Stay Down

Stay Down

Stay Down

Editorial Reviews
Amazon.com
Two Lone Swordsmen, actually DJs Keith Tenninswood and Andrew Weatherall, have released a veritable concept album here, putting sea divers on the cover and drowning the listener in waves of atmospheric melodies and song-to-song flow. This record isn't just another club mix; the sensation TLS successfully achieve is of literally being underwater. As far as overall style goes, they incorporate several different elements of their ever-expanding techno palate, applying trance, light drum & bass, and electro-funk in their musical approach and using wavering, water-logged tones, sampled tides, and muted melodies that rise to the surface like air bubbles. The atmospheric elements in songs such as "We Change the Frequency" are so pronounced, in fact, that it even makes for a certain kitschy fun, like a submerged Stereolab. The distinctly land-based and inconsistent EP, A Bag of Blue Sparks, which comprises the final five tracks, feels tacked on. But bonus-track quibbles aside, if you're planning on doing a little scuba diving after the rave (or just relaxing somewhere after a long club night), Stay Down is the perfect soundtrack. --Matthew Cooke

Stay Down,Two Lone Swordsmen,Matador Records,Dance Music,Pop
Joshua Bell - Gershwin Fantasy
Average customer rating: 5 out of 5 stars
  • Bell & Gershwin
  • Enchanting
  • Joshua Bell's playing is exquisite
  • S'Wonderful
  • My Starter Bell CD
 Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Romance of the Violin
  2. Voice of the Violin
  3. Joshua Bell ~ Bernstein - West Side Story Suite
  4. The Essential Joshua Bell
  5. Tchaikovsky: Violin Concerto [Hybrid SACD]

ASIN: B000009OP5
Release Date: 1998-07-28

Tracks:

  1. Fantasy For Violin And Orchestra On Porgy And Bess
  2. Three Preludes: I. Allegro ben ritmato e deciso
  3. Three Preludes: II. Andante
  4. Three Preludes: III. Allegro ben ritmato e deciso
  5. Songs For Violin And Orchestra: I Got Rhythm
  6. Songs For Violin And Orchestra: Embraceable You
  7. Songs For Violin And Orchestra: Nice Work If You Can Get It
  8. Songs For Violin And Orchestra: Liza
  9. Songs For Violin And Orchestra: But Not For Me
  10. Songs For Violin And Orchestra: Sweet And Low-Down
  11. Songs For Violin And Orchestra: Love Is Here To Stay

Amazon.com essential recording

On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde

Customer Reviews:

4 out of 5 stars Bell & Gershwin.......2007-05-20

Two of my faves, George Gershwin and Joshual Bell -

Can't beat that!

Also, "Porgy" is a fave opera... so three out of three isn't bad!

5 out of 5 stars Enchanting.......2007-03-24

A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!

5 out of 5 stars Joshua Bell's playing is exquisite.......2005-07-08

Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.

5 out of 5 stars S'Wonderful.......2004-10-20

Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.

5 out of 5 stars My Starter Bell CD.......2003-11-05

This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Authentic George Gershwin, Vol. 1-4
Average customer rating: 5 out of 5 stars
  • Excellent performer
  • A unique project
  • Gershwin historical, manic, perfect, archival
  • Definative
 Authentic George Gershwin, Vol. 1-4

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001Z2RSC
Release Date: 2004-08-24

Tracks:

  1. Swanee
  2. Come To the Moon
  3. I Was So Young (You Were So Beautiful)
  4. Tee-Oodle-Um-bum-Bo
  5. Nobody But You
  6. Limehouse Nights
  7. Drifting Along With The Tide
  8. Rhapsody In Blue
  9. Oh Lady Be Good!
  10. Fascinating Rhythm
  11. Hang On To Me
  12. I'd Rather Charleston
  13. The Man I Love
  14. The Half Of It, Dearie, Blues
  15. So Am I
  16. Kickin' The Clouds Away
  17. Concerto In F

