Director's Cut (CD & DVD) [Enhanced]

Director's Cut (CD & DVD) [Enhanced]

Track Listings

1. Gaujag Totale

2. Lye

3. Tiefenschärfe

4. Slate

5. Blieichbadüberbrückung

6. Nelson Reshoot

7. Projektor

8. Benshi

9. Synchron

10. 35MM

11. Paramount

12. Hommage

13. Happy End

Tracks:

The Godfather
Der Golem
Experiment In Terror
One Step Beyond
Night Of The Hunter (Remix)
Cape Fear
Rosemary's Baby
The Devil Rides Out (Remix)
Spider Baby
The Omen (Ave Satani)
Henry: Portrait Of A Serial Killer
Vendetta
Untitled
Investigation Of A Citizen Above Suspicion
Twin Peaks: Fire Walk With Me
Charade

Amazon.com

Film music and the artier end of the rock spectrum have enjoyed a slightly bent connection since the early '80s, when the noir-savvy California new wavers of Wall of Voodoo made clear Ennio Morricone's influence on their work. Fantomas's second album, The Director's Cut, is in that somewhat playful spirit. The all-star ensemble--ex-Faith No More frontman Mike Patton with members of Slayer, the Melvins, and Patton's Mr. Bungle--adapts disturbing (or at least spooky) themes by Bernard Herrmann, Henry Mancini, Morricone, and others. The bruising but often campy (there is no track 13) result works more often than you'd expect; Nino Rota's Godfather and Harry Lubin's (TV) One Step Beyond excerpts are put through more than effective paces. It's clear that, despite the occasional (inadvertent?) Iron Maiden homage, Patton and friends have no interest in keeping a straight face on this. That's fine, but Patton's goofy lyrical interjections on several of these tunes turns them into not-very-funny cartoons. Still, it's the rare sympathetic listener who won't be driven to check out obscure flicks like Der Golem and The Devil Rides Out. --Rickey Wright

Album Description

Fantomas is the supergroup made up of Mike Patton (Mr Bungle, Faith No More), Buzz Osbourne (Melvins), Dave Lombardo (ex-Slayer, Gripp, Inc) and Trevor Dunn ( Mr Bungle). This CD is composed of music from motion picture soundtracks, as interpreted by Fantomas. 15 tracks. 2001 release.

Customer Reviews:

Mike Patton's Fantomas Project........2007-05-13

I am a huge fan of Mike Patton's work and this band 'Fantomas' is no exception. Whatever Mike Patton does is really worth a listen. This album is Mike Pattons and Fantomas's take on popular television scores like 'Cape Fear' 'Twin Peaks'. His skill in arrangement and vocal melodies are amazing, and reflects in all of Fantomas's albums. Currently this album is my favourite of the Fantomas discography.

Astonishing !!.......2006-08-15

I was very astonished by the titles of this CD then when listening to, Oh My God !
: )
I think this is THE REPRISE'S ALBUM of the decade !!
A plus for the Twin Peaks one that had the biggest echoes in my mind...
Your french friend, Aymeric.

The quintessential Fantomas album.......2006-07-18

Director's Cut: The version of a film in which the editing process is overseen, executed, or approved by the director, usually including footage not included in the standard release.

This is the case with Fantomas' The Director's Cut, a compilation album of sixteen movie themes which Mike Patton and the amazing band behind him re-interpret in their dementedly creative musical vision. With drum god Dave Lombardo behind the skins, and two other friends of Patton's: guitarist Buzz Osbourne from the Melvins and bassist Trevor Dunn from Mr Bungle, the quartet offer their take on some of the most interesting movies we've seen. Since none of these pieces were originally composed by Mike Patton, you have to bear in mind that some of the songs still carry with them the fingerprints of the original composers, which include Ennio Morricone, Henry Mancini, and Nuno Rota. However, the versions on this disc differ vastly from the ones on the original movies, hence the appropriate title The Director's Cut.

