Going Solo [Explicit Lyrics]

Track Listings

1. Harder and Harder

2. Life of a Gangsta - Deuce Mob, , T-Dubb

3. Going Solo

4. What Are You Going to Talk About

5. Front of a Barrel

6. My '64 - A.W.B., Deuce Mob,

7. Job Well Done

8. Where You From - A.W.B., Deuce Mob

9. Night Owl

10. North Side Playa

11. Latin Nights - A.W.B., Deuce Mob,

Going Solo,Deuce Mob,Thump Records,Hardcore Rap,Hip-Hop,Rap,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues

Average customer rating:

One of the best ever!
Kristen Chenowith
Has its moments
Great CD!
This woman has what it takes, and then some...

Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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As I Am
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Leonard Bernstein's Candide (Great Performances)
WICKED: THE GRIMMERIE, A BEHIND-THE-SCENES LOOK AT THE HIT BROADWAY MUSICAL

ASIN: B000059T4T
Release Date: 2001-05-29

Tracks:

Let Yourself Go
If
How Long Has This Been Going On?
My Funny Valentine
Hanging Around with You (with Jason Alexander)
The Girl in 14G
I'll Tell the Man in the Street
I'm a Stranger Here Myself
Nobody Else But Me
Nobody's Heart Belongs to Me/Why Can't I?
Should I Be Sweet?
He's Just an Ordinary Guy
Going to the Dance with You
On a Turquoise Cloud
You'll Never Know
Daddy

Amazon.com

Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi

Customer Reviews:

One of the best ever!.......2007-04-24

Do I mean the best album or the best singer? You are correct if you said both! I saw Kristin Chenoweth on a PBS show "Broadway's Best at the Pops," (though it was not the first time I had heard her) and decided to check out the offerings here. This is a collection of the kind of music and performances I love. She has a great range, a precise pitch, and a great style that is at the same time true to the music and to herself. In an era when singers try to outdo each other re-interpreting the composer's original work, not usually with great success, she is a blessing!

Kristen Chenowith.......2007-02-26

I bought this CD for the Girl in 14G. Yes, it's that good...

Has its moments.......2007-02-19

After watching Candide endlessly and going to see Ms. Chenoweth in The Apple Tree, I was hungry for something more portable to listen to. At times this fits the bill, but what surprised me the most is how thin her voice comes across on this recording. Perhaps it was the joy of seeing her live that has ruined this listener; perhaps I need to upgrade my aging music system. Then again, maybe the recording is just not as good as Ms. C singing Bernstein or as good as staring at Ms. C command a Broadway stage.

Great CD!.......2007-01-19

I truly enjoy listening to this CD. Kristin Chenoweth's vocal style and abilities are very well-matched to the songs selected for this album. If you enjoy classic, older-style Broadway/popular tunes, I would highly recommend this CD. Ms. Chenoweth has a bright, expressive voice and does a fantastic job with this material.

As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.

This woman has what it takes, and then some..........2007-01-12

Kristin Chenoweth brings new life to some timeless Broadways tunes while introducing a few wonderful new ones. This high pitched vocal goddess effortlessly provides for a nearly flawless and easy listening experience. I definitly recommend this CD for anyone who enjoys jazz vocals, showtunes, or just a new spin on some old classics.

Average customer rating:

Selections from the Greatest Voice of the Last Hundred Years
A Must Have
The Mario Lanza Collection
The MARIO LANZA Collection
WONDERFUL!!!!!

The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

Be My Love
I'll Never Love You
Because You're Mine
The Song Angels Sing
Drink, Drink, Drink
Serenade
The Loveliest Night of the Year
La Donna E Mobile
Because
For You Alone
Golden Days
Deep In My Heart, Dear
If I Loved You
Yours Is My Heart Alone
One Night Of Love
Beloved
Beautiful Love
With A Song In My Heart
You Are My Love
Call Me Fool

Tracks:

All The Things You Are
My Song,My Love
Love Is The Sweetest Thing
Will You Remember
Granada
Lolita
Serenade
Temptation
Lygia
Lady of Spain
This Land
Lee-Ah-Loo
Tina-Lina
Boom Biddy Boom Boom
The Bayou Lullaby
The Lord's Prayer
And Here You Are
Song of Songs
Somewhere A Voice Is Calling
I Never Knew

Tracks:

Ciribiribin
Wonder Why
Come Dance With Me
O Sole Mio
Younger Than Springtime
For the First Time (Come Prima)
Never Till Now
Arrivederci, Roma
If You Were Mine
Behold!
A Night to Remember
Love in a Home
Do You Wonder
Softly as in a Morning Sunrise
One Alone
Aida:Celeste Aida
Carmen: Flower Song
La Traviata: Brindisi
Rigoletto:Questa O Quella
Pagliacci:Vesti La Giubba
Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.

