Sex and Violence [Explicit Lyrics]

Track Listings

1. Original Way

2. Duck Down

3. Drug Dealer

4. Like a Throttle

5. Build and Destroy

6. Ruff Ruff - Boogie Down Productions, Freddie Foxxx

7. 13 and Good

8. Poisonous Products

9. Questions and Answers

10. Say Gal

11. We in There

12. Sex and Violence

13. How Not to Get Jerked

14. Who Are the Pimps?

15. Real Holy Place

Sex and Violence,Boogie Down Productions,Jive,East Coast Rap,Golden Age,Hardcore Rap,Hip-Hop,Political Rap,Pop,Rap,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues

Average customer rating:

A rocking joy.
It's Been Emotional
eh....
Surprise, surpise...oh, another surprise..
Pure Rock and Roll

Language. Sex. Violence. Other?
Stereophonics
Manufacturer: V2 Ada
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Britpop | British Alternative | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music
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Live from Dakota
Employment
Final Straw
Eyes Open
Sam's Town

ASIN: B0007OTWQW
Release Date: 2005-03-29

Tracks:

Superman
Doorman
Brother
Devil
Dakota
Rewind
Pedalpusher
Girl
Lolita
Deadhead
Feel

Amazon.com

Stereophonics' fifth album will inevitably provide more material for the band's critics, if only for the fact its title has clearly been rather lazily inspired from the back of a rental video case. The music within, however, is anything but laid-back: the employment of Argentinean drummer Javier Weyler, who replaces founding member Stuart Cable, sees the band venturing further along the hard-rock path that spawned previous denim-and-leather-clad tracks like "Moviestar". The first three tracks find frontman Kelly Jones is in downbeat mood, his vocals drawled and insouciant, and his lyrics distinctly sour--take the raging "Doorman", where he rails against some faceless bouncer with surprising and rather paranoid ferocity: "You like nothing more than to break my face/ You like to throw me out on the street!". Things sweeten towards the album's middle, providing two of the album's stand-out tracks: the chiming, electronic-tinged "Dakota" is a light, buoyant anthem that deserves to be a hit, while "Rewind" is a reflective moment that pricks memories of mid-period U2. But on the whole, Language. Sex. Violence. Other? isn't an album out to win new fans - it's an album that caters to the Stereophonics' rock faithful, and it's them who'll really dig it. --Louis Pattison

Customer Reviews:

A rocking joy........2006-08-09

There's some great stuff on this. Some of it's a little poppy, like Dakota, but for all out ball crunching rock, take a listen to Deadhead or Devil - Devil's just superb. Thought the band was heading down a more bluesy road until I heard this album. Terrific stuff.

It's Been Emotional.......2006-03-13

On paper it doesn't bode well. Stuart Cable, the arse-bearing gonzoid party fiend who acted as the sole respite from the po-faced demeanour of the Stereophonics, was given the boot at the tail-end of fourth album You Gotta Go There To Come Back's promotional duties. The trio of Cable, drummer Richard Jones and commanding officer Kelly Jones had built up a massive UK following since humble Welsh beginnings in the 1990s, however it was only Cable's effervescent personality that made the group interesting music magazine fodder. While their albums - mighty debut Word Gets Around, Performance And Cocktails, Just Enough Education To Perform and You Gotta Go There To Come Back - sold like proverbial hotcakes in the UK (just like their Australian equivalent Powderfinger), it didn't always mean that their music sounded inspired or progressive (just like their Australian equivalent Powderfinger). Without joker Cable to fluff about unconventionally during recording, Kelly Jones - the pint-sized dictator of the Cwmaman group - has apparently now seized total control of Stereophonics, with the resulting Language. Sex. Volence. Other? being a new beast entirely. From the sneery opening sound of Superman (with its `You don't know what it's like' refrain baiting the media in a similar manner to former single Mr Writer), Jones takes his vocals to a higher plane than earlier works, with his guitar dipping into equal parts funk and fuzz. Such is Kelly's change in song delivery that on Brother - almost certainly a flimsily hidden diss directed at former pal Cable - his singing will surely have even long-time Stereophonics fans raising eyebrows in surprise. There's still the required tally of songs detailing birds, pubs and humdrum lifestyles, but Language. Sex. Violence. Other? finds tracks such as Dakota and Deadhead registering as their finest work since 1997's Local Boy In The Photograph saw them explode onto the international scene. When Kelly quotes Lock, Stock And Two Smoking Barrels' Big Chris in the sleeve note thank yous with the departing line `It's been emotional', odds are you'll believe him.

