True Dat [Explicit Lyrics]

Track Listings

1. Nothin' But a Party

2. What You Want Now?

3. Robbin' From 'da Hood

4. So You Wanna Be a Rapper - Mista Cheeks, Spyder-D

5. You, You & You

6. What You Don't Know

7. I Wonder - Peter Gunz, Spyder-D

8. True Dat

9. Make Ya Dance to 'Dis

10. Let It Be Known

11. All World Comittee, Pt. 1

12. Rear View Mirror

13. Gold Diggas Got Feelins Too

14. We Don't Need No Water

15. Understand

16. All World Comittee, Pt. 2

17. Yes Yes Y'all

18. Yes, You Can [Inspirational]

19. Yes Yes Y'all [Hazy Blue Mix][*]

True Dat,Spyder-D,Mecca,Gangsta Rap,Hardcore Rap,Pop,Rap & Hip-Hop

Tracks:

Singin In The Rain - Gene Kelly
Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
'S Wonderful - Gene Kelly & Georges Guetary
Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
Stranger In Paradise - Ann Blyth & Vic Damone
Easter Parade - Judy Garland & Fred Astaire
Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
Get Happy - Judy Garland
Night And Day - Fred Astaire
True Love - Bing Crosby & Grace Kelly
Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
They Cant Take That Away From Me - Fred Astaire
Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
For Me And My Gal - Gene Kelly & Judy Garland
Puttin On The Ritz - Clark Gable & Co.
Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
Bless Yore Beautiful Hide - Howard Keel
Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

Over The Rainbow - Judy Garland
Its A Most Unusual Day - Jane Powell
Wunderbar - Kathryn Grayson & Howard Keel
Cant Help Lovin Dat Man - Ava Gardner
Going Hollywood - Bing Crosby
The Trolley Song - Judy Garland, The M-G-M Studio Chorus
Gigi - Louis Jourdan
I Got Rhythm - Judy Garland, Mickey Rooney & Co.
Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
The Lady Is A Tramp - Lena Horne
The Best Things In Life Are Free - June Allyson & Peter Lawford
Cheek To Cheek - Fred Astaire
A Kiss To Build A Dream On - Louis Armstrong
Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
If Swing Goes, I Go Too - Fred Astaire
Almost Like Being In Love - Gene Kelly
Lets Face The Music And Dance - Fred Astaire
Be A Clown - Gene Kelly & Judy Garland
Embraceable You - Connie Francis
On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

"Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)

Vaughan Williams - Sir John in Love / Hickox, Northern Sinfonia

Average customer rating:

Pros & Cons for both versions
Five for the work ,for Hickox at least four stars!
Sir John's love is more impressive the first time around
Five stars, but not the only choice.

Vaughan Williams - Sir John in Love / Hickox, Northern Sinfonia
Ralph Vaughan Williams , Richard Hickox , Anne-Marie Owens , Sarah Connolly , Northern Sinfonia and Chorus , Brian Bannatyne-Scott , Donald Maxwell , Roderick Williams , Susan Gritton , Matthew Best , Mark Padmore , Stephen Varcoe , Stephan Loges , John Bowen , Richard Lloyd-Morgan , Laura Claycomb , Henry Moss , and Mark Richardson
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Ralph Vaughan Williams: The Pilgrim's Progress - Gerald Finley / The Royal Opera Chorus / The Orchestra of the Royal Opera House / Richard Hickox
Ralph Vaughan Williams: A Cotswold Romance / Death of Tintagiles - London Philharmonic Choir / London Symphony Orchestra / Richard Hickox
Vaughan Williams: Hugh the Drover
Vaughan Williams: The Pilgrim's Progress: A Bunyan Sequence
Vaughan Williams: Sir John In Love

ASIN: B00005M0ER
Release Date: 2001-07-24

Tracks:

Act I: Orchestral introduction-What hoa, what hoa
Act I: Ahem
Act I: This is my father's choice
Act I: How now, what does Master Fenton here?
Act I: Vere is dat knave Rugby?
Act I: Episode
Act I: How now, mine Host of the Garter
Act I: I spy entertainment in her...
Act I: Wilt thou revenge...?
Act I: Love my wife? I will be patient
Act II: Orchestral introduction-Thine own true knight
Act II: Scene 1: Sigh no more, ladies, sigh no more
Act II: Scene 2: Bardolph! Bardolph, I say!
Act II: Scene 2: Go thy ways, go thy ways, old Jack!
Act II: Scene 2: Sir, my name is Brook
Act II: Scene 2: Ha, is this a vision?

Tracks:

Act III: Scene 1 Interlude: Orchestral introduction-Yet hear me speak
Act III: Scene 1 Interlude: Fair and fair and twice so fair
Act III: Scene 1 Interlude: But listen, good mine Host
Act III: Scene 2: Orchestral introduction-When as we sat in Papylon
Act III: Scene 2: Yonder he's coming
Act III: Scene 2: Come, Master Ford
Act III: Scene 2: Orchestral-introduction-What, John! What, Robert!
Act III: Scene 3: Alas, my love, you do me wrong
Act III: Scene 3: Mistress Ford!
Act III: Scene 3: Ah!
Act IV: Orchestral introduction-Pardon me, wife
Act IV: Scene 1: There is an old tale goes that Herne the hunter
Act IV: Scene 1: Interlude
Act IV: Scene 2: Orchestral introduction
Act IV: Scene 2: The Windsor bell hath struck twelve
Act IV: Scene 2: Ah-Who Comes here?
Act IV: Scene 2: But till 'tis one o'clock
Act IV: Scene 2: Dance of the Fairies
Act IV: Scene 2: But stay! I smell a man of middle earth
Act IV: Scene 2: Nay, do not fly
Act IV: Scene 2: My heart misgives me
Act IV: Scene 2: Stand not amazed

Customer Reviews:

Pros & Cons for both versions.......2005-08-30

Boito took Shakespeare's Merry Wives, added a little Henry IV (e.g. the Honour Monologue) and shaped, moulded and cut them about to make a libretto that focused tightly on the Fat Knight and was absolutely perfect for what Verdi wanted. Out of it came one of the greatest of all comic operas.

With VW, you get something much closer to the Shakespearean original, teeming with richly drawn characters and all the variety of Elizabethan/Jacobean life bustling past. Falstaff is merely the primus inter pares among them, albeit a huge one. Out of it came a great comic opera. And one that has been too seldom performed, standing in the long shadow of its predecessor.

Vaughan Williams, who was a great admirer of the Verdi piece, knew that comparisons would inevitably be made. (He would also have included his friend, Holst's, At the Boar's Head as a real rival from the Falstaff canon.) But comparisons are invidious. The VW and the Verdi operas are not comparable, either in their intentions or in their music. And both should be allowed to co-exist happily as companion pieces, not as rivals as two great comic operas we're fortunate to have.

Perhaps I protest too much. But the Vaughan Williams is such invigorating, life-enhancing, often ravishingly beautiful stuff that I'd hate to see it slip off the end of the shelf. Verdi is lauded as the great tunesmith, but how many tunes from Falstaff can you recall - Nanetta's last act aria, perhaps, a couple of snippets of Fenton, the final fugue maybe, or Sir John's 'Quand'ero paggio' which is so brief an aria that its original singer had to record it three times in succession to fill a 78 side. Perhaps that's why Falstaff is so badly represented on 78's compared to the other mature Verdi operas. Great music, yes, but singalongaFalstaff had, in his mature operas, ceased to be the composer's intention.

In Sir John in Love, on the other hand, the tunes just pour out one after the other. Which are genuine folksongs and which are VW originals is often hard to tell without a score in front of you (where the composer comes clean). Just listen to the way Dr. Caius' 'Vray Dieu d'Amour' takes over the orchestra or how 'Lovely Joan' (the tune in the trio of the famous Greensleeves Fantasia) heralds Mistress Quickly's arrival and 'Greensleeves' in situ is even lovelier than in the Fantasia. But then listen to the gorgeous tune that accompanies Ann Page's entrance, the wonderful melody for Ford's plea for forgiveness from his wife or the magical chorus that accompanies the arrival of the real bride and groom in the final scene. Those are all VW originals and great ones, to boot.

Choosing between the two performances of the piece on disc, it's a question of swings and roundabouts. This Chandos recording with Hickox at the helm benefits from his direction - a bit tauter, a little more spring to the rhythms than Davies and the choral contributions are as polished as you'd expect from a seasoned choral specialist. The Chandos recording, too, is a bit more up to date in terms of sound, a bit fuller and richer. EMI, on the other hand, probably has the superior cast with the likes of Robert Tear, Felicity Palmer, Helen Watts and Robert Lloyd seeing off their Chandos counterparts. Honours between the two Falstaffs are more even. Neither is ideal in the part. Herincx has the 'fatter' voice: Maxwell on this recording is the more characterful. But a piece like the madrigal that Sir John sings before Ford/Brook's arrival needs more warmth and more steadiness than either of them provide (would Bryn ever consider it as a partner to his Verdi Falstaff?).

It's a tough choice between the two versions. Choose the EMI for the cast (including, by a short head, Herincx's Flastaff). Choose this Chandos set for the conducting, the chorus and the more modern sound.

Five for the work ,for Hickox at least four stars!.......2001-11-09

(Here my review for Davies - EMI "British composers" recording
of this masterwork.)
If you feel that Verdi has beautyfull music but it has a too much thick blood, and you think that beauty must be tensed by reason; You are looking at the right composer.
This opera or musical drama (in the wagnerian sense, cause it is a romantic comedy) makes a very whole unit, the "areas" and the recited-sung recitatives are in funtion of the "dramatic" momentum and inerce of the work. It's incredible how pleasently quick this work is heard, and yes it's very entretaining (I know that's not necesary a virtue for an opera, but here it is).
The music, well, is gorgeous as might be expected from V.W., transitions are well sewn, and the traditonal folk songs add a dash or elizabethian romanticism.
The cast is strong, Hendrix is very suited for the rol, but you may fantacised how well this rol will be portrayed now by Bryn Terfel, It's sad that Hickox not thinck (or did he?)of this in his new recording of this opera (perhaps Chandos not provide him with the budget that Abado's can manage for his new DG. Falstaff recording).
Maybe Langridge will sound more youthfull than Tear, but that is a small detail. Hellen Watts it's spicy and perky Mrs. Quickly, and Gerald English Caius' is is excellent!
Davies captures V.W. orchestration very well with a ADD recording that will cause envy in this days, and the price, is to laugh about.
Treat you and buy this forgotten treasure!

Sir John's love is more impressive the first time around.......2001-08-05

While I generally agree with the review of Ahmed Ismael, I must give the nod to the earlier EMI recording, which has greater depth and spread to the sound. Chandos engineers have practically placed the voices in our laps with a resultant loss of orchestral detail. The work is, of course, lovely but if the ear is fatigued by the sound the myriad beauties cannot make their full effect. If one adds to this the fact that the EMI is a midprice reissue the choice becomes even more clear. Bravo to Hickox and company but no standing ovation this time.

Five stars, but not the only choice........2001-07-26

Vaughan Williams's comic "Sir John in Love" is one of those true opera rarities--an opera whose highlights become more impressive as the music progresses. Indeed, the true highlight of this opera is its final "Windsor Forest" scene in Act IV, where all the action is resolved, and everyone gets their "just desserts."

If this were the first recording of the opera available, it would be easy to recommend it to any VW (or opera!) enthusiast--the orchestral details are abundant and vividly present, the choral contribution is alive and infectious, and the vocal parts are well-presented and clear. However, there is in additional recording, in EMI's British Composer series, conducted by Meredith Davies. While many comparisons are stacked in the new version's favor, there are a few shortcomings that prevent an absolute recommendation.

Where Hickox succeeds over Davies is particularly in the portrayal of Anne Page and her several suitors. Susan Gritton sings more effectively than Wendy Eathorne, while both Daniel Norman (Slender) and Adrian Thompson (Caius) seem more plausible as suitors than Bernard Dickerson and Gerald English, respectively--although overall English makes a more vivid Caius. However, there is no question that Mark Padmore is the better Fenton: as well as Robert Tear sings for Davies, I can't shake the impression that he is wooing an Amazon, and not the girl-next-door Anne.

While the supporting cast is marginally to markedly superior for Hickox, with the Fords and Pages are fairly evenly matched between the two performances, the one clear victory of the Davies version is a significant one. As the title character, Donald Maxwell's Falstaff is no match for Raimund Herincx, either in characterization or in vocal quality. Additionally, the EMI set benefits from a superior recording--there's more of a sense of a performance in a real space, which adds an extra dimension to the rather static performance as presented by Hickox. Occasionally, Hickox also omits some dramatic effects (such as gasps from the onstage characters in Act III and laughter from the chorus in Act IV) which adds to the sense that this is only a "recording" and not a "performance."

Tracks:

Singin' In The Rain: Singin' In The Rain - Gene Kelly
Annie Get Your Gun: There's No Business Like Show Business - Howard Keel
An American In Paris: 'S Wonderful - Gene Kelly
The Band Wagon: That's Entertainment! - Oscar Levant
Kismet: Stranger In Paradise - Vic Damone
Easter Parade: Easter Parade - Judy Garland
Gold Diggers Of 1935: Lullaby Of Broadway - Chorus
Summer Stock: Get Happy - Judy Garland
The Gay Divorcee: Night And Day - Fred Astaire
High Society: True Love - Bing Crosby
Thousands Cheer: Honeysuckle Rose - Lena Horne
The Barkleys Of Broadway: They Can't Take That Away From Me - Fred Astaire
Broadway Rhythm: Milkman, Keep Those Bottles Quiet - Nancy Walker And The M-G-M Studio Chorus
Neptune's Daughter: Baby, It's Cold Outside - Esther Williams
Me And My Gal: For Me And My Gal - Judy Garland
Idiot's Delight: Puttin' On The Ritz - Clark Gable & Co.
Hit The Deck: Hallelujah! - Kay Armen
Seven Brides For Seven Brothers: Bless Yore Beautiful Hide - Howard Keel
Cabin In The Sky: Taking A Chance On Love - Ethel Waters
Casablanca: As Time Goes By - Dooley Wilson
Dr. Zhivago: Lara's Theme (Main Title) - M-G-M Studio Orchestra

Tracks:

The Wizard Of Oz: Over The Rainbow - Judy Garland
A Date With Judy: It's A Most Unusual Day - Jane Powell
Kiss Me Kate: Wunderbar - Howard Keel
Show Boat: Can't Help Lovn' Dat Man - Ava Gardner
Going Hollywood: Going Hollywood - Bing Crosby
Meet Me In St. Louis: The Trolley Song - Judy Garland
Gigi: Gigi - Louis Jourdan
Girl Crazy: I Got Rhythm - Judy Garland
Two Weeks With Love: Aba Daba Honeymoon - Debbie Reynolds
Words & Music: The Lady Is A Tramp - Lena Horne
Good News: The Best Things In Life Are Free - June Allyson
Top Hat: Check To Check - Fred Astaire
The Strip: A Kiss To Build A Dream On - Louis Armstrong
Romance On The High Seas: Put 'Em In A Box - Doris Day
Ziegfeld Follies: If Swing Goes, I Go Too - Fred Astaire
Brigadoon: Almost Like Being In Love - Gene Kelly
Follow The Fleet: Let's Face The Music And Dance - Fred Astaire
The Pirate: Be A Clown - Judy Garland
When The Boys Meet The Girls: Embraceable You - Connie Francis
The Harvey Girls: On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
The Sky's The Limit: One For My Baby (And One More For The Road) - Fred Astaire

Album Description

This ideal Christmas gift is a collection of the very best highlights drawn from the MGM/Turner, Warners and RKO Pictures archive. It features such universally known showstoppers as Gene Kelly performing 'Singin In The Rain', Judy Garland's 'Over The Rainbow' and Howard Keel's 'Bless Your Beautiful Hide'. The collection also includes songs that have gone on to become world wide standards such as Lena Horne's 'The Lady Is A Tramp', Mel Torme's 'Sunday In New York' and Gene Kelly's 'Almost Like Being In Love'. Perfect for anyone who loves a good song and the ideal soundtrack for Christmas day. Gatefold deluxe slipcase packaging.

Album Details

This Compilation Presents Highlights from the Wonderful Mgm-turner, Warner Brothers and Rko Soundtracks. Great Artwork and Extensive Booklet with Photographs and Plenty of Liner Notes. The Packaging Includes a Special Limited Pop-up Booklet, So Get Your Order in Quickly...you Never Know When Supply Will Be Exhausted.

The Hollywood Bowl Orchestra On Broadway

Average customer rating:

The Hollywood Bowl Orchestra On Broadway
Hollywood Bowl Orchestra
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music
Similar Items:

Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri

ASIN: B0000041CH
Release Date: 1996-07-16

Tracks:

Carousel: A Symphonic Portrait
Slaughter On Tenth Avenue
Kurt Weill Songbook For Orchestra
Free And Easy: Concert Suite From Blues Opera
Showboat: Scenario For Orchestra

Average customer rating:

True Dat
Spyder-D
Manufacturer: Mecca
ProductGroup: Music
Binding: Audio CD

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music
ASIN: B00004TDZN
Release Date: 2000-06-13

Tracks:

Nothin' But A Party
What You Want Now?
Robbin' From 'Da Hood
So You Wanna Be A Rapper
You, You & You...
What You Don't Know...
I Wonder...
True 'Dat
Makes Ya Dance To 'Dis
Let It Be Known
All World Comittee Pt.1
Rear View Mirror
Gold Diggas Got Feelins Too
We Don't Need No Water
Understand
All World Comittee Pt.2
Yes, Yes, Y'All
Yes, You Can
Yes, Yes, Y'All (Hazy Blue Mix)

Average customer rating:

Medicated
Pharoah Yt
Manufacturer: I Did Dat Productions Inc
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Indie Music | Stores | Music

General | R&B | Indie Music | Stores | Music
ASIN: B000CA9A1S
Release Date: 2006-07-06

Tracks:

Knock Out
Out Wit Da Old in Wit Da New
Little Velvet
Mind Sett
Hustlaz Walk
Chatt Room
Ghetto Anthem
Sportcoat
Game Banger
Slap
Hollowtip
3X Beam

Product Description

The blind man speaks, hand hittin, hard spittin, combined all dat with a hustlas state of mind, and you get Pharoah YT. Nothing but hard slappin Medicated heat on this CD. Featuring Artist: Ray Luv and SPdub.

Average customer rating:

True Dat
LeVert
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

Quiet Storm | R&B | Styles | Music
ASIN: B000002JGL
Release Date: 1997-02-11