Shhh V.5 [Import]

Shhh V.5 [Import]

Track Listings

1. Barefoot In The Head (Acoustic Version)

2. Cool Rasta

3. Torn Again

4. In Your Own Time

5. Cray Baby

6. Lying Peacefully (Husky Rescue Remix)

7. Oblique

8. True Faith (Live At Hoter De Roubaix, Paris)

9. Native Place

10. Strawberry Letter 23

11. Follow Love (Original Mix)

12. Plug (Quantic Mix)

13. Depending On You

14. Happy

Shhh V.5,Various Artists,Blanco Y Negro,Dance

This Is Ryan Shaw
Average customer rating:

Great Retro debut from really talented singer

Whatever 'school' you put him in, Ryan Shaw's definitely head of the class

True Soul - Not New Soul

deja vu

You'll Be Rocked With This One

This Is Ryan Shaw
Ryan Shaw
Manufacturer: One Haven / RED / Columbia
ProductGroup: Music
Binding: Audio CD

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Back to Black

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The Phenomenal Ruthie Foster

ASIN: B000NJXBYA
Release Date: 2007-04-17

Tracks:

Do the 45
We Got Love
Nobody
I Am Your Man
Working on a Building of Love
I Found a Love
I Do the Jerk
Lookin' for a Love
I'll Always Love You
I'll Be Satisfied
Mish Mash Soul
Over & Done

Amazon.com

Just when you thought the 21st century retro-R&B revolution was grinding to a sunken-hearted halt, Ryan Shaw comes along and revives the revivalist moment: This Is Ryan Shaw, the 26-year-old's phenomenal debut, dazzles not just because he can sing a song like Bobby Womack's "Lookin' for a Love" without letting the rear-view mirror leach him of his own soul, but because his originals--first single "Nobody," "We Got Love," and set closer "Over and Done"--convincingly replicate the classic sound of such forebears as Otis Redding, Sam Cooke, and Wilson Pickett. Here's a man who can plead, please, and play out love-struck dramas with his voice as though the '60s never ended; if his sound borrows heavily, it pays back what it owes with genuine contributions to the genre. Shaw's is real R&B without the raunch--a return to uplift too self-respecting and sincere to land on the retread pile. --Tammy La Gorce

Customer Reviews:

Great Retro debut from really talented singer.......2007-07-12

Ryan Shaw has a great voice, a really great voice, similar to Terence Trent D'Arby without all his dramatic attitude and he sounds like he's actually having fun. He clearly loves the genre of old school R&B, Motown, and Soul and could hold his own among all but Otis, Stevie, Marvin, and James Brown. The majority of the songs however are too retro for my taste. They have that late fifties, early sixties simplicity that's full of energy but offer nothing you haven't heard before on a Time Life commercial for oldies compilations and the arrangements offer nothing new like Joss Stone's latest does.

That said, the songs "Nobody" and "We Got Love" are unbelievably good and worth the price of the disc alone. I've been playing them constantly. In another era they'd garner him instant stardom. They may even do that now.

Whatever 'school' you put him in, Ryan Shaw's definitely head of the class.......2007-07-10

What a voice. The first time I heard "Nobody" I thought I was on an oldies station. Ryan Shaw can belt the lyrics out with more soul than I've heard in a long time. He does make me think of Sam Cooke or Otis Redding, but honestly--he's himself and that's way beyond fine with me.

Shaw clearly demonstrates the old adage of RESPECT as well. There's no explicit language or situations that would prevent an Old School grandparent from introducing the kids to this music.

True Soul - Not New Soul.......2007-07-06

From the blog [...]:
Want some new music that's not filled with "B*&%$ and H@$"? You've got to check this young man out! Ryan Shaw is a 26 year old from Decatur, GA that will take you back to the days of sweet soul music with Otis Redding, Wilson Pickett, and Sam Cooke. Great voice and slammin' retro tunes. I'm hoping he gets the air play he deserves on the so-called 'urban' stations.

The cd is a stable, midranger - a few new tunes by the artist, familiar standby's from Bobby Womack and Otis Redding. Right now I'm listening to Nobody, It's Over, and We Got Love. Sweet. Check him out, he's touring this summer with Joss Stone.
Now when you've finished checking this out, go tell yo' momma AND your daughter!

deja vu.......2007-06-28

You will think you've traveled back to 60's Motown with this disc, but it's well worth it! Don't play it while driving, as all you will want to do is DANCE!!!

You'll Be Rocked With This One.......2007-06-27

This young man is awesome! I first heard him sing live on Whoopi's radio program. I couldn't get online fast enough to order this CD. And I have been playing it everyday since then! Ryan Shaw reminds me of legends like Jackie Wilson, Otis Redding and Muddy Waters. Just imagine a mixture of the three sprinkled with some Anthony Hamilton!!! This 26 old can sing anything!! Thank you Whoopi! Ryan Shaw has this person as a fan for life. Keep up the excellent work, your heart in gift, and feet on the ground.

