Big Love [CD-single] [Import]

Big Love [CD-single] [Import]

Editorial Reviews
Product Description
Pete Heller's 1999 Essential Recordings Club Favorite, 'big Love'. This Song Has a Great Dance Groove to It, Accentuated by Female Backing Vocals and Sublime, Airy Keyboards and Built Upon a Sample of Starguard's 'wear it Out'. Includes the 'eat Me E Dit', a Remixed Version of the Heller Track, 'atlanta' and a 'dronez Mix' of 'big Love'.

Amazon.com

Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce

Customer Reviews:

Disney's greatest hits, volum 3.......2007-05-13

This is one of the better volums for kids and for those who are
above 18 but still have some kid in them

Timeless Disney Music.......2007-05-07

Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.

Disney songs are the best.......2006-03-18

I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.

Great Disney Music.......2006-02-21

I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!

Not as good as Vol 1 and Vol 2.......2005-09-11

This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.

Way Out West: The Essential Western Film Music Collection, Vol. 2

Average customer rating:

Not My Style
Rockin' Western Collection
Hard to Find Great Western Themes
Western Music
A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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The Wild West: The Essential Western Film Music Collection
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From Alamo to El Dorado, Vol. 2
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The Greatest Western Movie Themes

ASIN: B000060PBU
Release Date: 2002-03-26

Tracks:

The Hallejuah Trail-Overture
The Alamo-The Green Leaves Of Summer
The Alamo-Davy Crocket
The Big Country-The Welcoming/Finale
The Big Valley-Main Theme
Blazing Saddles-Blazing Saddles
Bonaza-Main Theme
Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
The Comancheros-McBain/Main Title
Duel In The Sun-Main Title/The Legend/Orizaba
A Fistfull Of Dynamite-Duck You Sucker
For A Few Dollars More-Main Theme
Friendly Persuasion-Thee I Love
Giant-Main Theme
The Good, The Bad And The Ugly-Main Theme
The Good, The Bad And The Ugly-The Ecstasy Of Gold
Gunfight At The O.K. Corral-Suite
Hang 'Em High-Main Theme
The Hanging Tree-Main Title

Tracks:

High Caparral-Main Theme
How The West Was Won-Prelude/The Land
High Noon-Do Not Forsake Me Oh My Darlin'
The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
The Lone Ranger-William Tell Overture: Finale
Nevada Smith-Main Title
Old Gringo-Main Themes
Once Upon A Time In The West-Man With The Harmonica
One Eyed Jacks-Main Title
The Proud Rebel-Main Titles
The Quick And The Dead-End Titles
Quigley Down Under-End Titles
Rio Bravo-Rio Bravo/De Guella
The Scalphunters-Main Title
Shane-Main Theme: The Call Of The Farwaway Hills
The Shootist-Main Title
The Unforgiven-The Need For Love
Viva Zapata-Gathering Forces
The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating:

Great to Hear All those great Voices from the Past
A Good One!

Greatest Hits: Broadway

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Only Broadway CD You'll Ever Need
Greatest Songs from the Musicals
The Best of Broadway - The American Musical (PBS Series)
Very Best Of Broadway Musicals

ASIN: B0000029PM
Release Date: 1996-10-29

Tracks:

Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
Annie: Tomorrow - Andrea McArdle/Peter Howard
The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
Cabaret: Cabaret - Jill Haworth/Harold Hastings
Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
Show Boat: Ol' Man River - William Warfield/Franz Allers
A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings

Customer Reviews:

Great to Hear All those great Voices from the Past.......2007-07-05

I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!

A Good One!.......2006-11-10

This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!

Music for a Darkened Theatre, Vol. 1: Film & Television Music

Average customer rating:

Great compilation - and that's just the first half.
The best of Elfman!!!
Great Collection, A LIttle Too Eclectic
What Great Music
super

Music for a Darkened Theatre, Vol. 1: Film & Television Music

Manufacturer: Fontana Mca
ProductGroup: Music
Binding: Audio CD

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Beetlejuice: Original Motion Picture Soundtrack

ASIN: B000002OEB
Release Date: 1990-10-15

Tracks:

Excerpts From: Pee Wee's Big Adventure
Excerpts From: Batman
Excerpts From: Dick Tracy
Excerpts From: Beetlejuice
Excerpts From: Nightbreed
Excerpts From: Darkman
Excerpts From: Back To School
Excerpts From: Midnight Run
Excerpts From: Wisdom
Excerpts From: Hot To Trot
Excerpts From: Big Top Pee Wee
Excerpts From: The Simpsons
Excerpts From: Alfred Hitchcock Presents: The Jar
Excerpts From: Tales From The Crypt
Excerpts From: Face Like A Frog
Excerpts From: Forbidden Zone
Excerpts From: Scrooged

Customer Reviews:

Great compilation - and that's just the first half........2005-09-14

I first got this on cassette in the summer of '94 and listened to it every day, drawn by its thematic range and compositional depth. And that was just side-one.

Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.

The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)

The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.

"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.

"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.

"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.

When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.

To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it

The best of Elfman!!!.......2005-09-05

I was obsessed about getting this CD right from when I heard about it. I found it at the library and was so excited about it, and it didn't let me down. In fact, it was a lot better than I expected. It's a fun and creepy (strange mix, but it really works!) collection of Danny Elfman's film and television soundtracks. The first track, Pee Wee's Big Adventure, is probably my favorite. Also, I really like Batman and Wisdom. Batman is creepy and dark, and Wisdom is just weird, in the best possible way.
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!

Great Collection, A LIttle Too Eclectic.......2003-08-19

You should be able to tell from the movies and TV shows listed here whether or not you'd be interested in this collection. It's a little too eclectic for my tastes (hence only 4 stars) but better than volume 2. I think thatthe miscellaneous collected ites here along with the previously unreleased stuff should make this worth buying. Especially if you're a fan of Elfman's movie soundtrack work.

What Great Music.......2003-05-11

I fell in love with the music of Danny Elfman when Beetlejuice came out. There was something different about the music that he made. When Edward Scissorhands, and then Nightmare Before Christmas - I knew this man was a musical master. Its the verbal form of surrealism.

super.......2003-04-17

What a great CD. Danny's music is so original and inventive. this CD contains his pre 90's quirky, gothic music. it's all very well written and beautifully orchestrated. batman and darkman contain some really excellent long, dark, gothic cues that really take u away from reality. in my opinion no one, apart from howard shore, is as inventive and original as danny in the world of filmmusic. he far surpasses the repetitive works of williams or horner. buy this, and volume two, and keep supporting one of the greatest film composers of all time.ohh...and buy fellowship of the ring and two towers by howard shore....amazing work!

Average customer rating:

turned off!
Bond Shines Another Day
A Good Band
Shine On!
Does it come with a scratch and sniff?

Shine
Bond
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Classified
Born
Explosive: The Best of Bond
Remixed
Bond - Live at the Royal Albert Hall

ASIN: B00006JID4
Release Date: 2002-10-15

Tracks:

Allegretto
Shine
Fuego
Strange Paradise
Speed
Big Love Adagio
Kashmir
Gypsy Rhapsody
Libertango
Sahara
Ride
Space
Bond on Bond (James Bond Theme)

Album Description

The classical-pop act's sophomore album. 13 tracks. Decca. 2002.

Album Details

Asian Version featuring a Bonus Vidoe CD with the MTV Videos for "Fuego", and "Shine", and Footage of the Making of "Shine".

Customer Reviews:

turned off!.......2007-01-15

Bought this CD after reading the rave reviews. Not what I look for in music. This group seems to be more about sex appeal than music. More about production than real music--one can barely notice that there is a string quartet playing. Could only stand to listen to this once-could find nothing of interest. One heck of a photo shoot, though. SOmeone must have had a field day with that. This CD seems to be more for the sake of some sexy pictures than its music. A real turn-off.

Bond Shines Another Day.......2006-06-11

Fans only had to wait two years for Bond to punch out another Classical/Pop/Dance album. The finished product is some of the string quartet's best work. With the return of violins, a viola, and a cello, these instruments provided the basis of Bond's Classical music sound. But to acheive the full sound of Bond, the electronic instrumention for Pop/Dance music returned as well. This time around, Bond dove further into the Classical genre and arranged pieces to match their own sound. With a name like Bond, the string quartet also performed their version of a James Bond Theme entitled "Bond On Bond", and it landed them a spot to the score and soundtrack for the film The World Is Not Enough. With the release of this remarkable record, it was clear that Bond and their new form of Classical music would not diminish.

Stand out tracks include:
"Allegretto"
"Shine"
"Fuego"
"Speed"
"Gypsy Rhapsady"
"Bond On Bond"

A Good Band.......2006-01-05

It is a good party music. All are very talented individuals. Everyone has their own taste of music, and Bond is mine.

Shine On!.......2005-06-02

This is the album that I really liked. Although I downloaded it, I also play this one nonstop. I love the whole CD, and that's rare for me!

The album is liked so much in my house that my mother and father take it from me--and I recently had to make copies of the CD so they can play their own!

"Shine" is a great addition to your collection if you love Bond, no doubt about it.

Does it come with a scratch and sniff?.......2005-04-15

Read my review of Lara St. John's "Re: Bach" album and substitute "Bond" where it says "Lara St. John."

