Lost [Explicit Lyrics]
Track Listings
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1. Intro
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2. Put Tha House on It
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3. All 4 Nuthin'
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4. Bounce Wit Me
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5. Drama in My Life - Eightball & MJG, Psycho Drama
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6. My Homeboy's Girlfriend
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See all 14 tracks on this disc
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1. 360° - E-40, Eightball & MJG, Rappin' 4-Tay,
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2. Let's Ride
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3. Time
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4. Coffee Shoppe - Eightball & MJG, Redman
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5. Pure Uncut - Eightball & MJG, Master P, Mystikal, Psycho Drama, Silkk the Shocker, Silkk the Shocker
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6. Down and Out
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See all 12 tracks on this disc
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1. Ill Hill Niggas [*]
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2. Been Done Some Shit [*] - Psycho Drama
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3. How We Roll [*] - Canibus,
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4. Scummie [*] - Crucial Conflict
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5. What You Weigh Me [*] - A+, MJG
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6. Many Know [*] - McGruff
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See all 12 tracks on this disc
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Editorial Reviews
Amazon.com
With partner MJG, Houston-based rapper Eightball has long enjoyed modest success with a Southern grassroots hip-hop style. The release of his first solo album, Lost--a grand coming-out party featuring big-name guests, sprawled over three CDs--finds him on the verge of becoming a rap megastar. But, as is the case with many multidisc studio releases, more music does not necessarily make a better record. A canny editor could've made Lost a solid single CD, though Eightball--an average rhymer upstaged by guests like Goodie Mob and Busta Rhymes--might've been cut entirely in the process. As is, two discs give Eightball time to cover all the usual (and, frankly, mostly tired) street topics, as well as offer bits of social commentary and spirituality and still leave time for a whole bonus CD featuring tracks by friends and labelmates. --Roni Sarig
Entertainment Weekly
[T]he long-winded rapper wisely relies on guests like Master P, Redman, and Busta Rhymes to keep things moving.
Lost [Explicit Lyrics]
Lost,Eightball,Universal,Dirty South,Hardcore Rap,Pop,Rap & Hip-Hop,Southern Rap
Average customer rating:
- Bon Jovi Country-Style
- Did not disappoint...
- Bon Jovi
- Loving Bon Jovi's New CD
- Hasn't come out of the CD player
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Lost Highway
Bon Jovi
Manufacturer: Mercury Nashville
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- My December
- It Won't Be Soon Before Long
- Big Dog Daddy
- 5th Gear
- Have a Nice Day
ASIN: B000P2A24W
Release Date: 2007-06-19 |
Tracks:
- Lost Highway
- Summertime
- Make a Memory
- Whole Lot Of Leaving
- We Got It Going On
- Any Other Day
- Seat Next To You
- Everybody's Broken
- Stranger (feat. Leann Rimes)
- The Last Night
- One Step Closer
- I Love This Town
Amazon.com
Given the chart success of their Grammy-winning country single "Who Says You Can't Go Home," it's no surprise Bon Jovi upped the ante by recording an entire album paying homage to Nashville. In some ways, it's amazing they didn't do this sooner, given the way Keith Urban in particular is blurring country-pop lines, much as Garth Brooks and others did in the 1990s. To their credit, you won't find predictably shallow invocations of past country icons or any self-conscious, in-your-face down-home twang added strictly to remind the listener of the musical premise. In fact, Lost Highway isn't "Bon Jovi goes country" so much as a meaningful tribute to the Nashville ethos done on their own terms. They honor the spirit of the town through 12 simple, direct originals. The intimate, smoldering "(You Want To) Make a Memory," the ballad "Seat Next To You," "Lost Highway" and its roaring celebration of freedom, and "Stranger," an effective duet with LeAnn Rimes, all invoke country's spirit, and "I Love This Town," an eloquent nod to Nashville itself, ties it together admirably. --Rich Kienzle
Album Description
"Artistic freedom made this record possible," says Jon Bon Jovi. "Musical freedom to explore--and emotional freedom to express what was in our hearts."
The result of that freedom is Lost Highway, an album Jon describes as "a Bon Jovi record influenced by Nashville."
Bon Jovi explains. "Nashville is all about songs and songwriters. If you're someone like me who loves songs and hanging out with songwriters, Nashville is the place. I thrive on that feeling and I'm inspired by that creative ambience."
The result, a haunting set of 12 new and original sounding songs, is a stunning, multi-layered look into the nature of love and life in all its glory. Love, like life, is lost, found, forgotten and reclaimed in this collection.
The moods are many, but the core feeling is pure Bon Jovi.
"Writing this record with Jon was deeply cathartic," says Richie Sambora, who collaborated on ten of the songs. "I was going through emotional changes that were new for me. An ailing father. A painful divorce. The start of a new chapter in my life. I poured everything I had into this project, every last bit of soul at my command."
"For over twenty years now," Jon explains, "Richie and I have been close collaborators. Even when our songs create fictional stories, they reveal our states of mind. To a large degree, Lost Highway focuses on the light that love brings. When you shine the light on love, you see the chinks in the armor. You see every crevice, every crack. And that's all right".
Lost Highway is Bon Jovi's tenth studio album since the band formed in the early eighties. One hundred and twenty million albums and 2500 concerts in over 50 countries later, Bon Jovi is enjoying the greatest popularity in their history.
Customer Reviews:
Bon Jovi Country-Style.......2007-07-25
The scarily large hair and outrageously tight trousers may have fallen by the wayside, but Bon Jovi are back with their tenth studio album, and it's a surprisingly country-influenced record.
Lost Highway hasn't lost any of the huge sing-along choruses that has made Bon Jovi one of the largest stadium rocking bands in the world, but to their credit, they are trying something a bit different at the same time as giving their fans what they want. They have always flirted a bit with country/cowboy symbols in the past (''Wanted Dead Or Alive'', anybody?) but this time have got down and done the dirty on an album described as 'a Bon Jovi record influenced by Nashville'.
There are tracks here that are disappointingly pedestrian, such as Summertime, which you just want to end as soon as it starts, but then comes ''We Got It Going On'', a song stuffed full of classic Richie Sambora talkbox action, extended guitar solos, gravely vocals, name checks for Jon, and Richie, and the immortal line `we'll be bangin' and sangin' just like the Rolling Stones'.
''(You Want To) Make A Memory'' and ''Seat Next To You'' are definite lighter in the air moments, but ''Everybody's Broken'' is a real stadium classic with lyrics like `when you wonder why you're breathing/know you're not alone/it's so hard to believe/when it's easier to doubt'. You can almost hear Dolly Parton singing, sorry sangin', the words.
If you're a fan of Bon Jovi then there is nothing here that you won't like. For others, it certainly won't blow you away, but it won't make your ears bleed either. However, if you're after the likes of the classic 80s Slippery When Wet album, you won't find it here. Think big guitars tempered with country stylings, lyrics of emotional turmoil and ordinary people striving for something better, and you'll be about there.
Did not disappoint..........2007-07-24
The buzz around this album was it was Nashville influenced. I can't say if I actually agree with that or not. The songs may be more mello but all I know is the album did not disappoint. In addition to Make a Memory and Lost Highway, Any Other Day and Last Night are excellent!