Average customer rating:

terrific
Get what you pay for.
Wonderful!
If only the Amazon discography was as good...
One of the best Vivaldi CDs on the market

25 Vivaldi Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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25 Mozart Favorites
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ASIN: B00000IPS5
Release Date: 1999-12-13

Tracks:

I. Allegro - Antonio Vivaldi
I. Allegro - Paul Grund
I. Allergro - I Musici di Zagreb
II. Largo - Edward Carroll
III. Alegro - Gli Accadmici di Milano
Et In Terra Pax - Atlanta Symphony Orchestra And Chorus
II. Adagio Molto - Susanne Lautenbacher
I. Allegro - Musici Di San Marco
II. Largo - Musici Di San Marco
III. Allegro - Melvin Berman
II. Largo - Anton Stingl
I. Allegro - Alois Sprach
II. Adagio - Susanne Lautenbacher
Stabat Mater Dolorosa (Opening Movement) - Margarethe Bence
III. Allegro - I Musici di Zagreb
II. Largo - Gunter Lemmen
III. Allegro - Hans-Martin Linde
III. Allegro - Susanne Lautenbacher
I. Allegro - Musici Di San Marco
III. Allegro - Susanne Lautenbacher
I. Allegro - Musici Di San Marco
II. Larghetto - I Musici di Zagreb
Chamber Concerto In G Minor For Recorder And Oboe - Baroque Trio Of Montreal
Opening Movement From 'Gloria' - Atlanta Symphony Orchestra And Chorus
Concerto In C For 2 Trumpets, PV 75: III Allegro - Edward Carroll

Customer Reviews:

terrific.......2006-04-23

Vivaldi 25 favourites is marvelous ,it has been digitally enhanced and is certainly a keeper.Really am pleased with anything i have purchased from Amazon

Get what you pay for........2005-10-15

This CD is decent but does NOT sweep you off your feet into a soaring concert hall with your heart beating loudly and your breaths coming in faster. Why? I think its the quality of the recording and the caliber of the musicians maybe? But hey, $4.98 does not buy much more than a fast food meal- so no harm done! Happy Listening!
-Rupa

Wonderful!.......2004-11-26

I couldn't believe the wonderful, pure sounds that came from this low-priced CD. I absolutely love it and highly recommend it!!

If only the Amazon discography was as good..........2004-02-14

The majority of the musical selections is undeniably fine. If only the track listing (s) were accurate or agreed with each other and the actual selections as they are ordered on the CD!

One of the best Vivaldi CDs on the market.......2003-01-24

I don't know how SPJ Music Inc., based in the world-famous town of Hauppaage, NY, manages to do it, but they have released at least 24 of these "25 XXXX Favorites" CDs, and all those that I have heard are superb collections. OK, many of the performances on this album are by ensembles that few will have heard of in North America, such as the Wurttemburg Chamber Orchestra, Musica di San Marco, and I Musici di Zagreb, and maybe they are a bit old (no recording dates are given), so SPJ probably doesn't have to pay much in the way of royalties. But this collection of works by Vivaldi is truly second to none.

Wait till you hear track 6, "Et in terra Pax from 'Gloria', by the Atlanta Symphony Orchestra and Chorus, for instance, or track 14, from Stabat Mater Dolorosa, sung by Margarethe Bence with the Alto Pro Music Orchestra of Stuttgart. We are transported into the heights of the etherial world of sacred music, right up into the ceiling of the Sistine Chapel, yet with that unmistakable touch of Vivaldi, who could be both consumately sacred and masterfully secular as he wished -- or even both at the same time. As has been proven again and again in the 20th century, Vivaldi was one of the greatest composers in history, and every classical music lover should have this CD in his or her collection.

I have a lot of Vivaldi recordings by period music ensembles like the virtuosic Il Giardino Armonico (who recorded the two best DVDs of Vivaldi works in existence, one with Cecilia Bartoli) and the somewhat more conservative Europa Gallante, led by Fabio Biondi. Then there are CDs by individual masters like Andrea Marcon (with the Venice Baroque Orchestra) and the immortal Nigel Kennedy (with the English Chamber Orchestra). Older classics re-released on CD include recordings by the Academy of St Martin-in-the-Fields, the Orchestra of the 18th Century, and the Romero family (Los Romeros). And the list goes on and on. All are superb recordings that have given me hours of pleasure.

But this "bargain" CD rates right up there with the best of them, and I highly recommend it both for those who are just beginning to discover the wonders of Vivaldi's music and for "hardened" veterans. If it had been issued as a full price CD it might have had trouble getting known in such a crowded and competitive field, but it would have deserved every bit as much praise as I have given it here. As a collection of superb performances of many of Vivaldi's greatest masterpieces by a wide variety of different ensembles, it even has something to commend it over recordings by a single artist or a single ensemble. Buy it and enjoy!

Average customer rating:

Old songs made fresh again

Great Songs and Great Sound

OUTSTANDING

Bring's hope that rock is still alive'

Influence

Influence

Manufacturer: VH1 Classics
ProductGroup: Music
Binding: Audio CD

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Hallucination

Uprising

One with Everything

The Grand Illusion: Love, Lies, and My Life With Styx

The Grand Delusion: The Unauthorized True Story of Styx

ASIN: B000MX7TRW
Release Date: 2007-03-06

Tracks:

Summer Breeze
Time Of The Season
Your Move
I Am A Rock
Lucky Man
The Sound Of Silence
California Dreamin'
On A Carousel
Dirty Work
For What It's Worth
Dance With Me

Album Description

Legendary STYX guitarist Tommy Shaw and former NIGHT RANGER and DAMN YANKEE frontman Jack Blades team up again for their second venture on INFLUENCE. INFLUENCE is also the first CD release coming out on the new created VH1 Classic Records label. From Tommy Shaw, on the making of INFLUENCE: 'This album has been years in the making. The recording process didn't take years, but the concept had been looming in our conversations for years. From the day Jack Blades showed up on my doorstep, we discovered our chemistry as writers almost immediately. We became best friends as a result of the music and the experiences we had because of it.' ' After two albums and two world tours with Damn Yankees, we decided to do our first Shaw Blades album, Hallucination. The album was a departure from Damn Yankees that it was more acoustic in nature, not nearly as heavy and more organically produced.' 'On INFLUENCE, we went song by song; some we held very close to the original version, while on others we departed from the familiar arrangements and made them our own.'

