You Got It [CD-single]

Track Listings

1. You Got It

2. You Got It [Knobody Remix]

You Got It,Rough House Survivors,Mca,Hardcore Rap,Hip-Hop,Pop,Rap & Hip-Hop

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HIGH VOLTAGE ROCK N ROLL
If you want Blood You've got it
Bon Scott lives!
Feels like you were really there
AC/DC - 'If You Want Blood You Got It' (Sony)

If You Want Blood You've Got It
AC/DC
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Powerage
Let There Be Rock
High Voltage
Highway to Hell
Dirty Deeds Done Dirt Cheap

ASIN: B00009MGR0
Release Date: 2003-07-01

Tracks:

Riff Raff
Hell Ain't A Bad Place To Be
Bad Boy Boogie
The Jack
Problem Child
Whole Lotta Rosie
Rock 'N' Roll Damnation
High Voltage
Let There Be Rock
Rocker

Customer Reviews:

HIGH VOLTAGE ROCK N ROLL .......2007-06-28

THIS IS ANOTHER GREAT ALBUM FROM AC/DC ONE OF THE BEST LIVE ALBUMS OF THEM EVER RECORDED ONLY OFFICAL LIVE ALBUM WITH BON SCOTT ON VOCALS!!!!!ONCE IN A LIFETIME THIS CONCERT WOULD OF BEEN GREAT GREAT ALBUM ROCK N ROLL HAS NEVER BEEN THIS GOOD YOUR CRAZY IF YOU DONT HAVE ANYTHING FROM THIS ALBUM BUY IT IF YOU STILL DONT HAVE IT!!!!!!

If you want Blood You've got it.......2007-04-10

Early CD by AC/DC and I think one of there best, Angus Young proves once again that he is a guitar god, his guitar solo's in A Whole Lot Of Rosie is superb. If your a AC/DC fan this is a must have.

Bon Scott lives!.......2007-03-21

This is one of my all time favorite albums (yes I have it on vinyl). Bon Scott is in his element and delivers one of the best live performances of all time. A must have for AC/DC fans!

Feels like you were really there.......2007-01-18

Ac/Dc is a very rare breed of band that never lets you down...you always know what to expect,which is great blues based rock at a super high volume with some great guitar playing and some great screaming vocals...this live CD "If You Want Blood" is no exception to that.
It includes 10 great rock and roll classics played live,with lots of crowd participation. What sets this CD apart from their next live album recorded many years later on the "Razor's Edge" tour,is that this feels much more intimate,like you were front row in a small arena right in the middle of the high volume onslaught. I like this,whenever you make a live album that feels like you were there it can be considered a success.The later live album feels much more thought out and commercial and it didn't feel spontanious at all. I much prefer this one,"If You Want Blood"...the band was very hungry for success and was touring for the "Powerage" album...the only complaint I have is that they didn't include a lot of songs that I think would have went over better...in particular Sin City,TnT,Dirty Deeds,and It's A Long Way To The Top...this is a great CD to pop in the car and crank to 10 and imagine being there watching this classic band tearing through some awesome rock and roll...if you are a hard core ac/dc fan you should already have this,if not go out and grab it now...if you are new to the band,buy a few of the studio albums first,mainly Back In Black,Highway To hell,High Voltage,and even Powerage...once you know the songs in the studio versions you'll be able to appreciate the live versions in a whole new way...one song in particular "The Jack" has completely new lyrics live as opposed to the studio version (I prefer the studio version but then again,I like being subtle,but the live version is great too)...this CD also includes the live version of "Whole Lotta Rosie" and one of my favorites "Rock And Roll Damnation"...this is another in a long line of triumphs for this great band and includes a GREAT guitar solo that shows what Angus can do and some great crowd interaction with the great Bon Scott

The Upside - very well produced live album,feels very intimate like you were there..includes some great classics like "Whole Lotta Rosie" "Problem Child" "Rock And Roll Damnation","hell Ain't A Bad Place To Be","High Voltage" and more...great booklet also comes with the remaster version with lots of great pictures and some cool stories

The Downside - missing some obvious hits like "TnT" and "Dirty Deeds" (they included 'Rocker' from the dirty deeds album but not the much more popular title track,not sure why) and "Jailbreak" which would have been a treat to hear Bon sing that one live..and again,no bonus tracks for the remaster version which would have been a nice treat to us fans

The Bottom Line - the best live collection of Ac/Dc songs so far...start with the studio versions and then crank this one up to 10 and relive a great concert...Ac/Dc is timeless and classic...go buy this one...donutman says so!!!

