Tell Me Why (The Riddle), Pt. 2 [CD-single] [Import]

Tell Me Why (The Riddle), Pt. 2 [CD-single] [Import]

Track Listings

1. Tell Me Why (The Riddle)(Vandit Mix)

2. Tell Me Why (The Riddle)(Club Mix)

3. Tell Me Why (The Riddle)(Original Mix)

Editorial Reviews
Product Description
New single from progressive trance, producer/DJ. Tracks 'Tell Me Why (The Riddle)' (Vandit Mix, Club Mix & Original Mix). Featuring Saint Etienne. 2000 release. Slimline jewel case.

Tell Me Why (The Riddle), Pt. 2,Paul Van Dyk,Import [Generic],5"CD Singles,Club/Dance,Dance Music,Germany,House,Pop,Progressive House,Progressive Trance,Trance

The Slipper and the Rose (1976 Film Soundtrack)
Average customer rating:

I love this!

a wish come true

Memories Return

Prince Charming and Cinderella

EXHILARATING! ENERGETIC! ENCHANTING!

The Slipper and the Rose (1976 Film Soundtrack)
Richard M. Sherman , Robert B. Sherman , and Richard Chamberlain
Manufacturer: Image Entertainment
ProductGroup: Music
Binding: Audio CD

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The Slipper and the Rose

Seven Brides for Seven Brothers (1954 Film Soundtrack)

Rodgers & Hammerstein's Cinderella (1957 Television Production)

Happiest Millionaire

Tom Sawyer (1973 Movie Soundtrack)

ASIN: B00005OC9K
Release Date: 2001-10-09

Tracks:

Overture - The Orchestra
Why Can't I Be Two People? - Richard Chamberlain
What Has Love Got to Do With Getting Married? - Edith Evans, Michael Hordern
Once I Was Loved - Gemma Craven
What a Comforting Thing to Know - Richard Chamberlain
Protocoligorically Correct - Michael Hordern, Kenneth More
Bride Finding Ball - Richard Chamberlain
Suddenly It Happens - Gemma Craven, Annette Crosbie
Waltz Theme - The Orchestra
Secret Kingdom - Richard Chamberlain, Gemma Craven
He Danced With Me/She Danced With Me - Richard Chamberlain, Gemma Craven
Position and Positioning - Christopher Gable
Tell Him Anything (But Not That I Love Him) - Gemma Craven
I Can't Forget the Melody - Gemma Craven
Secret Kingdom (Reprise) - Richard Chamberlain, Gemma Craven

Amazon.com

If one needed an object lesson in the fickle nature of Hollywood and its precipitously shifting tastes, one could do worse than to examine the career of the songwriting brothers Richard M. and Robert B. Sherman. After inventing veritable swaths of Disney's musical theme park, TV, and film legacies in the '50s and '60s (including Zorro, The Sword in the Stone, Mary Poppins, and The Jungle Book), the brothers found their talents largely underemployed in TV and film efforts after the death of Walt Disney. It isn't to say that their talents were in the least diminished, as this soundtrack to the 1976 U.K.-produced live-action adaptation of Cinderella ably attests. Fans of the Shermans' Disney canon should find this soundtrack restoration a welcome addition to their collections. The Shermans' music is a familiar, effervescent delight, even as it tackles the full emotional spectrum of romantic and familial entanglements, from Prince Edward's existential ponderings in "Why Can't I Be Two People?" through the king's Gilbert & Sullivan-esque take on royal bureaucracy in "Protocologically Correct" to the romantic pinings of "Secret Kingdom" and "He Danced with Me." The Slipper and the Rose is a musical cult favorite, and for good reason. --Jerry McCulley

Customer Reviews:

I love this!.......2007-01-14

I love this soundtrack! If you are a fan of the movie, you will really enjoy this. There is only one disappointing thing about this soundtrack.

While all of the songs with words are there, most of the background music is missing. There is the overture and the waltz theme, but no other background music. I was particularly disappointed in the absence of the music from the wedding.

Despite this, I am very glad I have purchased this CD and high recommend it.

a wish come true.......2006-11-04

I'm so happy this soundtrack is no longer out of print. The movie is one of my favorite musicals and all the music from the movie is wonderful!

Memories Return.......2006-06-24

This has to be one of my favorite musicals. And that's saying something. I remember watching the movie with my mom when I was little. When I purchased and played the cd, that all came back. Mom and I busted out singing, "Protocoligorically correct", practically cracking up through half of it; and enjoying the romantic theme "He/she danced w/me"!
The sound recording was well pitched, loud enough to hear, and there wasn't anything fuzzy. This I was very grateful for. I look forward to one day playing it for my daughter so she'll enjoy it to.

Prince Charming and Cinderella.......2005-09-11

I know the beautiful movie and I wished to have the soundtrack. Now I bought it and I am happy. It is a great CD, the actors give the best and the music is very romantic. I recommend the CD.

EXHILARATING! ENERGETIC! ENCHANTING!.......2004-07-11

THE SLIPPER AND THE ROSE is a most EXHILARATING CD, with crisp, catchy, tunes that cause one's heart to be made cheerful! "Why Can't I Be Two People", "Protocologorically Correct", and "Position and Positioning", are songs that I have found marvelously ENERGIZING! I work in a stressful medical environment, and on a dreary day, I slipped this CD into the office CD player, to discover an amazingly, invigorating phenomenon. The stressed out office staff began whistling and humming the tunes....a few even danced down the halls of our clinic, which can be a bit disconcerting when you have specimens in both hands. As the employees got happier, attitudes and energy levels soared! It was exciting to watch the merriment as staff sang and danced along to "Suddenly It Happens", and "What A Comforting Thing To Know". The love songs sung by Richard Chamberlain and Gemma Craven, "Secret Kingdom", "He/She Danced With Me", and "I Can't Forget The Melody", are hauntingly romantic songs, guaranteed to ENCHANT even the hardest heart. This is one of my favorite CD's of all time. The Sherman Brothers outdid themselves; creating a masterpiece that EXHILARATES, ENERGIZES, ENCHANTS.......and occasionally, on a dreary, stressful day, causes the heavy hearts of listeners, to be transformed and ultimately to transcend.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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Vivaldi: The Masterworks (Box Set)
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ASIN: B00062FLI8
Release Date: 2004-11-30

Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll

Average customer rating:

Nice Collection
PERFECT!
Great singing and excellent value for money
More than two hours of beautiful 17th century 'ayres'

Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Essential Purcell
Purcell: The Fairy Queen
Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
Bach: Cantatas

ASIN: B000059LOH
Release Date: 2001-06-05

Tracks:

O Solitude - Nancy Argenta/Nigel North
Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Fairest Isle - Nancy Argenta/Nigel North
O Solitude - Nancy Argenta/Richard Boothby

Tracks:

Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
Music For A While - Nancy Argenta/John Toll
If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North

Customer Reviews:

Nice Collection.......2007-03-05

I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.

PERFECT!.......2006-10-26

There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.

Great singing and excellent value for money.......2004-09-19

This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!

More than two hours of beautiful 17th century 'ayres'.......2001-08-02

Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.

Average customer rating:

English is an asset and a drawback
You Will Love Opera After Hearing Carmen In English
A wholly credible "Carmen" -- finally!
I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Mozart: The Magic Flute
The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
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Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

Tracks:

Tell Me Why
Rock Bottom
Only Love
Let's Make A Baby King
Is It Over Yet
Father Sun
Girls With Guitars
Just Like New
I Just Drove By
That Was Yesterday

Customer Reviews:

She does it again!.......2006-08-21

Though her second CD as a solo artist has a more varied selection of song(they arent all "country") it is nonetheless a superb album.
Tell Me Why,Only Love,Is It Over Yet,Rock Bottom, and Girls With Guitars were the singles released and went to number 2,1,4,2,7 respectively.

My favorites besides the singles would have to be I Just Drove by, Father Sun, and That was Yesterday.
And as with her first solo album, Naomi provides her extraordinary talent on Girls with Guitars by singing(along with Vince Gill) and by writing That was Yesterday.

I just drove by would have to be my favorite all time songs by Wynonna(solo). You would really have to know Wynonna's whole history, her rags-to-riches story, to really be able to understand this song. It really is beautiful.

As with her first album, I highly recommend anyone who is a fan of music to pick this up!

Great album.......2006-06-27

Wynonna's Tell Me Why album is a great follow up to her first solo album (Wynonna). The songs are a great mix of country and pop, with a bit of jazz and blues thrown in. If you listen carefully, you can hear Naomi's harmony on "Girls with Guitars."

Though several of the songs, such as "Tell Me Why" and "Only Love," are more of the traditional Judd-style sound, Wy expands her musical style with more hard-hitting numbers like "Rock Bottom" and "That was Yesterday." The album also has a taste of religious themes (Let's Make a Baby King and Father Sun).

If you enjoyed any of the Judds music or Wy's first album, you'll like this album too. I recommend it!

Average customer rating:

Gifts from musical theater heaven!
Tell Me More and more and more
Two restored little Gershwin gems

Tip-Toes/Tell Me More

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

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Lady, Be Good! (1992 Studio Cast Recording)
Strike Up The Band (1990 Studio Cast)
Pardon My English (1993 Studio Cast)
Oh, Kay! (1994 Studio Recording)
Girl Crazy (1990 Studio Cast)

ASIN: B00005RGM8
Release Date: 2001-10-30

Tracks:

Overture
Florida
Nice Baby
Looking For A Boy
Lady Luck
When Do We Dance?
These Charming People
That Certain Feeling
Sweet And Low-Down
Finale-Act I
Entr'acte
Our Little Captain
Looking For A Boy
It's A Great Little World!
Nightie-Night!
Tip-Toes
Finale-Act II
Overture
Tell Me More
Tell Me More
Shopgirls And Mannequins
Mr & Mrs. Sipkin
When The Debbies Go By
Three Times A Day
Why Do I Love You?
How Can I Win You Now?
Kickin' The Clouds Away
Finale-Act I
Love Is In The Air
My Fair Lady
In Sardina
Baby!
Finaletto-Act 2
Opening Ensemble
Ukelele Lorelei
Finale-Act II

Amazon.com

This two-CD set collects a couple of shows by George and Ira Gershwin. Both produced in 1925, the two musicals--Tip-Toes and Tell Me More--are fairly obscure and don't boast as many famous songs as contemporary Gershwin offerings such as Oh, Kay! and Lady Be Good. Still, they are bursting with wit, invention, and joie de vivre. Based on a 1998 concert production, Tip-Toes is delicious, and several songs deserve a place in the Gershwin pantheon: the ballad "Looking for a Boy," the love duet "That Certain Feeling," and the rousing dance number "Sweet and Low-Down." The score is also notable for its spectacular writing for duo pianos. Tell Me More is not as immediately accessible (indeed, it had the shortest run of any Gershwin musical, with 32 performances), but it's delivered with élan by its topnotch cast, which includes Sally Mayes, Christine Ebersole, Diane Fratantoni, and David Garrison. Under the expert musical direction of Rob Fisher (from New York's famed Encores! series), this double set is, of course, essential for Gershwin completists. In fact, just about any fan of zany Jazz Age artifacts should relish it. --Elisabeth Vincentelli

Album Description

Tip-Toes, which made its Broadway debut on December 28, 1925, was produced by Alex A. Aarons and Vinton Freedley, who had been the producers of the Gershwins' smash hit Lady, Be Good! the year before. Attempting to repeat that success, they once again combined the same book writers, Guy Bolton and Fred Thompson, with the Gershwin brothers. Tip-Toes was well received by audiences and the press, and ran for 194 performances. It was given a subsequent production at the Winter Garden Theatre in London, opening August 31, 1926, running for 181 performances.

One of the most overlooked Gershwin shows, Tell Me More was also the most unlikely of Jazz Age musicals. In an era marked by lavish extravaganzas and brash star vehicles, Tell Me More, which opened on April 13, 1925, relied on charm, modesty, and an impish sense of humor. Because it failed to recoup its investment on Broadway, it was relegated to the list of Gershwin flops; because its score was largely forgotten, it has been widely regarded as a minor effort. In truth, it's a key show. As the only full-length collaboration between George and Ira Gershwin and B.G. DeSylva, it combines the delicacy and grace of the scores George had written earlier in the decade with DeSylva and the bold wit he had pioneered in partnership with his brother Ira four months earlier in Lady, Be Good! The best of both worlds, Tell Me More was a one-of-a-kind achievement.

Customer Reviews:

Gifts from musical theater heaven!.......2005-07-24

The restoration of several complete Gershwin scores in recent years has been a gift from the theater gods. These two shows lack the bite of "Strike Up the Band," "Of Thee I Sing" and other earlier releases, but they have no lack of the Ira's wit and George's effortless melodies. Upbeat tuners "Kickin' the Clouds Away" and "Sweet and Low-Down" are especially engaging, and the authentic-sounding orchestrations lend a nostalgic aura. The first-rate casts seem to be having the time of their lives.

Tell Me More and more and more.......2001-12-07

I bought this CD because I had seen the concert of Tip-Toes, which I found enjoyable if uneven: great songs in Act I and not much in Act II. But for me, the real revelation here is Tell Me More, a totally forgotten Gershwin musical from the Twenties. I only knew one of the songs, "Kickin' the Clouds Away," but this score hits all the right notes, from gently melodic to flat-out funny. And the cast couldn't be better. David Garrison and Christine Ebersole are hugely funny in the comic roles, tossing out their one-liners like the Broadway pros that they are. And what a delight to hear the romantic couple on one of these vintage recordings -- in this case, Diane Fratantoni and Philip Chaffin -- sing just like a real period couple: him with the creamy tenor voice and her with the boop-a-doop flapper sound. Their rendition of "Three Times a Day," a lovely ballad with a Kern-like flavor, is, for me, the highlight of this 2-CD set.

