New South [Import]
Track Listings
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1. Tough Guy Feat. Bun B
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2. Never Forget My Name
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3. Been Stoned Kids
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4. Aint No Love
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5. Phonecall
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6. Good Man
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7. Turn It Up
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8. My F.U. Song
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9. Big Ass Whiteboy
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10. Hush
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11. Without You
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12. Im A Beast
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13. Youre Not Like Us
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14. L Dont Lie Feat. Young Buck
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15. Rolling With Me
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16. Whiteboy
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17. Rowd Up
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18. Rest Of My Life
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19. No Hook
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20. Think Of Me Feat. Shortyo
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See all 21 tracks on this disc
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Editorial Reviews
Product Description
Initially known best for being a huge white-boy rapper from Tennessee, Haystak overcame his anomalous status with time as U.S hip hop listeners learned to cherish his sincerity. Unlike many of his Southern peers, Haystak didn't embrace materialism and greed; he rapped about his life as so-called "white trash," exploring the social dimensions of being white and underprivileged in the South. Following the success of fellow white-boy rappers Eminem and Bubba Sparxxx, Haystak found it easier to earn respect in an industry that had long frowned upon white rappers, particularly those from the country. The New South is a refreshing Re-Birth of down south rap, this is the new south and Haystak shows it on the cd which features Young Buck from G-Unit and Bun-B from U.G.K. Hardwax. 2005.
New South,Haystack,Central Station,Rap
Average customer rating:
- Stop Praising Israel & Praise God,
- Powerful
- Great CD!
- borrowed
- Very annointed
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Alive in South Africa
Israel & New Breed
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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| Christian & Gospel
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Similar Items:
- Live from Another Level
- An Invitation to Worship
- Hero
- New Season
- 20/85 The Experience
ASIN: B000B5QWN8
Release Date: 2005-10-25 |
Tracks:
- Intro
- Alive Overture
- Alive
- Favor Of The Lord
- Favor Of The Lord (Reprise)
- Turn Around
- Not Forgotten
- Not Forgotten (Reprise)
- Not Forgotten (Slow Version)/ He Knows My Name
- Take The Limits Off
- No Limits (Enlarge My Territory)
- Tudor Bismark (Speaking)
- It's Raining
- Surely
Tracks:
- Intro
- Still Standing
- I Will
- African Skies (Instrumental)
- You've Been A Friend
- To Worship You I Live (Away)
- Worship Medley
- Alpha And Omega
- Intro By Johnathan Butler
- Come And LEt Us Sing (Featuring Jonathan Butler)
- New Season
- Your Latter Will Be Greater
- You Are Good
- Again I Say Rejoice
- Friend Of God
- He Knows My Name (Bonus Cut)
- Not Forgotten (Radio Version-Bonus Cut)
Customer Reviews:
Stop Praising Israel & Praise God, .......2007-03-17
It seems to me that after each song especially the slow songs, that the Praisers in the pews, are praising More of Israel Houghton than thy are Jesus Christ...
But overall I do like the album,
Powerful.......2007-01-16
This is a powerful testament to the power of Christ. If you are in need of something uplifting, this is the CD for you. The DVD is even BETTER...
Great CD!.......2007-01-14
This CD arrived in brand new condition, still sealed in the factory package. Awesome service!!
borrowed.......2007-01-13
one of my co-workers had this CD and let me borrow it....of course i had to make myself a copy
Very annointed.......2006-12-27
A very annointed and wonderful CD! I play it quietly at work to keep praise in the atmosphere. I play it at home to just come to worship. I bought a copy for myself and one for a friend who said the same thing. If you are looking for something that will take you to the throne, this is it!
Average customer rating:
- great album
- non-purchase
- As Good As Always
- Impressive; 3 ½ Stars
- Awesome
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III
Joe Nichols
Manufacturer: Universal South
ProductGroup: Music
Binding: Audio CD
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- Doin' Somethin' Right
- Time Well Wasted
- Man with a Memory
- Your Man
- Real Fine Place
ASIN: B000B8I8MS
Release Date: 2005-10-25 |
Tracks:
- Size Matters (Someday)
- Freedom Feels Like Lonely
- Tequila Makes Her Clothes Fall Off
- Talk Me Out Of Tampa
- That's What Love'll Get You
- I'll Wait For You
- Should I Come Home (Or Should I Go Crazy)
- My Old Friend The Blues
- As Country As She Gets
- Honky Tonk Girl
- Just A Little More
Amazon.com
Though previous releases established Joe Nichols as a traditionalist of uncommon vocal subtlety and emotional depth, the featured tracks on III are comparatively lightweight. Both the album-opening "Size Matters" and the first single, "Tequila Makes Her Clothes Fall Off," attach suggestive titles to material that is more like playful hokum. The former stresses the importance of a big heart; the latter concerns a girl who gets innocently careless when she's out barroom dancing. (If Nichols isn't embarrassed to sing the lines "Them panty hose ain't gonna last too long/If the DJ puts Bon Jovi on," he should be.) Yet much of the rest of the album reinforces his stylistic strengths, with "Talk Me Out of Tampa" evoking the conversational phrasing of prime Merle Haggard, "Should I Come Home (Or Should I Go Crazy)" channeling the inspiration of retro George Jones, and "I'll Wait for You" wringing every last tear from a stone cold country weeper. As Patty Loveless did on Dreamin' My Dreams, which came out a month earlier, Nichols also covers Steve Earle's "My Old Friend the Blues," which appears on its way to becoming a contemporary country standard. --Don McLeese
Customer Reviews:
great album.......2007-06-23
what can I say, fantastic album, there's not a song that's boring, great country, rock and loves songs, absolutly a favorite of mine......can't wait for the new album
non-purchase.......2007-04-03
I did not purchase this item. I wanted to, but I did not get it.