Average customer rating:

For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):
The songs that didn't get away
Songs that showcase Sarah's theatrical gifts
Good, for Sarah Brightman
Pleasant, but not up to standard

The Songs That Got Away

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Dive
Surrender
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Fly
Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2

ASIN: B000005S0R
Release Date: 1999-11-16

Tracks:

Meadowlark
I Am Going To Like It Here
I Remember
Mr. Monotony
Dreamers
Silent Heart
Lud's Wedding
Three-Cornered Tune
If I Ever Fall In Love Again - Sarah Brightman Sarah Brightman
What Makes Me Love Him?
Chi Il Bel Sogno Di Doretta
Away From You
If Love Were All
Half A Moment - Sarah Brightman Sarah Brightman

Amazon.com

For those Sarah Brightman fans who didn't spring for The Songs That Got Away when it was a pricey import, this domestic release will be a must-buy. Originally recorded in 1989 shortly after she achieved international fame in The Phantom of the Opera, the album spotlights obscure American and British musical theater songs that either were removed from shows or were "lost" when the shows themselves slipped out of the repertoire. (Of course, some of the songs aren't nearly as obscure as they were in 1989--the opening track, Stephen Schwartz's soaring "Meadowlark," has since been claimed by Liz Callaway, Patti LuPone, and Betty Buckley, while Stephen Sondheim's "I Remember"--well suited to Brightman's glasslike tones--is now recognized as one of his most gorgeous and haunting compositions.) Brightman performs well on this diverse collection of entertaining and often lovely songs, including an early draft of Frank Loesser's "Fugue for Tinhorns," here sung as a triple-tracked, lilting waltz, and the Puccini aria "Chi il bel sogno di doretta," which foreshadows her later, more ambitious crossover projects. There's also a tune from Jeeves by then-husband Andrew Lloyd Webber, who produced this album not long before he and Brightman divorced in 1990. --David Horiuchi

Customer Reviews:

For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):.......2007-02-24

This is an interesting and surprising production that showcases the vocal prowess of Sara Brightman. It is not however, representative of the new and highly overproduced vocal productions that constitute her newer recordings. Although this production really allows the listener to hear a very melodic and unencumbered vocal performance, as it is pleasing in it's simplicity, yet meant for the more discriminating listener. Fans of Irving Berlin, Andrew Lloyd Weber, and Richard Rodgers will feel right at home here. For those seeking another major sonic production as in Eden, La Luna, Dive, or The Harem Tour this is not it! My criticism is not of her vocal prowess or production values but the apparently endless array of previously released material offered as a new and different recording. But I suppose that this is rather due to the greedy objectives of of A&M Records just trying to go to the bank, often and laden heavy with dollars. Nothing that any label wouldn't try to do. My advice with Sara Brightman is "caveat emptor" (buyer beware) check the disc carefully for redundancy of tracks within her discography. If you're a fan of this genre of music, you will probably respond quite well to this recording.

The songs that didn't get away.......2004-02-12

This is one of my favorite albums by Sarah. She surprised me with her ability to go from light opera to jazz. Here we don't find the over-produced albums such as Harem, just a superbly trained voice. No little girl breathy tunes here, just solid performances. This is the Sarah Brightman that I like to remember and enjoy. If you see this album and you're a Sarah Brightman fan, pick it up and treasure it. I'd like to see her do more of thisgenre, where she showcases her voice. Who ever thinks that Sarah has a small voice will be convinced otherwise by this album.

Songs that showcase Sarah's theatrical gifts.......2003-12-11

Before experimental albums like Dive and Fly, as well as the ones where her classically-trained voice enchanted millions, Sarah Brightman did a collection of musical and theatrical songs originally released in 1989, but reissued when she made it big with Time To Say Goodbye. Her vocal style leans towards the theatrical Broadway side, but more mellowed. But on songs like the strings-laden mid-tempo "Meadowlark" from Stephen Schwartz's The Baker's Wife, the way she would later do splendidly interpret Lloyd Webber's songs is in the making. Here are other highlights, including those that were reissued on Sarah's Encore album (2002).

Stephen Sondheim's "I Remember" is a sad ballad told from the POV of a window mannequin remembering the sights it has experienced throughout the seasons, but the memories are now hazy and at the end, it sings, "At times I think/I would gladly die/for a day of sky."

Some songs like "Lud's Wedding" from Bernstein's failed bicentennial musical, only seem to work due to Sarah's voice. Ditto for the simple "Three-Cornered Tune." Consisting of three verses, each repeated twice. However, Irving Berlin's "Mr. Monotony", a tune understandably cut from Easter Parade, is not a particularly inspiring song.