Average customer rating:

Brian is back with 14 songs and a raspy voice
brian is back!
Brian is back!
superb reissue of two albums that really go well together
Near rock bottom...and a big comeback

15 Big Ones/Love You
The Beach Boys
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004W55M
Release Date: 2000-08-15

Tracks:

15 Big Ones: Rock And Roll Music
15 Big Ones: It's OK
15 Big Ones: Had To Phone Ya
15 Big Ones: Chapel Of Love
15 Big Ones: Everyone's In Love With You
15 Big Ones: Talk To Me
15 Big Ones: That Same Song
15 Big Ones: TM Song
15 Big Ones: Palisades Park
15 Big Ones: Susie Cincinnati
15 Big Ones: A Casual Look
15 Big Ones: Blueberry Hill
15 Big Ones: Back Home
15 Big Ones: In The Still Of The Night
15 Big Ones: Just Once In My Life
Love You: Let Us Go On This Way
Love You: Roller Skating Child
Love You: Mona
Love You: Johnny Carson
Love You: Good Time
Love You: Honkin' Down The Highway
Love You: Ding Dang
Love You: Solar System
Love You: The Night Was So Young
Love You: I'll Bet He's Nice
Love You: Let's Put Our Hearts Together
Love You: I Wanna Pick You Up
Love You: Airplane
Love You: Love Is A Woman

Amazon.com

Touted by a highly suspicious media blitz ("Brian is Back!"), 1976's 15 Big Ones caught the nostalgic wave generated by the surprise success of Endless Summer and Spirit of America, the double-album compilations of the Beach Boys' mid-'60s, summer-music prime, and rode it close to the crest of the charts. One doesn't have to get much further than the tepid (albeit top 10) cover of Chuck Berry's's "Rock and Roll Music" to realize that band founder/original creative spark Brian Wilson may indeed have been back, but sounded like he was working under duress--if he was working at all. With a covers-heavy tack best described as a parody of the band's original trademark sound, wed to some of the mid-'70s worst production trends, it's an album that shows just how much the public still yearned for the band's classic sound, even if their faith ended up being "rewarded" by the likes of Mike Love's embarrassing "Everyone's in Love with You" and "T.M. Song." Conversely, Brian was definitely back for '77s Love You, an album that's become something of a critic's darling, if only because it hews so bravely to the strange musical vision that seeped from Wilson's then-troubled mind. Brian's synth-heavy production managed to be at once dense and minimalist, while the songs remain some of the most consistently loopy concoctions the band ever recorded. While his vulnerable romanticism is also on display, it's Wilson's playful sense of humor that dominates, from strange odes to "Johnny Carson" and the "Solar System" to innocent romps like "Ding Dang" and "Mona." A quarter-century later, it's an album that can still both surprise and delight. Both albums are digitally remastered on a single disc. --Jerry McCulley

Amazon.com

Beach Boys Photos

More from The Beach Boys

Sounds of Summer
Pet Sounds
20 Good Vibrations, The Greatest Hits

Good Vibrations: Thirty Years of The Beach Boys
Endless Harmony
Endless Harmony DVD

Customer Reviews:

Brian is back with 14 songs and a raspy voice.......2007-01-30

On Love You - Brians voice takes some getting used to here. He went from a sweet falsetto to a raspy croak after 3 years of heavy drug use. However he is back in action with loads of new songs and a mediocre Brian is better than no Brian.

brian is back!.......2005-10-02

15 big ones was the return of brian wilson to the producers chair & major involvment in the studio,some fun in the sun songs are on the album with 1/2 oldies,1/2 originals,just sit back and lie in the sun!"love you"is brian back in full form bb fans have come to love this album.From "roller skating child" to "solar system" the album reflects brian's genius and sense of humor.

Brian is back!.......2005-07-28

Triumphantly,Brian Wilson is back with his Beach Boys bandmates! It is 1976,and the Beach Boys are now 30ish,bearded and "Beach Men". The girls will never forget how handsome they all were a decade earlier. One of the 15 BIG ONES is a cover of Chuck Berry's ROCK AND ROLL MUSIC,earlier covered by The Beatles. THE BEACH BOYS LOVE YOU was released in 1977,a year after 15 BIG ONES. I vaguely remember,as a child in the 70's,seeing the Beach Boys on American Bandstand performing RARM. These are the group's fifth and sixth non-compilation albums,respectively,on the Brother label,a subsidiary of Warner Bros. Fans were very happy when Brian rejoined his bandmates. For several years,beginning in the mid-60's,he was battling depression and drug addiction. So he put on a few pounds,big deal! He's back!

