Living Large

Living Large

Track Listings
1. Overweight Lovers in the House
2. Nike
3. Chunky But Funky [Remix]
4. Dedicated
5. Here We Go
6. On the Dance Floor
7. Moneyearnin' Mount Vernon
8. I'm Gonna Make You Love Me
9. Overweighter
10. I'm Getting Paid
11. Rock the Bass
12. Mr. Big Stuff [Remix]
13. Don't You Know

For the Living of These Days
Average customer rating: 4 out of 5 stars
  • Hauntingly Beautiful
  • The Simplicities and Complexities of Faith
  • Kate is great!
  • You need something like this, but maybe not this
 For the Living of These Days
Kate Campbell , and Spooner Oldham
Manufacturer: Large River Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Contemporary Folk | Folk | Styles | Music
Singer-SongwritersSinger-Songwriters | Contemporary Folk | Folk | Styles | Music
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Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
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ASIN: B000H7JE26
Release Date: 2006-09-05

Tracks:

  1. Jesus Christ
  2. If I Ever Get To Heaven
  3. Without Him
  4. Be Thou My Vision
  5. Prayer Of Thomas Merton
  6. God Of Grace And God Of Glory
  7. Dark Night Of The Soul
  8. When I Let Jesus Take My Hand
  9. Terrible Mercy
  10. Would They Love Him Down In Shreveport
  11. There's A Wideness In God's Mercy
  12. They Killed Him
  13. Faces In The Water
  14. There Is A Balm In Gilead

Amazon.com

There's no sacrilege intended in terming this spiritually minded collaboration a match made in heaven. Kate Campbell has won a loyal folk following with her purity of tone, literary inspirations, and depth of moral vision. Spooner Oldham has supplied soulful keyboards behind artists ranging from Percy Sledge and Aretha Franklin to Bob Dylan and Neil Young, and has further distinguished himself as songwriting partner of the great Dan Penn. This collection of hymns and contemporary material in a Christian vein benefits from the stripped-down intimacy and one-take immediacy of their performances as a duo. "If I Ever Get to Heaven," a Campbell-Oldham composition, speculates on the afterlife, but the most pointed material concerns the religion's radical message for life on earth, with Woody Guthrie's "Jesus Christ," Bobby Braddock's "Would They Love Him Down in Shreveport," and Kris Kristofferson's "They Killed Him" each suggesting that a second coming could result in another crucifixion. Whereas some of the more traditional-sounding material, such as the Irish "Be Thou My Vision" and "There's a Wideness in God's Mercy," stresses the comforts of religion, original material from Campbell--including "Dark Night of the Soul" and "Terrible Mercy"--explores the complexities. Whatever the message, Oldham's gospel piano and bedrock organ are worth hearing on their own. --Don McLeese

Customer Reviews:

5 out of 5 stars Hauntingly Beautiful.......2007-07-14

Having just heard Kate Campbell sing live in Washington, DC, I ordered up four of her CDs, including her latest - "For the Living of These Days."

And I must say this newest offering is astounding in is beauty, depth, musicianship and complexity.

Campbell and Oldham (re)weave a thicket of old threads into lustrous tapestries of new strength and beauty...

Honestly, this is music which stands upon multiple thresholds:

Between tradition and innovation...

Between joy and pain...

Between questions and assurance...

Between Heaven and Earth.

Wherever you find yourself in your Christian walk of faith: Treat yourself to the comforting challenge of these words, this music!

4 out of 5 stars The Simplicities and Complexities of Faith.......2007-03-09

Kate Campbell once again has delivered a product that her fans will love and newcomers to her sound will find intimate. Her unpretentious voice always catches me off guard. This album has some well-known hymns, some less-well-known songs about faith and some original work by Kate. As soon as you think the arrangements are ordinary, she changes it up a little, like she does in God of Grace and God of Glory. My favorite piece is her rendition of There Is A Balm In Gilead. Her un-hurried delivery gives this glorious song a soulful, knowing sound that truly is a balm to the listener's ears.

5 out of 5 stars Kate is great!.......2006-12-31

I'm entranced by all of Kate Campbell
's cds. I hope that you'll sample all of them and love them as much as I do. She has a great voice - her writing matches her voice. I'm from Alabama originally - Kate really speaks to me.