Marvin Hamlisch's "Dreamers" is one of my favourites here, as I have affinity to it, and I'm sure Sarah is one at heart as well. "Only dreamers have wings with which to fly far away", as in their own fantasies, but unfortunately, "sometimes dreamers are forced to leave their dreams far away", i.e. the harshness of reality. However, it paints them in a positive light and states that everyone needs to have some sort of dream "to take time to find treasures and mountains we can climb."

"Silent Heart" really showcases Sarah's voices, on how some things the heart is best left silent, as in things that really thrill it. "If I Ever Fall In Love Again" is taken from The Crooked Mile and is a nice love song Sarah really wraps herself in.

"Chi Il Bel Sogno Di Doretta" from Puccini's La Rondine is a great showcase of the operatic voice that would come into full bloom on Time To Say Goodbye. This song would be reissued on Encore.

"Away From You" by Richard Rodgers, and taken from a musical biog of Henry VIII (!!!). "The clocks are frozen and time's a traveler who's lost his way" is one of the sentiments Sarah conveys effectively. Also reissued on Encore.

"If love were all, I should be lonely" sings Sarah from Noel Coward's Bittersweet, "If Love Were All" was the one song that stood out for me when I first heard this CD. The ability of a talent to amuse is seen as a solid standing for mental security. A definite standout here.

From Lloyd Webber's Jeeves, the lush strings of "Half A Moment" features the vocal stylings familiar enough to those who have Sarah's Andrew Lloyd Webber Collection. It focuses on how important the capture of a moment to bright up a future rainy day is. Also reissued on Encore.

Initially, I dismissed this as the songs that should've stayed away. Although they lack the magical punch of Time To Say Goodbye or La Luna, it's still a worthwhile collection, because Sarah's clear birdlike theatrical/musicals voice makes it all worthwhile.

Good, for Sarah Brightman.......2003-08-25

Some people just love Sarah's voice, but I don't see what's so special about it. She sings in two sorts of ways, the first one is lovely, simple, forgetable, and the other sounds like Stitch with a high voice. This CD does her justice, though. A lot of the tunes are catchy and nice (how she sings them could be better) but the one I really like is "Three cornered tune." Now that's a good song! She does not have a particularly bad voice, but nothing interesting - that's for sure. And when she tries to act in her music she sounds even worse! But that's alright. After all, everyone has a different style. A highlight of this CD includes "Mr. Monotony," which, unfortunatly, did not come with lyrics in the CD case. Too bad, because its a great song. At the end of this record, though, she writes about these songs and - wow! It is amazing how many shows that song was taken out of! At one point it said it had Judy Garland singing it, and when I try to imagine her doing it I know that must have been awesome. I really want to hear Judy Garland singing this song sometime. Maybe I'll find it here on Amazon... But anyway, back to Sarah Brightman. The only other thing I can think of to say at the moment is that from what I've heard of her records, this is as good as it gets. And also, the track titled "Dreamers" is nice. I like the tune and she doesn't sing it too bad, either. It would be a good song to be played at a graduation. Only after a while the sound of it gets a little creepy and annoying. And its sticky, too. "Silent heart" is a classic, though she shouldn't sing it twice. For you see, she sings it, and then you think, "Ah, that's a sweet song. Wonderful words, soft tune," and the music gets at a great stoping point and then comes back for an encore (as one of Sarah's other records is titled). And then we have to listen to it all over again - and its not as good the second time. So overall is it good? Yes, it is. Though perhaps not good enough.

Pleasant, but not up to standard.......2003-06-22

I love Sarah Brightman's singing and her musical style as presented on Eden and La Luna. This CD is completely different in style from those two. I find it enjoyable, but it is not my favorite. Her singing is nothing special on this CD, it doesn't display her vocal range or talent in the way that her other CDs do, especially her CD "Surrender", her vocals are absolutely stunning on that CD.

Average customer rating:

Amazing skills, yet too busy for listening enjoyment
John Bayless Christmas Rhapsody
best concert pianist in the world
My favorite of the season
Best Piano Christmas CD ever!

