T.O.N.Y. (Top of New York) [CD-single]
Track Listings
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1. T.O.N.Y. (Top of New York)
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T.O.N.Y. (Top of New York),Capone-N-Noreaga,Penalty,Club/Dance,East Coast Rap,Gangsta Rap,Hardcore Rap
Average customer rating:
- Great compilation
- A disappointment
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DRG 25th Anniversary Show Stopping Performances
Manufacturer: Drg
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Binding: Audio CD
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Similar Items:
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ASIN: B00005Q6IN
Release Date: 2001-10-23 |
Tracks:
- A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
- Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
- Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
- Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
- Nunsense: I Just Want To Be A Star - Christine Anderson
- Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
- Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
- Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
- Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
- The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
- Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
- Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
- A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
- The Madwoman Of Central Park: Better - Phyllis Newman
- Greenwillow: Never Will I Marry - Anthony Perkins
- Song Of Singapore: I Can't Remember - Loretta Swit & Company
- Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
- I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
- The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
- Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
- Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble
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- 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
- Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
- Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
- High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
- Tenderloin: Artificial Flowers - Patrick Wilson
- State Fair: Driving At Night/Our State Fair - Company
- Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
- Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
- The Green Bird: O Foolish Heart - Company
- Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
- The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
- Snoopy!!!: Poor Sweet Baby - Pamela Myers
- SeesawNobody Does It Like Me - Michele Lee
- March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
- Lunch: Perfectly Alone - Carol Burnett
- 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
- Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
- Godspell: All Good Gifts - Sal Sabella & Company
- The Act: Walking Papers - Liza Minnelli & Company
Customer Reviews:
Great compilation.......2002-05-10
I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.
A disappointment.......2001-12-15
There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
Average customer rating:
- Awesome musicality
- Fabulous? Yes!!!
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The Fabulous Victoria De Los Angeles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Songs Of Spain / De Los Angeles, et al
- The Very Best of Victoria de los Angeles
- Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
ASIN: B000002S5G
Release Date: 1994-02-15 |
Tracks:
- Sheherazade: Asie
- Sheherazade: La Flute enchantee
- Sheherazade: L'Indifferent
- Cinq Melodies populaires grecques: Le Reveil de la mariee
- Cinq Melodies populaires grecques: La-bas vers l'eglise
- Cinq Melodies populaires grecques: Quel galant m'est comparable
- Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
- Cinq Melodies populaires grecques: Tout gai!
- Duex Melodies hebraiques: Kaddisch
- Duex Melodies hebraiques: L'Enigme eternelle
- L'Invitaiton au voyage
- Phidyle
- L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
- Poeme de l'amour et de la mer: La Fleur des eaux
- Poeme de l'amour et de la mer: Interlude
- Poeme de l'amour et de la mer: La Mort de l'amour
Tracks:
- Cinco Canciones Negras: Cuba dentro de un piano
- Cinco Canciones Negras: Punto de habanera
- Cinco Canciones Negras: Chevere
- Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
- Cinco Canciones Negras: Canto negro
- Coleccion de canciones amatorias: Llorad corazon
- Coleccion de canciones amatorias: Iban al pinar
- Cuatro madrigales amatorios: Con que la lavare?
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- Cuatro madrigales amatorios: De donde venis, amore?