3 out of 5 stars You need something like this, but maybe not this.......2006-10-29

Nothing new here, but a lot of people would say, "Hey, there's not supposed to be anything new about God." These are traditional spirituals, samey, with that wheezy organ and fervent insistence on faith and humility. It's big on that most important feature of spiritual records -- Sincerity. It hits the other points on the genre's checklist with just a hint of Southern Baptist Grandma's country twang. It's pretty. Ms. Campbell's voice is nice and her timing is impeccable. A well-rounded CD collection includes this kind of music, and here it is
Living Large
Average customer rating: 4.5 out of 5 stars
  • Hev's first time out the gate is pretty good...............
  • A Milestone
  • He's Tha' Man
  • rips up the hizouse
 Living Large
Heavy D & The Boyz
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | R&B | Styles | Music
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ASIN: B000002O45
Release Date: 1990-10-25

Tracks:

  1. The Overweight Lovers In The House
  2. Nike
  3. Chunky But Funky (Remix)
  4. Dedicated
  5. Here We Go
  6. On The Dance Floor
  7. Moneyearnin' Mount Vernon
  8. I'm Gonna Make You Love Me
  9. Overweighter
  10. I'm Getting Paid
  11. Rock The Bass
  12. Mr. Big Stuff (Remix)
  13. Don't You Know

Customer Reviews:

4 out of 5 stars Hev's first time out the gate is pretty good......................2007-02-08

Top Joints:

The Overweight Lovers In The House
Nike
Chunky But Funky (Remix)
Dedicated
Moneyearnin' Mount Vernon
Overweighter
Rock The Bass
Mr. Big Stuff (Remix)
Don't You Know

4 out of 5 stars A Milestone.......2006-05-18

I believe this album is a milestone in the history of black music. Most of the beats on here are produced by a young Teddy Riley, at the very beginning of his career. He's pioneering his sound that would become 'New Jack Swing', and dominate the charts for many years with acts like Keith Sweat, Guy, Bobby Brown. That sound would then be copied by many other producers. But Teddy Riley was a real innovator at the time, and his New Jack Swing revolution starts here, with this Heavy D album, before blowing up big with Keith Sweat's I Want Her

5 out of 5 stars He's Tha' Man.......2005-04-27

I remember when this album dropped. We were waiting for it after the single for the overweight lover came out. Heavy D represented for all of us Big Guys. For the first time a big guy was seen dressed up, dancing and doing all the things smaller guys could do.

5 out of 5 stars rips up the hizouse.......2000-06-25

Like typical Heavy D this CD is tight. I love it. Heavy D keeps it real. He's the best old skool rapper ever. I saw him in fresh prince one time too. He is the best rapper ever, peace out homie
Joseph Marx: Alt-Wiener Serenaden; Partita in Modo Antico; Sinfonia in Modo Classico
Average customer rating: 5 out of 5 stars
  • Three Marx Works That Evoke Music Past
  • Outstanding homage to the classics of music
 Joseph Marx: Alt-Wiener Serenaden; Partita in Modo Antico; Sinfonia in Modo Classico

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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  1. Joseph Marx: Nature Trilogy
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ASIN: B00064WSL4
Release Date: 2005-01-25

Tracks:

  1. Allegro Moderato Ma Deciso (Intrada)
  2. Andante Appassionata (Aria)
  3. Tempo Di Menuetto
  4. Scherzo Con Marcia (Presto)
  5. Allegro Poco Moderato
  6. Presto
  7. Adagio Molto
  8. Vivace
  9. Allegro Con Brio
  10. Adagio Ma Non Troppo
  11. Tempo Di Minuetto
  12. Poco Presto

Customer Reviews:

5 out of 5 stars Three Marx Works That Evoke Music Past.......2005-03-16

Joseph Marx (1882-1964) was considered a conservative throwback toward the end of his life because much of his music was written in a combination of late Romantic and Impressionistic styles. But when he came to write the three late works presented here he became even more conservative in the sense that he reverted to even older styles, those of the Renaissance polyphonists or the symphonists and quartet writers of the Classical period, Haydn in particular. There certainly was precedent for that sort of homage to the styles of earlier masters, and it is no surprise that Marx, whose knowledge of the old masters was profound, should do the same.

The first of these works is 'Alt-Wiener Serenaden' ('Old Viennese Serenades'), a four movement work for large orchestra that invokes the music of his beloved city and of some of the music associated with it. The first movement, 'Intrada,' immediately strikes one with its charm and evocation of times past, gemütlichheit and courtly manners combined. 'Aria' is a dreamy song featuring wind solos. The 'Minuet' is really more of a Ländler, that forerunner of the waltz entirely fitting in a Viennese suite; it quotes Haydn directly. The 'Scherzo con marcia (Presto)' is a lightly scored contrapuntal romp.