Christmas Rhapsody

Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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Romantica
Bach Meets the Beatles: Revisited
The Puccini Album: Arias for Piano
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ASIN: B0002VEQ5C
Release Date: 2004-10-05

Tracks:

O COME ALL YE FAITHFUL / ANGELS WE HAVE HEARD ON HIGH / HARK! THE HERALD ANGELS SING
I'LL BE HOME FOR CHRISTMAS / "GOING HOME" NEW WORLD SYMPHONY
SANTA CLAUS IS COMING TO TOWN / DANCE OF THE SUGAR PLUM FAIRY
THE CHRISTMAS SONG
RUDOLPH THE RED NOSED REINDEER / LET IT SNOW
AVE MARIA
O COME O COME EMANUEL / O LITTLE TOWN OF BETHLEHEM / THE FIRST NOEL
WINTER WONDERLAND / JINGLE BELLS
SILENT NIGHT / O HOLY NIGHT
SWEET LITTLE JESUS BOY / AWAY IN A MANGER / WHAT CHILD IS THIS?
JESU JOY OF MAN'S DESIRING / AMAZING GRACE
HAVE YOURSELF A MERRY LITTLE CHRISTMAS
WHITE CHRISTMAS

Customer Reviews:

Amazing skills, yet too busy for listening enjoyment.......2006-12-13

I can't believe how well John Bayless has mastered the piano. This is very obvious from the first song that you ever hear him play. I'd really like to watch him play in concert. However, the songs on this album are too much work for me to listen to. The music is so busy that I can hardly concentrate on the melody and it hardly gives me the peace I expect from traditional Christmas music. Some of my favorites for this category are Jim Brickman, David Huntsinger, and Tim Janis.

John Bayless Christmas Rhapsody.......2006-02-13

Christmas Rhapsody has quickly become one of our all time favorite Chistmas CDs. We love it so much that it is February 10th and we are still listening to it.

best concert pianist in the world.......2005-08-18

John Bayless is the best concert pianist in the world. This album shows his genuis. Perfect music to listen to any time of the year.
This is the best Christmas album on the market.

My favorite of the season.......2004-12-31

This is the holiday music I have listened to throughout the season, and it is so beautiful I cannot bear to put it away yet. I love Bayless's work at any time, and these arrangements simply take my breath away. His blending of "I'll Be Home for Christmas" with "Going Home" from the New World Symphony is particulary poignant. And his signature "Jesu Joy of Man's Desiring/Amazing Grace" is seasonless and timeless. Christmas is over, but get this anyway; it's wonderful.

Best Piano Christmas CD ever!.......2004-12-15

David Lanz? Jim Brickman? John Tesh? Move over guys... John Bayless has done what no others could... Taken the xmas classics to a new level of musical enjoyment! By combining the songs together, and making them so rich and full of life, this will be my favorite Christmas CD for a looooooooooong time.

Philip Glass : Music From "The Hours" Solo Piano

Average customer rating:

Philip Glass' Musical Score for 'The Hours' Distilled
Great music
A fine addition to your Glass library.
Beautiful piano
Exquisite . . .

Philip Glass : Music From "The Hours" Solo Piano

Manufacturer: Orange Mountain Music
ProductGroup: Music
Binding: Audio CD

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The Hours (Score)
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The Illusionist

ASIN: B00025K198
Release Date: 2004-07-20

Tracks:

The Poet Acts
Morning Passages
Something She Has to Do
"For Your Own Benefit"
Vanessa and the Changelings
"I'm Going to Make a Cake"
An Unwelcome Friend
Dead Things
The Kiss
"Why Does Someone Have to Die?"
Tearing Herself Away
Escape!
Choosing Life
The Hours

Album Description

In 2002 Philip Glass composed the soundtrack score to the Stephen Daldry film "The Hours". The film went on to receive 9 Acadamy Awards nominations, including one for `best score'.

At the beginning of the film, Daldry depicts the timelessness of small daily events, how the real elements of life are patterns that repeat across time. The movie opens with three women from three different eras intercut, all doing similar things. There's Virginia Woolf (Nicole Kidman) in 1923, a troubled young mother (Julianne Moore) in 1951 and a woman (Meryl Streep) in 2001 making preparations for a party later that evening. In one location flowers are bought, in another displayed, in another discarded. Philip Glass' score intensely underlines the images with a sense of strangeness and sympathy.

Michael Riesman, Mr. Glass' longtime musical director and producer of the film score recordings, created solo piano adaptations of the original score and has been performing them in concert.

Orange Mountain Music is very happy to release a CD of studio recordings of this beautiful and emotional work performed by the brilliant pianist and intimate interperter of Philip Glass' work, Michael Riesman.

Customer Reviews:

Philip Glass' Musical Score for 'The Hours' Distilled.......2007-03-28

Returning to view the masterfully created cinematic production of Michael Cunningham's THE HOURS always leaves the reminder that much of the atmosphere that made the film work so well on every level was the musical score composed by Philip Glass. The soundtrack recording from the film remains for this listener a constant companion and now there is yet another extension of the eloquence of Glass' achievement.

