Life Death Love [Explicit Lyrics]

Track Listings

1. Life Death Love

2. Get Low

3. How Bout That

4. It's Ova

5. Southside

6. Turmoil

7. Learn From the Best

8. Questions

9. 6 Feet Deep

10. Simple Things

11. This is It

12. Love Letter

13. Who Is He

14. 13 Years

Editorial Reviews
Product Description
K.L.A.K. aka Jason Burgess, uses his life experiences on the streets of Houston as well as his military background in the U. S. Army in his new release, "Life Death Love". This 14 track CD features Tha Rifica, Mic D, Blackseed, K-Drama, Cory C-O-C, and many more.

Life Death Love,Klak,Nu Camp Entertainment,Pop,Rap,Rap & Hip-Hop

Average customer rating:

spiritual americana
Rich Heritage
Superb
Can't walk away from it!
Mana from Heaven

American Angels

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Gloryland
Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King
1000: A Mass for the End of Time / Anonymous 4
A Portrait Of Anonymous 4
The Origin of Fire: Music and Visions of Hildegard von Bingen

ASIN: B0001ADB4Q
Release Date: 2004-02-10

Tracks:

Holy Manna
Abbeville
Wondrous Love
Sweet Hour Of Prayer
Jewett
Dunlap's Creek
New Britain
The Morning Trumpet
Resignation
Poland
Wayfaring Stranger
Sweet By And By
Blooming Vale
Idumea (I)/Idumea (II)
Sweet Prospect
Shall We Gather At The River
Amanda
Invitation
Parting Hand
Angel Band

Amazon.com

This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert Levine

Customer Reviews:

spiritual americana.......2007-01-06

I have some of the older Anonymous 4 recordings which are more medieval
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!

Rich Heritage.......2006-10-11

Anonymous 4 consistently produces exquisite and authentically beautiful recordings and this one presents early American hymns in ways few groups can manage. Some tunes are highly recognizable while others are 'new' to me but a refreshing reminder of the singing heritage of religious societies in times past. For those who enjoy old hymns and authentic renderings, this is a must buy.

Superb .......2006-08-07

This collection of American Christian music is not only an enthralling musical experience but a spiritually uplifting one as well. Anonymous Four have transferred their luminous vocal quality to a new space with perfect success.

Can't walk away from it!.......2006-08-07

My only "complaint" about the CD is that I absolutely HAVE to sit and listen to the entire thing whenever I start it up! I usually have music playing in the background while doing other things, but not this one! There are no tracks that I find myself wanting to skip over as in most collections. In fact, I usually find myself going back and listening to selected tracks again (and again and...) after taking the hour+ to listen to the whole thing through once.

These four ladies produce a unique and remarkable sound. I can't recommend it enough.

Mana from Heaven.......2006-05-08

I think the title of this CD is perfect. I first heard an interview for this CD on Public Radio and fell in love. I had never heard Anonymous 4 before then but look for all I can find of their music now. The title is perfect as the women sound like Angels and the music lifts the spirit. I find myself singing the old version of Amazing Grace all the time now. Incredible and a huge blessing to all who hear it.

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Average customer rating:

Star Wars: A Musical Journey (2005) (V)
Not one of his bests, but very close
John Williams' finest work
A Great Conclusion to the Prequel Trilogy
Williams is slumming it

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack
Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack
Star Wars Trilogy
Star Wars: Episode VI - Return of the Jedi
Star Wars: Episode IV - A New Hope

ASIN: B000850IS6
Release Date: 2005-05-03

Tracks:

Star Wars and The Revenge Of The Sith
Anakin's Dream
Battle Of The Heroes
Anakin's Betrayal
General Grievous
Palpatine's Teachings
Grievous and the Droids
Padme's Ruminations
Anakin vs. Obi-Wan
Anakin's Dark Deeds
Enter Lord Vader
The Immolation Scene
Grievous Speaks to Lord Sidious
The Birth Of The Twins and Padme's Destiny
A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:

Star Wars Trilogy soundtrack box set
Star Wars Episode II sountrack
Star Wars Episode II, Attack of the Clones

Star Wars Episode I, The Phantom Menace
Star Wars Trilogy on DVD
Star Wars, Episode III - Revenge of the Sith

Customer Reviews:

Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.