Marx wrote three string quartets. In the 1940s he orchestrated the Second and Third for string orchestra. The string quartet versions have already been recorded on ASV by the Lyric Quartet. The versions for string orchestra do not appreciably change the musical materials of the quartets, but the sound of the full ensemble is richer.

'Quartetto in Modo Antico,' arranged from the Second Quartet, comprises four movements in, in order, the Mixolydian, Dorian, Phrygian, and again Mixolydian modes. Written in homage to the contrapuntal music of such composers as Palestrina, Lassus and Tallis, there is the medieval feeling associated with this harmonic language. Most striking is the slow movement, in Phrygian mode [the scale one hears by playing the white keys from E to e]; at times one is reminded some of the music of Ralph Vaughan Williams, and then one realizes it is because we associate this mode with his 'Variations on a Theme of Thomas Tallis' in that mode and as well as RVW's use of contrapuntal string writing. The last movement is a marvelous double fugue.

'Quartetto in Modo Classico,' the orchestrated Third Quartet, is written in neoclassic form but also in part in late Beethovenian harmonic language. His is clearly an homage to the music of Classic Period, at least in the forms used, but Marx cannot resist some added-note harmonies and a smidgen of chromaticism, although extremely mild compared to the First Quartet. The homage is absolutely genuine and heartfelt; there is none of the irony implicit in, say, Prokofiev's 'Classical Symphony' or Harold Shapero's 'Symphony for Classical Orchestra.' Perhaps, among modern composers, the feeling comes closest to that magnificent late-Beethovenian slow movement in George Rochberg's Third Quartet. The Adagio is serenely beautiful; the first time I heard it I had to go back immediately and hear it again two times. The third movement, Tempo di Menuetto, is a particularly gracious specimen that ventures occasionally into more chromatic harmonies, but its Trio reverts to a musette-like rustic drone, a charming touch, before it returns to the main theme. The Finale is a masterfully crafted contrapuntal 6/8 romp (with a 3/4 middle episode). The return of the A section incorporates the opening section of the quartet's first movement, a subtle rounding-out of the entire work.

We have the previous Amazon reviewer, Berkant Haydin, to thank for this renaissance of the music of Joseph Marx; he has been more or less single-handedly responsible for spearheading it. His booklet notes for this release are excellent. He maintains a Joseph Marx website that contains all manner of additional information about the composer. (You can find it at joseph-marx.org) The playing of the Bochum Symphony Orchestra under Steven Sloan, on this and the previous orchestral releases, is simply wonderful. We are waiting for recordings from them of the two piano concerti, which I understand have already been recorded but not yet released, and the magnificent 'Herbst-Symphonie' ('Autumn Symphony'). The growing number of Marx enthusiasts are waiting eagerly.

Scott Morrison

5 out of 5 stars Outstanding homage to the classics of music.......2005-01-28

When Wilhelm Furtwaengler in 1952 called Joseph Marx (1882-1964) the 'leading force of Austrian
music', Marx's 50-year-old career as a composer was already over; but as one of the most
dazzling and important personalities in 20th-century Austrian music, he had already left his
mark on whole generations of musicians. Highly revered by the great majority of his Austrian contemporaries, Marx also enjoyed within the
international community an undisputed reputation as a remarkable composer and teacher.

As an impressionist who nonetheless called himself a 'Romantic', Joseph Marx never tried to
conceal his deep admiration for the founding fathers of music - such as Wolfgang Amadeus Mozart,
Robert Schumann, Johann Sebastian Bach, Joseph Haydn, Franz Schubert. Thus it was that he
sometimes used in his own works variations of old tunes, as for example in his Alt-Wiener Serenaden, in
which he quotes themes from the works of Karl Michael Ziehrer and Joseph Haydn, or in his works for
string orchestra such as Partita in modo antico and Sinfonia in modo classico, in which Marx paid most
impressive homage to his musical models. But why did Marx, towards the end of his composing life (from
approx. 1935-45), turn away from his impressionistic and late Romantic style to devote himself for the most part to chamber-like music in the early Romantic and classicising manner?

We are dealing here with a period in which Central Europe, under the influence of National
Socialism, became increasingly involved in political conflict, and in which art (according to Joseph Marx
one of the most basic possessions of human culture) was gradually losing its importance - something
that Marx had seen coming. The 'new' style that he favoured in his late music was therefore not merely a
riposte to avant-garde music and an instructive guideline for young composers; by adopting such a style
Marx had hoped to protect the important spiritual values that he associated with this classical style, and
to rescue them 'for better times'. And his efforts were certainly not without success. The compositions
from this late period earned him the same high recognition that he had received for his early songs, which
had made him famous.