Some of the material on this 39-minute disc barely qualifies as "songs" per se, ranging from as little as a few seconds to the maximum of three-plus minutes. Out of the sixteen cuts, the average song length is around 2:00 minutes, alternating between insanely chaotic and brutal to almost childish. "The Godfather" is a prime example of the former description, starting in a creepy manner, picking up a deep bass riff, and delving deep into a fast and heavy sonic explosion. Patton screams, shrieks, growls and grunts. Like a soul possessed by demons, his "singing" is paranoid and unlike anything you've heard from him, given you're only familiar with his work with Faith No More and Mr Bungle. In the blink of an eye, a muted riff arises beneath Patton's vocals to complement Lombardo's sickeningly fast double bass drums and leaves the listener completely baffled. Again, without being able to grasp what's going on, the music quietens down and retreats to the original "The Godfather" theme, as if nothing has happened. And this is only the beginning.

"Der Golem" is pure death metal battery, portraying Mike Patton as one of the most prolific vocalists ever. Dave Lombardo gets to show his jazz inspirations with ever-ringing crash cymbals and head-spinning drum rolls. Effect-laden soundscapes push the aggressive piece into a much unexpected realm, featuring Patton's beast-like grunts and tortured screams in a mini-second. As if that's not enough, Lombardo, Osbourne and Dunn quickly team up to create a Meshuggah-like ending, so precise yet so heavy.

It's not all extreme vocals though. On the contrary, "Experiment in Terror" and "Spider Baby" are just two of the songs that put Patton's more humourous side to the fore. Epic and calm, the former has him singing (happily) almost like a woman; whereas the latter is centred entirely around Dunn's majestic bass and comprised of predominantly spoken vocals (some of which are hummed) and eerie keyboards. Patton also displays more of his versatility on "Charade", complete with church organs, African rhythms (Lombardo playing hand drums?), and more woman-like singing. The cinematic quality of "Rosemary's Baby" is most prevalant, considering the crying babies, odd backing harmonies that contrast Patton's child-like and then deeply ominous vocals respectively. On top of that, there are marching guitar riffs filling the song along with bells and even acoustic guitars.

The other songs feature very few vocals, if any at all. "One Step Beyond" is another study in death metal minus the growling. Instead, Patton chooses to scream over the piece, while Lombardo comfortably breaks his kick-drum speed record amidst cascading crescendos. "Night of the Hunter" and "Cape Fear", while following each other on the album, are so different it's not even funny anymore. The first one is just organs and sound effects while "Cape Fear" is the album's daring piece, laced with distant vocals, big drums, and a sweet, addictive guitar theme. The remix of "The Devil Rides Out" has Patton basically crooing as the suspense increases each passing second. Likewise, the drone sounds on "Henry: Portrait of a Serial Killer" is absolutely stunning. It begins in silence. All you can hear is a single drum beat every ten seconds. Then, the bass and guitars introduce themselves, creating utter chaos, yet in a strangely beautiful way. Traces of Patton's Mr Bungle stylings come through on "Investigation of a Citizen Above Suspicion", which would be the darkest song had it not been for the deliberately thrown humourous elements. The last twenty seconds of this piece are downright paralyzing.

If you've never heard any Fantomas before, despite its extreme and avant leanings, I'd suggest you start with The Director's Cut, as their first album is even more difficult (with no lyrics, just randomly "sung" made-up words) and their last one is a single-track composition of 74 minutes. Still, both albums are must-haves if you're a fan of experimental, avant garde, and extreme music. This is not for the typical Faith No More fan I'm afraid.

So, Patton released a covers album, eh?.......2006-01-30

Well, not quite. The only Fantomas album I've heard that really grabbed me, Director's Cut is a great album for those who want something dark and bizarre yet also catchy and dramatic. A covers album you say? Well, of sorts. Here, a selection of film scores are rearranged for buzzing guitars, pounding bass, thrashing drums and experimental vocals. Its scary, beautiful, epic and plain f'ing weird.