superb reissue of two albums that really go well together.......2005-05-02

Now here's a damn great reissue--take these two quirky albums that make an ideal pairing and put them together on a single disc; remaster them exquisitely; and add solid, informative liner notes. Not counting the "Endless Summer" & "Spirit Of America" compilations, the Beach Boys hadn't put an album out in well over 2 years when "15 Big Ones" appeared in July of 1976. With those two aforementioned compilations having been surprisingly huge commercial successes, it seems that Mike Love felt it was high time to try and capitalize on that success, so he cooked up the "Brian Is Back!" campaign, and "15 Big Ones" was released, its title referring both to the 15 songs on the album as well as the 15th anniversary of the Beach Boys. Consisting largely of `oldies' covers, "15 Big Ones" has been badly over-criticized over the years--it's actually a heck of a lot of fun. Also, it really does point the way to the cult classic "The Beach Boys Love You"--the Moog bass that`s so prominent on "Love You" crops up on the cover of "Chapel Of Love", and the loony, off-kilter, gospel-flavored "That Same Song" is a definite sign of things to come on the later album; in other words, the presence of Brian Wilson, who receives the production credit for the album, is strongly felt. However, despite the fact that Brian was going through a notoriously bizarre/ troubled period, "15 Big Ones" is a feel-good album all the way--the somewhat disco-fied version of "Rock And Roll Music"; the harmony-rich surf-rock throwback "It's OK"; the plodding, synth-string laden "Chapel Of Love" with great lead vocals from Brian; the energetic version of "Palisades Park" with spirited lead vocals from Carl; Al Jardine's's lively riff-rocker "Susie Cincinnati" (left over from the early `70s); and the aforementioned "That Same Song" are all a lot of fun. Even Mike's religion-themed "Everyone's In Love With You" is still respectably tuneful and by all means listenable, despite the corny lyrics, and the brief "TM Song" is highly amusing with it's mock-argument intro leading into the main song portion. "Had To Phone Ya", was previously done by Brian's then-wife Marilyn and her sister Diane (aka Spring) in the early '70s--the version here is elaborately-arranged and engagingly tuneful, with Mike, Carl, Al, Dennis, & Brian all sharing the lead vocals, although Carl sounds painfully bored. Like I said, I don't think this album deserves such a bad rap--if you're in the mood for giddy fun, you'll find lots of it on "15 Big Ones".

That said, "The Beach Boys Love You", released in April of 1977, is even MORE of a blast. Brian's pretty much in total control here (or totally out of his mind, depending on how you look at it). In addition to producing again (with Carl credited as the `mixdown producer`), Brian receives sole writing credit on 11 of the 14 tracks (although it's long been rumored that Brian's notorious shrink/ guru Eugene Landy helped with a lot of the lyrics), & Brian also played the lion's share of the instruments, including the technically rudimentary drumming. Indeed, the album was thought to be released as a Brian Wilson solo album entitled "Brian Loves You". Also, it's almost beyond all belief how much Brian's voice had changed over the course of the decade--as if you needed a reminder, the album contains the Al Jardine-Brian Wilson composition "Good Time" with a lead vocal from Brian recorded in the early `70s which explains why it lacks the hoarse, lower-register tone of his vocals on the rest of the album (goes to show what drugs can do). The resulting album is, on one hand, extremely primitive, but at the same time, Brian's incredible songwriting ability and his ear for harmony remain on full display. On `Side 1' of the album, Brian is basically living in a fantasy world, offering up rousing, irresistibly fun songs like the stomping album-opener "Let Us Go On This Way" (written by Brian & Mike); the lustful "Roller Skating Child"; the 4-chord, Phil Spector-style "Mona"; a tribute to "Johnny Carson"; the ultra-catchy, highly amusing "Honkin' Down The Highway" (the version here restores the drum intro that was missing on the old Caribou CD release of "Love You"); and the brief "Ding Dang" (written by Brian & Roger McGuinn) with its delirious party atmosphere. `Side 2' then, in somewhat similar fashion to 1965's "The Beach Boys Today!", is the `ballad side', offering up such gems as the waltzing, wondrous, & gloriously silly "Solar System"; the tender "Let's Put Our Hearts Together" (with lead vocals from Brian & Marilyn); the brilliantly tuneful ode to babies "I Wanna Pick You Up" (with lead vocals from Dennis & Brian); and the casually anxious "Airplane" which ends with an "I-can't-take-it-anymore" boogie-woogie coda. "I'll Bet He's Nice" is a strong piece of material, although I prefer the demo version that appears on the "Brian Loves You" bootleg opposed to the overproduced version here. The album closer "Love Is A Woman" is kind of half-baked, but it does have a vibe startingly similar to Leonard Cohen's "Death of a Ladies' Man" album, which, tellingly, was produced by Phil Spector and came out the same year.

Overall, there's an absolute wealth of unique and terrific music to be found on this two-fer. No, this isn't "Pet Sounds", but if you're truly interested in the eclectic genius of Brian Wilson, i.e., a serious music listener, this disc ranks at must-have status.