eh...........2006-02-27

This album is just average. I don't feel there are any strong track on this album. I think this group has a very generic sound.

Surprise, surpise...oh, another surprise.........2006-01-11

I am one of the many who bought and loved this band's first lp then kind of let this band slip away. 'Local boy' was the epitome of a heartfelt, irresistable pop song but then nothing really jumped out.
I read a few interesting reviews of this new lp, so when I saw it in a second hand shop at a delicious price, I ventured forth with the moolah. I was half expecting another journo-cashola pay off hype where's the tunes type situation and a return trip to the store with tail between legs.

Nope! This is a stunning return to form. Some blistering songs, swaggering riffs, great meaty production, enough to mobilize some air guitar when the wife's not looking and a couple of beautiful songs too.

The likes of 'Doorman', 'Devil' and 'Girl' make your toe tap and the hips gyrate whilst 'Lolita' and 'Feel' are just gorgeous summer songs. Then there's the chirpy 'Dakota' with its slamming chorus to round it off.

Hope they do a US club tour because this set plus a few oldies will be one goood night out. Can't wait to hear what they do next.

Pure Rock and Roll.......2006-01-08

This is the album that I've been waiting and looking for. Amazing. There really isn't a better word to describe it. This is pure rock and roll at its best. I'm a huge fan of Brit rock to begin with, and Stereophonics are a perfect modle of how great Brit rock should sound. I got turned on to these guys from the Wicker Park soundtrack where I heard their song "Maybe Tomorrow", which made me go out and buy their album You Got to Go There to Come Back. That album itself I found incredible, which made me want to hear how they had evolved as a band; henceforth, I went out and bought Language. This is a totally different sound than the aforementioned album, but one to be embraced. Kelly Jones has easily become one of my favorite lyricists and vocalists. His raspy vocals just lodge in the brain and keep the lyrics repeating in your mind. But the music is just clever in a way that other bands have seemed to want to abandon somewhat. Others may compare Stereophonics with Oasis or Coldplay or other Brit bands, but I think they've got their own sound, which is a mixture of many different types of music. But this review isn't supposed to be about the band, but the album right? Right off, from the beginning, with "Superman", this record takes off. In fact, the only songs that I don't fancy on the entire album are "Doorman", and "Girl", and they're not even that bad. I've got a fondness especially for "Devil","Rewind", and the standout of the album, "Dakota", but the whole thing rocks and just makes you happy. I can't think of many other records that do that to me.
A must have.

Average customer rating:

Excellent "Final" album from Boogie Down Productions
Great album with an important message
Better than I remembered!
My Favorite from the Teacher!!!
Question? Why everything you do is Fresh?

Sex and Violence
Boogie Down Productions
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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Edutainment
Ghetto Music: The Blueprint of Hip Hop
By All Means Necessary
Return of the Boom Bap
KRS-One

ASIN: B0000004YH
Release Date: 1992-02-25

Tracks:

The Original Way
Duck Down
Drug Dealer
Like A Throttle
Build And Destroy
Ruff Ruff
13 And Good
Poisonous Products
Questions And Answers
Say Gal
We In There
Sex And Violence
How Not To Get Jerked
Who Are The Pimps? - Boogie Down ProductionsBoogie Down Productions
The Real Holy Place

Customer Reviews:

Excellent "Final" album from Boogie Down Productions.......2007-06-05

Sex & Violence--

Released in the winter of 1992, this fifth studio album from Boogie Down Productions found its frontman, KRS-One in a state of transition. In his personal life, he was recently divorced from wife and fellow rapper Ms. Melodie, and had been recently sued by a former manager; the `BDP crew' was whittled down to DJ Kenny Parker and sideman Will `Willy D' Broady (in the liner notes a bitter KRS takes the time to point out that others "are not down, so stop frontin'"). West coast-based rap acts were coming into their own as a collective, from Ice Cube to Cypress Hill. The Geto Boys gave a southern face to gangster rap and east coast-based rap had a handful of new faces like Black Sheep and Naughty by Nature. What's more, a trend of infighting began with some of BDP's fellow politically-minded peers like X-Clan and Poor Righteous Teachers, who took to criticizing KRS on records or interviews. KRS-One's response to all of this was not as the pacifist he had gained a rep for being, but to come out with guns blazing, Criminal Minded style. The stark cover art by Robert Williams lets listeners know this will not be the average hip-hop statement. This was perhaps KRS-One's angriest album since his first, taking swipes at various perceived enemies, both internal and external to hip-hop culture.

Throughout the LP there are superb production values by the artists (DJ Kenny Parker & KRS-One), and guest collaborators Prince Paul ("Who are the Pimps?", title track) and Pal Joey ("Duck Down"). "Questions and Answers" takes on hip-hop journalism with a skeptical eye; "Build and Destroy" questions whether Islam-influenced rappers are just bandwagon-hopping; "Say Gal" bashes backstage groupie behavior. "Drug Dealer" admonishes street-level drug merchants to at least try to go legit; appealing to civic-mindedness in drug lords may seem uncouth, but in KRS' worldview, "organize and legitimize your business; remember, everybody else did this." The album's other subversive track is "13 & Good", a tale of a disco club hookup gone terribly wrong: Guy meets girl at nightclub, they go home to be intimate, girl admits to being 13, gets mad, calls her cop father who's apparently on the `down-low'... This predates R. Kelly's "Trapped in the Closet" songs by over 10 years, by the way. The album hearkens back to By All Means Necessary with a spoken-word closer, "The Real Holy Place", where KRS waxes philosophic about contemporary religious trends.

The anger reflected on this album spilled over into real life, as KRS & crew would bum-rush alternative-rap act PM Dawn at a performance and physically remove them from the stage. Album sales were overshadowed by rap's newer superstars (and likely the Soundscan system which wasn't kind to anyone who didn't post big numbers in their first week). As a result, this is arguably the most slept-on release from BDP. A deluxe re-release should include the excellent remix to "We in There" and any other bonus material.

Great album with an important message.......2007-04-23

Its kind of hard to deny what Krs-One has brought to the game. His flow is phenomenal and the insight he gives is precious even now. Standout Tracks: DUCK DOWN, RUFF RUFF(dope match up with Freddie Foxx), 13 AND GOOD(the story of a guy who sleeps with a teen that calls her father who is a gay cop will have you in stitches), POISONOUS PRODUCTS, QUESTIONS AND ANSWERS, LIKE A THROTTLE, WE IN HERE, THE REAL HOLY PLACE(the deepest track on here), WHO ARE THE PIMPS? and the reggae tinged joints like SAY GAL and SEX AND VIOLENCE are gems also. Filler: NONE! Bottom Line: BDP's six album is still a classic with a message that still isnt heeded till this day. Besides the slammin production, Krs showed that he was 100 steps ahead from the average rapper with this album. Any born again hip hop head would do well to start off with Edutainment and work their way down to this album.

Better than I remembered!.......2007-01-19

For those who like real hip-hop, who know it's not about the bling bling and who want the real thing.

My Favorite from the Teacher!!!.......2006-08-11

I really feel like this was the best BDP album. KRS-1 is always amazing yes...but this is just mind blowing! It deserves 10 stars. Start your hip hop collection with this.

Question? Why everything you do is Fresh? .......2006-05-30

I've attempted to write this review before but it would not post due to it's length, so I'll attempt to be brief, (notice I said attempt). Why would I run out of space writting about a seldom heralded little known BDP album?