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Cinco canciones playeras espanolas: Rutas
- Cinco canciones playeras espanolas: Pregon
- Cinco canciones playeras espanolas: Las 12
- Cinco canciones playeras espanolas: El pescador sin dinero
- Cinco canciones playeras espanolas: Coplilla
- Quatre cancons: Canco de grumet
- Quatre cancons: Cancon incerta
- Quatre cancons: Maig
- Quatre cancons: Anacreontica
- La Dama d'Arago
- El can dels ocells
- Canco de Sega
- El combat del somni: Damunt de tu nomes les flors
- El combat del somni: Aquesta nit un mateix vent
- El combat del somni: Jo et presentia com la mar
- Triptic de Mossen Cinto: L'Harpa Sagrada
- Triptic de Mossen Cinto: Lo violi de Sant Francesh
- Triptic de Mossen Cinto: Sant Fransech i la cigala
Tracks:
- Chansons de Bilitis: La Flute de Pan
- Chansons de Bilitis: La Chevelure
- Chansons de Bilitis: Le Tombeau des Naiades
- Fetes galantes: En sourdine
- Fetes galantes: Fantoches
- Fetes galantes: Clair de lune
- Noel de enfants qui n'ont plus de maisons
- Chants populaires: Chanson espagnole
- Chants populaires: Chanson francaise
- Chants populaires: Chanson italienne
- Chants populaires: Chanson Herbraique
- Trois jours de vendange
- Le Rossignol des lilas
- Tristesse, Op. 6, No. 2
- Au bord de l'eau, Op. 8, No. 1
- Les Roses d'Ispahan, Op. 39, No. 4
- Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
- Siete Canciones populares espanolas: El pano murano
- Siete Canciones populares espanolas: Sequidilla murciana
- Siete Canciones populares espanolas: Asturiana
- Siete Canciones populares espanolas: Jota
- Siete Canciones populares espanolas: Nana
- Siete Canciones populares espanolas: Cancion
- Siete Canciones populares espanolas: Polo
- Doce canciones gallegas: As florinas dos toxos
- Triptico, Op. 45: Farruca
- Villancicos: Pastorcito santo
- Psyche
- Soneto a Cordoba
Tracks:
- Proserpina: E dove t'aggiri
- Le violette
- Joshua: Oh! had I Jubal's lyre
- Der Tod und das Madchen, D. 531
- Die schone Mullerin, D. 795: No. 2: Wohin?
- D. 547: An die Musik
- Op. 59, No. 8: Dein blaues Auge
- Op. 84, No. 4: Vergebliches Standchen
- Op. 27, No. 1: Chanson d'amour
- Op. 46, No. 2: Clair de lune
- Let Us Wander
- Lost Is My Quiet
- Schlaf in deiner engen Kammer
- Ah! lamenta, oh bella Irene
- Irish Songs: Oh! Would I Were But That Sweet Linnet
- Irish Songs: He Promised Me At Parting
- Irish Songs: They Bid Me Slight My Dermot Dear
- Welsh songs: The Dream
- Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
- Les Fleurs des landes: Le Trebuchet
- Moglichkeit
- Der Apfel
- Schottische Ballade
- Pastorale
- Pleurs d'or
- Sapphische Ode
- La Partenza
Amazon.com
The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns
Customer Reviews:
Awesome musicality.......2006-07-26
This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.
Fabulous? Yes!!!.......1999-09-13
The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.
I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.
As an added bonus, several duets with the great baritone Dietrich Fischer-Dieskau are featured on Disk #4. These include some charming settings of Irish songs by Beethoven, and a gorgeous arrangement of "Let Us Wander" by Henry Purcell. I remember hearing these duets years ago on an LP recording, and it was a pleasure to hear them again.
Average customer rating:
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20 Uchaf Emynau Cymru
Manufacturer: Sain
ProductGroup: Music
Binding: Audio CD
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ASIN: B00002R0QX
Release Date: 1993-01-01 |
Tracks:
- Pantyfewen
- Finlandia
- Bro Aber
- Dim Ond Lesu
- Rhys
- Lausanne
- Calon I
- CWM Rhondda
- Builth
- Price
- Sarah
- Clawdd Madog
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- In Memoriam
- Pennant
- Ty Ddewi
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Cherubini - Lodoïska / Devia, T. Moser, Shimell, Pedaci, Corbelli, Teatro alla Scala, Muti
Coro e Orchestra del Teatro alla Scala , Thomas Moser , Francesca Pedaci , Alessandro Corbelli , Bernard Lombardo , and Mario Luperi
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Cherubini, Luigi
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Similar Items:
- Zemlinsky: Der Zwerg
ASIN: B0000027JN
Release Date: 1991-09-26 |
Tracks:
- Lodoiska: Ouverture
- Lodoiska: Approchez sans defiance
- Lodoiska: Vous voyez, mes amis
- Lodoiska: Triomphons avec noblesse
- Lodoiska: Le soleil se leve
- Lodoiska: Voyez la belle besogne
- Lodoiska: Que pouvais-je faire
- Lodoiska: Etrangers, n'avez point d'alarmes
- Lodoiska: Je te demande la vie
- Lodoiska: Jurons, quoiqu'il faille entreprendre
- Lodoiska: Quel etonnant langage!
