Night Vision [Explicit Lyrics]

Track Listings

1. Night Vision

2. Im Bad

3. Tell Me Bout Yo Hood

4. Old School

5. When You Cum

6. Smack That Ass

7. Sneeky Ho

8. Pussy

9. Comz From Pimpin

10. Giving All I Can Give

11. Sunshine

12. DJ Reg Cuttin Up

13. Wanna Fuk

14. Bad Water

15. Who Ya'll Sposed To Be

16. If You Never Been a Player

Editorial Reviews
Product Description
The second album release from EMC, entitled NIGHT VISION, is loaded with a variety of topics, from radio to street, this album has it all covered. The first single, TELL ME BOUT YO HOOD, is getting much attention. Using the website "sound click.com" as a market tester, TELL ME BOUT YO HOOD went to number 4 on the hip-hop charts. And its was only on the site for less then two weeks.

Night Vision,EMC,Las Vegas Night Vision

Average customer rating:

a voice teacher and early music fan
An American Voice of the Century
An Essential Barber Disc
Price sings songs and arias written for her!!!
Fab voice, OK music

Leontyne Price Sings Barber

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Barber: Knoxville Summer of 1915/Dover Beach/Hermit Songs/Adromache's Farewell
Leontyne Price: The Ultimate Collection
The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa
Hermit Songs: High Voice
In Concert

ASIN: B000003FNF
Release Date: 1994-05-10

Tracks:

Hermit Songs, Op.29: At Saint Patrick's Purgatory
Hermit Songs, Op.29: Church Bell At Night
Hermit Songs, Op.29: Saint Ita's Vision
Hermit Songs, Op.29: The Heavenly Banquet
Hermit Songs, Op.29: The Crucifixion
Hermit Songs, Op.29: Sea-Snatch
Hermit Songs, Op.29: Promiscuity
Hermit Songs, Op.29: The Monk And His Cat
Hermit Songs, Op.29: The Praises Of God
Hermit Songs, Op.29: The Desire For Hermitage
Sleep Now, Op. 10, No. 2
The Daises, Op. 2, No. 1
Nocturne, Op. 13, No. 4
Nuvoletta, Op. 25
Knoxville: Summer Of 1915
Antony And Cleopatra: Give Me Some Music
Antony And Cleopatra: Give Me My Robe

Amazon.com

Early in her career, Leontyne Price formed an artistic liaison with Samuel Barber that resulted in his composing the female lead in Antony and Cleopatra for her. The disastrous premiere of that opera prevented Price from making a complete recording--a tragic loss in my opinion. She did record excerpts, however, and we at least have this disc to document these and the many other Barber works that she performed with incomparable artistry. Opera singing being what it is, Price didn't often have the chance to sing in English, so these performances are not only historically important, they are uniquely communicative as well. --David Hurwitz

Customer Reviews:

a voice teacher and early music fan.......2007-02-28

Samuel Barber(1910-1981), an American composer who studied piano, composition and singing at the prestigious Curtis Institute in Philadelphia, Pa. His works adhered largely to a lyrical, Romantic style within a loosely Classical framework. He left a rich legacy of more than 100 songs(only 37 published) and 3 operas in addition to many instrumental works...
Only a few of Barber's song texts come from American sources; more often he chose the work of Irish or English writers. He was drawn to 'Knoxville: Summer of 1915', a reflection of the American poet James Agee, because for him it vividly evoked his own childhood. With hints of blues and gently shifting rhythms, "Knoxville" is a mature expression of Barber's artistry as a musical poet and a master of orchestral color.
"The Hermit Songs" were first performed by Leontyne Price, soprano, with the composer at the piano at the Library of Congress, Washington,D.C..pn October 30, 1953. They are a setting of anonymous Irish texts of the eighth to thirteenth centuries written by monks and scholars. They are small poems,thoughts or observations, some very short, and speak in straightforward, droll, and often surprisingly modern terms of the simple life these men led, close to nature, to animals and to God.
I think a brief quote from one of my favorite of these Hermit songs sums up the kind of prose contained in most all of them: from 'The Monk and his Cat' :Pangur, white Pangur, How happy we are Alone together, Scholar and cat. Each has his own work to do daily; for you it is hunting, for me study......'
The music on this disc is well executed, and if you are a Barber advocate, it's a great collection of his song material. I happen to like MOST of his music, but it's for me a 'mood ' thing. He was born very close to where I live, so I guess I feel a kinship of sorts. I do think that he is one of the 'greats' in contemporary music!

An American Voice of the Century.......2005-10-09

While there is no question that Leontyne's opulent voice - here young and lustrous in the "Hermit Songs" recital (1953!) would have been a magnet for any composer, her affinity for Barber is clear, and his for her. The studio recording of the "Hermit Songs" has a better acoustic, but this one is just as thrilling in interpretation, and a bit less studied - and it has the two James Joyce settings, as well.
The "Knoxville" is beautifully judged - soft and swinging to start, then opening up into the drama and poetry of the middle and late sections. The Eleanor Steber original commission will always set the standard, but Price expands it that much farther, with longer phrases, and an ineffable langour that both she and Steber identified as the "Southern" stamp on this music. It's universal, as far as I am concerned, but it exalts and breaks the heart at the same time. Agee and Barber drink from the same fountain here.
I have never heard the entire "Anthony & Cleopatra", again written for Price, so I can't judge the work as a whole, just these two numbers. I have a special affection for the first scene, however - "Give Me Some Music" shows Price, in her absolute vocal prime, complete mistress of color and mood, and the motive, "My man of men" reappears in her final, regal, death scene. When she sings "O happy horse/ who bears the weight of Antony!" - I swear, my hair curls, no matter how many times I hear it.
In short, gotta have it.