Those of you expecting the off the wall, jazz tinged, avant garde sound of Mr Bungle will be dissappointed (as was I at first, if I'm honest). Fantomas is a much more metallic, stripped down and altogether darker experience. Patton's vocals are all over the place as ever but those of you who think he indulges too much in being odd will be pleased to hear that he's just as capable of singing powerfully as is of expanding the horizons of what really constitutes a vocalist. The songs all have their own identity (due to, essentially, being written by totally different people) but the way the band arrange and play them also ensures a sense of continuity.

As I said before, Director's Cut is the only Fantomas album I've gotten into so far but I highly recommend it for experimental metal fans.

It's Bungle-Quality ladies and gents.......2005-12-02

This album is PHENOMENAL. Where am I coming from when I say this? Well, Mr. Bungle is probably my favorite band ever, and Patton is my favorite performer. However, I've never been excited about any of Fantomas or Tomahawk's releases. In fact, I've found them quite disappointing, and I never listen to my copies of any of them. So I'd kind of given up on Fantomas altogether until I saw the Director's Cut for $6.99 used a few weeks back and figured "what the hell".

I don't know what it is about the music on this CD, but I haven't been this satisfied with a Patton release since I first heard Mr Bungle back in 1997, and then again after California was released some years later.

SO TO SUMMARIZE: I never thought I would be this impressed with the work of Mike Patton again. Every song on this album is unique and incredibly satisfying. Just so you don't think I'm some drooling fanboy who gives rave-reviews to every album, I'll rate a few other Bungle/Fantomas albums as well for you so you can get a gauge on my levels-

Mr. Bungle S/T- A+
Disco Volante- B
California- A

Fantomas S/T- C
Delirium Cordova- B
Suspended Animation- B+
**The Director's Cut**- A+

(by the way, if you still haven't heard Dillinger Escape Plan's 4 track release starring Mike Patton, that's another MUST BUY album)

Godstar: Thee Director's Cut by Psychic TV

Average customer rating:

Brian would be proud!
the tragedy of brain jones
One of the best soundtracks I have ever heard

Godstar: Thee Director's Cut by Psychic TV
Psychic TV
Manufacturer: Temple Records UK
ProductGroup: Music
Binding: Audio CD

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When I Was Young
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A Hollow Cost
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Thee Fractured Garden

ASIN: B0001ZMDAY
Release Date: 2004-05-10

Tracks:

Godstar (Monterey Pop Festival Mix)
Being Lost
Godstar (Ready Steady Go Mix)
Amazing Vibrations
A Mind Blown Is A Mind Throne
As Tears Go By
Godstar (Tangiers Mix)
Thee Starlit Mire
Je T'Aime, Moi Non Plus
Southern Coumfort
Just Like Arcadia
Thee Dweller
Over Painted Smiles (Mysterious Well)

Tracks:

Abstract Reality
We Kiss
Godstar (Cotchford Farm Mix)
Baby's Gone Away
Roman P
Good Vibrations
Eve Ov Destruction
Godstar (Thee Brian Meets Bryin Mix)
Je T'Aime, Moi Non Plus/Brian Jones' Visit To Jajouka Is Described By Brion Gysin To Genesis Breyer P-Orridge In Paris In 1985
Godstar, Bryin Meets Brian (Suffering Clown Re-Mix)

Album Description

Deluxe remastered two disc reissue of 1986 release, restored to the version that Genesis P-Orridge originally wanted. Includes new songs, bonus tracks, & mixes. Deluxe 24 page booklet with new text written by P-Orridge, unseen photos, & images. Temple. 20

Album Details

These Two CDs Are Thee First T.i.m.e. That all Thee Songs, Instrumentals and Soundtrack Segments for "Godstar-thee Movie" have Been Digitally Re-mastered and Then Assembled Exactly in Thee Order Intended in 1986 and Includes New Songs, Bonus Tracks and Mixes. Thee Result is an Amazing and Classic Hyperdelic Pop Experience. Thee First Movie to Watch with Your Eyes Closed...and With an Opened Mind!

