Show Me [CD-single] [Import]
Show Me [CD-single] [Import]
Track Listings
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1. Show Me
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2. Take It Easy (Plump DJs Remix)
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3. Show Me (Crazy Penis Remix)
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Editorial Reviews
Product Description
UK single for the dance-pop act featuring Pos from De LA Soul. Three tracks, 'Show Me', 'Take It Easy' (Plump DJs remix) & 'Show Me' (Crazy Penis remix). 2001.
Show Me,Mint Royale,5" CD Singles
Average customer rating:
- Let's go to the Buffet with John
- Not that funny...
- TEARFULLY FUNNY
- EXCELLENT!!!!!!!!!!!!!!!!!!!!!
- John Pinette
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Show Me the Buffet
John Pinette
Manufacturer: Uproar
ProductGroup: Music
Binding: Audio CD
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- John Pinette: I'm Starvin'!
- Kathleen Madigan
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ASIN: B0000061V1
Release Date: 1998-04-14 |
Tracks:
- Weight Watcher Friends
- Halloween
- The Great Meat Recall
- Disneyworld In August/The Character Buffet
- Las Vegas: All You Can Eat
- Grab & Move
- The Wonderful Wizard Of Oz Buffet
- Chinese Buffet/You Go Now
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- A Gas Problem
- When The Spice Hits
- Chipmunk Funk
- Elvis
Customer Reviews:
Let's go to the Buffet with John.......2007-05-08
John Pinette's comedy is great ! The tape has more material than the CD (the tape is not for listeners under 16). I can't wait for John Pinette to put out a new one.
Not that funny..........2007-03-31
Look, I dig stand up, and I dig fat jokes, but this guy isn't that great.
I got a friend who loves John Pinette, but I can't see it.
He tells jokes about how fat he is, how he likes to eat, how he doesn't like to move. Its the same over and over and over again. Its dull and it's too easy. They're not even jokes, really, just comments on how fat he is.
Also a fair part of his act consists of "asian people talk with accents and thats funny" which I find cheap. Stereotypes shouldn't be jokes, and even when they are, they shouldn't be THE joke. John says something with broken english and the audience laughs really hard. Why? Why is that funny, here in the 20th century?
Maybe I just don't "get" his humor, but I don't think this guy is any good. I perfer comedians who tell jokes.
On the plus side, this guy is clean, which is rare these days. But there are better clean comedians around. Try getting a Brian Regan album or an Emo Philips album. Jerry Seinfelds album is good too. Try those guys because they're clean and legitimately funny.
TEARFULLY FUNNY.......2007-03-11
I have listened to this CD continuously. My husband and I laugh at him like we have just listened to it for the first time. It never gets old I can't wait for anything new he puts out, he is so funny.
EXCELLENT!!!!!!!!!!!!!!!!!!!!!.......2007-03-11
This guy is too funny!! We had heard him on satellite radio a few years back and were laughing so hard we couldn't drive, The we saw him on Comedy Central AND had to get this particular CD and glad that we did.
John Pinette.......2007-03-08
This is great, John Pinette will keep you laughing while not having to be profane. I highly recommend this product.
Average customer rating:
- Music of the Night????????
- Great short version!
- A long time favorite
- The Best Recording of this Show Available
- Great CD
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Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
Manufacturer: Decca Broadway
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Binding: Audio CD
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Similar Items:
- Les Miserables (Highlights from the 1987 Original Broadway Cast)
- The Phantom of the Opera (Two-Disc Special Edition)
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- The Andrew Lloyd Webber Collection
- The Phantom of the Opera (Original 1986 London Cast)
ASIN: B000001FLQ
Release Date: 1990-10-25 |
Tracks:
- Overture
- Think Of Me
- Angel Of Music
- The Mirror (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night
- Prima Donna
- All I Ask Of You/Reprise
- Entr'acte
- Masquerade
- Wishing You Were Somehow Here Again
- The Point Of No Return
- Down Once More.../Track Down This Murderer
Amazon.com
Highlight versions of cast recordings are by definition a compromise, and this reduction of Andrew Lloyd Webber's Phantom of the Opera is no exception. Weighing in at 59 minutes, it's over 40 minutes shorter than the two-disc version, excising many musical scenes that convey the flow and impact of the show (which include, admittedly, a lot of patter and screaming). On the other hand, all the hits are here--"Think of Me," "Angel of Music," the title tune, "The Music of the Night," "All I Ask of You," "Masquerade," and "Wishing You Were Somehow Here Again"--and Michael Crawford and Sarah Brightman are still on hand to make their distinctive contributions to the original London cast. So if you're looking for a convenient, inexpensive single disc that will let you enjoy Lloyd Webber's scrumptious melodies without having to immerse yourself in the action, this just might be for you. --David Horiuchi
Customer Reviews:
Music of the Night????????.......2007-02-28
I really liked the idea of a highlights cd; however, The Music of the Night is not the same one that is on the original two-disc cd. The words aren't even the same. If you enjoy Music of the Night, skip this cd. Otherwise, this cd would be 5 stars.
