  5. Lord of the Rings: The Fellowship of the Ring/Rivendell
  6. Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
  7. Lord of the Rings: The Fellowship of the Ring/The Council of ...
  8. Lord of the Rings: The Fellowship of the Ring/The Great Eye
  9. Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
  10. Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
  11. Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
  12. Lord of the Rings: The Fellowship of the Ring/Moria
  13. Lord of the Rings: The Fellowship of the Ring/Gollum
  14. Lord of the Rings: The Fellowship of the Ring/Balin's Tomb

Tracks:

  1. Khazad-Dum
  2. Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
  3. The Mirror of Galadriel
  4. The Fighting Uruk-hai
  5. Parth Galen
  6. The Departure of Boromir
  7. The Road Goes Ever On (part 1)
  8. May It Be (composed and performed by Enya)
  9. The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
  10. Lord of the Rings: The Fellowship of the Ring/Khazad-D
  11. Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
  12. Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
  13. Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
  14. Lord of the Rings: The Fellowship of the Ring/Parth Galen
  15. Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
  16. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
  17. Lord of the Rings: The Fellowship of the Ring/May It Be
  18. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...

Amazon.com

As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli

Album Description

An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.

Customer Reviews:

5 out of 5 stars Beautiful.......2007-06-15

I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.

5 out of 5 stars Awesome.......2007-06-12

This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.

5 out of 5 stars Excellent Music tracks from Movie.......2007-05-03

Brings the movie back as you listen to the full version of the track.

3 out of 5 stars Complete?.......2007-04-07

This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.

3 out of 5 stars Great Collection, Poor Packaging.......2007-04-03

I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.

Music-5
Packaging-3

*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
End of Silence
Average customer rating: 4.5 out of 5 stars
  • Not Much To Write Home About
  • Awsome CD
  • Christian Rock SUCKS
  • Surprise, Surprise!
  • I love RED!
 End of Silence
Red
Manufacturer: Red Int / Red Ink
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Christian RockChristian Rock | Christian & Gospel | Styles | Music
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  1. End of Grey
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  4. The Art of Breaking
  5. Scars Remain

ASIN: B000FIHJLU
Release Date: 2006-06-13

Tracks:

  1. BREATHE INTO ME
  2. LET GO
  3. ALREADY OVER
  4. LOST
  5. PIECES
  6. BREAK ME DOWN
  7. WASTING TIME
  8. GAVE IT ALL AWAY
  9. HIDE
  10. ALREADY OVER, PT. 2

Album Description

Deriving from a variety of influences such as Muse, Chevelle, Blindside and Linkin Park, Red brings a unique blend of heavy guitars, intense string arrangements and dynamic vocals. They are quickly gaining fans with an exceedingly intense live show every bit as compelling as their debut cd. Already touring heavily in the mid-west and west coast, Red has quickly made many fans along the way. With over 20,000 friends on myspace, the band makes it a priority to write each and every fan back personally. Randy Armstrong says, "It is important that our fans see us as genuine guys who care." The songs on their debut release deal with the struggles that all humans face, while leading listeners to a place of redemption in the midst of the brokenness. Red hopes their music impacts people in a way that causes them to not feel alone in their struggles. Randy explains, "I hope that our music has a profound impact on people. You never know what people are dealing with in their every day lives, but I am willing to bet that at some point, we all have experienced the same feelings of anger, sadness, confusion, etc. Our music talks about a lot of those times that we have struggled dealing with those feelings and the situations that caused them. I hope our music makes them feel like they are not struggling alone." Produced by Dove nominated producer Rob Graves and mixed by Ben Grosse, End of Silence releases June 13th. The band will be touring with Day of Fire this spring then playing at many major festivals this summer and will continue to hit the road throughout the fall.