Two restored little Gershwin gems.......2001-11-10

Although the Princess shows of Kern, Bolton and Wodehouse back in 1917 tried to introduce a solid plot into the American musical comedy, the story lines still did not amount to much until "Show Boat " set the standard. So when George and Ira Gershwin opened with two musicals in 1925, the first was based on a mistaken-identity situation already a cliché in the genre (Bolton did the book); and the second (again with Bolton, plus B.D. de Sylva) was about the Florida land boom that also formed the basis of Berlin's "The Coconuts" the very same year.

Both "Tell Me More" and "Tip-Toes" were part of the discovery of many Gershwin manuscripts buried in a New Jersey warehouse; and we can be most thankful to New World Records for restoring the scores and bits of the dialogue in a two-CD boxed set (80598-2). The music is what you would expect from Gershwin: 1920s jazzy with that special core of Gershwin genius. Yes, a good deal of it sounds like Berlin and Kern--as did just about every other contemporary composer except Romberg (who sounded like Herbert). On the other hand, "Kickin' the Clouds Away" from the earlier show seems to be the inspiration for Berlin's "Shakin' the Blues Away" written two years later! "Tell Me More" also does not shy away from ethnic jokes (i.e., mistaking a request to disguise oneself as British for doing so as Yiddish) that do not offend at all. And if we moderns grow impatient with the rich bubbleheads of the F. Scott Fitzgerald crowd, they are still a breath of fresh air after the population of "Miss Saigon" and plays of that sort.

The game casts have voices just right for this sort of characterization and delivery. The "Tip-Toes" production is taken from the Carnegie Hall Concert version and is outstanding.

This New World set deserves a place of honor among the other Gershwin Brothers restorations on other labels. And do not forget the New World complete recording of Kern's "Sitting Pretty," which (like these two Gershwin shows) did not produce any hits but is delightful from overture to Finale Ultimo.

Omnibust: 60 Years of Music America Hates Best
Average customer rating:

My favorite all time album finally on CD!

Something a little different from Spike Jones

Omnibust: 60 Years of Music America Hates Best
Spike Jones
Manufacturer: Taragon
ProductGroup: Music
Binding: Audio CD

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(Not) Your Standard Spike Jones Collection

Spike Jones in Hi-Fi (Spike Jones in Stereo)

Fonk

Strictly for Music Lovers

ASIN: B000071WX3
Release Date: 2002-12-10

Tracks:

Ah-1, Ah-2, Ah-Sunset Strip
Loretta's Soaperetta
Captain Bangaroo
The Late Movies - Part I
The Wonderful World Of Hari Kari
I Search For Golden Adventure (In My Seven Leaky Boots)
A Mudder's Day Sport Spectacular (William Tell Overture)
The Late Late Movies - Part II
I Kiss Your Hand, Madame
Knock, Knock, Who's There?
River, Stay 'Way From My Door
Pimples And Braces
Hut Sut Song
Strip Polka And Largo Strip
Mairzy Doats
The 20's Roar (Medley)
Melody Of Love (Why Do I Love You)
Three Little Fishies
Kookie, Kookie, Lend Me Your Comb (Spooky, Spooky, Lend Me Your Tomb)

Customer Reviews:

My favorite all time album finally on CD!.......2003-03-03

60 Years Of Music America Hates Best is Spike Jones` masterpiece and a scream! When my dad was stationed in France around 1960 he would go to the base exchange and buy trippy albums like this for us kids. We completely trashed it, of course, but not until it had seen about a million spins. In 1990 I was in hog heaven when I found a SEALED vinyl copy at a used record store. Now it's out on CD and my life is complete. Thank you Taragon Records!

Something a little different from Spike Jones.......2003-01-25

After Spike's original comedy band, the City Slickers, broke up (as happened to all the swing bands of the same vintage), Spike's recordings took a different approach. Here we have in beautiful stereo two projects based on two different themes. "Omnibust" is a parody of television shows of the early 60s, including westerns, kid shows, travelogues, soap operas, sports events, and plenty of "commercials." Note that this is more of a "comedy sketch" than the musical craziness Spike is identified with. The "60 Years..." album is a collection of songs from the 1920s, 30s, 40s, and 50s -- from ragtime to rock n' roll -- with Spike-Jones-type sound effects tossed in. It's not the old City Slicker band, but quite amusing never-the-less. Two nostalgic items with a sense of humor!