The Alt-Wiener Serenaden ('Old Vienna Serenades') brought together much that is regarded to be
'Austrian' in music. Written in 1941/42, they were given their first performance on 14 April 1942 by Karl
Boehm and the Vienna Philharmonic, to which the composer dedicated this work in celebration of the
orchestra's centenary.

The most atypical work of Joseph Marx is probably the Partita in modo antico for string orchestra
(originally written for string quartet in 1937/38, arranged for string orchestra in 1945). Atypical, because
there is a complete absence of chromaticism and irregular dissonances - and this from a composer who,
until the early 1930s, had wallowed in colourfully Romantic lusciousness.

The Sinfonia in modo classico (originally composed for string quartet in 1940/41 and arranged for
string orchestra in 1944) once again takes the listener through a journey of Viennese music history.
Though the form once again has the classical clarity of a Haydn, the musical language is nearer to that of
the late Romantic style.

The expressions 'modo classico' and 'modo antico' certainly do not correspond to any traditional
musical terminology. As has already been mentioned, these expressions that seem to indicate key, are an
attempt to infuse these new works with the values and ideals of classical and ancient music and thus to
formulate a cultural message. But the deeper meaning of these expressions goes much further, for Marx
never ceased, even in his late works, to express his deep admiration for the classical and ancient music
of Southern Europe, which seemed to remain for him eternally young. Thus it was that Joseph Marx
remained surprisingly progressive in this period too, for the way in which he fused the old and the new, in
order to create truly timeless art, is worthy of the highest admiration. The great cellist Pablo Casals
summed up Marx's contribution to Central European music with the following words: "Joseph Marx is
absolutely indispensable for the preservation of the music of the future".
Living in Large Rooms and Lounges
Average customer rating: Not rated
    		Living in Large Rooms and Lounges
    Hunters & Collectors
    Manufacturer: Liberation Music UK
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    Australia & New ZealandAustralia & New Zealand | International | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Live Albums | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    ASIN: B000R4S65A
    Release Date: 2007-07-02

    Tracks:

    1. Slab
    2. Say Goodbye
    3. True Tears of Joy
    4. Throw Your Arms Around Me
    5. Easy
    6. Courtship of America
    7. Betrayer
    8. Back in the Hole
    9. Lady Killer
    10. Most Unoriginal Sin
    11. Holy Grail
    12. When the River Runs Dry

    Tracks:

    1. Holy Grail
    2. Easy
    3. Stuck on You
    4. Say Goodbye
    5. Chalkie
    6. Blind Eye
    7. Everything's on Fire
    8. 42 Wheels
    9. Head Above Water
    10. Mr. Bigmouth
    11. Where Do You Go?
    12. One and Only You
    13. Do You See What I See?

    Album Description

    2CD live set by iconic Australian rock band Hunters & Collectors, one disc recorded live at Melbourne's Continental Caf and the other at various pubs. The album has been unavailable for several years.

    Album Details

    Double CD Live Set by Iconic Australian Rock Band Hunters and Collectors, One Disc Recorded Live at Melbourne's Continental Caf and the Other at Various Pubs. The Album Has Been Unavailable for Several Years.
    Hindemith: Viola Vorks Vol.1
    Average customer rating: 3 out of 5 stars
    • Lackluster interpretations
    • What a gem this is!
    		 Hindemith: Viola Vorks Vol.1

    Manufacturer: Asv Living Era
    ProductGroup: Music
    Binding: Audio CD

    All Works by HindemithAll Works by Hindemith | Hindemith, Paul | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    ViolaViola | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    ASIN: B0000030VQ
    Release Date: 1995-08-22

    Tracks:

    1. Con After Folks Songs: First Movt: Zwischen Berg Und Tiefem Tal
    2. Con After Folks Songs: Second Movt: Nun Laube, Lindlein, Laube!
    3. Con After Folks Songs: Third Movt: Var: Seid Ihr Nicht Der Schwanendreher
    4. Konzertmusik Op.48: First Movt: Lebhaft, Bewegte Halbe
    5. Konzertmusik Op.48: Second Movt: Ruhig Gehend
    6. Konzertmusik Op.48: Third Movt: Lebhaft
    7. Konzertmusik Op.48: Fourth Movt: Leicht Bewegt
    8. Konzertmusik Op.48: Fifth Movt: Sehr Lebhaft
    9. Kammermusik No.5, Op.36/4: First Movt: Schnelle Halbe
    10. Kammermusik No.5, Op.36/4: Second Movt: Langsam
    11. Kammermusik No.5, Op.36/4: Third Movt: Massig Schnell
    12. Kammermusik No.5, Op.36/4: Variante Eines Militarmarsches