Customer Reviews:

2 out of 5 stars Not Much To Write Home About.......2007-07-23

Red are a lot like what you hear on rock radio today. Comparable to Breaking Benjamin or Trapt, they have a vocalist who emotes with loud and clean vocals, and a band who can churn out the simplest, yet catchiest tunes. One exception though, even as a new band, Red severely lack the chops of their peers. The songs, if you can call them that, are often just half baked melodies and depend on the predictable sing-scream-sing formula. More often than not, you'll find a song floating away from a good idea and not returning. It should go without saying that if the generic song-titles weren't enough indication, Red aren't exactly travelling through uncharted waters. Don't be mistaken, unoriginality isn't always bad, as it's nearly impossible for a new band to be original these days, but Red just aren't yet up to the task of making something memorable. There is an interesting element to the music, thanks to a classy string section, but the album would be stripped of much of it's appeal and identity without it. The guitars are boring, the drums are simplistic, and the lyrics are quite trite and laughable. A good song will sound good even without lots of production, yet, if you took away the studio trickery of "End Of Silence," you wouldn't have much left. If you like your music safe and predictable, melodramatic and bland, then Red's debut might be up your alley. The potential, however, is there. Red can be a good band. But they need to sit down, write some actual songs next time, and not rely on so much production. As it is, however, there are far too many other bands doing this sound much better already.

5 out of 5 stars Awsome CD.......2007-07-16

Where did they come from? I was looking to get the new Linkin Park but after I read mixed reviews people were actually recommending RED so I gave it a shot. RED gets more play than the new Linkin Park now. Great CD, no need to fast forward, just put it in and let it play.

1 out of 5 stars Christian Rock SUCKS.......2007-06-21

I really like the song Breathe. I thought about buying the album until I discovered I was tricked into liking a song by a Christian "rock" group, lol!!! So much for Red...

4 out of 5 stars Surprise, Surprise!.......2007-06-08


This is the second time this year that I went out on a limb and just bought some music that someone had recommended in their review of some other album (both of which were garbage albums from previously great bands).

This is the second time this year that I've been surprised at how good my "limb" decision music is (the other was Stage, which I've since decided is one of the greatest rock albums I've ever heard).

Although End of Silence is relatively short, it fills that time frame with great songs. The Already Over tracks are probably my favorite; they contrast each other perfectly with a mix of heavy riffs, piano, violin, and screaming/crooning lyrics that really set the tone for the whole CD.

The only negative that I found with the work, as a whole, was that RED seems a little short on variety, which could make the album a slightly predictable. It's certainly not redundant, though, and as they mature I'm sure they'll experiment with new sounds.

The Bottom Line: At 4.2 stars, it's a definite buy.

5 out of 5 stars I love RED!.......2007-06-06

What all can I say? I love the band RED, I first heard of them through their song "Already over" on my Christian rock HITS CD, and I became a fan, and I became more of a fan when I bought this CD Of theirs, all of the songs are 100% awesome! I wasn't a huge fan of much hard rock until I started listening to more Christian rock groups, such as Seventh Day Slumber, Disciple, Pillar, P.O.D. etc... and now I love Christian rock music, and this album is really awesome, I think you all should buy it, if you like hard rock or Christian rock, you'll love this CD!
Strata Presents The End of The World
Average customer rating: 4 out of 5 stars
  • Great album...
  • Not horrible, but not good either..
  • A Masterpiece From Out Of Left-Field.
  • Those knots in your stomach mean you're alive...
 Strata Presents The End of The World
Strata
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
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Similar Items:
  1. The Pursuit Begins When This Portrayal Of Life Ends
  2. Vena Sera
  3. Who We Are
  4. Strata
  5. Cruel Melody

ASIN: B000R7I3SM
Release Date: 2007-07-17

Tracks:

  1. Night Falls (The Weight of It)
  2. Hot/Cold (Darling, Don't)
  3. Dotted Line...
  4. Cocaine (We're All Going to Hell)
  5. Coma Therapy
  6. Poughkeepsie, NY
  7. Stay Young
  8. Brothers
  9. Love Is Life
  10. New National Anthem
  11. Natoma Alley
  12. Daylight in the City

Customer Reviews:

5 out of 5 stars Great album..........2007-07-25

... by a great band. Strata has grown leaps and bounds since their first outing. Check this CD out, you won't be disappointed.