As Good As Always.......2007-01-28
The new CD from Joe Nichols is fantastic. His music gets better with every CD. Tequila Makes Her Clothes Fall Off is very funny especially after watching the video for the song. Size Matters is another pretty good song. My favorite song on the CD is I'll Wait For You. This song is a tear jerker. It is about a man who can never make it on time to come home when he goes out of town. The last verse is the saddest. His wife passes away and he never makes it to the hospital in time to say goodbye but his wife writes him a letter and it says I'll Wait For You at the pearly gates but I will tell St. Peter I can't go in until my love gets here. WOW what a powerful song. Joe Nichol's should get more recognition than he gets. He is a powerful singer with a powerful voice. Should I Come Home (Or Should I Go Crazy) is another song that should be a single.
Joe Nichols is Good As Always!!!
Impressive; 3 ½ Stars.......2007-01-23
I'll be the very first to say that I'm NOT an avid country fan. I don't dislike country music in the least, but it isn't the genre of music that I run to the record store to buy the newest attraction. For me, I have an acquired taste when it comes to purchasing country CDs; I have select favorites. Recently, I've been trying to explore the music more because being a musician, I feel it is important to be well-rounded in as many genres as you can be. Personally, country has a few artists that draw my attention and even in some instances strike my fancy: Alan Jackson, Gretchen Wilson, Carrie Underwood (impressive enough new artist), The Dixie Chicks, Johnny Cash, Keith Urban, Tim McGraw, and now Joe Nichols joins the batch. Even with that said, a few standout singles impress me from time to time, particulary Billy Currington's catchy "Must Be Doing Something Right" or Johnny Cash's posthumously released single/video for "God's Gonna Cut You Down". Getting back to the person being reviewed, Joe may not be the most popular nor the most lauded country singer, but I think Joe has a lot of promise in the industry; his baritone vocals certainly resonate with me and he is good for a couple of strong country singles. His baritone is quite reminiscent (to me at least)of Alan Jackson. However, III isn't an Alan Jackson album in the least-- it is a Joe Nichols album.
The album starts out rambunctiously with the infectious, playful "Size Matters", which starts out with a country, twang sound, heightened via fiddles in the background. Sure, it has your typical country sound, but it is a strong, catchy track. The chorus resonates very well: "with a big ol' heart/ who can love her like nobody can/ big ol' kisses that go on and on and never end/ with a big ol' small that'll fill the world with laughter/ size matters/ size matters". You can't help but sing "Size Matters" to yourself, which is what makes it such a strong track. "Freedom Feels Like Lonely" is another strong track, though not as strong as single "Size Matters". The chord progression and song writing here are very tight and the production suits Nichol's baritone vocals perfectly. It is in the pocket, even if it doesn't quite live up to the greatness and the fun qualities of "Size Matters". It is a good, "it is, what it is number."
"Tequila Makes Her Clothes Fall Off" is the number that drove many buyers to Nichols's new album. It is definitely fun and sort of "raw" in a tasteful way. Most amazing may be Nichols's reference to "patron" in a country song! You'd expect to hear references to patron in a hip-hop/rap number, but a country track? That's innovation right there! One trend within III is that the best tracks tend to be the ones that are a bit riskier such as "Size Matters" and of course the rediculous, but credible "Tequila Makes Her Clothes Fall Off".
"Talk Me Out Of Tampa" is another strong track, though it is more low key compared to the risky "Size Matters" or "Tequila". It does however return Nichols to a tamer country sound with some pop sensibilites, well at least till the chorus exhibits all of Nichol's country chops. "That's What Love'll Get You" is a faster track, needed after the good, but slow "Talk Me Out Of Tampa". It isn't anything truly new or anything that we haven't heard from country singers in the past, but it is your typical country performance and it is above average.
What attracted me to III was a quick skip past Country Music Television's Top 20 Video Countdown. There I saw the excellent, yet underrated "I'll Wait For You". For me, "I'll Wait For You" is perhaps the most touching ballad I've heard for a while, country, pop, rock, reggae, or whatever it be. Nichols sounds fantastic here and the song makes you just want to burst into tears. I took the risk of buying the whole album because I loved "I'll Wait For You". Honestly, I wasn't the least bit disappointed either. "Should I Come Home (Or Should I Go Crazy)" is another straightfoward country number that doesn't wow me, but it is very catchy. The chorus is another that I enjoy to sing to myself and the vocal harmonies are very lovely. The production work is very strong as well and is simple enough that it truly highlights Nichol's deep baritone.
"My Old Friend The Blues" is another slow number, which starts out without drums and eventually adds them in. It is predictable, but Joe again sounds at his very best and he doesn't oversing the song. It is a number like this where you hear the "Alan Jackson" comparisons. The simplicity is what makes this number. "As Country as She Gets" is more rhythmic, but it is "Honky Tonk Girl" that revives the album for anybody who had doubts after the past few tracks preceeding it. Again, Nichols proves that his strongest material is he "riskier" numbers. "Just A Little More" ends the album with a very slow rhythmic feel. Again, the production is very simple with only traces of instruments adding to the feel occasionally. Nichol's subtle vocals again drive this number and it proves to pay off, even if it is predictable. It is a nice way to end a brief, but overall very strong album.
III is strong enough for me, but I do wish that it was a bit longer. I think that shorter albums are more consistent because there is less room for error (or filler), but 37 minutes maybe cutting it a bit too close. 45 minutes is more acceptable in my eyes. The positive thing is that III does feel complete enough and the extra 8-10 minutes may have hindered it as opposed to helped it. Sure, III isn't perfect, nor is it the best country album I've heard, but it is very good and it is a shame that just 500,000 country fans purchased it. But, Nichols I think has a promising future and if he keeps getting better and better he will hopefully one day get the recognition he deserves. 3 ½ Stars.