Tracks:

  1. Sweet And Low-Down (I)
  2. That Certain Feeling (I)
  3. Looking For A Boy
  4. When Do We Dance?
  5. Sweet And Low-Down (II)
  6. That Certain Feeling (II)
  7. Irish Waltz
  8. Do, Do, Do
  9. Someone To Watch Over Me
  10. Clap Yo' Hands
  11. Maybe
  12. Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
  13. Meadow Serenade
  14. My One And Only
  15. 'S Wonderful/Funny Face
  16. He Loves And She Loves
  17. An American In Paris
  18. Liza
  19. Strike Up The Band
  20. Embraceable You
  21. I Got Rhythm (I)
  22. I Got Rhythm (II)

Tracks:

  1. Of Thee I Sing
  2. Jilted
  3. Second Rhapsody
  4. For You, For Me, For Evermore
  5. Cuban Overture
  6. Isn't It A Pity?
  7. Variations On 'I Got Rhythm'
  8. I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
  9. II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
  10. III. Fugue: Murder Of Crown, Act III Scene 1
  11. IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
  12. V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
  13. They Can't Take That Away From Me
  14. Let's Call The Whole Thing Off
  15. Our Love Is Here To Stay

Tracks:

  1. Girl Crazy Overture
  2. French Ballet Class
  3. Dance Of The Waves
  4. Slap That Bass
  5. Walking The Dog
  6. I've Got Beginner's Luck
  7. They All Laughed
  8. They Can't Take That Away From Me
  9. Shall We Dance
  10. By Strauss
  11. I Can't Be Bothered Now
  12. The Jolly Tar And The Milkmaid (1st Version)
  13. Put Me To The Test
  14. The Jolly Tar And The Milkmaid (2nd Version)
  15. Stiff Upper Lip
  16. A Foggy day (In London Town)
  17. Nice Work If You Can Get It
  18. Things Are Looking Up
  19. I Was Doing All Right
  20. Love Walked In

Customer Reviews:

5 out of 5 stars Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

5 out of 5 stars A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

5 out of 5 stars Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

5 out of 5 stars Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.
The Essential Paul Robeson
Average customer rating: 3.5 out of 5 stars
  • What ??
  • Nice Voice, but not a nice person...(read on, pls.)
  • A let down
  • The definitive Paul Robeson compilation
 The Essential Paul Robeson

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ballad for Americans
  2. Paul Robeson Live at Carnegie Hall
  3. Paul Robeson Sings "Ol' Man River" & Other Favorites
  4. Songs of Free Men/ A Paul Robeson Recital
  5. Ol' Man River: His 25 Greatest

ASIN: B00005B15R
Release Date: 2001-05-22

Tracks:

  1. Ol' Man River
  2. Steal Away
  3. Joshua Fit De Battle Ob Jericho
  4. Water Boy
  5. Swing Low, Sweet Chariot
  6. Deep River
  7. Lonesome Road
  8. Mighty Lak' A Rose
  9. Rockin' Chair
  10. When It's Sleepy-time Down South
  11. Mah Lindy Lou
  12. My Curly Headed Baby
  13. Carry Me Back To Green Pastures
  14. Lazy Bones
  15. St. Louis Blues
  16. Congo Lullaby
  17. Canoe Song
  18. Shenandoah
  19. I Still Suits Me
  20. Summertime
  21. It Ain't Necessarily So
  22. Just A-Wearyin' For you
  23. Song Of The Volga Boatmen
  24. Little Man, You've Had A Busy Day

Tracks:

  1. Sometimes I Feel Like A Motherless Child/Minstrel Man
  2. Git On Board, Li'l Children/Dere's No Hidin' Place
  3. Go Down, Moses
  4. Bear De Burden/All God's Chillun Got Wings
  5. Nobody Knows The Trouble I've Seen
  6. Got The South In My Soul
  7. Blue Prelude
  8. Fat Li'l Feller Wid His Mammy's Eyes/Shortnin' Bread
  9. Wagon Wheels
  10. The Banjo Song
  11. Love Song
  12. Climbing Up (Mountain Song)
  13. All Through The Night
  14. Mood Indigo
  15. At Dawning
  16. An Eriskay Love Lilt
  17. Trees
  18. Jerusalem
  19. The Cobbler's Song
  20. A Perfect Day
  21. Sylvia
  22. Sea Fever
  23. King Joe (The Joe Louis Blues)
  24. The Old Folks At Home (Swanee River)
  25. My Old Kentucky Home

Customer Reviews:

5 out of 5 stars What ??.......2006-12-10

The idiot from Virginia thought it a bit strange that an American black man would give the communists a chance. Looking back from modern perspective is easier than what he had to go on in the thirtes. Gee, I wonder why a black man would do that after all that southern hospitality, segregation, and steady work you gave the "black folk". Not to mention all those nighttime campfires you had going in their honor.
While I might be from New York I certainly would not be called a bleeding heart liberal but I can certainly understand why the poor soul was looking elsewhere. You are either ignorant of history and its influences on people or you are a totally unsympathetic jackass!!

1 out of 5 stars Nice Voice, but not a nice person...(read on, pls.).......2006-01-07

Paul Robeson, who was brainwashed into
beleiving Communist rhetoric (which is
strange as hell for an Amer-I-can black
man). A good singing voice but all cover
songs! Come on, Paul!

3 out of 5 stars A let down.......2004-09-24

I own several Robeson recordings and purchased this one with high hopes as it has a great selection of tracks. Unfortunately given the excellent recording quality of "Songs for Free Men" and "The Paul Robeson Oddyssey", the remasters from what I assume are 78's and possibly radio are a let down and mar what could have been an excellent album.

5 out of 5 stars The definitive Paul Robeson compilation.......2003-09-19

This 2 CD set of Paul Robeson is the definitive collection providing a decent overview of his work in 50 tracks all wonderfully restored from 78s as usual for ASV, with spirituals, show tunes, Shakespeare-like readings, and more done with a trademark bass voice and orchestration that backs up Paul perfectly and he would later be one of the first civil rights activists. The first disc is a reissue of the single disc "Ol' Man River-His 25 Greatest" on ASV containing "Ol' Man River," "Mighty Like a Rose," "Joshua Fit De Battle Ob Jericho," "Carry Me Back To Green Pastures," "Lazy Bones," and many more classics which is also available here at Amazon for those who only want a single disc of Paul's work and the 2nd disc contains 25 more classics including "Nobody Knows The Trouble I've Seen," "The Old Folks At Home," "My Old Kentucky Home," "Wagon Wheels," "Git On Board, Little Children," and many more. In other words, all 50 of these tracks are essential to any early pop, folk, gospel, blues, etc. music fan and this is the set to introduce yourself to his work in a convenient 2 CD package with the usual great liner notes and details on the original 78s ASV provides with each CD released in their Living Era series.
Prima Voce - Marian Anderson / Shaw
Average customer rating: 5 out of 5 stars
  • In a class of her own
  • CELEBRATE Marian Anderson's powerful, liberated voice with JOY!
  • Timeless performances
  • My favorite singer
  • Honest Transfer of Great Material from 78s
 Prima Voce - Marian Anderson / Shaw

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Marian Anderson
  2. Spirituals
  3. Marian Anderson Rare and Unpublished Recordings, 1936 - 1952
  4. Marian Anderson 1897 - 1993
  5. He's Got the Whole World in His Hands

ASIN: B0000037L2
Release Date: 1997-01-07

Tracks:

  1. Cantata No. 81: Jesus schlaft, was soll ich hoffen
  2. Cantata No. 112: Zum reiner wasser
  3. St. Matthew Passion: Erbarme dich, mein gott
  4. Cantata No. 12: Kreuz und krone
  5. Messiah: He Shall Feed His Flock
  6. St. John Passion: Es Ist Vollbracht (English)
  7. Christmas Oratorio: Bereite dich, zion
  8. City Called Heaven
  9. Lord, I Can't Stay Away
  10. Heaven, Heaven
  11. Trampin
  12. Oh What A Beautiful City
  13. Were You There?
  14. Sometimes I Feel Like A Motherless Child
  15. I Don't Feel No-Ways Tired
  16. Deep River
  17. Go Down Moses
  18. My Soul's Been Anchored In The Lord

Amazon.com

Marian Anderson's rich contralto tinged with sadness touched the hearts of many and made her one of the most-loved American singers. She's probably best known for her spirituals on recordings made in the twilight of her career. In these good transfers, she sings an ample selection of those favorites made in her prime, the late 1930s; they're no less touching and made even more compelling by the freshness of her voice, which is just as fresh in the Handel and Bach arias from the Messiah, St. Matthew Passion, and more. - -Dan Davis

Customer Reviews:

5 out of 5 stars In a class of her own.......2007-07-21

Dignified,lovable and instantly recognisable Marian Anderson is much beloved first afro-american singer to achieve world-wide recognition,together with Paul Robeson she represents almost biblical royal couple from whom later generations sprung and followed.True,she certainly had to fight with unjustice,prejudice and obstacles (curiously enough,she was instantly recognised as artist of highest calibre in Europe while they troubled her back home) but all those events are far now,as I am writting this in Summer 2007 and what is the most important is her musical legacy.Contrary to liner notes on this CD where they suggest her singing might be old fashioned by todays standards,I found her singing simply stunning,serious,deeply moving and sincere.In fact,of all "Prima Voce" compilations,this is the one I believe has not aged or became museum relic,this is a pure masterpiece that can be cherished forever and time cannot erase or diminish art like this.

5 out of 5 stars CELEBRATE Marian Anderson's powerful, liberated voice with JOY!.......2006-03-25

On April 9, 1939, the voice of Marian Anderson shook my whole being unforgettably. She began her concert by singing our nation's hymn, "Our Country 'Tis of Thee, Sweet Land of Liberty,"
a prayer for all to give voice to.

Two events that took place on the steps of the Lincoln Memorial in Washington, D.C., had a profound effect on my life. In a minister's family any political discussion was usually 'careful'. But when the Daughters of the American Revolution ruled that Marian Anderson could not give a concert in their Constitution Hall my parents spoke passionately about Anderson's rebuff, and then praised First Lady Eleanor Roosevelt to the skies for her immediate response which was to invite Marian Anderson to sing at the Lincoln Memorial.

What happened had charged the air with electricity. The hush was palpable. To listen we were limited to the radio, but we would see the newsreel before many days.

All this is an introduction to this CD which shows the power and range of Marian Anderson's talents. Among these offerings are several from cantatas, and some 'spirituals' - - and I mention the familiar because they make me feel as though I am truly in her presence once more: The 23rd Psalm; "He shall feed his flock like a shepherd"; "Sometimes I feel like a motherless child"; "Deep River"; and "My soul's been anchored in the Lord."

The latter could be said to describe both Marian Anderson and Martin Luther King. I have felt the unshakeable presence of each, Marian with her glorious contralto, Martin with his baritone. Noone could miss the reality of justice & faith overcoming hate & ignorance. Reviewer mcHAIKU can still feel the impact, and their influences on my life have been part of me for decades.

5 out of 5 stars Timeless performances.......2005-12-08

Marian Anderson suffered from several circumstances, but always endured them, it appeared, with grace and dignity. She suffered from being black at a time when black persons were not taken seriously as classical artists, and she was simply not allowed to sing in many venues. She was forbidden the stage of the Metropolitan Opera until past her prime (1955). After she became an icon of the civil rights movement, her reputation as a singer became overshadowed. Miss Anderson's treatment by her own countrymen for much of her life was an abomination, but it had nothing to do with music. Modest as she was about all aspects of her life, I don't think she would want her artistry relegated to a footnote in social history!