2 out of 5 stars Not horrible, but not good either.........2007-07-18

The last cd, even though it wasn't THAT great, was better than this. It had a few winners on it and of course Piece By Piece. I listened to this knowing it wouldn't be as heavy based on what I've heard but I didn't expect a lackluster outing with no catchiness or hooks. Sophomore slumps.

5 out of 5 stars A Masterpiece From Out Of Left-Field........2007-07-17

The first thing the listener will notice upon their first listen to "Strata Presents: The End Of The World" is that it is a drastic change in direction for the band from their self-titled debut. In fact, the opening track, "Night Falls (The Weight Of It)" doesn't even sound remotely like the Strata we got to know three years prior. So, is this change a bad thing? Absolutely not. Eschewing the alternative hard-rock of the debut for something a little lighter and more experimental makes the emotions of singer Eric Victorino come across much clearer than before and with even more impact. It going to be easier for the bulk of the fanbase to dismiss this album than it will be for them to give it a chance, give it time, and let it sink in. What we have here, in fact, is miles beyond what the band had accomplished before. Much of "The End Of The World" is a concept piece, which can be determined by taking a quick glance at the quirky art that graces the liner notes. But instead of getting angry and political, Strata seem focused on the beauty of life and it's shameful destruction. Songs like "Stay Young" and "Love Is Life" are not just catchy and moving, but also affecting and somewhat haunting. Victorino is truly in top shape here, as the band supplies him with enough hooks and melodies to keep this album in rotation much longer than the average rock record. On the flipside, there is the up-tempo, bizarrely hooky "Cocaine (We're All Going To Hell") and the murky "The New National Anthem," which serve as the darkside to the album. But that's what it's all about. Twists and turns. One minute you're basking in it's glorious, natural beauty, and the next, you're feeling sorry for it. Strata have truly outdone themselves with this record. It may not sound a thing like their debut, but it's a compelling and engaging record that everyone should give a chance. And the best part? It doesn't sound like anyone else out there.

5 out of 5 stars Those knots in your stomach mean you're alive..........2007-07-17

Hopefully the world is ready for Strata, because

like it or not, they are here and they're giving

it to you straight, no blinders and from the

heart. Strata Presents the End of the World is

without a doubt one of the most meaningful albums

released this year. So many words can be used to

describe it from haunting, to untethered, to

inspirational, illuminating and even a word as

simple as real.

The untempered emotion that went into writing

this album is apparent in songs like

Hot/Cold(Darling Don't), Stay Young and Love Is

Life, where we are faced with feelings we've all

had to deal with or will have to deal with at

some point in life and just how deep the

soul-searching has to go in order for us to

survive. The combination of excruciatingly

realistic songs such as Cocaine(We All Go To

Hell) and The New National Anthem, have given

this album an edge on some issues that we are

faced with and so often afraid to talk about.

There is no fear here. There is no turning back.

And if you can listen to this album and walk

away not thinking about it later, there's a good

chance you're already dead.
Out Of Africa: Music From The Motion Picture Soundtrack
Average customer rating: 4.5 out of 5 stars
  • Simply beautiful
  • CD has missing track
  • Disappointed
  • Worth Buying!
  • Great Album
 Out Of Africa: Music From The Motion Picture Soundtrack

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002O4X
Release Date: 1990-10-25

Tracks:

  1. Main Title (I Had A Farm In Africa)
  2. I'm Better At Hello (Karen's Theme l)
  3. Have You Got A Story For Me
  4. Concerto For Clarinet and Orhestra
  5. Safari
  6. Karen's Journey - Siyawe (African Traditional)
  7. Flight Over Africa
  8. I Had A Compass From Denys (Karen's Theme II)
  9. Alone On The Farm
  10. Let The Rest Of The World Go By
  11. If I Know A Song Of Africa (Karen's Theme III)
  12. End Title (You Are Karen)

Amazon.com essential recording

The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was; director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments--not to mention his considerable track record and composing gifts--held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Simply beautiful.......2007-01-11

Out of Africa is a CD with beautiful music. When I listen to it, I imagine myself in the nature of Africa. You will enjoy it!