Customer Reviews:

Old songs made fresh again.......2007-07-18

Jack Blades and Tommy Shaw complement each other so well. These guys sound awesome. If you enjoyed "My Hallucination", you will certainly enjoy this CD.

Great Songs and Great Sound.......2007-06-27

I have always been a fan of both Styx and Night Ranger and a major reason for that has been the fact that these groups actually play music in their songs...not just a few power chords behind the vocals, but melody and counter melody, and intricate instrumentation. And I have been a fan of the work Shaw & Blades have done together in the past, so this was an easy purchase for me to make. And I was NOT disappointed.

The songs they chose to cover are all great songs. Reading the liner notes was very interesting to hear how they decided to approach each song, and let me say that my opinion is they did it right on every one. Some they left alone, some they changed up a bit, and they all work well. So good, fact, that not only do my wife and I love it, but my 3 year old and 7 year old daughters love it, and ask to listen to it over and over again. Best cd I've purchased in a long time.

OUTSTANDING.......2007-06-08

This CD is absolutely outstanding and highly recommend for any 60's and 70's fan.

Bring's hope that rock is still alive'.......2007-05-23

Wowser's what an lbum.. was listening to howard stern and upon hearing the guys in the studio had to have it ..thanks

Influence.......2007-05-15

Great music. Old standards with a twist. Very good. Shaw/Blades' harmonies are great together. Hope they do another one.

My Fair Lady (1956 Original Broadway Cast)

Average customer rating:

Excellent Sound Track
Great gift!
Good, but not for the Family
fantastic......
"A" for Andrews

My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Fiddler on the Roof (1964 Original Broadway Cast)

ASIN: B0000024PL
Release Date: 1990-10-25

Tracks:

Overture; Why Can't The English?
Wouldn't It Be Loverly?
With A Little Bit Of Luck
I'm An Ordinary Man
Just You Wait
The Rain in Spain
I Could Have Danced All Night
Ascot Gavotte
On The Street Where You Live
You Did it
Show Me
Get Me To The Church On Time
A Hymn to Him
Without You
I've Grown Accustomed To Her Face

Amazon.com

This recording was produced more than 40 years ago, only in mono, but from the day it was released it was a deserved phenomenon. It out-grossed the mega-hit show for months, and it still holds the record for the most weeks as a Billboard Top 40 album: 292. The reasons are many. Start with the 20-year-old Julie Andrews in peak voice, singing no fewer than eight sensational Lerner and Loewe songs, soaring most memorably to high C in "I Could Have Danced All Night." Rex Harrison perfected the art of talk-singing in a clutch of equally captivating numbers written especially for his voice, of which the most indelibly delivered is "I've Grown Accustomed to Her Face." And Stanley Holloway brought the best English music-hall style to an eager American audience with "A Little Bit of Luck" and "Get Me to the Church on Time." There were no scene-changers in Frederick Loewe's best score, and Alan Jay Lerner managed to fashion his libretto and lyrics so close to the language of George Bernard Shaw (on whose play Pygmalion the musical was based) that experts couldn't tell where Shaw left off and Lerner took over. Every song created character and advanced the plot. My Fair Lady was a show you "got"--and still get--on first listening--without having seen it. The London cast album (with the same leads) can give you stereo; the movie version, a fuller orchestra, Harrison and Holloway in full sail, and Marni Nixon dubbing Audrey Hepburn. But the Broadway cast album is still the one to have, and the one absolute must in any musical collector's CD library. --Robert Windeler

Customer Reviews:

Excellent Sound Track.......2007-06-27

I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.

Great gift!.......2007-06-01

Bought this as a gift for a friend.Received it quickly and she was delighted.

Good, but not for the Family.......2007-05-29

I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.

fantastic.............2007-05-16

MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!

The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!

"A" for Andrews.......2007-04-15

For years I had only the movie soundtrack and I was perfectly content with it, it was after all one of the best shows ever to hit the boards and I think Marie Nixon did a wonderful in the role of Liza Doolittle - she matched Hepburns voice closely plus she's a professional singer who soars with good material.

It's amazing listening to Ms. Nixon in The King & I; she is much closer to Deborah Kerr's voice and they sounded more natural between speaking and singing but that was the clinker for me. I realized the distance between Ms. Hepburn and Ms. Nixon in the movie version - so I went back to square one and GOT THE ORIGINAL.

You have to hand it to Goddard Leiberman (head of Columbia years ago and protege of Fanny Brice) for starting the tradition of recording Original Broadway Cast 'albums' at the time they opened.

Finally listening to Julie Andrews sing the most popular songs from one of the best shows ever penned almost made me cry. You can tell she's riding the crest of the wave - she literally soars, defying gravity. Her diction, as always, is perfect but she's perfect as the brash cockney flower girl, a young girl on an adventure and a refinded lady. I will always be grateful to Marnie Nixon for the work she did for the film but once you listen to original Eliza Doolittle you will realize there is only ONE and that ONE is JULIE ANDREWS.

Yes, her leading man is also good. One surprise however was Stanley Holloway - it was a shock to realizae that it was about ten years between the show and the film and he does sound ten years younger. The man is a delight at any age, it's not important, it just adds to the fun.