Average customer rating:

extremely poor re-mastering
An excellent CD!
Nelson Eddy on CD - always a pleasure

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Manufacturer: Encore
ProductGroup: Music
Binding: Audio CD

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Just for Tonight
Ah Sweet Mystery of Life: Anthology (1931-1938)
Through the Years
Sweethearts:The Timeless Love Affair -- On-Screen and Off -- Between Jeanette MacDonald and Nelson Eddy, updated edition
Nelson Eddy: Operatic Arias and Concert Songs

ASIN: B000001ZRF
Release Date: 2000-01-01

Tracks:

Carousel in the Park - Jeanette MacDonald
It Doesn't Cost You Anything to Dream - Jeanette MacDonald
Close as Pages in a Book - Jeanette MacDonald, Robert Merrill
Fireman's Bride - Jeanette MacDonald, Robert Merrill
Big Back Yard - Robert Merrill
When You Walk in the Room - Robert Merrill
Isnt' It Romantic? - Jeanette MacDonald, Paramount Studio Orchestra
Love Me Tonight - Maurice Chevalier, Jeanette MacDonald
Golden Days - Nelson Eddy
Drinking Song
Deep in My Heart, Dear - Nelson Eddy, Rise Stevens
Serenade - Rise Stevens
Just We Two - Rise Stevens
Come Boys - Nelson Eddy
One More Mile to Go
Raindrops on a Drum - Nelson Eddy
Love Is the Time - Nelson Eddy
Nearer and Dearer - Nelson Eddy
Tell Me With Your Eyes - Nelson Eddy
Russian Easter Hymn - Nelson Eddy
Whale Who Wanted to Sing at the Met: Three Blind Mice/Short'nin Bread - Nelson Eddy
Why Do I Love You? [From Show Boat] - Nelson Eddy, Jane Powell
Beyond the Blue Horizon [From Monte Carlo][*] - Jeanette MacDonald

Customer Reviews:

extremely poor re-mastering.......2004-12-21

I listen to many (re-mastered) historical recordings. Jeanette MacDonald is certainly one of my most favorite sopranos. For some reason, I haven't been able to find a decent, or even acceptable, re-mastering of her recordings.

While this one certainly contains many valuable tracks, the re-mastering is horrid. The songs sound stripped yet still maintain a great deal of distracting noise. I conjecture that the re-mastering was done simply by increasing the bass and decreasing the treble.

An excellent CD!.......2004-03-29

This is an excellent collection of the Screen Sweethearts of the 30's, Nelson Eddy and Jeanette MacDonald, *not* singing together, in the 40's (except for a few of Jeanette's songs).

For Jeanette, it has numbers from Up In Central Park: Carousel in the Park, It Doesn't Cost You Anything to Dream, Close as Pages in a Book, Fireman's Bride, The Big Back Yard, When You Walk in the Room. She and Robert Merrill sing these together and on their own, and very charmingly, too. There are also Love Me Tonight, Isn't It Romantic, and Beyond the Blue Horizon.

For Nelson, he sings music from The Student Prince with Rise Stevens: Golden Days, Drinking Song, Deep in my Heart Dear, Serenade (which is BEAUTIFUL!), Just We Two, and Come Boys. He also sings all the songs from Northwest Outpost - thankfully, without Ilona Massey! Also, the Willie the Whale segment from Make Mine Music is on this CD - just as it is in the movie, with the narration and everything - it's great! (The Tristan und Isolde part is not included, however - not sure what the reasoning is behind that.) He also sings a duet with Jane Powell - Why Do I Love You? from Show Boat.

I say this is a must for fans of Nelson and/or Jeanette, not to mention Rise Stevens!

I particularly enjoy "When You Walk in the Room". It's a charming little tune, with ridiculous but adorable lyrics! "Fireman's Bride" is very funny also - Jeanette barely sounds like herself!

I hope this will help others to choose this CD - it's a pity there's not a list of the titles here!

Nelson Eddy on CD - always a pleasure.......1998-08-30

It's always a pleasure to find Nelson Eddy's wonderful voice on CD and this one has some of the harder-to-find pieces in it, including collaborations with Jane Powell and the wonderful mezzo Rise Stevens. The recording of "The Whale Who Sang at the Met" is a must for any collector as are the excellent recordings (better than on the movie) for "Northwest Outpost". The baritone singing opposite Jeanette MacDonald also has an excellent voice (though his name temporarily escapes me)