2 out of 5 stars CD has missing track.......2006-12-03

John Barry's compositions are pleasantly sweeping. There's nothing wrong with this album, just not really enough to recommend it.

I was puzzled to learn that some time between my buying the LP record and the issuing of this CD, the track "The Music of Goodbye (love theme from Out of Africa)" was omitted. It's not that this song, sung by Melissa Manchester, is a must-have; it's more that it's sneaky to leave off tracks when you reissue a soundtrack in another format.

1 out of 5 stars Disappointed.......2006-11-10

I absolutely love the music from Out of Africa, but I do not recommend this CD at all. The sound quality is so poor that I could only bear listening to it once.

5 out of 5 stars Worth Buying!.......2006-11-06

Highly recommended for those who love instrumental music. A lot of beautiful flute, strings and some piano and harp. Very contemplative and hauntingly beautiful music.

5 out of 5 stars Great Album.......2006-11-04

For me, one of the best music of last decade. Romantic, full of sense. Please give a listen at least
Light at the End of the World
Average customer rating: 4.5 out of 5 stars
  • AMAZING GRACE!
  • Vintage Vince and Andy - Welcome Back Erasure!
  • STOP! Stand there where you are...and DON'T buy this version of the CD!!!
 Light at the End of the World
Erasure
Manufacturer: Mute U.S.
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Dance & DJ | Styles | Music
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  1. I Could Fall in Love with You
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  3. Sunday Girl
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ASIN: B000OLHGD4
Release Date: 2007-05-22

Tracks:

  1. Sunday Girl
  2. I Could Fall In Love With You
  3. Sucker For Love
  4. Storm In A Teacup
  5. Fly Away
  6. Golden Heart
  7. How My Eyes Adore You
  8. Darlene
  9. When A Lover Leaves You
  10. Glass Angel

Album Description

Recorded in Autumn 2006 in a converted home studio in Maine, LIGHT AT THE END OF THE WORLD is ERASURE'S return to pop form after 2006's critically-acclaimed acoustic album, UNION STREET. Features the single, "I Could Fall In Love With You". Andy Bell declares: "This album is to show people that our pop isn't finished... it's saying we can still do it, we can still write great songs".

Customer Reviews:

5 out of 5 stars AMAZING GRACE!.......2007-07-25

I love Erasure and have for over 20 years. I listen to Erasure and Marc Almond exclusively, as I find them full of heart and soul that is profoudly moving. At first I was thrown off by this album since it is so different. It took me about 2 weeks to fall in love with it but now I am hooked! The songs have wonderful music and the words are so sexy! It's great to dance to! The songs are equally profound as in the past and do touch my soul like only Erasure can do. Very highly recommended. Golden Heart and How My Eyes Adore You are my favorites. I love this album and it is one of the best yet!

5 out of 5 stars Vintage Vince and Andy - Welcome Back Erasure!.......2007-05-31

I've been an Erasure fan since the beginning -- unlike many who got on board much later, I actually remember the rare Thomas the Train cover for "Oh L'Amour" -- and I have to say this is a terrific album! After the interesting but ultimately unsatisfying reinvention for "Union Street" and the equally interesting but not terribly original "Other People's Songs" -- and let's not even talk about "Loveboat", this is a much-needed return to their vintage synth-driven sound.

More upbeat and peppy than "Nightbird" (which I also loved), "Light at the End of the World" sounds like a cross between "Cowboy" and "Wild!" to me -- with a little bit of "Chorus" and "I Say I Say I Say" thrown in for good measure. "Sucker For Love" sounds like an updated version of "La Gloria", and it's even more fun. "Sunday Girl" is a perfect synthpop masterpiece. "I Could Fall In Love With You" puts me in mind of "Don't Say Your Love Is Killing Me", and so it goes on with all Vince's vintage bleeps, buzzes, and knob-twiddling. By the way, if you've got quick ears, you'll also here echoes of "Always", "Treasure", "Snappy", "Crown of Thorns", and even "March On Down The Line". Listen closely! :)

It sounds like he's dusted off some of the old analog keyboards and sequencers, to great effect. Andy's vocals are in tip-top shape, only stretched a little on the deepest notes (like the notes he used to lose himself in so beautifully on "You Surround Me"). A fantastic album, and it couldn't come at a better time.

Welcome back, Erasure!

3 out of 5 stars STOP! Stand there where you are...and DON'T buy this version of the CD!!!.......2007-05-23

Immediately search for the album again and get the 'limited edition' version with the two bonus tracks. It's less money than this version--and the two bonus tracks are two of Erasure's best!!!
The Low End Theory
Average customer rating: 5 out of 5 stars
  • Easily a classic!
  • My Favorite Group of All-Time
  • one of the worst groups ever
  • It's like Butter Baby!
  • This album provides some of Hip Hops intelligent rhythms and fun lyrics.
 The Low End Theory
A Tribe Called Quest
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
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ASIN: B0000004X7
Release Date: 1991-09-24

Tracks:

  1. Excursions
  2. Buggin' Out
  3. Rap Promoter
  4. Butter
  5. Verses From The Abstract
  6. Show Business
  7. Vibes and Stuff
  8. The Infamous Date Rape
  9. Check The Rhime
  10. Everything Is Fair
  11. Jazz (We've Got)
  12. Skypager
  13. What?
  14. Scenario

Amazon.com essential recording

De La Soul are remembered as the premier Native Tongues posse, those rappers who got low-key, self-consciously thoughtful, and jazzy in the face of gangsta's hardcore threats. But A Tribe Called Quest may have been even stronger, especially on their excellent second album, the bass-thumping, heavily jazz-sampled The Low End Theory. According to the opening "Excursions," rapper Q-Tip's old man says the disc's jazz-rap "reminded him of bebop," and Q calls himself "prominent like Shakespeare." But if Charlie Parker had ever written poetic couplets and backed them with funky-drummer and Ron Carter-on-bass grooves this irresistible, he might have been as big as the Bard and Brother James combined. --David Cantwell

Customer Reviews:

5 out of 5 stars Easily a classic!.......2007-05-26

I recently bought this and I'm regretting not buying this earlier! You know, Tribe has, without a doubt, revolutionized rap. For a 1991 album, this doesnt sound very much like in its era, you could place this in any era and it would still feel fresh. The music is perfect, the lyrics are perfect, the flow is perfect, this album is timeless! Each song is filled with so much, and Q-Tip raps so well.

This is a must buy for any rap fan, just like Illmatic.

5 out of 5 stars My Favorite Group of All-Time .......2007-02-14

Giving "The Low End-Theory" anything less than 4 stars is like scuffing at Michaelangelos "The Last Judgement" in the Sistine Chapel. I mean, I wonder if people actually got a hold of a chopped and screwed version of this masterwork. The only other reasonable explanation is the manufacturers messed up and placed a Vanilla Ice record inside the album cover. There is a reason why "The Low-End Theory" received the impossible to get 5 mics in the source. They released back to back to back classics in a span of 3-4 years, ranked #154 in Rolling Stones Greatest albums of all-time, ranked #32 in Spins greatest albums of the 1990's, received extreme critical acclaim from every major JAZZ critics poll, and is brought to the forefront as one of the greatest hip hop records ever in any hip hop discussion. Not bad for the worst group ever with foul lyrics and no roots in jazz.