If you really like the show, and the songs, treat yourself and get the Original Broadway Cast - the cast hit the studio at the peak of their form with a solid hit under their belt and that confidence sets this recording light years ahead of any other recording.

Now if it were in stero that would make it a 5 star review.

Average customer rating:

GREAT CD !!
AWESOME!!

Ambition
Tommy Shaw
Manufacturer: American Beat
ProductGroup: Music
Binding: Audio CD

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The Grand Delusion: The Unauthorized True Story of Styx
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ASIN: B000P46PF0
Release Date: 2007-06-26

Tracks:

No Such Thing
Dangerous Game
Weight of the World
Ambition
Ever Since the World Began
Are You Ready for Me
Somewhere in the Night
Love You Too Much
Outsider
Lay Them Down

Customer Reviews:

GREAT CD !!.......2007-07-03

Awesome solo cd!! Tommy Shaw is so talented!!
If you've not listened to his music, now is
the time!! Start collecting today!!
MUST HAVE - BUY IT NOW ! ENJOY

AWESOME!!.......2007-07-03

This CD is a must have for any Tommy Shaw fan! Don't think twice about buying it. JUST DO IT!!! You'll thank me!

Average customer rating:

ALL THE BEST OF THE ORIGINAL STYX
Styx - 'The Complete Wooden Nickel Recordings' (Hip-O)
The Roots of Styx, 70's classic
DON'T TAKE ANY WOODEN NICKELS...
Early Wood

The Complete Wooden Nickel Recordings
Styx
Manufacturer: Hip-O Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007LLPM4
Release Date: 2005-02-15

Tracks:

Movement For The Common Man
Right Away
What Has Come Between Us
Best Thing
Quick Is The Beat Of My Heart
After You Leave Me
You Need Love
Lady
A Day
You Better Ask
Little Fugue In "G"
Father O.S.A.
Earl Of Roseland
I'm Gonna Make You Feel It
Unfinished Song

Tracks:

Witch Wolf
The Grove Of Eglantine
Young Man
As Bad As This
Winner Takes All
22 Years
Jonas Psalter
The Serpent Is Rising
Krakatoa
Hallelujah Chorus
Rock & Roll Feeling
Havin' A Ball
Golden Lark
A Song For Suzanne
A Man Like Me
Lies
Evil Eyes
Southern Woman
Christopher, Mr. Christopher
Man Of Miracles

Customer Reviews:

ALL THE BEST OF THE ORIGINAL STYX.......2007-06-04

IF YOU ARE A STYX LOVER, YOU WILL LOVE!! THIS COLLECTION. THE COMPLETE FIRST THREE ALBUMS FROM WOODEN NICKEL MUSIC. THIS IS AND WILL ALWAYS BE THEIR VERY BEST STUFF. MANY OF THESE SONGS THEY PERFORMED EVEN BEFORE THEY NAMED THEMSELVES STYX, AND THEY PLAYED AS A HOUSE BAND IN CHICAGO. I SAW THEM PERFORM THESE SONGS AT THE ORIGINAL PARIDISE THEATHER IN DOWNTOWN CHICAGO 30 YEARS AGO, AND STILL AM BLOWN AWAY BY THEIR POWER AND MUSICAL TALENTS. SO MUCH GREAT MUSIC TO ENJOY.

Styx - 'The Complete Wooden Nickel Recordings' (Hip-O).......2007-05-21

Nicely assembled 2-CD, 35 track repertoire of early Styx. Essential for all fans of pre-platinum Styx. Some of these tunes I haven't heard in ages. Some truly memorable arena rock 'deep album cuts' to be fully taken in here. This 2-CD release draws from the first four Styx lp's, their self-titled ('72), 'Styx II' ('73), 'Serpent Is Rising' ('74) and 'Man Of Miracles' ('74). Songs that got me going were "Right Away", the rocking "Best Thing", their first-ever hit "Lady", "Young Man", "Rock 'N Roll Feeling" and "A Man Like Me". A must-have.

The Roots of Styx, 70's classic.......2007-05-09

For starters if you are a total Styx fan this is a must have (Five stars for you). The album features the band's work before signing with A&M records. That would mean prior to Equinox and Tommy Shaw's debut on Crystal Ball and the Grand Illusion. But it does demonstrate all of James Young's hard rocking contributions to the early band and of course earlier Denis DeYoung ballads and Works. (Works meaning some really neat pipe organ and arrangements with a more clasical flavor).
These recordings are Remastered which is a big plus, because if you are familiar with the cd "The Best of Styx" the sound quality on it was dissappointing. But all the tracks on this new release are more brilliant and sound fine.
The most popular track on the recordings of course would be Lady, and it also features the harder rocking tunes I personally enjoyed like Southern Woman, You Need Love, Winner Take All, Witch Wolf, Man of Miracles, Rock and Roll Feeling, and I'm Gonna Make You Feel It.
In general the rest of the album is a trip down memory lane of the early seventies sound I remember as a kid. Heavy doses of electric organ and heavy Bass Guitar. The style typified by so many other bands around the same era like early REO Speedwagon and Yes. So if you love early 70's classic rock this would also be a Check it out.

DON'T TAKE ANY WOODEN NICKELS..........2007-02-10

- This expression, first recorded in about 1915, was originally a warning from friends and relatives to rubes leaving the sticks in the great migration from rural areas to the big cities at the turn of the century. It was a humorous adjuration meaning beware of those city slickers...

