Come Get It, I Got It

Come Get It, I Got It

Editorial Reviews
Product Description
'Come Get It I Got It' is only David Holmes' second ever mix album, following on from 1998's much loved 'Essential Mix'. The album manages an infectious blend of uptown euphoria and downtown hysteria. By and large this is mined from an extremely rich vein of 60's and 70's funk and r & b (that often only Holmes seems to know about), but is stitched together and modernized by Holmes' own interludes under his new guise FREE ASSOCIATION, his latest project with collaborator Steve Hilton (who has worked in the past as programmer with David Arnold and Craig Armstrong). 2002. Slipcase.

Tracks:

Overture
Night Of The Stars
Gotta Have Me Go With You
Norman At Home
Pasion Oriental
The Man That Got Away
Cheatin' On Me
'I'm Quitting The Band...'
The Man That Got Away (Instrumental Version)
Esther In The Boarding House
Oliver Niles Studio
Esther's Awful Makeup
First Day In The Studio
Born In A Trunk (Medley)
Easy Come, Easy Go
Here's What I'm Here For
The Honeymoon
It's A New World
Someone At Last
Lose That Long Face
Norman Overhears The Conversation
It's A New World (Alternate Take)
The Last Swim
Finale - End Credits
When My Sugar Walks Down The Street
The Trinidad Coconut Oil Shampoo Commercial

Customer Reviews:

Forgive the cheesy title, but a star is re-born once again........2007-07-09

In 1954, Judy Garland gave the most acclaimed performance of her career as a musical movie star in George Cukor's musical remake of the 1937 straight-up drama A Star Is Born. After its premiere, the film was heavily edited and would not be seen in its near complete form again for nearly thirty years. Judy was nominated for an Academy Award for her performance, but lost to Grace Kelly, to the chagrin of many Garland fans to this day, as well as many celebrities of the day. (Groucho Mark famously called it the biggest robbery since Brinks.)

In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.

In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.

This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.

The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)

Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.

Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.

A Star Is Born Soundtrack Review.......2007-01-10

A really excellent soundtrack to go with an excellent movie. This is some of Judy Garland's best material in both music and acting. The power of her voice on "The Man That Got Away" is amazing. "Born In A Trunk", "It's A New World", "Someone At Last" and "Lose That Long Face" are other recommended tracks. This is a MUST HAVE for all you Judy Garland fans.

Judy at her peak!.......2006-05-30

Judy Garland's finest film work was "A Star Is Born." Because she and her husband, Sid Luft, were also the producers, it was the most intensely involving production she had ever undertaken. The laser focus of her brilliant talent was never before realized on film to this degree. Also, she had gained tremendous personal confidence due to the unprecedented audience response to the concerts she had done between her MGM films and ASIB. The love with which the live audience embraced her, brought new heights to her acting as well.
The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
A must-have for every serious Garland collector.

a "Star" shines like never before..........2005-04-27

This reissued remaster of A STAR IS BORN is a must-own for fans of the movie, and in particular those who were somewhat dissatified by the previous CD edition (CK 44389). That edition was great for offering us most of the main numbers in stereo/mono mix but was marred by poor analogue distortion and other remastering problems (though this was the best that could have been done at the time). This new edition (CK 65965) presents the entire score, including background and incidental sections as well as the cut material, in a sparkling new package.

The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.

"When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.

Musical perfection of the highest magnitude!!!.......2005-02-25

Was there ever a more perfect voice than the one possessed by Judy Garland? Powerful yet gentle. Dynamic yet restrained. Bone-chilling yet soothing. She had the pipes!

And her instrument was showcased at its best in the music from her triumphant "A Star is Born".

This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.

The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.

Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.