Near rock bottom...and a big comeback.......2005-03-23

The Beach Boys last two albums before "15 Big Ones" had been huge selling collections of their 60s oldies so the band took it as their cue to record a collection of halfbaked oldies cover tunes while trying to boost the touring by telling the world excitedly "Brian's Back!". (Brian's body may have been, but his melodic mind was elsewhere.)

The 2nd album on this twofer disc is the far more satisfying, though quirky, "The Beach Boys Love You". A look at the crazed expression in Brian's eyes in the insert photo (with his wife Marilyn in the tiara) reveal the mad genius at work here.The songs run to "out there" subject matter like late night talk host Johnny Carson and celestial bodies ("Solar System").

HIGHLIGHTS:
Let's make it "3 Big Ones": Though short, the 'missing you on the road' tune "Had to Phone Ya" has a gently swinging melody (the clarinet is key) that charms. I'll risk the wrath of the "Mike Love is Satan" club by pointing out that "Everyone's in Love with You" is a very good ode to Transcendental Meditation, combining a decent melody, an OK if not great lyric, and probably the best group vocals on the disc. "That Same Song" sounds like a lost showtune from a musical about the evolution of song. It's no classic, but it's hummable and worth a hear.

If you can get over some of the odd subject matter, "Love You" has some winsome ditties here buried in deceptively simple arrangements. "Let us Go on this Way" finds Brian flashing back to high school days and signaling that he cares about his music again. (The emphatic "Yeah!" says volumes) "Johnny Carson"'s 'Who's the man that we admire?' coda will run through your brain for awhile after hearing it. "The Night was So Young" has sparks of vintage Brian (listen to "Is somebody gonna tell me..why she has to hi-i-i-ide??"). "I'll Bet He's Nice" is another one that sticks with you, with a nice handclap fade. "I Wanna Pick You Up" is Brian's tender ode to his daughters. (The "little baby go to sleep" harmony at the end is spine-tingling)

VALLEYS:
"Big Ones" is the worst BB album to feature Brian Wilson: Mike Love cancels out his meditation highlight with the completely wretched "TM Song". It's plagued by a ridiculous "mock fight" intro (followed by the spoken "It's time to meditate..."), an asinine lyric, and awkward tempo changes. It's abysmal in every way. "Palisades Park" is rendered here in a slowed-down midtempo with country-tinged guitar and completely minus the drum wallop of the Freddy Cannon original. "Susie Cincinnati" is a lame attempt at an updated "409" with a protagonist who's homely but good with a gearshift. "Blueberry Hill" starts great, with an understated Mike vocal and a bongo lope reminiscent of Elvis Presley's version of "Blue Moon" but completely falls apart once the whole group comes in. The singing on "Chapel of Love" is ragged, as is the harmonizing on "Just Once in my Life" (Brian's fault..Carl sounds OK), desecrating two Phil Spector classics. Dennis sounds raw on "In the Still of the Nite".

There are only a few egregious moments on "Love You" thankfully:
"Ding Dang" is really just a fragment, not a song...maybe it would have worked better with a tiny musical link to make it an intro to "Roller Skating Child"? "Let's Put Our Hearts Together" is a passable lyric, but Brian's wife is no singer and Brian himself sounds a little weak here. "Love is a Woman" 'tell her she smells good tonight' is part of the lyric. 'Nuff said.

BOTTOM LINE:
"Love You" is one you should have if you appreciate their 70s output so buy this and program out most of the "Big Ones" tracks. If you only really like the "sun and fun" stuff, you probably won't care for this one...you'd be better off skipping this and getting the "Keepin' the Summer Alive/The Beach Boys" twofer which has some of their last chart hits and probably the most 'classic' sounding latter day Beach Boys tune "Getcha Back".

Average customer rating:

A great deal of charm and subtlety.
Marvelous Arrangements; Splendid Execution
awesome just awesome
Very highly recommended
Big Band Done Right!

With Love - Charles Tolliver Big Band
Charles Tolliver
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music

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ASIN: B000LC5BJ2
Release Date: 2007-01-16

Tracks:

Rejoicin'
With Love
'Round Midnight
Mournin' Variations
Right Now
Suspicion
Hit The Spot

Amazon.com

Trumpeter/composer/bandleader Charles Tolliver co-founded the Strata-East label with pianist Stanley Cowell, in 1971, but it's been a long time since we heard his underappreciated genius. This CD falls into the "where have you been?" category. It features a big band that includes Cowell, pianist Robert Glasper, saxophonist Billy Harper, bassist Cecil McBee, and drummer Victor Lewis. Save for a Gil Fuller-like rendition of Thelonious Monk's "'Round Midnight," the remaining six tracks are penned by the leader. Picking up from his big band charts from the 70s, this ensemble, driven by Tolliver's bravura Hub-toned trumpet lines, swings and sings with a propulsive, pan-generational sound. "Rejoicin'" is a spirited waltz, contrasted by the evocatively voiced, Trane-style "Mournin' Variations" and the Latin-tinged bopper "Suspicion," with Tolliver's son Ched on guitar. Tolliver may have been out of sight, but he certainly wasn't out of swing. --Eugene Holley, Jr.