An Essential Barber Disc.......2002-03-13

What a fabulous collection of music by Samuel Barber. Leontyne Price is at her absolute best in the songs. The entire Hermit Songs are here with four others. These recordings are of particular interest since Ms. Price performs with Samuel Barber at the piano. It is interesting to compare these recordings to the latter ones sung by Cheyrl Studer with John Browning at the piano for tempo changes.

The recording of Knoxville: Summer of 1915 is arguable the best of those available. Ms. Price sings with great sensitivity and Thomas Schippers and the New Philharmonia provide excellent support. Ms. Price said that Knoxville reminded her of her own childhood, and her commitment to the music comes through. I have the recording of Knoxville sung by Eleanor Steber, who commissioned this work, but I have always regarded the Price recording as the one to have.

The two excerpts from Antony and Cleopatra are of great interest since Ms. Price sang the role of Cleopatra at the premiere in 1966. Her performance here, also conducted by Schippers, is wonderful. The transfer to CD of these recordings is excellent. Perhaps the only down side is that the Hermit Songs were performed before an audience so there is applause between each song. After a while, this becomes monotonous. This disc is a must for anyone interested in Barber's music, and in particular for Knoxville.

Price sings songs and arias written for her!!!.......2001-12-05

This CD on which Leontyne Price memorializes many of the songs and arias composed by Sam Barber with her in mind should be in every collection of those who appreciate Barber's vocal music and the magnificent voice of one of the world's greatest singers of the 20th century. The collaboration of Barber and Price on the "Hermit Songs" and others reveals the composer's affection for the singer and the singer's understanding of the dramatic intent of the word and music. Alone, Price's interpretation of "Knoxville: Summer of 1915" is worth the price of the CD; it is singularly exquisite and cannot be matched! Price brings unmatched beauty, power, and understanding to the arias from "Anthony and Cleopatra" -- an opera composed with her voice in mind. It is indeed sad that Price never recorded "Vanessa," nor the song cycle "Despite and Still," nor the hauntingly beautiful "Sure on this Shining Night." You will not be disappointed if you buy this CD.

Fab voice, OK music.......2001-08-07

What is it that everyone seems to adore about Samuel Barber's music for voice. The man clearly wrote some absolutely divine orchestral pieces, there's no disputing that. But his vocal work seems to be lackluster. Hermit Songs is an example of modern classical music at it's worst. Disjointed, unmelodic, and difficult to follow. Price who's diction is fabulous on the later Knoxville piece is mushy durin the Hermit Songs, her voice is young and fresh, but not particularly glorious. She does deserve praise however for her promotion of American Music

Knoxville 1915 is a much better piece than Hermit songs and has more lyrical moments, but it still sounds so modern. If it has just been an orchestral piece it might've been fabulous but that is unfortunately not the case. It's almost as if Barber wrote a piece for orchestra and wrote a seperate piece for voice and just joined them, whether they made sense together or not. Unlike Hermit Songs, Price's performance more than makes up for the lack of brilliance in the music. Her diction is amazingly clear, even Callas would be jealous and her voice soars, where the music allows her to at least.

Tracks:

Hymns From The Psalms: O God, Our Help In Ages Past
Hymns From The Psalms: The King Of Love My Shepherd Is
Hymns From The Psalms: A Mighty Fortress Is Our God
Invocations: Veni, Creator Spiritus
Invocations: Lo! He Comes With Clouds Descending
Invocations: Love Divine, All Loves Excelling
The Eucharist: Pange Lingua
The Eucharist: Let All Mortal Flesh Keep Silence
Passiontide And Easter: Vexilla Regis
Passiontide And Easter: Drop, Drop Slow Tears
Passiontide And Easter: When I Survey The Wondrous Cross
Passiontide And Easter: Christ The Lord Is Risen Today
Folk Hymns: Be Thou My Vision
Folk Hymns: All Things Bright And Beautiful
Folk Hymns: Morning Has Broken
Folk Hymns: Amazing Grace
Folk Hymns: We Plough The Fields, And Scatter
Evening Hymns: Glory To Thee, My God, This Night
Evening Hymns: The Day Thou Gavest, Lord Is Ended
Thanksgiving And Dedication: Eternal God
Thanksgiving And Dedication: Christ Is Made The Sure Foundation

Amazon.com

It's good to have the clean-vowelled, fresh-voiced Cambridge Singers back in action with composer John Rutter, who demonstrates once again his considerable talents as a choral director. Here, he also had his work cut out arranging 15 of the tracks (and composing one other). Divided up into various categories, such as "the Eucharist" and "folk hymns," this album will delight the confirmed hymn enthusiast, provided that he or she doesn't insist on the pure, as-written product. Rutter's reworkings range from the bold and brassy (occasionally deliciously over the top--what would Martin Luther have thought of the naughtiness in "A mighty fortress is our God"?) to those of harp-accompanied simplicity, not least in the charming lines of "Be thou my vision." Several tasteful descants are models of their kind. There are some surprises at which to chuckle. For example, not the expected brass and organ job on "We plough the fields and scatter," but a dainty, tripping harp accompaniment to the familiar melody, such as Haydn might have wedded to a Scottish folksong. Occasional numbers might be too saccharine for some tastes, but there are cunningly placed samples of Gregorian chant, Tallis, and Gibbons to provide contrast and cleanse the palate. --Andrew Green

Customer Reviews:

What can I say !.......2007-02-15

Having listened to this twice... It is difficult to find words for something so Glorious. It doesn't almost hurt, but I almost exploded in heavenly rapture several times.
You will need to get two. It is not music that you will want to keep to yourself.

