This Is How I Feel [Import]

This Is How I Feel [Import]

Track Listings

1. Apres Ski

2. Sun Comes Filtering Thru

3. I Love Her More In The Summertime

4. What's Your Name?

5. Freetown

6. Lucky Blue

7. Headphone Music

8. You & Me

9. My Movie Is Like Life

10. I Love Her More In The Summertime (Part 3)

11. When Night Becomes Day

12. Boy With The Gun

Editorial Reviews
Product Description
Flf's 2002 Album is a Downtempo, Jazzish Delight. "Apres Ski", the First Single, is Deeply Atmospheric with Samba-esque Rhythms and a Hypnotic Bassline Underpin Vocodered Vocals by Chiqi . The Album Explores the Grooves Mark Barrott AKA Future Loop Foundation Has Developed Since Moving to Berlin in 2000, When He Began to Move Away from the Frantic Drive of D&b Into a More Relaxed, Eclectic Sound, Inspired by the Music He Heard in the Clubs and Cafés of the German Capital.

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating:

A very good album!
It's beautiful...simply beautiful....
This is the most beautiful CD ever; that's how I feel!
Powerful lyrics, Powerful music
Awesome!

This Is How I Feel
Nouveaux
Manufacturer: Benson Records
ProductGroup: Music
Binding: Audio CD

Christian Rock | Christian & Gospel | Styles | Music

General | Christian & Gospel | Styles | Music

Gospel | Christian & Gospel | Styles | Music

Christian Contemporary Music | Christian & Gospel | Styles | Music

Pop Rock | Pop | Styles | Music
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Beginnings

ASIN: B00000388N
Release Date: 1996-06-02

Tracks:

Nice
Maybe Tomorrow
Simply Beautiful
Never See The Day
You Breathe
If Only...
Larisa
Listen
Through Heaven's Fields
I'll Cry Too
Wonder
Chasing Shadows

Customer Reviews:

A very good album!.......2006-08-01

OK, after hearing Nouveaux's first album for the 1000th time, I thought it was time to indulge myself by buying thier second album. After reading the reviews etc I knew it was going to be a good one, but mainly because their first album had blown me away so much, my expectation's were high. I'm sorry to say that when the album arrived and I gave it a good listen, I was rather dissapointed. The first thing I noticed was that there was no fancy guitar melodies, chunky riffs, squeeling guitar solo's and the soul and power of Alans Vocals. This wasn't the Nouveaux I expected and wanted. The reason I had liked Nouveaux so much was because of their originality. They were one of about 5 Christian bands to make it in the AOR hard rock genre, and with their passionate lyrics combined with the intricacies of their musical geneous a fine album was produced. But it seems as though they have sold themselves out to conforming into the exact same style of music as every other Christian band in the world - easy listening acoustic rock! "Such talent wasted!" was my first reaction to the album. Why would such a great band want to sound like everyone else! So your probably wandering why I gave it five stars? Well, after a few more listens I realised that despite the fact that they had moved away from what they seemed to do best, they had moved on to something else that they seemed to do just as well. The songs on this album are incredibly catchy, and with the light acoustic rythems and funky heavy snared drums as well as Paul Alans more mature but slightly less expressive voice. Its almost as if Nouveaux was trying to show that they could do anything they wanted to and they have. They still showed raw tellent and a little more mature approach to the music. Sure I missed the feel of the driving rock and the incredibly cheesy background vocals but when all comparrissons are taken away this album has the power to inspire, infuse emotion, uplift and encourage. Most importantly it delves deaper into the more peronsal aspects of our own faith. Overall a very good album, one of the best I've heard in a long time, so buy it!

It's beautiful...simply beautiful...........2006-05-16

I remember hearing "Maybe Tomorrow" for the first time about three years after Nouveaux broke up, and I was taken with it. It's actually what helped me to decide to wait for my perfect someone that God has for me. And it still remains to this day, except this time I now have their album and I absolutely love it. It's very poetic in its lyrics, strong in its message, and the music carries you into a state of praise and appreciation. This is a beautifully done album that I'd highly recommend any music lover to check out, especially if you like bands like Jars of Clay and Casting Crowns.