Customer Reviews:

Brian would be proud!.......2006-08-21

As someone who appreciates experimental and pop music equally, I have to say that this album features the best of each. Songs like Godstar and Just Like Arcadia are great pop (in the context of Psychic TV) songs, while A Mind Blown Is a Mind Throne and Abstract Reality showcase the band's avant garde sensibilities. Instead of the album feeling schizophrenic, it actually fits together somehow, offering variation rather than incoherence. The more experimental songs are by no means unlistenable or boring; on the contrary they are the most rewarding in my opinion. The cover songs add a period feel while touches such as P-Orridge's spoken word during the climax of Good Vibrations remind you that this is from the man who was once called a "wrecker of civilization".
The liner notes are a real treat. The essay by P-Orridge gives a lot of information, not just on the making of these songs but also on the history of his fascination with Brian Jones.
The more I listen to these disks, the more I wish Psychic TV's early albums were still in print. Thankfully, we have this.

the tragedy of brain jones.......2004-12-03

im sorry to have to correct the other reviewer on here, but i feel the need to clarify the information at hand. this is the soundtrack to a movie that was never made (read the booklet for more info) on BRIAN JONES, not brian wilson. the opening lines of the title track should be enough to alert you of this particular fact. "this is a story/a very special story/it's about brain jones/the one on the rolling stones". do they do a cover of good vibrations? yes. does that have anything to do with anything? not really, i think they just dug the song.
that aside...
this album was previous released as an unfinished work under the title 'allegory and self: the starlit mire'. this was always one of my favorite ptv releases, but DONT GO GET IT!!! get this one instead. this is the album as it was intended to be. remastered and finalised, this is an AWESOME release that any fan is sure to adore. get it get it get it!

One of the best soundtracks I have ever heard.......2004-11-26

I have read in the booklet that the movie on Brian Wilson ("Godstar") were to be shot in 1986. Psychic TV then never made it and now has released the soundtrack in 2004. What a great idea.
Me and my friends are extremely surprised because of the extraordinary quality of the songs. You will not find something similar. Strange, fresh, virtous musicians, same dark aspects in it. Some songs by Brian Wilson as great cover versions. My favourite is "Just like Arcadia". I have been listening to it for weeks now.

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Director's Cut (CD & DVD)
Rechenzentrum
Manufacturer: Efa Imports
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008UED8
Release Date: 2003-09-23

Tracks:

Gaujag Totale
Lye
Tiefensche
Slate
Blieichbad
Nelson Reshoot
Projektor
Benshi
Synchron
35MM
Paramount
Hommage
Happy End

Director's Cut: Music from the Films of Martin Scorsese

Average customer rating:

Very evocative.

Director's Cut: Music from the Films of Martin Scorsese
Various Artists
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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Goodfellas: Music From The Motion Picture
Casino: Original Motion Picture Soundtrack
The Departed
The Sopranos - Season 6, Part 2
The Road to Escondido

ASIN: B000CIWXVE
Release Date: 2006-09-04

Tracks:

Rags to Riches [From "Goodfellas"]
Speedo [From Goodfellas] - The Cadillacs
Rubber Biscuit [From Mean Streets]
Ain't Got No Home [Casino] - Clarence "Frogman" Henry
Beyond the Sea [From "Goodfelllas"] - Bobby Darin
Just a Gigolo/I Ain't Got Nobody (Medley) [From Raging Bull] - Louis Prima, Keely Smith
Mala Femmena [From Mean Streets] - Jimmy Roselli
Ain't That a Kick in the Head [From Goodfellas] - Dean Martin
How High the Moon [From Casino] - Mary Ford, Les Paul
Tell the Truth [From Raging Bull]
Bells of St. Mary [From Goodfellas]
Do I Worry [From the Aviator and Raging Bull] - The Ink Spots
Pledging My Love [From Mean Streets]
Slippin' and Slidin' [From Casino]
Mickey's Monkey [From Mean Streets]
Too Many Fish in the Sea [From Bringing out the Dead] - The Marvelettes
Remember (Walkin in the Sand) [From Goodfellas] - The Shangri-Las,
Florence [From Mean Streets]
Out of Left Field [From the Color of Money] - Percy Sledge
Howard Hughes [From the Aviator] - Leadbelly