Xena: Warrior Princess, Volume Six : Original Television Soundtrack

Average customer rating:

Great, but no prize
Xena;Warrior Princess volume six
Great Collection
Exceptional
A MIX OF THE BEST, THE WORST AND THE MISSING

Xena: Warrior Princess, Volume Six : Original Television Soundtrack

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Xena: Warrior Princess, Volume Four - Original Soundtrack
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Xena: Warrior Princess - Original Television Soundtrack, Volume Two

ASIN: B00005LMK2
Release Date: 2001-07-10

Tracks:

With the Angels
Battling Archangles
Go to Them
Body Snatch
Resistence
Gab's Trial
They're Coming
Back from the Dead
She'll Be Here
Callisto in Hell
Way of Pain
Kee Coming
End of Coming
Ring
Valhalla
On a Cow
Up the Rhein
Rhein Maidens
Out of Options
Kiss
Return of the Rheingold
Pas de Deux Femmes
You Will Dance

Tracks:

Sounds of War
To the Rising Sun
Sounds of Life and Death
Snow Falling on Cedars
Burning Higuchi
Die Demon
Reality of Dreams
Xena Vs. Yodishi
Return to Chin
Power of the Book
Secret of the Powder
Haulin' to the North
Mausoleum
It's Over
Love Is a Weapon
United in Love
Joxer the Mighty
Play's the Thing
Woman's a Natural Thing/Miss Known World
Day in the Life
Catching Fish
Up in the Trees
Things in Common
Down the Valley
Neighbor Lady
Smelling Mortality
Chasin' Chickens
Quill Is Mightier
Here Girl
Xena Main Title

Customer Reviews:

Great, but no prize.......2002-03-31

The selections from the Ring trilogy, Friends in need and Fallen Angel were excellent, however, some of the special request such as joxer the mighty, seemed a little bit rushed. Wasn't that song on Volume 2 already? Where was M'Lila's song from Destiny, or the music played During the first Kiss in "The Quest"
The cd has its good points, personally "It's Over" from "THAB" with its haunting melodies portraying the consequences of war.

Xena;Warrior Princess volume six.......2002-01-09

I am so happy that the last and final cd has come out, now my collection is complete. I am very sad for the show ending, but I am glad to still collect things.

Great Collection.......2001-12-25

Well, I have them all by now, but this last one is a great collection, with the added bonus of the music from A Friend In Need.
Just another fine addition to my Xena collection!

Exceptional.......2001-11-30

I am a fanatic and devoted Xenite.I have a huge problem:i can't stop listening to that cd,since the first time i listened to it,which means 1 month!That cd is really exceptional and i think that every true and genuine Xenite should buy it!It's really good!I was moved when i heard the Fallen Angel part.I was passioned when i heard the Ring Trilogy!I was astonishing when i heard the bonus cues that were included,especially the cue from The Quill Is Mightier(fishin part),oh,i was completely satisfied!
Though,there is a complain:i can't understand,why after 6 cd's,the producers don't do a cd including cues like:M'laila's song,the cues from the Bacchaen festival,music from Deja Vou All Over Again,where in the end,Gabrielle says to Xena those wonderful words,or even the scene of the kiss in The Quest!That,i can't understand it!
Last, i believe that whoever likes LoDuca's music style,should buy this cd.
Pay attention to the 22 cue:Pas De Deux Femmes.It is one of a something and whoever remembers what's the scene of this song,will agree with me!Mmmm!

A MIX OF THE BEST, THE WORST AND THE MISSING.......2001-11-29

To all truly Xena fans this CD is a must-have but have some lacks... Fun (comedy episodes music) scores destroy the the great combination of FALLEN ANGEL, THE RHEINGOLD TRILOGY AND I FRIEND IN NEED. In the first selections LoDuca creates spectacular high level music good enough to be played in a Symphony orchestra concert. The others selections have easy-to-fill-space western cowboy music instead of put M'Lilas song of DESTINY, Amazon's climbing trees of ADVENTURES IN THE SIN TRADE and NAJARA vs XENA music that would be gladly accepted by us. I doubt the company will launch a next CD but if they'll do this track and another valuable more must be there and the adittion of some famous characters quotes like "I have many skills" from Xena.

Come, Gentle Night: Music of Shakespeare's World

Average customer rating:

Ensemble Galilei's music is lilting, elegant and unexpected!
beautiful
Excellent!
It will bring about many gentle nights
Visualizing Beauty

Come, Gentle Night: Music of Shakespeare's World

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Similar Items:

From The Isles To The Courts
Shakespeare Songs
The Renaissance Album (Windham Hill)
Music In The Great Hall: Instrumental Music From The Ancient Celtic Lands
Songs and Dances from Shakespeare

ASIN: B0000478S3
Release Date: 2000-01-25

Tracks:

Mister Issac's Maggot, Chestnut (Dove's Vagary)
Woodycock
Death's Second Self
Jack's Health, Vale Of Years, Jack's Health Reel
Come, Gentile Night
Departe, Departe, The Cobbler's Hornpipe, Third Act Tune
But Let Them Go, Ladies, Sight No More
In A Garden So Green, Childgrove
Fire, Burn, and Cauldron Bubble
The Asp
Rumble Thy Bellyful
Pastime With Good Company, O Lusty May
Irish Lament
Joy To THe Person Of My Love
The Winter's Tale Set: Love's Winter Light, Apples In Winter, Drive The Cold Winter Away, Jenny Pluck Pears
Lilli Burleo
The Scottich Play Set: Life Is But A Walking Shadow, Mill, Mill O', Pawky Adam Glen
Heart's Ease, Now That The Spring, Gathering Peascods
No Longer Mourn For Me

Customer Reviews:

Ensemble Galilei's music is lilting, elegant and unexpected!.......2002-11-29

With their soulful playing and artful, sometimes even ephemeral arrangements, the six women of Ensemble Galilei convey a rare depth of emotion. In the insert notes, gamba player Carolyn Ann Surrick describes their creative process: "[In making this recording, we engaged in]...a kind of work that is so focused and intense that years can go by in one afternoon... Extraordinary music-making requires trust... [We] live for the times when the only thing that exists right then is the music--when the instruments are speaking as if we don't exist, and they are having their own conversation." Thank you, Ensemble Galilei, for allowing the rest of us the privilege of coming along for the ride! It's simply delectable. This chamber ensemble, featuring fiddle, harp, gamba, oboe, pipes and percussion, can also be heard on their other Telarc release, "From the Isles to the Courts", and "The Mystic and the Muse: Celebrating 600 Years of Women in Music", on the Dorian label.

beautiful.......2001-01-22

Sheer beauty, as a lover of English music I found this to be one of the most beautiful of all Shakespearean albums. Such harmony, such subtlety, one wishes that the gentle night will never stop.

Excellent!.......2001-01-04

Ensemble Galilei provide some excellent arrangements of English renaissance compositions. I believe that John Playford (English Dancing Master) fans will be particularly satisfied with the renditions presented here. It is very unfortunate that E.G. did not provide more arrangements from such early music sources. Some of E.G.'s own compositions seem very weak and not in the renaissance spirit of the rest of the CD. Nonetheless, this CD is highly recommmended.

It will bring about many gentle nights.......2000-11-22

I found this album to be solid. Very sweet, but not afraid to use percussion which makes it livelier and more fun. I adore the quiet, peacefulness of the music and the flawless execution of these renaissance songs.

Visualizing Beauty.......2000-08-20

I recently had the good fortune to direct a performance of King Lear--the ENTIRE five acts, in a community theatre, non-profit setting. I used twenty-four fully committed non-actors, who for the love of the ideas, participated in this performance. The first and main challenge that I faced was, how do I go "behind" the words, and invoke the right emotions, etc., to give these actors the range and tools needed for an effective, powerful performance? Critical to this performance was the beauty and brilliance of this recording, which I used throughout the various scenes of the play. This helped the performers tremendously, creating the different tapestries in the mind of the Bard. In short, this work is real genius, that I was so happy that I stumbled across. I am now putting in our performance programs, along with our most heart-felt thanks to E.G., the name of the recording and I have copies from Telarc to sell at each performance!

Average customer rating:

THE BEST OF BETTE!
One of Gerhardt's Best
Simply superb!
Priceless for all old movie fans

Classic Film Scores for Bette Davis

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Now Voyager: The Classic Film Scores of Max Steiner
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Captain from Castile: Music from Alfred Newman Film Scores

ASIN: B000003EM2
Release Date: 1991-07-01

Tracks:

Warner Brothers Fanfare/It Can't Be Wrong [From Now, Voyager] - National Philharmon
Blindness (Judith's Theme) /Winter/Resignation [From Dark Victory] - National Philharmon
Main Title [From A Stolen Life] - National Philharmon
Elizabeth [From the Private Lives of Elizabeth and Essex] - National Philharmon
Forsaken [From Mr. Skeffington] - National Philharmon
Main Title/Stanley and Roy/Finale [From in This Our Life] - National Philharmon
All About Eve
Main Title [From All About Eve] - National Philharmon
Waltz [From Jezebel] - National Philharmon
Main Title/Rosa Moline/Train, the/Rosa's Death [From Beyond the Forest] - National Philharmon
Carlotta [From Juarez] - National Philharmon
Main Title [From the Letter] - National Philharmon
Main Title/Henriette and the Children/Love Scene/Finale/End Cast [from - National Philharmon

Customer Reviews:

THE BEST OF BETTE!.......2003-11-23

For those who cherish those Bette Davis Golden Oldies as I do, you'll not want to be without this CD. All her most memorable film scores are here: Warner's fanfare introduces the exquisite "It Can't Be Wrong/Charlotte's Theme" from "Now, Voyager", Steiner's poignantly haunting score for "Dark Victory" the suitably regal score for "All About Eve" by Alfred Newman and the instantly recognizable theme for "A Stolen Life" - again by Max Steiner.