Great short version!.......2006-12-06
If you only want to hear the songs from this musical, this one is for you. But if you want the full version, get the 4-disc version. I listen to this version in my car when I'm on the road, but I listen to the 4-disc version at home. Both versions are worth the purchase.
A long time favorite.......2006-08-26
This is one of my most treasured CDs. The voices of the cast are incredible! "Think of Me" and "All I Ask of You" are 2 of my favorites. If you enjoy the story behind Phantom, yu will like this soundtrack.
The Best Recording of this Show Available.......2006-04-21
I think that this is the best PHANTOM soundtrack out there:
1)It has the original Broadway cast, the best.
2)It cuts out the more risqu? parts of the show (believe me, there are some), making it "appropriate for the whole family."
3)The entire CD is on one disc, so you can go through the show w/o switching discs.
4)The only song that the movie soundtrack has on it that this doesn't is "Learn to Be Lonely," which appears in the credits, and isn't really a great song anyways.
Great CD.......2006-03-14
I bought this CD as a birthday gift for my boyfriend. We had misplaced the one that we had and needed a new one. This is one of our favorite cd's. Such beautiful music.
Average customer rating:
- The Andrew Lloyd Weber Collection
- Andrew Lloyd Webber
- The Andrew Lloyd Webber Collection
- The Best You'll See from Sarah
- The Angel of Music
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The Andrew Lloyd Webber Collection
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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- Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2
- Sarah Brightman Classics
- Time to Say Goodbye
- La Luna
- Harem
ASIN: B00000I0XW
Release Date: 1999-06-01 |
Tracks:
- The Phantom Of The Opera: The Phantom Of The Opera
- Song & Dance: Unexpected Song
- Aspects Of Love: Chanson D'enfance
- The Phantom Of The Opera: All I Ask Of You
- Evita: Don't Cry For Me Argentina
- Evita: Another Suitcase In Another Hall
- Aspects Of Love: Love Changes Everything
- Friends For Life
- Cats: Memory
- Cats: Gus: The Theatre Cat
- Aspects Of Love: Anything But Lonely
- Cats: Macavity: The Mystery Cat
- Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
- The Phantom Of The Opera: Wishing You Were Somehow Here Again
- Requiem: Pie Jesu
- The Phantom Of The Opera: The Music Of The Night
Amazon.com essential recording
Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde
Album Details
Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.
Customer Reviews:
The Andrew Lloyd Weber Collection.......2007-05-12
Sarah Brightman sings in good form classic songs and does a great job!!
Andrew Lloyd Webber .......2007-02-12
Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.
The Andrew Lloyd Webber Collection.......2007-01-05
Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.
The Best You'll See from Sarah.......2006-09-09
This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.
I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!
The Angel of Music.......2006-03-13
This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!
Average customer rating:
- Check out Other Versions. Don't be swayed by Others' Reviews.
- beautiful music for a haunting story.....
- Man of LaMancha As Good As Ever
- Don Quixote
- Magnificent voices
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Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Mitch Leigh , Joe Darion , Richard Kiley , and Joan Diener
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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- Camelot (1960 Original Broadway Cast)
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- Fiddler on the Roof (1964 Original Broadway Cast)
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- The Music Man (1957 Original Broadway Cast)
ASIN: B00005A8KE
Release Date: 2001-03-06 |
Tracks:
- Overture
- Man Of La Mancha (I, Don Quixote)
- It's All The Same
- Dulcinea
- I'm Only Thinking Of Him
- I Really Like Him - Joan Diener
- What Do You Want of Me - Joan Diener
- Little Bird, Little Bird
- Barber's Song/Golden Helmet
- To Each His Dulcinea (To Every Man His Dulcinea)
- The Impossible Dream
- The Combat (Previously Unreleased Reissue Track)
- Dubbing (Knight of the Woeful Countenance) - Joan Diener
- The Abduction
- Aldonza - Joan Diener
- A Little Gossip
- Dulcinea (Reprise) /The Impossible Dream (Reprise) /Man of Mancha (Repr - Joan Diener
- Finale (The Impossible Dream) - Joan Diener
Amazon.com
Man of La Mancha, the show that introduced "The Impossible Dream" to the world (and lounge singers everywhere), was the hit of the 1965 Broadway season. Richard Kiley is magnificent in his career-defining performance as the deluded wannabe knight Don Quixote. His leading lad Joan Diener sings the role of the kitchen wench Aldonza with just the right balance of dignity and vulgarity. Irving Jacobson turns in a fine comic performance as the Don's faithful squire, Sancho Panza. The score, with music by Mitch Leigh and lyrics by Joe Darion, was revolutionary in its time. The orchestra had no violins--just brass, woodwinds, percussion, and flamenco guitars. Man of La Mancha is one of Broadway's most inspiring musicals and it well deserves its high reputation. --Michael Simmons
Customer Reviews:
Check out Other Versions. Don't be swayed by Others' Reviews........2007-06-09
I've never seen this show on stage and my first exposure to the music was the Sony CD Man of La Mancha featuring Placido Domingo, Pandy Patankin, and Julia Migenes-Johnson. Despite lackluster reviews of the disk, I enjoy it, and when I saw this version at a second hand book/music store, I decided check it out too. My initial impression was that the Sony version was the better disk but decided to compare both versions by setting up a playlist in Media Player, playing tracks from both version back-to-back.