Awesome.......2007-01-10
Every country music fan should have this C.D. in their collection.
Once you see the tequila video you will see us hicks have a sense of humour too.
Average customer rating:
- Good but not classic
- Really dern good
- DBT at their finest...
- Thank God!
- top notch
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The Dirty South
Drive-By Truckers , and Drive By Truckers
Manufacturer: New West Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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| Alternative Rock
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- Decoration Day
- Southern Rock Opera (Dig)
- A Blessing And A Curse
- Pizza Deliverance
- Gangstabilly
ASIN: B0002E5OIW
Release Date: 2004-08-24 |
Tracks:
- Where The Devil Don't Stay
- Tornadoes
- The Day John Henry Died
- Putting People On The Moon
- Carl Perkins' Cadillac
- The Sands Of Iwo Jima
- Danko / Manuel
- The Boys From Alabama
- Cottonseed
- The Buford Stick
- Daddy's Cup
- Never Gonna Change
- Lookout Mountain
- Goddamn Lonely Love
Amazon.com
The Dirty South is the sixth album by Muscle Shoals, Alabama-based Drive-By Truckers. While previous Southern rock bands have celebrated certain regional mythologies, this quintet revels in the towering glory of small, gritty realities. They can kick up a righteous storm, as on the country lick-filled opener "Where the Devil Don't Stay," or the swamp and fuzzy "Lookout Mountain." However, within the latter is a daunting verse: "If I throw myself off Lookout Mountain, No more for my soul to keep, I wonder who will drive my car, I wonder if my Mom will weep." It's clear these guys deliver emotional wallops at every turn. "Carl Perkins' Cadillac" honors the honesty of Sam Phillips, while writhing in the melancholy of changing times and circumstances. --David Greenberger
Customer Reviews:
Good but not classic.......2007-05-18
I know that average reviews are not viewed as all that "helpful", but, like the previous reviewers from Indianapolis and Scotland, I thought I'd offer one anyway.
I went out and bought The Dirty South after I read the rave reviews on Amazon. From most of the reviews here, you would think that the Drive By Truckers rival the likes of Lynyrd Skynyrd, the Allman Brothers, and early ZZ Top. According to one reviewer, they are the "saviours of rock." IMO, that's going way too far. The DBT are probably more on par talent-wise with the VRoys (from the late 90s), the Old 97s, and the North Mississippi Allstars - all decent bands, all with a good deal of talent, but ultimately one Duane Allman or Billy Gibbons short (in other words, a long way away) from being the next great Southern rock band.
Still, the Dirty South is a pretty decent album. "Lookout Mountain", "Never Gonna Change" and "Where the Devil Don't Stay" showcase the DBT's driving, dense guitar sound. "The Day John Henry Died" and "Carl Perkins' Cadillac" show that the band can write good music to go along with their strong lyrics if they put their mind to it. And "Danko/Manuel" is a great, slow country song.
For me, the main problem with The Dirty South is when the band uses their music simply as background to their vocals, which is the case on nearly half the songs. Too few hooks or changes in tempo makes for a rather bland and repetitive listening experience after awhile. "Cottonseed" and "Daddy's Cup" are songs that do absolutely nothing for me because of this.
A decent album, yes. A classic? Far from it.
Really dern good.......2006-12-26
A logical progression from Decoration Day to A Blessing and a Curse, the lyrical content is actually stepped up a notch by all three of the fellas on this one. It's hard to point out a lousy song here, and there are a handful that are truly works of art. Patterson- always a favorite, but the Cooley tunes on this disc really knock me out.
If ya love the other 2 I mentioned, you'll love this one too.
DBT at their finest..........2006-12-21
I have a tendency to ramble on, so I'll just do a little breakdown of the album.
1. Where The Devil Don't Stay - 4/5
2. Tornadoes - 4/5
3. The Day John Henry Died - 4/5
4. Puttin' People On The Moon - 4/5
5. Carl Perkin's Cadillac - 4/5
6. The Sands Of Iwo Jima - 2/5
7. Danko / Manuel - 5/5
8. The Boys From Alabama - 4/5
9. Cottonseed - 3/5
10. The Buford Stick - 4/5
11. Daddy's Cup - 5/5
12. Never Gonna Change - 5/5
13. Lookout Mountain - 5/5
14. Goddamn Lonely Love - 5/5
All in all, this is a great album. The boys from Alabama don't disappoint...
Thank God!.......2006-08-29
And just when I thought rock'n'roll was dead. DBT really are the savers of rock, they're all we've got now, and The Dirty South is simply amazing. Hard, fast, real, and most importantly fun, The Dirty South is an album to just shove in the cd player, and not have a need to skip a track. The perfect highway companion.
top notch.......2006-08-01
the best band you've never heard of...my first taste of DBT - will certainly be going back for seconds, thirds,....
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
- Broadway: The American Musical
- Broadway: The American Musical
- Broadway - The American Musical (PBS Series)
- Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- L O G short review...
- great cd
- Very satisfied!