Tracks:

Love Is the Drug [From Casino]
Werewolves of London [From the Color of Money] - Warren Zevon
I Ain't Superstitious [From Casino] - Jeff Beck, Rod Stewart
Sunshine of Your Love [From Goodfellas]
Nowhere to Run [From Bringing out the Dead] - Martha & the Vandellas
Fa-Fa-Fa-Fa-Fa (Sad Song) [From Casino] - Otis Redding
Baby, I Love You [From Goodfellas] - Aretha Franklin
I'll Take You There [From Casino] - The Staple Singers
Mannish Boy [From Goodfellas] - Muddy Waters
You Can't Put Your Arms Around a Memory [From Casino] - Johnny Thunders
Sweet Dreams [From Casino] - Emmylou Harris
Late for the Sky [From Taxi Driver] - Jackson Browne
Rainbow Sleeves [From the Color of Money] - Rickie Lee Jones
Back on the Chain Gang [From the King of Comedy]
What's the Frequency, Kenneth? [From Bringing out the Dead] - R.E.M.
These Are Days [From Bringing out the Dead]
Still the Night [From the Color of Money] - The BoDeans
So What! [From Binging out the Dead] - Jane's Addiction
(I Can't Get No) Satisfaction [From Casino] - Devo
Hands That Built America (Theme from Gangs of New York) [From Gangs of - U2,

Album Details

The Most Renowned Filmmaker of his Era, Martin Scorsese Has Virtually Revolutionised Modern American Cinema Since He First Emerged in the 1970s, Pushing the Envelope of the Film Experience with an Intensity and Courage Unmatched by Any of his Contemporaries. His Evocative Use of Popular Music Has Been Emulated by Many of his Peers, and the Songs in his Films Are as Memorable as his Characters' Quotes. A Brilliant Musical Overview of Scorsese's Illustrious Career, the Director's Cut: Music of the Films of Martin Scorsese features 40 Fantastic Tunes from his Films, Recorded Between the 1940s and Present Times by the Likes of Tony Bennett, Dean Martin, the Cadillacs, Louis Prima, Little Richard, the Marvelettes, Aretha Franklin, Otis Redding, Emmylou Harris, R.e.m., 10,000 Maniacs, and U2, Many of them Not Available on the Original Soundtracks!

Customer Reviews:

Very evocative........2007-03-13

One of the many ways in which Martin Scorsese changed the world of movies was his use of music as both a potent motor of plot and an instant indicator of character and milieu.
When he made "Mean Streets" back in the early Seventies, the notion of licensing music rights was not even a twinkle in corporate lawyers' eyes, so he simply went ahead and "borrowed" whatever music he wanted. Indeed, it would probably have been impossible at the time to discover who actually owned the rights to such long-forgotten Fifties doo-wop marvels as The Paragons' "Florence" and The Chips' comically gymnastic "Rubber Biscuit".
The result was the best pop soundtrack ever assembled, albeit one legally impossible to release as an album.
This two-disc anthology offers compensation aplenty, however, mingling these gems with copious tranches from later films, notably "GoodFellas" and "Casino".
Throughout, the impeccable taste of Scorsese and his musical director Robbie Robertson is clear, from old cabaret chestnuts to blues and soul classics.
HIGHLIGHTS: 'Rubber Biscuit', 'Speedo', 'I'll Take You There', 'Out Of Left Field', 'Late For The Sky'.