After that test, I have to agree with the reviews here that Richard Kiley is the superior Don Quixote. Domingo's voice is, of course wonderful, but Kiley acts the role better on the CD and Domingo's accent is a major distraction.
In the role of Aldonza - no contest. Julia Mingenes-Johnson's singing and performance on the Sony version is far superior to Joan Diener's. I didn't have to hear the tracks back-to-back to realize that. Ms. Diener's performance just grated on my ears from the beginning.
Bucking the crowd, I prefer Mandy Patankin's Sancho (Sony version) to Irving Jacobson's. I may be biased, having had more exposure to the Sony version, but Patankin seemed to be trying to inject a bit more feeling into the character. Jacobson, singing in an annoying, scratchy voice, came across almost like a cartoon trying to fit in among live characters. It seems like most people either like Patankin or hate him. Guess I'm one of the former.
The Orchestration does seem brighter/clearer in this version compared to the Sony version, but, in general, the tempo on most tracks seems slower than the same tracks on the Sony version. I preferred the up-tempo, Sony versions of "The Barber Song", "Little Bird, Little Bird", "The Dubbing" and "A Little Gossip".
In Summary: For Kiley's Don Quixote, you'll probably want this version, but for tracks featuring Aldonza (and maybe Sancho) you'll want to check out the Sony version. Since I have both disks, I will probably come up with a mix of my favorite tracks, in general, favoring the Sony disk but substituting the tracks that feature Richard Kiley's Don Quixote where I can.
beautiful music for a haunting story............2007-06-07
I remember reading excerpts from Cervantes' DON QUIXOTE, as a Spanish student, way back in junior high school. The saga of the madman fighting windmills and pursuing his illusions [and delusions] was very sad, but very romantic at the same time. When the musical adaptation, MAN OF LA MANCHA, was brought to the stage in 1965, Richard Kiley (as the title character, Don Quixote) absolutely transfixed the audience with his sensitively heartfelt portrayal of the tragic madman. The plight of Don Quixote, who travels on horseback, with his faithful companion, Sancho Panza (Irving Jacobson), and absolutely lovestruck by kitched wench Aldonza (Joan Denier), is alternately pathetic and profound. Perhaps one of the best known (and most remade) songs in the repertoire from LA MANCHA, is "The Impossible Dream." Richard Kiley really make it his own, here, and after you hear his version, it's hard to listen to others' versions of it. It's just not the same. Though, this story is anything but joyful, the music will glide through your ears and carry you on a surrealistic journey through attempted triumph and (ultimately) tragedy.
Man of LaMancha As Good As Ever.......2007-05-07
Very pleased with ourchase of this item. Quality is great as was the price. Delivery was timely. Easy transaction! A++++++++
Don Quixote.......2006-09-14
Back in High School my band leader, Mr. DeYoung, decided (agianst much opposition from those of us in the band let me tell you) to have us perform select pieces from this musical
I hated the idea. But when we began to play, he even had us watch the musical, I fell in love with the melody. The many songs of a man who believes the best in the world. YOu find that in Dulcinea, The Impossible Dream, etc.
From one maginificently rendered song to another, you can be lost in its melodic elegance.
My favorite song is the initial rendition of 'Little Bird, Little Bird'. It's a soft song, sung as a love ballad. In the musical you discover it's being sung to a local whore by a bunch of randy men. Despite that, I still like it.
This along with others are among the great works of the stage!
Magnificent voices.......2006-07-05
Voices and music make a revival of this beautiful play. Full of passion.
Average customer rating:
- Wow.
- Love this CD
- Could it get any better?
- Moulin rouge tried to fill up the GAP
- ahahahahaha
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Moulin Rouge 2
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD
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- Moulin Rouge
- Moulin Rouge! (Two-Disc Collector's Edition)
- Chicago
- William Shakespeare's Romeo + Juliet: Music From The Motion Picture, Volume 2 (1996 Version)
- William Shakespeare's Romeo + Juliet: Music From The Motion Picture (1996 Version) [Enhanced CD]
ASIN: B00005YW4Z
Release Date: 2002-02-26 |
Tracks:
- Your Song
- Sparkling Diamonds [Original Film Version]
- One Day I'll Fly Away
- The Pitch (Spectacular Spectacular) [Original Film Version]
- Come What May [Original Film Version]
- Like a Virgin [Original Film Version]
- Meet Me in the Red Room [Original Film Version]
- Your Song
- The Show Must Go On [Original Film Version]
- Ascension/Nature Boy (From the Death and...)
- Bolero (Closing Credits) [Original Film Version]
Amazon.com
There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley
Album Details
Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'
Customer Reviews:
Wow........2007-01-15
I must say...I was very glad when they released Part Two of the Moulin Rouge soundtrack. Don't get me wrong...the first part was great and all, but it was nothing spectacular. I was specifically looking for certain songs from the movie, and I was completely disappointed when they were on there. The release of a second soundtrack was, in my opinion, an absolute necessecity.