Customer Reviews:

A great deal of charm and subtlety. .......2007-07-09

At first glance, "With Love" seems to be revitalising hackneyed big band jazz.
The arrangements are excellent, and the various parts of the big band move with the agility of a small group. The bright, brassy clamour is genuinely exciting.
Further listening to extended pieces like "Mourning Variations", however, suggests that something extraordinary is taking place. "With Love" connects to an even older tradition: gospel music.
Horns, rather than voices, are calling and responding, but the fervour and passion are unmistakeable.
This album, featuring a somewhat neglected figure from Blue Note's heyday, trumpeter Charles Tolliver, nails its colours to the mast from the off, with a rip-snorting, brawling opener, "Rejoicin'", full of shrieking brass and tumultuous soloing.
Thereafter, the temperature seldom drops below boiling point, even on a Tolliver arrangement of "Round Midnight" which, taken at times at a tempo approximately three times as fast as is customary, unexpectedly reveals itself as possessed of a wonderfully swinging chord sequence perfectly adaptable to the hurtling version given of it here.
There are quieter moments, notably in "Mournin' Variations", originally written (in 1972) as an orchestral suite for Max Roach, but overall, this is a band that idles in joyous exuberance mode and swiftly goes up through the gears from there.
Tolliver himself is heavily (and tellingly) featured as a bright, blowsy soloist, but pianists Stanley Cowell and Robert Glasper also shine, as do saxophonists Craig Handy and Bill Saxton.
There is, undoubtedly, a great deal of charm and subtlety about the big-band work of, say, Maria Schneider, with its pastel colours and textural delicacy, but occasionally it's great to hear a unit at full throttle, roaring and being generally rumbustious, and Tolliver's unit is a perfect example of such a band.

Marvelous Arrangements; Splendid Execution.......2007-06-04

On the first listen I was intrigued; on the second, excited; by the third play I was an enthusiastic Charles Tolliver fan. This is big band music--18 to 20 musicians perform on each piece-- of very high caliber. Tolliver composed all the music except, of course, Monk's Round Midnight. Arrangements are detailed and intricate; sonorities and polyphonies achieved by the brass and reed sections are thrilling. Fine solos are performed by at least 10 different group members. In some portions, only the rhythm section (piano, bass, drums) plays, providing brief, small-group feel and making the return of the full group that much more exciting. Several numbers contain Latin elements; one piece--Right Now-- provides a bit of funk; Mournin' Variations has a lovely, adagio-like section with flute and reeds. Overall, the music swings like crazy. Enjoyment is maximized by the capability of today's recording technology. Can it get much better than this?

awesome just awesome.......2007-03-03

This cd is awesome outstanding all the arrangements awesome this cd Igive it 9 stars if I could its that awesome & so are his cds #1The Ringer & his Impact & his Grand Max as well. I get all of theses cds today right away.Id give all cds mentioned 9 stars if I could.

Very highly recommended.......2007-01-25

Trumpeter, composer and arranger Charles Tolliver is one of the unsung heroes of modern jazz. Tolliver made his debut with Jackie McLean in the mid 1960's and ever since, he has investigated the intersection of composition and improvisation as a leader, sideman and educator. Tolliver's profile has been on the rise lately with his excellent sideman appearance on Andrew Hill's Time Lines LP and a short residency for his big band in New York. So, he really makes an appropriate choice for the first collaboration between the Blue Note and Mosaic labels in newly recorded music (they have collaborated for years on re-issues.) There are some wonderful musicians making up the band: saxophonists Billy Harper and Craig Handy, pianist Robert Glasper and drummer Victor Lewis among many others. The music is extraordinarily exciting, beginning with the blasting original chart "Rejoicin" which features an excellent solo from the leader and very good ensemble playing. The title song, "With Love" builds slowly to an explosive conclusion with the entire group whipped into a ferocious swing. Next up is a very interesting re-arrangement of Thelonious Monk's "'Round Midnight" with Tolliver leading the way with some excellent trumpet soloing. The great tenor saxophonist Billy Harper gets an excellent solo spot on "Mournin' Variations" which Tolliver originally wrote for a Max Roach project. The music starts off in a meditative fashion before evolving into a Mingus-like holy rolling swing. The recording is rounded out with performances of the originals "Suspicion" and "Hit the Spot." The first has a bit of a different feel thanks to Tolliver's son Ched, who contributes some fine electric guitar, and the final tune is a blow out for the whole band that is nearly head spinning in its power. This is an astoundingly good progressive big band album, with great charts and superb playing. Kudos all around but especially to Blue Note and Mosaic for taking a chance on this startling music. Very highly recommended.