This is the most beautiful CD ever; that's how I feel!.......2006-05-08

I found this CD during the Jars of Clay frenzy back in 1997. I told my friends that I'd heard a band better than Jars of Clay and nobody believed me. Then they heard the music and we all enjoyed the enchantment of this awesome album together! We butchered the melodies, wailing our hearts out and feeling the passion of the songs. It's too bad this was the last album Nouveaux put out, but it adds to the allure surrounding their music. These guys are so talented; they blend their heartfelt vocals and rocking guitars to a perfect pitch...one that carries you away to "The Other Side of Forever." I recommend it for any alternative rock fan, Christian or not!

Powerful lyrics, Powerful music.......2005-10-14

By far, this is one of the greatest albums ever recorded. I've let many people listen to my copy of this and I have not found anyone that does not love it. Whether it be the lyrics, the music, or just the pure thoughts relayed - there is something for everyone (and in most cases, all of it is for everyone). There are few albums that are this encouraging to people and, to me, I feel that finding this CD is a complete blessing. It has kept me going when I have been down. Truly, this is an inspired work by our Creator.

Awesome!.......2004-01-09

This album was my favorite all through highschool. I memorized every word to every song. Some of the songs are so beautiful...."You Breathe" and "Maybe Tomorrow" are amazing. This album is proof that there is some WONDERFUL Christian Alternative music out there! Wish they were still making music together!!!

Average customer rating:

how I feel about Quincy
Phil Woods late in his career . . .
Fine and Mellow

This Is How I Feel About Quincy
Phil Woods
Manufacturer: Jazzed Media
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

General | Jazz | Indie Music | Stores | Music
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Groovin' to Marty Paich
Phil Woods and Carl Saunders Play Henry Mancini
Phil Woods - A Life in E Flat
Unheard Herd
American Songbook

ASIN: B000305944
Release Date: 2004-10-05

Tracks:

Stockholm Sweetnin'
The Quintessence
Meet Benny Bailey
For Lena And Lennie
The Pawnbroker
Hard Sock Dance
The Midnight Sun Will Never Set
Q's Delight
Evening In Paris
Jessica's Day
Birth Of A Band
Lullabye For Jolie
Belly Roll

Album Description

This session recorded in 2004 features alto sax great Phil Woods and his Little Big Band performing memorable jazz songs written by legendary composer/arranger Quincy Jones. Phil is joined by 8 other jazz musicians including Bill Charlap on piano and Brian Lynch on trumpet.

"As this marvelous record so eloquently bears out, Phil Woods today is at the very top of his form—and that, my friends, is a claim based on nearly fifty years (help!) of listening to this extraordinary artist, live and on record. Here Phil pays homage to another dear friend, happily very much alive, and Phil's junior by about 16 months, the one and only Quincy Jones. The title is derived from a l956 LP—Quincy's first as a leader—called "This Is How I Feel About Jazz". This is not the place for even a brief resume of Q.'s amazing career; suffice it to say that by then he had already developed an original voice as an arranger and composer and paid his dues as a member of Lionel Hampton's trumpet section, sitting next to Clifford Brown and Art Farmer. (Digression: It is a tribute to Phil as a person as well as a musician that he has been able to maintain his own regularly constituted group for lo, these many years; Steve Gilmore and Bill Goodwin were on board when the quartet started in 1974; it became a quintet nine years later. Pianists and horns have also shown staying power; Brian's been on board since 1992, and Bill Charlap joined in `95; he's on his own now as one of the best and brightest, and he and Brian just recently joined forces on a fine CD.) Quincy is bound to love it. As will you, dear listener, and not just for a spin. This is the real thing." Dan Morgenstern- Director, Institute of Jazz Studies, Rutgers University

Customer Reviews:

how I feel about Quincy.......2005-09-14

I have been a Phil Woods fan for a long time. the man is a brilliant composer, arranger, and sax player. His work on this CD is certainly on par with his best work. I highly recommend this CD.