- Lodoiska: Souvent pres d'une belle
- Lodoiska: Perdre ma belle?
- Lodoiska: Qu'un tendron a ma guise - Qua'amour me conduise
- Lodoiska: Eh! voici une pierre
- Lodoiska: Floreski! Floreski!
- Lodoiska: Eh bien, qu'allons nous entreprendre?
- Lodoiska: Etrangers, pourrait-on s'instruire
Tracks:
- Lodoiska: Quel nouveau crime medite ton maitre
- Lodoiska: Que dis-je, o Ciel!
- Lodoiska: Helas! dans ce cruel asile
- Lodoiska: Mais pour moi s'il s'expose
- Lodoiska: Lysinka, sortez et laissez-nous seuls
- Lodoiska: A ces traits je connais ta rage
- Lodoiska: Mon serment est de te vouer
- Lodoiska: Non, non, perdez cette esperance
- Lodoiska: Tu n'appartiendras jamais a ce Floreski
- Lodoiska: Ciel, ce que je lui propose
- Lodoiska: J'adopte ton projet
- Lodoiska: Rien n'egale sa barbarie
- Lodoiska: Viens, mon cher Varbel!
- Lodoiska: Helas! qu'allons-nous entreprendre?
- Lodoiska: Amis, que ce divin breuvage
- Lodoiska: Bon, les voila qu'ils y viennent
- Lodoiska: Traitres!
- Lodoiska: Il faut tenter ce dernier moyen
- Lodoiska: Oui, pour mon heureuse adresse
- Lodoiska: Cruel! que me voulez-vous encore?
- Lodoiska: Tournez sur moi votre colere
- Lodoiska: Soyez mon epouse et Floreski est libre
- Lodoiska: Quoi! t'unir a ce barbare!
- Lodoiska: Seigneur, la chateau est attaque
- Lodoiska: Mais que signifie cette alarme?
- Lodoiska: Eh! Quoi! brave jeune homme!
- Lodoiska: Tyran, au nombre de tes crimes
- Lodoiska: Jeune homme, que l'amour t'unisse
- Lodoiska: Votre fureur est legitime
Customer Reviews:
An Interesting Rarity.......2003-10-24
When it comes to popular operas, Cherubini's LODOISKA is probably not at the top of too many lists. As a matter of fact, even the most well versed opera lovers have probably never heard of the piece, let alone whistle its memorable arias and duets. Some music lovers may be familiar with the opera's powerful overture, but that's about it. All of this is probably rather sad when you consider that in his day, Luigi Cherubini was a very well loved and highly regarded composer. In his younger years he was a contemporary of Mozart, Beethoven, Hadyn, and Schubert, and in his later years Rossini, Donizetti, and Bellini, and rivaled some of these composers in popularity. Sadly he is virtually unknown today.
LODOISKA is a period piece and its plot is the rather familiar "rescue opera" of which Beethoven's FIDELIO is probably the best example. The lovely Princess Lodoiska is in love with the handsome and dashing Prince Floreski. The only person who stands in the way of the lovers' happiness is the evil Baron Dourlinski. Fortunately Floreski has made a pact with the Tartars who help him save his love just before she will be forced to marry Dourlinski. The opera ends with the two love birds living happily ever after.