Glass' longtime musical colleague is Michael Riesman, a gifted pianist as well as a composer who had the fine thought of distilling Glass' already minimalist score for piano solo. And in this recording Riesman performs his composer-sanctioned transcriptions with not only impeccable musical skill but also with the knowledge of both the Cunningham novel and the Virginia Woolf novel 'Mrs. Dalloway' on which it was based. The result is far more richly varied series of vignettes than most would have thought possible.

For those who are devotees of Philip Glass' compositions, from the very large symphonies and operas to the chamber ensemble and solo instrumental works, this series of piano transcriptions will prove rewarding. Reisman makes Glass' ideas crystalline, allowing us to hear the very subtle differences in the music he created for each character and each emotion.

For those less familiar with Philip Glass' music but very familiar with the film 'The Hours', this recording will provide an hour of nostalgia and clean swept elegance that can be heard at any moment (any hour!) of the day. Highly Recommended. Grady Harp, March 07

Great music.......2007-02-03

This recording captures the essence of Glass minimal composition, and has the same feeling and emotion that his other solo piano recordings contain.
This is also a good recording since there is only two songs that are borrowed from other recordings, namely Floe and Metamorphosis #3. Floe is a beautiful song on solo piano, and actually sounds better without the flute in my opinion.

A fine addition to your Glass library........2006-08-21

Let's get this part out of the way: Ghastly movie, beautiful music. One of Philip Glass's richest scores transcribed for piano and ready to be re-experienced on a different, core level. Glass has always been an acquired taste. If you enjoy his work, this is worth adding to the collection.

Beautiful piano.......2005-09-21

I loved this soundtrack when I first heard it on the film and to hear it with solo piano--in it's most basic true form--is so fantastic. It has even more emotion simplified.

Exquisite . . . .......2005-08-16

masterpiece from Philip Glass, it reflects all movie emotion since movie beginning until the end. You can go from calm and quiet short periods to an inevitable rush. A barely bearable anxiety.

Elaine Stritch - At Liberty (2002 Original Broadway Production)

Average customer rating:

A National Treasure
Stritch is superb
Entertaining but grating on the ears
Great Broadway Review
Elaine Stritch at Liberty

Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Elaine Stritch at Liberty
Bea Arthur on Broadway - Just Between Friends
Stritch
Company - A Musical Comedy (1970 Original Broadway Cast)
Company (2006 Broadway Revival Cast)

ASIN: B000060P33
Release Date: 2002-04-02

Tracks:

There's No Business Like Show Business (Berlin)
Caca
I Want a Long Time Daddy (Grainger)
A Piece of Mahler
This Is All Very New to Me (Hague/Horwitt)
Going to New York
Marlon Brando
Broadway Baby (Sondheim)
My First Broadway Show
Civilization (Hilliard/Sigman)
Ethel Merman
Can You Use Any Money Today? (Berlin)
Pal Joey
Zip (Hart/Rodgers)
Ben Gazzara
Nokl Coward
Why Do the Wrong People Travel (Coward)
Richard Burton
But Not for Me/If Love Were All (Gershwin/Gershwin)
I'm Still Here (Sondheim)
Booze
Little Things You Do Together (Sondheim)
The Ladies Who Lunch (Sondheim)
John Bay
There Was Never a Baby Like My Baby (Comden/Green/Styne)
I've Been to a Marvelous Party (Coward)
God So Quickly
The Party's Over (Comden/Green/Styne)
Absent Almost Always
Something Good (Rodgers)

Tracks:

I'm Still Here (Sondheim)
Booze
Little Things You Do Together (Sondheim)
The Ladies Who Lunch (Sondheim)
John Bay
There Was Never a Baby Like My Baby (Comden/Green/Styne)
I've Been to a Marvelous Party (Coward)
God So Quickly
The Party's Over (Comden/Green/Styne)
Absent Almost Always
Something Good (Rodgers)

Amazon.com

Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli

Customer Reviews:

A National Treasure.......2007-07-05

This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.

Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.

If you love Broadway then you must buy this CD.

Stritch is superb.......2007-06-27

The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!

Entertaining but grating on the ears.......2007-05-11

I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.

Great Broadway Review.......2007-04-11

I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.

Elaine Stritch at Liberty.......2007-01-19

Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.

Certainly worth the money!