Well, first being that I consider this album to be perfect. And I mean perfect in every sense of the word. Sex and Violence is my all time favorite album and I ain't scared to admit it...

But first, let's set the historical context. The Blastmaster was at a very strange time in his life when he made this album. He had just divorced his wife Ms. Melodee. He had split up from the majority of the BDP crew (hence the harsh liner notes for anyone but Kenny Parker and Ill Will to "Stop Frontin'"). He'd been subliminally dissed by X-Clan, (RIP Professor X), Wise Intelligent from Poor Righteous Teachers, and Prince Be of P.M. Dawn. Maybe even a little subliminally by Ice Cube and NWA, (although that one's gotta be read into really deeply). Hell, even D-Nice was talking bad about Kris in the Source. The Heal project had failed. BDP's live album and corresponding video did not move the units that he or his label had desired. Even worse, East Coast Hip Hop seemed to be on a decline, (this album was released prior to Illmatic). What to do? Well, for starters, Krs showed up impromptu at a P.M. Dawn concert and unceremoniously through Prince Be off the stage, ("Damn, Kris IS kinda big"), and then proceeded to rock the house to the tune of "I'm Still Number One". Proof positive KRS was not havin it in '92.

Unfortunately, all of these incidents led to a very confused fan base. Seems everyone had gotten used to KRS' Stop the Violence and Edutainment messages and forgotten Criminal Minded and By All Means Necessary. They also forgot that KRS is still a human being and not some sort of deity. Ultimately, his fan base left him as it has done and will probably continue to do for years to come. The fact that KRS is an artist and will express himself with how he is feeling at the time needs to be recognized. I'm sure ALL Hip Hop fans have felt alienated by KRS albums or ideas at some point (myself included).

Sex and Violence is the culmination of all of KRS frustration. The Blastmaster of old reared his ugly head and spit hard and fast. KRS bludgeons the competition with tracks like...well, everything except "The Real Holy Place" which is a sort of spoken word piece about God being within us all and "Drug Dealer". On the later, KRS brilliantly advises drug dealers of the world to unite and use their money to improve the community. Of course, all anyone heard was that the dealers should "Organize (their) business and open up a school. This was again interpreted by any of his fickle fan base left that KRS wanted to make Drug Dealer High School, (c'mon now, Open your mind and put a book in it!!!).

Other than those two songs, from the intro where KRS plays the role of a DJ dying from lack of vinyl, (a BIG issue back in 92, believe me) to the final grand indictment of the IRS on "Who Are the Pimps?" KRS seems to have no end of material for fueling his fire. For the sudden prevalence and dominance of Gangsta Rap, (and most specifically NWA's Efil4zaggiN album), the fire of the singles "Duck Down" and "We In There" came out punching with lines like "I spit on your #1 hit" and "in jail in a pair of panties you'll look just stunning". For X-Clan and PRT there's "Build and Destroy" where KRS scientifically breaks both crews and his philosphy down with classic lines like "Too many teachers in the class spoil the school/after awhile you've got blabbering f*ckin fools" (ouch!!!). For society at large there's the second single "13 and Good", "Say Gal" and "Poisonous Products". Here Krs edutains the masses about our musical and societal problems with infidelity, morality, vanity... Basically holding up a mirror for us to look at and ask "What the f*ck is wrong with you?"

To explain all this "madness", KRS supplies "Question and Answer". Here KRS breaks down the point of the whole album. In a format similar to "Imma Break It Down" by Eazy-E, KRS interviews himself about various times in his career, his overall message, his own sincerity, and what he's doing to help. Sadly, this track was never a single so no one ever heard KRS explanation and most of the singles fell on what were becoming deaf ears.