The highlights of the album are:
-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)
In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!
If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!
Love this CD.......2006-07-04
I love everything about this movie. The music is amazing and the instrumental songs on this CD are perfect. The first CD seemed to be more for a bunch of teenyboppers that wanted to hear the worst song on the whole CD (Lady Marmalade). If only they could combine the good songs from the first CD into this one.
I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.
Could it get any better?.......2006-03-02
So i thought that the first instalment in these soundtracks was great (and it was) but the purchase of this sequel is a must if you want the full effect. With the original film versions of these songs, sung by the stars of the movie, you get the real feel that was the magnifisence of Moulin Rouge! Ewan McGregor is still by far the star, with his talent spilling over the dramatic lovesong 'Come What May' and 'Your Song', but Nicole's brilliant performance as Satine definatly takes front and center in 'One Day I'll Fly Away' and the film version of 'Sparkling Diamonds'...I have noticed that many complain about how the first soundtrack did not include the film version of this song...well you need this CD then...you will not be dissapointed. Other highlights include 'Like a Virgin' which is downright histarical, and the dark cover of 'the show must go on' which highlights the tragidy behind this tightly woven tale. THis is one must have soundtrack for your ever growing collection. A perfect companion to soundtrack number 1!
Moulin rouge tried to fill up the GAP.......2006-02-12
This contains many great tracks missing from the original soundtrack, including Like A Virgin, Spectacular Spectacular and The Show Must Go On. I thought the inclusion of two instrumental versions of Your Song might be a bit redundant, but upon listening to them I really enjoyed them and they are quite different from one another. OK, it's not the best soundtrack that could have been put out. But it's pretty darn close. One thing that many DEDICATED fans of the movie (including myself) said is that the original movie soundtrack lacked the actual original movie score. There are 10+ songs in "Moulin Rouge" and many didn't make the final cut.
Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.
One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.
To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.
ahahahahaha.......2006-02-01
Everything the other customers are saying is true: more music from the film, thankyouverymuch, not irritating pop conceits like the first. However, I would not have reviewed this album unless I found it absolutely necesary to point out that, in the climactic moments of track 5 "Come What May," Ewan MacGregor's voice is for some reason missing and replaced by a bizarre, operatic man's voice. It truly had me crying with laughter the first few times I heard it, and I wanted to share this wondrous discovery with the world.
Average customer rating:
- Food for Thought - Great for Productions
- Oliver is a classic and meant to be heard and seen.
- PLEASE SIR! I WANT SOME MORE!
- Oliver-The Broadway Cast
- spectacular Broadway album
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Oliver! (Deluxe Edition) (1963 Original Broadway Cast) [CAST RECORDING]
Various Artists
Manufacturer: RCA Victor Broadway
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Binding: Audio CD
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Similar Items:
- Fiddler on the Roof (1964 Original Broadway Cast)
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- Oliver!
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ASIN: B0000996JO
Release Date: 2003-06-03 |
Tracks:
- Overture/Food Glorious Food - The Boys
- Oliver! - The Boys, Wiloughby Goddard, Hope Jackman, Bruce Prochnik
- I Shall Scream - Wiloughby Goddard, Hope Jackman
- Boy for Sale; Where Is Love? - Wiloughby Goddard, Bruce Prochnik
- Consider Yourself - Crowd, Michael Goodman, Bruce Prochnik
- You've Got to Pick a Pocket or Two - Bruce Prochnik, Clive Revill
- It's a Fine Life - Georgia Brown, Alice Playten
- I'd Do Anything - Georgia Brown, Michael Goodman, Alice Playten, Bruce Prochnik, Clive Revill
- Be Back Soon - The Boys, Michael Goodman, Bruce Prochnik, Clive Revill
- Oom-Pah-Pah - Georgia Brown
- My Name - Danny Sewell
- As Long as He Needs Me - Georgia Brown
- Who Will Buy? - Bruce Prochnik, Chorus
- Reviewing the Situation - Clive Revill
- As Long as He Needs Me (Reprise) - Georgia Brown
- Reviewing the Situation (Reprise) - Clive Revill
- Finale
Amazon.com
Lionel Bart's wonderful musical adaptation of the Charles Dickens classic was the first London stage musical to be transplanted to Broadway with the same kind of sensation it received in Britain-- something that is now common in these post-Cats/Les Miserables times. Although no one from this British cast ever became enormously famous (future Monkee Davy Jones was in the second Broadway cast)--and Sir Carol Reed's film version receives all the critical accolades--this remains the better recording, featuring all the songs cut from the film, while excluding the film's musical interludes that simply seem annoying without the visuals. Just compare Bruce Brochnik to the film's Mark Lester in the title role. Or Clive Revill to Ron Moody's Fagin. Or any of the principals, for that matter--and the differences are remarkable. --Bill Holdship
Customer Reviews:
Food for Thought - Great for Productions.......2007-07-03
If you are considering a production of Oliver this is a great recording that has good background information. It does skip some of the overture music but the rest of that tracks are well done.
