A Day Late & A Dollar Short

Track Listings

1. Ball-Istics (Intro)

2. Ain't Nothin' Changed

3. Fla Niggaz

4. Hustler

5. Heaven

6. What You Need

7. Time to Get Paid

8. Saturday

9. Pimps and Players

10. Me 4 Me

11. No One's Gonna Play You

12. Dead-Ication

13. Mickey's Got a Gatt

14. Ball-Istics (Outro)

Average customer rating:

"The Summer Smiles, The Summer Knows"
Magnificent Monica!
She's chocolate and creme!
Astonishing
Monica's Latest is the best yet

Cinema Paradiso
Monica Mancini
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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Monica Mancini
Dreams of Johnny Mercer
Ultimate Mancini
Cinema Paradiso: Original Soundtrack Recording (1988 Film)
Surrender

ASIN: B00006LSQE
Release Date: 2002-11-05

Tracks:

Cinema Paradiso (from Cinema Paradiso)
A Day In The Life of a Fool (from Black Orpheus)
A Love Before Time (from Croutching Tiger, Hidden Dragon)
Senza Fine (from Ghost Ship)
I'll Never Say Goodbye (from The Promise)
The Shadow of Your Smile (from The Sandpiper)
Alfie (from Alfie)
Soldier in the Rain (from Soldier in the Rain)
Too Late Now (from Royal Wedding)
The Summer Knows (from The Summer of '42)
Baby Mine (from Dumbo)
Somewhere Over The Rainbow (from The Wizard of Oz)

Album Description

Featuring the title track from the Warner Bros. Motion picture 'Ghost Ship.' The love theme from the film Cinema Paradiso has been given an English lyric for the first time and makes its debut on this recording. Until now the composer Ennio Morricone has never accepted an English lyric for Cinema Paradiso. Concord Records. 2002.

Customer Reviews:

"The Summer Smiles, The Summer Knows".......2006-01-07

"When Monica Mancini set out to record this retrospective of songs from films, she clearly had her passions in order. Monica comes by her affinity for the medium honestly, having grown up in a house permeated with some of the best film music in history, from the pen of her incredibly prolific father, Henry. So it is no surprise that this collection has all the artistry, pathos, and musicality that it so deserves." ~ Dave Grusin, Liner Notes - 2002 ~

Dave Grusin, an expert arranger, conductor, pianist, film scorer himself has described this album so perfectly. The choice of material in this CD is impeccable with Monica Mancini's graceful interpretations and not to mention the flawlessly beautiful arrangements by Torrie Zito, John Calandrelli, Michael Lang, Patrick Williams, George Doering, Ray Ellis, Harvey Cohen and John Frizzell. There are twelve theme songs from various remarkable films in this recording and most of the tracks were backed up by an orchestra with the exception of a few.

The theme song from the movie "Summer of '42" penned by the creative husband-and-wife-team of Alan & Marilyn Bergman and composer Michel Legrand "The Summer Knows" is one of my top choices from this collection. Splendidly arranged by Michael Lang and Harvey Cohen on string section, she renders this timeless song so true to its essence and making it the most beautiful version, bar none!

Burt Bacharach and Hal David's "Alfie" (from the movie of the same title), is a moving song accompanied only by the sublime piano playing of Michael Lang. She has an exquisitely beautiful voice, the kind that still shines without the trimmings and backing up of an orchestra, (the kind that still glows even on A Cappella singing). Another affecting song and a favorite of mine is "Too Late Now," a Burton Lane and Alan Jay Lerner treasure and theme from the movie "Royal Wedding." The orchestral arrangement was done by Torrie Zito, a fine pianist/arranger/conductor who worked briefly with the legendary musical icon, Frank Sinatra. I loved the way he injected a classical touch on his arrangement, almost sounding like one of Claude Debussy's masterpieces. I would say that this is one of the best tracks. Ditto with another Torrie Zito arrangement, Johnny Mandel and Paul Webster's "The Shadow of Your Smile" from the movie "The Sandpiper." Ms. Mancini gave these classics the retire-the-trophy-treatments and made them her very own.

The lovely opener, Ennio Morricone and Gregg Field's "Cinema Paradiso," arranged by Jorge Calandrelli, is also one of the standouts. Another beauty is "I'll Never Say Goodbye" from the movie "The Promise" with piano accompaniment by Michael Lang. The finale "Over The Rainbow" from "The Wizard of Oz" is simply divine with orchestral arrangement by Ray Ellis.

This recording produced by Ms. Mancini's musician husband, Gregg Field, truly showed off not only the singer's vocal artistry, but her classy and elegant style of singing. Thank you Ms. Mancini for your wonderful gift of music. Music to enjoy forever!

Magnificent Monica!.......2004-06-28

My favorite song of all time is "The Shadow of Your Smile" from the movie "The Sandpiper". Until now, the 2 best versions of it were by Barbra Streisand and Tony Bennett. By FAR, this is THE best version of that song. Pure, without "vocal gymnastics", screaming, yelping or other artificial "stylings".. here it is sung as it was written, perfectly performed with beautiful orchestration. The rest of the album is no less miraculous. It is stunning. "A Day in the Life of a Fool", "Cinema Paradiso" and the haunting and tender "Theme from Crouching Tiger, Hidden Dragon" are just as lavish and well-crafted. Okay Monica, now could you release one album a year instead of one album every 3 years? Pleeeeassee??

She's chocolate and creme!.......2004-01-29

Seeing Monica Mancini on stage singing the theme from Crouching Tiger Hidden Dragon, hearing Gregg Field's drums, seeing the multi-media film clip behind her... is like having chocolate and creme!

Monica does not belt you to death, she does not yell at you, she does not punch notes into your being... she soothes you to her, lures you, with a voice that has been hidden for years.

Her voice is perfect in pitch, tone, and her ability to hit every single note as if she were born to sing. Clearly having inherited talent from her mom Ginny and her dad Henry.

On this cd I love the way she embraces other composers songs..."Baby Mine" just one of them. I about melted when she sang that song.

She has a great sense of humor on stage, is spontaneous, and is herself.

She has a great secure personality and stage persona and she has the family roots to give you a chill in your bones when she shares them with you in stories and song.

Hearing her sing live is like being home!

Astonishing.......2003-09-04

I sample A LOT of jazz vocalists (for some reason most contemporary jazz vocalists seem to be female) but initially dismissed Monica Mancici because she's the child of a famous father. Henry was very classy and as accomplished as musicians get, and such qualities rarely get passed down the line. What a mistake. I only heard her Mercer album because it was -- thankfully -- being played in a store I was visiting. I bought it, loved it, and was primed for this collection. A solid Five Stars. There's new stuff here (for me) and old songs done splendidly. Over The Rainbow, aside from its original iconic take by "Judy," has been covered hundreds of times. And Monica's take? Quite simply as good as any. With this release I've recognized what I love about Monica's voice: Aside from being simply perfect technically, her voice glows like a crackling fireplace! I mourned the recent passing of Rosemary Clooney, and now feel that there's a relatively new vocalist who I can follow for many years. Live or recorded, I'll be there ...

Monica's Latest is the best yet.......2003-06-04

Sorry, but I don't worry about the nuts and bolts of every particular detail of an album. I play what I enjoy and Monica's albums bring me that enjoyment. Cinema Paradiso has rarely left my CD Player. I'm only sorry she appears not to have a web page. Where someone like Michael Jackson or Dixie Chicks are all over the Internet, virtually no information is available concerning Monica Mancini. It's impossible to find a concert schedule. I hope she produces another album soon, I've worn out her others.

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Songbird of the South
Kate Smith
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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The Best of Kate Smith
The Encore Collection
The Columbia Years 1940-1946
Two Dozen Roses
The Voice of America

ASIN: B00006RSMJ
Release Date: 2003-01-21

Average customer rating:

Bravos belong to beloved baritone Howard Keel

Bless Yore Beautiful Hide

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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And I Love You So
Howard Keel
The Incomparable...
Only Make Believe: My Life in Show Business
Lovely to Look at

ASIN: B0007KTBH6
Release Date: 2005-03-08

Tracks:

My Defences Are Down - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Girl That I Marry [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
They Say It's Wonderful [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
Anything You Can Do [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
Pagan Love Song [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
House of the Singing Bamboo [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Tahiti [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Make Believe [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
You Are Love [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Why Do I Love You? [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Young Folks Should Get Married [From Texas Carnival] - Howard Keel, MGM Studio Orchestra,
Lovely to Look At [From Lovely to Look At] - Carmen Dragon, Howard Keel, MGM Studio Orchestra
You're Devastating [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Touch of Your Hand [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Higher Than a Hawk [From Calamity Jane] - Ray Heindorf, Howard Keel,
I Can Do Without You [From Calamity Jane] - Doris Day, Ray Heindorf, Howard Keel,
So in Love [From Kiss Me, Kate] - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
Were Thine That Special Face [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
Wunderbar - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
I've Come to Wive It Wealthily in Padua [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
Where Is the Life That Late I Led? [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
Right Place for a Girl [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
Rose Marie [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Sobbin' Women [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
When You're in Love [From Seven Brides for Seven Bothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra, Jane Powell
Your Land and My Land [From Deep in My Heart] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra

Customer Reviews:

Bravos belong to beloved baritone Howard Keel.......2005-08-30

Travel back in time to an era when songs were created to enjoy like a rich desert that your mom would make. Howard Keel and his various duet partners have done just this! This CD has a wonderful selection from the great musicals of the 1950's and makes you smile....sigh....and seek to hear them again and again. I would encourage you to add this to your collection as I have. I've even shared it with many of my friends who have come back with the same remarks of great music from one of the great singers of our recent past.

Average customer rating:

from Solo Piano Publications
Lisa Does It Again!!

Jazz After Hours
Lisa Hilton
Manufacturer: Ruby Slippers Productions
ProductGroup: Music
Binding: Audio CD

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Cocktails At Eight...
"My Favorite Things: Everyone's Jazz Favorites
In The Mood For Jazz
Seduction
Midnight In Manhattan

ASIN: B0002482TU
Release Date: 2004-05-01

Tracks:

Malibu
Dance With Me
Waltz for Debby by Bill Evans
Nocturne
All Blues by Miles Davis
Just Do It
Secret Love by Sammy Fain
All That
Azure by Duke Ellington
When We Met
Listen To Your Heart

Product Description

1. Mailbu
2. Dance With Me
3. Waltz For Debby
4. Nocturne
5. All Blues
6. Just Do It
7. Secret Love
8. All That
9. Azure
10. When We Met
11. Listen To Your Heart

Format: CD

Customer Reviews:

from Solo Piano Publications.......2004-09-03

"Jazz After Hours" is an ensemble recording featuring Lisa Hilton on piano, Eric Marienthal on sax, Tal Bergman on drums, and Reggie McBride on bass. Of the eleven tracks, seven are originals and four are arrangements of jazz classics. I have to admit that I prefer Hilton's solo piano work, but this is a really nice selection of pieces that place an emphasis on fun. "Malibu" has been receiving extensive airplay in the US and abroad, and recently reached the #1 position on the Top 20 SIngles World Jazz Chart. On most of the tracks, the piano is part of the ensemble rather than the lead, but the band is excellent and Eric Marienthal really cooks on sax.

"Malibu" is an upbeat and joyous tribute to Hilton's seaside hometown. Known for its carefree surfers and sunny beaches, this piece captures that kind of party spirit. Bill Evans' "Waltz For Debby" is a beautiful trio for piano, bass, and drums - soulful and sensuous, and a great arrangement. "Nocturne" was inspired by Chopin and is a standout. Cool, dark, and slinky, it does indeed sound like the middle of the night. "All That" is another favorite, and sounds like a blast to play. Hilton and Marienthal pull out the stops and really let loose. Duke Ellington's "Azure" is again piano, bass, and drums, and is leisurely and "bluesy." "When We Met" is the only solo piano piece, and I love it. Composed in the style of a standard, it is both old and new, and has a beautiful, romantic feeling. "Listen to Your Heart" closes the CD on a gentle, intimate note.

"Jazz After Hours" is a great album for relaxing and reenergizing, a backdrop for an intimate dinner, or even good party music.

Lisa Does It Again!!.......2004-06-02

Her latest album contains the same formula as her last release. Assisted by veteran Saxophonist Eric Marienthal, she continues her venture of providing great, classic Jazz. "Malibu" starts the CD off right with an assist from Bassist Reggie McBride and Drummer Tal Bergman. Her covers of the Miles Davis classic, "All Blues" and Duke Ellington's, "Azure" gives fans of 50's & 60's Jazz something to appreciate. My personal favorites were "Listen to Your Heart" and "All That". The old saying, "If it ain't broke, don't fix it" applies to this CD. Lisa definitely sticks to the same old routine and she scores another winner!