Bon Jovi.......2007-07-24
This is a great album. I really like Bon Jovi alot. What I like about
this album that the songs don't sound the same, like some other artists.
I would pick this one!
Loving Bon Jovi's New CD.......2007-07-23
This new CD is great! It's better than the last few they have released.
Hasn't come out of the CD player.......2007-07-23
Excellent listening. I just love this CD. There is not a bad song in the bunch. I highly recommend it
Average customer rating:
- Very cool album
- Another snoozer
- Tiger goods
- Solid Album
- A true Ryan Adams classic
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Easy Tiger
Ryan Adams
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Sky Blue Sky
- Icky Thump
- The Reminder
- West
- New Moon
ASIN: B000P29B1W
Release Date: 2007-06-26 |
Tracks:
- goodnight rose
- two
- everybody knows
- halloween head
- two hearts
- tears of gold
- the sun also sets
- off broadway
- rip off
- oh my god, whatever, etc.
- pearls on a string
- these girls
- i taught myself how to grow old
Amazon.com
Easy Tiger, Ryan Adams's ninth solo studio album, is a return to form in every way. He's already shown that he can bash out three albums in one year--not to mention the hilarious fake hip-hop records posted for free on his Web site--and that he can sound as much like the Grateful Dead as he wants to in his constant subsequent touring. Backed once again by the Cardinals, Adams synthesizes and refines his approach to smooth, gorgeous country-pop. "Tears of Gold" is one of the best songs he's written in ages, while "Two" is a slowly percolating, sweet little number that recalls Sean Hayes in its soulful folksiness (someone named Sheryl Crow accompanies Adams on vocals). One of the greatest treats of this languorous, twangy album is the subtle ways that genre gets played with. "I Taught Myself How to Grow Old" is the best Harvest outtake Neil Young never wrote, while the treated, synth-sounding guitar solo on the druggy, chooglin' "Halloweenhead" sounds like it comes straight out of Journey. And "The Sun Also Sets" sounds more than a little like Rufus Wainwright covering Fred McDowell's "Write Me a Few of Your Lines." It bursts with enough melodrama as to border on musical theater. But, as is clear on these songs of love and loss, Adams has always been at his best when giving into his most mellow, dramatic side. --Mike McGonigal
Ryan Adams Photos
More Ryan Adams
Heartbreaker |
Gold |
Love Is Hell |
Album Description
I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won't say Adams is the best North American singer-songwriter since Neil Young...but I won't say he isn't, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it's got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful--the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.
Now there's this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention.
In other words--easy, Tiger.
--Stephen King
Customer Reviews:
Very cool album.......2007-07-25
All I had to do before I made my mind up to buy this album was to sample one or two tracks. Ryan Adam's 9th album was actually my introduction to his music. It's only once in a while you come across an artist like this and I look forward to discovering his back catalogue.
Another snoozer.......2007-07-25
Ryan - please reunite with Whiskeytown or go back to what you were going for Gold / Heartbreaker.
The last 6 or 7 albums aren't remotely as good as your first ones.
Tiger goods.......2007-07-22
I am middle aged and grew up listening to lots of music. Every morning when I was getting ready for school I would play "the constant three" on my record player (yep, record player): Neil Young, Joni Mitchell and B.B.King live at Folsom Prison. I don't know at what point in time I got turned onto Ryan Adams but I do know that I fell in love with Cold Roses a couple years back and told everyone I know about it. So I picked up Easy Tiger at Starbucks and I was astonished that I had not made this connection before. Ryan Adams sounds like a new Neil Young. Like Neil young sounded to me when I first started to listen to him 35 years ago. He writes great songs, he sings them with an emotional honesty and a slight twang, he means to get his song across, he wants to entertain too, and rock and roll and get it out. Easy Tiger is easily one of the best out there this year and will hold up, as Neil Young has, for years and years to come.
Solid Album.......2007-07-19
Once again Ryan Adams makes another solid album. every song is great. My favorites are Hallowenhead, Tears of Gold and Everybody Knows. So go ahead and buy it you won't regret it.
A true Ryan Adams classic.......2007-07-18
I've been trying for years to nail down who Ryan Adams reminds me of, and I've finally figured it out: Van Morrison. Both are roots-bound almost to the point of being revivalists, both are notoriously temperamental, and both are wildly, erratically prolific, sometimes to a fault; yet both are unquestionably geniuses (almost unarguably so, much to the chagrin of their detractors).
So what does this analogy have to do with a review of "Easy Tiger?" To put Ryan Adams's new album in perspective, it would be the equivalent of Van Morrison's "Moondance." It is the first record that comes across as being almost conservative in its polished professionalism. If you're a Van fan who hated "Moondance" because its warm, relaxed, pastoral vibe felt like a "sellout" after the wild abandon of Them and the heady experimentalism of "Astral Weeks" (and I'm sure there were more than a few people of that opinion at the time), then likewise, "Easy Tiger" is going to sound too safe, too pat. But if you think "Moondance" is a beautiful masterpiece, then you may well love "Easy Tiger."
This is the album where Ryan Adams sobers up, bears down, and actually turns out an album of "all-killer, no filler" (arguably the first since "Heartbreaker"). And if that comes at the expense of the roughness and raggedness that has accompanied his best work to this point, then so be it. But ten years down the road (if Ryan Adams keeps getting songs like "When the Stars go Blue" covered by enough mainstream artists to make him a mainstream artist himself), my money is on this album being considered as one of his true classics.
In a way, it's almost a career summation up to this point. It has the acoustic front-porch "Heartbreaker" vibe on "These Girls," the lush "Gold"-ballad feel on "Two, and "I Taught Myself How to Grow Old" the "Demolition"-style late-night laments of "Everybody Knows and "The Sun Also Sets," the atmospheric "Love Is Hell" angst of "Off Broadway," the "Rock and Roll" crunch on "Halloweenhead," the jam-band "Cold Roses" sound on "Goodnight Rose," the "Jacksonville City Nights" countrypolitan of "Tears of Gold," and to make it complete, "Pearls On a String" and "Two Hearts" even harken back to his Whiskeytown days.
In fact, this album plays almost like a Ryan Adams Greatest Hits album that, like a good hits comp, manages the trick of being summative without being disjointed or haphazard. And like a good compilation, these songs are all keepers. That said, this album is a grower. It took a few weeks before the songs really began to take shape, but from that point on, the album got better and better with each listen. If this is what being sober means, here's hoping Ryan can stay on the straight and narrow from here on out and have a later-day career as interesting and rich as Van Morrison's.
Average customer rating:
- Enjoyable Americana Music
- Gets better with age
- great album
- Glad I bought this
- Lucinda Williams, Who Knew...
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West
Lucinda Williams
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Not Too Late
- Van Morrison At The Movies: Soundtrack Hits
- The Calling
- Freedom's Road
- A Hundred Miles or More: A Collection
ASIN: B000LXHGFI
Release Date: 2007-02-13 |
Tracks:
- Are You Alright?
- Mama You Sweet
- Learning How To Live
- Fancy Funeral
- Unsuffer Me
- Everything Has Changed
- Come On
- Where Is My Love?