F.P.Keogh, R.I.

Phil Woods late in his career . . ........2004-12-12

. . . has mellowed like fine Belgium beer. What he may have lost in fire he's more than made up for in sheerly gorgeous phrasing, as well as a kind of savvy penetration to the heart of his increasingly well-chosen material; his recent disc with Herbie Mann--and even more this one--proves it beyond a doubt.

This record, a salute to Quincy Jones, whose bands Woods played in extensively in the mid-sixties, finds the alto master at the absolute top of his game. Pianist Bill Charlap, especially, seems to have caught the deep-swinging vibe of these proceedings as he consistently sets the perfect rhythmic, harmonic, and melodic table for the other bandmembers. But all the band members, from the core quintet to the additional four filling out the little big band, are totally locked into the classic jazz sensibility laid down here.

Jones richly deserves such a retrospective, constantly proving to be an unending fount of tuneful creativity equally adept at writing swing, blues, bop burners, or ballads. Even though straight-ahead jazz of this sort isn't generally my cup of tea, I'm entirely takes by this warm and wonderful disc.

Fine and Mellow.......2004-11-20

"This is How I Feel About Quincy" is, as far as I know, Phil's third Cd with his Little Big Band. The band consists of his quintet augmented by two additional reed players and two low brass players. One of those earlier CD's "Evolution" on Concord may well be my favorite Phil recording. The other, "Real Life" on Chesky is a winner, as well.

This CD is up to the same standard musically as those, but the feel is a bit different. Those CD's emphasized hard blowing, whereas "Quincy" is more mellow and laid back. The tunes with one exception are by Quincy Jones, who in the late '50's and early '60's was involved in real jazz and often employed Woods in his orchestras. Many of the tunes will be familiar to fans of Quincy's music from that era, and they are all expertly arranged by either Woods or Brian Lynch. There is a nice variety here with up tempo numbers like "Meet Benny Bailey"; "Hard Sock Dance" and the rollicking "Belly Roll"; ballads such as "Quintessence" and "The Midnight Sun Will Never Set", and medium tempo groovers such as "Jessica's Day," and the relaxed "For Lena and Lennie." Jones certainly had a gift for writing memorable melodiies. Phil adds his own attractive tribute, "Q's Delight."

The sound of the Little Big Band is most agreeable. The French horn and trombone (euphonium in several cases) add considerable depth and color to the ensemble. The soloists are in good form as well, with Woods, pianist Bill Charlap, and trumpeter Lynch getting the most space. Lynch is especially outstanding, and for my money takes solo honours on this CD. Phil, as always, plays with depth and verve, and Charlap is an understated but very effective soloist. Reed players Nelson Hill, Tom Hamilton and French hornist Bobby Routch also get several solo spots, with Routch being especially effective on "Belly Roll".

But what one most remembers from listening to this CD is the overall sound of the band, warm and mature. There's no major fireworks here and no one is aiming for the fences. But everyone is having a good time, just like long-time friends getting together and having a good conversation about subjects of mutual interest. It is our privilege to listen in.

Congratulations to Phil, the Band, and Graham Carter of Jazzed Media for this beautifully recorded, well-rounded 68 minute CD. This Cd is one of the treasures of 2004 and warmly recommended to Phil fans and to all who enjoy mature, melodic jazz.

Average customer rating:

This Is How I Feel
Future Loop Foundation
Manufacturer: Intergroove
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
ASIN: B00007BGZ6

Tracks:

Apres Ski
Sun Comes Filtering Thru
I Love Her More In The Summertime
What's Your Name?
Freetown
Lucky Blue
Headphone Music
You & Me
My Movie Is Like Life
I Love Her More In The Summertime (Part 3)
When Night Becomes Day
Boy With The Gun

Album Details

Flf's 2002 Album is a Downtempo, Jazzish Delight. "Apres Ski", the First Single, is Deeply Atmospheric with Samba-esque Rhythms and a Hypnotic Bassline Underpin Vocodered Vocals by Chiqi . The Album Explores the Grooves Mark Barrott AKA Future Loop Foundation Has Developed Since Moving to Berlin in 2000, When He Began to Move Away from the Frantic Drive of D&b Into a More Relaxed, Eclectic Sound, Inspired by the Music He Heard in the Clubs and Cafés of the German Capital.