- Eclectic songs that are as sure to become as classic & influential as J.D. Crowe's seminal works
- Very Good Stuff!
|
Lefty's Old Guitar
J.D. Crowe & the New South
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Life in a Song
- More Behind the Picture Than the Wall
- Long List of Heartaches
- Blind Man Walking
- Slidin' Home
ASIN: B000FKO5E2
Release Date: 2006-10-10 |
Tracks:
- Mississippi River Raft
- Left's Old Guitar
- Just Loving You
- Rovin' Gambler
- In My Next Life
- You Can Be A Millionaire With Me
- I Only Wish You Knew
- Loneliness
- I'm A Hobo
- Too Often Left Alone
- Blue Bonnet Lane
- She Knows When You're On My Mind Again
Amazon.com
At the age of 69, J.D. Crowe enters his fifth decade of recording surveying the past and the present--and seeing nothing but pure bluegrass. Even when employing nonstandard instruments like pedal steel (played by Nashville genius Doug Jernigan) or breaking the rules of Scrugg-style banjo all over again, Crowe continues to draw on the sound and style that made the first New South album (Rounder 0044) a landmark. The low- and high-tenor blend of Rickey Wasson and Dwight McCall echoes the classic harmonies of Tony Rice and Ricky Skaggs, and the instrumental brilliance is always subordinate to good songs--contemporary in feel yet indebted to an honest, rural-based lyricism and durable, flexible old-time traditions. The band rocks through the public domain "Roving Gambler," jumps freights nimbly on "I'm a Hobo," and then subverts the myths on "In My Next Life," a devastating portrait of rural, working life and dreams. Cindy Walker's chestnut "Blue Bonnet Lane" is a showcase for McCall's sugary-smooth high lead singing and, of course, Crowe's wicked little banjo fills, while the title track, a highlight of New South live sets for years, is especially welcome. The album's only stumble is "You Can Be a Millionaire with Me," which makes an unfortunate equation between capital accumulation and soul salvation. Ultimately, music this rich doesn't need saving. --Roy Kasten
Customer Reviews:
L O G short review..........2007-04-07
Good stuff from JD and his band, now with acoustic bass. Also has some nice steel (Doug Jernigan) that bluegrass purists probably won't like but its only on two songs, deal with it. As usual, JD's backup work is exemplary and Ron Stewart plays nice fiddle. If you like semi-traditional bluegrass, you won't be disappointed with this CD. Erik The Pope recommends it!
great cd.......2007-02-08
This was for my husband,he thinks it is great.The performance of the music,the price,and on time delivery was great.
Very satisfied!.......2007-01-18
I heard only one cut on the radio & decided to take a chance on this CD - a gift purchase for someone who is very very much into this genre music. He said the CD was great & lent it to me. Bottom line: great addition to anyone's music collection....VERY happy with the purchase.
Eclectic songs that are as sure to become as classic & influential as J.D. Crowe's seminal works.......2006-12-30
Playing Time - 34:10 -- From Kentucky, J.D. Crowe began his career as a member of Mac Wiseman's band in 1955. Thus, "Lefty's Old Guitar" is also somewhat of a half century celebratory milestone for J.D. After an early stint with Jimmy Martin, he formed his own group in 1968, The Kentucky Mountain Boys (with Doyle Lawson and Red Allen). The New South first took the stage in 1974 with Tony Rice, Ricky Skaggs and Jerry Douglas. Abut 2002, Rounder Records re-released "My Home Ain't in the Hall of Fame" (the band's seminal 1978 album). Over the years, band alumni have included Keith Whitley, Jimmy Gaudreau, Paul Adkins, Wendy Miller, Gene Johnson (Diamond Rio), Tony King (Brooks and Dunn), and many others. In 1999, J.D. and The New South put out the album "Come on Down to My World," that introduced us to Dwight McCall's singing and mandolin playing. A year later, however, some of their bandmates left to form another stellar group, Wildfire. That 1999 album was the band's last studio album until "Lefty's Old Guitar" hit the mark.
Today, the award-winning banjo player's band is comprised of some masterful pickers and singers - Dwight McCall (mandolin, vocals), Rickey Wasson (guitar, vocals), Ron Stewart (fiddle), and Harold Nixon (bass). Crowe, of course, also typically sings a baritone harmony in choruses. Their vocal blends are resonant, full of joy or sung with pathos, when needed. For their highest, lonesomest sound, check out "She Knows When You're On My Mind Again," that lays in Cia Cherryholmes' high baritone harmony on the very top. While Wasson does most of the lead vocalizing on "Lefty's Old Guitar," McCall's sumptuous high voice belts out the verses' lyrics on his own self-penned "I Only Wish You Knew," Larry Sparks' "Just Loving You," and Cindy Walker's "Blue Bonnet Lane."
Their contemporary repertoire is arranged with shared breaks and crafty instrumental fills. "Lefty's Old Guitar" has been a long time, about seven years, in coming. I guess that the band and record label felt that the current personnel had now solidified into a very cohesive unit of impeccability. Crowe has always been astute about incorporating some country feeling into his music. Doug Jernigan's pedal steel on two cuts doesn't bother me, and I appreciate their not feeling a need to put drums or percussion into the mix. Other producers (usually Nashville-based) feel that `power' bluegrass music needs drums to present commercial, radio-friendly fare. J.D. Crowe proves that it just ain't so! One thing I did find missing from their successful formula, however, would be a hard-driving barnburner that really challenges the instrumental picking and bowing prowess of highly regarded award winners like Ronnie Stewart. However, the set still provides some eclectic ups and downs in tempos for songs that are as sure to become as classic and influential as some of J.D. Crowe's seminal works. (Joe Ross, staff writer, Bluegrass Now)
Very Good Stuff!.......2006-11-19
JD Crowe has struck gold with this CD! This CD sounds contemparary without sacrificing the traditional bluegrass sound. This CD contains great arrangements that fit bluegrass but leave the listner guessing at what may happen next. This is the best I have heard from Crowe since the Skaggs/Rice days. The song selections, vocals and instrumentations are as good as anything else current in bluegrass today. JD's banjo picking sounds very youthful and full of that great tone that has set him apart from other pickers of his generation for so many years. To me Scruggs, Crowe and Fleck are what define great banjo playing. Thanks JD for a great CD!
Average customer rating:
- We all love Lee Roy
- A Classic...
- Under-appreciated artist, great talent, great guy!