a voice teacher and early music fan.......2007-02-02

'The hymns heard on this disc span over 15 centuries of the history of Christian Europe, and have been chosen simply to make up a varied program which can be pleasant to hear.' Some items are accompanied by organ, some by harp where a lighter sound was more appropriate. Some are unaccompanied as in the Gregorian hymns, and five of the grandest hymns are given festival arrangements using brass, timpani, percussion and organ. Although the perspective of this album is Anglican,it must be noted that the Anglican hymn tradition has been notably eclectic. Hymnody is forever changing. 'This album does NOT attempt to reflect the most recent changes-the emergence of pop and folk-influenced worship songs and choruses has been well taken care of elsewhere, and time alone will tell whether there is any lasting worth in this most drastic upheaval of worship style.' Therefore, it is timely to reflect upon the immense riches of hymns built up over so many centuries, when they are at great risk of neglect. John Rutter has produced an amazing number of arrangements as well as original songs, and they are all first-rate. Choirs throughout the world (who are skilled enough to sing them)take great pleasure in working with his selections, and audiences, regardless of listening experience seem to enjoy them. They are tuneful, clever and unusual!!!
The Cambridge Singers number : 10 female sopranos,2 male and 4 female altos, 7 tenors and 8 basses. They sing extremely well with clear consonents and well-shaped vowels and plenty of gusto. I miss the boy sopranos that usually sing in the British choirs, but that's only a personal preference, and it surely is not Rutter's preference, because I have never known him to make use of them. A truly inspiring recording, nonetheless.

Another Rutter Keeper!.......2003-02-17

Rutter has won many fans throughout the world for his passionate, creative yet tasteful contributions to church music. Here is a hymn collection with several traditional choices along with Rutter originals.

Several comprise Rutter's remakes, which is most cases are very diginified and not at all distractive to the thrust of the original. The orchestration is superb, and the Cambridge Singers of course provide outstanding choral might.

Well worth consideration to the church music collection.

worship of god made mostglorius in this cd.......2002-04-30

i was 1st introduced to john rutters music on a radio program... when i 1st heard the arrangement of christ the lord is risen today presented in this cd i pictured a grand celebration of the solemn mass of the resurection of our lord and pictured in particular the grand procession i pictured this being celebrated... this hymn and cd does as best as humanly possible represent the great glory of god and does as its title suggests sing with the heavens and for you fellow traditionalists this is a strongly recomended cd

Heavenly Music.......2001-10-15

The hymns of SING, YE HEAVENS represent 1500 years of music in the Christian church. Pure and rich are these hymns by the Cambridge Singers with their perfect diction that leaves nothing for improvement and their tone quality that envelops the listener. The beauty of the harp, the organ, and the brass adds to the pleasure this CD brings to the listener's ear and heart.

Average customer rating:

Inspirational!
hymns we sang in church

Abide With Me

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music

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Hymns Through the Centuries
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The Music of St. Paul's Cathedral

ASIN: B000024236
Release Date: 1996-06-10

Tracks:

Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
Day of Resurrection - Choir of King's College, Stephen Cleobury
O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
Praise to the Lord - Choir of King's College, Stephen Cleobury
Church's One Foundation - Choir of King's College, Stephen Cleobury
Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
Now Thank We All Our God - Choir of King's College, Stephen Cleobury
Abide with Me - Choir of King's College, Stephen Cleobury
O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
Glory Be to Jesus - Choir of King's College, Sir David Willcocks
There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Rock of Ages - Choir of King's College, Maurice Vinden
Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
Be Thou My Vision - Choir of Paisley Abbey, George McPhee
Be Still, My Soul - Choir of Paisley Abbey, George McPhee
King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
For All the Saints - Choir of Paisley Abbey, George McPhee
O Worship the King - Choir of Paisley Abbey, George McPhee
Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
Jesu, Lover of My Soul - Choir of King's College, George Guest
Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.

Customer Reviews:

Inspirational!.......2004-10-08

Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.

hymns we sang in church.......2003-02-16

i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.

Average customer rating:

The Complete Caruso

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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ASIN: B0001TSWQO
Release Date: 2004-11-09

Average customer rating:

The Blues - A Labor Of Love?

Night Vision
Little Charlie & the Nightcats
Manufacturer: Alligator Records
ProductGroup: Music
Binding: Audio CD

Chicago Blues | Blues | Styles | Music

General | Blues | Styles | Music

Electric Blues Guitar | Blues | Styles | Music

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The Big Break
Nine Lives
That's Big
Captured Live
Disturbing the Peace

ASIN: B000000A0E
Release Date: 1993-01-25

Tracks:

My Next Ex-wife
I'll Never Do That No More
You Win
Sure Seems Strange
Can't Keep It Up
Dog Eat Dog
I Dare You, Baby
Crying Won't Help You
Grow Up, Baby
California On My Mind
Backfire
Pressin' On
Buzzsaw

Customer Reviews:

The Blues - A Labor Of Love?.......2001-04-13

It's such a shame that most of the talented players toiling away in the world of blues don't get the same recognition as their counterparts in rock and roll. Take Rick Estrin and "Little Charlie" Baty for example. Their playing on "Night Vision" is impeccable, with Estrin's world class harp on display in "My Next Ex-Wife" and Baty burning up the fretboard on "Buzzsaw." See them live and as an added bonus you'll witness, courtesy of Estrin, some of the ugliest suits since the 1970's.

Average customer rating:

Bert's guitar wizardry cannot forgive his wife's weak vocals
Amateur Vocalist Coaxes Acoustic Pros to Dig Deep

After the Long Night/Playing the Game
Bert Jansch , and Loren Auerbach
Manufacturer: Phantom Sound & Vision
ProductGroup: Music
Binding: Audio CD

British Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

Folk Rock | Rock | Styles | Music
ASIN: B00005AFMN
Release Date: 2001-09-12

Tracks:

Carousel
Weeping Willow Blues
Give Me Love
I Can't Go Back
Smiling Faces
Yarrow
Playing The Game
Is It Real?
Sorrow
Days And Nights
The Rainbow Man
Frozen Beauty
Christabel
So Lonely
The Miller

Album Description

Mid-price remastered reissue combines two albums on one CD, 'Playing The Game' and 'After the Long Night'. both originally released in 1985 and featuring British folk legend Bert Jansch. Standard jewel case.