This set of disks is from a live recording from La Scala in Milan. Riccardo Muti is the conductor. Since this is the only recording of the opera available today (at least I do not see any others listed), it is also the greatest since it has no competition. Mariella Devia and Bernard Lombardo do well as Lodoiska and Floreski respectively. The second act of this recording is the strongest and probably has the most musical appeal. Unfortunately the first act is not all that gripping, but this is due more to the blandness of some of the music and not the performance. This opera will probably not be in the disk player all that often, but it is an enjoyable set to listen to for a change.
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T.O.N.Y. (Top of New York)
Capone-N-Noreaga
Manufacturer: Penalty Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000311K
Release Date: 1997-02-11 |
Tracks:
- T.O.N.Y. (Top of New York)
Average customer rating:
|
The Difference
Romanian T.O.N.Y.
ProductGroup: Music
Binding: Audio CD
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ASIN: B000FTVZC8
Release Date: 2006-01-10 |
Tracks:
- Intro
- Pushed Aside
- Thank U (Interlude)
- Walk Wit Me
- Difference [Feat. Que]
- When the Cops Come
- 4 All the Odds
- Take a Look [Feat. Mag Briggs]
- Like a Soulja [Feat. Que & Dave G]
- U and I
- Twisted
Average customer rating:
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Anthologie de l'Opérette, 1850-1950 (Box Set)
Manufacturer: Forlane
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ASIN: B00005EBJP
Release Date: 2001-04-17 |
Average customer rating:
- Stellar performance of Russia's National opera masterpiece!!
- a solid, exciting production, supurb sound
|
Moussorgski - Boris Godounov / Raimondi, Wischnewskaja, Plishka, Gedda, Dubosc, Cowan, Rostropovitch (1989 film)
Modest Petrovich Mussorgsky , Mstislav Rostropovitch , Ruggero Raimondi , Galina Wischnewskaja , Wyatscheslaw Polozov , Paul Plishka , Nicolai Gedda , Catherine Dubosc , and Richard Cowan
Manufacturer: Elektra / Wea
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Binding: Audio CD
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Similar Items:
- Russian Album
ASIN: B000005E6S
Release Date: 1992-05-01 |
Tracks:
- Boris Godounov: Introduction orchestrale: Scene - Eh bien, qu'avez-vous?
- Boris Godounov: A quis nous abandonnes-tu ?
- Boris Godounov: Fideles croyants, notre boiar reste inexorable
- Boris Godounov: Tu as entendu les hommes?
- Boris Godounov: Scene du Couronnement, Coronation Scene
- Boris Godounov: Mon ame est en peine
- Boris Godounov: Encore un dernier recit
- Boris Godounov: O Dieu de force, Dieu de Justice
- Boris Godounov: Tu as ecrit toute la nuit
- Boris Godounov: Oh, je me souviens - Ouglich
- Boris Godounov: On sonne les matines - Boris, tout tremble devant toi
- Boris Godounov: J'ai pris un caneton gris
- Boris Godounov: Peuple chretien, bonnes gens aimes de Dieu
- Boris Godounov: Dans la bonne ville de Kazan
- Boris Godounov: Pour moi!
- Boris Godounov: Qui etes-vous? - D'humbles pelerins, de saints moines
- Boris Godounov: Que faites-vous, maudits coquins - Fuite de Grigori
Tracks:
- Boris Godounov: Ou est mon fiance?
- Boris Godounov: Oh, c'est assez, Princesse - Chanson du Moustique, Mosquito Song
- Boris Godounov: Ah, Nounou, en voila un conte, Jeu de la Main chaude, The Hand-Clapping Game
- Boris Godounov: Qu'y a-t-il?
- Boris Godounov: Comme c'est bien, mon fils!
- Boris Godounov: Aie, chut! - Qu'y a-t-il donc?