Average customer rating:

Failed Ideas
Simply Exquisite

Out of This World
Harold Arlen , Herbert/ Arlen, Harold ("Hal") Stothart , Allan Schwartzberg , Joe Beck , Cyro Baptista , James Saporito , Jeffrey Harris , and Mike Renzi
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

The Music Never Ends - The Lyrics of Alan & Marilyn Bergman
Naughty Baby
20th Century Masters - The Millennium Collection: The Best of Maureen McGovern
With a Song in My Heart: Greatest Songs of Rodgers & Hart
Another Woman in Love

ASIN: B0000TAZ5Q
Release Date: 2003-11-18

Tracks:

Any Place I Hang My Hat Is Home
Come Rain or Come Shine
Ac-Cent-Tchu-Ate the Positive/Get Happy
It's Only a Paper Moon
Let's Fall in Love [*]
Sleepin' Bee
Ding-Dong! The Witch Is Dead
Optimistic Voices [*]
Over the Rainbow
Let's Take a Walk Around the Block
Don't Like Goodbyes
Right as the Rain
Out of This World
Man That Got Away/Stormy Weather (Keeps Rainin' All the Time)/Blues in
My Shining Hour

Customer Reviews:

Failed Ideas.......2004-12-09

Maureen McGovern is a national treasure. Her Naughty Baby CD to me is the 2nd coming of Christ. By comparison Out of this World is quite disappointing. Mostly either Harold Arlen or MM's uninspiring interpretations and/or Renzi's arrangements don't seem to suit MM on this CD. The drums and percusion are sometimes schlocky. The screechy sax is always terrible. Also not working for me are the electric keyboard/synthesizer, the electric guitar and the cello. Even Renzi's piano playing is sometimes a let down. Jay Leonhart's great bass work seems to be the only thing that you can depend on here. Did MM do this to herself or is Renzi mainly responsible? Spend your money instead on: Naughty Baby, The Music Never Ends, The Pleasure of his Company and Christmas With MM. All wonderful music.

Simply Exquisite.......2003-12-01

I'd forgotten what a beautiful, supple vocal instrument McGovern has. Here, she sings blues- and jazz-flavored tunes, torchy ballads, and more--all Harold Arlen--including "It's Only a Paper Moon," "Over the Rainbow," "Let's Take a Walk Around the Block," "The Man That Got Away" and "Come Rain or Come Shine." Her "Optimistic Voices" (from The Wizard of Oz) is worth the price of the entire CD. It is simply exquisite, like a fine jewel, polished and gleaming with feeling.

Forbidden Broadway 2001: A Spoof Odyssey

Average customer rating:

As Always, Hilarious
Spoof Odessey worth the laughs!
better to be "Lost in Space"
Stretched Thin
Do the Math

Forbidden Broadway 2001: A Spoof Odyssey

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Indie Music | Stores | Music
Similar Items:

Forbidden Broadway, Vol. 8 - Special Victims Unit
Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast)
Forbidden Broadway (20th Anniversary Edition)
Forbidden Broadway, Vols. 1-4
Forbidden Broadway: The Hit Musical Revue (1982 Revue Compilation)

ASIN: B0000584UL
Release Date: 2001-02-13

Tracks:

Forbidden Broadway 2001: Another Op'nin, 'Another Show
Futuristic Stewardess/Usherette: Come Fly With Me
Judi Dench: Why Can't The English?
Trouble In New Tork City: Trouble
The Music Man Revival 2001: Till There Was You
Cole Porter: You're The Top/From The Moment On
Kiss Me, Kate Revival 2001: Wunderbar
I Hate Ben - Marin Mazzie: I Hate Men
Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
Miss Saigon Farewell: Why God Why?
Saturday Night Fiasco: Stayin' Alive
Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
Let's Run Times Square Again: Let's Do the Time Warp Again
Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
Beauty's Been Decreased: Beauty And The Beast
Being Lupone: Being Alive
Sondheim's Blues: Buddy's Blues
Streisand's Farewell Tour: Happy Days Are Here Again/Mame
Les Miz 2001 - Edith Piaf/Milord
Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
Elaborate Sets (Aida Cont.): Elaborate Lives
Angela Lansbury: I Don't Want To Know
The Full Monty: Let It Go
76 Hit Shows: 76 Trombones
Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
Joseph And The Amazing High 'C': Any Dream Will Do

Customer Reviews:

As Always, Hilarious.......2007-05-03

This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

Spoof Odessey worth the laughs!.......2002-04-14

I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

better to be "Lost in Space".......2001-12-31

First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

Stretched Thin.......2001-03-26

I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

Do the Math.......2001-03-15

Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

Tracks:

There's No Business Like Show Business/The Girl That I Marry/I Got The Sun In The Morning/They...
Almost Like Being In Love/Come Rain Or Come Shine
How Are Things In Glocca Morra/Old Devil Moon/Look To The Rainbow
Always Ture To You In My Fashion/Wunderbar/So In Love
Let's Take An Old Fashioned Walk/Once In Love With Amy/Lost In The Stars
Some Enchanted Evening/Younger Than Springtime/I'm In Love With A Wonderful Guy/Bali Ha'i
Guys And Dolls/I've Never Been In Love Before/Fuge For Tinhorns/If I Were A Bell
It's A Lovely Day Today/I Talk To The Trees/You're Just In Love
The March Of Siamese Children/I Whistle A Happy Tune/Hello Young Lovers

Average customer rating:

Excellent performer
A unique project
Gershwin historical, manic, perfect, archival
Definative

Authentic George Gershwin, Vol. 1-4

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0001Z2RSC
Release Date: 2004-08-24

Tracks:

Swanee
Come To the Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-bum-Bo
Nobody But You
Limehouse Nights
Drifting Along With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Concerto In F

Tracks:

Sweet And Low-Down (I)
That Certain Feeling (I)
Looking For A Boy
When Do We Dance?
Sweet And Low-Down (II)
That Certain Feeling (II)
Irish Waltz
Do, Do, Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
Meadow Serenade
My One And Only
'S Wonderful/Funny Face
He Loves And She Loves
An American In Paris
Liza
Strike Up The Band
Embraceable You
I Got Rhythm (I)
I Got Rhythm (II)

Tracks:

Of Thee I Sing
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Overture
Isn't It A Pity?
Variations On 'I Got Rhythm'
I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
III. Fugue: Murder Of Crown, Act III Scene 1
IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Tracks:

Girl Crazy Overture
French Ballet Class
Dance Of The Waves
Slap That Bass
Walking The Dog
I've Got Beginner's Luck
They All Laughed
They Can't Take That Away From Me
Shall We Dance
By Strauss
I Can't Be Bothered Now
The Jolly Tar And The Milkmaid (1st Version)
Put Me To The Test
The Jolly Tar And The Milkmaid (2nd Version)
Stiff Upper Lip
A Foggy day (In London Town)
Nice Work If You Can Get It
Things Are Looking Up
I Was Doing All Right
Love Walked In

Customer Reviews:

Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

Average customer rating:

Great Musicals

Manufacturer: Rajon
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Rock | Imports | Stores | Music
ASIN: B000682FF4
Release Date: 2004-11-15

Tracks:

Oklahoma Suite: Oklahoma!/Oh, What a Beautiful Morning/The Surrey With
My Fair Lady Suite: Ascot Gavotte/Wouldn't It Be Loverly?/With a ...
Annie Get Your Gun Suite: Doin' What Comes Natur'lly/You Can't Get ...
King and I Suite: The March of Siamese Children/I Whistle a Happy Tune
Sound of Music Suite: The Sound of Music/My Favourite Things/Do-Re-Mi
West Side Story: The Jet Song/America/Tonight/Something's Coming/Maria

Tracks:

Porgy and Bess Suite: Summertime/I Got Plenty O' Nuttin'/I Loves ...
South Pacific Suite: Bali Ha'i/A Cockeyed Optimist/Some Enchanted ...
Guys and Dolls Suite: Luck Be a Lady/Fugue for Tinhorns/Follow the ...
Carousel Suite: The Carousel Waltz/Mister Snow/June Is Bustin' Out All

Tracks:

Joseph & The Amazing Technicolour Dreamcoat: Any Dream Will ...
Evita: Don't Cry for Me Argentina/Another Suitcase in Another Hall
Jesus Christ Superstar: Jesus Christ Superstar/I Don't Know How to ...
Cats: Memory/Macavity the Mystery Cat/Mister Misoffeles
Phantom of the Opera: Phantom of the Opera/All I Ask of You/Angel ...

Album Description

Australian exclusive 3-CD set from the Rajon label's 'Great Series'. 2004.