Average customer rating:

Great Musicals

Manufacturer: Rajon
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Rock | Imports | Stores | Music
ASIN: B000682FF4
Release Date: 2004-11-15

Tracks:

Oklahoma Suite: Oklahoma!/Oh, What a Beautiful Morning/The Surrey With
My Fair Lady Suite: Ascot Gavotte/Wouldn't It Be Loverly?/With a ...
Annie Get Your Gun Suite: Doin' What Comes Natur'lly/You Can't Get ...
King and I Suite: The March of Siamese Children/I Whistle a Happy Tune
Sound of Music Suite: The Sound of Music/My Favourite Things/Do-Re-Mi
West Side Story: The Jet Song/America/Tonight/Something's Coming/Maria

Tracks:

Porgy and Bess Suite: Summertime/I Got Plenty O' Nuttin'/I Loves ...
South Pacific Suite: Bali Ha'i/A Cockeyed Optimist/Some Enchanted ...
Guys and Dolls Suite: Luck Be a Lady/Fugue for Tinhorns/Follow the ...
Carousel Suite: The Carousel Waltz/Mister Snow/June Is Bustin' Out All

Tracks:

Joseph & The Amazing Technicolour Dreamcoat: Any Dream Will ...
Evita: Don't Cry for Me Argentina/Another Suitcase in Another Hall
Jesus Christ Superstar: Jesus Christ Superstar/I Don't Know How to ...
Cats: Memory/Macavity the Mystery Cat/Mister Misoffeles
Phantom of the Opera: Phantom of the Opera/All I Ask of You/Angel ...

Album Description

Australian exclusive 3-CD set from the Rajon label's 'Great Series'. 2004.

This Is How I Feel About Jazz/Go West, Man!

Average customer rating:

This Is How I Feel About Jazz/Go West, Man!
Quincy Jones
Manufacturer: Lonehill Jazz Spain
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music

General | R&B | Styles | Music

Jazz | Imports | Stores | Music
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Quincy Jones + Harry Arnold + Big Band = Jazz!
The Quintessence
Last Night When We Were Young

ASIN: B000JVSWMS
Release Date: 2006-11-27

Tracks:

Walkin'
Stockhoilm Sweetnin'
Evening in Paris
Sermonette
Sleepin' Bee
Boo's Blues
Dancin' Pants
Blues Day
Bright Moon
No Bones at All
Oom Is Blues
Be My Guest
Medley: What's New/We'll Be Together Again/Time on My Hands/You Go to M
London Derriere
Kings Road Blues

Album Description

Two albums on one CD by Quincy Jones featuring musical assistance from Art Farmer, Harry Edison, Jimmy Cleveland, Phil Woods, Zoot Sims, Hanks Jones and Carl Perkins. This outstanding edition contains two of Quincy Jones' first LPs (in their complete form) as a leader, presented here together for the first time ever on one CD. His previous recordings were mostly as a trumpeter, arranger and/or conductor for other musicians' orchestras, such as Lionel Hampton, George Wallington and Dizzy Gillespie. This is How I Feel About Jazz was originally released in 1956, followed by Go West, Man one year later.

Album Details

This Outstanding Edition Contains Two of Quincy Jones' First LPs (In their Complete Form) as a Leader, Presented Here Together for the First Time Ever on One CD. His Previous Recordings were Mostly as a Trumpeter, Arranger And/Or Conductor for Other Musicians' Orchestras, Such as Lionel Hampton, George Wallington and Dizzy Gillespie. Although his Reputation Continued to Grow after his Recording Debut in 1951, Only a Few Selections Previous to his First Album, "this is How I Feel About Jazz", Had Been Issued under his Own Name. "go West, Man", was in Fact his Third LP, Recorded after a Jazz Arrangement of Tunes from "my Fair Lady".