- Parnell's "Back to the Well" is an Oasis that Refreshes
- A True Gem from an underappreciated musician
|
Back to the Well
Lee Roy Parnell
Manufacturer: Universal South
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
| Styles
| Music
General
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| Country
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Similar Items:
- Tell the Truth
- This World We Live In
- Road Runner
- Hits and Highways Ahead
- We All Get Lucky Sometimes
ASIN: B000E1NWVO
Release Date: 2006-03-07 |
Tracks:
- Back To The Well
- Something Out Of Nothing
- Just Lucky That Way
- Old Soul
- Don't Water It Down
- Daddies And Daughters
- You Can't Lose 'Em All
- Breaking The Chain
- The Hunger
- That's All There Is
- Saving Grace
- Cool Breeze
Customer Reviews:
We all love Lee Roy.......2007-02-28
Thank the Lord, Lee Roy has gone back to the well. This effort is on a par with "Tell the Truth" and that says a lot.
A Classic..........2007-01-16
Here's one of the GREAT releases of 2006. Unfortunately, it will be missed by most. I had a rare opportunity to see Lee Roy Parnell perform at a small and intimate concert this past summer in Wimberley, Texas (warm Texas night, cold beer... priceless!). Standing close to the stage (dance floor), I was struck with the vast extent of this man's talent. He does it all... incredible guitar player; strong, soulful voice; beautiful and intelligent lyrics; stage presence; audience interaction; everything. I hadn't heard any of the tracks from "Back to the Well" before the concert, but immediately fell in love with all of them. "Something out of Nothing," "Just Lucky That Way," and "Saving Grace" are three of the best songs I've ever heard... beautiful. Buy this CD and play it over and over... Look Lee Roy up and see him in concert next time he's in town. He's the real thing.
Under-appreciated artist, great talent, great guy!.......2006-07-19
Last Saturday evening (July 15th 06), I had the opportunity to meet Lee Roy Parnell. I have been a huge fan for several years after being introduced to his music by a friend who was with me and able to meet him as well. The concert was in an out of the way place in Massanutten Ski Resort in Virginia and the turn out was low. I was tremendously dissappointed with the crowd in attendance. Although they were big fans of Lee Roy, they were quite lackadaisical and quiet. It was interesting that they cheered wildly for the local start up groups that were horrible (to say it kindly)... A very unsophisticated bunch. This is not to cast aspersions on Virginians (being one myself) but I was literally embarassed.
What made the 3 1/2 hour trip was when Lee Roy Parnell came on the stage. At the first note of his guitar I felt like I had found my place in musical mecca! I absolutely love his music. What I was about to find out though was that I really like him. He paid no mind to the small crowd (which had to be a failure of promotion by the resort) and just played his heart out. After the concert, he availed himself to anyone who wanted to meet him. I was up near the front of the line and, trying to be courteous, I tried to be fast as I got his autograph on his new CD - Back to the Well - and was surprised when he really wanted to talk. We discussed his group, especially his drummer, and discussed my name, Darcy, which he immediately recognized as Irish stock and mentioned that he had a cousin by that name. I was surprised at how he really reached out to my friend and I and every other attendee. He is a very personable guy possessed with great talent. I wish more people would listen to his music and get hooked as I have.
As far as "Back to the Well", I highly recommend that you listen to it along with his earlier, more well known music. He is a great guy and his music smokes!
Parnell's "Back to the Well" is an Oasis that Refreshes.......2006-04-11
Prime Cuts: Saving Grace, Old Soul, Daddies and Daughters
No one imbues their country with such an ineluctable funky blues like Lee Roy Parnell. Yet, Parnell still has the ability to stay commercially assessable. Signed to the most temerarious Universal South Records, whose roaster include gutsy left of center artists such as the Notorious Cherrybombs and Shooter Jennings, this is Parnell's second chance at a major label. After his substantial stint at Arista Records with a string of hits such as "What Kind of Fool Do You Think I Am," "On the Road" and "Love without Mercy," one would have expected Parnell to buy in to the Music Row hit-making machinery of recycling today's country hit songs. But, this Texas-bred musician has wisely chose to follow his blues-infested heart in creating one of his most honest and engaging records. On the other hand, Parnell has not given in to an over indulgence in his craft, making this record far too idiosyncratic. Rather there is a cadence that welcomes the uninitiated and given the right promotion, "Back to the Well" ought to appeal en masse.
Of note is the presence of Tony Arata's pen. Arata, whose songs has made it to the catalogs of Garth Brooks ("Anonymous"), Patty Loveless ("Handful of Dust") and Emmylou Harris ("I Hear a Call") among others, shares the same ink with Parnell on 6 stellar cuts. Best of which is "Old Soul," a bluesy lament about a lady who has come to grips with the negativity of life, finds its gravitas in Parnell's sensitive vocal nuances. Though Patty Loveless has delivered a tour de force version of "Old Soul" on her latest CD "Dreaming My Dreams," Parnell's own version does not pale to Loveless'. Despite Parnell's bearded tough guy disposition, he does get intimate on one of his best ballads "Daddies and Daughters" which also features the tender backing vocals of daughter Alison. Kicking up his heels with a thumping backbeat, "Something Out of Nothing" is another Arata/Parnell gem, this time finding Parnell rocking along a la his "Lucky Me, Lucky You" days.
Of the tracks untouched by Arata, "Saving Grace" is a stop-in-your-tracks love ballad with a celestial gospel-like overtone. On the more commercial side "Just Lucky That Way," finds a bewildered Parnell unable to decipher the complexities of love. While on "The Hunger" Parnell wades in the Bruce Springsteen territory complemented by Parnell's signature gruff yet searching vocals. Nevertheless, on the title cut, "Don't Water It Down" and "You Can't Lose Them All" are typical Parnell rockers with his signature searing jabs of electric slide and propulsive drum beats. They are all made for good listens, but they veer on the side of ordinary. Further, "Cool Breeze," the album closer, is a forgettable instrumental that has become a staple typical of a Parnell CD.