Korngold's score for "The Private Lives of Elizabeth and Essex" is fine as are the various scores for "Deception", "The Letter" and "All This, and Heaven Too" & "In This Our Life". When Davis made "Dark Victory" she was a bit "upstaged" by Max Steiner's score towards the final fade-out of the film. Judy Traherne ascends the staircase, says good-bye to Daffy and Don (her dogs) and quietly insists that her maid Martha leave her alone, undisturbed to die in peace: "beautifully and finely". During this shot, the angels are singing ethereally and Davis flung herself at director Edmund Goulding during reheasal and demanded: "Damn it, who's playing this scene? Max or me??" No fears. It worked. Beautifully.

One of Gerhardt's Best.......2002-07-26

This is one of the best albums from the classic film scores series conducted by Charles Gerhardt with the National Philharmonic Orchestra. Max Steiner composed most of the scores represented here. Max Steiner was one of the greats. My favorite cut is the "main title" from A STOLEN LIFE. This tune was uesd again in A SUMMER PLACE with Troy Donahue. Both films have their central settings in New England. This tune greatly captures the feeling of the land and sea and the people living on the New England coast. This is a lush and beatiful cd.

Simply superb!.......2002-01-14

This is one of about a half dozen or so recordings of classic film scores conducted by Mr. Charles Gerhardt, performed by the National Philharmonic Orchestra, and produced by Mr. George Korngold (Erich Wolfgang Korngold's younger son). These recordings were made in the 1970's, and with, perhaps, one exception, have yet to be equalled much less surpassed! Almost single handedly, they have shaped the film scores of today and made CDs of same a major profit center for the recording industry. Don't just buy this one; grab anything that has Mr. Gerhardt name on it!

Priceless for all old movie fans.......2000-03-13

I have had this album for years and was thrilled to find it is out in CD. This is a must have for anyone who loves old movies, especially movies of the '30's and '40's. The music is beautiful and fully orchestrated by the National Philharmonic. Each selection elicits all of the atmosphere and attendant feelings of the film for which it was written.

Sure on This Shining Night: 20th-Century Romantic Songs of America

Average customer rating:

A Spectrum of Romance in American Musical Composition
a rare gem of a CD

Sure on This Shining Night: 20th-Century Romantic Songs of America

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Songs from the Labyrinth (Music by John Dowland)

ASIN: B000002ZYW
Release Date: 1997-04-10

Tracks:

The Children
The Year's At The Spring
When Stars Are In The Quiet Skies
Orpheus With His Lute
Rose Marie
Ives
Song To The Witch Of The Cloisters
Sure On This Shining Night
Sigh No More, Ladies
Come Away, Death
On Hearing 'The Last Rose Of Summer'
Echo
If I Could Tell You
The Collection
The Lord's Prayer
Nature, The Gentlest Mother
The Tiger
Never More Will The Wind
Little Elegy
One Alone
Do Not Go, My Love
To A Stranger
When I Have Sung My Songs
These, My Ophelia
An Old Song Re-sung
Ah! Sweet Mystery Of Life
June Night
Triolet

Customer Reviews:

A Spectrum of Romance in American Musical Composition.......2006-01-15

Often American music is thought to be jaunty, combative, or tragic in content, especially when it comes to songs/lieder for the classical repertoire. This engaging CD takes umbrage with that misconception and in presenting some twenty-eight songs by various composers clearly identifies the romantic side of American composers.

Here are songs well known and not so well known by familiar and not so familiar composers, and in the hands of tenor Robert White and pianist Samuel Sanders they all come across as important. Included are rarities by composers such as Amy Beach, Theodor Chanler, Isabelle Firestone, Eric Ewazen, Albert Hay Malotte, Marc Marder, John Musto and Richard Hageman, with popular composers Rudolf Friml and Sigmund Romberg, along with the greats: Ives, Schuman, Hindemith, Barber, Thomson, Korngold, Copland. Rorem, Bolcom, Corigliano, and Griffes. It is a huge spectrum of work and while some are less successful than other, they all are given respectful and loving renditions by White and Sanders. It is great fun to hear Firestone's famous 'If I could tell you' that opened the Voice of Firestone for so many years along side Samuel Barber's gorgeous 'Sure on this shining night' and Aaron Copland's settings of Emily Dickinson's poems.