Michael Feinstein with the Israel Philharmonic Orchestra

Average customer rating:

Musical Wit in an Orchestral Setting
A Cabaret Singer Grows Up
This cd is about average, it could have been better
Fabulously Fantastic!
Michael has done it again

Michael Feinstein with the Israel Philharmonic Orchestra
Michael Feinstein , and Israel Philharmonic Orchestra
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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Isn't It Romantic
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ASIN: B00005Q6LL
Release Date: 2002-05-07

Tracks:

The Folks Who Live On The Hill
The Best Is Yet To Come
Guess I'll Hang My Tears Out to Dry
By Myself
Spring Will Be A Little Late This Year
Stormy Weather
Laura
On A Clear Day (You Can See Forever)
Love Is Here To Stay
How Deep is The Ocean?
Somewhere
I Won't Send Roses

Amazon.com

If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.

While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley

Customer Reviews:

Musical Wit in an Orchestral Setting.......2004-01-04

The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings. Feinstein, who I consider as the leading proponent in reviving the American Popular Song standards to its unfettered glory is backed by a philharmonic orchestra in this album with the musical direction of conductor Alan Broadbent. And yes, he sang some songs that were sung in sparse and acoustic settings in his previous albums. As usual, just like any cabaret singer who never really sings the same song twice (listen to the grand old dames of cabaret like Julie Wilson and Mabel Mercer), Feinstein delights in the varied ways he can see a song in different contexts. Having said that, I thought he was a bit overly cautious in exploring his rich bari-tenor (sorry for this oxymoron but that is the word to apply to his voice) in soaring the vocal lines of Kern's The Folks Who Live on the Hill. Other than that, he was at his wittiest and conversational (not to mention just plain beautiful) voice when singing I Won't Send Roses and he can revisit the Bernstein/Sondheim Somewhere without evoking the famous version of uber diva Barbra Streisand. If you like good crooning vocals in a grand and orchestral setting, this is the album to listen or give as a gift -- you/they won't regret it.

A Cabaret Singer Grows Up.......2003-03-14

"Extraordinary how potent cheap music is." -Noel Coward

Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.

Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.

This cd is about average, it could have been better.......2002-08-18

First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain!

I know it is hard to always be creative. There are just so many ideas to go around and then you have to start duplicating others. This is known as copying what others have done.

For this cd I felt like some of the arrangements were too long. For example, Laura as it was performed hear is a six minute song. It really should have been done in two minutes. I'm an engineer and I edited this version of Laura to run two minutes and it is just perfect. Sometimes less is really more. Also, I felt that some of the other songs didn't really have top notch arrangements attached to them. If the arrangements would have been better I whould have had no choice but to bring out the 5 star rating for this project.

To talk a little bit about the voice of Michael is my pleasure. His voice seems to be getting better with age. I have always liked Michael's voice and will continue to do so.

I will give this cd a favorable recommendation!

Fabulously Fantastic!.......2002-07-21

Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! His interpretations and stylings are beyond compare and trust you will not be disappointed with this recording!! Feinstein is simply fabulously fantastic!

Michael has done it again.......2002-07-12

S'Wonderful, S'Marvelous.

If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. His new cd is absolutely magnificent, these are the only words to describe it.

Tracks:

Ah-1, Ah-2, Ah-Sunset Strip
Loretta's Soaperetta
Captain Bangaroo
The Late Movies - Part I
The Wonderful World Of Hari Kari
I Search For Golden Adventure (In My Seven Leaky Boots)
A Mudder's Day Sport Spectacular (William Tell Overture)
The Late Late Movies - Part II
I Kiss Your Hand, Madame
Knock, Knock, Who's There?
River, Stay 'Way From My Door
Pimples And Braces
Hut Sut Song
Strip Polka And Largo Strip
Mairzy Doats
The 20's Roar (Medley)
Melody Of Love (Why Do I Love You)
Three Little Fishies
Kookie, Kookie, Lend Me Your Comb (Spooky, Spooky, Lend Me Your Tomb)

Customer Reviews:

My favorite all time album finally on CD!.......2003-03-03

60 Years Of Music America Hates Best is Spike Jones` masterpiece and a scream! When my dad was stationed in France around 1960 he would go to the base exchange and buy trippy albums like this for us kids. We completely trashed it, of course, but not until it had seen about a million spins. In 1990 I was in hog heaven when I found a SEALED vinyl copy at a used record store. Now it's out on CD and my life is complete. Thank you Taragon Records!