Same thing applies here. Unless you are a DIE HARD STYX fan there is nothing here for you except a mound of pretentious mystical blatherings.

With the exception of Styx 2's well known "Lady" and the beautiful "A Day" on disc one, I cannot imagine why you would play the rest of this excrutiatingly preposterous record more than once.

Early Wood.......2007-02-02

I'm not ready to forgive these guys for "Babe" or anything, but there is some nice stuff scattered across these two pre-A&M discs. Some of it's rather derivative, of course ("The Serpent Is Rising" appropriates the riff from Crimson's "Pictures Of A City," for example), and some of it just bland (their cover of The Knickerbockers' "Lies" is so straightforward it's a wonder why they bothered). But when it's good, it's really good: the elegiac "Father OSA," the lazy, hazy "A Day," the naughty "Grove Of Eglantine" (which lies "just south of man's delight, close to a soft flowing stream" - - that's the lowdown, see?) and the early, soulful "Right Away" are good examples of what Styx was about early in their career. And the mix of different lead vocalists ensures lots of variety. To be sure, the more progressive side of the band was always balanced with a more formally hard rock style, so there's something here for pretty much everybody who's willing to temporarily forget the radio-saturation of their A&M years. It's likely you haven't heard much from these four albums except the deservedly-a-smash "Lady," and a lot of it is better than anything Styx would later release (don't EVEN mention KILROY). And it's a shame they lost the late John Curulewski so early on (he'd stick around for only one more album, EQUINOX, the band's A&M debut) as he provided the band with much of what was so great in their material. As for his infamous "Plexiglass Toilet" - - well, those who love calypso but hate potty humor are going to have a little problem.

Average customer rating:

Best of Philip Glass

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Alter Ego performs Philip Glass
Notes on a Scandal: Original Soundtrack
The Illusionist
Philip Glass : Dracula
Philip Glass: Theater Music Vol. 1

ASIN: B000LPRHSW
Release Date: 2007-03-05

Tracks:

Lighting
Facades
Evening Song
A Gentleman's Honor
Hymn To The Sun
Metamorphosis Four
Open The Kingdom
Dance Ii
Glasspiece No. 1
Changing Opinion
Opening
Floe
Knee Play
Funeral Fo Amenhotep
Wichita Sutra Vortex
Forgetting
Dance Ix
Dam

Album Description

2007 import-only two CD set released to coincide with the innovative and influential composer's 70th birthday. Throughout the years, apart from his own releases, Glass has been involved with scoring soundtracks, producing albums by other esoteric artists as well as more conventional acts plus inspiring and influencing generations of fans and peers. This thoughtfully compiled collection contains 18 tracks including 'Lightning', 'Metamorphosis Four', 'Glasspiece #1', 'Wichita Sutra Vortex', 'Changing Opinions' and more. Sony/BMG.

Album Details

2007 Issued Double CD Anthology of Recordings by One the Most Influential Classical Composers of the 20th Century Commemorating his 70th Birthday.

Average customer rating:

music lover
Good to listen to...
A good house music cd , with good lyircs and.......
Lisa Shaw makes me happy!!
Naked Cherry

Cherry
Lisa Shaw
Manufacturer: Naked Music
ProductGroup: Music
Binding: Audio CD

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Transient
Strange Flower
Aquarian Angel
The Pearl
Beautiful Tomorrow

ASIN: B000B5KRB6
Release Date: 2005-10-25

Tracks:

Cherry
Don't Know What To Do
When I
Grown Apart
Push-Button
Hot Skin
Matter Of Time
Dim Light
Always
Born To Fly
Stylin'
It's Been Awhile
The Last Time
Let It Ride (Jimpster Remix)

Product Description

1. Cherry
2. Don't Know What to Do
3. When I
4. Grown Apart
5. Push-button
6. Hot Skin
7. Matter of Time
8. Dim Light
9. Always
10. Born to Fly
11. Stylin’
12. It's Been Awhile
13. The Last Time
Bonus Track:
14. Let it Ride (Jimpster Remix)

Format: CD

Customer Reviews:

music lover.......2007-07-17

I love this cd. I can't stop playing tracks 2,3,4,9,13. Her cd is so relaxing and sensual. My favortie track is "When I" ..that song stayssss on REPEAT!!....I would recommend this cd to anyone.

After sampling this cd you should be hooked!!

Naked Music makes the most addictive music.
Please give this cd a chance!!! :)

music lover

Good to listen to..........2007-06-12

The best songs are "When I", "Always"... It's a nice album as a debut...

A good house music cd , with good lyircs and..............2007-05-19

this can make someone who is not a big house music fan like this cd. check it out

Lisa Shaw makes me happy!!.......2007-04-19

When people ask me what kind of music I listen to....I never know exactly how to describe it. From now on, I will simply say, "Go listen to Lisa Shaw." WHat a beautiful voice!! It seems so hard to find a great vocalist who will put out snappy upbeat songs. Jeez, if I have to suffer through another one of these divas who only want to drone on with slow songs....BUH! I have listened to this album an obnoxious amount of times and each time it makes me happy. I can't say enough about her delicious voice, interesting lyrics, and cool music. I hope she feels compelled to make another soon.

Naked Cherry.......2007-03-02

I like this CD even if is not what i expected. It is really armonic something in between Sade and Dido. I prerfer Lisa when she is singing dance beat track, but like i said the cd is excellent.

Average customer rating:

A memorable album by Robert Shaw
Great version
Superb
Brings back memories
Apologies to Puccini.