Overall, there's more on "Back to the Well" that satisfies than disappoints. In a genre where many country songs hinges upon cliches and what itches the ears of the audience, Parnell sings without any scaffolds. For those who have a low threshold in monotony, "Back to the Well," with its variety of styles, themes and tempos, ought to satiate. Indeed, in the desert of sound-alikes, "Back to the Well" is an oasis that refreshes.
A True Gem from an underappreciated musician.......2006-03-18
Quite simply, Lee Roy Parnell does not get nearly enough credit for the music that he makes. For years he has been putting out records featuring fantastically written, honest songs, impeccable slide guitar, and a voice that truly delivers.
Back to the Well might be the best overall album he has ever put out, from the funky open of the title track right through to the sweet and loving "saving grace" the album has something for everyone.
Looking for something inspiring, "Old Soul" fits the bill. Want an uptempo bluesy-rocker to hit the road with "Don't Water it Down" or "The Hunger" will fill your tank. Looking for a song to make the tough guys get a little teary eyed? check out "Daddies and Daughters" - with vocal help from his own daughter.
Lee Roy Parnell is back making great music and I for one am glad he is.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
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- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Life and Death On The Great White Way
- Fantastic!
- Well executed, entertaining, musical
- Eclectic Mix
- "Bye, bye love"....
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All That Jazz (1979 Film)
Ralph Burns
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
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Soundtracks
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Similar Items:
- Cabaret
- A Chorus Line
- Fosse
- Fame
- Chicago (Widescreen Edition)
ASIN: B000008115
Release Date: 2000-04-25 |
Tracks:
- Main Title (Instrumental) - Ralph Burns
- On Broadway - George Benson
- Michelle (Instrumental) - Ralph Burns
- Take Off With Us - Sandahl Bergman & Chorus
- Vivaldi Concert In G (Instrumental) - Ralph Burns
- Ponte Vecchio (Instrumental) - Ralph Burns
- Everything Old Is New Again - Peter Allen
- South Mt Sinai Parade (Instrumental) - Ralph Burns
- After You've Gone - Leland Palmer
- There'll Be Some Changes Made - Ann Reinking
- Who's Sorry Now - Chorus
- Some Of These Days - Erzsebet Foldi
- Going Home Now (Instrumental) - Ralph Burns
- Bye Bye Love - Ben Vereen & Roy Scheider
Album Description
1995 reissue of the soundtrack to director Bob Fosse's acclaimed 1979 musical co-starring Roy Scheider and Jessica Lange. Ralph Burns arranged & conducted all 14 tracks, whichinclude performances by George Benson, Sandahl Bergman and Ben Vereen with Scheider. A Spectrum/ Karussell release.
Album Details
Accompanying Music to the Critically Acclaimed, Oscar Winning (For Best Art Direction, Best Score and Best Costume Design) 1979 Musical which features Musical Performances by Roy Scheider and Ben Vereen and also Stars Jessica Lange and Johnathan Lithgow. Includes the George Benson Standard "On Broadway", plus a Piece of Vivaldi's "Concert in G" and More.
Customer Reviews:
Life and Death On The Great White Way.......2007-06-24
Bob Fosse's 1979 ALL THAT JAZZ is perhaps most famous for the extreme reaction it provokes: you either love it or you hate it. There is no middle ground.
Joe Gideon (Roy Scheider) is a celebrated stage and film director famous for creating dance numbers with a super sexy style--and truly chaotic professional and personal life. Even as he edits a film he has recently directed, he begins rehearsals for a new Broadway show. Even as he duels with his acidic show-biz ex-wife over the needs of their daughter, he cheats on his girl friend with any lovely chorus girl who wants to fall across his bed. He goes from crisis to crisis in a round of late nights fueled by nicotine, caffine, alcohol, and drugs--and he loves every ego-gratifying moment of it. What he does not love is the heart attack he has in the middle of it all.
What divides viewers is not so much the plot as the overall style of the film. Like Joe Gideon, Bob Fosse (1927-1987) was most famous for his musicals, which were often akin to beautiful but distinctly dark hallucinations of super-stylized motion showing lots of skin. With ALL THAT JAZZ, Fosse takes his unique, highly surrealistic musical style and combines it with the similarly surrealistic approach of such master directors as Fellini. The result is a film that shifts between past, present, and future with glittering musical numbers that leap from the mind of Gideon himself to make wry comment on his egocentric madness--and in which beautiful show girls become the personification of death.
As Joe Gideon, Roy Scheider (perhaps best known for his tough-cop role in THE FRENCH CONNECTION) truly gives the performance of his career; he is amazing in the role of the driven, egocentric director/choreographer who will stop at nothing to pursue his desires, professional or otherwise. The film also gives us two performers who rarely appear on screen: Leland Palmer as Gideon's ex-wife Audrey Paris (a role based on Gwen Verdon) and Ann Rhineking as Gideon's long-suffering dancer-girlfried Kate Jagger (a role, ironically, based on herself.) Both prove extremely memorable--as does Ben Vereen, a performer I do not usually like, appearing here in as the emcee of Gideon's final and most memorable hallucination.
The cinematography by Giuseppe Rotunno is sharp, clean, disquieting, and manages to convey the New York of the late 1970s in remarkable detail; the editing by Alan Heim (who also worked on such memorable films as NETWORK and STAR 80) is also memorable. Indeed, be it lighting, costumes, casting, or overall art design it is virtually impossible to fault the film at any level. Even so--ALL THAT JAZZ remains as likely to divide viewers today as it did in 1979. Movie musicals have changed a great deal over the past decade or so, but ALL THAT JAZZ remains a unique offering. You either get it or you don't; you either like it or you hate it.
There are at least two DVDs on the market. One is a no-frills edition with a good transfer; the other offers several bells and whistles that fans of the film will enjoy. Recommended in either version.