This a rare treat for connoisseurs of lieder and for lovers of beautiful songs. Recommended. Grady Harp, January 06

a rare gem of a CD.......2002-07-08

Sure On This Shining Night is not my usual musical cup of tea...yet, it has become one of my favorite CDs. This collection of American Romantic songs has burrowed its way into my heart.

There is a universality to the longing involved in Romanticism. These songs capture this feeling perfectly. From the first song to the last, these songs do one thing perfectly: evoke an emotional response.

This is due in no short measure to the wonderful performance Robert White gives. Rather than being merely technically accurate, White actually gives each of these songs a life of their own. He achieves this effect by getting inside not only the words, but the feelings involved.

Some of the highlights for me are: the lovely and memorable "Rose Marie," Ewazen's setting of Blake's "The Tiger," a moving version of "The Lord's Prayer" and the haunting "Never More Will the Wind."

Samuel Sanders is a worthy musical companion to White. His playing is reciprocally lovely and introspective. The notes are extensive and informative as well.

Tracks:

Linden Lea
O My Deir Hert
Epitaph For Amy
Searching For Lambs
The Lawyer
The Prism Of Life
Love For Love
The Sky Above The Roof
Three Sonnets Of Cecil Day Lewis: For Infants, Time Is Like A Humming Shell
Three Sonnets Of Cecil Day Lewis: Our Youth-Time Passes Down A Colonnade
Three Sonnets Of Cecil Day Lewis: To Travel Like A Bird
How Can The Tree But Wither?
Ten Blake Songs: Infant Joy
Ten Blake Songs: A Poison Tree
The Piper
London
The Lamb
The Shepherd
Ah! Sunflower
Cruelty Has A Human Heart
The Divine Image
Eternity
Full Moon
Sleep
Elegy On The Death Of Cock Robin
My Own Country

Average customer rating:

Beautiful music.
5 stars for performance, 4 stars due to omissions
"Hammer & Silva...raises the hair on the back of your neck"

Hammer the Studio That Dripped Blood
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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House of Frankenstein
The Hammer Studio Frankenstein Film Music Collection

ASIN: B000063IUP
Release Date: 2002-04-09

Tracks:

Main Theme/Inside Castle Darcula/Lure Of The Vampire Women/Dracula's Rage/The Kiss Of The Living Dead (Dracula)
Funeral In Carpethia/Finale: Confrontation & Climax/The Fall Of Dracula (Dracula Prince Of Darkness)
Love Theme (The Scars Of Dracula)
Finale/Dracula And The Crucifix (Dracula Has Risen From The Grave)
The Blood Of Dracula (Taste The Blood Of Dracula)
Romance: The Young Lovers/Shadow Of The Tomb (Taste The Blood Of Dracula)
Ride To The Ruined Church/Romance At Dusk (Taste The Blood Of Dracula)
Dracula Triumphant/Pursuit/Death Of Lucy (Taste The Blood Of Dracula)
The Victory Of Love (Taste The Blood Of Dracula)
Christina (Frankenstein Created Woman)
The Power Of Evil (The Devil Rides Out)
Invocation To The Devil/Dance Frenzy (The Devil Rides Out)
Awakening And Absolution (The Devil Rides Out)
Vampire Rhapsody (Kiss Of The Vampire)

Tracks:

Cosmic Sequence/Tumak Meets Luana/In The Domain Of The Shell People/Eruption Of The Volcano (One Million Years B.C.) - Mario Nascimbene
Main Theme/Storm Over The Sea (When Dinasours Ruled The Earth) - Mario Nascimbene
Life Of The Tribe/Finale (Creatures The World Forgot) - Mario Nascimbene
The Tomb/The Desert (The Curse Of The Mummy's Tomb) - Carlo Martelli
Ayesha - She Who Must Be Obeyed (She)
Bedouin Attack & Desert Quest (She)
In The Kingdom Of She - Processional/The Cruelty Of She (She)
The Eternal Flame And The Destruction Of She (She)
Main Title (The Abominable Snowman) - Humphrey Searle
Defeat Of The Aliens/Finale (Quatermass II)
Main Titles/Anna's Theme - Christopher Gunning
Prologue (Vampire Circus) - David Whitaker
Main Themes (The Vampire Hunter) - Jamed Bernard
Pastorale/The Werewolf At Bay/Aptheosis (Curse Of The Werewolf) - Benjamin Frankel

Customer Reviews:

Beautiful music........2007-01-10

I sat back with the lights dimmed and a cup of hot coffee and enjoyed the beautiful haunting music of years gone by. Memories abound.