- Boris Godounov: A cause de notre Perroquet
- Boris Godounov: Mon fils, mon cher enfant!
- Boris Godounov: Tsarevitch, obeis!
- Boris Godounov: Tu ne me crois donc pas?
- Boris Godounov: Assez, ah, je suffoque!
- Boris Godounov: Au bord de la Vistule bleue
- Boris Godounov: Cela suffit!
- Boris Godounov: Je n'ai pas besoin de toi aujourd'hui, Rouzia
- Boris Godounov: Ah! Mon Dieu! Cest vous, mon Pere!
- Boris Godounov: A minuit, dans le jardin
- Boris Godounov: Prends-garde, Tsarevitch - La Polonnaise - Nous aurons bientot conquis la Moscovie
Tracks:
- Boris Godounov: Elle! Marina!
- Boris Godounov: Eh bien, la messe est-elle finie?
- Boris Godounov: Trrr, trrr, trrr
- Boris Godounov: Aaah! Boris! Ils ont offense L'Innocent!
- Boris Godounov: Nobles Boiars!
- Boris Godounov: Eh bien, passons au vote
- Boris Godounov: Que dites-vous la, Boiars!
- Boris Godounov: Arriere, arriere
- Boris Godounov: Auguste Souverain - Mon recit sera simple et bref
- Boris Godounov: J'etouffe
- Boris Godounov: Pleurez, bonnes gens
- Boris Godounov: Amene-le par ici
- Boris Godounov: Trrr...le bonnet de fer
- Boris Godounov: Le ciel et la lune se sont eteints
- Boris Godounov: Hardi! notre male temerite
- Boris Godounov: Domine, salvum fac regem
- Boris Godounov: Qui le Malin nous envoie-t-il encore
Customer Reviews:
Stellar performance of Russia's National opera masterpiece!!.......2004-07-02
Let's start with the quibbles, on account of their relative insignificance: 1) I miss the real bells used on the Gjórgiev (especially!!!) and the Abbado recordings (the samples I got to hear alerted me to this - the chimes used here sound poor by comparison); 2) the Russian original-language libretto is incomplete (were more space allowed here, I'd have published the missing parts in the original Russian). [I recommend downloading the libretto from other websites - and then piecing in the few things that are otherwise absent from the regular-performance libretto from the booklet supplied - Rostropóvich's reading gives this opera (a composite of the 1868 and 1872 versions) as completely as possible (the réprise of the Simpleton's scene in the last tableau, originally salvaged from the St. Vasíljiy's (Basil's) tableau cut in the 1872 version and which however was reinstated in this recording, could have been omitted consequently - though I'm glad it wasn't!).] 3) I wish the orchestra (very good indeed!!!) could be heard more even when the singers are in full voice (this defect relative to Culshaw's Wagner recordings - my standard in taste - also afflicts Rostropóvich's otherwise superb recording of Shostakóvich's "Lady Macbeth of Mcjénsk").
Otherwise, a very powerful reading with everybody in peak form fully deserving a full 5 stars - even the venerable arch-star of Russian soprani from 1952-82 (from her début with the Boljshóy to her retirement from live operatic performances - of course she was forced out of the Boljshóy in 1974 into exile...) Vishñévskaja, who was close to being 61 years of age at the time of this recording, comes off as well as everybody else (you could hardly tell her age)! Another success is that of Mira Zakai as one of the nurses (in Act II) - she's much better here than in Solti's recording of Mahler's 2nd Symphony with the CSO (where she sounds so uninvolved as well as plain when compared to Helen Watts or Maureen Forester). Gedda sings the Simpleton's part as movingly as could be anticipated from somebody who has given so much of his career to the Russian repertoire, while Plishka gives a wonderfully warm Pimjén. As to Ruggero Raimondi - wow, what a wonderfully evocative portrayal of the demented Carj (C pronounced as 'ts' like in "bolts"; 'j' just softens the 'r' somewhat...)!!! One doesn't need a bassus profundus (which he's not - though his low notes lack nothing!) to do justice to this rôle after all...