- Rescue
- What If
- Wrap My Head Around That
- Words
- West
Amazon.com
Though the arrangements stray from Lucinda Williams's motherlode blend of blues, country, and folk, West may well be her best album. It is easily her most musically adventurous, and often her most lyrically inspired. Williams's singing has never sounded better, from the aching tenderness of "Where Is My Love?" to the ravaged catharsis of "Unsuffer Me." New York producer Hal Willner, who has worked with artists such as Marianne Faithful and Lou Reed, enlists the support of eclectic progressives like guitarist Bill Frisell, keyboardist Bob Burger, and violinist Jenny Scheinman, along with harmonies from the Jayhawks' Gary Louris, to weave a subtly rich sonic tapestry. Much of the material was inspired by the death of Williams's beloved mother ("Mama You Sweet," "Fancy Funeral") and the bitter breakup of a relationship (the jagged-edged emasculation of "Come On," the repetitive incantation of "Wrap My Head Around That"), though "Are You Alright?," "Learning How to Live," and "Everything Has Changed" could reflect the aftermath of both. Other highlights include "Rescue," with a languid subtlety and ambient pulse reminiscent of Beth Orton, and the dreamy, wistful title track. Where Williams's music has long cut close to the bone, the best of West slices right through it. --Don McLeese
Lucinda Wiliams Photos
More Lucinda Williams
Car Wheels on a Gravel Road |
World Without Tears |
Essence |
Customer Reviews:
Enjoyable Americana Music.......2007-07-24
I first heard cuts from this album, on the "Imus In The Morning" show, earlier this year. He has such a great ear for music, and I liked what I heard on his show. The album is very earthy, and soulful. Lucinda Williams is a powerful singer/songwriter, and "West" is the perfect showcase for her talent. I would recommend this to anyone who enjoys soulful, Americana music.
Gets better with age.......2007-07-22
Simply put Lucinda just paints a sound and words that rings true. She as far the wide buyind audience is unknown, very underrated as trash female artits do their stuff.
great album.......2007-07-21
i really like this album. have a few LW songs in a few of mu alt country compilation cd's and have heard an album or two that other people owned. Happy to have one of my own. i think I picked a good one. Theres one or two songs on the album that are wierd to me and slightly grating, but overall i think that this is some of her best music.
Glad I bought this.......2007-07-17
I had never listened to Lucinda Williams before and saw her performance recently on Jay Leno and liked it. I sampled the album and decided to buy it. Some of her older fans have shown disappointment in this album but I don't have anything of hers to compare it to and I love it. At first the songs sound overly simple and the lyrics seem plain. But it grows on you more and more each time you listen to it. It just gets better and better. It's a unique style, I think, a little blue grass, soft rock and blues all in one. If you saw her performance on Jay Leno and liked that, you'll like this CD and it's a bargain now at $9.99.
Lucinda Williams, Who Knew..........2007-07-12
I know a lot of people have listened to Ms. Williams for years. I had heard of her, but never listened to her music. I was definitely missing out!
This cd was incredible. I loved all of the songs.
I mostly listen to mainstream country music, and I think it's sad that people like Lucinda Williams and Alison Moorer aren't played. Their music is amazing.
I have since bought two more of her cds, and plan to buy more!
It's nice to listen to songs that actually have something to say.
Average customer rating:
- Not as Good as The Odyssey
- Just an amazing group!
- This is how prog metal should sound like...
- What a Bummer
- Good stuff
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Paradise Lost
Symphony X
Manufacturer: inside out
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Ghost Opera
- Systematic Chaos
- Systematic Chaos
- Unia
- United Abominations
ASIN: B000I8ON6Q
Release Date: 2007-06-26 |
Tracks:
- Oculus Ex Inferni
- Set The World On Fire (The Lie Of Lies)
- Domination
- The Serpentís Kiss
- Paradise Lost
- Eve Of Seduction
- The Walls Of Babylon
- Seven
- The Sacrifice
- Revelation (Divus Pennae Ex Tragoedia)
Album Description
The masters of Symphonic Power Metal are back!
Symphony X are recognized by-and-large as one the most important acts in the worldwide metal scene. After the release of their hugely successful CD, The Odyssey - and after nearly five years - Michael Romeo and his band have returned with what is already being praised as their best work to date. Paradise Lost has all the trademarks that have come to be associated with Symphony X: Incredibly intricate and powerful, yet-melodic compositions that showcase every member's unrivaled technical skill as instrumentalists. However, once again it must be said that the spotlight is squarely on the ferocious vocal force of singer Russell Allen and the almost inhuman pyrotechnics of guitarist Michael Romeo.
The North American version of Paradise Lost features a fantastic foldout and diecut digipack that was designed by Warren Flanagan, who has done art-direction for major motion picture blockbusters such as I Robot, X-Men and Blade.
This is thee guitar release of the summer!
Customer Reviews:
Not as Good as The Odyssey.......2007-07-23
This album sounds like they were trying to remake their last album. It's not as good; less technical soloing by Romeo, flatter vocals, and less interesting song structures. As a result, it's only OK. For fanboys only.
Just an amazing group!.......2007-07-19
When I first heard the sample song from Symphony X's web site, I wasn't too sure about the direction they took with this CD. It's a deeper, darker, and harder CD than any of their previous releases. I impatiently waited for the arrival of my new CD and when it came I quickly unwrapped it and stuck it on my Zune for a private screening. From the opening track, I was struck with awe at this group who defies modern generalizations of their genre by adding an arsenal of instruments into their tracks that mold together with the traditional "metal" sound rather than mixing in and sounding out of place. From the first time I heard one of their songs, I was thrilled to find another group that wasn't afraid to add in some piano and orchestration into their music, much like Jon Oliva, who is the mastermind behind Savatage and Trans-Siberian Orchestra, or Artension.
So, as I sat listening to the first track of Paradise Lost, I couldn't help but feel that same excitement that I felt the first time I heard a Symphony X song. It's an instrumental with what sounds like Latin vocals chanting. It really sets the stage for the rest of the album and is a fantastic way to open a album. I was very impressed.
When the second song came on, I knew I was going to love the album, yet I also realized something else: they kicked up the level of intensity enough that it might turn some people off. If you barely tolerated their music before, then you'll be pushed over the edge with the new CD. But if you loved their previous offerings, you'll be in heaven with the new sound. Russell Allen's vocals are deeper, heavier, and certainly filled with an intensity that hasn't been reached before on a Symphony X album. The guitar and bass riffs are more intense and even made my niece exclaim, "Could you imagine playing that on Guitar Hero?!" Michael Pinnella's keyboards are toned down a bit in most of the songs compared to previous releases, but they are there when needed and add that unique element to Symphony X's music much like Vitalij Kuprij gives to Artension's.
As I finished the album the first time, I sat there for a minute contemplating the whole experience. The first time through I had my headphones on and followed the lyrics in the book. Yet, as I listened to it, I found myself in awe of the artwork found within the insert that had the lyrics on it. Much as the picture on the front shows, this is a battle between angels and demons. As the title states, Paradise Lost, it's clear from the music and pictures who ends up winning. My favorite picture (which I need to find a poster of!) is of a dark angel standing over a fallen white angel with a glaive at the fallen angel's back. There are lakes of fire with billowing clouds and lava erupting all around. I know, strange picture to be fascinated with, but the picture goes so well with the music and is just amazing.
