Who Is She? [CD-single] [Import]

Who Is She? [CD-single] [Import]

Who Is She? [CD-single] [Import]

Editorial Reviews
Product Description
Taken from the 2003 album, 'Neveroddoreven'. The title track is backed with three non-LP tracks, 'Who Is She?' (Monster Radio Mix), 'The Great Destroyer', & 'Who Is She?' (Video). Using a sample from a 60s cult Hammer film, 'The Vengeance Of She', the ban

Who Is She?,I Monster,Dharma,5"CD Singles
The Apple Tree (1966 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Very good show which I hadn't heard of...
  • THE APPLE TREE (1966 ORIGINAL BROADWAY CAST)
  • I still remember these songs after 40 years
  • Really 2.5
  • Boring material that you forget very easily
 The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Grey Gardens - A New Musical (2006 Original Broadway Cast)
  2. Spring Awakening (2006 Original Broadway Cast)
  3. Curtains (2007 Original Broadway Cast)
  4. 110 in the Shade (2007 Broadway Revival Cast)
  5. Company (2006 Broadway Revival Cast)

ASIN: B0000027WD
Release Date: 1992-11-24

Tracks:

  1. Eden Prelude
  2. Here In Eden
  3. Feelings
  4. Eve
  5. Friends
  6. The Apple Tree (Forbidden Fruit)
  7. Beautiful, Beautiful World
  8. It's A Fish
  9. Go To Sleep, Whatever You Are
  10. What Makes Me Love Him?/Eden Postlude
  11. The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
  12. Forbidden Love (In Gaul)
  13. The Apple Tree (Reprise)
  14. I've Got What You Want
  15. Tiger, Tiger
  16. Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
  17. Passionella Prelude
  18. Oh, To Be A Movie Star
  19. Gorgeous
  20. (Who, Who, Who, Who) Who Is She?
  21. I Know
  22. Wealth
  23. You Are Not Real
  24. Passionella Postlude/Finale

Customer Reviews:

4 out of 5 stars Very good show which I hadn't heard of..........2007-05-13

I was very into theatre in high school and college and thought I was up on most musicals, but had never heard of this show until recently. It's comprised of three short stories which were adapted into the musical format. The first two stories are tied together very well, although the last seems tacked on. But the songs are catchy and it's fairly easy to figure out what's happening simply by listening to the songs. There are two songs which are tied for my favoritism: "It's a Fish" from Adam and Eve and "You Are Not Real" from Passionella. Check it out.

5 out of 5 stars THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10

IT WAS EXACTLY WHAT I WAS LOOKING FOR. I WENT TO THE REVIVAL OF THE APPLE TREE ON BROADWAY IN NEW YORK CITY AND LOVED THE SCORE BUT THERE WASN'T A SOUNDTRACK AVAILABLE SO I PURCHASED THE ORIGINAL VERSION AND I ABSOLUTELY LOVE IT!

5 out of 5 stars I still remember these songs after 40 years.......2006-11-05

I saw this show on the stage when it first ran, and have never forgotten it. The key to a good Broadway show is this question: Are you humming the songs when you leave the theatre? In the case of The Apple Tree, the answer is a resounding "Yes." I have been waiting 40 years for this show to be revived, and I have tickets for the revival opening in December at the Roundabout. I hope not to be disappointed, for the trio of Barbara Harris, a very young Alan Alda, and the late Larry Blyden were terrific. The three-part concept can be jarring because just when you're getting into the story, it ends -- but just enjoy the kind of songs they just don't write anymore.

3 out of 5 stars Really 2.5.......2006-07-25

SO this is another show thats actually three one acts. The first "The Diary of Adam and Eve" is the best by far. It has really cute songs and nice plot. Thats the only reason I rounded this up from 2.5 to 3 stars. The rest of the show is nothing great. "Lady and Tiger" is short and boring. And "Passionella" is exactly what it sounds like, a knock off of Cinderella. But hey, its a good show for collectors and "The Diary of Adam and Eve" is nice. Favorite Song: "Its A Fish"

1 out of 5 stars Boring material that you forget very easily.......2006-06-29

According to some reviews, this musical was supposed to be very good and I bought it. Unfortunately, I was quite dissapointed. It's composed of three different tales, the first one referring to the Adam & Eve biblical story. The lyrics here are very silly and tedious. The second tale, "The Lady or the Tiger?" contains songs that are simply awful, probably the worst ever written for a Broadway show. The third story, "Passionella", contains music that does nothing to make things better. The album contains a good informative booklet in English, German, French & Italian (as Sony uses to do)which says that Time magazine defined this show as "three moldy figs". I entirely agree. I would recommend this musical to those suffering from insomnia: it will put them to sleep right away.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
One Hundred Greatest TV Themes
Average customer rating: 3.5 out of 5 stars
  • Two tracks I really like
  • Quantity Over Quality
  • Mediocre
  • One Hundred Greatest TV Themes
  • Pretty close to original recordings
 One Hundred Greatest TV Themes

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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  1. All-Time Top 100 TV Themes
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  4. NBC: A Soundtrack of Must See TV
  5. Six Million Dollar TV Themes

ASIN: B00005Y49F
Release Date: 2002-08-27

Tracks:

  1. The A-Team - Nic Raine
  2. The Addams Family - Nic Raine
  3. The Adventures Of Robinson Crusoe - Nic Raine
  4. Airwolf - Derek Wadsworth
  5. The Avengers - Mike Townend
  6. Barnaby Jones - Jerry Goldsmith
  7. Batman - Nic Raine
  8. Battlestar Galactica - Nic Raine
  9. Baywatch - Derek Wadsworth
  10. Beverly Hills 90210 - Derek Wadsworth
  11. Bewitched - Nic Raine
  12. Between The Lines - Mark Ayres
  13. The Bill - Nic Raine
  14. Bonanza - The Philharmonia Orchestra
  15. Brideshead Revisited - Derek Wadsworth
  16. Buck Rogers In The 25th Century - Nic Raine
  17. Burke's Law - Derek Wadsworth
  18. Cagney And Lacey - Derek Wadsworth
  19. Captain Scarlet And The Mysterons - Mark Ayres
  20. Casualty - Mark Ayres
  21. Cheers - Mark Ayres
  22. Dallas - Nic Raine
  23. Dangerman (Secret Agent) - Mike Townend
  24. Doctor Who - Mark Ayres
  25. Doctor Kildare - Jerry Goldsmith

Tracks:

  1. Doogie Howser, M.D. - Derek Wadsworth
  2. Dynasty - Nic Raine
  3. The Equalizer - Derek Wadsworth
  4. Falcon Crest - Derek Wadsworth
  5. Fireball XL-5 - Derek Wadsworth
  6. The Fugitive - Nic Raine
  7. Hawaii 5-0 - Mike Townend
  8. Hercules: The Legendary Journeys - Nic Raine
  9. The High Chaparral - Nic Raine
  10. Highway To Heaven - Derek Wadsworth
  11. Hill Street Blues - Derek Wadsworth
  12. The Hitchhikers Guide To The Galaxy - Mark Ayres
  13. The Incredible Hulk - Derek Wadsworth
  14. Jason King - Mike Townend
  15. Jesus Of Nazareth - Paul Bateman
  16. Joe 90 - Derek Wadsworth
  17. Johnny Staccato - Derek Wadsworth
  18. Knight Rider - Derek Wadsworth
  19. Kojak - Mike Townend
  20. L.A. Law - Derek Wadsworth
  21. Land Of The Giants - Nic Raine
  22. Little House On The Prairie - Derek Wadsworth
  23. Lonesome Dove - Nic Raine
  24. Lost In Space - Nic Raine
  25. Lou Grant - Derek Wadsworth

Tracks:

  1. Magnum, P.I. - Derek Wadsworth
  2. A Man Called Ironside - Mike Townend
  3. The Man From U.N.C.L.E. - Derek Wadsworth
  4. M*A*S*H - Nic Raine
  5. Miami Vice - Mark Ayres
  6. Mike Hammer - Derek Wadsworth
  7. Mission Impossible - Mike Townend
  8. Monty Python's Flying Circus - Nic Raine
  9. The Munsters - Derek Wadsworth
  10. Murder She Wrote - Derek Wadsworth
  11. Newhart - Derek Wadsworth
  12. North And South - Derek Wadsworth
  13. Northern Exposure - Derek Wadsworth
  14. NYPD Blue - Mark Ayres
  15. The Outer Limits - Nic Raine
  16. Perry Mason - Mike Townend
  17. The Persuaders - Mark Ayres
  18. Peter Gunn - Mike Townend
  19. Police Squad - Nic Raine
  20. The Prisoner - Mike Townend
  21. Quantum Leap - Derek Wadsworth
  22. Randall And Hopkirk (Deceased) - Mike Townend
  23. Red Dwarf - Mark Lambert
  24. The Rockford Files - Mike Post
  25. Roseanne - Dan Foliart

Tracks:

  1. The Saint - Mike Townend
  2. Seaquest DSV - Nic Raine
  3. Space 1999 - Derek Wadsworth
  4. Star Trek - Mike Townend
  5. Star Trek: Deep Space Nine - Derek Wadsworth
  6. Star Trek: Voyager - Nic Raine
  7. St. Elsewhere - Derek Wadsworth
  8. The Streets Of San Francisco - Nic Raine
  9. Stingray - Barry Gray
  10. Taxi - Derek Wadsworth
  11. Thunderbirds - Derek Wadsworth
  12. Thirty Something - Derek Wadsworth
  13. The Time Tunnel - Nic Raine
  14. Tinker, Tailor, Soldier, Spy - The Philharmonia Orchestra
  15. The Twighlight Zone - Nic Raine
  16. Twin Peaks - Derek Wadsworth
  17. U.F.O. - Derek Wadsworth
  18. The Virginian - Nic Raine
  19. Voyage To The Bottom Of The Sea - Nic Raine
  20. Wagon Train - Paul Bateman
  21. The Waltons - Jerry Goldsmith
  22. The Wild Wild West - Derek Wadsworth
  23. Young Riders - John Debney
  24. Xena: The Warrior Princess - Paul Bateman
  25. The X-Files - Mark Ayres

Customer Reviews:

4 out of 5 stars Two tracks I really like.......2007-07-21

The Mission Impossible theme is performed well.
The Fireball theme is actually much improved on this version. I prefer the orchestra and the vocals over the original.

2 out of 5 stars Quantity Over Quality.......2007-01-15

As a musician myself, I know too well that one of the most important ingredients in ANY performance (live or recorded) is passion. The recordings here generally lack the same passion and sheer drama of the originals. Much of the instrumentation has been reduced to a cheezy, thin, plastic synthesized replica. The performances are simply a watered-down lackluster version of the classic originals. If it were not for the sheer volume of tracks compiled here, I would have rated the comp only "one star".

3 out of 5 stars Mediocre.......2006-05-17

The sound quality for this collection isn't much better than the samples offered by Amazon.

4 out of 5 stars One Hundred Greatest TV Themes.......2005-08-06

I have watched almost all the shows that are on these 4 cd's. Many were made before I started watching TV. Most I've seen once or twice before.

4 out of 5 stars Pretty close to original recordings.......2005-07-24

Definitely not as good as the originals. You'll probably notice the slight differences since it's stuff you saw and listened to every week or everyday in reruns growing up, but it's still an amazing collection.
The Best of Gilbert & Sullivan
Average customer rating: 1.5 out of 5 stars
  • The best? I think not.
  • can't understand the words
 The Best of Gilbert & Sullivan

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. The Ultimate Gilbert & Sullivan Collection
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  4. Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
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ASIN: B00004W5AD
Release Date: 2000-08-08

Tracks:

  1. H.M.S. Pinafore: Ov - Orch Of The D'Oyly Carte Opr/John Owen Edwards
  2. H.M.S. Pinafore: We Sail The Ocean Blue - Tom McVay/Gordon Sandison/Yvonne Barclay
  3. H.M.S. Pinafore: Never Mind The Why And Wherefore - Tom McVay/Gordon Sandison/Yvonne Barclay
  4. The Yeomen Of The Guard: When Maiden Loves She Sits And Sighs - Janine Roebuck
  5. The Yeomen Of The Guard: Here's A Man Of Jollity - Chor Of The D'Oyly Carte Opr
  6. Iolanthe: Tripping Hither, Tripping Thither - Yvonne Patrick/Madeliene Mitchell/Chor Of The D'Oyly Carte Opr
  7. Iolanthe: The Law Is The True Embodiment - Richard Suart/Chor Of The D'Oyly Carte Opr
  8. Iolanthe: When I Went To The Bar - Richard Suart
  9. Iolanthe: Strephon's A Member Of Parliament! - Chor Of The D'Oyly Carte Opr
  10. Iolanthe: When Britain Really Rul'd The Waves - Lawrence Richard/Chor Of The D'Oyly Carte Opr
  11. Iolanthe: Finale Act Two: Soon As We May - Chor Of The D'Oyly Carte Opr
  12. The Pirates Of Penzance: Ov - Orch Of The D'Oyly Carte Opr/John Pryce-Jones
  13. The Pirates Of Penzance: Poor Wand'ring One - Marilyn Hill Smith/Chor Of The D'Oyly Carte Opr
  14. The Pirates Of Penzance: I Am The Very Model - Eric Robertson/Chor Of The D'Oyly Carte Opr
  15. The Pirates Of Penzance: When The Foeman Bares His Steel - Simon Masterton Smith/Marilyn Hill Smith/Patricia Cameron/Eric Robertson/Chor Of The D'Oyly Carte...
  16. The Pirates Of Penzance: With Cat-Like Tread - Gareth Jones/Chor Of The D'Oyly Carte Opr
  17. The Mikado: If You Want To Know Who We Are - Chor Of The D'Oyly Carte Opr
  18. The Mikado: The Flowers That Bloom In The Spring - Bonaventura Bottone/Eric Roberts/Deborah Rees/Thora Ker/Malcom Rivers
  19. The Mikado: On A Tree By A River - Eric Roberts
  20. Patience: The Soldiers Of Our Queen - Donald Maxwell/Chor Of The D'Oyly Carte Opr
  21. Patience: If You Want A Receipt For That Popular Mystery - Donald Maxwell/Chor Of The D'Oyly Carte Opr
  22. Patience: Am I Alone And Unobserved - Simon Butteriss
  23. Patience: If You're Anxious For To Shine - Simon Butteriss
  24. The Gondoliers: We're Called Gondolieri - David Fieldsend/Alan Oke
  25. The Gondoliers: From The Sunny Spanish Shore - Richard Suart/Jill Pert/Elizabeth Woollett/Philip Casey
  26. The Gondoliers: For Ev'ry One Who Feels Inclined - David Fieldsend/Alan Oke/Chor Of The D'Oyly Carte Opr
  27. The Gondoliers: Take A Pair Of Sparkling Eyes - David Fieldsend
  28. The Gondoliers: Dance A Cachucha - Chor Of The D'Oyly Carte Opr

Customer Reviews:

2 out of 5 stars The best? I think not........2004-01-11

This disc includes some songs that, while I like them, are not what people might consider the "best" of G&S. Of course, anything by G&S is good, it's still not the "best of the best."

There has got to be something that better represents the G&S canon.

1 out of 5 stars can't understand the words.......2004-01-08

Don't know about those other reviewers, but I just can't make out very much of the lyrics. Maybe those folk have better CD players or better hearing, but it's pretty much a blur to me. I strongly recommend "The Ultimate Gilbert and Sullivan" instead.
Healy Willan: Missa brevis 4 & 11; Motets
Average customer rating: Not rated
    		Healy Willan: Missa brevis 4 & 11; Motets

    Manufacturer: Virgin Records Us
    ProductGroup: Music
    Binding: Audio CD

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    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    ASIN: B00000DNFH
    Release Date: 1995-03-14
    The Songs of Robert Burns / Songs of the Hebrides
    Average customer rating: 4.5 out of 5 stars
    • Elegance in sound
    • Scottish Songs for a Lifetime
    • Simply exquisite!
    • Love and frustration
    		 The Songs of Robert Burns / Songs of the Hebrides

    Manufacturer: Dutton Labs UK
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | International | Styles | Music
    ScotlandScotland | British Isles | Europe | International | Styles | Music
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    ASIN: B0006840KC
    Release Date: 2005-05-10

    Customer Reviews:

    5 out of 5 stars Elegance in sound.......2007-05-13

    McKellar has one of the finest tenor voices I have heard. There is a range that is broad, while keeping a very masculine sound. I learned that he was trained classically and gave up opera after a season or two to do concert singing. These songs have lush or spare orchestral arrangements as the occasion demands. They are dramatic, even Hollywood-like, arrangements verging on schmalt, but a second hearing convinced me that he was among the finest tenors of the 20th century and the arrangements are "just right."

    5 out of 5 stars Scottish Songs for a Lifetime.......2007-05-12

    If I was to be only able to carry one CD with me to a desert island, this one might be my choice. The poetry of Robert Burns is entirely inspiring. The vocal performance of McKellar is adequate to Burns' work. The orchestration is rich and appropriately simple. These songs will "stick to your ribs" and leave you longing for a visit to the old sod to personaly perceive the beloved ambiance they evoke.

    5 out of 5 stars Simply exquisite!.......2007-05-06

    Who can sing like this today? Vocalion has done it again -- two of Kenneth McKellar's wonderful Decca recordings from 1961 and 1962 brought together for a wonderful vocal treat. There are things the lover of the English art song and ballad cannot be without -- Jennifer Vyvyan's lovely renditions of Michael Head's Foxgloves and Roger Quilter's Love's philosophy; Eileen Farrell's stentorian Sing to me by Sydney Homer; John Mark Ainsley's rhapsodic performance of Quilter's Go, Lovely Rose, and Kenneth McKellar singing Land of Heart's Desire, Sleeps the Noon in the Deep Blue Sky and Robert Burns' My love is like a red, red rose. Happily, these songs are preserved on this terrific release. McKellar had a wonderful, powerful and lyric tenor voice. His operatic and oratorio singing is moving on top of being very musical -- dynamics, portamento, etc., scrupulously observed and artistic; however, his sining of art songs, folk songs and ballads is exemplary and always, underscored ALWAYS moving and right on the mark. McKellar had a real affinity for this music and it simply erupts from the grooves (oops, I'm dating myself)!

    The Songs of Robert Burns is lovely -- I defy anyone to listen to McKellar's rendition of My love is like a red, red rose, and come away without a tear in the eye. In my opinion, however, the true gem is the release of McKellar's Songs of the Hebrides. Vocalion includes McKellar's spoken introductions to these songs and it is incredible. One might think that it would sound trite, but McKellar is right on the mark and the introductions make the songs that much more memorable. Marjory Kennedy-Fraser is surely smiling down from heaven as this is the most beautiful and atmospheric recording of her Songs of the Hebrides. McKellar scales down his powerful voice for Land of Heart's Desire and it is ravishing. No one comes away unmoved. Again, who can sing like this today? I tried to think of any tenor or baritone singing today that could come close to this kind of a performance -- I could not think of one. Thank you Vocalion for bringing these performances back to light. Speaking of the recording, it is lush, with that beautiful early stereophonic sound preserved. For the lover's of the art song, ballad or folk song, you MUST have these performances.

    3 out of 5 stars Love and frustration.......2007-03-08

    This recording has some wonderful Scottish songs by a super Scottish tenor. The difficult part for me is that I need the sheet music to go with one of the songs, but I had no luck locating it anywhere. There are other versions of the song ("My heart's in the highlands") available but none like this one. Is there any chance you could help me find it??

    Sincerely,
    Lyndall
    Carmen (Sung in English)
    Average customer rating: 4 out of 5 stars
    • English is an asset and a drawback
    • You Will Love Opera After Hearing Carmen In English
    • A wholly credible "Carmen" -- finally!
    • I love Carmen!
    		 Carmen (Sung in English)
    Bizet , Bardon , Gavin , Plazas , Magee , and Parry
    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
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    5. Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

    ASIN: B00007JGRN
    Release Date: 2003-03-11

    Tracks:

    1. Prelude
    2. In The Plaza
    3. Just Look At That Delicious Morsel
    4. Here Come Our New Soldier Boys
    5. Jose! There Was A Girl Here Looking For You Just Now
    6. Off With You Old Soldier Boys
    7. Corporal! Sir!
    8. We Have Heard The Bell Summon Us To Meet Here
    9. Ah, Just Look!
    10. But Why Hasn't She Come, Our Carmencita?
    11. Love's A Bird Wild As Any Rebel
    12. Carmen! We Will Follow You High And Low!
    13. The Cheek Of It!
    14. Give Me News Of My Mother!
    15. Your Dear Mother And I Were Leaving Church This Morning
    16. I See My Mother's Face!
    17. Wait A Moment - I'm Going To Read The Letter
    18. Come And Help
    19. So, Corporal: Tell Me What Happened
    20. Well, Carmencita: What Do You Have To Say For Yourself?
    21. Where Are You Taking Me?
    22. There's An Old Bar In The City
    23. Careful - It's Lieutenant!
    24. Entr'acte
    25. From Far Away Mysterious Sounds
    26. Bravo, Bravo! More! Keep Dancing!
    27. Hurrah! Hurrah! The Torero!
    28. Who's That? It's Escamillo, The Bullfighter From Granada
    29. Hurrah! Hurrah! The Torero!
    30. You're Most Kind
    31. We'll Come With You, Senor Torero
    32. Toreador, Be Ready!
    33. At Last! We Got Rid Of Them As Quickly As We Could
    34. There's A Little Job That We're Starting!
    35. Being In Love Is Not A Reason

    Tracks:

    1. To Bid You Welcome To Our Bar
    2. La La La La La La La La...
    3. Back To Camp!... Go At Once!
    4. That Flow'r You Threw To Me I Treasured
    5. No, It's Not Love At All!
    6. Hello! Carmen!
    7. Lieutenant Fair, It's True
    8. The Sky Above The Open Road
    9. Entr'acte
    10. Keep Going, Dear Old Friend, Kep Going!
    11. Right! Let's Stop For A While
    12. Shuffle! Cut Them!
    13. In Vain You Would Avoid The Bitter Things They're Saying
    14. You're Back!
    15. As For That Man, It Should Be Easy!
    16. Is This The Place?
    17. I Say That There's Nothing To Fear
    18. It's Him! I'm Sure It's Him Over There!
    19. Escamillo Is My Name, And I Come From Granada
    20. She Had A Lover Here
    21. Hola! Hola! Jose!
    22. You Should Take Care, Carmen
    23. Alas! Jose, Your Mother Is Ill
    24. Entr'acte
    25. A Few Cuartos! A Few Cuartos!
    26. Here They Come! Here They Come!
    27. If You Love Me, Carmen
    28. It's You! It's Me!
    29. Viva! Viva! What A Corrida!

    Customer Reviews:

    3 out of 5 stars English is an asset and a drawback.......2004-07-20

    The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

    Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

    This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

    5 out of 5 stars You Will Love Opera After Hearing Carmen In English.......2004-02-09

    What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

    The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

    5 out of 5 stars A wholly credible "Carmen" -- finally!.......2003-09-17

    This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

    4 out of 5 stars I love Carmen!.......2003-08-15

    I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

    And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

    The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

    The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

    A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.
    Life Upon the Wicked Stage
    Average customer rating: Not rated
      		Life Upon the Wicked Stage
      Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
      Manufacturer: Lml Music
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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      GeneralGeneral | Soundtracks | Styles | Music
      Traditional VocalistsTraditional Vocalists | Compilations | Pop | Styles | Music
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      ASIN: B0000658H9
      Release Date: 2002-05-07

      Tracks:

      1. The Song Is You - Jamie Anderson
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      Peace
      Average customer rating: Not rated
        		Peace
        Turtle Creek Chorale
        Manufacturer: Turtle Creek Chorale
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00005Y86T
        Release Date: 1995-01-24

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        1. Gloria! A Fanfare for Christmas - Bob Krogstad
        2. He Shall Feed His Flock - John Ness Beck
        3. O Holy Night
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        5. Jesus Gift
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        Live from Cell Block D
        Average customer rating: 5 out of 5 stars
        • I didnt think it was possible...
        • Ditto what all the guys said!
        • Missing Out On This CD Is A Crime!
        • Tracy Rocks The Jail House
        • Live From Cell Block D
        		 Live from Cell Block D
        Tracy Nelson
        Manufacturer: Memphis Int'l
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00009QG8I
        Release Date: 2003-06-17

        Tracks:

        1. I Need All The Help I Can Get
        2. Walkin' After Midnight
        3. God Will
        4. Got A New Truck
        5. Tennessee Blues
        6. Send Me To The 'lectric Chair
        7. After The Fire Is Gone
        8. Mother Earth
        9. Strongest Weakness
        10. Down So Low
        11. Feel So Good

        Customer Reviews:

        5 out of 5 stars I didnt think it was possible..........2006-02-22

        for Tracy Nelson to get better. I remember hearing Down So Low when it first came out and was stunned. Until listening to this live recording, I didnt think it could be improved upon.. but I guess age and experience have given her the ability to make it even more mesmerizing. I bought the CD, got in my truck, drove off, put in the CD, and started to listen. I pulled off the road because I didnt think I should be driving.

        As the other reviewers note, this is one thrilling performance. Her voice has gotten richer, and the delivery cant be beat. "God Will" is worth the price of the CD all by itself.

        For those who are long time fans, listen to her original version of some of these songs, and the ones on this CD back to back. You will hear a wonderful transformation.

        5 out of 5 stars Ditto what all the guys said!.......2003-08-05

        I really can't top the first three reviews. They said it all. I will add that I was glad to see a version of "God Will", since I love that song. Hearing it sung by Tracy, who has been my favorite singer since I first heard her back in Madison, Wisconsin, in college, was a real thrill.
        I was glad to see the arrangments taking a bit of a back seat to her voice on this CD, allowing her "blues belter" vocals to come to the foreground. The slower than usual tempos on some cuts also helped to highlight Tracy's incredible vocal talent.
        I agree with James, if you have a chance to see her live, don't miss it. She can stand three feet away from the microphone when singing, and still blow you right out of the room with the power of her voice.
        Buy it...you won't regret it.

        5 out of 5 stars Missing Out On This CD Is A Crime!.......2003-07-05

        Devotees of singer Tracy Nelson (and I certainly number myself among them) have been waiting for years for an official 'live' release from this phenomenal artist. Tracy has released 21 albums prior to this release, all of which have their wonderful moments and some are downright clasics(including 2001's independently released EBONY & IRONY, as well as I FEEL SO GOOD, and MOVE ON from the 1990s (both on Rounder Records), and several re-releases from her early days in the 60s and 70s). It's all great stuff, but even folks who love her studio work have been known to come out of one her concerts utterly astonished. It's almost as though even the best studio settings cannot do this astonishingly powerful singer justice.

        I've always said that if I were a waiter in a club where Tracy Nelson was performing, I'd probably be fired before the night was through. Because I'd doubtless just stand there stock still, tray in hand and jaw dropped to my chest (if not the floor) in a state of complete awe.

        So at last, we have the live album that many of us have been awaiting for the last two decades or longer. It's probably a cliche to say that it was "worth the wait," but in fact, it was.
        This release is the work of a mature artist, one still very much in control of her instrument, but also whose artistry and vision has only deepened over the years. She wrote her signature song, the classic "Down So Low" when she was in her early twenties--a remarkable feat for someone so young--but the version included on this recording seems to come from an even deeper place. She sings every song on this record with conviction and authority, but nowhere is it more evident than on "Down So Low" and on Memphis Slim's blues classic "Mother Earth"--both of which she recorded for the first time in 1968.

        Tracy has assembled a crackerjack band for this recording. She does not always work with a horn section, but when she does, the results are nearly always stellar. The horns give her that extra oomph and send her already soaring vocals into the stratosphere. And she has found a great setting and a more than enthusiastic audience in that Tennessee prison. This is an audience starved for music, and even if they had no idea who Tracy was beforehand, they respond eagerly and gratefully to what they soon realize is a truly first rate performance.

        The selection of material could not have been better. Aside from the two early classics mentioned above, there are new versions of songs from throughout Tracy's lengthy career. She opens with a "I Need All the Help I Can Get," originally recorded in the 90s for Rounder. It's a rousing opener and sets the tone nicely. She follows with a song that she has never actually released on record, although she has been known to perform it live before, Patsy Cline's classic "Walkin' After Midnight." Tracy is one of the few singer's who can take on a Patsy Cline number and successfully make it her own. (Eat your heart out, LeAnn and k.d.) So in the space of two songs, she demonstrates her astonishing range and versatility. She follows up with another new track, Lyle Lovett's "God Will," a song which fits her voice perfectly and which demonstrates that she did not leave all sense of irony back with the last record's "ebony."

        Her powerful r&b shouters never cease to astound, and stand up to repeated plays. But those repeated plays will also demonstrate the subtlety with which she approaches the ballads included here. Her phrasing on "God Will" and on "Tennessee Blues," first recorded in 1972 or '73, is controlled, disciplined and intelligently executed. She could teach a master class--provided she could find students worthy of her time.

        Tracks that will be more or less familiar to fans are given new life in their live versions. Songs like the recent "Got A New Truck" and 1974's "After The Fire Is Gone" were originally recorded as duets (and remarkable ones they were too; the former having been a joint effort with another great lady, Marcia Ball, and the latter a collaboration with the legendary Willie Nelson--who is, by the way, NO RELATION), and as good as the originals were, it's great to hear Tracy tackle them as solo numbers. Nearly all previously recorded tracks have been revamped in ways that fans will find interesting, if not illuminating.

        Nearly every review of Tracy Nelson's recorded work or of her live performances includes the observation that it's a downright shame that she is not better known. That's another cliche that's become hard to avoid when talking about this great singer. From everything I know about her, I don't think she particularly cares about reaching superstar status. She is first and foremost, an artist. But like many of her devoted fans, I still am eager to spread the word to as many receptive souls as possible. I figure it's doing them a favor.

        5 out of 5 stars Tracy Rocks The Jail House.......2003-06-23

        When the hell is the public ever going to catch on to this woman? Most of the record stores I've visited have only had one or two copies in stock. That is an absolute sin. In her 35 year recording career, this is Tracy Nelson's 21st release - 22nd, if you count the Best of Tracy Nelson / Mother Earth - yet for some reason, she is not a household word. (Well, I could give you lots of reasons, but don't get me started). Established superstars (such as Willie Nelson, Linda Ronstadt and James Taylor, to name just a few) have praised her for years as "one of the best voices around" and "a singers singer". She has a powerful, expressive voice, demonstrating a talent that is almost superhuman, but inexplicably, she remains a secret. Her music is known only to music insiders, and a few lucky fans, who seem to number only in the thousands, instead of the millions she deserves.

        For her first live album, recorded before inmates in the West Tennessee Detention Center, Tracy revisits two of her old standards from her first Mother Earth album - Down So Low (her self-penned theme song) and Mother Earth, an wonderful blues reflection on mortality written by Memphis Slim, from which her old band took their name. Esquire magazine once called Down So Low, "the saddest song ever written". Down So Low has been recorded by Linda Ronstadt, Etta James and Maria Muldaur (among others). It has never received a stronger treatment than it does here. Her legendary vocal prowess has only improved over the years, and her reputation as singing powerhouse is well supported by this release. This version of Down So Low compares quite favorably with the original, which she recorded in 1968, proving that she still has it. How many singers can re-record the same song after 35 years and sound better than ever doing it? I can't easily think of a single one.

        The venue has an impressive effect on the selections. For anyone who has ever been to jail, or if you are a family member, or the loved one of a prisoner / ex-prisoner, some of these songs will take on a heartbreaking intimacy that is almost too personal to bear. When Tracy sings her theme song, Down So Low, suddenly, for me, it is no longer a song of unrequited love; instead I hear my own mother wailing in anguish at the first arrest of my older brother ("When you went away, I cried for so long...").

        I have been privileged to hear Tracy live many times, the experience of which no record can ever fully convey - her voice is just too powerful. Before I even read the notes, I looked at the track listing and saw Tennessee Blues, and my first thought was, "I've never heard her do that live. That's an old one". Almost reflexively, I started to run the lyrics through my head, and a chill ran down my spine. "If I had my way, I'd leave here today, I'd leave in a hurry..." the song starts. Instantly, images of those inmates flooded my mind, smiles and maybe a few tears on their contented faces. All of a sudden, the identification they must have experienced with that lyric and the stark reality of their situation came pouring out of the words right at me, and the song took on a new, heartbreaking, yet comforting profundity. I can see those inmates in their drab uniforms (no matter what color, prison garb is drab), nodding their heads and agreeing 1000% with the sentiment behind the song. "A place I could use... a place I could lose those Tennessee Blues". Wow. Tennessee Prison. Tennessee Blues.

        Tracy doesn't stop there. She has finally committed to record her version of Walkin' After Midnight, made famous by the late Patsy Cline. Tracy's rendition owes nothing to Patsy; as few singers can, she manages to make it her own without dredging up comparison to Patsy, or detracting at all from the memory of the original.

        She also revisits some of her best stuff with new verve, including her self-penned (with assistance from Marcia Ball) Got A New Truck (a song I confess I loathed until this reading - but I'm not into autos) and a solo version of the duet for which she and Willie Nelson received a Grammy for Best Country Duo in 1974, After The Fire Is Gone. She has lost none of her incredible voice, and seems to improve with age, like fine marijuana.

        Added to this wonderful mix of Blues, R & B and Country (and ALL her albums are a wonderful mix of Blues, R & B and Country, with just a smidge of Country-Blues influenced Rock to round it all out) is a thoroughly original arrangement / cover of Lyle Lovett's lyrically ironic God Will, which may just be the most understated and effective track on the whole album, since it suits her style perfectly and offers her fans choice to add to their list of favorite Tracy Nelson tunes.

        Since acquiring my copy last week, I have played this album no less than two dozen times. It gets fresher and more creative with each listen. If you are familiar with Tracy at all, you will not hesitate to acquire this release. If you're not, I can think of few better introductions to her craft - notably her 1969 classic Country album (Mother Earth Presents Tracy Nelson Country - Mercury Records - available on a Reprise CD) or her 1978 masterpiece Homemade Songs (Flying Fish Records - available on a CD also containing her complete second Flying Fish issue, Come See About Me). Try her out soon - you will not be sorry. Submitted June 22, 2003.

        5 out of 5 stars Live From Cell Block D.......2003-06-18

        First of all - let's get one thing straight. Tracy Nelson can do no wrong. That said, this is an incredible live album, which was a long time in coming.

        I'm sure jokes will be told about singing to a 'captive' audience, but it takes a true talent to be able to get away with singing a song in a jail entitled "Send Me to the 'Lectric Chair".

        Other highlights are her own "Down So Low" "Tennessee Blues" and "After the Fire is Gone". Actually, as is true of every Tracy Nelson album, there is not a bad song in the bunch. Listen to "God Will" or "Mother Earth" and try not to be moved.

        Bottom line, buy this CD - you won't be sorry. And while you're at it, spread the word. Forget about all the flavors of the month - Tracy Nelson is a force to be reckoned with.

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