5 stars for performance, 4 stars due to omissions.......2006-08-29

Why doesn't this get a perfect five stars?

Simple reason.

The producers at Silva, for wahtever reason, decided to cut down their SHE suites and Hands of the Ripper suites.

On the previous Hammer releases, "Draculas - Classic Horror Films", released in 1993, recorded in 1989, they had seven additional minutes of "Hands of the Ripper" that could have been included on this set.

Additionally, The Devil Rides Out: Film Music of James Bernard, released in 1997, recorded in 1995 and 1996 had about a minute more of additional music from SHE, PLUS about seven minutes worth of suites from Quatermass and X: The Unknown.

Both discs in this new re-issue round out at around 68 minutes, so there was room for some of these omissions.

Silva Screen gets big kudos for a reissuing these recordeings in the remastered HDCD format, but I don't understand these omissions. In fact, one of the tracks included, "Vampire Hunter" isn't even from a Hammer film, and its the only recording on this collection not on previous Silva CD's.

Again, 5 stars for the performances, the 1989 performances with Neil Richardson and the Philharmonia are fantastic. (Dracula, Dracula: Prince of Darkness, Dracula Has Risen From The Grave, Taste the Blood of Dracula, Hands of the Ripper, Vampire Circus.)

Additionally, The Westminster Philharmonic under the baton of Kenneth Alwyn do an excellent job as usual (Kiss of the Vampire, Curse of the Mummy's Tomb, She, THe Abominable Snowman, Quatermass II and Curse of the Werewolf.) Finally, the City of Prague Philharmonic, who get a bad rap more often than they deserve round out hte album and IMHO, deliver the goods, under the trusty batons of Paul Bateman (Scars of Dracula, Frankenstein Created Woman, additionally, Bateman also plays the piano solo on Kiss of the Vampire.) and Nic Raine (The Devil Rides Out, One Million Years BC, When Dinosuars Ruled the Earth, Creatures The World Forgot, The Vampire Hunter)

I'd give it 4.5 stars if I could.

Much thanks to producers David Wishart, Eric Tomlinson and James Fitzpatrick and recording engineers Mike Ross-Trevor, John Luard Timperley and Jan Holzner for contributing to these fine historical film music recordings.

"Hammer & Silva...raises the hair on the back of your neck".......2002-04-09

Silva Screen takes us on tour through the castles of Transylvania with a collection of
outstanding scores from James Bernard on Disc One ~ "DRACULA" (1958)..."KISS OF
THE VAMPIRE" (1964)..."DRACULA PRINCE OF DARKNESS"
(1966)..."FRANKENSTEIN CREATED WOMAN" (1967)..."THE DEVIL RIDES OUT"
(1968)..."DRACULA HAS RISEN FROM THE GRAVE" (1968)..."THE SCARS OF
DRACULA" (1970)..."TASTE THE BLOOD OF DRACULA" (1970)...even though the
blood doesn't flow as easily in "KISS OF THE VAMPIRE", the score from Bernard is
seductive, sensual to say the least for "creatures of the night", masked ball scene blends
atmospheric trance-masquerade themes, intoxicating main title is hauntingly mesmerizing with
"VAMPIRE RHAPSODY", just listen to the piano solo from our character in the film Carl
Ravna (Barry Warren), son of Dr. Ravna (Noel Willman) along with daughter Sabena Ravna
(Jacqueline Wallis), a cult of vampires in early 20th century Bavarian, praying on a young
honeymoon couple...Bernard's rhapsody captures the listeners heart and BLOOD!

Let's look at Disc Two with the other Hammer themes and their composers ~ "THE
ABOMINABLE SNOWMAN" (1957-Humphrey Searle)..."QUATERMASS II"
(1957-James Bernard)..."CURSE OF THE WEREWOLF" (1960-Benjamin
Frankel)..."CURSE OF THE MUMMY'S TOMB" (1964-Carlo Martelli)..."SHE"
(1965-James Bernard)..."ONE MILLION YEARS B.C." (1966-Mario
Nascimbene)..."WHEN DINOSAURS RULED THE EARTH" (1969-Mario
Nascimbene)..."HANDS OF THE RIPPER" (1971-Christopher Gunning)..."VAMPIRE
CIRCUS" (1971-David Whitaker)..."VAMPIRE HUNTER" (2000-James
Bernard)...difficult as it may be, there is a stand out ~ "THE CURSE OF THE
WEREWOLF", fine direction from Terence Fisher (director) with an outstanding cast Oliver
Reed (Leon-the Werewolf), Clifford Evans (Alfredo), Yvonne Romain (Servant Girl) and
Catherine Feller (Christina), Hammer's departure from the old stereotype of the beast is
refreshing, Reed's performance as the tormented sole, from man to wolf is touching, the score
by Ben Frankel is tense building at it's best, to say the least, setting the tone and mood for the
transformation with counterpoints is stimulating, inclusive orchestration development for what
lies ahead during a full moon.