Next come the biggest surprises of all. The first is the crazy allout breath control fest of "Like a Throttle". This is the ABSOLUTE BEST exercise in breath distribution ever. I've memorized every line in this album and am amazed to this day how KRS rips this sh*t!!!! The second big surprise comes in the form of a newly invigorated Freddie Foxxx. While Foxxx had appeared earlier on Kool G Rap's Wanted Dead or Alive track "Money In The Bank", it is on tracks "The Original Way" and "Ruff Ruff" where Freddie starts repping the sound that made him the commodity he became a short while later. His LOOOOOOOOOOONG verse on Ruff Ruff is one of his best ever and, if you ever meet me or KRS or Freddie and are so inclined to hear, has a great story behind it.

Finally, the results. After all that, the album didn't sell. In fact, it remains the worst selling BDP album of their carreer. The first album to receive a "Mic" in the source, (they were records before this album was reviewed), received a 4 1/2 rating. The label released 3 singles (all of which have near classic, must have extra tracks). They did three videos. Everything was in place except for the alienated fan base. Maybe they'd all jumped on the West Coast band wagon of Gangsterism and Mysogyny. More likely, they just weren't ready for the new Boom Bap. I figure when the revolution that Nas, Wu-Tang, Boot Camp Clik, and DITC was brought to the table, KRS had to feel like he was slapped. The Teacha and more importantly innovator was ahead of his time again. Pick it up so you can make it your time now.

(Guess that wasn't very brief, huh?)

Strictly 4 da Streets: Drugs Sex and Violence, Vol. 1

Average customer rating:

Reppin for Savannah
Camouflage...as real as they come
Missing my dog
Camoflauge
Camoflauge-Strictly 4 Da Streets

Strictly 4 da Streets: Drugs Sex and Violence, Vol. 1
Camoflauge
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Southern Rap | Rap & Hip-Hop | Styles | Music

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Keepin It Real
I Represent
Crime Pays
We Ready - I Declare War
Tool Muziq

ASIN: B00005LZT4
Release Date: 2001-07-31

Tracks:

Intro
Sh*tty Baby
You Like Rap (Skit)
F**k Friends
Get Up Off Me
Y'All Ni**az Know
Whatchunoabout
I Let Rounds Go
Murda Still Da Case
Missin My Block
Raised In Da Ghetto
Hustler
Ruff Ni**az
A Letter
Guilty
I.D.s And Money (Skit)
Shake It
Dat Real Sh*t
Ga Ni**az (Remix)
Cut Friends

Customer Reviews:

Reppin for Savannah.......2005-08-26

I moved to Washington, DC from Savannah. I used to hang out with 'flauge alot, until he got paranoid and rich and moved to Richmond Hill. Then when he was out in front of Pure Pain, he got shot and when I heard about it I broke down. Anyway, he is one of my favorite rappers of all time. This is a wonderful CD if you like real southern rap. It's not filled with candy and sugar like Nelly, or anything like that. It's real, and it's hard.

Camouflage...as real as they come.......2004-12-10

'Flage really put out a good album in "Strictly 4 da Streets." Almost every song is filled with nice beats, great flows, and lyrics that let you know he's from "da streets." Too bad it was his last album before he was murdered. Definitely pick this one up if you want to hear how the Dirty South movement is supposed to sound.
5 Stars

Missing my dog.......2004-05-13

(...). I'm a big fan of Camoflauge. I moved from Savannah to Jacksonville with my mother, and I'm always asking my people to send me a copy of a Camoflauge record. My favorite song is I let rounds go, and if i can get a copy of that CD i will be fine. I'm always talking about him here and no one thinks he's that good of a rapper but I do. I grew up with Flauge, "thats what6 we called him for short" I use to live with him in the projects. I wanted him to get big but things happen for a reason.

Camoflauge.......2003-08-12

Camoflauge aka Jason Johnson who is now dead really put out a great album on dis one.He keeps it real and holds it down 4 da south and savanah,GA.The best songs are Ruff n*****,i let rounds go,s***** baby,f*** friends,missin my block,and get up off me.