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Average customer rating:

Die Zauberflöte [Highlights]

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B000006O27
Release Date: 2000-06-06

Tracks:

Act I. Intro: 'Help! Help, Or I Am Lost' - Fritz Wunderlich/Corry Van Beckum/Cora Canne-Meijer/Annie Delorie
Act I: 'Where Am I?' - Fritz Wunderlich
Act I: 'The Birdcatcher, That's Me' - Jan Derksen
Act I: 'Hey There!...What's That?' - Fritz Wunderlich/Jan Derksen/Corry Van Beckum/Cora Canne-Meijer/Annie Delorie
Act I. Aria: 'This Portrait Is Enchantingly Beautiful' - Fritz Wunderlich
Act I. Qnt: 'Hm, hm, hm...!' - Jan Derksen/Fritz Wunderlich/Corry Van Beckum/Cora Canne-Meijer/Annie Delorie
Act I. Duet: 'In Men Who Feel Love' - Maria Van Dongen/Jan Derksen
Act I. Finale: 'This Path Leads To Your Goal' - Fritz Wunderlich
Act I: 'Let These Boys' Words Of Wisdom' - Fritz Wunderlich
Act I: 'Bold Stranger, Where Do You Wish To Go?' - Albert Van Haasteren/Fritz Wunderlich
Act I: 'How Powerful Your Magic Sound Is' - Fritz Wunderlich
Act II. Qnt: 'What? What? What?' - Corry Van Beckum/Cora Canne-Meijer/Annie Delorie/Jan Derksen/Fritz Wunderlich
Act II. Trio: 'Am I To See You No More, My Dear One?' - Maria Van Dongen/Albert Van Haasteren/Fritz Wunderlich
Act II: 'Tamino! Tamino! Will You Then Utterly Abandon Me?' - Jan Derksen/Jan Waaijer
Act II. Aria: 'A Girl Or A Little Wife' - Jan Derksen
Act II. Finale: 'Whoever Walks Along This Path So Full Of Troubles' - Fritz Wunderlich/Maria Van Dongen
Act II. 'We Have Walked Through Flames' - Maria Van Dongen/Fritz Wunderlich
Act II. 'Papagena, Papagena, Papagena!' - Jan Derksen

Average customer rating:

A Pretty Darn Good Lohengrin

Wagner: Lohengrin

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B0000025UN
Release Date: 1990-05-17

Customer Reviews:

A Pretty Darn Good Lohengrin.......2005-04-14

I got this Lohengrin from the local library, and I tried to get a taste of what I was in for by looking it up here on Amazon.com. But to my dismay there were no reviews. And later, to even greater dismay on my part, I found that there is no reason for such a lack of reviews! For this is a solid Lohengrin. While Peter Hofmann is not the most vocally resplendent Lohengrin (he isn't a Konya or a Domingo), he turns is a good performance, and Karen Armstrong is a passionate Elsa who plays the part admirably. The rest of the cast is strong on the whole. But the real splendors of this set spring from the pit - Woldemar Nelsson (of whom I had never heard until I discovered this recording) leads the Beyreuth Festival orchestra in a burning account. They are a truly Wagnerian orchestra (it would be a shame if they weren't), and Nelsson brings out all the Master's colors. The energy of a live performance just pours out. Never have I heard the preludes and prominent sections played with such an intense timbre. It's amazing to hear.

Therefore, though this set doesn't match Kempe, Solti, or Leinsdorf overall, it is a strong alternate set that should not be ignored.

Average customer rating:

This Is How I Feel About Jazz
Quincy Jones
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music

Jazz | Imports | Stores | Music
ASIN: B00008DYVH
Release Date: 2003-03-04

Tracks:

Walkin'
Sleepin' Bee
Sermonette
Stockholm Sweetnin'
Evening in Paris
Boo's Bloos

Album Description

Japanese exclusive 2 CD collection for the music icon, spanning 1956-81 with material released under the A&M, Mercury, Verve, Impulse!, & ABC labels. Universal. 2003.

Music:

Music

music

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