Finally, regarding the version of the score being used: while it's indeed based on the 1872 "definitive" version, much stuff cut therefrom which was in the 1868 original version makes it into the recording (not a note is cut from the score). While obviously the earlier version of Act II as well as a few other snippets in Act I (when Grigóriy wakes up) are superseded (the latter's snippets are merely the same music given to offstage choir instead of the strings as done initially), other things (e.g., the dismissal of the crowd in the Prologue's 1st scene, the scene in front of St. Vasíljiy's Cathedral) are fully reinstated - all of this can be vouched for from the full score 2-book set published by Oxford University Press giving Musórgskiy's original version.
Most definitely recommended in all events and regards!!! [Hopefully Erato will reissue this recording as it's amply deserving!]
a solid, exciting production, supurb sound.......2000-07-29
Mussorgsky's Boris Godunov is so rich that it never can be encompassed by one interpretation, however strong. It's worth having two or more versions, including this one, conducted by Rostropovitch, on hand. Here's how it stacks up with two other fine quality, stereo recordings using Mussorgsky's original orchestration: Abbado's and Gergiev's.
Rostropovitch and the ensemble under his baton, provide both a polished orchestral presentation and dynamic drama dominated by one of the best Borises of the digital age. The story and the music reinforce one another seamlessly.
The dramatic presentation in the Rostropovitch version is much more exciting than that in the Abbado version, which focuses more on creating a flawlessly recorded, stunning symphonic and choral atmosphere. In the Rostropovitch version, beautiful children's voices add both an innocent element to Mussorgsky's dark drama and another stunning instrument to the orchestration. In the perfectly polished Abbado version, adult women with full voices flawlessly sing the children's roles.
Rostropovitch's production lacks some of raw dramatic heft of Gergiev versions, but it has more polish. The Gergiev CD set offers two complete versions, both Mussorgsky's 1868 version and the 1873, each complete and with different casts, making it a bargain, if such a thing can be said about overpriced classical music CDs. The Rostropovitch version contains only the 1872 score.
I have all three versions and listen to all of them with great pleasure. If, heaven forbid, I could only have one, this version conducted by Rostropovitch might be it. It would be a tough call to make.
Average customer rating:
|
Grandi Voci: Régine Crespin
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
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| Gluck, Christoph W.
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ASIN: B00000422I
Release Date: 1994-11-15 |
Tracks:
- Cette nuit...O toi qui prolongeas mes jours
- D'amour l'ardente flamme (Romance de Marguerite)
- O ma lyre immortelle
- La voila...L'amour est un oiseau rebelle (Habanera)
- Seguidilla
- Portez armes...J'aime les militaires
- Dis-moi Venus
- Tu n'es pas beau...Je t'adore
- O mon cher amant, je te jure (Air de lettre)
- Ah! quel diner
- Moi je m'appelle
- Y'a des arbres...C'est sa banlieue
- Ah! cher monsieur, excusez-moi
- J'ai deux amants
- Saison d'amour
- Je ne suis pas
- Je t'aime
Average customer rating:
- A great library builder, just a bit dull
- Good but a bit outdated
- Consistently the best Dufay recording ever
- A treasure
|
Guillaume Dufay: Complete Secular Music - The Medieval Ensemble of London / Peter Davies & Timothy Davies
Manufacturer: Polygram Records
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| Vocal Non-Opera
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ASIN: B000004CYU
Release Date: 1997-06-24 |
Tracks:
- Ce jour de l'an voudray joye mener
- Entre vous, gentils amoureux
- Resvellies vous et faites chiere lye
- J'ay mis mon cuer et ma pens e
- Navr je sui d'un dart penetratif
- L'alta belleza tua, virtute, valore
- helas, et quant vous veray?