Average customer rating:

Broadway Sings the Blues: Party's Over

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Curtains (2007 Original Broadway Cast)
Mame (1966 Original Broadway Cast)
Hallelujah, Baby! (1967 Original Broadway Cast)
A Little Night Music
Live from Radio City Music Hall

ASIN: B000002921
Release Date: 1993-09-21

Tracks:

Bewitched, Bothered And Bewildered (Mono) - Vivienne Segal
Smoke Gets In Your Eyes (Mono) - Joan Roberts
I Never Know When - Elaine Stritch
Lonely Town - John Reardon
Where Am I Going? - Gwen Verdon
If He Walked Into My Life - Angela Lansbury
Anyone Can Whistle - Lee Remick
This Nearly Was Mine - Giorgio Tozzi
My Own Morning - Leslie Uggams
Send In The Clowns - Glynis Johns
Be On Your Own - Karen Akers
Being Alive - Dean Jones
Fifty Percent - Dorothy Loudon
What I Did For Love - Priscilla Lopez/Company
Bill - Anita Darian
The Party's Over - Judy Holliday

Average customer rating:

Almost as Solid as "Big Mama's Door"
GREAT SOUND
The Best!
downhome heart
Just shy of masterpiece

Down in the Alley
Alvin Youngblood Hart
Manufacturer: Memphis Int'l
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

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Similar Items:

Big Mama's Door
Territory
Start With the Soul
Motivational Speaker
Downhome Sophisticate

ASIN: B000068R2Q
Release Date: 2002-07-09

Tracks:

Judge Bouche
How Long Before I Change My Clothes
Deep Blue Sea
Jinx Blues
Bootlegger's Blues
Alberta
Broke And Hungry
Devil Got My Woman
Chilly Winds
Tom Rushen Blues
Please Baby
Motherless Child

Amazon.com

Time traveler Alvin Youngblood Hart's albums have darted from crusty Delta fingerpicking and hollering to Hendrixian hellfire to crunchy, primal rockin' blues, all with the ring of authority that comes from complete commitment to the music. This time, he's set the wayback machine to the early '30s, using guitars, mandolin, banjo, and a lot of heart to interpret tunes by Son House, Charley Patton, Skip James, Leadbelly, and others. Somehow, the dust of old Mississippi, the state where the Oakland-born musician now resides, seems to have gotten into his blood. Hart sounds like Parchman Farm's newest inmate as he wails and moans through "How Long Before I Can Change My Clothes," plucking notes from a National resonator guitar. Chiming out chords and quick runs on banjo, he makes Odetta's "Chilly Winds" seem like they're carrying the voices of lost ghosts, recounting their lives of misery under Jim Crow's wing. Hart tends to take many of these classics, like Patton's "Tom Rushen Blues" and Leadbelly's "Alberta," at slightly slower tempos, which gives him more time to squeeze gut emotions from his lightly graveled phrases and lets his pluck-and-drone playing work its hypnotic effect. Stark and impressive for the power Hart generates alone, this may be the acoustic blues album of the year. --Ted Drozdowski

Album Description

On his fourth (Grammy Nominated) album (for his fourth label), the contemporary bluesman sounds inspired and refreshed as he accompanies himself on acoustic six-string guitar, banjo, and mandolin. Hart runs down fairly obscure tunes from Son House, Charley Patton, Leadbelly, Skip James, and Sleepy John Estes, infusing them with a jolt of energy while staying true to their original versions and invigorating them with inspired interpretations. Liner notes by Billy Gibbons, Robert Gordon & Dave Alvin. Dot. 2002.

Customer Reviews:

Almost as Solid as "Big Mama's Door".......2003-10-23

This cd is excellent. It is almost flawless. It's also just a step or two below "Big Mama's Door", which was Hart's first release. The only real flaw on this cd is the song selection. Hart does Leadbelly's "Alberta", instead of doing the Mississippi Sheiks/Bo Carter version of the song, which happens to be a much more melodic and pretty tune. Also, Alvin plays "Devil Got My Woman", which has been done to death by everyone and their grandma. The cd also seems a bit short; there are twelve songs on this disc and you could probably fit fourteen or maybe even fifteen. Still, this cd marks a return to acoustic country blues for Hart. Buy this, you will not be disappointed!

GREAT SOUND.......2003-01-05

WHO ELSE CAN PLAY A GUITAR OR BANJO WITH A DIFFERENT COORDINATED RHYTM AND MELODIE. HE REMINDS ME ON A JUGGLER.

The Best!.......2002-08-25

This is a wonderful CD. Alvin is back at what he does best. If you are an acoustic country blues fan. BUY THIS!! Easily the best acoustic blues album of 2002. Period. His version of Bukka White's "Change My Clothes" will blow you away with the wonderful cornfield holler falsetto. Damn!

downhome heart.......2002-08-18

While of course Alvin Youngblood Hart has the right to do any kind of music he chooses, it would be hard to dispute that he does downhome African-American music best. He's in top form on this splendid recording, which harks back to the sound of his first. Like Lead Belly, Mississippi John Hurt, Henry Thomas, and Mance Lipscomb, he is a gifted bluesman but not only a bluesman. He is also immersed in the older rural traditions out of which the blues emerged a century or so ago. Thus, for two examples, the riveting renditions of the deep-folk songs "Deep Blue Sea" (not to be confused with the Tommy McClennan "Catfish Blues" variant of the same name) and "Chilly Winds." Though credited to Odetta, the latter is actually a cobbling-together of the title song (ubiquitous in both black and white tradition), "Pea Vine Whistle," and "K. C. Moan" -- themselves merely versions of older songs of murky origin. Hart not only revives the all-but-lost art of African-American five-string banjo but also masters it. The result is a sound nothing short of exhilarating.