AC/DC - 'If You Want Blood You Got It' (Sony).......2006-11-16

Originally released in 1978,this live album came out after AC/DC had put out four lp's and just prior to 'Highway To Hell'.Ten full-throttled tracks of blistering in-your-face heavy rock&roll as only AC/DC can do it.Used to have the cassette of this lp,but it is great to have it on CD.Was nice to hear Bon Scott-versions of "Rif Raff","Bad Boy Boogie","Problem Child",the awesome "Whole Lotta Rosie"(my favorite of the entire disc),"High Voltage" and "Let There Be Rock" once again.Essential.

Average customer rating:

Bell & Gershwin
Enchanting
Joshua Bell's playing is exquisite
S'Wonderful
My Starter Bell CD

Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Romance of the Violin
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ASIN: B000009OP5
Release Date: 1998-07-28

Tracks:

Fantasy For Violin And Orchestra On Porgy And Bess
Three Preludes: I. Allegro ben ritmato e deciso
Three Preludes: II. Andante
Three Preludes: III. Allegro ben ritmato e deciso
Songs For Violin And Orchestra: I Got Rhythm
Songs For Violin And Orchestra: Embraceable You
Songs For Violin And Orchestra: Nice Work If You Can Get It
Songs For Violin And Orchestra: Liza
Songs For Violin And Orchestra: But Not For Me
Songs For Violin And Orchestra: Sweet And Low-Down
Songs For Violin And Orchestra: Love Is Here To Stay

Amazon.com essential recording

On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde

Customer Reviews:

Bell & Gershwin.......2007-05-20

Two of my faves, George Gershwin and Joshual Bell -

Can't beat that!

Also, "Porgy" is a fave opera... so three out of three isn't bad!

Enchanting.......2007-03-24

A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!

Joshua Bell's playing is exquisite.......2005-07-08

Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.

S'Wonderful.......2004-10-20

Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.

My Starter Bell CD.......2003-11-05

This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.

Average customer rating:

Absolutely peerless
once-in-a-lifetime greatness
We love this album
Simply great
Porgy and Bess

Porgy & Bess
Ella Fitzgerald , and Louis Armstrong
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Porgy and Bess
Gershwin: Porgy & Bess [With Members of the Original Cast]
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Ella & Louis Again (Dig)
George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera

ASIN: B0000046Z5
Release Date: 1990-10-25

Tracks:

Overture
Summertime
I Wants To Stay Here
My Man's Gone Now
I Got Plenty O'Nuttin'
Buzzard Song
Bess, You Is My Woman Now
It Ain't Necessarily So
What You Want Wild Bess?
A Woman Is A Sometime Thing
Oh, Doctor Jesus
Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
There's A Boat Dat's Leavin' Soon For New York
Bess, Oh Where's My Bess
Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

The Producers (2001 Original Broadway Cast)

Average customer rating:

Just what I wanted
I Want to be a producer
Spring Time for "The Producers"
Mel Brooks = Brilliant
it won 11 (if im correct) TONY awards for a reason!

The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005AY6I
Release Date: 2001-04-17

Tracks:

Overture
Opening Night
The King of Broadway
We Can Do It
Unhappy
I Wanna Be a Producer
In Old Bavaria
Der Guten Tag Hop-Clop
Keep It Gay
When You Got It, Flaunt It
Along Came Bialy
That Face
Have You Ever Heard the German Band?
It's Bad Luck to Say Good Luck on Op'ning Night
Springtime for hitler
Where Did We Go Right?
Betrayed
'Til Him
Prisoners Of Love (Leo & Max)
Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

Average customer rating:

They were right--there is NO business like the show business they did way back when !!!
One of the best cds I ever bought.
Never Sounded Better
Somewhere Over The Rainbow
"Hollywood Musicals of the Golden Age are still among us"