Without a doubt the highlight pick hands down is "SHE", composer James Bernard gives of
himself without question, the SUITE takes the orchestra into lilting melodic exercises with
percussion chiming in, the harmonies are hypnotic blends of textured fabric, listen as The
Westminster Philharmonic Orchestra conducted by Kenneth Alwyn display stirring strings and
a solo harp run the scales in "THE ETERNAL FLAME AND THE DESTRUCTION OF
SHE", hold-fast arrangement has haunting echoes of Bernard's constant theme, with a final
beat from a drum in the percussion section.

Must make mention the cast of players that made this possible ~ The Philharmonia Orchestra,
The City Of Prague Philharmonic Orchestra, The Westminster Philharmonic Orchestra ~ and
their various conductors Kenneth Alwyn, Paul Bateman, Nic Raine and Neil
Richardson...supported by the illustrious staff from Silva Screen Records LTD ~ Reynold da
Silva (executive producer), David Stoner (associate producer), Gareth Williams (Dolby
Surround/HDCD Mastering) and of course James Fitzpatrick (compilation producer), who
has the knack of developing quality in every Silva Screen release...similar to "A History Of
Horror:From Nosferatu To The Sixth Sense" (SSD-1111/2CD Set), guaranteed to raise the
hair on the back of your neck!

Tracks:

The Student Prince: Ser: Overhead The Moon Is Beaming - Richard Crooks/Lewis James
Ah, Sweet Mystery Of Life
The Song Of Songs
When You're Away
Rio Rita
Only A Rose
Because
I Bring A Love Song - Richard Crooks/Edna Kellogg
Vienna, City Of My Dreams
Only My Song
Gipsy Moon
Macushla
Smilin' Through
If I Should Send A Rose To You
The Holy City - Richard Crooks/Herbert Dawson
Songs My Mother Taught Me - Richard Crooks/Frederick Schauwecker
Beautiful Dreamer - Richard Crooks/Frank La Forge
Oh, Susannah! - Richard Crooks/The Balladeers Male Qt/Frank La Forge/Ralph Colicchio
Ah, May The Red Rose Live Alway - Richard Crooks/Frank La Forge
Jeanie With The Light Brown Hair - Richard Crooks/Frank La Forge
Ser - Richard Crooks/Frederick Schauwecker
Be Thou Faithful Unto Death

Customer Reviews:

A truly awesome voice!.......2000-06-02

"A Richard Crooks Serenade" is a marvelous sampling of one of the greatest singers America had produced in the 30's and 40's. One gets to witness that honey Crooks sound in such classics as Ah, "Sweet Mystery of Life" (catch that magnificent High C at the end), "Macushla", the three Stephen Foster songs, and "If I should Send a Rose to You" (sort of Crook's theme song). This entire CD is a gem, but some REAL standouts are "The Holy City", "Because", "Be Thou Faithful Unto Death" (from the seldom performed St Paul by Mendelssohn). "Be Thou Faithful" will literally tug at your heartstrings. The "Serenade" from The Student Prince is a masterpiece of fine singing (Crooks, by the way, was Romberg's original choice for the lead role in this operetta). Crooks' voice literally pours out in this recording of "Serenade", culminating in two excellently placed High C's (the only real serious competition to Crooks on this song, in my opinion, is the great Mario Lanza). Crooks was one of the primo American Tenors of the 30's/40's era, displaying a technique and style that was unmatched, and after examining this CD, one will surely understand why. By all means, treat yourself to this recording and see what truly great singing is all about.