Oliver is a classic and meant to be heard and seen........2007-05-25
Many of these numbers are well known. And the dark tone of the story being told is well represented by the choices made by the actors and their directors. But it IS rough and dark and mournful. Not a road-trip CD, rather a show to see in the theater.
PLEASE SIR! I WANT SOME MORE!.......2007-02-27
I starred in my local summer stock company's production of "Oliver," in the summer of 2005. I used this CD to practice learning the musical numbers, by listening to it on my iPod. It has some very memorable numbers such as "Oom-Pah-Pah," "Food, Glorious Food," "Who Will Buy?" "That's Your Funeral," and "Consider Yourself." The one Oliver song that gets on my nerves. But I just can't get enough of most of this music, after the great time I had in the show. I even listen to the soundtrack on airplane trips and car rides sometimes.
Oliver-The Broadway Cast.......2006-03-17
As an original cast member with Florence Henderson's "Sound of Music" tour 45 years ago, I have a unique perspective about this recording. Even the musical director comments at the end that this version of "Oliver" was not particularly well sung but that the cast had a lot of energy.
Unfortunately,(in my opinion) this energy doesn't translate suficiently to the recording and I agree - it's not particularly well sung. Again, from the perspective of a former child performer singing with other kids, it actually is possible for a group of children to sing together and make pleasant-sounding music. The adults in this "Oliver" aren't up to musical snuff either.
Although I haven't heard it, I'd be willing to take my chances on the original London version before settling for this one (which, by the way, was recorded in an LA studio before it even got to Broadway.)
spectacular Broadway album.......2006-02-15
The cast album to the 1963 Broadway premiere production of OLIVER! was actually recorded during the show's pre-Broadway run in Los Angeles. OLIVER! played to subsequent audiences in San Francisco, Detroit and Toronto before opening at the Imperial Theatre in New York on January 6, 1963. The show played 774 performances before prematurely ending the season to play a 9-month national tour, later returning to New York for a `farewell' run of 64 performances.
As she had done to rapturous acclaim in London three years previously, Georgia Brown played the role of Nancy, and earned similar praise for her performance in New York. Her rich, velvet-tinged voice is especially haunting with the chill inducing ballad "As Long As He Needs Me". Composer Lionel Bart wrote "It's a Fine Life" especially for Brown after learning she had been cast in the role in the London production.
Ron Moody had also scored heavily in London with his tour-de-force turn as Fagin, but with producers fearing his portrayal `too ethnic', the role was taken by Clive Revill for the Broadway premiere. Revill had just come from his celebrated role in IRMA LA DOUCE, and his interpretation of Fagin is every bit as valid as Ron Moody's. Bruce Prochnik is a winsome and wistful Oliver, and Michael Goodman is a delight as the Artful Dodger. Wisely-retained from the original London company were a handful of the first-rate supporting players: Hope Jackman's shrill Mrs Corney; and the up-and-coming Barry Humphries as Mr Sowerberry (Humphries would later graduate to playing Fagin before his beloved alter-ego Dame Edna unleashed herself on the world). The promising young belter Alice Playten was smartly-showcased as Nancy's offsider Bet.
But, the sound mix on the Broadway album has always been rather flat and dull, despite being recorded in the stereo format of the day. Voices and orchestra have no vibrancy or depth, and this was due to the studio in which they recorded it, where the ceiling was very low and the sound did not have the necessary acoustic projection. Nevertheless, the recording has a charm and energy which overrides the technical shortcomings.
This new CD reissue from RCA offers some interesting bonus materials including musical director Don Pippin sharing his memories of the show; Barry Humphries performing "That's Your Funeral" (from the London cast album but left off the Broadway album); and a live recording of Patti LuPone singing "As Long As He Needs Me" (LuPone played Nancy in a short-lived Broadway revival in 1986).
Good value.
Average customer rating:
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Martin Short: Fame Becomes Me
Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Curtains (2007 Original Broadway Cast)
- High Fidelity (2006 Original Broadway Cast)
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- Evil Dead: The Musical (2006 Original Off-Broadway Cast)
- The Pirate Queen (2007 Original Broadway Cast)
ASIN: B000NJXGB8
Release Date: 2007-04-10 |
Tracks:
- Another Curtain Goes Up
- All I Ask (Is you love me)
- Three Gorgeous Kids
- big Titties
- The Salesman That Got Away
- Sittin' On The Fence
- The Jackie Rogers Jr Show
- Ba Ba Ba Ba Broadway
- The Hello Boy
- The Trumpet of Samaria
- Step Brother To Jesus
- Backstage Courtship
- Married To Marty
- Sniff Sniff
- A Dry Martin - Straight Up With A Twist
- Twelve Step Pappy
- More, More, More
- Would You Like To Star In Our Show?