Iglice Szivem - Hungarian Folksongs (for Children)

Average customer rating:

Kati Szvorak and Teka take a folk tour of Hungary

Iglice Szivem - Hungarian Folksongs (for Children)
Kati Szvorak , and Teka
Manufacturer: Hungaroton
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

General | Children's Music | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Children's Music | Indie Music | Stores | Music
ASIN: B000066SIJ
Release Date: 2002-05-21

Tracks:

latos ekek (Animal Songs): Volt Nekem Egy Kecsk(I Had a ...)
latos ekek (Animal Songs): Hsodik a T(The Cricket Is ...)
latos ekek (Animal Songs): A Macskk N a L (The Cat ...)
Jkdalok (Children's Game Songs): Erdk a Lok (Maids ...)
Jkdalok (Children's Game Songs): Iglice, Szm, Iglice ...
Jkdalok (Children's Game Songs): Csillag Boris
Lakodalmasok (Wedding Songs): Piros Pr (Red Peony)
Lakodalmasok (Wedding Songs): Patk Patason (At the Patkmily'
Lakodalmasok (Wedding Songs): Vny Ca, Kymag (Thin Thread ...)
Szs Az Kedvem Ma (I'm in Such High Spirits Today)
Nk (Name-Mocking Songs): S a Te Fejed (And Your Head Is)
Nk (Name-Mocking Songs): Kutya a Hn (Adam, A ...)
Tdallamok (Dance Melodies): Uccu, Dm (Go on, My Lovely-Dove)
Tdallamok (Dance Melodies): Tn Nagyon Hideg Van (In Winter ...)
Tdallamok (Dance Melodies): Szegeljetek (Graze on the ...)
Tdallamok (Dance Melodies): Cinege, Cinege (Titmouse, Titmouse)
Tdallamok (Dance Melodies): Hopp, Juliska (Hey, Juliska)
Moldvai Psk (Match-Making Songs from Moldavia): TamGyurka ...
Moldvai Psk (Match-Making Songs from Moldavia): ...
szk (New Year's Greetings): fUt(It Is One Past ...)
szk (New Year's Greetings): Uj Esztendzerz.
Farsangol(Carnival): Talalaj, Talalaj (Talalay, Talalay)
Farsangol(Carnival): Syl (Shrove-Tide, Come Around)
Farsangol(Carnival): A, A, A, A Farsangi Napokba (In, In, In, ...)
Tavaszi Szokalok (Spring Custom Songs): Ez Ki H (Who Is This ...)
Tavaszi Szokalok (Spring Custom Songs): Majd Elvissz
Tavaszi Szokalok (Spring Custom Songs): Ma Van H Napja ...
Karonyi Dalok (Christmas Songs): Csordaptorok (When Shephers Are
Karonyi Dalok (Christmas Songs): Ptorok Keljl ...
Hej, VJuhok (Hey, Jolly Sheperds)
Karonyi Dalok (Christmas Songs): A Kis Js Aranyalma (The ...)
Karonyi Dalok (Christmas Songs): Karonynak cakn (On ...)
Karonyi Dalok (Christmas Songs): Eredj a a Padla (Go, a, ...)
Karonyi Dalok (Christmas Songs): Karonynak cakn (On ...)
Karonyi Dalok (Christmas Songs): Jancsika, Jancsika
Karonyi Dalok (Christmas Songs): vgy, Kis Jska (Hail, Baby
Karonyi Dalok (Christmas Songs): vbtatld Year Off Song)

Customer Reviews:

Kati Szvorak and Teka take a folk tour of Hungary.......2002-12-24

This CD is a treasure trove of folk music from Hungary - NOT just children's songs. Great playing by Teka, vocals by Kati Szvorak. There are some vocals by non-adults, but are done well, not whiny or cutsey. Songs from practically every region of (greater)Hungary - Dunantul, Mezoseg, Moldva, Zobor - arranged in sections by "purpose" - wedding,Carnival, etc. For instance, in the dance section you get a great Dunantuli set. I originally purchased this because it has some Christmas songs on it. It also has a wonderful name-calling/taunting song - "S a te fejed akkora..." If you like Marta Sebestyen, Sebo, etc, you will like this CD. It's also a great introduction to Hungarian Folk music. Enjoy.

Average customer rating:

Genial, pero...
GREAT TE KANAWA !

Very Best Of Kiri Te Kanawa

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Folk | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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Duets: An American Classic

ASIN: B0000AHEAZ
Release Date: 2003-09-02

Tracks:

Signore, Ascolta
Ecco: Respiro Appena. Io Son L'Umile Ancella
La Mamma Morta
Attendo, Attendo...Addio Del Passato
Je Marche Sur Tous Les Chemins...Obeissons Quand Leur Voix Appelle
Depuis Le Jour
Elle A Fui, La Tourterelle!
Me Voila Seule...Comme Autrefois
Ach, Ich Fuhl's
Dich, Teure Halle
Wie Nahte Mir Der Schlummer...Leise, Leise, Fromme Weise!
Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl
Gluck, Das Mir Verblieb
La Flute Enchantee
L'Invitation Au Voyage
Le Manoir De Rosemonde

Tracks:

Somebody Loves Me
Love Is Here To Stay
Embraceable You
Summertime
Long Ago And Far Away
A Fine Romance
The Song Is You
Let's Face The Music And Dance
What'll I Do?
They Say It's Wonderful
I've Got You Under My Skin
Ev'ry Time We Say Goodbye
True Love
I'll Be Home For Christmas
Silent Night
Come To The Fair
The Last Rose Of Summer
The Keel Row
Comin' Thro' The Rye
Greensleeves
Danny Boy
Hoki Hoki Tonu Mai
Po Ata Rau (Now Is The Hour)
The World You're Coming Into

Customer Reviews:

Genial, pero..........2005-04-19

Me parece que el arte vocal de Kiri posee muchas fortalezas y sòlidos atributos: brillantez, claridad, riqueza de colores, excelente fraseo, perfecta colocación y afinación, expresividad. Sin embargo, también carece de una mejor respiración para poder contrarrestar el excesivo vibrato que aplica a su canto. Sobre algunas de las obras interpretadas, recomiendo: Der Rosenkavalier: Schwarzkopf; Wagner: Kirsten Flagstad.

GREAT TE KANAWA !.......2004-02-19

THIS IS A GODD OVERVIEW OF KIRI TE KANAWA`S TALENT,THIS COMPILATION INCLUDES GREAT OPERA ARIAS,AMERICAN SONGBOOK CLASSICS,MAORI SONGS AND MORE,DIGITALLY REMASTERED. REALLY ENJOYABLE.

You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)

Average customer rating:

You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)
Cole Porter , Ethel Merman , and Fred Astaire
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

Nostalgia | Miscellaneous | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

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General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music
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You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 1 - Wake Up & Dream (1916-1929)
You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 3 - High Society (1948-1956)
Cole Sings Porter
Frank Sinatra Sings the Select Cole Porter
Sinatra Sings Cole Porter

ASIN: B00006JTGP
Release Date: 2002-10-22

Come Get It I Got It: Mixed By David Holmes

Average customer rating:

cd come get it it got it
Can I give 6 stars?
In with the old, out with the new. This is GREAT STUFF.
Got to Give It Up - He Got It
Holmes deserves recognition

Come Get It I Got It: Mixed By David Holmes
David Holmes
Manufacturer: 13 Amp
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Techno | Dance & DJ | Styles | Music

Big Beat | Dance & DJ | Styles | Music

General | Soul | R&B | Styles | Music

General | Funk | R&B | Styles | Music

Dance & DJ | Imports | Stores | Music
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Bow Down to the Exit Sign
Let's Get Killed
This Film's Crap Let's Slash The Seats

ASIN: B0000640AP

Tracks:

Intro - David Holmes
Sugarman - Sixto Rodriguez
Effectin - The Free Association,
Nobody - Hodges, James & Smith,
Tom Cat - Muddy Waters
Country Girl - The Johnny Otis Show
Strange Happenings - Rex Garvin, Rex Garvin
Mama Soul - Harold Alexander
Don't Mess Hair - The Free Association,
Start of Something - The Free Association,
Up Above the Rock - Ray Bryant
Gossip - Cyril Neville
Monster - Fascinating Musical Experience
Sweet Songs
Make It Real (Ride On) - Betty Adams
Why? (Am I Treated So Bad) - The Staple Singers
This Could Be Your Sister - The Free Association,
Salut la Dolce Vita, Pt. 1 - The Free Association,
House Music - The Free Association,
Purple Haze - Johnny Jones & the King Casuals,
Salut la Dolce Vita, Pt. 2 - The Free Association,
Herbsplatte '69
Stars and Rockets - Peter Thomas Sound Orchestra
Ode a l'Affaire - Andre Perry
Sounds Phoney - The Free Association,
Don't Believe a Word - The Free Association,

Album Description

'Come Get It I Got It' is only David Holmes' second ever mix album, following on from 1998's much loved 'Essential Mix'. The album manages an infectious blend of uptown euphoria and downtown hysteria. By and large this is mined from an extremely rich vein of 60's and 70's funk and r & b (that often only Holmes seems to know about), but is stitched together and modernized by Holmes' own interludes under his new guise FREE ASSOCIATION, his latest project with collaborator Steve Hilton (who has worked in the past as programmer with David Arnold and Craig Armstrong). 2002. Slipcase.

Customer Reviews:

cd come get it it got it.......2005-09-04

solid, fast delivery, excellent condition used cd... positive.

Can I give 6 stars?.......2002-12-28

David Holmes's mixing credentials spiral ever upward with this classic release. Holmes mixes trippy electronic effects upon rare vintage soul and funk classics. Some of the inclusions on the set will have you reviewing your collection in a frenzy. From the psychadelic folk of Sixto Rodriguez to the angry blues of Muddy Waters and the soul-lifting vocals of The Staples Singers, all intertwined with great samples and beats of Holmes's new project "The Free Association". I'm currently thinking whether I should stop playing this in public as the response is always the same:- "WHO is this? Where can I get hold of this?" This is even more essential than his ground-breaking 1998 Essential Mix.

In with the old, out with the new. This is GREAT STUFF........2002-09-13

David Holmes takes a much needed break from his Soderberg film scoring and delivers a truly original and fresh mix of tunes with his own touch applied to all. Come Get It is mostly made up of 60's funk and early 70's r-n-b obscurities. All of these are seemlessly blended together to bring you a electro-funk revival the likes of, have never been seen. Being half pop disc, half DJ experimentation, Holmes puts his talents to the test and shows us why he does what he does. The man has quite the record collection, that's for sure. The whole disc flows freely, and dramatically, from Muddy Waters to The Staple Sisters and sounds as new as this morning's coffee. One could put this on for somebody and it's a likable disc from the get-go, the fact is, it's gets better with each listen. Now that's a mark of a great record. Go get it-I got it.

Got to Give It Up - He Got It.......2002-08-10

A sensational mix n' match. This is a culmination of electronic music's affiliation with the undiscovered glory of recent American musical and sociological past. Accesible and powerful art, Holmes' CD is defiantly cerebral, humorous, and beat-crazed, a PhD in sound.

Holmes deserves recognition.......2002-06-21

Electronic genius David Holmes, a virtual unknown in America, struck gold once again with an album remixing 1960s and 1970s funk and R&B with smooth instrumentals and modern vocals. Holmes' latest Come Get It I Got It, released in April, has the ingenuity of DJ Shadow and Cut Chemist's hip-hop remixes, without the hip hop, and Moby's soul remixes, without the soul. Holmes' fifth individual release instead blends funk, oft ignored by techno artists, with his own creativity in electronica.
Most tracks feature old vocals with snippets of modern sound bytes and last only one or two minutes, allowing Holmes 26 tracks on the 53-minute album. Despite the congestion of sounds and styles in this short set, the album is never busy or difficult to follow. And of course, it's never monotonous.
Perhaps the most intriguing element of the album is Holmes' ability to scout out forgotten or undiscovered funk classics. Within the rough of unfamiliar artists and songs lie a few diamonds. Recognizable names like Cyril Neville or Muddy Waters and songs like "Purple Haze" grace the album with a degree of familiarity. Highlighting the original artists' musical talent and variety, Holmes merely graces their work with his electronic edge, adding modern samples and tweaking the music at just the right spots. The result is an ambient work reminiscent of Massive Attack and DJ Shadow.
Between the decades-old funk songs fall instrumentals from The Free Association, a moniker Holmes shares with programmer Steve Hilton. Ranging from straight blues to jam-band likenesses to seemingly drug-induced acid trips, the creative instrumentals are so smooth and well-done that they appear improvisational, highlighting Holmes' skill in writing and musical dexterity.

Music:

Music

music

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