What a fabulous Tenor!!!!!.......2000-05-24

If one has not had the oportunity of hearing the great voice of Richard Crooks, they have really missed out. Richard Crooks possessed an intense lyricism that is unmatched today. Crooks' "Serenade" from The Student Prince is sheer perfection (singing it in the original key, not lowered a whole step, like most Tenors), culminating on two very vibrant High C's. It is interesting to note that Crooks was Romberg's original choice for the role of Karl Franz (the lead) in the Student Prince, but, due to opera commitments, was unable to debut the role. This is a performance rivaled only by the great Mario Lanza. Other musical highlights on this CD are "Macushla", "Song of Songs", "The Holy City", and "Ah Sweet Mystery of Life". "Ah May the Red Rose live Alway" is sure to bring a tear to one's eye. A nuance on "Ah Sweey Mystery of Life" finds Crooks soaring up to a High C at the end (a feat one finds no other Tenor attempting on any other recording) and with Crooks, it works well. Crooks' "Because" is the standard by which all others are measured. One of the real finds on this disk is Crooks' "Be Thou Faithful unto Death" from the rarely performed "Paul" by Felix Mendelssohn. What heartfelt singing this truly is. Crooks genuinely excelled in this music and one simply MUST purchase this CD to listen to a true master. So if one is not that familiar with the incomparable voice of Richard Crooks, treat yourself and puchase this recording now! This collection is pure enjoyment from the Student Prince "Serenade" to the final selection "Be Thou Faithful unto Death". A real gem.

Les Miserables - The Complete Symphonic Recording

Average customer rating:

Great, definitely go with this and TAC
Awesome
Bought it used - thank God!
magnificent!
Mixed Feelings

Les Miserables - The Complete Symphonic Recording
Claude-Michel Schonberg
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

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Les Miserables (1987 Original Broadway Cast)

ASIN: B000003BVK
Release Date: 1990-05-22

Tracks:

Prologue
Valjean's Soliloquy (What Have I Done?)
At The End Of The Day
I Dreamed A Dream
Lovely Ladies
Fantine's Arrest
The Runaway Cart
Who Am I?-The Trial
Fantine's Death
The Confrontation
Castle On A Cloud
Master Of The House

Tracks:

The Bargain-The Waltz Of Treachery
Look Down
The Robbery-Javert's Intervention (Another Brawl)
Stars
Eponine's Errand
The ABC Cafe-Red And Black
Do You Hear The People Sing?
Rue Plumet-In My LIfe
A Heart Full Of Love
The Attack On Rue Plumet
One Day More!
At The Barricade (Upon These Stones)
On My Own
Building The Barricade
Javert's Arrival
Little People
A Little Fall Of Rain
Night Of Anguish
First Attack

Tracks:

Drink With Me
Bring Him Home
Dawn Of Anguish
The Second Attack (Death Of Gavroche)
The Final Battle
The Sewers-Dog Eats Dog
Javert's Suicide
Turning
Empty Chairs At Empty Tables
Every Day (Marius And Cosette)
Valjean's Confession
The Wedding Chorale- Beggars At The Feast
Epilogue (Finale)
Bonus Track

Customer Reviews:

Great, definitely go with this and TAC.......2005-08-31

Right now, there are four official English-language versions of Les Miserables: the Original London Cast Recording, the Original Broadway Cast Recording, the Complete Symphonic Recording, and the 10th Anniversary Concert Recording. Les Mis' addicts are best served by purchasing all recordings, as they showcase different stages (as in the OLC and the OBC) of the development of this mega-musical, as well as the interesting variations in presentation and performances by the different casts and orchestras.

If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.

Awesome.......2005-07-03

I can't believe all the negative comments about Gary Morris. He is so much better in the role than Colm Wilkinson. I've seen Gary perform the part three times and there is NO better Jean ValJean (seen the play 14 times). It's an international cast and some of the accents do take time getting used to. But the power of the music supercedes it all. Listen with your heart people. It's so incredible.

Bought it used - thank God!.......2005-06-17

"Les Miserables" is a marvelous musical; a stunningly faithful interpretation of Victor Hugo's masterpiece, with an inspiring storyline and unforgettable characters. There are 2 reasons for buying a Les Mis CD - (1) you've seen a performance and want ONE CD to remind you of it or (2) you've become a les Mis junkie (like me) and want multiple versions so you too can hold forth on the rival merits of Andy Warlow vs Michael Maguire, Patty LuPone vs Ruthie Henshaw, Frances Ruffelle vs Kaho Shimada vs Lea Solonga. If you are in the first category, you really want the Tenth Anniversary Concert. The TAC has the complete storyline (albeit slightly abridged), it was recorded live (so there's an unique intensity and chemistry between performers), and from top to bottom it has by far the best cast.

However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.

I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)

magnificent!.......2005-06-15

Ok, I admit it. I have long been a fan of musicals, but I was only exposed to Les Mis a few months ago. My roommate loaned me this recording, and I fell in love. I played nothing but this soundtrack for the next several weeks.

As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.

*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.

*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.

*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.

*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.

*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.

*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.

*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).

*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!

Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!

Mixed Feelings.......2005-04-20

I bought this recently, and it was an object lesson in why I ought to research an item before purchasing it.

For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)

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