- I Came Just As Soon As I Heard
- A Wicked Memorial
- Michael's Song
- Heaven, Heaven
- Up Here In Heaven
- A Big Black Lady Stops The Show
- Finale
- Lessons Learned
- Glass Half Full
- Frieda May's Lament
Amazon.com
Martin Short's 2006 Broadway show Fame Becomes Me is a love letter to old-school showbiz doubling as a send-up of self-serving celebrity memoirs. This "comedy musical" is obviously the work of someone who adores not only the golden age of Broadway but also that of a certain style of entertainment you may call vaudeville variety. The idea is that Short is looking back at his own life (with some libertiesif a celeb out there is not known for outrageous behavior, it's gotta be him) through songs and skits, and with the help of his own TV personae, such as Jiminy Glick and Ed Grimley. It helps that said songs were written by Marc Shaiman and Scott Wittman: The cocreators of Hairspray can zippily pastiche everything from The Wizard of Oz to Wicked. For this supposed ego trip, Short has also surrounded himself with a crackerjack cast that includes MAD TV's chameleonic Nicole Parker, versatile funsters Brooks Ashmanskas and Mary Birdsong, and Carpathia Jenkins, who blows the roof off the joint with the self-explanatory "A Big Black Lady Stops the Show"-a number that mocks the Broadway habit of hiring African-American belters for to deliver one song. In an ironic twist, Jenkins herself is woefully underutilized in Fame Becomes Me but at least she gets one of the two bonus tracks, "Frieda May's Lament," to herself. --Elisabeth Vincentelli
Album Description
In the grand American traditions of musical theater, sketch comedy and shameless self-promotion comes Fame Becomes Me, Martin Short's uproarious new comedy musical that has critics in hysterics! In Fame Becomes Me, the "phenomenally gifted" Martin Short (New York Post) and his "superb" cast (USA Today) sing, dance and mercilessly mock others as they race through a whirlwind revue that's part variety show, part celebrity send-up and "the best time on Broadway!" (WNBC-TV). Featuring original music from the composer and lyricist of Hairspray and South Park, Fame Becomes Me is Broadway's most riotous party and you're invited!
Customer Reviews:
Very Funny!.......2007-06-12
I admit I didnt know much about this show, and was under the impression it was a one man show of sorts and just comedy, but its not at all. The songs are quite amusing and witty and the cast and Short are in top form. Capathia Jenkins is especially hilarious in her musical turns. Definitely a keeper for Broadway musical fans. If you enjoyed the score of Hairspray, you should enjoy this too. (same people). Why am I the only person reviewing this?
Average customer rating:
- Bell & Gershwin
- Enchanting
- Joshua Bell's playing is exquisite
- S'Wonderful
- My Starter Bell CD
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Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams
Manufacturer: Sony
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Binding: Audio CD
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- Romance of the Violin
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ASIN: B000009OP5
Release Date: 1998-07-28 |
Tracks:
- Fantasy For Violin And Orchestra On Porgy And Bess
- Three Preludes: I. Allegro ben ritmato e deciso
- Three Preludes: II. Andante
- Three Preludes: III. Allegro ben ritmato e deciso
- Songs For Violin And Orchestra: I Got Rhythm
- Songs For Violin And Orchestra: Embraceable You
- Songs For Violin And Orchestra: Nice Work If You Can Get It
- Songs For Violin And Orchestra: Liza
- Songs For Violin And Orchestra: But Not For Me
- Songs For Violin And Orchestra: Sweet And Low-Down
- Songs For Violin And Orchestra: Love Is Here To Stay
Amazon.com essential recording
On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde
Customer Reviews:
Bell & Gershwin.......2007-05-20
Two of my faves, George Gershwin and Joshual Bell -
Can't beat that!
Also, "Porgy" is a fave opera... so three out of three isn't bad!
Enchanting.......2007-03-24
A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!
Joshua Bell's playing is exquisite.......2005-07-08
Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.
S'Wonderful.......2004-10-20
Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.
My Starter Bell CD.......2003-11-05
This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.
Average customer rating:
- Not My Style
- Rockin' Western Collection
- Hard to Find Great Western Themes
- Western Music
- A great follow-up
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Way Out West: The Essential Western Film Music Collection, Vol. 2
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
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ASIN: B000060PBU
Release Date: 2002-03-26 |
Tracks:
- The Hallejuah Trail-Overture
- The Alamo-The Green Leaves Of Summer
- The Alamo-Davy Crocket
- The Big Country-The Welcoming/Finale
- The Big Valley-Main Theme
- Blazing Saddles-Blazing Saddles
- Bonaza-Main Theme
- Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
- The Comancheros-McBain/Main Title
- Duel In The Sun-Main Title/The Legend/Orizaba
- A Fistfull Of Dynamite-Duck You Sucker
- For A Few Dollars More-Main Theme
- Friendly Persuasion-Thee I Love
- Giant-Main Theme
- The Good, The Bad And The Ugly-Main Theme
- The Good, The Bad And The Ugly-The Ecstasy Of Gold
- Gunfight At The O.K. Corral-Suite
- Hang 'Em High-Main Theme
- The Hanging Tree-Main Title
Tracks:
- High Caparral-Main Theme
- How The West Was Won-Prelude/The Land
- High Noon-Do Not Forsake Me Oh My Darlin'
- The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
- The Lone Ranger-William Tell Overture: Finale
- Nevada Smith-Main Title
- Old Gringo-Main Themes
- Once Upon A Time In The West-Man With The Harmonica
- One Eyed Jacks-Main Title
- The Proud Rebel-Main Titles
- The Quick And The Dead-End Titles
- Quigley Down Under-End Titles
- Rio Bravo-Rio Bravo/De Guella
- The Scalphunters-Main Title
- Shane-Main Theme: The Call Of The Farwaway Hills
- The Shootist-Main Title
- The Unforgiven-The Need For Love
- Viva Zapata-Gathering Forces
- The Virginian-Main Theme
Customer Reviews:
Not My Style.......2007-05-11
This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!