- Je donne a tous les amoureux
- je veuil chanter de cuer joyeux
- Mon cuer me fait tous dis penser
- je requier a tous amoureux
- Resvelons nous, resvelons, amoureux
- Invidia nimica
- Ma belle dame, je vous pri
- Passato il tempo omaj di quei pensieri
- Pour ce que veoir je ne puis
- Par droit je puis bien complaindre et gemir
- Belle, que vous ay ie mesfait
- Se madame je puis veir
- Mon chier amy, qu'aves vous empens
Tracks:
- Belle plaissant et gracieuse
- Ma belle dame souveraine
- Helas, ma dame, par amours
- J'atendray tant qu'il vous playra
- J'ay grant
- La belle se siet au piet de la tour
- Ce moys de may soyons lies et joyeux
- Je ne suy plus tel que souloye
- La dolce uista
- Je me complains piteusement
- Bien veignes vous, amoureuse liesse
- Dona i ardenti ray
- Quel fronte signorille in paradiso
- Bon jour, bon mois, bon an et bonne estraine
- Estrines moy, je vous estrineray
- Je ne puis plus ce que y'ai peu
- Pour l'amour de ma doulce amye
- He, compaignons, resvelons nous
- Adieu ces bon vins de Lannoys
- pour l'amour de ma doulce amye
- Portugaler
- Belle, veullies moy retenir
- Vergene bella, che di sol vestita
- Belle, vueillies vostre mercy donner
Tracks:
- C'est bien raison de devoir essaucier
- Mon bien, m'amour et ma maistresse
- Je prens congie de vous, amours
- Mille bonjours je vous presente
- Craindre vous vueil, doulce dame de pris
- Entre les plus plaines danoy
- Se la face ay pale
- Dona gentile, bella come l'oro
- Bien doy servir de volente entiere
- Las, que feray? Ne que je devenray?
- Hic iocundus sumit mundus
- Pouray je avoir vostre mercy?
- Qu'est devenue leaulte?
- Ce jour le doibt, aussi fait la saison
- Seigneur Leon, vous soyes bienvenus
- Donnes l'assault a la fortresse
Tracks:
- Se la face ay pale
- Je languis en piteux martire
- Trop lonc temps ai est en desplaisir
- J'ayme bien celui qui s'en va
- Va t'en, mon cuer, jour et nuitie
- Puisque celle qui me tient en prison
- Vo regard et doulce maniere
- Or pleust a dieu qu'a son plaisir
- Juvenis qui puellam
- Je n'ai doubt fors que des envieux
- Par la regart de vos beaux yeux
- Adieu, quitte le demeurant de ma vie
- S'il est plaisir que je voux puisse faire
- Belle, vueilles moy vangier
- Lamentatio sanctae matris ecclesiae constantinopolitanae
- Adieu m'amour, adieu ma joye
- Se la face ay pale
- Ne je ne dors ne je ne veille
- Puisque vous estez campieur
Tracks:
- O flos florum virginum
- Je vous pri, mon tres doulx ami
- Ma plus mignonne de mon cueur
- Departes vous, male bouche et envie
- Dieu gard la bone sans reprise
- En triumphant de Cruel Dueil
- Je ne vis onques la pareille
- De ma haulte et bonne aventure
- Du tout m'estoie abondonn
- Malheureulx cueur, que vieulx tu faire?
- Mon seul plaisir, ma doulce joye
- Helas mon dueil, a ce cop sui ie mort
- Franc cuer gentil, sur toutes gracieuse
- Vostre bruit et vostre grant fame
- Resistera....
- Le serviteur hault guerdonn
- Les douleurs, dont me sens tel somme
Customer Reviews:
A great library builder, just a bit dull.......2006-08-06
'Complete Secular Music' by Guillaume Dufay is a great work to have if you are building a library of classical music. But, speaking for the amateur listener who happens to like old music, working your way through the five CDs makes you wish you had gotten the 'greatest hits' compilation. It turns out Dufay's liturgical music is much more interesting to my ears. This collection is basicly about 100 songs in French, which have little of the charm of more recent French chansoms or even a comparable selection of Shubert songs. I'm really happy to have this boxed set, but I will probably not listen to it very often.