Something a little different from Spike Jones.......2003-01-25

After Spike's original comedy band, the City Slickers, broke up (as happened to all the swing bands of the same vintage), Spike's recordings took a different approach. Here we have in beautiful stereo two projects based on two different themes. "Omnibust" is a parody of television shows of the early 60s, including westerns, kid shows, travelogues, soap operas, sports events, and plenty of "commercials." Note that this is more of a "comedy sketch" than the musical craziness Spike is identified with. The "60 Years..." album is a collection of songs from the 1920s, 30s, 40s, and 50s -- from ragtime to rock n' roll -- with Spike-Jones-type sound effects tossed in. It's not the old City Slicker band, but quite amusing never-the-less. Two nostalgic items with a sense of humor!

O tuneful voice - Songs & duets from late 18th century London (English Orpheus, Vol 5) /Kirkby * Muller * Robert * Kelly

Average customer rating:

Well done, but overly mannered.

O tuneful voice - Songs & duets from late 18th century London (English Orpheus, Vol 5) /Kirkby * Muller * Robert * Kelly
Samuel Arnold , Jean-Baptiste Cardon , Franz Joseph Haydn , James Hook , William Jackson , Thomas (The Younger) Linley , George Frederick Pinto , Johann Peter Salomon , William Shield , and Stephen Storace
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Kirkby, Emma | Divas | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000002ZPK
Release Date: 1993-11-19

Tracks:

O Tuneful Voice
Elegy
Invocation To Nature
The Clurfew
The Lark Sings High In The Cornfield
She Never Told Her Love Her Love
Minuetto In A Flat
Think Not, My Love When Secret Grief
The Day That Saw Thy Beauty Rise
A Shepherd Lov'd A Nymph So Fair
Hope And Love
Ye Balmy Breezes, Gently Blow
'Tis Only No Harm To Know It, You Know
Sailor's Song
From Thee, Eliza, I Must Go
Variations On 'Ah, vousdirai-je, maman
The Emigrant
Time Has Not Thinn'd My Flowering Hair
Go, Lovely Rose
Eloisa To Abelard
Why Still Before These Streaming Eyes
O Tuneful Voices

Customer Reviews:

Well done, but overly mannered........2005-07-11

The singing is excellent, and some of the pieces are quite good, but after a while you get tired of this genre.

Average customer rating:

Perty Okay
I love this band

A Day Late and a Dollar Short
The Queers
Manufacturer: Lookout -- Mordam --
ProductGroup: Music
Binding: Audio CD

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Today

ASIN: B000000FJF
Release Date: 1996-01-23

Tracks:

We'd Have A Riot Doing Heroin
Terminal Rut
Fagtown
I Want Cunt
Trash This Place
Love Me
Kicked Out Of The Webelos
Tuly Is A Wimp
At The Mall
I Spent The Rent
I Don't Wanna Work
I'm Useless
This Place Sucks
Wimpy Drives Through Harlem
I Like Young Girls
Nuni In New York
Nobody Likes Me
Nothing To Do
Nowhere At All
Mac Arthurs Park
Flesh For Tulu
Fuck You
Didn't Want None
Meat Wagon
Don't Puke
Bonehead
Wimpy Drives Through Harlem
Nothin To Do
Gay Boy
Nobody Likes Me
Too Many Twinkies
Half Shitfaced
I Live This Life
Live Broadcast WFMU 4/11/9?

Customer Reviews:

Perty Okay.......2000-05-11

I didn't like this at first, but it began to grow on me after awhile. At first it annoyed me because of the typical Ramones song structure (chorus, verse, repeat chorus ad nauseam) but as I gave it more listens I realized that the Queers were a tad more experimental in their own lowbrow-humor, volatile hardcore way in this early output by them. "We'd Have a Riot Doing Heroin," and "Love Me" are my two favorites...though the cover of MacArthur's Park is kinda neat, though a bit of novelty. I also thought the live broadcast at the end was rather redundant. The live broadcasts have roughly the same sound quality as the rest of the album and the songs are the same so it seems rather useless. Aside from that, this is okay, though I'd recommend the Queers later work for a better idea of the rest of the Queers' output.

I love this band.......1998-12-25

If you saw the Queers in 1998 and, based on their performance, want to buy one of their albums, I'd recommend getting their new one instead. This is their older (and better, in my opinion) sound when they were less pop-punk. These songs have the fast-and-simpleness of Ramones songs paired with the aggression typical of great bands like Black Flag. My fave song is "Too Many Twinkies".

Truth About Love: Music & Poetry of Wh Auden

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Truth About Love: Music & Poetry of Wh Auden
Britten , Auden , Stravinsky , Mozart , and Barber
Manufacturer: Capstone
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music
ASIN: B00006JJ3H
Release Date: 2002-09-24