GFT, Amazon Reviewer
Fantastic!.......2007-06-18
A Fosse lovers must see. I was up for the main group of dancers for this movie oh so many years ago. I remember what I wore to the audition. We all showed up at the St. James theatre in NYC even though there was no audition notice in the trades and no announcement. I remember Fosse coming on the stage and laughing saying "how the hell did you all know about this...?" Well, word of mouth among the gypsies, that's how! He had already chosen his dancers but he liked to see what was around just in case. I was always called back and got to the last call back. Too bad right! Well the rest is history...get this dvd, it is a piece of history and a kind of dance, director, choreographer and discipline that no longer exists. SO sad!
Well executed, entertaining, musical.......2007-03-25
The film is appearantly a loose auto-biographical account of the film's director Bob Fosse (Cabaret, Chicago, Star 80). A scrutinizing look at obsession leading to self destruction and finally the transference of pain to others. The film has too many technical high points to mention. Choreography goes without mention and has been mimicked by modern artists, sometimes blatantly. The screenplay is complex enough to be interesting but remains in the realm of 'easily digestible.'
Eclectic Mix.......2007-02-24
Since I adore the movie, I can't help but love the soundtrack to All That Jazz. I'm not sure this CD would move every listener as it does me, but I see every scene as I listen and can't help but dance along now and then. Like the movie, this soundtrack is bittersweet and very raw in some places, cheeky and sentimental in others. For a Fosse junkie like me, it's a must have.
"Bye, bye love"...........2007-02-09
Loved the DVD and this CD is just as entertaining. George Benson oozes showmanship so much so that it comes across just listening. "On Broadway and Bye bye love" are the stand out's.
Average customer rating:
- Souls' Chapel
- If this isn't a revival then you're too far gone!
- excellent as always
- In the top 5 of cd of 2005
- Church-house rock and roll
|
Souls' Chapel
Marty Stuart
Manufacturer: Universal South
ProductGroup: Music
Binding: Audio CD
General
| Contemporary Country
| Country
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| Music
New Traditionalist
| Contemporary Country
| Country
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General
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| Country
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| Bluegrass
| Country
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| Bluegrass
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| Bluegrass
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| Christian & Gospel
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| Pop
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Similar Items:
- Badlands
- Live at the Ryman
- The Outsider
- The Pilgrim
- This One's Gonna Hurt You
ASIN: B000AA7I14
Release Date: 2005-08-30 |
Tracks:
- Somebody Saved Me
- Lord, Give Me Just A Little More Time
- Way Down
- Come Into The House Of The Lord
- The Gospel Story Of Noah's Ark
- I Can't Even Walk (Without You Holding My Hand)
- It's Time To Go Home
- The Unseen Hand
- There's A Rainbow (At The End Of Every Storm)
- Slow Train
- Move Along Train
- Souls' Chapel
Amazon.com
In the grand tradition of the late Roebuck "Pops" Staples--patriarch of the Staple Singers, whose influence permeates this project--Marty Stuart's selection of classic and original spirituals is also his bluesiest release to date. Stuart's guitar carries the familiar Delta sting of his native Mississippi, as the harmony-laden choruses soar toward heaven. A revival of Staples's "Somebody Saved Me" sets the album-opening tone, while a duet with Mavis Staples on her father's "Move Along Train" provides the climactic epiphany. The vocal support of bandmate Harry Stinson--a drummer known as one of Nashville's finest high harmony singers--and the bedrock B-3 organ of Barry Beckett contribute to the music's saving grace. On "Way Down," Stuart sets an inspirational lyric to an insistent guitar progression that blues fans will recognize as "Baby, Please Don't Go," while "I Can't Even Walk (Without Holding Your Hand)" sounds like a timeless country waltz. Even those who don't share the faith will find it tough to resist the power and emotional purity of this music. --Don McLeese
Customer Reviews:
Souls' Chapel.......2007-01-03
A great God centered collection by the shining stars of country music. This is the first religious CD I have ever purchased and I'm very pleased.
If this isn't a revival then you're too far gone!.......2006-01-10
This is easily one of the best albums of 2005 and, in my opinion, the greatest of Marty's Career. Even if you're not a fan of gospel music there is enough tone, taste, harmony, and all around superb musicianship here to keep this in heavy rotation. If you get a chance go see Marty and the Fabulous Superlatives live as they will rock and revive you both all in spectacular Superlatone! Thank God for Marty!
excellent as always.......2005-12-10
marty stuart is just brillant, this cd is very moveing.
"the unseen hand" is chilling
thank you marty!
In the top 5 of cd of 2005 .......2005-11-13
It's got it all cool tele's and Gretsch guitars,amazing harmonies, Great production and very very good songs and if you listen to the words the key to Eternal life JESUS!!!!!
Church-house rock and roll.......2005-11-07
Marty Stuart's new album -- the first on his own label -- is an audacious blend of gospel songs, earthy grooves, and gorgeous vocal harmony the four-time Grammy winner calls "church-house rock and roll." Featuring twin twangy guitars (played by Stuart and the vibey Kenny Vaughan) panned wide in the mix over a rhythm section of bare-bones bass, clickity-clack drums, and subliminal organ, Souls' Chapel has a rollicking, funky feel. That's not surprising: The songs were recorded live at Stuart's house with no baffles, endless overdubs, or neurotic Pro Tools tweaking. Soaked in amp tremolo and spring reverb, the intertwining guitars form the pillars of each song. The instrumental "Souls' Chapel" -- with its throbbing, palm-muted arpeggios, Memphis sliding sixths, burly low-string riffs, double-stop bends, and Curtis Mayfield-inspired hammers -- is a standout. Despite the album's religious lyrics, you needn't be a believer to grasp the 6-string magic oozing from every cut.