Average customer rating:

Bite the Bullet: Director's Cut
Hoodoo Gurus
Manufacturer: Shock Music Oz
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004XNOD
Release Date: 2003-12-16

Tracks:

Doctor Rock [Live]
Down on Me [Live]
Come Anytime [Live]
Dig It Up [Live]
You Open My Eyes [Live]
I Want You Back [Live]
Please Yourself [Live]
Waking Up Tired [Live]
Tojo [Live]
Miss Freelove '69
1,000 Miles Away [Live]
What's My Scene [Live]
It's Kingsy Time! [Live]
Be My Guru [Live]
Right Time [Live]
Like Wow - Wipeout!

Tracks:

Linda Sue Dixon [Live]
Son-Of-A-Gun [Live]
Hey Anthea [Live]
Quicksand [Live]
That's Cool - That's Trash!
Everybody's Got Something to Hide Except Me and My Monkey [Live]
Wimp [Live]
I Heard Her Call My Name [Live]
Dressed in Black [Live]
If Only... [Live]
I Don't Care [Live]
Big Deal [Live]
I Got a Right [Live]

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It's Too Slow
End of the Line
Concerto for Choppers, Pts. 1-3: First Movement (Allegro) (The Phreaks
Concerto for Choppers, Pts. 1-3: Second Movement (Andante) (Spahn ...)
Concerto for Choppers, Pts. 1-3: Third Movement (Presto) (Chickie Run)
Because You're Mine [#][Demo Version]
Exorcist [Demo Version]
Ramones Medley: Carbona Not Glue [Live]
Ramones Medley: Now I Wanna Sniff Some Glue [Live]
Ramones Medley: I Don't Wanna Go Down to the Basement [Live]
True to You [#][Demo Version]
Snake Shake [#][Demo Version]
We Both Lose [#][Demo Version]
Daddy, Yeah! [#][Demo Version]
Something I Forgot to Say [Demo Version]
Television Addict [Live]
Lend Me Your Comb [Live]
You Burn Me Up and Down [Live]
Hey Gyp (Dig the Slowness) [Live]
Breakfast at Stephanie's [Demo Version]

Album Description

Australian exclusive, strictly limited repress of special triple CD box set packaged in a deluxe hard cardboard gatefold digipak. Disc one is recorded live in concert, disc two and three feature exclusive and rare out takes, oddities and live to air radio recordings. Some of the cover songs include tracks by the Beatles, Iggy & The Stooges & a Ramones medley. Limburger Records. 2003.

Director's Cut: Music from the Films of Michael Mann

Average customer rating:

Director's Cut: Music from the Films of Michael Mann
Original Soundtrack
Manufacturer: Wea/Rhino
ProductGroup: Music
Binding: Audio CD

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Miami Vice (Unrated Director's Cut)

ASIN: B000N3TYNI
Release Date: 2007-03-26

Tracks:

Runaway - Del Shannon
Strong as I Am
In-A-Gadda-Da-Vida [Single Version] - Iron Butterfly
This Big Hush - Shriekback
Heartbeat [Single Version]
Sweep - Blue Foundation
Sinnerman [Felix da Housecat's Heavenly House Mix] - Nina Simone
Arranca - Manzanita
Miami Vice Theme - Jan Hammer
I Will Find You [Theme from the Last of the Mohicans] - Clannad
Safe from Harm [Perfecto Mix] - Massive Attack
Iguazu
Rites /Exile [Special Edit for the Film] - Pieter Bourke, Jan Garbarek, Lisa Gerrard

Tracks:

Top O' the Morning to Ya - House of Pain
Ultramarine - Michael Brook
New Dawn Fades - Moby
Forcemarker [Edit] - Brian Eno
Monkey King - William Orbit
Mystery Man - Terje Rypdal
God Moving Over the Face of the Waters - Moby
Guero Canelo - Calexico
Hands of Time - Groove Armada
Spanish Key - Miles Davis
Tomorrow [Sadio] - Salif Keita
For Your Precious Love - Truth Hurts
That's How It Feels - Solomon Burke, Arthur Conley, Don Covay, Ben E. King, The Soul Clan, Joe Tex
Ain't No Way - Aretha Franklin

Album Description

2007 musical overview of director Michael Mann's illustrious career. Features 28 fantastic tunes fro films like Crime Story, Manhunter, Heat, The Insider, The Last Of The Mohicans, Collateral, Ali, Miami Vice and more. Includes cuts from Del Shannon, Moby, Salif Keita, Massive Attack, Calexico, Shriekback, Iron Butterfly, Nina Simone, Brian Eno, House of Pain, and Groove Armada amongst others. Rhino.