Album Details

Two classics on one release, remastered from original tapes.

Customer Reviews:

Bert's guitar wizardry cannot forgive his wife's weak vocals.......2002-07-26

Much as I love Bert Jansch, this offering from his now spouse just cannot live up to the seminal pairing of Bert's nimble guitar and soulful voice with the crystaline pipes of Jacqui McShee in Pentangle. Auerbach's quavering voice wears thin after one listening, and few of the tunes, mostly penned by the record's producer, rise above the mediocre.

Amateur Vocalist Coaxes Acoustic Pros to Dig Deep.......2002-05-11

The liner notes of this first time CD edition of two mid-80's vinyl albums from folk vocalist Loren Auerbach explain how this memorable collaboration with Bert Jansch led on a winding path through the intervening years to recent marriage. One can hear sparks of muses co-mingling betwixt the Icelandic poetry graduate student-turned-unsteady-vocalist and the diving swallow grace notes of Jansch's steelstring guitar. Most of the material is written by producer Richard Newman, and is very nearly up to the quality of Jansch's handful of originals that reflect depths he'd never had a chance to show on his previous repertoire of English Isles folk standards.

This is clearly a very personal project, and I feel the intimacy and emotional risk every time I play the feverish songs, which has been often during this past rainy season.

The song that haunts me deeper each time I hear it is "Give Me Love." It would be on any tape I'd blend to commune with beauty being approached slowly, or held at a distance. It's visceral power recalls Wendy Waldman's torch ballad "Mad Mad Me", and Auerbach's far less agile voicing makes me wish other vocalists would try recording "Give Me Love" without changing the simple arrangement. Hope Sandoval of Mazzy Star has been recording of late with Jansch, and her breathey sensual approach and huskier vocal timbre might draw some luster from the song's facets. It'd be intriguing to hear whether a male vocalist could handle the surrender to yearning limned by "Give Me Love", but after hearing Danny O'Keefe's arcing glissando on his recently released "Pieces of the Rain" I find myself wanting to hear these two songs threaded together through an extended suite grounded in a "Bolero" cadence of hypnotic attraction.

Other songs that blossom with occasional cello to add some body behind Auerbach's edgy voice include "Is It Real?", "Christabel", "Carousel" (where Jansch's guitar takes up all the slack), and the powerful closing set of "So Lonely" and "The Miller."

These 15 tracks amount to a well-realized project by an artist who seems to have left performing behind. I'd be interested in hearing Loren Auerbach try her hand at collaborating with Jansch on some of her own verse, or the Icelandic stuff the liner notes say she translates.

Greatest Hits/One Night Only: Deluxe Sound & Vision
Average customer rating:

MUST HAVE for Elton fans!

Greatest Hits/One Night Only: Deluxe Sound & Vision
Elton John
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music
Pop Rock | Pop | Styles | Music
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Rock | Imports | Stores | Music
ASIN: B0009QZ4JW
Release Date: 2006-07-18

Tracks:

Your Song
Tiny Dancer
Honky Cat
Rocker Man ( I Think It's Going To Be A Long Long Time)
Crocodile Rock
Daniel
Saturday Night's Alright For Fighting
Oodbye Yelow Brick Road
Candle In The Wind
Bennie & The Jets
Don't Let The Sun Go Down On Me
Bitch Is Back
Philadelphia Freedom
Someone Saved My Life Tonight
Island Girl
Don't Go Breaking My Heart (With Kiki Dee)
Sorry Seems To E The Hardest Word
Blue Eyes
I'm Still Standing
I Guess That's Why They Call It The Blues
Sad Songs (Say So Much)
Nikita
Sacrifice
One
Kiss The Bride
Can You Feel The Love Tonight
Circle Of Life
Believe
Made In England
Something About The Way You Look Tonight
Written In The Stars (With Leann Rimes)
I Want Love
This Train Don't Stop There Anymore
Song For Guy
Funeral For A Friend (Love Lies Bleeding) (Dvd)
Candle In The Wind (Dvd)
Bennie & The Jets (Dvd)
Goodbye Yellow Brick Road (Ft Billy Joel) (Dvd)
Someone Saved My Life Tonight (Dvd)
Little Jeannie (Dvd)
Philadelphia Freedom (Dvd)
Tiny Dancer (Dvd)
Can You Feel The Love Tonight (Dvd)
Daniel (Dvd)
Rocket Man (Dvd)
Club At The End Of The Street (Dvd)
Blue Eyes (Dvd)
I Guess That's Why They Call It The Blues (Ft Mary J Blige) (Dvd)
One (Dvd)
I Don't Wanna Go Out Like That (Dvd)
Sorry Seem To Be The Hardest Word (Dvd)
Sacrifice (Dvd)
Come Together (Dvd)
Your Song (Ft Ronan Keating) (Dvd)
Sad Song (Say So Much) (Ft Bryan Adams) (Dvd)
I'm Still Standing (Dvd)
Crocodile Rock (Dvd)
Saturday Night's Alright Or Fighting (Ft Anastacia) (Dvd)
Bitch Is Back (Dvd)
Don't Let The Sun Go Down On Me (Dvd)
Don't Go Breaking My Heart (Ft Kiki Dee) (Dvd)
I Want Love (Video Ft Robert Downey Jnr)
This Train Don't Stop There Anymore (Video Ft Justin Timberlake)
Original Sin (Video Ft Mandy Moore & Elizabeth Taylor)
Sorry Seems To Be The Hardest Word (Video Ft Blue)
Original Sin (Dan-O-Rama Video Mix)

Album Description

Deluxe three disc set (two CDs and one NTSC/Region 0 DVD), part of Universal's outstanding Sound & Vision series, with each disc packaged in it's own individual cardboard sleeve and all three tucked inside a cardboard slipcase.

Album Details

Two CDs featuring 34 Classic Hits plus a Dvd (Pal Format) with Over Two and a Half Hours of Live Performance at Madison Square Garden Including Guest Appearances by Bryan Adams, Mary J. Blige, Billy Joel and Ronan Keating - in
5. 1 Surround Sound plus Five Bonus Videos.

Customer Reviews:

MUST HAVE for Elton fans!.......2007-06-06

The box says there are several bonus videos, but the DVD only has 1 (the one with Robert Downey Jr.) But the rest is missing! I noticed the box says "dolby digital 5.1" but the DVD in the boxset I bought also has the DTS mix (great sound BTW). Does this mean they eliminated the rest of the bonus videos in order to make room for the DTS mix? Anyone else got the same boxset than me?

Average customer rating:

Singers of Imperial Russia, Vol. 4

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Russia | Far East & Asia | International | Styles | Music

General | International | Styles | Music

General | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B000000WMO
Release Date: 1993-11-15

Tracks:

Queen of Spades/Act 3. What Is Our Life? - Aleksandr Mikhajlovich Davydov
Juive/Act 4. Rachel, Quand du Seigneur - Aleksandr Mikhajlovich Davydov
Segreto - Aleksandr Mikhajlovich Davydov
Donkey and the Nightingale - Fable - Aleksandr Mikhajlovich Davydov
Africana/Act 4. O Paradis - Aleksandr Mikhajlovich Davydov
Night ("Why Do I Love Thee, Night?"), Op. 6 No. 9 - Aleksandr Mikhajlovich Davydov
A: Celeste A (Act 1) - Aleksandr Mikhajlovich Davydov
Peurs de Perles/Act 1. Je Crois Entendre Encore - Aleksandr Mikhajlovich Davydov
Cavalleria Rusticana/O Lola, Tu Ch'hai di Latti (Siciliana) - Aleksandr Mikhajlovich Davydov
Leave Me! (Gypsy Song) - Aleksandr Mikhajlovich Davydov
Dubrovsky: O Give Me Oblivion - Aleksandr Mikhajlovich Davydov
Queen of Spades/Act 1. Forgive Me, Bright Celestial Vision - Aleksandr Mikhajlovich Davydov
Carmen/Act 4. C'est Toi? C'est Moi! - Aleksandr Mikhajlovich Davydov, Evgenija Ivanovna Zbrueva
In the Wild North - Aleksandr Mikhajlovich Davydov, Vladimir Kastorsky, Maria Michailova
She Was Yours - Aleksandr Vladimirovich Bogdanovich
Far off, Far Off - Aleksandr Vladimirovich Bogdanovich
Demon: On Desire's Soft Fleeting Wing - Aleksandr Vladimirovich Bogdanovich
Rusalka: Unwillingly to These Sad Shores, Prince's Cavatina (Act 1) - Aleksandr Vladimirovich Bogdanovich
Eugene Onegin: Whither, Whither (Act 2) - Aleksandr Vladimirovich Bogdanovich
Ruslan and Ljudmila/Act 1. There Is a Distant Country - Aleksandr Vladimirovich Bogdanovich
Princesse Lointaine: Love Is a Delightful Dream - Aleksandr Vladimirovich Bogdanovich
Little Slippers/Does the Maiden Hear? - Aleksandr Vladimirovich Bogdanovich
What Happiness! - Aleksandr Vladimirovich Bogdanovich

Tracks:

Faust: Ah! Je Ris de Me Voir Si Belle en Ce Miroir (Jewel Song) - Antonia Vasil'evna Nezhdanova
Traviata: Ah, Fors' Lui.../Follie, Follie...Sempre Libera (Pt. 2) - Antonia Vasil'evna Nezhdanova
Peurs de Perles: Comme Autrefois - Antonia Vasil'evna Nezhdanova
Dobrynja Nikitich: Zabava's Aria - Antonia Vasil'evna Nezhdanova
Romet Juliette: Je Veux Vivre Dans Ce R - Antonia Vasil'evna Nezhdanova
Perle du Brl: Charmant Oiseau - Antonia Vasil'evna Nezhdanova
Harold: Hush Thee, Dear One, Slumber Well (Adele's Cradle Song) - Antonia Vasil'evna Nezhdanova
Ruslan and Ljudmila: Ah, Thou My Fate - Antonia Vasil'evna Nezhdanova
Snade ("Sing, Smile, Slumber") - Antonia Vasil'evna Nezhdanova
Sadko: Sleep Went Along the River (Cradle Song) - Antonia Vasil'evna Nezhdanova
Life for the Tsar: It Is Not for That That I Grieve - Antonia Vasil'evna Nezhdanova
Peurs de Perles: Brahma, Grand Dieu - Antonia Vasil'evna Nezhdanova
Bolero ("O My Dear, Charming One") - Antonia Vasil'evna Nezhdanova
Snow Maiden/With Friends to Gather Berries - Antonia Vasil'evna Nezhdanova
Huguenots: O Beau Pays de la Touraine - Antonia Vasil'evna Nezhdanova
Mireille/O Lre Hirondell
Fra Diavolo/Quel Bonheur! - Antonia Vasil'evna Nezhdanova
Golden Cockerel/Hail to Thee, Sun! - Antonia Vasil'evna Nezhdanova
Tsar's Bride/Act 4. Mad Scene. Look There, Above Your Head - Antonia Vasil'evna Nezhdanova
Barbiere Di Siviglia: Una Voce Poco Fa - Antonia Vasil'evna Nezhdanova
Serenata ("Vola, O Serenata") - Antonia Vasil'evna Nezhdanova
I Vespri Siciliani: MercDilette Amiche - Antonia Vasil'evna Nezhdanova
How Fair This Spot, Op. 21 No. 7 (Rachmaninov); the Rose and the ... - Antonia Vasil'evna Nezhdanova