I like everything on this album, with one small qualification. Hart boldly takes on the masters, making even Charley Patton's "Tom Rushen Blues" beautifully his own. Yet Skip James defeats him, as James seems to defeat everybody who tries him. Hart's version of "Devil Got My Woman" isn't bad, but James's original has an otherworldly quality which manages always to evade capture or even reinvention. If somebody has ever done a better version of any James song than James himself, I have never heard it.

This quibble notwithstanding, this is the sort of recording one has a very hard time taking off one's turntable. It should make all who hear it grateful that Hart is a relatively young man and that there's more -- plenty more, one hopes -- where it comes from.

Just shy of masterpiece.......2002-07-23

I don't want to harp on this too much. I'm a huge fan of this type of music, and Hart is one of the best at it. If this had come out first (before Big Mama's Door, that is) would I like it better? From here, it seems that BMD is more cohesive, more compelling: I suspect it's just an illusion. This (DITA) is probably just as good.

Tracks:

School Days (Byron G. Harlan)
I Just Can't Make My Eyes Behave (Ada Jones)
San Antonio (Billy Murray & Chorus)
Red Wing (Frank C. Stanley and Henry Burr)
Camp Meeting Time (Collins and Harlan)
Maple Leaf Rag (U.S. Marine Band)
Pagliacci--Vesti la giubba (Enrico Caruso)
Because Youre You (Elise Stevenson & Harry Macdonough)
Let's Take an Old-Fashioned Walk (Ada Jones and Billy Murray)
I Love a Lassie (Harry Lauder)
The Bird On Nellies Hat (Helen Trix)
My Gal Sal (Byron G. Harlan)
"Merry Widow" Waltz (Victor Dance Orchestra)
No Wedding Bells for Me (Bob Roberts)
Harrigan (Billy Murray)
Honey Boy (Columbia Quartette)
Three Rubes Seeing New York (Peerless Trio)
Bake Dat Chicken Pie (Collins and Harlan)
My Irish Rosie (Ada Jones)
Nobodys Little Girl (Byron G. Harlan)
Because I'm Married Now (Billy Murray)
He's a Cousin of Mine (Bert Williams)
The Bully (May Irwin)
If I'm Going to Die I'm Going to Have Some Fun (Arthur Collins)
Auld Lang Syne (Frank C. Stanley)

Customer Reviews:

Old music, fun listening........2007-02-11

In perspective these are some of the most popular songs of their time. I enjoy the historical value of songs from the past. Hearing someone sing about things you may have only learned from a history book, makes it more real.

Average customer rating:

A mixed bag of romantic offerings
The best tenor ever
The greatest singer of all time!

Be My Love

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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You'll Never Walk Alone
Lanza: Greatest Hits
Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
Christmas with Mario Lanza
Mario Lanza: My Romance

ASIN: B000003F3C
Release Date: 1991-01-18

Tracks:

Be My Love (The Toast Of New Orleans)
Serenade (The Student Prince)
Temptation (Going Hollywood)
Wanting You (The New Moon)
I'll Be Seeing You (The Royal Palm Revue)
With A Song In My Heart (Spring Is Here)
Without A Song (Great Day)
Danny Boy (Londonderry Air)
My Wild Irish Rose
And This Is My Beloved (Kismet)
Because
Only A Rose (The Vagabond King)
Funiculi, Funicula
Come Back To Sorrento
Maria Mari'
O Sole Mio
Neapolitan Love Song
Arriverderci, Roma
Ah! Sweet Mystery Of Life (Naughty Marietta)
Look For The Silver Lining (Sally)
Memories
The Song Is You (Music In The Air)
Ave Maria
You'll Never Walk Alone (Carousel)

Customer Reviews:

A mixed bag of romantic offerings.......2001-12-17

BMG's Lanza collections are usually a mixed bag, and this album of love songs is no exception. Interspersed with some magnificent performances are an assortment of the good, the bad, and the mediocre. Part of the problem, I suspect, is that BMG simply doesn't appreciate what treasures it has buried in its recording vaults. It's enough to bring back Lanza from the grave, swearing in High C (as Time Magazine once tut-tutted) at the injustice of it all.