Verdi: Requiem & Operatic Choruses

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
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Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner
Mozart - Requiem / Augér, Bartoli, Cole, Pape, Wiener Phil., Solti

ASIN: B000003CUH
Release Date: 1990-10-25

Tracks:

Requiem: 1. Requiem & Kyrie
Requiem: 2. Dies Irae
Requiem: 3. Offertory
Requiem: 4. Sanctus

Tracks:

Requiem: 5. Agnus Dei
Requiem: 6. Lux Aeterna
Requiem: 7. Libera Me - 1. Libera Me - 2. Dies Irae - 3. Requiem Aeternam - 4. Libera Me
Requiem: Spuntato Ecco
Requiem: Patria Oppressa!
Requiem: Fuoco Di Gioia
Requiem: Va Pensiero
Requiem: Gloria All'Egitto

Amazon.com

Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced Susan Dunn and Jerry Hadley, but their contribution is a strong one nonetheless. --Ted Libbey

Customer Reviews:

A memorable album by Robert Shaw.......2007-04-16

I sometimes wonder why any top choral conductor would want to conduct, least of all record, a piece where the soloists invariably command center stage at the expense of the chorus.

Robert Shaw (1916 - 1999), of course, is practically a god in the choral world. And while he has done well as an orchestral conductor, his claim to fame to most will always be his work with choruses.

So here we have an operatic requiem written by one of history's greatest opera composers, conducted by one of history's greatest choral conductors. How does it turn out?

The Atlanta Symphony Chorus is very, very good. Their sumptuous sound becomes even more memorable thanks to the stunning reverberation of Atlanta Symphony Hall. Their Libera Me fugue was literally a wall of sound that seemed for a moment to encompass your entire world. The Dum Veneris passage following that was the best I'd ever heard: all four parts were distinct and incredibly powerful.

The four soloists, however, really stole the show for me. Susan Dunn and Diane Curry displayed a lot of passion in Recordare. They also created a wonderfully blended sound through their Agnus Dei duet, probably the best blend I'd ever heard so far.

Jerry Hadley is definitely one of my all-time favorite Verdi Requiem tenors. He reminded me of Richard Tucker in his commanding Kyrie entrance. His Ingemisco possessed a ringing power that left me breathless.

Paul Plishka was probably the "weakest" of the four. In Confutatis, it sounded like he was punching his voice. However, he sounded very good in the Offertorio.

And speaking of Offertorio, that was truly a soloist high point for me. The four singers literally turned into a mini-opera; it was quite dramatic hearing their voices trade back and forth.

The sound of the orchestra was truly a pleasure to hear. This music demands power and virtuosity, and the Atlantans provided both in spades. And drum lovers will be quite satisfied with the almost violent sound of the bass drum in Dies Irae.

The album also features five popular choruses from Verdi's operas. If, like me, you got carried away listening to the Requiem soloists, here's your chance to hear this remarkable chorus without any soloist distraction. The "Don Carlos" chorus (sung in Italian not French) was a rousing affair. "Patria oppressa" was appropriately subdued and melancholy. Fuoco di gioia proved the virtuosity of these choral masters. "Va pensiero" was smooth and rich. "Gloria all'Egitto" featured the chorus in all its mighty grandeur. The orchestra provides excellent accompaniment throughout. You will thoroughly enjoy listening to these choruses.

The recorded sound is absolutely fabulous. The four sections of the chorus are much more evenly miked than on most CDs. The great engineering makes the orchestra an audiophile's dream.

The liner notes contain texts and translations. However, a previous reviewer has found that the "Hostias" paragraph is missing the words "Fac eas, Domine, de morte transire ad vitam."

The tracks use an index system which I suspect is not available on most DVD players, the result being that the Dies Irae is put on a single 36 minute track.

This CD was recorded in April 1987 in Atlanta Symphony Hall, Atlanta, GA. The Requiem duration is 84'23", so the tempos are about average for this piece.

Great version.......2007-02-26

There are version of Verdi's Requiems in that market. I consider this to be onre the best ones I have heard. What adds to this perfomance is the quality of the manufacturer's transfer.

Superb.......2005-10-20

I don't have anything to add to the excellent reviews, I just want to chime in with my vote. This was rated as the top recording of this piece when I bought it on recomendation of a tenor friend back in 1990 or so and it is probably the best sustained operatic performace I have found thus far. The power and the majesty of this piece needs to be heard to be believed. So... Buy it, make sure the neighbors are out, turn the lights out, it in your best listening spot, turn up the volume and press play.

Don't miss the final track on the second disk!

Brings back memories.......2001-05-04

How could I possibly top the splendid review by Dominic Grant below? And his later graceful apology for a mere typo? Well, I just cannot. But I'd like to share my own thoughts, anyway.

With all the flap over the recently released Gergiev recording of the Verdi Requiem on Philips, with its unfortunate choice of Andrea Bocelli - a pop singer masquerading as an operatic singer - as tenor soloist, it is once again - and always - a pleasure to turn to a truly definitive recorded performance, that of Robert Shaw. As points of reference whenever I turn to this performance, I always have in mind earlier recordings by Giulini and Solti, among others. (I include a truly visceral one by Karel Ancerl and the Czech Philharmonic, featuring Galina Vishnevskaya with a "Libera me" to die for, and the type of Slavic excitement that Gergiev tries for but fails.)

Verdi's Requiem is, without doubt, the most operatic of such works as have become part of the liturgical canon. But it doesn't necessarily follow from this that the best recordings are the ones which utilize operatic superstars. Were that the case, Solti's recording, with Joan Sutherland, Marilyn Horne, Luciano Pavarotti and Martti Talvela, would be unchallenged (particularly when one throws in the Vienna Philharmonic, as well as the typically excellent mid-60's sound that Decca was so good at). But, true to form, Solti just couldn't find the proper sensitivity and balance to make his performance the definitive one.

Shaw does what Solti could not do. In a work that requires efforts of equal quality by orchestra, soloists and chorus, there simply is no better chorus than a Shaw chorus. Shaw's four soloists, while perhaps not of the marquee value of the ones on the Solti recording, are outstanding. A previous customer reviewer certainly got it right when he said that Susan Dunn was a Verdi soprano to be reckoned with. And Diane Curry, Jerry Hadley and Paul Plishka are equally excellent. (Plishka, as I mention later, is one of my "memories.") Moreover, in a work which demands that the cataclysms of the Dies Irae and the tenderly supplicant closing pages of the Libera me be captured in proper proportions, none are better than Telarc at this challenge.

The personal friendship between Robert Shaw and the Cleveland-based Telarc team of Bob Woods and Jack Renner goes back to the days when Shaw was George Szell's assistant at the Cleveland Orchestra. Thus it was, when Woods and Renner introduced the "all-digital" Telarc label in the late 70's, that they turned to Shaw and his Atlantans as an enduring source for the recording of choral masterpieces. With the passing of Shaw some two years ago, it is now time that someone sum up his recorded legacy, which, under the aegis of Telarc, exceeds three dozen recordings. In my humble opinion, he will be remembered for a long, long time for three works that Telarc recorded with his forces: The Bach B Minor Mass, the Brahms German Requiem, and this Verdi Requiem.

Oh! The memories! For several years, at a time when Shaw's Atlanta forces were as good as they were to get, in the early 80's, I was fortunate to live in the Atlanta area, and to attend many of his concerts. And, in the fall of 1965, when Paul Plishka had just won a "young artist" award that was to lead to his Metropolitan Opera career, I was fortunate to have been a member of an amateur chorus which performed this work with a semi-pro orchestra and four young soloists. The names of the other three soloists were long ago relegated to the dustbin of history. But the bass soloist at that 1965 performance was none other than Paul Plishka. He's still banging the boards at the Met. One durable dude!

Once again, kudos to Mr. Grant for his superb review, and for his reminding me that I had some "unfinished business" to attend to.

Bob Zeidler

Apologies to Puccini........2000-12-04

Further to my review of the 18th of June below,it's just been brought to my attention by a kind reader that I have inadvertently ascribed the composition of the famous aria,"Nessun Dorma" from Turandot to Verdi himself.First of all,my sincere apologies to Puccini (probably still revolving in his grave !),and my apologies to you for grossly offending your musical sensibilities as you pass this way.That will teach me to spend a little longer editing my reviews before submitting them !

Average customer rating:

4.5; They just keep getting better...
I'm an addict
Not Old World, and definitely not Grow Up and Blow Away. Different band. Different sound.
Dizzying!
Great background music for the urban Schmoozer

Live It Out
Metric
Manufacturer: Last Gang Records
ProductGroup: Music
Binding: Audio CD

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Old World Underground, Where Are You Now?
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Set Yourself on Fire

ASIN: B000B66H64
Release Date: 2007-01-08

Tracks:

Empty
Glass Ceiling
Handshakes
Too Little Too Late
Poster Of A Girl
Monster Hospital
Patriarch on a Vespa
Police And The Private
Ending Start
Live It Out

From Amazon.ca

Toronto's Metric has the ability to appeal to fans on a number of levels: the group captures the likeability of Elastica with the cheekiness of Blondie and then mixes that new wave style with just enough of a growling guitar to give it some oomph. Since their last release, the acclaimed Old World Underground, Where Are You Now?, Metric's sound has morphed slightly; this follow-up is a little more guitar-based and slightly less electronic than their last, a move likely to broaden their fan base even further.

Metric's rock-meets-new-wave is not only timely, it is joyful to boot. The driving track "Handshakes" could easily qualify for the next ipod commercial, while "Monster Hospital"'s retro punk style has a Clash-inspired chorus that will stay in your head for days. By the same token, the band's musical diversity is especially evident in the beautiful "The Police and the Private," where one could easily imagine that they are listening to an up-tempo Sarah Harmer track. Metric's cross-genre appeal is at least party due to frontwoman Emily Haines' delivery. A smart writer and performer, Haines' contributions to the Broken Social Scene collective have already made her voice somewhat familiar, and in her own element she shines especially bright. From her delicate whispers (the Pink Floyd-esque "Ending Start") to her Eurotrash-inspired yelps ("Live It Out") Haines has the "it" factor that makes indie rock critics swoon, and keeps fans dedicated. --Denise Sheppard

Customer Reviews:

4.5; They just keep getting better..........2007-06-30

It's always nice when you latch onto a band like Metric or Stars. They make memorable, hard rocking music without feeling a sense of generic-isms; a band that just sounds way too polished for its own good that radio will adore but it leaves your brain just as quickly. With their 3rd release (1st album was re-released recently...too many re's there), the band just keeps getting better and able to blend their new-age influences and rocking rhythms rather than one overpowering the other.

Empty: Starts out nice and slow before heavy guitars kick in and it just becomes a very groove-based track that's great to headbang too (it's fun to do vocalist Emily Haines' head movements which go sideways rather than vertically). 9.5/10

Glass Ceiling: One of the more enjoyable tracks on the album with a catchy main riff and the chorus being a nice quick sing-along. It just sounds like a fun track to listen to and tap your foot to. Only problem is it's slightly repetitive. 8/10

Handshakes: Even though there's a lot of elements to like about this one such as the fast-paced main riff, it doesn't really take off. Not that it's a bad track and you probably wouldn't skip over it but aside from a few things, it's hard to keep it in your head. 7/10

Too Little Too Late: After a long guitar riff, we get into a mid-tempo number with Emily's sexy vocals harmonizing with each other before it goes into a beautiful chorus which is mainly thanks to the guitar line underneath. Not really a pop hit but it's just a very enjoyable track to listen to. 8.5/10

Poster of a Girl: Some songs are just way too catchy for their own good. Everything from its ungodly catchy synth line to the guitar line played before it to Emily's sexy-as-hell repeating of the song's lyrics in French, it's an obvious highlight. 9.5/10

Monster Hospital: Very indie rock and loud and full of energy with a Clash-inspired chorus yet...I don't like it that much. Strange huh? It doesn't do anything wrong really and many love it and it was obviously a single but it's one of those songs where you're the odd man out. 7/10

Patriarch on a Vespa: Great beat although like Handshakes, it might be one of those tracks you like but probably won't go back to much. It's got its heavy guitars, Emily's vocals and good rhythm bass/drums-wise. Chorus and its noise solo saves it. Come to think of it: I like the song. 7.5/10

The Police and the Private: More catchy synth arpeggios and great interplay between it and the guitar. It's a great example of them building a kind of atmosphere without going completely nutso a la Empty or Monster Hospital. Album standout. 9/10

Ending Start: Kind of a weird song. Piano-based at its start with Emily harmonizing with a weird male voice with swirls going around all over the place. It's a nice sounding if off-kilter track but it's kind of missing a memorable hook to rope you in. 7/10

Live it Out: I love Emily's vocals at the start and when you think it'll be another ambience piece, it kicks up and rocks hard. Might not be a catchy sing along song but its rhythmic beat sets it apart and maybe not an ideal closer, it's certainly a good rocker. 8/10

It's too bad female fronted bands tend to be known more for its vocalist than anything. Everyone knows Emily just as everyone knows Amy Millan from Stars or Hayley Williams for Paramore but the band here does a great job at being a band and luckily, they come up with great records like this one.

I'm an addict.......2007-03-29

I hate indie bands, and I hate Canadians. But I LOOOOVEEEE Metric. Go figure.

Not Old World, and definitely not Grow Up and Blow Away. Different band. Different sound........2007-02-14

Can't agree more with the only negative reviewer for this record. It seems as Emily and company abandoned most of their melodic beauty that made Grow Up and Blow Away, and Old World Underground... so freakin' special in the first place. The second and third tracks on this album are basically grating.. in the most annoying way (especially the third, that yelling she does over and over). To compare this album to something by the Yeah Yeah Yeah's is definitely on the right track... what I loved most about Metric's sound initially was their all-over-the-map music, while keeping melody and high-quality songwriting intact. The band, on Live It Out, decides that they're more concerned with "rocking out" than writing high-quality, timeless songs. There's nothing wrong with rocking out, but when you compare their previous works with this latest... it's insanely disappointing. The quality of the songs has definitely dropped, which is why I can only give this record three stars instead of five like the first two.

I am grateful that Emily has a solo record... it's damn good and to me, it's the direction that Metric should have gone toward.

I do still love Emily's lyrics... but again, these songs just "rock", they don't send shivers down my spine like the ones on Grow Up and Old World (especially Grow Up...)

Maybe Metric's live shows weren't attracting audiences until they started rocking out more, with live drums as opposed to electronic trip-hop-influenced loops... maybe they needed more simple, noisy guitars to get people moving at shows... shame that that takes priority over heartbreaking piano parts and insanely catchy melodies. Again, I'm glad Emily made that solo record.

Metric, go back to your roots. Longtime fans have missed you.

Dizzying!.......2007-01-10

Bought this record based on a quick recommendation from a friend--she thought I might like it (and she doesn't know my musical tastes all that well, either!), and she was RIGHT. Great thing to put in the player when cooking and cleaning, or for yelling out in the car. Bouncy, fresh, bright, disco-esque, quicktime. Even my husband is recommending LIVE IT OUT to pals, and he's anti-disco. I don't like to cheapen this group by likening them to ELASTICA, but the qualities in Elastica's tunes that I like are the same for METRIC. Fearless bass, tricky beats, uncommon lyrics, and those magical female vocals. Not one bummer tune in the bunch. Snatch it up!

Great background music for the urban Schmoozer.......2007-01-01

I bought the album after hearing Police and the Private on MSN music (MSN radio used to have such a great indie selection back in like 2002-4, then they lumped all the different genres of indie music together). Emily Haines' voice is good, but not great. She doesn't have much range, so you'll find that Police and the Private and Monster Hospital are the best tracks on this album. The songs on this album lack depth and are cheesy in a nouveau melodramatic way, and the use of french in the song "Poster of a Girl" is weak and cliche. On the positive side, the music has a great '80's-esque synth sound that has been popular lately, and the music is good party background music for today's hipster. Although, how hip can Metric be if they were showcased on Grey's Anatomy? It's your call. This is the only new/old wave-ish indie pop I own and I like it okay enough, but not enough to continue to delve into this genre, but I would listen to this album again.

Music:

Music

music

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