Rockin' Western Collection.......2006-08-28
For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.
Hard to Find Great Western Themes .......2006-03-16
This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.
Western Music.......2005-07-29
I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."
A great follow-up.......2003-08-29
This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.
Average customer rating:
- Wonderful Soundtrack
- DOLLY WILL NEVER GO AWAY
- The excitement is there, but.....
- Goodbye, Dolly!
- Toxically Corny!!!!
|
Hello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition)
Jerry Herman , and Carol Channing
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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- Mame (1966 Original Broadway Cast)
- My Fair Lady (1956 Original Broadway Cast)
- Fiddler on the Roof (1964 Original Broadway Cast)
- Gypsy - A Musical Fable (1959 Original Broadway Cast)
- Camelot (1960 Original Broadway Cast)
ASIN: B000099SZ0
Release Date: 2003-06-03 |
Tracks:
- Prologue
- I Put My Hand In
- It Takes a Woman
- Put on Your Sunday Clothes
- Ribbons Down My Back
- Motherhood
- Dancing
- Before the Parade Passes By
- Elegance
- Hello, Dolly!
- It Only Takes a Moment
- So Long Dearie
- Finale
- I Put My Hand In [*] - Mary Martin
- Before the Parade Passes By [*] - Pearl Bailey
- Hello, Dolly! [*] - Pearl Bailey
- So Long Dearie [*] - Mary Martin
- Love, Look in My Window [*] - Ethel Merman
- World, Take Me Back [*] - Ethel Merman
- On Recording Hello, Dolly! [*] - Carol Channing
- When Did You Sense That Hello, Dolly! Would Be a Hit? [*] - Carol Channing
- On the Title Number [*] - Carol Channing
- "Dolly Changed Me..."; the Book [*] - Carol Channing
- Plot [*] - Carol Channing
- Optimism, And Finding One's Character [*] - Carol Channing
- Prime of Life [*] - Carol Channing
Amazon.com
Sitting in the balcony at the final preview of this 1964 Jerry Herman show, still very much in school and long before my career as a critic began, I knew somehow that I was witnessing theatrical history. Even as that callow youth, I was certain that Carol Channing had been born to play the role of Dolly Gallagher Levi, the meddling turn-of-the century New York widow who had been adapted from Thornton Wilder's straight play The Matchmaker. Channing has proved me right by playing the role ever since, of course, miraculously only improving with age. Beyond Dolly herself, however, the musical emitted a synergistic exuberance (at least five years before we used the word "synergy"). The supporting cast, including David Burns, Eileen Brennan, and Charles Nelson Reilly, were terrific. Herman's tunes and lyrics were sublimely crafted both to create their characters and stand alone. (The title song took on a life of its own.) The show's designers, librettist Michael Stewart and director Gower Champion, combined to transport the audience to 60 years earlier in little old New York. This wasn't all just my opinion: Hello, Dolly! won a record 10 Tonys. The original cast recording can still take you to that other time and place, even if you didn't see the original show. But, at the risk of offending my inner adolescent, the 1994 revival, naturally starring Channing, was even better--both on stage and on disc. --Robert Windeler
Customer Reviews:
Wonderful Soundtrack.......2007-06-27
This is the original recording, with all of the best names included. Wonderful, wonderful music.
DOLLY WILL NEVER GO AWAY.......2007-05-17
Great re-mastering of original BWay cast album with wonderful other Dollys, particularly Pearl Baily who makesHello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition) the title tune her own. It is still a great score and a delight to own.
The excitement is there, but............2007-01-24
Hello Dolly is one of my favorite shows. When you listen to the cast album, you really do--as others have said--feel the excitement of being there on opening night when Broadway history was being made. The wonderful RCA cast album has been a best seller for 43 years. But while I do feel it is necessary for any musical fan to have this cast recording in their collection, this is not personally my "Dolly" album of choice. I have three of the 5 major DOLLY recordings in my collection; this Original Cast, the Barbra Streisand movie soundtrack, and the Mary Martin London cast on LP (the others I do not have are the Pearl Bailey cast album and the Carol Channing revival). My preferred recording is a tie between the movie soundtrack and the Mary Martin album, with this one trailing (not far) behind. As far as the supporting cast are concerned, the original cast wins hand down. But HELLO DOLLY is really about the star, and in my opinion, Carol Channing can't sing...err, croak...her way out of a cardboard box. I realize that that is Channing's trademark, but it just doesn't work for me. As I said, this album is required equipment in any serious musical lover's collection, but I think that I too will "stick with Streisand." And for God's sake, I wish RCA would get off their rump and get the Mary Martin cast album out on CD, and reissue the Pearl Bailey cast album too while they're at it!