Big Band Done Right!.......2007-01-18

Trumpeter Charles Tolliver is one of many great jazz players who is known to enthusiasts but for whatever reason has not garnered the wider acclaim of which he is worthy. Last year saw the tide begin to turn. Mosaic released a 3-CD Select set of his `70's work and his role on pianist Andrew Hill's celebrated return to recording for Blue Note generated renewed interest in this underappreciated veteran.
"With Love" features the trumpeter at the helm of a multi-generational big band and is his debut as a leader for Blue Note. Interestingly the disc also brings him back to the label where he made his recording debut as a sideman in 1964 on alto-saxophonist Jackie McLean's acclaimed album "It's Time."
Comprised of six original compositions as well as a sassy reading of Monk's "'Round Midnight," Tolliver's charts spotlight a meticulous attention to nuance and detail. Taking great care to accentuate the strengths of both the ensemble and the soloists, he effectively retains an inherent looseness which bolsters the group's ability to sound fresh and inspired as they navigate intricate lines and swing like mad.
Tolliver's 60's affiliation with McLean yielded four Blue Note LPs. "Right Now" was the title track to one of those albums. Recast with an extended intro, the ensemble punctuates the backdrop as the trumpeter fires off one of his many inspired solos.
Also revisited is a pair of tunes from the `70s- "Suspicion" and "Mournin' Variations." The former was written for a pianoless quartet. Here its pulsing theme gives way to Tolliver blowing over just the drums before the band joins back in and the heat once again builds. The latter is the trumpeter's adaptation of the spiritual "Singin' Wid A Sword In Ma Han, Lord" and was originally commissioned by Max Roach to be performed at Montreux in '72. It eventually appeared, complete with string section, on Tolliver's album "Impact" in '75.
All in all "With Love" is a very welcome return for a seasoned artist who still has plenty to say. Hopefully this is just the first step in what will prove to be a fruitful partnership between Tolliver and Blue Note.
This release is also the first in a new partnership between Stamford, CT. based Mosaic Records and Blue Note. It will be interesting to see what fruit this partnership yields as they move forward.

Average customer rating:

A Real Treat!
I LOVE IT!!!

Movie Love Themes

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Cousins

ASIN: B000003CWT
Release Date: 1991-05-10

Tracks:

Main Theme From On Golden Pond
Unchained Melody From Ghost
Sooner Or Later From Dick Tracy
We're Losing Him From Somewhere In Time
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The Last Time I Felt Like This From Same Time Next Year
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Cavatina From The Deer Hunter
The Way We Were

Customer Reviews:

A Real Treat!.......2007-02-16

As someone who works from home, this is a wonderful collection to put on during the day. The beautiful arrangements of some of film's most memorable music is a treat to listen to day in and day out. I was one of those looking for music from the "Cousins" soundtrack. I'm so much happier to have found this CD with more great music than I could've bargained for. I'm very glad to have this in my collection!

I LOVE IT!!!.......2005-09-11

I HAVE BEEN SEARCHING FOR THE SOUNDTRACK OF COUSINS... I KNOW BUT HEY I LOVED THE MOVIE AND WHEN I REALIZE THAT THE SOUNDTRACK WAS BEEN ASK $120 I JUST WENT NUTS LOL LOL BUT I WENT ON MY SEARCH AND FOUND THIS GREAT GREAT GREAT CD, THAT HAS THE SONGS I WAS SEARCHING FOR AND MORE.

FOR EXAMPLE, CAVATINA FROM THE DEER HUNTER, HMM GREAT MOVIE AND GREAT SONG. AND LETS NOT FORGET THE WAY WE WERE, COME ON THAT IS A CLASSIC. AND ITS HAS THE THEME FROM THE MOVIE ON GOLDEN POND, ALSO UNCHAINED MELODY FROM THE MOVIE GHOST.

BUT WHAT TOOK MY OFF MY SIT WAS THE SONG *WE ARE LOOSING HIM, FROM THE MOVIE SOMEWHERE IN TIME. LOOK THIS IS A GREAT CD, AND IT IS WORTH ALL.

I HAVE ALL THE SONGS I EVER WANTED AND MORE. BELIEVE ME YOU ME, IT IS A GREAT BARGAIN. WONT BE DISSAPOINTED.

Superman - The Movie: Original Motion Picture Soundtrack

Average customer rating:

Original 1978 Recording?
AWESOME! John Williams shows again why he's the master of movie scores
Is John Williams Superman???
Excellent!
Hector, about the liner notes...