Lanza, in fairness to BMG, was an inconsistent performer. In the earlier part of his brief career, he had a tendency to sing sharp, and at times his approach to various arias and songs lacked sensitivity. That's not to say he couldn't get it right. At his best he was extraordinary, combining one of the most powerful voices on record with just the right degree of melting mezza voce and a dazzling array of vocal colours. His sense of phrasing was, as Enrico Caruso Jr noted, "instinctively right", and his ability to get into the heart of a song was unquestionable. Even at his roughest, his singing was usually compelling, and one could never label any of his performances "boring".

The bad recordings generally fall into three periods of his life: the Coca-Cola Radio shows of 1951-52, the disastrous Lanza on Broadway album of 1956, and the illness-affected stereo remakes of his Christmas Carols and Student Prince albums, both recorded in 1959, the year of his death. The present CD includes material from the first two periods.

The "Coke" shows, as I've opined in a number of other reviews, produced some amazing performances of both arias and love songs. Unfortunately, however, lack of rehearsal time coupled with poor arrangements often led to the kind of wild, unrestrained singing that Lanza's detractors love to attack (while at the same time overlooking his great performances). On this CD, a number of Coke recordings were released for the first time: Danny Boy; My Wild Irish Rose; Neapolitan Love Song; and Torna a Surriento. The first two are lovely, notwithstanding a poor ending on Danny Boy and some uncertain moments in the tenor's lower register in this song. Victor Herbert's Neapolitan Song contains some piercingly sharp singing, a rough ending and some agreeable mezza voce. Torna a Surriento is too fast, too unpolished and not a patch on the piano accompaniment-only version that Lanza recorded three years later for the movie Serenade.

Among the other Coke selections is the sublime Memories, and the alternately touching and thrilling I'll Be Seeing You, with a B Flat climax that will knock your socks off. Wanting You is rough and exciting in equal measure - ditto the powerhouse Ah Sweet Mystery of Life with its ridiculously fast tempo.

Two songs from the ill-fated Lanza on Broadway album have been inexplicably included, though it must be said that at least these represent the better moments from this dreadful session. You'll Never Walk Alone contains more sharp singing, uneven rhythm and a certain bleariness, while the Borodin-adapted And This Is My Beloved is alternately belted and seductive. Incidentally, Lanza recorded a superior version of You'll Never Walk Alone for his Coke Shows; this is featured on the CD of the same name.

The real highlights for me are the immortal Serenade from The Student Prince; a thrilling Only a Rose (recorded three months after the Lanza on Broadway session and featuring a completely different voice); the aforementioned My Wild Irish Rose & I'll Be Seeing You and a mature rendition of Schubert's Ave Maria. Fans will also enjoy Arrivederci, Roma, and the ubiquitous Be My Love.

All in all an enjoyable hour, but if only more thought had been put into some of the selections...

The best tenor ever.......2001-03-01

Mario Lanza is indeed my favourite of all tenors either living or not. I must have almost everything he ever recorded. This album has a whopping 24 tracks including 5 previously unreleased recordings, which make this a must for any true fan of Lanza. This album has some of his most romantic songs, mostly from stage and film. You won't find any opera here, which is fine, there's plenty of his other albums that have that. These are songs that are guaranteed to stir your heart and soul while Mario's voice will melt them. This is a must-have and at this price there's no reason not to have it.

The greatest singer of all time!.......2000-06-29

This is one of the greatest compilations of Tenor Mario Lanza, The Voice of the Century, ever made. Mario Lanza had such a broad, well focused voice and he is represented to good measure here on songs like "Wanting You", "Neapolitan Love Song", and "Without a Song". On these selections one hears how the Lanza voice had a largeness, depth, and warmth from the bottom all the way to the very top. One will never hear songs like "O Danny Boy", "My Wild Irish Rose", "You'll Never Walk Alone", "Torna Surriento", "O Solo Mio", and "Ah! Sweet Mystery of Life" sung any better or with more feeling. My favorite on this CD, "And this is my Beloved" from Kismet displays the full Lanza Range. This, in my opinion, is one of the greatest single recordings ever made. Here Mario sings the most melting pianissimo and builds to an exciting, full bodied, heart stopping fortissimo High B flat. What passion! The particular recording of "Only a Rose" on this album has been regrettably absent from the catalogs for quite some time. It is a shame too, because Lanza makes this Vagabond King selection sound free and effortless like only Mario Lanza could. Lanza takes the listener through a guided tour, so speak, of truly the greatest singing the world has ever heard. After hearing the final selection, "You'll Never Walk Alone", there won't be a dry eye in the house. This, along with the "Don't Forget Me" Lanza CD, is one of the greatest single CD collections ever put together of Mario, or anyone else for that matter. Lanza was the greatest singer of all time and this is a must have album. The sooner you own this one, the better.

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