Good but a bit outdated.......2000-07-08
I hate to be a spoilsport on the outstanding ratings of this set. It is certainly an invaluable collection of the secular songs, and as a musicologist interested in this repertory I'd hate to be without it. But some poor performance practices--for example, the failure to recognize that the introductory melismas are actually equipped with the opening vowel (and are hence vocal)--leads to bizarre consequences. One consequence is that there are introductory "instrumental" passages and "instrumental interludes" that make nonsense of the musical continuity in some pieces: continuous vocal performance is required. Dufay surely did not intend the strange alternation of instrumental and vocal passages heard in this recording, I think. The whole set needs to be redone in recognition of more recent performance research.
Consistently the best Dufay recording ever.......2000-02-11
To add to the splendid comments by the first reviewer -- this is quite possibly the best, most faithful/authentic/scholarly Dufay ever recorded. It's worth every penny (and at 30 bucks this is beyond a bargain for 96 chansons!) just to hear such masterpieces as: (10 on disc 1) 'Mon cuer me fait tous dis penser' -- possibly the most gorgeous chanson of the 15th century. Plus, to hear the whole corpus of secular music presented in one huge macro-performance is extremely instructive in crystalizing one's impression of Dufay's genius. His style strikes even (especially?) the modern listener as amazingly fresh and relevant -- the liner notes and complete texts are quite an oeuvre by themselves... a lovely anthology of period formes-fixes poetry! (And, I might add -- I find all the performers, including Timothy Penrose both masterly and scholarly in their interpretations.) This is a must buy for fans of Early Music and a worthy introduction to 15th century music for those who are unfamiliar with the period but wish to invest in a guaranteed winner. You won't be disappointed! Buy now!
-- Justin Weaver
A treasure.......1999-12-20
Grab this while it lasts! This is a reissue of a 1980 recording that will remain forever unsurpassed - both because its quality is so great, and also because no one in this day and age will dare to undertake such a massive project again. Think about it - the entire Dufay secular output! Listening to these songs, written more than 500 years ago, reveals how little has changed in the intervening centuries. Many styles and genres came and went, but the human impulse to express emotion in a song remained the same. This is why these old songs remain so appealing today. Dufay, who was possibly the greatest composer of his time, wrote most of his secular music in the fixed medieval forms (such as rondeau, virelais and ballade), but his songs transcend the formalities because he was such a remarkable melodist. Listen to such masterpieces as Vergene Bella or Donnes L'Assault a la Fortresse to know what I mean. The informative sleeve notes explain the characteristics of each style. The recording took into consideration the latest available musicological research into Dufay and his times. To cover the entire ground, some compositions are presented here in several different versions. Vocal and instrumental pieces alternate to provide variety (as the notes inform, the pieces with incomplete texts were not vocalized). The instruments (a typical medieval array) consist of recorders, flutes, dulcians, shawns, trumpets, rebecs and fiddles; plus lute, harp and clavichord used for continuo. The singers are excellent. The recording features half of the Hilliard (in its then-existing roster): Rogers Covey-Crump, Paul Elliott, Paul Hillier & Michael George. Tenor John Elwes contributes some fine singing (particularly in the spectacular Vergene Bella, sung solo to a fiddle and rebec). The only person who is perhaps not up to the highest standards is countertenor Timothy Penrose, although his singing is definitely adequate. On balance, a very satisfying release. Buy! gkolomietz@yahoo.com
Rap Music:
- The Best of L.A. Techno Rap
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- The Hill That's Real
- The Natural
- The Pick, The Sickle And The Shovel [Explicit Lyrics]
- The Tape
- Tru 2 Da Game [Explicit Lyrics]
- True Game
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