This is a fine collection of Marian Anderson's singing in oratorio and spirituals. None of her wonderful opera arias or lieder are here, and those call for a separate volume. Miss Anderson stood out from many great singers in her fine understanding of the subtle differences among all of these genres. She used different tone colors and types of vocal production for each of them, as appropriate, a nicety seldom enough observed today. In other words, she was no "belter." We have singers nowadays making millions for yelling at the top of their lungs, and sometimes making multi-millions for trying to out-yell their colleagues in giant arena events closely simulating cattle-call competitions. Perhaps one needs to meditate quietly for an hour or so before attempting to share the more inward and spiritual artistry of Marian Anderson.

From the first selection here (out of over 72 minutes of music included), "Jesus schläft, was soll ich hoffen" from Bach's Cantata No. 81, one can only marvel at the tonal beauty, depth of feeling, immediacy of communication, and technical accomplishment of the great contralto. In this aria, the long-held word "schläft" is not just thrilling as a piece of vocalism, but does just what Bach meant it to: express the gentle, timeless, cosmic-yet in this case ominous-slumber of the Savior. Seldom, outside of Miss Anderson's singing, have these Bach arias so risen above the "sewing-machine" school of performance. Her style is freer and warmer in the spirituals, which no one but Paul Robeson sang as impressively. There are eleven of them here, though not her most famous, "He's got the whole world in his hands." That too must be acquired elsewhere, as is easily done. There are no cheap shots in this anthology, just great performances of great music with no playing to the grandstands.

4 out of 5 stars My favorite singer.......2005-09-27

This is a great CD. Despite the obvious technical limitations at the time of original recording, the sound quality on this CD is really good. I love Marian Anderson (as a contralto myself,I strive to be like her)and I think this CD does her justice. It's great to hear the range of her vocal talent. The combination of opera and spirituals is wonderful. The songs also vary in vocal range. I was happy to hear a collection of songs that showcased the strength of her voice at its lower and upper ends. Overall, I'd say this was an excellent CD.

5 out of 5 stars Honest Transfer of Great Material from 78s.......2001-03-24

There are eleven spirituals on this CD, but it opens with a stunning traversal of seven sacred selections from the Baroque era, six selections of Bach and one of Handel. Ms. Anderson's sweetness, sincerity and artistry are complemented nicely by a young Robert Shaw conducting the RCA Symphony Orchestra (you can clearly hear the later Shaw of the Bach B Minor Mass in places, and the selection from the St. Matthew Passion is a haunting reminder that Shaw was never able to commit a complete Matthew to disc for posterity, though it was his favorite work and its recording a goal in his life - but I stray). What the Baroque selections lack in the latest in musicological authenticity they more than make up for in heartfelt simplicity and directness. It's Baroque music for the ages, and it may move you to tears.

The eleven spirituals, on the other hand, are accompanied only by an unidentified pianist, one who is certainly quite accomplished and gives Ms. Anderson a superb level of support. The question will need to be asked, I suppose, "Is there perhaps more inspiration present in the singing of the spirituals than in the Baroque selections?" Not at all; the artistry in both is equal. Indeed, modern audiences, used to hyped-up versions of these spirituals, may be slightly disappointed at the plainness of these renditions. I wasn't; I was enchanted.
Rita Hayworth & Friends: Songs from the Movies
Average customer rating: Not rated
    		Rita Hayworth & Friends: Songs from the Movies

    Manufacturer: Bianco
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005K28A
    Release Date: 2001-05-29

    Tracks:

    1. Dearly Beloved
    2. I'm Old Fashioned
    3. Shorty Georges
    4. Shwo Must Go On
    5. Somehow/After the Races Are Over
    6. Make Way from Tomorrow
    7. Long Ago (And Far Away)
    8. Poor John
    9. What Does an English Girl Think of Yank
    10. You Excite Me
    11. Boy I Left Behind
    12. Cry and You Cry Alone
    13. Reprise-Tonight and Every Night
    14. Let's Stay Young Forever
    15. They Can't Convince Me
    16. This Can't Be Legal
    17. Reprise-Let's Stay Forever Young
    18. People Have More Fun Than Anyone
    George Frideric Handel: Esther
    Average customer rating: 5 out of 5 stars
    • THE SHAPE OF THINGS TO COME
    • a voice teacher and early music fan
    		 George Frideric Handel: Esther

    Manufacturer: CORO
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001B0A94
    Release Date: 2004-06-01

    Tracks:

    1. Overture Andante - Larghetito - Allegro
    2. Recitative Habdonah/Haman: " 'Tis greater far to spare"
    3. Aria Haman: " Pluck root and branch from out the land"
    4. Recitative Persian Officer: "Our souls with ardour glow"
    5. Chorus: "Shall we the God of Israel fear?"
    6. Recitative First Israelite: " Now persecution shall lay by her iron rod"
    7. Aria: " Tune your harps to cheerfull strains"
    8. Chorus: " Shall we of servitude complain"
    9. Aria Israelite Woman: " Praise the Lord with cheerful noise"
    10. Recitative Israelite Woman: " 0 God, who from the suckling's mouth"
    11. Aria Second Israelite: " Sing songs of praise, bow down the knee"
    12. Chorus: " Shall we of servitude complain"
    13. Recitative Priest of the Israelites: " How have our sins provoked the Lord!"
    14. Chorus: "Ye sons of Israel mourn"
    15. Aria Priest ofc The Israelites: "0 Jordan, Jordan, sacred tide"
    16. Chorus: "Ye sons of Israel mourn"
    17. Andante
    18. Allegro
    19. Adagio
    20. Allegro

    Tracks:

    1. Recitative Esther/Mordecai: " Why sits that sorrow on thy brow?"
    2. Aria Mordecai: " Dread not, righteous Queen, the danger"
    3. Recitative Esther: "I go before the King to stand"
    4. Aria Esther: " Tears assist me, pity moving"
    5. Chorus: " Save us, O Lord"
    6. Recitative Ahasuerus/Esther: "Who dares intrude into our presence"
    7. Duet Esther/Ahasuerus: " Who calls my parting soul from death?"
    8. Aria Ahasuerus: "0 beauteous Queen, unclose those eyes!"
    9. Recitative Esther: " If I find favour in thy sight"
    10. Aria Ahasuerus: " How can I stay when love invites?"
    11. Recitative Third Israelite/Fourth Israelite: " With inward joy his visage glows"
    12. Chorus: " Virtue, truth and innocence"
    13. Arioso Priest of the Israelites: " Jehovah, Crown'd with glory bright"
    14. Chorus: " He comes, he comes to end our woes"
    15. Recitative Ahasuerus/Esther: " Now, a Queen, thy suit declare"
    16. Arioso Haman: " Turn not, a Queen, thy face away"
    17. Aria Esther: " Flatt' ring tongue, no more I hear thee!"
    18. Recitative Ahasuerus: "Guards, seize the traitor, bear him hence!"
    19. Aria Haman: " How art thou fall'n from thy height!"
    20. Chorus: "The Lord Our enemy has slain"

    Album Description

    Handel's oratorios vary greatly in their presentation. In many ways, Esther is a rarity;it is by far the most intimate, not surprisingly as it was composed for the Duke of Chandos. The Duke's Palladian palace near the village ofEdgware had not been completed in time for the first performance so this may have taken place (as did Acis and Galatea) in the intimate surroundings of a small church, St Lawrence, Whitchurch.