I'm finding that the more I listen to this CD, the more I like it. It's certainly more intense than any other Symphony X CD, though it's not quite their best (I give that to The Odyssey, followed by V The New Mythology Suite), but it's definitely amazing. I'm just in awe at this group's ability to keep the quality of their releases so high and their music so unique and captivating. I've had their music for two years now and have not grown tired of any of it. They are just that good.
The bottom line here is that this is a great CD. The heavier sound still works great and that amazing "Symphony X" style is still in full force. These guys know how to impress, and this album is no exception.
This is how prog metal should sound like..........2007-07-17
Awesome riffs, virtuous keyboard player and an evil voice by Mr. Allen. This is the best vocal performance from Russel Allen and the fastest craziest and most insane guitar playing I've heard in a long time. THe dark lyrics are grrrreat. Everything from the opening track -operesque-Rhapsody sound alike- to the artwork is amazing. Sit down, listen and enjoy. By far, the best from 2007
What a Bummer.......2007-07-17
Big letdown from this great band. Like ketchup pouring out of a bottle, I waited with eager anticipation for the release of this CD. However, the final product was just ordinary- some nice moments here, some good playing. But, overall this has to be the biggest disappointment of the summer of 2007. Don't listen to the super fans. This is a weak CD lacking any memorable songs. I love this band, so it pains me to write this. I am even going to go as far as saying that I hate the way Allen sings on this CD and he is one of my favorites. Oh well, I hope their next effort is a lot better. Sorry if I made you mad super fans...but I am a super fan also...I'm just an honest one.
Good stuff.......2007-07-16
Good writing...not as good overall as "Odyssey" or "V", but well worth buying if you're a Symphony X fan.
Average customer rating:
- Buy this
- dead or alive
- O Brother, Where Art Thou?
- MORE OF AN IMPULSE PURCHASE FOR ME
- A real cheer-me-up CD
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O Brother, Where Art Thou?
Various Artists - Soundtrack
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- O Brother, Where Art Thou?
- Down from the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou?
- Appalachian Stomp: Bluegrass Classics
- Alison Krauss & Union Station - Live
- Lonely Runs Both Ways
ASIN: B00004XQ83
Release Date: 2000-12-05 |
Tracks:
- Po Lazarus - J. Carter & Prisoners
- Big Rock Candy Mountain - Harry McLintock
- You Are My Sunshine - Norman Blake
- Down In The River To Pray - Alison Krauss
- I Am A Man Of Constant Sorrow - The Soggy Bottom Boys featuring Dan Tyminski
- Hard Time Killing Floor Blues - Chris Thomas King
- Man Of Constant Sorrow (Instrumental) - Norman Blake
- Keep On The Sunny Side - The Whites
- I'll Fly Away - Gillian Welch & Alison Krauss
- Didn't Leave Nobody But The Baby - Gillian Welch, Alison Krauss & Emmylou Harris
- In The Highways - The Peasall Sisters
- I Am Weary - The Cox Family
- I Am A Man Of Constant Sorrow (Instrumental) - John Hartford
- O Death - Ralph Stanley
- In The Jailhouse Now - The Soggy Bottom Boys featuring Tim Blake Nelson
- I Am A Man Of Constant Sorrow (With band) - The Soggy Bottom Boys featuring Dan Tyminski
- Indian War Whoop (Instrumental) - John Hartford
- Lonesome Valley - The Fairfield Four
- Angel Band - The Stanley Brothers
Amazon.com's Best of 2001
The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese
Customer Reviews:
Buy this.......2007-07-23
This album is almost as good as the movie. A good purchase whether you like bluegrass or not.
dead or alive.......2007-07-21
This motion picture soundtrack brings grins all around because each of the tracks associates so instantly with a scene from the uproarious film it graced with fine folk music, in the process generating something of a musical renaissance for those drawn to the genre.
This is pure, early-twentieth-century, down-south Americana. It would be hard to find a more dignifying and elevating anthology of music to represent that slice of American history. This music is laced with humor and irony, putting the lie to the impression many people have that it's practitioners and their folk come from a benighted subculture between the coasts and in a chronological backwater.
Listen and love it.
O Brother, Where Art Thou?.......2007-05-28
My 1-year old grandson goes to sleep listening to some of the songs on the album, unless he is bouncing up and down to the faster numbers. I have therefore listened to the songs many, many times, and enjoy them every time. They are easy to listen to, to sing along with and to rock the baby with!
MORE OF AN IMPULSE PURCHASE FOR ME.......2007-05-26
I regretted buying this after listening to it once. I haven't listened to it since and that's about three months ago. Simply put, without the movie to provide a context, the music itself doesn't sell itself. There are four cuts of 'I'm a Man of Constant Sorrow", two by the same artists which goes a long way to proving my point. I haven't seen the movie in a few years and I'm sure there's a logical reason for the song being repeated in the soundtrack that many times, but I can't remember what it is. Sometimes I like roots music with clear acoustic instrumental sounds and soulful voices. But as for an introduction to this type of music for a general listener, this is not the CD to get. It's mostly for the already converted.
A real cheer-me-up CD.......2007-05-22
Couldn't feel bad while listening to this soundtrack - skipped over the serious stuff and just played "Happy"!!
Average customer rating:
- Great Country Music
- Last of the Breed - Well Done
- The Title Says It All
- The rocks of this kins of music .
- Better in theory than in practice
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Last of the Breed
Willie Nelson , Ray Price , and Merle Haggard
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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ASIN: B000NA1ZLA
Release Date: 2007-03-20 |
Tracks:
- My Life's Been A Pleasure
- My Mary
- Back To Earth
- Heartaches By The Number
- Mom And Dad's Waltz
- Some Other World
- Why Me Lord
- Lost Highway
- I Love You A Thousand Ways
- Please Don't Leave Me Any More Darlin'
- I Gotta Have My Baby Back
Tracks:
- Goin' Away Party
- If I Ever Get Lucky
- Sweet Memories
- Pick Me Up On Your Way Down
- I Love You Because
- Sweet Jesus
- Still Water Runs The Deepest
- I Love You So Much It Hurts
- That Silver Haired Daddy Of Mine
- I'll Keep On Loving You
- Night Watch
Amazon.com
Once an Outlaw, later a Highwayman, now an elder statesman, Willie Nelson joins forces with Merle Haggard and Ray Price (both of whom have recorded duet albums with Nelson) in a celebration of the classic country song. Everything about this is defiantly old school, from the production by veteran Fred Foster and the musical support from steel guitarist Buddy Emmons and Texas Playboy fiddler Johnny Gimble and vocal backing from the Jordanaires to songs from the likes of Harlan Howard, Leon Payne, and Lefty Frizzell. For all of the artists' generational ties, their differences are what distinguish the project: Nelson is the reediest and most conversational vocalist, Haggard the bluesiest; and Price remains the quintessential countrypolitan crooner. Whether they're harmonizing on Mickey Newbury's "Sweet Memories" or trading verses on Howard's "Pick Me Up on Your Way Down," the vocal blend suggests old friends having the time of their musical lives. Guests include Vince Gill (on "Heartaches by the Number") and Kris Kristofferson (on his Why Me Lord"), but a trio like this doesn't need much outside assistance. --Don McLeese
Album Description
Let's be clear: Last of the Breed is a story - actually, a novel, if not an epic - unto itself. The title sums it up pretty well: On these two discs three classic performers, Ray Price, Willie Nelson, and Merle Haggard, band together on songs they've known and loved for years.
