Now 40 [Import]

Track Listings

Disc: 1

1. Grease Remix

2. Viva Forever

3. Looking For Love

4. Because We Want To

5. Lady Marmalade

6. Horny

7. Feel It

8. Doctor Jones

9. Last Thing On My Mind

10. You Make Me Feel Like Dan

See all 40 tracks on this disc

Disc: 2

1. Boys of Summer - Don Henley

2. Dance the Night Away - The Mavericks

3. Save Tonight - Eagle-Eye Cherry

4. Road Rage [Radio Edit] - Catatonia

5. Big Mistake - Natalie Imbruglia

6. Come Back to What You Know - Embrace

7. Sonnet - The Verve

8. Teardrop - Massive Attack

9. Legacy - Mansun

10. Three Lions 98 - Baddiel & Skinner, The Lightning Seeds, Skinner

See all 20 tracks on this disc

Disc: 1
1. Grease Remix
2. Viva Forever
3. Looking For Love
4. Because We Want To
5. Lady Marmalade
6. Horny
7. Feel It
8. Doctor Jones
9. Last Thing On My Mind
10. You Make Me Feel Like Dan
See all 40 tracks on this disc
Disc: 2
1. Boys of Summer - Don Henley
2. Dance the Night Away - The Mavericks
3. Save Tonight - Eagle-Eye Cherry
4. Road Rage [Radio Edit] - Catatonia
5. Big Mistake - Natalie Imbruglia
6. Come Back to What You Know - Embrace
7. Sonnet - The Verve
8. Teardrop - Massive Attack
9. Legacy - Mansun
10. Three Lions 98 - Baddiel & Skinner, The Lightning Seeds, Skinner
See all 20 tracks on this disc

Editorial Reviews
Product Description
40 current international pop smashes, including: FatboySlim, All Saints, Spice Girls, Janet Jackson, The TampererFeaturing Maya, The Verve, Massive Attack, Embrace, Aqua,Natalie Imbruglia, etc. Double slimline jewel case. 1998 EMIRecords/ Virgin Records/ P

Now 40,Various Artists,EMI Int'l,Adult Alternative Pop/Rock,Adult Contemporary,Alternative Pop/Rock,Britpop,Club/Dance,Dance-Pop,Hip-Hop,House,Pop,Pop-Rap,Pop/Rock,Rock,Rock/Pop Collections,Urban

Average customer rating:

Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Franz Joseph Haydn: The Creation
Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
Mahler: Das Lied von der Erde
Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

Very Enjoyable for all music fans
Absolutely Amazing! Two CDs packed with the world's most beautiful classical music...

The Classical Album 2005

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Number One Classical Album 2006
Time to Say Goodbye
Vittorio
The #1 Opera Album
Bryn Terfel - Simple Gifts

ASIN: B000A8AXWW
Release Date: 2005-09-13

Customer Reviews:

Very Enjoyable for all music fans.......2006-03-02

This is very good collection of music that brings to life a wide variety of music that is both old and contemporary. The selections vary from composers, historical and famous such as Pavarotti and Puccini to today's James Horner (Titanic, A Beauituful Mind) and John Williams (Star Wars, Sabrina, Jaws, Saving Private Ryan).

If you enjoy the sounds of Sarah Brightman, Charlotte Church, Enya, Kate Bush, Andrea Bocelli, and various theatre music (Andrew Lloyd Webber (Evita, Cats), then you will find this collection worthy of your appreciation.

I have often wondered why classical music radio channels do not play modern composers (i.e., Horner, Willams), and am glad that this album gives them credit that they deserve. There is so many good compositions being created every day that only appear to have a voice on the big screen, which is unfortunate.

Track 11, composed by The Doors, and is a nice version, indeed. I also enjoy the Bond players giving a new twist to some old favourites.

Ciao,
Neil

Absolutely Amazing! Two CDs packed with the world's most beautiful classical music..........2005-11-08

First, let me begin by saying that I am by no means an expert in classical music, but have grown to appreciate it immensely in the past year. I can say wholeheartedly that this is the most beautiful compilation of music I have ever had the pleasure of listening to. It's simple irresistible. There are few words to describe how emotional it is to hear Pavarotti sing "II Canto", or Placido Domingo belt out "Questa o quella". You just get numb with joy!! I have NO idea what they are saying but a translation not necessary. The entire collection (TWo jammed-packed CDs) is phenomenal (excluding the selections from "Bond" which I found to be particularly annoying and not at all "classical" in the true sense of the word). There is something here for everyone, regardless of your personal musical tastes or tolerances.

