Sun Shining Down [CD-single] [Import]

Sun Shining Down [CD-single] [Import]

Editorial Reviews
Product Description
House. This is a Joint Project with the Boys from Staxx, Who's Hit 'joy' Reached the Top 20 Twice. Remixes Come Courtesy of Mr Pink, Big Ron and Dirty Rotten Scoundrels (Who Provide a Bass Kicking Dub).

Tracks:

Sweet And Low-Down
The Half-Of-It-Dearie Blues
The Real American Folk Song
Any Place I Hang My Hat
III. Wind
I Got Rhythm
Out Of This World
Over The Rainbow
One For My Baby
Oh, I Can't Sit Down
But Not For Me
It Ain't Neccessarily So
It's A New World
Get Happy
When The Sun Comes Out
My Shining Hour
Lullyaby Of Birdland

Customer Reviews:

Best of Shearing AND Kings Singers.......2002-05-26

This is a fantastic recording. There are interesting arrangements from some of the best popular music arrangers, including Richard Rodney Bennett, Paul Hart and Daryl Runswick, not to mention Shearing's great new 5/4 version of his best-loved song Lullaby of Birdland, which begins with a jazz version of Brahms' Lullaby.

The Kings Singers are in fine form, with their flawless intonation and meticulous attention to creating a great sound.

Each track features just the sextet, Shearing and a double bass (played by Neil Swainson), except for One For My Baby, which adds John Harle on saxophone. That track is one of the three terrific Daryl Runswick arrangements included on the album.

Other stand-outs are:

The-Half-of-It-Dearie Blues, which sounds very similar to their much earlier version of it, i.e. sensitive and sensuous.
Gershwin's The Real American Folk Song (is a rag)
Daryl Runswick's interpretations of I Got Rhythm and Anyplace I Hang My Hat
Over the Rainbow

Tracks:

Nabucco: Part One - Introduzione
Nabucco: Part One - Recitativo e cavatina
Nabucco: Part One - 'D'Egitto la sui lidi'
Nabucco: Part One - 'Qual rumore?'
Nabucco: Part One - 'Come notte a sol fulgente'
Nabucco: Part One - 'Guerrieri e presto il Tempio'
Nabucco: Part One - 'Io t'amava!'
Nabucco: Part One - Corco - 'Lo vedeste?'
Nabucco: Part One - 'Finale ''Viva Nabucco!'
Nabucco: Part One - 'Che tenti?'
Nabucco: Part One - 'Tremin gl'insani del mio furore'
Nabucco: Part One - O vinti'
Nabucco: Part One - 'Mio furore'
Nabucco: Part Two, Scene One - Scena ed aria
Nabucco: Part Two, Scene One - Anch'io dischiuso un giorno'
Nabucco: Part Two, Scene One - 'Chi s'avanza'
Nabucco: Part Two, Scene One - 'Salgo gia deltrono aurato'
Nabucco: Part Three, Scene One - 'Donna,chi sei?'
Nabucco: Part Three, Scene One - 'Oh,Di qual'onta aggravasi'
Nabucco: Part Three, Scene One - 'Ah, qual suon!'
Nabucco: Part Three, Scene One - 'Deh, Perdona'
Nabucco: Part Three, Scene Two - Coro e profezia (Introduczione - Introduction)
Nabucco: Part Four, Scene One - 'Dio Di Giuda'
Nabucco: Part Four, Scene One - 'Porta fatale, or t'apriral!'
Nabucco: Part Four, Scene One - 'Cadran, cadranno i perfidi'
Nabucco: Part Four, Scene Two - Finale ultimo 'Oh,dischiuso e il firmento'
Nabucco: Part Four, Scene Two - 'Ah, torna Ieraello'
Nabucco: Part Four, Scene Two - 'Immenso jeovha

Customer Reviews:

Cerquetti's Abigaille.......2003-09-06

First off, it should be known to the potential buyer that these are HIGHLIGHTS only. The mono sound is acceptable. Orchestra and chorus are average at best. The focus clearly is on Anita Cerquetti and her rendition of Abigaille. Even though in the booklet listing of tracks her name is omitted on the last cue point. I never heard this singer live. My first encounter with her voice was the studio GIOCONDA with del Monaco and Simionato and I liked it very much. As Abigaille I find her less convincing. The voice is beautiful and even. But she cannot convey Abigaille's high flying ambitions. She sounds noble most of the time. Never aggressive or infuriated or spiteful or menacing. Her repentance/dying scene is superficial. Which makes me wonder how often Miss Cerquetti may have had the chance to sing this role during her brief career and develop a feeling for it. At times she unexpectedly breaks a phrase to catch her breath, which I find somewhat irritating. And some climax seem "rushed". It's also a bit disappointing to me that the "Salgo gia" cabaletta gets no repeat. Guess such were the customs in those years, even for concert performances. I am pleased with Messrs. Dondi (in the title role) and Trama. Aside from their vocal qualities I find them very much in character. Also the singers of Fenena and Ismaele made me prick up my ears. Taken all in all, it's worthwhile to have this document. It will nicely supplement your studio NABUCCO. It's been a guilty pleasure of mine to compare Anita Cerquetti to Elena Suliotis and Dino Dondi to Tito Gobbi. And I wish that one day the Metropolitan Opera's NABUCCO with Leonie Rysanek under the baton of Thomas Schippers will appear on CD.

Good soloists, mediocre chorus, mono recording.......2002-10-24

The soloists are very good, but the chorus (key in this opera) is not on the same level. "Va Pensiero", the famous chorus piece, is very weakly done. The mono recording is only just adequate, OK for the soloists but flat and dull for stage presence and orchestration.

Blistering Vocalism.......2001-02-23

I first heard this rare pearl over 20 years ago on some faded third-generation cassette. Despite the dim sonics, I was thrilled to hear a diva who could actually negotiate the scorching roulades of Abigaille's music while still sounding like a singer and not some wounded forest creature howling in pain. Apart from Callas' live performance, we've had precious little to celebrate in recorded Abigailles. Sure, Scotto lit a few fires with her EMI pressing, but who wouldn't with a microphone clenched betweeen her teeth and the volume control nailed in place at the top of the control panel? For Heaven's sake, most of the current generation of half-wit dimpled divettes and "sound-enhanced" melody muffins could come off like an Abigaille with the right studio wizards calling the shots.

Cerquetti was the REAL thing. Like Margharita Roberti (listen to her in Christoff's ATTILA recording), Caterina Mancini and Fedora Barbieri, she came from a school of barnstormers who could shake the foundations of San Carlo or La Scala with truly schooled, crafted voices that emanated from the viscera and not the top of the larynx. Cerquetti was one of the Queens of Can Belto, and this new release in great sound is one of the treasures among re-releases of the past decade. I cast aside all conservatory terminology and call this type of performance a ripsnorter for the ages. With Callas, Cerquetti, and Dimitrova on disc, and the rare likes of Linda Roark-Strummer performing the role onstage, the other studio bunnies can turn their attention to gentler repertoire and give the rest of us a break.

Glorious Cerquetti in very good Nabucco.......2000-07-19

With the exception of the famous Hebrew's choir 'Va pensiero', the number of recordings of 'Nabucco' is notably low. One possible reason is the extraordinary vocal demand of the female leading role, King Nabucco's daughter Abigaille. Very few sopranos have succeeded with this difficult role: Maria Callas, Elena Suliotis, Renata Scotto, Ghena Dimitrova (arguably the best). Now we have a live recording of the great Italian soprano Anita Cerquetti, and she is probably so good as Dimitrova. Cerquetti was one of the greatest sopranos of the century, although she had an astonishingly short carreer (she retired at the age of 30!). Most of her (scarce) recordings are live performances, so having any single piece of recording of her extraordinary voice is a real must. This Nabucco was one of the last documents of her operatic carreer, and here she sounds so splendid that it remains a mystery why she decided to give up singing so soon afterwards. The rest of the cast is very good, especially the bass Ugo Trama as the High Priest Zaccaria. Dino Dondi is a good Nabucco, but his interpretation of the title role is not a reference. The orchestra sounds well, and the choir efficiently provides the necessary support. The quality of sound is good for the time (1960). To Summarize: This incredibly low priced recording has an adequate combination of the elements needed for a good Nabucco: A very good choir, an excellent bass (Trama), a good baritone (Dondi) and a star of stars as princess Abigail: the great soprano Anita Cerquetti. Enjoy it!

Verdi at the most exciting way!.......2000-01-05

You have to buy this recording! Cerquetti is our and Verdi's dreams Abigaille! If you really are an opera fan or have any concern about Verdi you need this recording. Go for it!

Average customer rating:

Sun Shining Down
Circa
Manufacturer: Infer
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
ASIN: B00003Q4EP
Release Date: 1999-11-15

Album Details

House. This is a Joint Project with the Boys from Staxx, Who's Hit 'joy' Reached the Top 20 Twice. Remixes Come Courtesy of Mr Pink, Big Ron and Dirty Rotten Scoundrels (Who Provide a Bass Kicking Dub).

Average customer rating:

Sun Is Shining Down on Me, Pt. 1
DT8 Project
Manufacturer: Sony/Columbia
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Dance & DJ | Imports | Stores | Music
ASIN: B0006IF9AC
Release Date: 2004-11-29

Album Description

The DT8 Project is the brainchild of Darren Tate (aka Jurgen Vries, Angelic & Citizen Caned). This Australian single is taken from the debut album. Details TBA. Columbia. 2004.