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Ultimate Broadway
Only Broadway CD You'll Ever Need
The Best Of Broadway (Cast Recording Anthology)
Greatest Hits: Broadway
That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

Singin In The Rain - Gene Kelly
Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
'S Wonderful - Gene Kelly & Georges Guetary
Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
Stranger In Paradise - Ann Blyth & Vic Damone
Easter Parade - Judy Garland & Fred Astaire
Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
Get Happy - Judy Garland
Night And Day - Fred Astaire
True Love - Bing Crosby & Grace Kelly
Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
They Cant Take That Away From Me - Fred Astaire
Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
For Me And My Gal - Gene Kelly & Judy Garland
Puttin On The Ritz - Clark Gable & Co.
Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
Bless Yore Beautiful Hide - Howard Keel
Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

Over The Rainbow - Judy Garland
Its A Most Unusual Day - Jane Powell
Wunderbar - Kathryn Grayson & Howard Keel
Cant Help Lovin Dat Man - Ava Gardner
Going Hollywood - Bing Crosby
The Trolley Song - Judy Garland, The M-G-M Studio Chorus
Gigi - Louis Jourdan
I Got Rhythm - Judy Garland, Mickey Rooney & Co.
Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
The Lady Is A Tramp - Lena Horne
The Best Things In Life Are Free - June Allyson & Peter Lawford
Cheek To Cheek - Fred Astaire
A Kiss To Build A Dream On - Louis Armstrong
Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
If Swing Goes, I Go Too - Fred Astaire
Almost Like Being In Love - Gene Kelly
Lets Face The Music And Dance - Fred Astaire
Be A Clown - Gene Kelly & Judy Garland
Embraceable You - Connie Francis
On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

"Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)

Average customer rating:

Awesome to hear the old masters almost live.
The Greatest Ragtime of the Century
A great introduction and sampling.

The Greatest Ragtime of the Century

Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Compilations | Jazz | Styles | Music

Stride Piano | Traditional Jazz & Ragtime | Jazz | Styles | Music

Boogie-Woogie | Traditional Jazz & Ragtime | Jazz | Styles | Music

Ragtime | Traditional Jazz & Ragtime | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Complete Piano Music of Scott Joplin
Scott Joplin: Piano Rags
King of the Ragtime Writers
The Sting: Original Motion Picture Soundtrack
Red Hot Ragtime Volume 1

ASIN: B00009PJST
Release Date: 2003-06-10

Tracks:

Shreveport Stomp - Jelly Roll Morton
Sweet Man - Jelly Roll Morton
Tom Cat Blues - Jelly Roll Morton
A New Kind Of Man With A New Kind Of Love For Me - Thomas 'Fats' Waller
Nobody But My Baby - Thomas 'Fats' Waller
Got To Cool My Doggies Now - Thomas 'Fats' Waller
Maple Leaf Rag - Scott Joplin
Weeping Willow Rag - Scott Joplin
Something Doing - Scott Joplin
Steeplechase Rag - James P Johnson
Twilight Rag - James P Johnson
Charleston Rag - Eubie Blake
It's Right Here For You - Eubie Blake
Fare Thee Honey Blues - Eubie Blake
Mr. Freddie Blues - Jimmy Blythe
Regal Stomp - Jimmy Blythe

Customer Reviews:

Awesome to hear the old masters almost live........2007-03-27

It was an awesome experience to hear Ragtime and early blues played by the masters themselves. When you hear the music from their own hands, if not their own pianos, it makes the music immediate, and makes even clearer the stylistic differences of the various American musical pioneers. The sound quality is excellent. I'd strongly recommend this recording to anyone who enjoys early-20th-century jazz.

The Greatest Ragtime of the Century.......2005-10-30

What a terrific CD. What a joy to add to your life. Everyone should begin their day with this Great Ragtime.We would all be much better.

As a former dancer, Flapper, wth the Charleston in my routine, I do appreciate Great Music. I'm not quite as good as I used to be, but neither are you, Gal. Will be 66 next birthday. Still have the rhythm and love life.

Put some spice in your life and don't let this CD get away. Please, just get it today.