Their contributions don't need elaboration. Each is a legend. All three hark back to a time that's in some ways gone. When you consider the lives they've lived, the world that formed them as artists, and even the landscapes they knew as they began playing in beer joints and backwater clubs long ago, then the truth of those four words, Last of the Breed, comes clear.
Look a little closer, and they take on another reference, to the songs as well as to the giants who celebrate them here. Whether drawn from deep in the tradition, back from the well of Gene Autry, Lefty Frizzell, and Floyd Tillman, or picked from the more recent catalogs, this music conveys a feeling that might be mistaken for nostalgia but is in fact a timeless eloquence.
They don't write or sing `em like this anymore.
Customer Reviews:
Great Country Music.......2007-07-12
This is truly the last of the breed of real country musicians.
There aren't many country pickers and singers left. All the "New Country" folks are just rock stars with a cowboy hat on. This is really good listening. Just relax, sit back and enjoy.
Last of the Breed - Well Done.......2007-07-03
This CD is a well rounded selection of music with three of the best artists to deliver it. When it comes to Country music, these three artists can give you the best there is. The production is first class and this is a big part of the sound. If you haven't purchased this album, do so. You'll love it.
The Title Says It All.......2007-06-28
Last of the Breed is the best of the best. The songs, words, music, and especially Willie, Merle & Ray you will simply & totally enjoy.
The rocks of this kins of music . .......2007-06-28
ANYTIME willie and ray have ever gotten together to record it has been a TREASURE for your ears . WILLIES VOICE WORKS WELL with any ray price style music . And vice versa . many a people will say oh waylon/ willie were the best together . And yeah they were very good . But for some reason these two know when to let the other shine and when it is time to carry a part in any given song .BETTER then any other two singers in any music format . Then THERE IS merle who is so good at what he does that people dont realize it is the music behind him that has made him shine .He knows so well how to use the band behind him it is awesome .Anytime you get a recording of merle you will see he knows how to use every bit player around him so well that it seems each are enjoying themself s so much that it just has to be great . But this IS ALMOST the last of the breed . This would have been the last of a breed if the three artists that were left out at least made a little showing on this recording. yes the other three that would have made this release complete would have been the 3 top guys left . GEORGE JONES / HANK JR / GENE WATSON . and these 6 are the last of the best of the best left touring . THIS LIST IS THE LIST OF ARTISTs THAT NO ONE WILL EVER FILL THIER SHOES .
Better in theory than in practice.......2007-06-23
What's not to like about this album? Great singers, old familiar songs, it seems like just my cup of tea. But, for whatever reason, this music just didn't "click" with me. After just a couple of listens, I found myself skipping over these CDs in my CD player. I realize that this review might not be very helpful to others because I can't manage to put my finger on what it is I didn't like about these CD - I just didn't. If you don't already know and love the individual material of all three of the artists, I suggest you try and listen to it before you buy it.
Average customer rating:
- It's about time.
- Essential for FANS of Danzig/Two Horns UP!!!!
- Good but unfortunately not great...
- this is true metal
- Danzig's best album?
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The Lost Tracks Of Danzig (2CD)
Danzig
Manufacturer: Megaforce
ProductGroup: Music
Binding: Audio CD
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ASIN: B000PFU9TW
Release Date: 2007-07-10 |
Tracks:
- Pain Is Like An Animal
- When Death Had No Name
- Angel of the Seventh Dawn
- You Should be Dying
- Cold, Cold Rain
- Buick McKane
- When Death Had No Name
- Satans Crucifiction
- The Mandrake's Cry
- White Devil Rise
- Come to Silver (Acoustic)
- Deep
- Warlok
Tracks:
- Lick the Blood Off My Hands
- Crawl Across Your Killing Floor
- I Know Your Lie
- Caught In My Eye
- Cat People
- Bound by Blood
- Who Claims the Soulless
- Malefical
- Soul Eater
- Dying Seraph
- Lady Lucifera
- Under Belly of the Beast
- Unspeakable Shango Mix
Album Description
The long awaited LOST TRACKS OF DANZIG 2 CD set will be released on May 29th. Packaged in a collectible book-like format, this release features a full color 12 page booklet of rare and unseen photos and short anecdotes about each song as remembered by Glenn Danzig.
Customer Reviews:
It's about time........2007-07-24
I've been waiting for something like this since Danzig 2. It has some amazing stuff. If you liked his first 3 (4?) albums you'll love this one. I rank em Danzig 1, Danzig 2, then this one.
Essential for FANS of Danzig/Two Horns UP!!!!.......2007-07-21
I say "fans", though it should appeal to ANYONE who likes dark rock-MeTal. It is GREAT to hear the "old-style" vocals/guitar sound on some unheard(by me) songs. Also, it is great that he didn't decide to stink up the collection with a bunch of CRUMMY DISCO SONGS(like off of "Blackacidevil"....c'mon, how insulting to fans THAT album was!) There are only honestly 2 clunkers on here(in my opinion) and one of them happens to be a CRUMMY DISCO REMIX of "Unspeakable"...the other is the tedious "Buick McKane", though I can see it's appeal to some people. No need to go into the various tracks, they've been well-delineated(though sometimes unfairly/erroneously) on other reviews. I just want to add my vote of EXCELLENCE!!!! And DON'T get any pre-concieved notions about "White Devil Rise"; if nobody told anyone the backstory, they'd never know that it is written in retalliation to remarks made by one of the most psychotic, racist PIGS in the history of earth! Something for everyone on here, from Glenn's BEST-ever ballad("Cold, Cold Rain") to just plain heavy ROCKin' tunes like "Soul Eater"...let me say that I've been rather ambivalent to his releases since #4(though I think #6 is a very strong album, despite the taint of electronica), but I am BLOWN AWAY by this collection!!!! And the cover of the booklet is SUPER-COOL! I imagine that SOME may find it "distasteful", but let's keep in mind Glenn's penchant for comic books, babes, and things wicked. TWO HORNS UP, GLENN!!!
Good but unfortunately not great..........2007-07-20
First of all, I am a diehard Danzig fan and own all of his CDs. Like most fans I really liked Danzig's first 4 Cds (All 5 stars in my book). My first Danzig CD was Lucifuge... when I first popped that CD in my player... I was blown away!
That being said, I am dissapointed with The Lost Tracks. I "liked" approximately 7 songs (Soul Eater, The Mandrake's Cry, You Should Be Dying, Warlock, Lick The Blood Off My Hands, Crawl Across Your Killing Floor and When Death Had No Name) from "The Lost Tracks" but unfortunately the other songs sound like record rejects, B sides or demos. Personally, for me, it was not worth the high cost of the two CD set. I would have liked to see a single CD of only the best songs or alternatively, I could have justified the price if Danzig had included a DVD. - Just my opinion.