Superman - The Movie: Original Motion Picture Soundtrack

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Superman: The Movie - Original Sound Track

ASIN: B000046PVN
Release Date: 2000-02-15

Tracks:

Prelude and Main Title March
Planet Krypton, The
Destruction of Krypton
Star Ship Escapes
Trip to Earth, The
Growing Up
Death of Jonathan Kent
Leaving Home
Fortress of Solitude, The
Welcome to Metropolis
Lex Luthor's Lair
Big Rescue, The
Super Crime Fighter
Super Rescues
Luther's Luau
Planet Krypton (Alternate), The
Main Title March (Alternate)

Tracks:

Superman March (Alternate)
March of the Villains, The
Terrace, The
Flying Sequence, The
Lois and Clark
Crime of the Century
Sonic Greeting
Misguided Missiles and Kryptonite
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Can You Read My MInd (Alternate performed by Margot Kidder)
Flying Sequence/Can You Read My Mind, The
Can You Read My Mind (Alternate Instrumental)
Theme from Superman (Concert Version)

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Released during the era of leisure suits and pet rocks, the film Superman: The Movie has aged about as well. But the often-clumsy charms of Richard Donner's cartoonish, hit-and-miss take on the Man of Steel was blessed with at least one superlative artistic effort: John Williams's epic score. The composer's Oscar-nominated music (coming on the heels of Star Wars and Close Encounters) was a wall-to-wall heroic symphony, rife with memorable melodies and ominous arrangements. Almost every original cut on this soundtrack appears in an expanded version, supplemented by nearly a dozen previously unreleased cues and alternate takes. Featuring a deluxe slipcase and extensive, new liner notes, this is the definitive release of one of Maestro Williams's greatest scores. --Jerry McCulley

Customer Reviews:

Original 1978 Recording?.......2007-04-04

FIVE STAR FOR MUSIC. 1 STAR FOR AUDIO. Ok I've wanted this recording for almost 4 years. Now I got it. I am a discerning listener. This soundtrack is not the best quality. Tape hiss is very pronounced. You can tell it's taken directly from a cassette recording. I have other digital recordings of this music. They are miles ahead of this cd. Soundtrack is on the Rhino label. What? Rhino is not known for high fidelity. So it is very deceiving for one to buy a cd thinking it's John Williams conducting on a new recording in 1998 or whenever. It's the actual 1978 recording. Now let me unleash my rage. This thing sounds as if it's recorded with a single microphone in a bathroom, at a truck stop. Yes the music is phenomenal. My favorite track is #2 Krypton. I was hoping to discover some new hidden melodies that I've never heard in previous recording (original 1978). Nope. This IS the 1978 recording. So I will be getting the Debney recording just so I can hear what I'm missing. Love the music. Just can't hear it. ALL OF IT! But cool booklet. I can't listen to a booklet. But I got it. Whoopee.

AWESOME! John Williams shows again why he's the master of movie scores.......2006-08-31

After over a year of trying to find a seller of this fine soundtrack, I finally found it! It is high time that the full score was released on CD.
The original soundtrack release from 1978, while still an excellent collection, was sadly lacking in several of the best cues from the film. Most important of these was Track 12 (Disc 1) in which the helicopter crashes on the Daily Planet's roof and dangles precariously above the street. Williams builds on it, introducing Superman's theme into it as Clark Kent runs across the street, then rips open his shirt to reveal the 'S' - the symbol of the House of El - then enters the revolving door & exits as Superman. At the end of this is one of my favorite cues; the Superman theme is played as the Man of Steel appears above Metropolis, flying over the city on the hunt for criminals. 'Crime of the Century' (Track 6, Disc 2) was one of my favorite cues; this one portrayed the missile convoy as it made its way along the freeway, where Luthor staged the accident to get his cronies close enough to sabotage the missiles. There are too many new tracks to list here that should have been included the first time around, just a lack of space precluded this from happening.

Is John Williams Superman???.......2006-08-20

After listening to the CD, John Williams must be Superman. By far, the greatest movie score ever written.

Excellent!.......2006-08-10

Other than the over kill of "Can you read my mind", an excellent collection.

Hector, about the liner notes..........2006-07-14

I have the previous edition, and the notes that came with it were nestled next to the CD in a thick booklet (with a cover of Reeve in front of an American flag) that was large enough for the slipcase cover, but too big to fit into the CD case front. Otherwise, the one-sheet cover that came with your soundtrack is identical to the slipcase version.

Average customer rating:

Modern Rock 1982-1983
1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars various artists , 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country , 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx , 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes , and 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NHZHKS

Product Description

Year: 1982 Track Title 1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses

Music: