God Is God [CD-single] [Import]

God Is God [CD-single] [Import]

Track Listings

1. God Is God [Rock of Sion Mix]

2. Biot Messiah

3. God Is God [Revelation Mix]

4. God Is God [CJ Bolland Mix]

Editorial Reviews
Product Description
Tracks Include Three Mixes of Title Track (1 by Cj Bolland), & Bart Messiah.

Tracks:

Holy Manna
Abbeville
Wondrous Love
Sweet Hour Of Prayer
Jewett
Dunlap's Creek
New Britain
The Morning Trumpet
Resignation
Poland
Wayfaring Stranger
Sweet By And By
Blooming Vale
Idumea (I)/Idumea (II)
Sweet Prospect
Shall We Gather At The River
Amanda
Invitation
Parting Hand
Angel Band

Amazon.com

This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert Levine

Customer Reviews:

spiritual americana.......2007-01-06

I have some of the older Anonymous 4 recordings which are more medieval
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!

Rich Heritage.......2006-10-11

Anonymous 4 consistently produces exquisite and authentically beautiful recordings and this one presents early American hymns in ways few groups can manage. Some tunes are highly recognizable while others are 'new' to me but a refreshing reminder of the singing heritage of religious societies in times past. For those who enjoy old hymns and authentic renderings, this is a must buy.

Superb .......2006-08-07

This collection of American Christian music is not only an enthralling musical experience but a spiritually uplifting one as well. Anonymous Four have transferred their luminous vocal quality to a new space with perfect success.

Can't walk away from it!.......2006-08-07

My only "complaint" about the CD is that I absolutely HAVE to sit and listen to the entire thing whenever I start it up! I usually have music playing in the background while doing other things, but not this one! There are no tracks that I find myself wanting to skip over as in most collections. In fact, I usually find myself going back and listening to selected tracks again (and again and...) after taking the hour+ to listen to the whole thing through once.

These four ladies produce a unique and remarkable sound. I can't recommend it enough.

Mana from Heaven.......2006-05-08

I think the title of this CD is perfect. I first heard an interview for this CD on Public Radio and fell in love. I had never heard Anonymous 4 before then but look for all I can find of their music now. The title is perfect as the women sound like Angels and the music lifts the spirit. I find myself singing the old version of Amazing Grace all the time now. Incredible and a huge blessing to all who hear it.

Average customer rating:

John Rutter Collection is glorious!
John Rutter Collection
Typically gorgeous Rutter
Wonderful!
To sample Rutter's best music, this is the one.

John Rutter Collection
Rutter , Cambridge Singers , and London Sinfonia
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

The John Rutter Christmas Album
Requiem & Magnificat/Rutter, Cambridge Singers
Be Thou My Vision
Distant Land: The Orchestra Collection
Gloria: The Sacred Music of John Rutter

ASIN: B00006LIEZ
Release Date: 2002-11-12

Tracks:

For The Beauty Of The Earth
The Lord Is My Shepherd
All Things Bright And Beautiful
Shepherd's Pipe Carol
The Lord Bless You And Keep You
Open Thou Mine Eyes
My True Love Hath My Heart (From Birthday Madrigals)
Esurientes (From Magnificat)
Gloria Patri (From Magnificat)
Out Of The Deep (From Requiem)
Pie Jesu (From Requiem)
What Sweeter Music
A Choral Fanfare
A Prayer Of St. Patrick
O Be Joyful In The Lord
Behold, The Tabernacle Of God
O Praise The Lord Of Heaven
A Gaelic Blessing
Angel's Carol
Matthew, Mark, Luke And John (From Five Childhood Lyrics)
Sing A Song Of Sixpence (From Five Childhood Lyrics)
Go Forth Into The World In Peace

Customer Reviews:

John Rutter Collection is glorious!.......2007-07-23

This music begins my day in uplifting way. Each day a different piece catches my attention. I am so glad to have it.

John Rutter Collection.......2007-02-19

This CD is one of several that features Rutter directing his own choir. It has a good cross section of the John Rutter compositions, and is a good starting place for someone who has not heard Rutter's music before. I think you will be "hooked" if you really love choral music.

Typically gorgeous Rutter.......2005-12-20

I love John Rutter's music. Especially the "For the Beauty of the Earth" that is on this CD. Rutter is not the most inventive or varied composer of modern music, but if you have a taste for traditional choral writing with some angelic children's chorus singing, then you will probably share my enjoyment of Rutter's writing. Unfortunately I cannot give this CD 5 stars when it seems there is a drum set tapping annoyingly away on several of the songs. I do not understand this at all and am bothered by it every time I listen to those songs. It's a shame, because otherwise I love the music, and think it is lushly written, and simply but beautifully performed. I would highly suggest listening to sample track 3 before purchasing -- you can hear what sounds like a ride-cymbal right at the very end of the sample. This sound occurs in several of the songs on this recording.

Wonderful!.......2005-12-03

I am a huge John Rutter fan. The lilting melodies, the poignant lyrics and the lush orchestrations make his music not only accessable but also uplifting. This compilation, although drawing from many other previous recordings, is a great composite of his wirk. The sound is exquisite. Even if you own other recordings of this music, this is worthwhile.

To sample Rutter's best music, this is the one........2005-06-30

I purchased this CD as an introduction to the music of John Rutter and went on to purchase many more of his compositions. Still, this remains my favorite collection. It is choral music at its absolute finest. Far from "just church music", this CD has songs of faith, a few Christmas carols, a Celtic song for lovers, and even a child's tune or two. While most of the pieces are peaceful, warm, and thought-provoking, a few are up-tempo and lively. In my opinion, it is a perfectly balanced collection in which one song flows beautifully into the next with no sense of a jarring change of pace. If you have any interest in choral music, begin with the best...John Rutter... and this superb arrangement. Highly recommended.

Average customer rating:

Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Franz Joseph Haydn: The Creation
Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
Mahler: Das Lied von der Erde
Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

Impeccable English Style
The Tallis Scholars do their namesake proud

The Tallis Scholars Sing Thomas Tallis

Manufacturer: Gimell UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Tallis Scholars sing Palestrina
The Essential Tallis Scholars
Christmas With the Tallis Scholars
The Tallis Scholars Sing Josquin
Tallis: Spem in Alium

ASIN: B00026W65E
Release Date: 2004-09-14

Tracks:

Spem In Alium
Sancte Deus
Salvator Mundi, Salva Nos I
Salvator Mundi, Salva Nos II
Gaude Gloriosa
Miserere Nostri
Loquebantur Variis Linguis
If Ye Love Me
Hear The Voice And Prayer
A New Commandment
O Lord, Give Thy Holy Spirit
Purge Me, O Lord
Verily, Verily I Say Unto You
Remember Not, O Lord God
Tunes For Archbishop Parker's Psalter
O Lord, In Thee Is All My Trust
Christ Rising Again
Blessed Are Those That Be Undefiled

Tracks:

Lamentations Of Jeremiah I
Lamentations Of Jeremiah II
Absterge Domine
O Sacrum Convivium
In Manus Tuas
Salve Intemerata
Magnificat For 4 Voices
Ave, Dei Patris Filia

Customer Reviews:

Impeccable English Style.......2007-07-13

If you favor blend, balance, pitch, and all the other parameters of the English traditional choral style, you'll be very impressed with the Tallis Scholars' refined presentation. the music speaks for itself.

The Tallis Scholars do their namesake proud.......2006-07-27

In the last couple of years, the Tallis Scholars have been compiling their sizeable recording output into attractive two-disc editions. Here, they've collected a large number of their interpretations of their namesake, Thomas Tallis. Tallis (c. 1505-1585) is, of course, one of the giants of Renaissance music, and he was certainly the greatest English composer of liturgical music between John Dunstable and William Byrd. I personally consider him the second-greatest Renaissance composer after Palestrina, but I'm not dogmatic about it. I love the music of Josquin, Victoria, and Byrd almost as much. Let's just say that, if you're interested in immersing yourself in the work of a single Renaissance composer, you can't do much better than Tallis.

These recordings were made 1985-1998, and they all sound great. Included in this collection are most of Tallis best and best-known works: the two Lamentations of Jeremiah, O Sacrum Convivium, Gaude Gloriosa, Tunes for Archbishop Parker's Psalter (which contains the theme that inspired Ralph Vaughan Williams' famous Fantasia), and the incredible 40-part motet Spem In Alium (which is one of the supreme masterpieces of the 16th century). Unfortunately, there are some notable absences, such as the Tallis Scholars' own recording of O Nata Lux. The Mass for 4 Voices, certainly one of Tallis' major works, is also nowhere to be found. Of course, there's only so much music that will fit onto two CDs, but it's still a shame that they couldn't fit at least one of Tallis' masses. Nevertheless, the music that's here is beautiful and powerful.