Camoflauge-Strictly 4 Da Streets.......2003-08-07

This cd is my favorite of all time.He keeps it real and doesn't floss too much.He'z been my favorite rapper since I bought Keepin it Real.The best songs are S**** Baby,I Let Rounds Go,Get Up Off Me,Ruff N*****,and F*** Friends.R.I.P. CAMOFLAUGE

Average customer rating:

Strictly 4 da Streets: Drugs Sex and Violence, Vol. 1
Camoflauge
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Southern Rap | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music
ASIN: B00005LZT7
Release Date: 2001-07-31

Tracks:

Intro
Sh*tty Baby
You Like Rap (Skit)
Cut Friends
Get Up Off Me
Y'All Ni**az Know
Whatchunoabout
I Let Rounds Go
Murda Still Da Case
Missin My Block
Raised In Da Ghetto
Hustler
Ruff Ni**az
A Letter
Guilty
I.D.s And Money (Skit)
Shake It
Dat Real Sh*t
GA Ni**az (Remix)

Average customer rating:

Language. Sex. Violence. Other?
Stereophonics
Manufacturer: V2
ProductGroup: Music
Binding: Audio CD

Britpop | British Alternative | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Rock | Imports | Stores | Music
ASIN: B00077DAT4
Release Date: 2005-03-14

Tracks:

Superman
Doorman
Brother
Devil
Dakota
Rewind
Pedalpusher
Girl
Lolita
Deadhead
Feel
Looks Like Chaplin

Album Description

Japanese edition scheduled to include bonus tracks. It might be their fifth album, but Stereophonics view Language. Sex. Violence. Other? with the same excitement as a debut record. It's a little under two years since You Gotta Go There To Come Back, Stereophonics' third consecutive Number One album - and the band have been busy touring America, supporting David Bowie and writing and recording. There's a new member-Javier Weyler, who replaces Stuart Cable on drums and, a new, super-affirmative attitude. `This band is so positive right now,' says Kelly. `We've made the most exciting record we possibly could.' Indeed they have. Language. Sex. Violence. Other? is a magnificent album. Eleven tracks. All killer, no filler. The band agreed they wanted to make something that was very different from their last album. Something that captured the listener straight away, but something that also had a lot of depth. The song titles would all be one word. It would have the energy of their first album, 1997's Word Gets Around, but it would use production tricks Stereophonics had learned along their way to becoming one of Britain's most successful rock bands. It would be a very modern record. V2. 2005.

Album Details

Japanese Release featuring a Bonus Track

Average customer rating:

This Is Me
Fulleclipse
Manufacturer: FullEclipse
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music
ASIN: B000CA81JK
Release Date: 2005-05-17

Average customer rating:

The Rewrite of My Obituary
Norm Pizzi
Manufacturer: Addict For Life Records
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music
ASIN: B000CA8OD8
Release Date: 2005-08-02

Tracks:

Intro (N.O.R.M.A.N.)
Change
Some Call Me Stupid
Consumed by the World
Im Midwestern
Addict for Life
Hanging from a String
Only Where im From
Peace, Love, And Happiness
Game Recognize Game
Just Them Little Things U Do
Let It Go
Never Given Up
Rewrite of My Obituary
Pop What You Got
Outro

Average customer rating:

GET INTO THE F!@#$%* PIT

Sex. Death. Violence
Lowbrow
Manufacturer: Crook'd Records
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

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Victims at Play

ASIN: B0000AQJ40
Release Date: 2003-07-22

Tracks:

March
Destroy Yourself
SEX. VIOLENCE. DEATH...
Addiction
Trophy
Enforcer
The Hatred You Create
Free Ride
Maniac
Rights

Album Description

Supergroup features Ben Meyer, reward bateman, Curtis Beeson Nasty Savage and Alles West - Six Feet Under

Customer Reviews:

GET INTO THE F!@#$%* PIT.......2005-01-22

This album rips from start to end with trademark riffs from ALLEN WEST - it might remind you of some OBITUARY and SIX FEET DOWN UNDER in various spots because of ALLEN's stint with those bands.

This disc has brutality, groove and solo licks that should remind you as to why you became a METALHEAD in the first place. Blast it up and get into the pit.