Album Details

A Brilliant Musical Overview of Micahel Mann's Illustrious Career, "The Director's Cut: Music of the Films of Michael Mann" features 30 Fantastic Tunes from his Films, Recorded Between the 1950s and Present Times by the Likes of Del Shannon, Moby, Salif Keita, Massive Attack, Calexico, Shriekback, Iron Butterfly, Nina Simone, Brian Eno, House of Pain, and Groove Armada, from Crime Story, Heat, Manhunter, the Insider, the Last of the Mohicans, Collateral, Ali and Miami Vice, Many of them Not Available on the Original Soundtracks!

Average customer rating:

Well worth it

Director's Cut
Si Begg
Manufacturer: Mute U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B00009Y3LK
Release Date: 2003-07-15

Tracks:

Body
Grind
Buss
England
Technology
Moveup
Kebabs
Airports
Thermostat
Colour
V.I.P.
Inflight
Premonition
River
Time

Customer Reviews:

Well worth it.......2003-09-30

Mr. Begg has recorded under a number of aliases and projects,
most recently S.I. Futures. This marks his first proper album under his own name, and is fantastic. This is what Kraftwerk might sound like now if they were as interested in creating innovative music as they are cycling.
But while the Kraftwerk influence is huge, Begg also mixes up the styles: breakbeat, UK garage, and, most notably,
dancehall on "Moveup". The album fades a little toward the end, but overall, easily among the top 3 "electronica" releases of the year.

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Director's Cut
Peter Nordahl
Manufacturer: Bmg/RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000O78K7O
Release Date: 2007-03-19

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Director's Cut
Ji Mob
Manufacturer: Comet France
ProductGroup: Music
Binding: Audio CD

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ASIN: B000IJ7MM2
Release Date: 2007-02-20

Tracks:

Ferdinand
Shaolin No13
Saya
The Queen
Motorcycle Boy
Noon Train
Mesa Verde
Homesteader
L.O.V.E.
Screaming
The River

Average customer rating:

Director's Cut Presents: Brian De Palma
Original Soundtrack
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YX6P
Release Date: 2002-05-28

Tracks:

A Heart Beats In Space - Ennio Morricone
Snake Eyes (Short Version) - Ryuichi Sakamoto
Theme From Mission Impossible - Larry Mullen, Adam Clayton
Mission Impossible Theme - Danny Elfman
Carlito Way - Patrick Doyle
Cain Takes Over - Pino Donaggio
Bonfire Of Vanities Theme - Dave Grusin
Casualties Of War - Emnio Morricone
The Strength Of The Righteous (Main Title) - Ennio Morricone
Body Double - Pino Donaggio
Tonys Theme - Giorgio Moroder
Prelude (End Title) - Pino Donaggio
The Shower (Theme From Dressed To Kill) - Pino Donaggio
Main Title - John Williams
Main Title Valse Lente Kidnap - Bernard Herrmann
Phantoms Theme (Beauty And The Beast) - Paul Williams
Main Title - Bernard Hermann

Album Description

Featuring the scores/songs from Brian De Palma movies, Phantom Of The Paradise, Fury, Body Double, Carlito's Way, Carrie and more. Composers include Ennio Morricone, Ryuichi Sakamoto, Danny Elfman/Lalo Schifrin & Bernard Herrmann. Digipak. 2002.

Album Details

The First Collection in a Series of the Best Original Scores from Famous Directors. De Palma is a Master of Horror and Intrigue and the Music Here is Culled from Some of his Best Known Films: Carrie, Phantom of the Paradise, the Fury, Body Double, Carlito's Way and Many More.

Music:

Music

music

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