The Tallis Scholars themselves need no introduction. They're one of the most famous groups specializing in Renaissance music. It needs to be said, however, that if you're looking for "authentic" recordings (that is, recordings that approximate what the music originally sounded like in the 16th century), you might want to look elsewhere. The Tallis Scholars use female singers instead of boys or (ahem!) castrati (though it's doubtful that Tallis would have used or written for castrati himself). And one could complain that these recordings use too many singers for some of the smaller pieces or that the sopranos overpower some of the larger ones (like Spem In Alium). I'm neither an enthusiast nor an opponent of the authentic-performance movement; since we're listening to recorded music anyway, these issues strike me as moot. The Tallis Scholars are experienced and accomplished singers, and they achieve their primary goal: to provide superlative-sounding recordings of important early choral compositions. If you're looking for a fine compilation of Tallis' music or an excellent introduction to Renaissance music, this is it.

Average customer rating:

Simply amazing
Gloria: Sacred Music of John Rutter

Gloria: The Sacred Music of John Rutter

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Requiem & Magnificat/Rutter, Cambridge Singers
John Rutter: Te Deum and Other Church Music
The John Rutter Christmas Album
John Rutter Collection
Be Thou My Vision

ASIN: B000AA4JBG
Release Date: 2005-09-20

Tracks:

First Movement: Allegro Vivace
Second Movement: Andante
Third Movement: Vivace E Ritmico
All Things Bright And Beautiful
Cantate Domino
O Clap Your Hands
Wedding Canticle
The Lord Is My Shepherd
A Gaelic Blessing
Hymn To The Creator Of Light
Arise, Shine
Praise Ye The Lord
For The Beauty Of The Earth
God Be In My Head
Open Thou Mine Eyes
A Prayer Of Saint Patrick
The Lord Bless You And Keep You

Customer Reviews:

Simply amazing.......2007-06-16

If I do make it to heaven, I don't know what it will look like, but I do know what it will sound like - listen to the vocals in the Second Movement: Andante . They are worth the price of the whole CD.......
a miracle, really.

Gloria: Sacred Music of John Rutter.......2007-05-14

Outstanding music and outstanding recording. A musical treat as soon as you put in the disc. This is a must for anyone interested in choral music by Rutter.

Average customer rating:

IMPRESSED
St. Paul's Cathedral ImpressiveCollection of Anglican Hymns
Excellent Cathedral Organ & Choral
LACK OF DICTION?!!!
Marred by lack of diction

The Music of St. Paul's Cathedral

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music

$6.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Praise to the Lord - Hymns From St. Paul's Cathedral
Treasures of English Church Music
The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
A Vaughan Williams Hymnal
Abide With Me

ASIN: B00004U2KC
Release Date: 2000-08-15

Customer Reviews:

IMPRESSED.......2007-05-21

AS A FIRST TIME BUYER AT AMAZON,I AM IMPRESSED AT THE QUALITY OF CD AND TIME OF SERVICE

St. Paul's Cathedral ImpressiveCollection of Anglican Hymns.......2007-01-24

St. Paul's Cathdral is the second largest cathedral church in the basilican style, exceeded only by St. Peter's Rome. New York City's St. John the Divine is larger than St. Paul's, but with decidely gothic elements. All three cathedrals have fine choirs, but St. Paul's and St. John's continue the noble and unique sound of boys and men in the English tradition. St. Paul's great organ is one of the world's finest, with a decay of seven seconds. The great hymns are all here, conducted by John Scott, only recently appointed organist of St. Thomas' Church, Fifth Avenue, New York City. This is a recording will a be prized addition to your library of choral music. You will not be disappointed.

Excellent Cathedral Organ & Choral .......2006-02-24

This selection of recordings by The Choir of St. Paul's Cathedral contains pieces representative of traditional Anglican musical liturgy. The technical aspects of this production on compact disk seem to be outstanding, but beware that the original recordings were in some cases less than stellar. Another reviewer points out that on some tracks the lyrics sung by the choir are overwhelmed by the superb organ playing, which no doubt occurred due to inadequate microphone placement during the recording sessions. That said, I nevertheless rate this presentation of the St. Paul's Choir highly. It provides a mixture of musical types. In addition to the choir, the CD presents the work of four organists, including a marvelous organ solo, as well as several pieces sung a cappella by the choir and its boy treble soloists. I especially recommend this choir's rendetion of Gregorio Allegri's "Miserere," which features the voices of two boy trebles, a boy alto and a bass, which yeilds a mesmerizing experience. Unless one is acquiring full sets of the St. Paul's Choir's music, this compact disk should delight anyone interested in traditional cathedral organ and choral music.

LACK OF DICTION?!!!.......2003-11-12

Obviously the individual who wrote the review including the "marred by lack of diction" remark is not too familiar with the traditional boychoir sound. I am moved to sickness that they were so openly compared with the sound of the all-too-familiar MTC. THOSE WERE ADULTS!!! These are boys! Boys cannot give the kind of sound of the MTC because their voices are not developed enough. The greatest hope a boychoir has of wowing audiences is in their contrast in dynamics. They model this beautiffully in their acapella pieces. In their accompanied pieces, I feel they hold their own above the (sometimes blearing) organ.
Know the genre a little better before you slander a great performance.

Marred by lack of diction.......2003-04-22

The singing is beautiful, melodious and full of harmony. The organ would make Bach proud.

But the lyrics do not stand out. In fact, they are obliterated by the surrounding melodies.

I hate to do this, but I am comparing with the Mormon Tabernacle Choir. These little boys would learn from them.

Tracks:

Still Deep Waters
Keep It in the Family
Belladonna
To Love & To Kill with the Very Same Hand
Aquarius & Gemini
Blush
Chinese Burn
Father
Hdskrinkerea
Draped in Red
Running with Scissors
In Silhouette
Dumb
Absolution
Grotesque

Customer Reviews:

21 Years later this band prove they can still shine.......2007-06-10

From the very first to the very last note, this album takes the listener across and vast and varied landscape of a very contemporary soundscape that many thought Wayne Hussey and Co. could never deliver after their heyday of successes with Children and Carved In Sand.

This band has been misbranded and misunderstood for much of their career; many have written them off as a has-been Goth band, others just trying to ride the 80's revival wave. Let me tell you now, none of those are true.

If you have never listened to the Mission, or thought that they really weren't your taste, may i suggest that this is the album you should purchase - the tunes are contemporary, more pop-orientated and permeate your brain, spinning the songs over and over in your head so much that you just have to go listen again.

2007 is the year for The Mission and God is a Bullet.

A return to form Excellent in so many ways Fan in Beijing China.......2007-06-07

Absolutely stunned, that the mission could pull this off, dont get me wrong I'm glad they did. They lost themselves somewhere after Carved in Sand, and this is their glorious return to form. The songs are deep, and what you expect from the ones who brought us Children, which is to me their best work.
I'm a long term Mish fan, and hope that they will keep making vital music.

Praise to the Lord - Hymns From St. Paul's Cathedral

Average customer rating:

a voice teacher and early music fan
Hymns for every one
Super Praise!

Praise to the Lord - Hymns From St. Paul's Cathedral

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music

$9.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

The Music of St. Paul's Cathedral
Hymns Triumphant 1 & 2
Be Still My Soul: The Ultimate Hymns Collection
Abide With Me
Hymns Through the Centuries

ASIN: B00002EIUG
Release Date: 1999-10-12

Customer Reviews:

a voice teacher and early music fan.......2007-02-09

'The HYMN-a word derived from the Greek 'hymnos'-has been defined as 'a term of unknown origin applied from ancient times to a wide variety of songs in honor of gods, heroes or notable men.'
The founder of English hymnody is Isaac Watts (1674-1748), whose work in reforming congregational song texts culminated in the publication of his 'Hymns and Spiritual Songs' in 1707. Watts' collection was as complete and comprehensive a set of hymns as had ever been proposed for English worship and it raised the profile of the hymn sufficiently to overcome the prevailing psalmody. The great flowering period of English hymnody began with the work of the Methodist hymn-writers John Wesley (1703-1791) and his brother Charles (1707-1788). The Wesleys gave great prominence to hymns within their Methodist worship and published many books.
The modern hymn book is a collection of hymns drawn from various times and places. This most accomplished recording by St. Paul's Cathedral Choir presents 16 well-loved hymns from 'The New English Hymnal'. A great number of the hymns, which originate from many different eras and traditions, are given an extra musical dimension by John Scott's original descants and thrilling brass arrangements.
Over the years, I have found myself purchasing mostly the recordings of English choirs. They seem to have incredible vocal skills, perfectly executed phrases, flawless diction and some unidentifiable ingredient that makes them very appealing to hear. Of course, I personally enjoy the all male choirs sound; boy sopranos and male altos make the difference. This is a very appealing group of hymns!!!!!

Hymns for every one.......2002-12-01

As I have said already..I am from espiscopal church..these my songs are well know by me...these songs give encouragement when it seems that all hope is lost..these are tunes that are well received....they are also very simple for the every day person to gain strength from day to day..they will become your daily prayer.....

Super Praise!.......2000-06-10

Praise The Lord offers the listener traditional hymns in the English/British tradition. the clarity of the voices make it possible for the listener to follow the words distinctly. The organ soars as accompaniment. the CD provides organ and choral quality for the novice and the experienced musician.

Average customer rating:

Eeww!
this land is your land
America's Favorite Patriotic Songs
Great Place to Start a Patriotic Music Collection

America's Favorite Patriotic Songs
Various Artists
Manufacturer: Brentwood
ProductGroup: Music
Binding: Audio CD

United We Stand: Songs for America
American Pride: Sixteen Stirring Patriotic Themes
God Bless America
Patriotic Country
God Bless America: Ult Patriotic Album

ASIN: B0000649N4
Release Date: 2002-04-23

Tracks:

America, The Beautiful - Katherine Lee Bates
God Bless America - Irving Berlin
This Land Is Your Land - Woody Guthrie
The Star Spangled Banner - Francis Scott Key
Armed Forces Medley - The Caissons Go Rolling Along, Anchors Aweigh, Semper Paratus, The Wild Blue Yonder, From The Halls Of Montezuma - Don Marsh
My Country 'Tis Of Thee - Don Marsh
God Bless The USA - Lee Greenwood
The Battle Hymn Of The Republic - Julia Ward Howe
If My People - Joel Lindsey
God Save America - Dean Diehl
The Stars And Stripes Forever Medley - John Phillip Sousa

Customer Reviews:

Eeww!.......2006-06-19

This is like the music to one of those theme park Celebrate America type shows. The musical arrangements have that hokey, somewhat dated, overly sweet and enthusiatic feel I hate. I thought I was getting the standard versions of these songs but what I got was the cruise ship extravaganza, yuck!

this land is your land.......2006-04-17

to think that "this land is your land" is a patriotic song is laughable at best, however is a common misconception of the song. you'd think that the creators of this cd would research the songs they put on the cd a little more, and find that "this land is your land" is actually a protest song (original lyrics contained lyrics such as "on that sign there it said private property/but on the other side it didn't say nothing/that side was made for you and me", an obvious attack on capitalism".

America's Favorite Patriotic Songs.......2005-09-30

The title says it all.
Good old fashioned "goose bump" music.

Great Place to Start a Patriotic Music Collection.......2002-09-12

This choral collection features a majority of the best known and loved patriotic songs from our country's history. I'll admit I was a little leery of the choral part when I first picked it up, but I've found that, for the most part, it works really well.

It especially stands out on the acappella version of "My Country 'Tis of Thee." It's absolutely stunning. Other fun songs are "This Land is Your Land," which I really wasn't familiar with before I bought this, and a personal recent favorite song "God Bless the USA." I love having the "Armed Forces Medley" on here so I can learn these songs. And the instrumental arrangement on "Stars and Stripes Forever Medley" at the end has me taping my toes every time I hear it.

There are a couple missteps, however. I've heard better versions of "The Star Spangled Banner." I think one reason I'm disappointed with it is that they only include one verse. I love the other verses of our national anthem, and wished they'd included at least one more since they included multiple verses of all the other songs. Also, "If My People" and "God Save America," while find songs, just don't seem to fit here.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Music:

Music

music

Recommended Music:

West on 40

Szymanowski: Concerto for violin Op61; Prokofiev: Sonata for 2 violins

The Leroy Vinnegar Suite

Music: Bach: Cello Suites Nos. 1-6

Spoiling It for Everyone [Import]

Symphonies of Sickness

Symphonic Holocaust

Street Survivors [Original recording remastered]

Storm

The Kinks Present A Soap Opera