So why the hell is A Tribe Called Quest so popular. In three words, "Beats, Rhymes, Life". This album is a consummate link between the jazz and hip hop generation showing that they originate from the same center, as displayed in the amazing "Excursions". It also displays the growth of a young and hungry Phife Dawg becoming a star lyricist rather than a sidekick in the shadows as exemplified in "Buggin' Out" and "Butter". "Show Business" is one of the greatest songs that attacks major labels which signs acts and crosses them over because they don't have respect for real hip hop. The videos for arguably the three greatest singles on any hip hop record, "Check The Rhime" "Jazz" and "Scenario" were so groundbreakingly fresh that their ideas are still being jacked by video makers todays. Who can forget Busta Rhymes breakthrough performance.

Overall, this album captures everything great about hip hop and what it used to be. I could quote lyrics on this album all day. I could rave about the creative use of sampling and chances Tribe took to risk ridicule or alienation. Tribe is popular because they were able to connect with their fanbase that so many bubblegum critics and so-called artists could never hold a candle to. So grab a Q-Tip and clean your ears out because "The Low-End Theory" is timeless music. As a poetic Q-Tip once said, "I love my young nation" - and it loves him back.

1 out of 5 stars one of the worst groups ever.......2007-02-04

I love hip hop and I love jazz, but a tribe called quest has roots in neither. Just because you have some vibes and flutes in the music doesn't make it "jazz influenced". Their rapping (especially q-tip's) is extremely symmetrical, showing absolutely no relationship to jazz whatsoever. I mean, how many times can you rhyme "hip-hop" to "bebop"? This is one of the worst cd's I've ever bought. I'd rather recommend Aceyalone for capturing the true innovative spirit of jazz and using it in his hip hop. I just don't understand why a tribe called quest is so popular...perhaps the only interesting part of the album is hearing Ron Carter lay down some great bass lines, but it can't save this extremely lame cd. I've never heard a more boring hip hop album.

5 out of 5 stars It's like Butter Baby!.......2006-11-14

Second classic in a row from the Tribe. Great fusion of Jazz, Rap and the great chemistry of Q-Tip and Phife Diggy.

Standout Tracks:
All of them.
Check it out!

5 out of 5 stars This album provides some of Hip Hops intelligent rhythms and fun lyrics........2006-09-22

Got to love Q and Phife! I grew up hearing and watching them as well as our other forefathers of hip hop. One thing that makes an album good is the ability to be so complex that one can listen to it over and over and never get bored with the songs such as theirs. If you dig the Roots, Digital Planets, Black Eyed Peas, or any other hip-hop group that has the slightest tinge of jazz to it, you have "The Low End Theory" to thank. Ali Shaheed Muhammed fuses up-beat hip-hop with funky jazz, and must of felt real good when he was finished. But it's not like this album was simply influential and not essential, or that it's solely revolutionary in one sense and not able to stand on its own in others.

All through the album the beats are deep and the bass is funky without being overbearing. There are a few tracks that are less than superb, but the album is still great. "Buggin' Out," "Butter," "Rap Promoter," "Rhymes and Stuff," "Jazz," and "Scenario" are all perfect. All these tracks either have your heads nodding, hips shaking, and minds working. The way the music matches Q-tips rhymes flawlessly always astounds me and Phife's lyrics keep the beat going.

Q-Tip and Phife are two of the most skilled lyricists and MCs of all time, and their vocal contributions to Ali's beats do nothing but enhance them. This album stands out as their finest. For those who do not listen to hip hop, this would be an excellent choice for a "symbol" rap album. I know few who have failed to be satisfied, and most are mesmerized. As for rap fans, none should be allowed to call themselves a hip hop head if they do not already have this laying around your rack/desk/or shelf.

Rap Music:

  1. The Ghettos Tryin to Kill Me!
  2. The Hard & Soft
  3. The Swarm, Vol. 1
  4. The Swarm, Vol. 1
  5. The Swoll Package [Soundtrack]
  6. The Whole World's Rotten
  7. Time Waits for No Man
  8. Time Waits for No Man
  9. Top Authority Uncut (The New Year)
  10. Tribute to the Oldies, Vol. 2

Rap Music

rap music

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