    We decided, therefore, that we should attempt to convey that intimacy of performance on disc; so we performed in the round with microphones in the middle, the orchestra in front of me, the choir behind and the soloists alongside. The result is everything that chamber music should be where players and singers can enjoy every aspect of Handel's masterpiece.

    "The 'sound' of Esther, superbly communicated in the recorded performance here, is pure enchantment... The choral singing has an exceptional grandure, and the instrumental playing a shimmering beauty. Among the soloists, none of whom is less than accomplished, Nancy Argenta and Michael Chance dominate... Both singers affirm a new golden age of Handel interpretation".

    Customer Reviews:

    5 out of 5 stars THE SHAPE OF THINGS TO COME.......2007-01-26

    Esther is the first of Handel's oratorios by a good many years, written when he was 33 and enjoying the patronage of the Duke of Chandos. When he later became his own impresario and was running into trouble as a composer and producer of Italian operas he turned to oratorio as a strategic alternative, but at this early date his concern was to deliver staged entertainments for the Duke, and Esther, contemporary with the work that later gained the title Acis and Galatea, seems to have been just an unusually serious specimen of its type.

    As often with Handel, there is no fully official version of the score, and this particular score may not even be fully complete from any point of view. The libretto seems to have been the work of someone in the frivolously named association of big literary figures called the Scriblerus Club, perhaps Dr John Arbuthnot, dedicatee of Pope's great poetic Epistle, but Pope himself may have had a hand in it too. As we have it here, the work breaks into two very asymmetrical parts. Scenes 1 and 2 start with a recitative lasting only seconds from Habdonah followed by a longer one in which Haman announces his onslaught on the Israelites, and from there on feature only anonymous participants. Esther herself and the other named characters make their appearance first in scene 4, but the change of tone occurs in scene 3. At this point the music gains gravity first in the chorus Ye sons of Israel with its extraordinary modulations and then in the striking aria O Jordan, Jordan. I myself feel that this weightier tone is maintained to the end, whether or not the writer of the liner note is correct in saying that the long final chorus with solos is out of proportion to its context.

    Throughout - in the first part as well as in scenes 3-6 - the instrumental writing is vivid and varied, with an extraordinary pizzicato accompaniment to Tune your harps and then an even more extraordinary obbligato from the harp itself at Praise the Lord. The harpist is no less than Jan Walters, but sometime I would like to see the score and check out what seem some odd rhythmic interactions here between her and the soloist Nancy Argenta. There are no fewer than ten vocal soloists in a work lasting a little over an hour and a quarter, and a very distinguished bunch they are. I was particularly pleased to find Michael Chance in the countertenor role of the Priest of the Israelites as I admire the strength of his tone, but there is no real weakness among them, unless Lynda Russell as Esther has a couple of very slightly awkward high notes in Flatt'ring tongue, which must be a little nerve-wracking to sing as she has to find her note for herself unaccompanied at the start and later at the reprise. You will see some big names among the instrumentalists too, with Crispian Steele-Perkins on the trumpet making a predictably fine contribution towards the end, and of course with Jan Walters in that marvellous harp part early on. The chorus gets some wonderful work to do, and rises to it fully. I really am unable to worry about the proportionateness of the final chorus when I hear that incomparable Handelian build of tone, sung by 18 singers and sounding as if there were 100.

    There is a good liner note by Graydon Beeks Jr, not perhaps the last word in lucidity (neither is the plot of the libretto come to that) but worth re-reading. Harry Christophers himself contributes a short foreword largely concerned with the recording process and highlighting the contributions of Mark Brown and Mike Hatch, his long-time technical collaborators. I was interested to see also the name of Geoff Miles in a role described as `editor'. What responsibilities this involved is not stated and perhaps I ought to know without being told, but I know the work of Geoff Miles as recording engineer from elsewhere and it gave me confidence just to see that he is involved in the proceedings, and the technical work is predictably excellent.