Tracks:

Life for the Tsar/Act 3. Quartet. The Rose That Blooms - Andrej Labinsky, Maria Michailova, Galina Ivanovna Nikitina, Lev Sibirjakov
Night (Folksong) - Lev Sibirjakov
Boris Godunov/Act 1. In the Town of Kazan - Lev Sibirjakov
Life for the Tsar: What About a Wedding? (Act 1) - Lev Sibirjakov
Oh, If Mother Volga - Lev Sibirjakov
Why Was I Born? (Convict's Song) - Lev Sibirjakov
Askold's Tomb: In Olden Days Our Forefathers Lived - Lev Sibirjakov
Sonnambula/Act 1. VI Ravviso, O Luoghi Ameni - Lev Sibirjakov
Midnight Review - Lev Sibirjakov
Demon/Prologue. Accurs World - Lev Sibirjakov
Seafarers - Lev Sibirjakov, Eugene Witting
Elegy ("When, My Soul") - Aleksandr Dormidontovich Aleksandrovich, Lev Sibirjakov
lian Harps - Nikolaj Artem'evich Shevelev
Merchant Kalashnikov/The Merchant's Aria - Nikolaj Artem'evich Shevelev
Halka: Aria of Janusz - Nikolaj Artem'evich Shevelev
Enchantress/Act 2. Aria. Ah, The Image of That Enchantress! - Nikolaj Artem'evich Shevelev
Tear Trembles, Op. 6 No. 4 - Nikolaj Artem'evich Shevelev
Queen of Spades: I Love You, Dear (Eletsky's Aria, Act 2) - Nikolaj Artem'evich Shevelev
Louder Than the Song of the Lark, Op. 43 No. 1 - Nikolaj Artem'evich Shevelev
Demon/Act 2. O'er the Airy Ocean - Nikolaj Artem'evich Shevelev
Askold's Tomb: In Olden Days Our Forefathers Lived - Nikolaj Artem'evich Shevelev
Song of Triumphant Love/Arioso. O Pure Creature - Nikolaj Artem'evich Shevelev
Eugene Onegin: Should I Decide on Domesticity (Act 1) - Nikolaj Artem'evich Shevelev
Demon/Act 2. Do Not Weep, Child - Nikolaj Artem'evich Shevelev
Festival During the Plague/Hymn. When Powerful Winter, Like a Vigilant
Captive in the Caucasus/Aria - Nikolaj Artem'evich Shevelev

Schumann: The Complete Piano Works (Box Set)

Average customer rating:

Good for the rare pieces.....but...
Mystery Solved
Mystery meat

Schumann: The Complete Piano Works (Box Set)

Manufacturer: Nuova Era
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Canons | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Haydn: Complete Symphonies (Box Set)
Liszt: Piano Works
Schumann: Complete Chamber Music [Box Set]
The Complete Piano Music of Sergei Rachmaninov
Mendelssohn: Complete Piano Music

ASIN: B000058THK
Release Date: 2001-03-06

Customer Reviews:

Good for the rare pieces.....but..........2006-11-08

Overall, you will be hard up to find a more thoroughly complete two hand piano survey of Schumann's piano opus. However, for the more "popular" pieces such as the op 17, or the kinderszenen, these are decent to mediocre versions are best. They arent bad, Jorg Demus is a skilled pianist, though has always in my view been more successful in a supporting role, as evidenced by his masterful accompaniment in Dichterliebe and assorted Schubert lieder. If you are familiar with Richter's masterful Schumann interpretations-or Horowitz for many of the works, or Lupu, Argerich, these pale in comparison. If you are out for quantity-I would recommend the Ashkenazy set-though it is incomplete. Again, many of the works by schumann that you can only find here will only be of interest to the absolute Schumannaholic, which I am, but it is kind of a two way street because if you are a schumann madman, then you will know how third tier these performances truly are.

Mystery Solved.......2006-10-07

First off, thanks to WTA for his extremely thoughtful and comprehensive review, which helped me decide to purchase this Nuova Era set (his reasoning about the unlikelihood that Demus would record this huge corpus again was especially insightful).

I own the original 20-LP/6-volume Musical Heritage Society set issued between 1971 and 1973. Having seen the CD set in a store last year, I was puzzled about whether it was a transfer of these invaluable discs, which contain vast tracts of Schumann that you will be hard pressed to find elsewhere (included, for instance, are several posthumously issued works and even a few pieces played from unpublished manuscripts). WTA's review gave me enough clues to suspect that these discs were exactly what I'd been waiting for.

Having just received them, I'm happy to confirm that they are indeed the MHS performances (minus most of the four-hand works, however; see below). I instantly recognized the character of the piano sound and the recording acoustic (both much improved on CD), and a quick check of rhetorical gestures in a sonata movement that I especially value in Demus's hands showed the CD and LP versions to be identical. MHS did not always provide track timings for individual sections of the big piano suites. But where such detail exists, respective CD and LP timings are consistently mere seconds apart -- easily the result of different engineering choices for silent lead-ins and lead-outs to each track.

A further clue comes from a small note on the jewel-box tray inserts, indicating a 1989 digital remastering. I can think of no fully digital (DDD) recording that would be getting remastered so early in CD history. Anything from the '80s would almost certainly be making its first appearance in the new storage medium. Moreover, the sound has none of the hallmarks of DDD recordings (as WTA notes, for instance, Demus's recordings have detectable [but nonintrusive] background hiss).

So for all these reasons, I feel confident in declaring that this set is basically the old MHS offering. There are two sad omissions, however:

(1) The CD set includes all the solo pieces in the LP set, as well as a short, posthumously published F-minor Scherzo on CD 12 that MHS seems to have left out. Nuova Era, alas, omits the vast majority of the often-delightful four-hand works, for which Norman Shetler joined Demus (most of these items appeared in MHS's five-disc finale). The Sketches for Pedal Piano, Opp. 56 & 58, are here (perhaps because they were originally conceived for a now-forgotten solo instrument that had a pedalboard [Alkan was said to have been its greatest master]; on a modern instrument, Schumann's pedal-piano music thus takes two pianists), but -- shame on Nuova Era! -- Shetler gets no credit as the second pianist. If you'd like a fine but inexpensive tour of the four-hand output, try the three-disc VoxBox ("Schumann Complete Works For Piano 4-Hands") featuring Peter Frankl, Andras Schiff, et al.

(2) The CD set lacks the superb MHS album notes by Douglas Townsend. Also missing is Demus's own illuminating statement about recording these works across a span of about three years. These are thoroughly digested interpretations: Demus not only memorized every note but also played every last work in concert. Complete recordings like this one are not necessarily commercial gimmicks, as some so carelessly assert. A serious and sensitive musician who takes on such a task will uncover secrets and interconnections that only exposure to a composer's full output in a given area can progressively disclose. As Demus explains (in Herman Adler's translation from the German), "Only by knowing Schumann's creative output in its totality has it been possible to uncover fresh facets in overfamiliar standard works. [. . .] In the music of no other composer do we find as many cross-relations and associations throughout his work. Schumann likes to quote himself as well as other composers, as did, later, his French brother-in-spirit, Claude Debussy. [. . .] Only knowledge of this entire universe will result in something I would call *Stilsicherheit* (stylistic assurance)."

But let's not dwell on what's *not* here. As WTA observes, this is a deeply rewarding collection that every serious Schumann-lover will want to explore. Are these performances the last word on Schumann's poetic realm? Of course not: no such "last word" exists. The essential thing is that throughout this enormous journey, Demus never falsifies the music, and he plays with an honesty that can be far more illuminating than flashier approaches.

So, Schumann-lovers, get this set as cheaply as you can -- but one way or another, get it while you can!

Mystery meat.......2006-04-10

I don't think I've ever before experienced such frustration in trying to assess a product. Here a well-regarded and fairly well-known pianist sits down and records all (even that's up for grabs) the piano music of a pretty well-known and well-regarded composer and barely a peep out there in Internet land.

What I did encounter after a lot of searching, and according to different reviewers who deigned to barely mention this bulky and hard-to-ignore boxed set, was this dopey basketful of professional opinions:

1) The recording quality was poor according to one guy
2) The piano was out of tune according to some editor who happened to also be a piano tuner
3) The music was criminally recorded using a piano with beat hammers and strings
4) Demus may or may not have recorded the set with a period instrument that also may have had beat hammers and strings
5) Nobody should record Schumann on a period instrument according to another expert (without really letting us know if this was the case here)
6) The interpretations were wooden
7) The interpretations were fabulous despite the crappy sound and beat up old out-of-tune piano
8) Nobody was sure if this was his complete Schumann recorded in the 1970s and released on Musical Heritage or these were new DDD recordings as listed

OK--as the notes with this set absolutely stink and no one out in Internet land seems to have any consistent and coherent thing to say about it, this then is my judgement, based on careful listening and a few intelligent guesses.

1) The interpretations are great, wonderful, really enjoyable, idiomatic--some might consider them slightly wooden because there's next-to-no pedal which leads me to believe it is a period instrument he's recorded on. This isn't Argerich slamming away at these so don't expect that. Yamaha fans will be disappointed. Demus clearly knows his Schumann and plays crisply and accurately.
2) The sound quality, while hardly SACD, is just fine and, again if this is a period instrument and I sure tend to think so, what I'm hearing would be about right. I rather like the engineering as the result is intimate and warm
3) Honestly, did Demus record all these in the 1970s without them getting any attention and then do it all over again in the 1980s just to get ignored again? I hear distinct tape hiss if I listen closely, this doesn't sound like a 1989 DDD recording (which the box claims it to be) which is probably why the recording has some warmth and (audible tape hiss)
4) Who am I to argue with an editor/piano tuner but if this piano is out of tune I'm not noticing it one zot. Also, didn't they tune pianos a little differently way back in 1850 or so?

SO--I'll guess this is the complete piano music of Robert Schumann (perhaps minus one small piece according to yet another miffed commentator, although he keeps talking about a 12 CD set and this has 13 discs!)recorded in the 1970s with Jorg Demus playing a piano built around 1850 or so with everything that implies. I'll also guess that a lot of reviewers out there, left to fend for themselves without some promotional sheet from the label, maybe without even free promo copies, were really reaching a bit. Even if I'm wrong I seem to be doing better than the second-guessing I found elsewhere and anyway the result is really enjoyable. I simply like this set a lot even if someday I may discover it is, in fact, Ernest Borgnine playing a badly tuned pool hall upright in 1953. Less than no stars to Nuovo Era for never seeming to get the presentation of this delightful set right--license it to Brilliant and they'll do it up properly for Pete's sake and maybe you'll actually sell a few. They might even be able to kick down that DDD tape hiss a bit. It's also too danged expensive given even the putative late recording date--it shouldn't be more than $120 under any circumstances. I got mine for less than $40 at a classical cut-outs and deletions place.

Conclusion: This whole situation is sad. Jorg Demus is a great pianist and he obviously loves Schumann. Schumann's piano music is worth the effort. This should be a well-known and highly-regarded set and I'm happier with this than with any other big box of piano I may own, short of a Brahms set.

Average customer rating:

Down Home Blues With A Canadian Flavor
Introspective masterpiece
Superb Acoustic Outing
Exellent
The best of Bruce's early 70s albums

Night Vision
Bruce Cockburn
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music
Similar Items:

Salt, Sun and Time
Joy Will Find a Way
High Winds White Sky
Bruce Cockburn
In the Falling Dark

ASIN: B000002856
Release Date: 1993-02-16

Tracks:

Foxglove
You Don't Have To Play The Horses
The Blues Got The World...
Mama Just Wants To Barrelhouse All Night Long
Islands In A Black Sky
Clocks Don't Bring Tomorrow-Knives Don't Bring Good News
When The Sun Goes Nova
Deja Vu
Lightstorm
God Bless The Children

Customer Reviews:

Down Home Blues With A Canadian Flavor.......2006-02-25

'Night Vision' is Bruce Cockburn's fourth and now OOP album/CD. Without question Cockburn is the most eclectic, diverse musican I've ever listened to. Every album is a totally unexpected and highly enjoyable musical experience.

In 'Night Vision' Bruce's unexpected twist this time is a unique and clever excursion into the blues genre. This -10 track- collection is absolutely delightful. Perfectly capturing the blues experience with such tunes as: 'You Don't Have To Play The Horses', 'The Blues Got The World'... and 'When The Sun Goes Nova', you will find yourself returning to this CD over and over again. Especially on cold and rainy days.

Highly Recommended!!

Introspective masterpiece.......2000-12-08

When I'm stressed out or feeling down, I love to listen to this album. It connects with my dark mood in the first few songs, then I slip into a reverie for "Islands In A Black Sky". Back to reality for "Clocks Don't Bring Tomorrow...", and then "When The Sun Goes Nova" imparts a "don't take yourself so seriously" kind of message.

After that I close my eyes and let "Deja Vu" and "Lightstorm" wash over me. Finally the hopeful and beautiful "God Bless The Children" leaves me feeling good again. Repeat if necessary. :-)

Superb Acoustic Outing.......2000-06-30

For newer fans of BC, this has got to sound rather dated. For an old guy like me, this is a golden gem in my record collection, but if you are easily bored by acoustic based guitar works of instrumentals, folk, blues, and jazz, read no further.

"Foxglove" starts the set as a short Django Rheinhart style upbeat instrumental ditty, with articulate and skillful guitar picking. If you play guitar yourself, prepare to be impressed.

"You Don't Have to Play Horses" shifts moods quickly to the blues, and Bruce heavily using acoustic slide guitar and a jazzy backbeat. Bruce's vocals and lyrics are stark, cynical and biting here.

"Blues Got the World..." omits the last part of the line, which is "...by the balls." This is something you might expect on an Eels CD rather than from a Christian composer, but this all is done in a lighthearted, tonque in cheek way - it works. It reminds me of the Eels, how they treat the starkest subjects with an upbeat melody and beat. This is acoustic guitar and vocal only. Again, amazing and lightning fast guitar work, and the tune will etch permanently in your brain.

"Mama Just Wants to Barrelhouse" is a jazzy bluesy piece employing acoustic piano and guitar with "nightclub jazz" style bass and drums. It sets the perfect tone for the gritty, blues vocals from Bruce. It's amazing to hear this.

The first 'side' (of the record) finishes off with "Islands in a Black Sky," which is a solo guitar instrumental composition that Bruce has never been able to match since this disc. The closest thing to it was "Water Into Wine" from "In the Falling Dark" and that pales in comparison. This track alone makes this worth the purchase. As a earlier reviewer said, side one is phenomenal.

We part ways with side two, which I find even better than side one.

The piano-based "Clocks Don't Bring Tomorrow" brings the jazz flavor that I think makes this disc so special. My only regret is that he didn't explore these jazz leanings in subsequent albums. This is also Bruce's best vocal on the disc.

"When The Sun Goes Nova" is the only track that one might say is weak. It is short and fairly listenable, with solo acoustic guitar, but the cornball lyric seems out of place with the mood of all the other tracks.

However, all is forgiven when "Deja Vu/Lightstorm" begins. Another stellar piece, this showcases the talent of the studio team he gathered for this effort, and returns the listener to the stark yet inspired tone of the disc. We shift from a daydreamy jazzy and ethereal feel, and then builds to a stormy fusion climax. It is breathtaking to hear.

The disc ends with the upbeat and reassuring ballad "God Bless the Children", which stands as one of the best, if not the best song he has ever written. For some reason this song needed to be at the end lest the listener take all of this too seriously. The listener is left smiling and reaching for many more plays.

Buy this disc.

If you liked this disc and this era of Bruce, may I also humbly suggest purchase of Sunwheel Dance and Sun, Salt and Time. All are worthy additions.

Exellent.......2000-04-22

This album brings in some very deep emotion. The songs "Islands in a black sky", "God bless the children", and "You don't have to play the horses" indicate a heartbroken, yet still hopeful perspective on a very real view of the world. That is what I dig so much about Cockburn, he is down, yet he doesn't give off futility. He offers hope and urgency to a world plagued by poison and famine. I feel his perspective is very correct in this day and age, Stuff is going down, it may not be in our back yard, but it's in somebody's and it is great that bruce is sending the message.

The best of Bruce's early 70s albums.......1999-10-07

The best of Bruce's work up until In the Falling Dark. He starts to move much more forcefully from pure folk to pop and rock influences than he did on Sunwheel Dance. Mama Just Wants to Barrelhouse is still a classic Bruce tune. The second half of the album doesn't measure up to the first, but this is still a nice effort.

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