***An interesting side note is that I ripped the album to my hard drive the day it came out and the next day I went to trade it in at my local CD store for a store credit. They already had 4 "trade-ins"... Hmmmm...
this is true metal.......2007-07-19
what i like about danzig is that he doesnt repeat himself, for this reason this 2 cd set shows the progress that danzig made from the 80s till today my fav danzig era had always been the early 90s on this cd its not just the 90's or what ppl say that the classic line is the best that danzig had ever had the most powerful songs are all over the 2 cds i cant make a choice but i recommand you buy this 2 cds in order you can experince true metal.
Danzig's best album?.......2007-07-16
The definition of an album has changed, I think, due to technology. It's so easy to mix and match tracks these days, does anybody but dinosaurs like me actually ever listen to records in their original order? Aren't there a lot of "albums" these days that take the form of nothing but a computer download? If an album doesn't even really physically exist, what is an "album", anyway?
For that reason, I decided to approach this double-cd set as a double album. My rationale was this: could a reasonably consistent and coherent album be constructed simply by arranging the track selection in an order other than the chronological (as presented in the original)? If so, how good would the result be?
The answers: yes, and great. This might even be Danzig's best album, which obviously means its an instant classic by any reasonable standard. This is Danzig's White Album, his Exile on Main St., his Physical Graffiti (only far more interesting than all that old fossilized rock, of course).
First on an album, obviously, we need a killer opener. We have the best he has ever written in "White Devil Rise" (if that one doesn't get your blood pumping, you're not a real Danzig fan. It has an impressive, almost progressive structure, with a time change into a break. And what an amazing break, the best I recall on any Danzig record. Don't worry about the politically correct, conformist hacks who downgrade this album because of this song; the riff is a little recycled (from Pain in the World) but man, is it ever pure evil old-fashioned Danzig just the way we like it, and his vocals on this track are incredibly aggressive).
Power ballad? Check. Danzig's purest and best power ballad is here, "Cold, Cold Rain"; it edges "Blood and Tears" and "Sistinas" by an angel hair, but it is better. (Also a perfect album closer; it should have been on Lucifuge). And "Bound by Blood", which is on here, is also in the elite league of classic Danzig ballads. It features some of the most beautiful and intelligent lyrics he has ever written, though almost Manowar-ish in their point of view. "Dying Seraph" (a typical Danzig soft-to-loud track) isn't bad, either.
How about an acoustic changeup along the lines of "I'm the One"? We got that covered, and with a better song: the best version ever made of "Come to Silver". This one is a little superior to Johnny Cash's version of the Danzig-penned "13", which it recalls sonically, just because Danzig's voice is even better than the Man in Black's, in my view. Glenn sings every word very clearly on this one, unusual for him, but very effective. Superb.
Of course, we need some songs with monster hooks in the bulk of the album to fill the role of singles. No problem. "When Death Had No Name", which might just be the very best Danzig song, and with his doomiest-ever riff, makes its debut on an album at last (I remember being amazed that he left this off III after it appeared as the B-side of the "Dirty Black Summer" single.) "Satan's Crucifiction" is another sinister tune worthy of the Danzig name (the riff is the most evil on any song ever that is not named "Snakes of Christ"), as are the double whammy of "Malefical" and "Soul Eater". These are the ones that caught me right away, at least, but there are a number of other strong songs, enough to form a heart of the lineup the `27 Yankees would envy. (By the way, it seems like these discs have a disproportionate amount of relatively upbeat rockers, at least by Danzig standards. "Lick the Blood off My Hands", for example, lives up to the nickname "Evil Elvis", with a 50's-ish verse melody. "Pain is Like An Animal" is just awesome straight-up hard rock and should have been the opener of Danzig I. And the "Buick McKane" cover had my jaw on the floor. As much as I liked the original Danzig band, I never thought they could just go out and absolutely smoke performance-wise like this).
I was quite pleasantly surprised to hear that there's very little of the electronic goofing around that marred the second (bad) half of the Danzig run of albums, even on the tracks from that era; and that his pipes evidently were in better shape than I had thought at the time. All these songs have his voice right up front of the mix, exactly where it belongs. The vocal tracks all sound like prime Glenn Danzig, on both cds. Enough said.
Summary: Whatever sins Danzig has committed against the holy religion of heavy metal since 4p are hereby expunged. There's some filler here, but Danzig's B sides turn out to be better than just about anyone else's A sides, and the good stuff here is good enough to form an album that is worthy of standing alongside anything he has done. The rest we can account bonus material. (This record proves what I suspected all along, due to Danzig's poor choices of singles releases: his taste, like Rubin's, in his own music is mystifyingly bad).
This is simply the best pure metal album released in years. There will be naysayers with the usual biases and agendas; ignore them and treat your black soul to "Lost Tracks" as soon as possible. You have tread in the light too long, and it is time to feel once more that cold wind out of the blue hells, the one that your heart has so long ached for...thank you, Glenn, from an original "Angel of the Seventh Dawn".
Average customer rating:
- A timeless classic
- Comments on a few favorite songs
- My personal favorite
- almost perfect moody blues album! 4.75 stars
- House of 5 incredible musicians and songwriters
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In Search of the Lost Chord
The Moody Blues
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002GQG
Release Date: 1997-05-20 |
Tracks:
- Departure
- Ride My See-Saw
- Dr. Livingstone, I Presume
- House Of Four Doors
- Legend Of A Mind
- House Of Four Doors (Part 2)
- Voices In The Sky
- The Best Way To Travel
- Visions Of Paradise
- The Actor
- The Word
- Om
Customer Reviews:
A timeless classic.......2007-07-17
It is hard to believe that this record is almost 40 years old, but it is. And it couldn't have aged any better. It still sounds as fresh, creative, and innovative as it did back in the day. The seven-album run that the Moody Blues reeled off from 1967 to 1972 is quite stunning, and opinions are often all over the map as to what their best of those seven is, but in my mind, it is an easy question to answer. With all due respect to the other six albums, all of which are excellent in their own way, as well, the answer for me will always be In Search of the Lost Chord.
Comments on a few favorite songs.......2007-06-06
I am not going to offer up a review of the entire album. There are MANY talented folks here who have done a much better job of it than I ever could hope to, so what's the point? I'd just like to offer up my 2 cents on my favorite songs from this great Moody Blues work.
First off is John Lodge's classic, feel-good rocker 'Ride My See-Saw'. (This tune and 'I'm Just a Singer' frequently trade places as my favorite Moodies song). I might as well admit it right now: I am a HUGE John Lodge fan and he is my fave Moody. That will become glaringly apparent if you read any more of my Moody Blues product reviews. Am I the least bit biased towards this living legend? Not at all! While I am not totally sure of the exact meaning of the lyrics, on the surface RMSS seems to be rife with double entendres and sexual innuendo, at least that's what I've read many times. But knowing of JL's deep religious beliefs, I strongly guess that that's not the case at all. This song is just plain fun to listen and sing along to. John and Justin's great guitar work ain't none too shabbily showcased either. RMSS is John Lodge at his rocking best.