    My collection of Handel oratorios is now almost complete, and what a wonderful musical experience they are. Each is unique in its own way, but Esther is unique in some very special ways, and I suggest that you do not wait until you are my age to get to know it.

    5 out of 5 stars a voice teacher and early music fan.......2006-04-04

    Handel began composing the oratorio 'Esther' in 1718. There is some confusion as to who actually worte the libretto for it, but the story follows very closely the biblical story of Esther in the Book of Esther in the old testament. The story tells of a plot of Haman, the Agagite (Michael George-bass) jealous and powerful vizier of King Xerses (Ahasuerus-Tom Randle-tenor) of Persia(485-464), to destroy in a single day all the Jews living in the Roman Empire. He is moved to this out of hatred for the Jewish servant Mordecai (Mark Padmore-tenor),who for religious motives refuses to render him homage. The day of the proposed massacre is determined by lot. Meanwhile, Esther,niece and adopted daughter of Mordecai, is chosen Queen by King Xerses. She averts the pogrom planned against her people and has the royal decree of extermination reversed against Haman and the enemies of the Jews. Mordecai replaces Haman, and together with Esther, works for the welfare of their people. As you can see this makes for an interesting Oratorio, which it truly is!
    This is a "small" contribution compared to many of Handel's other works. However, it is not "small" in a musical sense. There is much creativity on the part of Handel as to orchestral scoring; he exploits his small orchestra and chorus in surprising ways, introducing new vocal and instrumental colours throughout the score, adding and subtracting instruments and voices in many and varied ways. This is a listening surprise as it moves along. And what a great performance on the part of the Christophers as well as some outstanding vocal soloists. Mark Padmore's (Mordecai) aria "Tune Your Harps to Cheerful Strains" was superb as was the Duet between Lynda Russell (Esther) and Tom Randle (Ahasuerus).But the aria that really drew me into the entire drama was sung by Michael Chance (Priest) "O Jordan, Jordan, sacred Tide." It was perfection itself!!!!The Chorus was extremely good and dictionally perfect. It is a great listening experience.
    Spirituals
    Average customer rating: Not rated
      		Spirituals

      Manufacturer: Pearl
      ProductGroup: Music
      Binding: Audio CD

      Giordani, GiuseppeGiordani, Giuseppe | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B000000WM9
      Release Date: 1995-10-17

      Tracks:

      1. Deep River
      2. City Called Heaven
      3. Lord, I Can't Stay Away
      4. Were You There?
      5. Tramping
      6. My Soul's Been Anchored
      7. Heav'n Heav'n
      8. Sometimes I Feel
      9. Go Down, Moses
      10. O Wasn't Dat A Wide, Wide Ribber
      11. My Old Kentucky Home
      12. Hard Trials Into Dere's No Hidin' Place
      13. Let Us Break Bread Together
      14. Carry Me Back To Ol' Virginny
      15. Oh! What A Beautiful City
      16. I Know De Lord's Laid
      17. I Don't Feel In No Ways Tir'd
      18. Caro Mio Ben
      19. Paisir D'Amour
      Puccini: Il Trittico
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        Manufacturer: Bella Voce Records
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00003A9QR
        Release Date: 1999-12-01
        Down At Kit's
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          Luther Russell
          Manufacturer: Cravedog
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B000021YFP
          Release Date: 2001-01-01

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          1. Fried Bananas
          2. Chicken Pox
          3. Keohen's Theme
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          5. Fernando's Redemption
          6. Vista Del Mar At Franklin
          7. Lime No. Thirty-Seven
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          9. 50/50 Bar Blues
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          11. El Intermedio
          12. Babelle Goes To Delaware

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          2. Take Me to the Clouds Above Pt.2 [CD-single] [Enhanced]
          3. Take Off And Landing
          4. Take Your Mama
          5. Thank You, Pt. 2 [CD-single] [Enhanced]
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          7. The New Latinaires
          8. The Very Best of Shalamar [Import]
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