A great introduction and sampling........2005-08-23

Prior to this album, the only ragtime I really knew was "The Entertainer" and "Maple Leaf Rag". I don't know how this album fares for enthusiasts, but I've thoroughly enjoyed it. It introduced me to several different composers. The way the album is organized by giving you a two or three song block by each composer is good. As you listen to this, you can easily hear the different styles from one composer to another. As for the recording quality, I don't have any complaints whatsoever. Each note is clear without much noticable fuzz or hissing. The versions of Scott Joplin's songs are played a bit brash and speedy when compared to Joshua Rifkin, but I think they sound livlier because of it. Overall a solid release.

Average customer rating:

supreme collection of a maestro's work
Hand Full of Keys
Meet Fats!!!
Wonderful introduction to Fats Waller

If You Got to Ask, You Ain't Got It!
Fats Waller
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Stride Piano | Traditional Jazz & Ragtime | Jazz | Styles | Music

Jive Jazz | Jazz | Styles | Music
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Legends of Country Music
Friends of Old Time Music: The Folk Arrival 1961 - 1965
Stitt's Bits: Bebop Recordings 1949-1952
How Low Can You Go: Anthology of the String Bass (1925-1941)
Sound Grammar

ASIN: B000HEWGQU
Release Date: 2006-09-26

Tracks:

Honeysuckle Rose
How Can You Face Me?
The Panic Is On
Sugar Rose
I'm Crazy 'Bout My Baby
Lost Love
Our Love Was Meant To Be
The Joint Is Jumpin'
A Hopeless Love Affair
Hold My Hand
Patty Cake, Patty Cake
Honey Hush
Anita
Squeeze Me
Old Grand Dad
All That Meat And No Potatoes
Ain't Nothing To It
Bessie, Bessie, Bessie
Cash For Your Trash
You Must Be Losing Your Mind
Up Jumped You With Love
Ain't Misbehavin'

Tracks:

St. Louis Blues
'Sippi
Thou Swell
Numb Fumblin'
Ain't Misbehavin'
Love Me Or Leave Me
Smashin' Thirds
My Fate Is In Your Hands
African Ripples
Viper's Drag
Keepin' Out Of Mischief Now
Star Dust
Carolina Shout
Serenade For A Wealthy Widow
Rosetta
Functionizin'
Loungin' At The Waldorf
Blue, Turnin' Grey Over You
In The Gloamin'
Mamacita
The Jitterbug Waltz
Honeysuckle Rose

Tracks:

(I'll Be Glad When You're Dead) You Rascal You
You're Not The Only Oyster In The Stew
What's The Reason (I'm Not Pleasin' You)
Lulu's Back In Town
I'm Gonna Sit Right Down And Write Myself A Letter
Dinah
There'll Be Some Changes Made
Somebody Stole My Gal
Christopher Columbus
It's A Sin To Tell A Lie
She's Tall, She's Tan, She's Terrific
The Sheik Of Araby
Two Sleepy People
A Good Man Is Hard To Find
Hold Tight (Want Some Seafood, Mama)
'Tain't What You Do (It's The Way That You Do It)
Your Feet's Too Big
Darktown Strutters Ball
I Can't Give You Anything But Love
You Run Your Mouth, I'll Run My Business
Let's Get Away From It All
'Tain't Nobody's Biz-Ness If I Do

Customer Reviews:

supreme collection of a maestro's work.......2007-04-02

This scrupulously assembled box solves the where-do-I-start question for anyone who wants some serious representation of this master's work in his or her collection. Waller's ouevre is immense, multifaceted, and essential. So a box like this that culls from his most important categories of music [one disk each of his own sung songs, instrumentals, and tin pan alley covers] is an invaluable boon to any jazz fans that want more than a single-disk 'intro' set. The selections are brilliant, the sound is dazzling, and the accompanying documentation is amazing. All in all, one of the best jazz boxes I personally have ever seen. Recommended with the highest honors.

Hand Full of Keys.......2007-01-20

There's too little of Waller available on CD-this begins to make up the lack. As usual, his playing is what stands out in this excellent collection.

Meet Fats!!!.......2007-01-19

Mr Orrin Keepnews, one of the legendary jazz producers has given us a great gift: a 3cd box set to get all music fans started on knowing and appreciating one of the great genious of early jazz: Fats Waller. Fats was a total package. He was a singer, an entretainer, an acomplished pianist, and one of the greatest composers in jazz. That he died before his 40th birthday is sad but also speaks greatly of the man who could compose songs just by opening his mouth.

The collection is divided in 3: disc one features Fats the composer, disc 2 Fats the pianist and disc 3 is Fats the entretainer (singing Tin Pan alley songs). Great care and love was put in selecting the songs and the packgaing. The booklet alone deserves a grammy. Great essays and photos. And the price is right. You dont have a reason why you should not get this box.

Wonderful introduction to Fats Waller.......2006-10-03

My wife bought this set for me after hearing about it on NPR. Though I love jazz, my album collection is only fair to middlin' (e.g., Louis Armstrong, Jelly Roll Morton, Miles Davis, Coltrane, etc.) and this is my first Fats Waller album. Though it is my first, it won't be my last - as I listened to Fats' phenomenal stride piano and Armstrong-reminiscent voice, I became an instant fan. I have had it two days and have listened to it at home, in the car on the way to work and even at work. I can't get enough.

This is a fan review. I leave it to the real jazzophiles to provide technical reviews (e.g., I can't speak to the production quality or selection of songs, given how prolific a songwriter/performer Fats was). As a new fan, however, I highly recommend this set as an introduction to Fats' music and it's hard to beat the price for a box set. The set includes an informative booklet that provides background on and plenty of pictures of Fats, His Rhythm and his times.

A few of my favorite songs from the album (so far) are "Honeysuckle Rose," "Hold My Hand," and "Honey Hush." That being said, I haven't heard a song I haven't liked.

The Apple Tree (1966 Original Broadway Cast)

Average customer rating:

Very good show which I hadn't heard of...
THE APPLE TREE (1966 ORIGINAL BROADWAY CAST)
I still remember these songs after 40 years
Really 2.5
Boring material that you forget very easily

The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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ASIN: B0000027WD
Release Date: 1992-11-24

Tracks:

Eden Prelude
Here In Eden
Feelings
Eve
Friends
The Apple Tree (Forbidden Fruit)
Beautiful, Beautiful World
It's A Fish
Go To Sleep, Whatever You Are
What Makes Me Love Him?/Eden Postlude
The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
Forbidden Love (In Gaul)
The Apple Tree (Reprise)
I've Got What You Want
Tiger, Tiger
Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
Passionella Prelude
Oh, To Be A Movie Star
Gorgeous
(Who, Who, Who, Who) Who Is She?
I Know
Wealth
You Are Not Real
Passionella Postlude/Finale

Customer Reviews:

Very good show which I hadn't heard of..........2007-05-13

I was very into theatre in high school and college and thought I was up on most musicals, but had never heard of this show until recently. It's comprised of three short stories which were adapted into the musical format. The first two stories are tied together very well, although the last seems tacked on. But the songs are catchy and it's fairly easy to figure out what's happening simply by listening to the songs. There are two songs which are tied for my favoritism: "It's a Fish" from Adam and Eve and "You Are Not Real" from Passionella. Check it out.

THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10

IT WAS EXACTLY WHAT I WAS LOOKING FOR. I WENT TO THE REVIVAL OF THE APPLE TREE ON BROADWAY IN NEW YORK CITY AND LOVED THE SCORE BUT THERE WASN'T A SOUNDTRACK AVAILABLE SO I PURCHASED THE ORIGINAL VERSION AND I ABSOLUTELY LOVE IT!

I still remember these songs after 40 years.......2006-11-05

I saw this show on the stage when it first ran, and have never forgotten it. The key to a good Broadway show is this question: Are you humming the songs when you leave the theatre? In the case of The Apple Tree, the answer is a resounding "Yes." I have been waiting 40 years for this show to be revived, and I have tickets for the revival opening in December at the Roundabout. I hope not to be disappointed, for the trio of Barbara Harris, a very young Alan Alda, and the late Larry Blyden were terrific. The three-part concept can be jarring because just when you're getting into the story, it ends -- but just enjoy the kind of songs they just don't write anymore.

Really 2.5.......2006-07-25

SO this is another show thats actually three one acts. The first "The Diary of Adam and Eve" is the best by far. It has really cute songs and nice plot. Thats the only reason I rounded this up from 2.5 to 3 stars. The rest of the show is nothing great. "Lady and Tiger" is short and boring. And "Passionella" is exactly what it sounds like, a knock off of Cinderella. But hey, its a good show for collectors and "The Diary of Adam and Eve" is nice. Favorite Song: "Its A Fish"

Boring material that you forget very easily.......2006-06-29

According to some reviews, this musical was supposed to be very good and I bought it. Unfortunately, I was quite dissapointed. It's composed of three different tales, the first one referring to the Adam & Eve biblical story. The lyrics here are very silly and tedious. The second tale, "The Lady or the Tiger?" contains songs that are simply awful, probably the worst ever written for a Broadway show. The third story, "Passionella", contains music that does nothing to make things better. The album contains a good informative booklet in English, German, French & Italian (as Sony uses to do)which says that Time magazine defined this show as "three moldy figs". I entirely agree. I would recommend this musical to those suffering from insomnia: it will put them to sleep right away.

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Average customer rating:

Music Man
One of This Country's Finest Musicals Beautifully Re-Mastered
We need a new remaster, nonetheless
Accept no substitutes!
Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

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My Fair Lady (1956 Original Broadway Cast)
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ASIN: B000002SNL
Release Date: 1992-11-17

Tracks:

Act I. Overture/Rock Island - Vern Reed
Act I. Iowa Stubborn - Ensamble
Act I. Ya Got Trouble - Robert Preston/Ensemble
Act I. Piano Lesson - Barbara Cook/Pert Kelton
Act I. Goodnight My Someone - Barbara Cook
Act I. Seventy-Six Trombones - Robert Preston
Act I. Sincere - Buffalo Bills
Act I. The Sadder But Wiser Girl For Me - Robert Preston
Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
Act I. My White Knight - Barbara Cook
Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
Act II. It's You - Buffalo Bills
Act II. Shipoopi - Iggie Wolfington, Ensemble
Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
Act II. Gary, Indiana - Eddie Hodges
Act II. Till There Was You - Barbara Cook, Robert Preston
Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

The Ultimate Gilbert & Sullivan Collection

Average customer rating:

Well worth the price
Not Exactly "The Ultimate" Collection...
Where's the chicks?!?!
Not quite the ultimate....
Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

The Best of Gilbert & Sullivan
Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
Topsy-Turvy
The Best of Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

H.M.S. Pinafore: We Shall Sail The Ocean Blue
H.M.S. Pinafore: I'm Called Little Buttercup
H.M.S. Pinafore: My Galant Crew, Good Morning
H.M.S. Pinafore: I'm The Monarch Of The Sea
H.M.S. Pinafore: When I Was A Lad
H.M.S. Pinafore: Nevermind The Why And Wherefore
H.M.S. Pinafore: Kind Captain, I've Important Information
H.M.S. Pinafore: Carefully On Tip - Toe Stealing
H.M.S. Pinafore: For He Is An Englishman
The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
The Pirates Of Penzance: With Cat Like Tread
The Sorcerer: My Name Is John Wellinton Wells
The Gondoliers: Take A Pair Of Sparkling Eyes
Patience: If You're Anxious To Shine
The Mikado: If You Want To Know Who We Are
The Mikado: A Wand'ring Minstrel I
The Mikado: Behold The Lord High Executioner
The Mikado: As Someday It May Happen
The Mikado: Three Little Maids From School Are We
The Mikado: The Sun Whose Rays Are All Ablaze
The Mikado: Here's A How - De - Do!
The Mikado: From Ev'ry Kind Of Man Obedience I Expect
The Mikado: A More Humane Mikado Never Did In Japan Exist
The Mikado: The Criminal Cried As He Dropp'd Him Down
The Mikado: The Flowers That Bloom In The Spring, Tra La
The Mikado: On A Tree By A River A Little Tom Tit
The Mikado: There Is Beauty In The Bellow Of The Blast
The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

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