Goodbye, Dolly!.......2005-10-30
This Deluxe Edition of the orginal "Hello, Dolly!" has three distinct problems.
For starters, this is not the classic musical that afficianados would have you believe, nor is it Jerry Herman at his best (that honor goes to "Mame"). Rather, this is a fair to middling score with three socko numbers (title tune not included), three rather fine songs (title song included) and the rest either average or inadequate. "Put On Your Sunday Clothes" and "Before the Parade Passes By" are two of the most galvanizing songs ever written for the Broadway stage and no singer can detract from their euphoric energy (though Carol Channing tries -- more on that later). "So Long, Dearie", though slower in tempo than Barbra Streisand's definitve rendition, is a showstopping character song that's both clever and compelling. These three numbers are what gives "Dolly" it's class and they are three of the best things Herman ever wrote. Then we have "Dancing", "Elegance" and (gulp!) the by now overly familiar title song, each an accomplished tune that propels the plot with, well, elegance. The song "Hello, Dolly!" may now annoy as a Broadway warhorse, but it was as fresh as daffodils when it first premiered. The rest of the score, sadly, isn't up to these standards. "It Takes a Woman" and "It Only Takes a Moment" are indistinguished at best, and "Ribbons Down My Back" is downright annoying. Worse still, "I Put My Hand In" is a lackluster opener that pales in comparison to "Just Leave Everything to Me", its replacement in the movie and a bonifide Jerry Herman rouser. And "Motherhood" sounds like exactly what it was, a stage wait for the scenery to move in. Totally expendable.
The second problem here is that this may be the worst sung original cast recording in Broadway history. Charles Neslon Reilly's wobbly tenor struggles to maintain pitch, Eileen Brennan's stilted soprano sounds more like light operetta than musical comedy, and David Burns makes his movie counterpart, Walter Matthau, sound like Mario Lanza in comparision. Then there is Dolly, the incomprehensibly overrated Carol Channing. From her first froggy notes in "I Put My Hand In" you know it's going to be rough sledding and, sure enough, she croaks and screeches her way through one song after another, rendering most of what she sings unlistenable. Channing's voice is thin, harsh and completely unequalized throughout its range and she effectively saps all of the charm out of "...Sunday Clothes" and "Parade". By the time the recording has ended, you want to banish this CD to a deserted island. But wait, there's more! An almost unrecognizable Mary Martin starts the "extras" on this disc with a shock. Some of her last recordings, these "Dolly" numbers unfortunately display how Martin's once lovely instrument had deepened and thickened over the years. A full throttle but somewhat tremulous Ethel Merman fairs little better on some poorly recorded songs added to the show when she took over. These two giants actually make the songs Pearl Bailey does on this disc seem all the more astonishing. While arguably not as talented as Martin or Merman (although, in reconsidering this recording and her career, I think I'm entirely wrong in that observation), Bailey hits a home run on each of her renditions and her recording of the title song is absolutely definitive. Someone should quickly get the cast recording of her "Dolly" back in circulation. "She" and "we" deserve it.
The final problen here is a lengthy recent interview with Ms. Channing that has to be heard to be believed. Does she actually think we're buying the idea that she was doing high kicks in the studio while recording her songs? Please! She barely catches her breath between phrases. And her comparing her premonition that the show would be a hit to a passage in the bible is as laughable as it is sacriligious. Yes, she may have done the show over 5000 times, but she lucked into a classic without earning her own classic status. No wonder all she could do was repeat herself for the rest of her career. Stick with Streisand.
And I guess from the reviews of THIS review, disliking Channing is sacriligous. I better watch my back.
Toxically Corny!!!!.......2005-01-22
A lot of my friends wonder why I violently detest Broadway Musicals so much. Well, this particular recording is at least one reason why. Exposed to this piece of Toxic Schlock at a very young age (about 4 I reckon), and ever since, for me it has epitomized EVERYTHING I detest about musicals, the thin corny plots, even cornier songs, people breaking out into song at the most ridiculous times and so much glitz that my system nearly went into toxic shock. The worst part of it all, CAROL CHANNING!!!! This woman CANNOT SING TO SAVE HER LIFE, PERIOD!!!
I've even asked people who DO like B'way what is the deal with her? I hear it's that she has charisma. OK, since when does charisma equal talent (I honestly believe they are NOT the same thing).
And I have even tried to listen to other musicals over the years, and I just CANNOT get the appeal of it on ANY level! I guess this is well-done as these things go (there is work involved), but I just CANNOT understand what the fuss is all about.
Signed,
One perplexed Owl.
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