    Customer Reviews:

    1 out of 5 stars Lackluster interpretations.......2003-11-26

    I was a little surprised at the lackluster interpretations that these concertos had from Cortese. I am a huge fan of these works, and I highly prefer the versions of the Der Schwanendreher (Albany Records) and Konzertmusik (Old Louisville recording) by Raphael Hillyer, and the Kammermusik by Kashkashian. This disc is about equal in quality to the Brett Dean recording of the Hindemith Concertos (with Queensland Symphony Orchestra), which is equally lackluster. Overall, these interepretations are somewhat unimaginative. I missed the quicker tempos of the fast movements heard in the Hillyer versions, especially the 3rd movement of the Konzertmusik and the last movement of the Der Schwanendreher. The tone quality in the Kashkashian Kammermusik is far superior.

    5 out of 5 stars What a gem this is!.......2000-03-07

    As an admirer of the chief proponent of quartal/quintal harmony, the overly-neglected yet brilliant Paul Hindemith, I can't believe I didn't buy this recording earlier! Paul Cortese, evidently the world's greatest apologist for Hindemith's viola works, has chosen to record the entire oeuvre. This disc contains the three concerti for viola and small orchestra, and, as usual, Hindemith does not fail to provide fascinating contrapuntal textures throughout these works, coupled with modern yet thoroughly listenable harmonies. Cortese takes on the complex pieces and brings out the best in them: athletic, technical passages carried out flawlessly; pensive, moody gray-brown meditations moaning in the mid- and low-ranges of the viola; or romantic moments enjoined with Cortese's rich, fluid tone. The Philharmonia Orchestra, unsurprisingly, supports the soloist with the clean precision required of Hindemith.

    These viola works by Hindemith were long in need of a champion. Cortese, a product of the University of Illinois, New England Conservatory, Curtis Institute, and a wealth of international experience, seems a likely loung lad. Notwithstanding the new enfants terrible like Shakrevi, Tydipujev, and Tuji Fuji, Paul Cortese has definitely made his mark on the world of violists with this excellent recording.
    Living Large EP
    Average customer rating: Not rated
      		Living Large EP
      Tony Rhone
      Manufacturer: Tony Rhone
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Jazz | Styles | Music
      ASIN: B000CA7U1K
      Release Date: 2005-07-19

      Tracks:

      1. E. Smoove - Thick Dick Mix
      2. E. Smoove - Thick Dick Dub
      3. David Rosen - Club Mix
      4. Jesse N Kester - Dnb Mix
      5. Eric Robinson - Original Mix
      Living Large 2
      Average customer rating: Not rated
        		Living Large 2
        Tony Rhone
        Manufacturer: Overnight Superstar Productions
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Jazz | Styles | Music
        ASIN: B000CA7PVA
        Release Date: 2005-04-05

        Tracks:

        1. Acres
        2. 25-35
        3. That Man
        4. Honesty
        5. Living Large [Dub Mix]
        Living Large the Mixes
        Average customer rating: Not rated
          		Living Large the Mixes
          Tony Rhone
          Manufacturer: Overnight Superstar Productions
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Soul | R&B | Styles | Music
          ASIN: B000CA7PV0
          Release Date: 2005-04-05

          Tracks:

          1. E. Smoove - Thick Dick Mix
          2. E. Smoove - Thick Dick Dub
          3. David Rosen - Club Mix
          4. Eric Robinson - Original
          Living Large
          Average customer rating: Not rated
            		Living Large

            Manufacturer: Cargo / 2112 Records
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Alternative Rock | Styles | Music
            ASIN: B000CS9Q1O

            Product Description

            ||| 1. Hi-Standard ||| 2. His Life ||| 3. Your Little World ||| 4. Dying Of Hunger ||| 5. Generation ||| 6. The Glory Train ||| 7. Perfect Day

            Rap Music:

            1. Menace to the Game
            2. Now, That's More Like It
            3. Once Upon a Time in America
            4. One Shirt
            5. Over and Over [CD-single] [Import]
            6. Play Witcha Mama
            7. Protect Ya Neck [CD-single]
            8. R. [Explicit Lyrics] [Extra tracks] [Import]
            9. Raw Sylk
            10. Raw Sylk [Clean]

            Rap Music

            rap music

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            Undercurrent