I am also a big fan of Ray Thomas' often overlooked (and in my opinon) under-used talents. His ode to 'Dr. Livingstone' is a cheery, cute song that I could listen to all day long while having a goofy smile on my face. Ray's next offering, 'Legend of a Mind' is a legend of a song, and perfectly shows off this man's awesome vocal skills, not to mention the fact that he can blow the living tar out of a flute. This song has the best series of build-ups (for lack of a better word) and crescendos of any song I have ever heard. (You'll have to over-look the fact that I am not at all musical nor versed in music lingo, so that's the best description I could give. I hope most will understand what I'm talking about). I can literally listen to this song over and over w/o growing tired of it. The subject matter of this song doesn't matter to me one iota. The melody, the beat, the musicianship, and John's fabulous high note harmonies all combine to make this song a pure delight to my ears.
Next on my list is Lodge's 'House of Four Doors'. I'll spare you the details of how great I think this song is. I'll briefly just state that HOFD is hauntingly eerie and beautiful all at the same time. Maybe- just maybe- I could have done w/o 'some' of the sound effects of the creaking door, but hey John didn't ask me for my opinion before including them. It really doesn't affect my overall opinion of this great song. Yes, it's a John Lodge tune, and yes I darn well love it.
I am ending my little synopsis with two songs from the sublime Justin Hayward.(BTW, I like him, too. He's my 2nd fave Moody). Firstly is 'Voices in the Sky'. I have to admit that it took me a while to really love and appreciate this one (I don't exactly know why) but it is a truly lovely song. This song DOES make me wonder what the birds could say to me if they only could. As usual, Justin does a superb vocal and the song fits him and this album really well. But.... my favorite Hayward tune on this record is by far 'The Actor'. In fact, it's one of my all-time favorite songs of his. Both the lyrics and the sound of this song are as timeless today as when JH penned it many years ago. Something in this song really strikes a chord in me. Perhaps it's the fact that we all tend to put on a good front for the world and get caught up in playing our little roles? I heard Justin sing this song live recently and I have to say the man's voice sounds just as good as it did way back when. He truly is a gifted singer, guitarist and performer.
Well, I guess I'm just about through telling y'all (I'm from the South, after all) about my favorite songs from ISOTLC. I hope this "review" makes someone want to go and listen to these songs (or the entire album) anew- or better yet- hear them for the very first time. Either way, I do hope you enjoy!
My personal favorite.......2007-04-15
I own 14 Moody Blues albums and this is my favorite one . The band's ability to learn 37 different instument including Mike Pindar's mastery of the mellotron is remarkable all in and of itself . The album contains my favorite Moody Blues song , Voices In The Sky . While this album never received the critical acclaim that was given to Days Of Future Passed , it was more like the other 5 concept albums . Yes , the material is some what dated , but , this is the begining of the art rock era . Any one who likes the band should own this .
almost perfect moody blues album! 4.75 stars.......2007-03-19
Though it doesnt contain a song like the epic beautiful "nights in white satin" the Moodies second album from 1968 is their most pyschedelic and solid album of their career. This album segues nicely into a track by track tour of what the end of pyschedlia and the beginning of progrock sounded like. There isnt really a song i dislike and this fits in nicely with the best of the post summer of love albums. Lots of flute mellotron sitars and instruments played by the band themselves. Lost chord is a very strong followup to days of future passed and exceeds it in material for me. Great acoustic guitars and truly great singing all mingled in with LSD musical interludes( though apparantly without drugs). A few moments recall early Pink Floyd late Beatles etc but the Moody Blues were a special band for a time-1967-1972 in my humble opinion. Their first three albums are all excellent but this is the one to get. This one seems heavily influenced by George Harrison Ravi Shankar- with most of the album flaoting by a in a mellow transcendental state. Great for evening listens sunday mornings and for contemplation.
House of 5 incredible musicians and songwriters.......2007-01-30
Locked in a studio for a few weeks, the Moodies come up with an "orchestral" sounding album. It's a little dated at times, but it's wonderfully spacey and good.
Average customer rating:
- My favorite Johnny Cash cd
- Johnny Cash is classic.
- Best of the American Series
- this CD turned me into a Johny cash fan...
- American IV : The Man Comes Around
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American IV: The Man Comes Around
Johnny Cash
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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- American III: Solitary Man
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ASIN: B00006L7XQ
Release Date: 2002-11-05 |
Tracks:
- The Man Comes Around
- Hurt
- Give My Love To Rose
- Bridge Over Troubled Water
- I Hung My Head
- First Time Ever I Saw Your Face
- Personal Jesus
- In My Life
- Sam Hall
- Danny Boy
- Desperado
- I'm So Lonesome I Could Cry
- Tear Stained Letter
- Streets of Laredo
- We'll Meet Again
Amazon.com
On first thought, the idea of the Man in Black recording such covers as "Bridge over Troubled Water," "Danny Boy," and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But American IV: The Man Comes Around, which also draws on Cash's original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My Head"), and Depeche Mode ("Personal Jesus"), may be one of the most autobiographical albums of the 70-year-old singer-songwriter's career. Nearly every tune seems chosen to afford the ailing giant of popular music a chance to reflect on his life, and look ahead to what's around the corner. From the opening track--Cash's own "The Man Comes Around," filled with frightening images of Armageddon--the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritone-bass, frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles' "In My Life," you'll very nearly cry. Go ahead. He sounds as if he's about to, too. Unforgettable. --Alanna Nash
Album Description
UK special edition reissue of The Man In Black's brilliant 2002 album includes two bonus tracks, 'Big Iron' (previously vinyl only) & 'Hurt' (video). American Recordings. 2003.
Album Details
"the Man Comes Around" is the Fourth in the Legendary Singer's American Recordings Series and Boasts Some of his Most Interesting Work to Date, Including his First (And Some Say his Best) Compositions in Many Years. Other Material Includes Cover Versions of Depeche Mode's "Personal Jesus", Simon and Garfunkel's "Bridge Over Troubled Water", the Eagles' "Desperado" and a Rumbling Version of "Danny Boy". This Special Edition Includes an Added Audio Track of "Big Iron" and the Enhanced Video of his Cover of Nine Inch Nails' "Hurt".
Customer Reviews:
My favorite Johnny Cash cd .......2007-07-04
I honestly can't say I like country music. I just don't care for most of the genre. The only artist from this genre that I do listen to is Johnny Cash. Of all of the American recordings Johnny has worked on with record producer Rick Rubin, American IV: The Man Comes Around" is easily my personal favorite. As much as I like Johnny's last album American V, I just didn't think the material held up as well as the fourth volume.
What I love about American IV: The Man Comes Around is the sparse, haunting melodies that lingers through out the album. Secondly I love Johnny's deep baritone vocals on this cd especially on his covers of "Hurt" and "I'm So Lonesome I Could Cry". One of my personal favorite tracks is Johnny's cover of the Nine Inch Nails' track "Hurt". The emotions he puts into the song really moved me. I also loved the Sting song "I Hung My Head". Johnny does a great job at storytelling through this song. His voice is so warm and deep on this track. Johnny's duet with Nick Cave on the Hank Williams' classic "I'm so Lonesome I Could Cry" is absolutely stunning. Both men really compliment each other with their own deep vocals.
While I do like Johnny's other American recordings, they weren't as perfect to me as American IV: The Man Comes Around is. I can listen to this cd without skipping a single track.
Johnny Cash is classic. .......2007-06-26
I popped this CD in on the way to Vegas from Los Angeles in the middle of the night. Johnny's haunting voice came booming through the speakers like a soundtrack to the desert. Full of stories and vivid descriptions this CD cant be described as anything less than epic. Moving along like a Steam Train up hill the music gains momentum and impresses more with each bar sung. If youre looking for a little dark night, outlaw country Johnny Cash's American IV: The Man Comes Around is just what you need.
Best of the American Series.......2007-06-26
I've got the last two American series recordings that Johnny Cash did and this one is way better than his last. I love them both, but if you have neither, get this one first. His cover of "Hurt" is outstanding. You can see the video on YouTube of both his cover and the original by Nine Inch Nails. It's amazing just how much better he does this song, its as if it was written just for him.
Note: I am not generally a Country Western fan, and yet this series hits a strong note in me.
this CD turned me into a Johny cash fan..........2007-06-08
Ive never really was into country music, but last week Ive bought 2 Cash CD's . One of them, the American V , is an instant pleasure, no need to adjust. Its WARM, acoustic, filling, emotional, calm. Great CD!
American IV : The Man Comes Around.......2007-05-12
I have always liked Johnny Cash but had none of his CDs. This CD shows the difference between a performer and an artist. This CD is true art. The whole Cd has a very deep message, if you listen and then think of what Johnny is saying. The 1st song "The Man Comes Around" is maybe the BEST SONG I HAVE EVER HEARD, but certainly one of the best.
Average customer rating:
- Fantastic sophomore effort
- outstanding record
- It's Gold Baby!
- September 10, 2001
- flight test (4.5)
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Gold
Ryan Adams
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005QY5Y
Release Date: 2001-09-25 |
Tracks:
- New York, New York
- Firecracker
- Answering Bell
- La Cienega Just Smiled
- The Rescue Blues
- Somehow, Someday
- When The Stars Go Blue
- Nobody Girl
- Sylvia Plath
- Enemy Fire
- Gonna Make You Love Me
- Wild Flowers
- Harder Now That It's Over
- Touch, Feel & Lose
- Tina Toledo's Street Walkin' Blues
- Goodnight, Hollywood Blvd
Amazon.com
Torrential creativity has fast-forwarded the artistic evolution of former Whiskeytown frontman Ryan Adams from country-rock boy wonder (see Faithless Street) to despondent troubadour with a 1960s fixation (his solo debut Heartbreaker), but it may also explain why listeners often need to wade through some pedestrian material just to find a few pearls of poetic excellence. Gold is no exception to that trend, a sometimes engaging middle-of-the-road roots-pop album that's both overlong (70 minutes) and at times overindulgent. There are high spots--such as the bouncy, breezy opener "New York, New York" and the plaintive ballad "When the Stars Go Blue" (which features a vocal turn reminiscent of Morrissey)--but much of the disc gets lost in forests of indistinct guitars and plodding percussion that never nudges Adams into actually rocking. Gold is the work of a notoriously prolific songwriter who hasn't yet learned to play to his strengths, one whose execution doesn't yet match his vision. --Anders Smith Lindall
Customer Reviews:
Fantastic sophomore effort.......2007-07-05
I think many people have had very high expectations of Adams; as Adams has for himself. I can't help but hear the overtones comparing him with Dylan, the Stones, etc...and make the comment that these critics should count the number of Double albums each of these artists had. And, to take a closer look at many of the Dylan albums, stretching to the complete end of usable vinyl on each side. If they had more room (like the Beatles use of the runout groove in Sgt. Pepper's) I fully believe they would have used it- and then some. Dylan's plethora of albums releases in the 60's was much of a result of the limitations of the record length as it was the heaping of material he wanted to record (see BBC's history of the record).
I've heard the (re: Mr. Brough's review) "young artist of the CD era," comment before, and feel this is a bit of a lazy cop out. Gold, is paced very well beginning with it's anthem, following with another up beat number. Tracks such as La Cienga, Harder Now, Goodnight Hollywood Blvd. are not only Adams verging on a mature approach to an emotinal topic, but very good change of pace within the context of the record.
Hey, I miss flipping my albums over too- and the craft of shaping each side as a sort of "set." To dismiss this talented musician and writer as "squeeze(ing) into every minute of a disc's capacity," is missing one of the points completely.
outstanding record.......2007-05-22
'gold' is an excellent album, and probably ryan adams' most commercially-friendly release to date. if you've heard of ryan adams, want to try him out and need a place to start in his catalogue (which is fairly extensive even though he is barely 33), 'gold' would be an ideal purchase. none of the first ten songs on the record need to be skipped over, with 'the rescue blues,' 'stars go blue' and 'nobody girl' as the highlights. while MUCH has been written about his difficult personality as well as his alcohol and drug problems, 'gold' proves his songwriting talent is first-rate.
It's Gold Baby!.......2007-04-02
Loved it. The guy has a pseudo alternative rock-country style that I like. First two tracks and track six are my favorites. Lyrics are cool. It's a classic "guy singing and banging on guitar" collection - you can't beat it.
September 10, 2001.......2006-09-30
The album was a work of art but you need to see the video For I still love you New York It was shot on September 10, 2001 on the other side of the Hudson with the WTC in the backround!! Bone Chilling yet refreshing! He was the first musical guest on SNL after the attacks . Enjoy
flight test (4.5).......2006-08-16
I'm a big fan of Adams, and I think he's a very talented artist. Most people consider this his best. I don't think so, but I do think its good.
When I first listened to this album, I was quite taken with the first three songs, especially "Answering Bell." I thought he was on a roll. If were to compare this to throwing an object off a cliff, this would be where the object soars.
That being said, the album continues on with "La Cienega Just Smiled," "Rescue Blues," "Somehow Someday," and "When the Stars go blue." While not quite as capturing as the first three songs, I love them and listen to them about as much.
After this point, it become clear that my metaphorical object isn't exactly going to fly. "Nobody Girl," SYLVIA PLATH, "Enemy Fire," and "Gonna Make You Love Me" range from the good to the mediocre. "Enemy Fire" recalls Neil Young's more crazy horse-esque moments, making it my favorite of this batch. SYLVIA PLATH starts out really starts out very strong but seems a bit lackluster towards the end, making it overall a good song. The other two I'm fairly neutral about.
My flight testing object continues on its downward path, whereby we come to my "shady" area of the album. "Wild Flowers" and "Harder Now That It's Over" are not exactly memorable (i don't remember them very well right now) but I know they're listenable.
I don't know what Adams was thinking when he layed down the last three tracks. At this point my object crashes into pieces on the rocks below. Pretty much the only reason this cd doesn't get quite 5 stars. Better luck next time.
Overall this another really good album from Adams, but it has flaws. This could have easily been a 10-12 track cd, but instead, it has 16, so the cd kinda drones in places. In other words, the garden is beautiful, it just needs to be weeded.
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