Average customer rating:
- A Revelation indeed
- Revelation-Joe Nichols
- Good album from a rising star.
- Easy Listening
- Joe Nichols
|
Revelation
Joe Nichols
Manufacturer: Universal South
ProductGroup: Music
Binding: Audio CD
General
| Contemporary Country
| Country
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New Traditionalist
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| Country
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| Blowout Music
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Similar Items:
- Man with a Memory
- III
- Traditional Christmas
- Nichols Joe
- The Early Years
ASIN: B0002A2W18
Release Date: 2004-06-29 |
Tracks:
- The Shade
- Singer In A Band
- Don't Ruin It For The Rest Of Us
- I Wish That Wasn't All
- If I Ever Get Her Back
- If Nobody Believed In You
- Farewell Party
- Things Like That (These Days)
- Revelation
- What's A Guy Gotta Do
- No Time To Cry
Amazon.com
Joe Nichols's acclaimed 2002 debut was refreshingly free of artifice, brimming with honest, straightforward songs that put him in a rare position. Few critics' darlings deliver commercial success, but Nichols confounded that equation by delivering hit singles, formidable album sales, and three Grammies. His sophomore effort (again produced by Brent Rowan) mixes jovial, breezy honky-tonk ("Don't Ruin It for the Rest of Us" and "What's A Guy Gotta Do") with smart oldies picks: Gene Watson's 1979 hit "Farewell Party" and the title track, an obscure 1972 Waylon Jennings album cut. Nichols's evocative tableaus continue with a winning rendition of Iris DeMent's poignant "No Time to Cry." Poignancy, however, must be handled with care. It packs an emotional wallop when used sparingly, as it does on "If Nobody Believed in You." But too many similar tunes--"Things Like That (These Days)," for example--erode the impact. Nichols earned the right to strike out in more ambitious directions, and while nothing here is below par, he needn't have played it quite this safe. --Rich Kienzle
Customer Reviews:
A Revelation indeed.......2007-05-22
I knew from his debut cd Man with a memory that Joe Nichols had a great Country voice and delivered both up beat songs and ballads with a traditional feel.
But on his 2nd album he uses his voice almost as a sheer instument of poignancy.
Songs like "The Shade", "Singer in a Band", "I wish that Wasn't all" "If Nobody Believed in You" "Things like That These Days" and especially "Farewell Party" "Revelation" and Most of All "No Time to Cry", Joe takes me in like very few singers could ever hope to do.
His voice sounds poetic on these tracks.
And of course he delivers great uptempo modern country with "Don't ruin it for the rest of us" and "What's a Guy Gotta Do".
Great follow up.
Revelation-Joe Nichols.......2007-01-27
The only redeeming song on this disc is track 10...What's A Guy Gotta do. It's fun, upbeat, and a great dance track. The rest of the songs are slow paced and depressing.
Good album from a rising star........2005-07-07
Joe Nichols burst on to the national scene with 2002's Man with A Memory, and although I liked the singles released from that CD ("Brokenheartsville", "She Only Smokes When She Drinks"), I didn't buy it. Even the first single from this album was not impressive enough ("If Nobody Believed In You") to make me buy it.
The next song to come out was "Whats A Guy Gotta Do". That is the third best song on the album, but what spurred me to buy it in the first place was the realization that the title tune "Revelation" was indeed a cover of one of my all-time favorite Waylon Jennings gospel songs. (although theeditorial review by amazon.com calls it "obscure", I've been listening to it all my life) Nichols gives an impressive voice tyo the lyrics and proves to make the song as haunting as Jennings version.
Nichols also does a very good version of the Gene Watson tune "Farewell Party". Being a classic country fan, I like cover songs when they are done well as (or sometimes better than) the well-known versions.
Also good on this album is "Don't Ruin It For The Rest Of Us", a great honky-tonk style song. About the only song I didn't like at all was "I Wish That Wasn't All". Overall I like Nichols as a singer, but a little less melancholy and more upbeat songs would have earned a 5 star rating.
Easy Listening.......2005-06-05
When I first listened to Joe Nichols' Revelations my overall feeling was that it was a little average. But, upon listening to it again I quickly changed my mind. The songs tell great stories and are easy to listen to; not to mention how relaxing Nichol's deep voice is. He sounds great on all the tracks and mixes up the mood with more upbeat songs like Don't Ruin it for the Rest of Us and What's a Guy Gotta Do? A great CD to have for the ride home from work or school to help wind down.
Joe Nichols.......2004-08-12
This is the new Joe Nichols. He started his revalation with the video "if nobody belived in you". It was a good video but a little chezzy. Joe is a very good singer and he is one of my favorates.
Rap Music:
- Night Vision [Explicit Lyrics]
- O.G. Ron C. Of Swishahouse Presents Southern's Finest [Explicit Lyrics]
- Phase 1: Earn Yo Keep [Explicit Lyrics]
- Planet Rock: Album
- Platinum & Gold Collection [Original recording remastered]
- Play It How It Go
- RAP TRACK VOLUME ONE HIP HOP MUSIC INSTRUMENTALS CD
- RAP TRACK VOLUME TWO HIP-HOP BEAT INSTRUMENTAL CDS
- Reality
- Scatterbrain
Rap Music
rap music
Recommended Music:
There's Only Now [Import]
Jordi-Lluis Rigol: Entre miralls
On a Mission
Music CD: Bailame, Vol. 2
Kiss in Ibiza '96 [Import]
La Reina de Las Bandas, Vol. 2
Lisa Sans Son Etoile [Import]
Mass [Import]
Process of Illumination [Import]
Mauro Giuliani Solo Guitar Music performed on 19th Century Guitar
Make Yourself
Koiwa Shuffle Beat [CD-single] [Import]
Feliz Navidad
Inspired Bach: Music to Enhance Your Spirit
Numero Deux