A guaranteed hit -- Don't miss this one.

CD One

Andrea Bocelli "En Aranjuez con tu amor"
Bryn Terfel - "Granada"
Bond - "Viva" ( not my favorite, sounds almost disco-ish)
Hayley Westenra - "Pokarekare Ana"
Luciano Pavarotti - "Una Mattina"
Katherine jenkins - "Time To Say Goodbye" (a heart stopper - so beautiful!)
Duel - "Canon" (lovely!)
Janine Jansen - "Allegro from 'Spring'"
Andreas Scholl - "Ombra mai fu"
Nigel Kennedy - "The Unknown Soldier"
Kiri Te Kanawa - "Nuns' Chorus"
Nelson Freire - "Chopin Etude No. 1 op. 25
Julian Lloyd Webber - "Flight of the Bumble-bee"
James Horner - "For the Love of a Princess
Hans Zimmer & Lisa Gerrard "Now We Are Free"
Renee Fleming - "Mesicku na nebi hlubokem"
Russell Watson - "Amore e Musica"

CD TWO

Luciano Pavarotti - "II Canto" (I MUST see him sing this in person!!)
Placido Domingo - "Questa o quello" (I never tire of hearing this)
Andrea Bocelli & Bryn Terfel - "the Pearl Fisher's Duet"
Jose Carreras - "Funiculi, funicula
Dominc Miller & Kaori Muraji - "Fragile"
Tavener - "Song for Athene"
Josep Calleja - "La donna e mobile"
Jean-Yves Thibaudet - "Gymopedie No. 1"
Juan Diego Florez - "Una furtiva lagrima"
Kathleen Ferrier - "Blow the Wind Southerly"
Angela Gheorghiu - "Ave Maria"
Janine Jansen - "Schindler's List Main Theme"
Bond - "explosive"
Secret Garden - "You Raise Me Up"
Hayley Westenra - "Never Say Goodbye"
The Three Tenors - "Nessun Dorma"

Enjoy!

Cris Cunningham for Amazon.com

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

Hermit Songs, Op.29: At Saint Patrick's Purgatory
Hermit Songs, Op.29: Church Bell At Night
Hermit Songs, Op.29: Saint Ita's Vision
Hermit Songs, Op.29: The Heavenly Banquet
Hermit Songs, Op.29: The Crucifixion
Hermit Songs, Op.29: Sea-Snatch
Hermit Songs, Op.29: Promiscuity
Hermit Songs, Op.29: The Monk And His Cat
Hermit Songs, Op.29: The Praises Of God
Hermit Songs, Op.29: The Desire For Hermitage
Sleep Now, Op. 10, No. 2
The Daises, Op. 2, No. 1
Nocturne, Op. 13, No. 4
Nuvoletta, Op. 25
Knoxville: Summer Of 1915
Antony And Cleopatra: Give Me Some Music
Antony And Cleopatra: Give Me My Robe

Amazon.com

Early in her career, Leontyne Price formed an artistic liaison with Samuel Barber that resulted in his composing the female lead in Antony and Cleopatra for her. The disastrous premiere of that opera prevented Price from making a complete recording--a tragic loss in my opinion. She did record excerpts, however, and we at least have this disc to document these and the many other Barber works that she performed with incomparable artistry. Opera singing being what it is, Price didn't often have the chance to sing in English, so these performances are not only historically important, they are uniquely communicative as well. --David Hurwitz

Customer Reviews:

a voice teacher and early music fan.......2007-02-28

Samuel Barber(1910-1981), an American composer who studied piano, composition and singing at the prestigious Curtis Institute in Philadelphia, Pa. His works adhered largely to a lyrical, Romantic style within a loosely Classical framework. He left a rich legacy of more than 100 songs(only 37 published) and 3 operas in addition to many instrumental works...
Only a few of Barber's song texts come from American sources; more often he chose the work of Irish or English writers. He was drawn to 'Knoxville: Summer of 1915', a reflection of the American poet James Agee, because for him it vividly evoked his own childhood. With hints of blues and gently shifting rhythms, "Knoxville" is a mature expression of Barber's artistry as a musical poet and a master of orchestral color.
"The Hermit Songs" were first performed by Leontyne Price, soprano, with the composer at the piano at the Library of Congress, Washington,D.C..pn October 30, 1953. They are a setting of anonymous Irish texts of the eighth to thirteenth centuries written by monks and scholars. They are small poems,thoughts or observations, some very short, and speak in straightforward, droll, and often surprisingly modern terms of the simple life these men led, close to nature, to animals and to God.
I think a brief quote from one of my favorite of these Hermit songs sums up the kind of prose contained in most all of them: from 'The Monk and his Cat' :Pangur, white Pangur, How happy we are Alone together, Scholar and cat. Each has his own work to do daily; for you it is hunting, for me study......'
The music on this disc is well executed, and if you are a Barber advocate, it's a great collection of his song material. I happen to like MOST of his music, but it's for me a 'mood ' thing. He was born very close to where I live, so I guess I feel a kinship of sorts. I do think that he is one of the 'greats' in contemporary music!

An American Voice of the Century.......2005-10-09

While there is no question that Leontyne's opulent voice - here young and lustrous in the "Hermit Songs" recital (1953!) would have been a magnet for any composer, her affinity for Barber is clear, and his for her. The studio recording of the "Hermit Songs" has a better acoustic, but this one is just as thrilling in interpretation, and a bit less studied - and it has the two James Joyce settings, as well.
The "Knoxville" is beautifully judged - soft and swinging to start, then opening up into the drama and poetry of the middle and late sections. The Eleanor Steber original commission will always set the standard, but Price expands it that much farther, with longer phrases, and an ineffable langour that both she and Steber identified as the "Southern" stamp on this music. It's universal, as far as I am concerned, but it exalts and breaks the heart at the same time. Agee and Barber drink from the same fountain here.
I have never heard the entire "Anthony & Cleopatra", again written for Price, so I can't judge the work as a whole, just these two numbers. I have a special affection for the first scene, however - "Give Me Some Music" shows Price, in her absolute vocal prime, complete mistress of color and mood, and the motive, "My man of men" reappears in her final, regal, death scene. When she sings "O happy horse/ who bears the weight of Antony!" - I swear, my hair curls, no matter how many times I hear it.
In short, gotta have it.

An Essential Barber Disc.......2002-03-13

What a fabulous collection of music by Samuel Barber. Leontyne Price is at her absolute best in the songs. The entire Hermit Songs are here with four others. These recordings are of particular interest since Ms. Price performs with Samuel Barber at the piano. It is interesting to compare these recordings to the latter ones sung by Cheyrl Studer with John Browning at the piano for tempo changes.

The recording of Knoxville: Summer of 1915 is arguable the best of those available. Ms. Price sings with great sensitivity and Thomas Schippers and the New Philharmonia provide excellent support. Ms. Price said that Knoxville reminded her of her own childhood, and her commitment to the music comes through. I have the recording of Knoxville sung by Eleanor Steber, who commissioned this work, but I have always regarded the Price recording as the one to have.

The two excerpts from Antony and Cleopatra are of great interest since Ms. Price sang the role of Cleopatra at the premiere in 1966. Her performance here, also conducted by Schippers, is wonderful. The transfer to CD of these recordings is excellent. Perhaps the only down side is that the Hermit Songs were performed before an audience so there is applause between each song. After a while, this becomes monotonous. This disc is a must for anyone interested in Barber's music, and in particular for Knoxville.

Price sings songs and arias written for her!!!.......2001-12-05

This CD on which Leontyne Price memorializes many of the songs and arias composed by Sam Barber with her in mind should be in every collection of those who appreciate Barber's vocal music and the magnificent voice of one of the world's greatest singers of the 20th century. The collaboration of Barber and Price on the "Hermit Songs" and others reveals the composer's affection for the singer and the singer's understanding of the dramatic intent of the word and music. Alone, Price's interpretation of "Knoxville: Summer of 1915" is worth the price of the CD; it is singularly exquisite and cannot be matched! Price brings unmatched beauty, power, and understanding to the arias from "Anthony and Cleopatra" -- an opera composed with her voice in mind. It is indeed sad that Price never recorded "Vanessa," nor the song cycle "Despite and Still," nor the hauntingly beautiful "Sure on this Shining Night." You will not be disappointed if you buy this CD.

Fab voice, OK music.......2001-08-07

What is it that everyone seems to adore about Samuel Barber's music for voice. The man clearly wrote some absolutely divine orchestral pieces, there's no disputing that. But his vocal work seems to be lackluster. Hermit Songs is an example of modern classical music at it's worst. Disjointed, unmelodic, and difficult to follow. Price who's diction is fabulous on the later Knoxville piece is mushy durin the Hermit Songs, her voice is young and fresh, but not particularly glorious. She does deserve praise however for her promotion of American Music

Knoxville 1915 is a much better piece than Hermit songs and has more lyrical moments, but it still sounds so modern. If it has just been an orchestral piece it might've been fabulous but that is unfortunately not the case. It's almost as if Barber wrote a piece for orchestra and wrote a seperate piece for voice and just joined them, whether they made sense together or not. Unlike Hermit Songs, Price's performance more than makes up for the lack of brilliance in the music. Her diction is amazingly clear, even Callas would be jealous and her voice soars, where the music allows her to at least.

The selections from A+C are worty enough, another unreal performance by Price, one wonders if there was a better interpretor of American Music ever, maybe Steber. These works are more traditional sounding and thus go over better, but they seem a bit bland, without Price infusing them with energy this listener would have lost interest

Ancient Echoes
Average customer rating:

Glorious

Awesome... heavenly... ethereal Russian Choral Music

The Might of the Russian Male Choral Sound

Compare These 3

Quite genuine but lacking in contemplative mellowness

Ancient Echoes

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
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Basso Profondo From Old Russia

Russian Medieval Chant

Russian Easter

Russian Divine Liturgy

Russian Christmas

ASIN: B000003FTV
Release Date: 1995-03-14

Tracks:

Nine Sili Nebesniye
Vo Iskhode Israileve
Slava. Edinorodnii Sine
Maloie Slavosloviye
Retche Gospod Gospevi Moyemu
Slava Vo Vishnikh Bogu
Voskliknite Gospodeve
Velikoye Slavosloviye
Khvalite Imya Gospodne
Gospod Prosveshcheniye Moyo
Deva Dnes
Veriu
Slava Vo Vishnikh Bogu
S Nami Bod

Customer Reviews:

Glorious.......2006-07-31

I have listened to a great deal of Orthodox music and I think this is by far one of the most beautiful collections I have ever heard. Actually, it is one of the most georgeous pieces of music of any kind I have heard.

Awesome... heavenly... ethereal Russian Choral Music.......2006-05-21

This Awesome, ethereal, heavenly ANCIENT ECHOES was a gift of my friend, Dick Talley last year. Seldom does my early awakening miss listening to these choral chants of the Orthodox Monastery!

If I could choose the more interesting, comforting, fasinating polyphonic chants, they would be No.3 "The Only Begotten Son" of Golovanov, No.5 "The Lord Speaketh" and No.6 "Glory be to God in the highest" both by Bortnyansky!

Only Russian Choral Treasures are equally awesome, spiritually refreshing. When I awaken every morning around 4:00, I began listening to both these recordings, before reading or praying for friends, such as, Dick and Anita Talley.

Upon becoming 75 years of age, I tend to simplify my habit of listening to Choral Music. Most fondly reviewed by Retired Chaplain Fred W Hood, "Barbara377" (Fayetteville, GA USA)

The Might of the Russian Male Choral Sound.......2005-10-03

The Russian liturgical music, especially that for the high holy days of Christmas and Easter, owns a mystery all its own. This splendid recording by the Chorovaya Akademia conducted by Alexander Sedov is a fine a sound as any produced on recording. Though few of the composers (with the exception of Tchaikovsky and Grechaninov) are well known outside Russia, the works are all beautifully composed and hauntingly performed. There is somewhat of a sameness to these religious works (little variation in tempi, expressive range, dynamics) but the overall effect is one of humble spirituality.

This is a fine example of the Russian choral music that is growing in popularity one the recorded repertoire and it is for this listener one of the best. Grady Harp, October 05

Compare These 3.......2004-04-19

There are 3 different CD's about Russian Choir "A Cappella" music which can be discussed & reveal a certain enjoyment to different people with different needs or means:

"Ikon" sung by the Holst Singers on Hyperion is the middle ground that gives a well balance & beautiful music from an English choir group. If you did not know they were English, you would think of them as Russian. Most songs are Russian classics from Sviridov, Gretchaninov, Kalinnikov, & Tchaikovsky with modern versions from Part, Gorecki, & Nystedt. The highlight is from the female sopranos which give an angelic & awl inspiring spiritual uplift that must not be missed.

"Sacred Treasures" sung by several groups including The Russian State Symphony Cappelle, The Leningrad State Academic Choir, The Bulgarian National Choir, & a few other groups on Hearts of Space give the most authentic Russian that to English ears may sound slow & uneventful. Yet to a person that knows Russian, this CD will cause the most goose bumps due to its rightful intensity with music from Rachmaninov, Bortniansky, Kedrov, Gertchaninov, Tchaikovsky, Christov, Turchaninov, & Lvovski.

"Ancient Echoes" sung by the Chorovaya Akademia on RCA Victor may give the best first impression due to its well made production that will give a serious work out to any professional stereo system, yet with further study will reveal an over dramatized style that may get in the way. Songs from the composers Sheretiev, Nikolsky, Golovanov, Strokin, Bortnyansky, Grechaninov, Riutol, Tchaikovsky, & Chesnokov.

If your into Russian "A Cappella" music, give these 3 CD's a try & decided for yourself.

Quite genuine but lacking in contemplative mellowness.......2004-01-05

The fantastic cover of this cd notwithstanding (the monk in red habit is a Catholic monk, probably a Carthusian, Orthodox monks wear a different habit), this is a cd of authentic Russian religious music for Christmas and Easter composed in the last 200 years and sung by an all-male choir: the Choravaya Akademia under the direction of Alexander Sedov.

The total length of this recording is 63:25 minutes.

Compared with other such cds available on Amazon.com like Sacred Treasures I and II, Ancient Echoes has a more vigorous and folk-song style. I do not want to sound sacrilegious or cynical in the least but many of the chants sound like Red Army songs.

Tracks:

Music By John Dowland: Come Again! Sweet Love Doth Now Invite
Music By John Dowland: Allemande (Guitar Solo)
Music By John Dowland: What If I Never Speed?
Music By John Dowland: Galliard (Guitar Solo)
Music By John Dowland: Fine Knacks For Ladies
Ave Maria
Bachianas Brasileiras No.5: Aria
Coleccion De Tonadillas: La Maja De Goya
Three Brazilian Songs: Boi-Bumba
Three Brazilian Songs: Azulao
Three Brazilian Songs: Para Ninar
Three Spanish Folk Songs: Cancion
Three Spanish Folk Songs: Nana
Three Spanish Folk Songs: Seguidillia Murciana
Six Spirituals: Ain't Got No Time To Die
Six Spirituals: I Couldn't Hear Nobody Pray
Six Spirituals: Ain't That Good News!
Six Spirituals: Sweet Little Jesus Boy
Six Spirituals: This Little Light Of Mine
Six Spirituals: Ride On King Jesus

Customer Reviews:

Enjoying The Pleasures of K. Battle & C. Parkening.......2007-05-06

Whether you are very familiar with these two artists or have never heard either one, you will delight in this musical collaboration. Only a guitarist of Christopher Parkening's stature could be the ideal accompaniment to the perfection of Kathleen Battle's voice. The music ranges from selections by John Dowland to American spirituals, Bach/Gounod, Villa-Lobos, Granados and some Spanish folk songs. The result is a coherent, soothing and utterly delightful listening experience. You will revisit this album often, and always be glad that you have it. For fans of Kathleen Battle and Christopher Parkening, I think it is a must.

Great blending of the talents of two top-notch artists in their respective fields. Parkening on the guitar and Battle singing........2006-01-31

We always enjoyed seeing and hearing Battle in concerts, usually on the television and Parkening has been a favorite guitarist. To listen to these two fine artists in concert is a real treat.

Superb technique, emotionally flat, but enjoyable even so........2005-05-25

I can't imagine these songs being performed with any greater technical brilliance than they are by Parkening and Battle on this CD. Both are virtuosos, him in the guitar, her the voice. Their skill is particularly apparent in the Dowland songs, the "Ave Maria", and the Bachianas brasileiras no. 5 (for me, the high point of the recording), which are all in a formal style well suited to the talents of the performers.

I compare the Brazilian songs to the version recorded by Salli Terri with Laurindo Almeida in the late '50's on "Duets with Spanish Guitar", which I have listened to repeatedly since I first heard it in 1959. Battle's phrasing, enunciation, and vocal skill are far superior to Terri's, but Terri brought a level of emotion to her singing that Battle seems to lack. Where Battle's perfection enhances her superb performances of the Dowland and Villa-Lobos pieces, it seems to detract from her performance of the Brazilian folk pieces.

I find this to be true again in the spirituals - vocal perfection and control detracting from the "soul" required to bring out the "spiritual" feeling. Imagine these same pieces sung by Mahalia Jackson or Aretha Franklin and you'll understand my point.

Parkening's performance has the same quality - technical virtuosity, especially noticeable in his lute-like technique in the Dowland solo - but lacking in emotional depth.

The classical selections are highly recommended, the folk pieces a bit disappointing, but overall an enjoyable recording.

ONE OF MY FAVOURITES.......2004-03-19

THIS IS ONE OF MY FAVOURITE BATTLE ALBUMS, HER SWEET VOICE IS ACCOMPAINED BY THE GUITAR VIRTUOSO CHRISTOPHER PARKENING, TOGETHER CREATE A TENDER, DELIGHTFUL & BEAUTIFUL LISTENING EXPERIENCE. BACHIANAS BRASILEIRAS N- 5 HAS IT`S BEST PERFORMANCE IN THIS CD.

Fans will be delighted!.......2003-08-25

Fans, maybe, but I must say I'm not a huge fan of Kathleen Battle or opera or songs in different languages, either. My mom is, though. And through her I have heard Kathleen's best. And her very best (if you ask me) is one of the tracks ON THIS CD titled "Ain't that good news," even though it should be called "Ain'ta dat good news," since that is how its sung. It is a really good song (ask anybody) with a little surprise high-note at the end. If I were you I would (if not buy this CD right here and now) then go to [a book store] and see if their computers will let you hear "Ain't that good news" because that song is great.

Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll

Average customer rating:

Nice Collection
PERFECT!
Great singing and excellent value for money
More than two hours of beautiful 17th century 'ayres'

Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music

Essential Purcell
Purcell: The Fairy Queen
Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
Bach: Cantatas

ASIN: B000059LOH
Release Date: 2001-06-05

Tracks:

O Solitude - Nancy Argenta/Nigel North
Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Fairest Isle - Nancy Argenta/Nigel North
O Solitude - Nancy Argenta/Richard Boothby

Tracks:

Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
Music For A While - Nancy Argenta/John Toll
If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North

Customer Reviews:

Nice Collection.......2007-03-05

I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.

PERFECT!.......2006-10-26

There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.

Great singing and excellent value for money.......2004-09-19

This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!

More than two hours of beautiful 17th century 'ayres'.......2001-08-02

Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.

Come, Gentle Night: Music of Shakespeare's World

Average customer rating:

Ensemble Galilei's music is lilting, elegant and unexpected!
beautiful
Excellent!
It will bring about many gentle nights
Visualizing Beauty

Come, Gentle Night: Music of Shakespeare's World

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

From The Isles To The Courts
Shakespeare Songs
The Renaissance Album (Windham Hill)
Music In The Great Hall: Instrumental Music From The Ancient Celtic Lands
Songs and Dances from Shakespeare

ASIN: B0000478S3
Release Date: 2000-01-25

Tracks:

Mister Issac's Maggot, Chestnut (Dove's Vagary)
Woodycock
Death's Second Self
Jack's Health, Vale Of Years, Jack's Health Reel
Come, Gentile Night
Departe, Departe, The Cobbler's Hornpipe, Third Act Tune
But Let Them Go, Ladies, Sight No More
In A Garden So Green, Childgrove
Fire, Burn, and Cauldron Bubble
The Asp
Rumble Thy Bellyful
Pastime With Good Company, O Lusty May
Irish Lament
Joy To THe Person Of My Love
The Winter's Tale Set: Love's Winter Light, Apples In Winter, Drive The Cold Winter Away, Jenny Pluck Pears
Lilli Burleo
The Scottich Play Set: Life Is But A Walking Shadow, Mill, Mill O', Pawky Adam Glen
Heart's Ease, Now That The Spring, Gathering Peascods
No Longer Mourn For Me

Customer Reviews:

Ensemble Galilei's music is lilting, elegant and unexpected!.......2002-11-29

With their soulful playing and artful, sometimes even ephemeral arrangements, the six women of Ensemble Galilei convey a rare depth of emotion. In the insert notes, gamba player Carolyn Ann Surrick describes their creative process: "[In making this recording, we engaged in]...a kind of work that is so focused and intense that years can go by in one afternoon... Extraordinary music-making requires trust... [We] live for the times when the only thing that exists right then is the music--when the instruments are speaking as if we don't exist, and they are having their own conversation." Thank you, Ensemble Galilei, for allowing the rest of us the privilege of coming along for the ride! It's simply delectable. This chamber ensemble, featuring fiddle, harp, gamba, oboe, pipes and percussion, can also be heard on their other Telarc release, "From the Isles to the Courts", and "The Mystic and the Muse: Celebrating 600 Years of Women in Music", on the Dorian label.

beautiful.......2001-01-22

Sheer beauty, as a lover of English music I found this to be one of the most beautiful of all Shakespearean albums. Such harmony, such subtlety, one wishes that the gentle night will never stop.

Excellent!.......2001-01-04

Ensemble Galilei provide some excellent arrangements of English renaissance compositions. I believe that John Playford (English Dancing Master) fans will be particularly satisfied with the renditions presented here. It is very unfortunate that E.G. did not provide more arrangements from such early music sources. Some of E.G.'s own compositions seem very weak and not in the renaissance spirit of the rest of the CD. Nonetheless, this CD is highly recommmended.

It will bring about many gentle nights.......2000-11-22

I found this album to be solid. Very sweet, but not afraid to use percussion which makes it livelier and more fun. I adore the quiet, peacefulness of the music and the flawless execution of these renaissance songs.

Visualizing Beauty.......2000-08-20

I recently had the good fortune to direct a performance of King Lear--the ENTIRE five acts, in a community theatre, non-profit setting. I used twenty-four fully committed non-actors, who for the love of the ideas, participated in this performance. The first and main challenge that I faced was, how do I go "behind" the words, and invoke the right emotions, etc., to give these actors the range and tools needed for an effective, powerful performance? Critical to this performance was the beauty and brilliance of this recording, which I used throughout the various scenes of the play. This helped the performers tremendously, creating the different tapestries in the mind of the Bard. In short, this work is real genius, that I was so happy that I stumbled across. I am now putting in our performance programs, along with our most heart-felt thanks to E.G., the name of the recording and I have copies from Telarc to sell at each performance!

Average customer rating:

Brilliant Recordings
A- for effort
What can you say?

Psalms of David Complete
Choir of St Paul's Cathedral , and Scott
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
Psalms For The Soul
Treasures of English Church Music
The Oxford Guide to The Book of Common Prayer: A Worldwide Survey
Praise to the Lord - Hymns From St. Paul's Cathedral

ASIN: B00006GO6J
Release Date: 2002-10-08

Amazon.com

This complete 12-disc survey of The Psalms of David from St. Paul's Cathedral is both a remarkable historical record of Anglican chant at its finest and an astonishing musical experience. Contained here are all 150 psalms in their traditional English garb from the 1549 Book of Common Prayer, with revised or entirely new musical settings as published in The New St. Paul's Cathedral Psalter, edited by the choir's musical director John Scott, itself a revision of the 1875 Cathedral Psalter. As such, these recordings represent the very backbone of the Anglican liturgy, but even a casual listener will be in no doubt that they also offer music that is both contemplative and richly varied when removed from its liturgical context.

The art of "pointing"--or setting--psalm texts has been essayed by many English composers, from William Croft through the Wesleys and William Boyce in earlier times to the great flowering in the late 19th century under Stainer and Barnby, with further contributions from Parry, Stanford, Elgar, Howells, and a host of choirmasters and organists, including Sir David Willcocks and John Scott himself. All are represented here. Recorded throughout in the vast acoustic of their cathedral, the St. Paul's choristers enunciate the words precisely, backed by inventive though unobtrusive organ accompaniment. Taken individually, it's possible to isolate moments when the choir seem to drag their feet or fail to give due weight to the words (Psalm 125, "They that put their trust in the Lord," seems far too subdued, for example), and the massive Psalm 119 is awkwardly split across discs 10 and 11, but overall this set is nothing less than a document of invaluable cultural and musical significance. --Mark Walker

Customer Reviews:

Brilliant Recordings.......2007-06-11

In our view the changes in pointing, and excellent selection of chants, give deeper meanings to the Psalms than those achieved in the "standard?" Parish Psalter.

We found great Spirituality and a wonderful sense of Worship whilst listening to this set. This is often sacrificed for brilliance of musical performance in other recordings.

Unfortunately the "St.Paul's Psalter" is not available (June 2007) but we are told that a new print run may happen within 12 months. This would be a most valuable companion to the recordings when and if it becomes available.

A- for effort.......2006-02-23

This grand undertaking deserves high praise, and I'm struck, listening to chant after chant, how much Anglican chant as it used to be until the changes of the 70s was one of the great Victorian contributions to English life and art. For anyone who wants to hear almost the entire repertoire of Anglican chant deployed in singing the whole book of Psalms, this is an unrivalled source. It is wonderful, too, to hear the Coverdale translation: you realize what the churches have lost by abandoning the proper & regular singing of the Psalms. So one is immensely grateful to Hyperion for putting out this recording. It's not perfect, though.

The rhythmic pacing, though a little slow for my taste, is steady and sensitive, the diction clear, and the organ accompaniment superb (Providing an expressive accompaniment to a choir singing in 4-part free rhythm, and improvising descants to the melody at the same time, isn't easy). And of course there's the cavernous acoustic of St. Paul's, very impressive in the more thunderous psalms. Unfortunately, though, the "forward" style favored for the St. Paul's boys produces a sound that's unpleasantly chesty in the lower registers and reedy in the higher ones. The poorly integrated choral sound caused by this kind of voice-production can be downright unpleasant for anyone used to, or trained in, the classic English choral style. In fact, one has to wonder why this choir was chosen for such a huge project: even allowing for the near-universal decline in standards of vocal training for boys in England, better sounds than this can still be heard.

What can you say?.......2003-01-03

I almost hate to criticize this terrific thing. After all, where else can you get all 150 Psalms in a single collection sung by one of the world's great choirs?

How much do I like it? I bought it *twice*. I originally bought all the CDs separately, before they came out with a single boxed set. They were stolen from my car (and, God willing, maybe they converted some poor thief to Anglican Cathedral Music and got him into church). After they were stolen, I immediately bought them again.

One of the great pleasures of life is listening to the Morning and Evening Psalms while driving to and from work, and making listening a regular feature of Morning and Evening Prayer.

So what's the criticism? The sound is a bit muddy, so the words can be rather difficult to understand without reading along (which is a real problem when driving), and personally, I prefer the Psalter from the 1979 BCP instead of the old one, from the Great Bible. But that's unreasonable. They ARE a British choir after all. Those are the only criticisms.

Tracks:

Rejoice In The Lord Alway
Remember Not, Lord, Our Offences
I Was Glad
O Lord, Rebuke Me Not
Praise The Lord, O My Soul, And All That Is Within Me
Now That The Sun Hath Veiled His Light
Hear My Prayer, O Lord
My Heart Is Inditing

Customer Reviews:

a voice teacher and early music fan.......2006-12-01

"Henry Purcell looked like a Florentine prince, was hail-fellow-well-met in taven and taproom, wrote for the Church and also the stage and salon, was in fact, a most likeable young man as well as a great Master of Musick". Thus saith the historians, to which I heartily agree. For anyone to compose all the music that he did in a life-span of only 36 years is astounding to say the least! Except for his appointment as organist at the Chapel Royal and other churches, his compositions are the chief events of his life. His skill in counterpoint,his unique expressive voice and unparallelled gift for English text-setting appear in happy combination in his church music, and what better group to sing it, than Chanticleer!!!Chanticleer's male sopranos help create a timbre whose intensity and clarity make a fascinating alternative to the classic English cathedral sound with which this music is normally associated, thereby bringing to the forefront the more universal qualities of Purcell's art.
All of the selections on this disc are much recorded and quite famlliar to the early music 'crowd'. "Rejoice in the Lord alway" and "I was glad' were 2 anthems written for the coronation of James II.
A very notable selection is 'Now that the sun has veiled his light' best known as "An Evening Hymn". This is not strictly speaking a church piece, but rather a sacred song for solo voice intended for domestic use; very popular with countertenors.
The selection "O Lord, rebuke me not" is sung on this disc by 2 sopranists ( the term usually used for male sopranos). and it is hauntingly lovely.
Purcell's final anthem (not included in this collection) entitled 'Thou knowst Lord, the Secrets of our Hearts' was written for the funeral of Queen Mary in 1694;six months later it again drew tears when it was sung for the composer's buriel in Westminster Abbey.
Chanticleer is perfection; the individual voices are top quality displaying clear diction, sonorous tone quality and as a group, the perfect blend.

Excellent........2005-10-09

OK, I'm confused. Was that supposed to be a review? Phil Spector?!?

Anyway, on to something that makes sense. This is a wonderfully made recording that illustrates Purcell's unique and striking personality. Excellent performance of the standard you expect from Chanticleer. Two tracks are a cappella and ravishing, particularly "Hear My Prayer", a piece of music so daring, soaring, and ahead of its time that it can only be described as a singular work of art. The instrumental compliment on the rest of the disc is not only very prudent and well performed, but is also balanced to perfection with the voices in a way very rarely heard on CD. A must for any Baroque choral lover.

Phil Meets Chanticleer.......2003-12-30

Phil Spector meets Chanticleer. Why in the world would a group so musically gifted as Chanticleer not let the words and music speak for themselves? I am sure many who are unfamiliar with Tudor and similar music from the C of E will think this is terrific. For them, listen to the pure simplicity of Men & Boys from St. Pauls, Kings College, etc.

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