Waiting for Your Love [CD-single] [Import]

Waiting for Your Love [CD-single] [Import]

Track Listings

1. Waiting For Your Love (Radio Sample)

2. Waiting For Your Love (Extended Sample)

3. Love (Radio Max)

4. Love (Extended Max)

Tracks:

Everybody Says Don't
I Wonder What Became of Me?
The Eagle and Me
I Had Myself a True Love
Into the Woods / Giants in the Sky (Malcolm Gets)
Another Hundred People / So Many People (Malcolm Gets)
Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
Happiness
Loving You
You Could Drive a Person Crazy
Not A Day Goes By / Losing My Mind

Tracks:

Buds Won't Bud
I Got Lost in His Arms
West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
Move On (duet with Malcolm Gets)
Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
Ice Cream
Send in the Clowns
The Trolley Song
Not While I'm Around (duet with Malcolm Gets)
Anyone Can Whistle

Amazon.com's Best of 2001

Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

Customer Reviews:

Wow!.......2004-02-20

Having read the other reviews there is little more for me to add. I have been a Barbara Cook fan for a longtime and for me, this is one of her best concerts ever. I do, however, prefer the DVD. As with some other reviewers, I do not want to hear Malcolm Gets (as much as I like him) when I want to listen to Barbara. Her flawless interpretation of music is a hard act to follow for any singer! I managed to see this concert 4 times over a year and a half. Each time I saw her the voice was stronger and more assured (I would not have thought that possible). I can't help but think we will have the pleasure of hearing Ms Cook for many years to come. For those people who enjoyed his CD I strongly recommend purchasing the DVD. Barabara's rendition of So Many People is breathtaking (literally, I don't think I breathed once during the entire song). If you ever have opportunity to see her live - go! She has an ability to make you feel as if every song she sings and every word she speaks is directed to you alone. She can take a large venue and make it feel as intimate as your own living room. Having had the pleasure of meeting her I can say she is as youthful and pleasurable in person as she is in her performance.

Everyone Should Whistle.......2003-10-11

After being privileged to attend this concert, I had to own the CD. Once a lyric coloratura and the original Cunegonde in Bernstein's Candide, Ms. Cook has become (in her 70s) a true diva, blessed with a velvety, warm sound. Every note has meaning. Her high B-flat on "Ice Cream" is still the envy of any soprano today. Everyone should whistle after hearing the superb performances on this CD. Even better, though, is the experience of having been in the concert hall for the live performance. Brava, Ms. Cook!

An amazing intro to the body of work of a true master.......2003-06-16

When I first bought tickets for the 'Mostly Sondheim' show on tour (in San Francisco) I figured it couldn't be too bad. Besides, I had only been exposed to a few of his songs (Anyone Can Whistle, Losing My Mind...) and had only seen "A Little Night Music". On the way out of the theater I immediately picked up this recording of the program. It is truly amazing. I immediately began listening to it and have barely put it down in the last few months. Furthermore, my Sondheim CD collection increased in size from an unflattering zero to five (and it's still growing)! This is an amazing introduction to the works of Stephen Sondheim, who is now my favorite modern musical composer). Buy this now if you don't already have it!

Beautiful, moving concert.......2003-04-13

This is a wonderful CD set with a great selection of songs. I do want to express a slight reservation, however. Barbara Cook has been one of my favorite singers for a number of years and the way her voice defies time is extraordinary -- for her to be singing with such bright, beautiful tone in her mid-70s with no wobble or beat in the voice is an amazing achievment.

I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.

So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!

... and I love Barbara Cook.......2003-02-11

This recording is a disappointment for me. It is not her best work, and Malcolm Gets is uninspired. My biggest complaint however is the engineering of the recording. Throughout the speaking was to soft, the singing volumes uneven, and the applause deafening. I will be passing this CD on to friends, and will later donate it to my local library.

Average customer rating:

the KING of new wave music..
One of the best

Waiting for Your Love
Stevie B
Manufacturer: Creative Music Entertainment
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005AFP
Release Date: 1996-04-23

Tracks:

Waiting for Your Love
Something to Think About
Prayer
I'm Not Crazy
Can You Feel It
Take My Hand
Crying Out
Celebration
Quireme Por Vida
Londe de Voc
Dream About You [*]
If You Still Love Me [*]

Customer Reviews:

the KING of new wave music.........2003-11-09

All lates 80's new wave is STEVE B. enogh said...

One of the best.......2003-02-27

This song will make anyone shed a tear, One of the best slow jams i've ever heard, INCREDIBLE.

My Secret Heart - Songs of Parlour, Stage and Screen

Average customer rating:

Almost too much lavender and roses, but a delight anyway
Mr. Heppner Must Have A Large Parlour!
He can keep his secret to himslef
What a 'crossover' album should be!
This cd has left me speechless, wow!

My Secret Heart - Songs of Parlour, Stage and Screen
Ben Heppner , Vittorio Giannini , Ernest Charles , Ivor Novello , Sir Noel Coward , Eric Coates , Teresa Clotilde del Riego , Mana-Zucca , Ernst Seitz , and Haydn Wood
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00002JXEC
Release Date: 1999-11-09

Tracks:

Let All My Life Be Music
Sing To My Heart A Song
Let My Song Fill Your Heart
Love Is My Reason For Living
Someday My Heart Will Awake
I'll See You Again
We'll Gather Lilacs
Bird Songs At Eventide
Homing
I Love Life
The World Is Waiting For The Sunrise
Roses Of Picardy
I'll Be Seeing You
Serenade
Love Me Tonight
Be My Love
The Desert Song
I'll Follow My Secret Heart

Amazon.com

With his 1999 Met triumph as Tristan--the most taxing of all Wagner's tenor roles--Canadian singer Ben Heppner has fully earned his heralded position as the great new Heldentenor of our time. His Lohengrin is a signature role, while his album German Romantic Opera has been nominated for a Grammy. Yet Heppner also commands tremendous versatility--and of a much more engaging character than that of the typical crossover effort--using his powerful, bronze-tinged tenor to tender and charming effect in My Secret Heart. This is a collection of songs roughly from the period between the two world wars, when music began to reach mass audiences via radio and screen. Many of these are almost forgotten gems--emblems of a vanished era--but once had wide cultural currency: the World War II hit "We'll Gather Lilacs," the radio show Family Hour's theme tune "Let My Song Fill Your Heart," and the oft-recorded 1919 ballad "The World Is Waiting for the Sunrise." Heppner, with his sturdy beauty of tone and sweet, natural-sounding vibrato, breathes new life into this genre. He handles the idiom's unabashed schmaltz with charm and brings a lilting urbanity to two Noël Coward tunes, with especially bittersweet refinement in "I'll Follow My Secret Heart." --Thomas May

Customer Reviews:

Almost too much lavender and roses, but a delight anyway.......2006-08-29

These are beloved popular songs from our grandparents' generation that are redolent of lavender an tears. Their sentimentality couldn't be more out of fashion, but Ben Heppner steps forward, like Mario Lanza before him, to offer thrills amidst the honeyed scents. He's totally sincere, and you'd have to be Alberich or Don Pizarro to react with anything but a melting heart. God, I'm falling into the same vocabulary as these songs. No need to blush, though, with such a great singer at hand.

Mr. Heppner Must Have A Large Parlour!.......2005-02-22

I purchased this CD after hearing Mr. Heppner in recital singing "Homing" for an encore. This small gem written by Teresa Del Riego is a haunting song about loneliness. We learn from the notes-- they are very informative with bios on the composers included here as well as the words to the lyrics-- that she composed this ballad in 1917, the year her husband was killed in France just before the ending of World War I. There are other lovelies here as well: "I Love Life", "We'll Gather Lilacs", "The World Is Waiting For The Sunrise" as well as music by Noel Coward, Sigmund Romberg and Rudolf Friml. Heppner also sings "I'll Be Seeing You." It's such a relief to hear someone other than Liberace do that number since it was the song that he always used to close his television show in the 50's and unfortunately made into a syrupy cliche.

Mr. Heppner says these are songs of the parlour, stage and silver screen. His glorious voice which appears to be a combination of steel and gold fills a recital hall easily. He would need a huge parlour to sing in as well.

This CD is quite wonderful. There are no dull cuts. Since the songs are all about love, this would make a great February 14 gift.

He can keep his secret to himslef.......2003-12-13

This is OBNOXIOUS, this dude should be in operas. i am speechless, he is one loud mouthed dude!

What a 'crossover' album should be!.......2001-09-01

In general, I hate it when classical singers make 'crossover' recordings. Usually the singer has no idea how to sing 'pop' material in anything like the proper style - even someone who is singing it because he or she genuinely likes the music and not just to milk cash from the unsuspecting masses. But there are always exceptions to a rule, and this CD is one of them. Ben Heppner here scales down his huge operatic voice and shows his 'secret heart', a more intimate side of his musical personality.

There is no question that Heppner is one of the greatest tenors of our age. He is often compared with his fellow Canadian Jon Vickers (with whom he shares much of his repertory) but especially here, he is beginning to remind me more and more of Jussi Bjorling, and I can think of no higher compliment. Part of this is because Bjorling actually sang quite a bit of repertory similar to what Heppner sings here, but more importantly, both voices have an ideal combination of power and sweetness. Heppner's is essentially a very lyric voice despite its large size, and he is capable of great tonal beauty and sensitivity. This not only makes his Wagner, Giordano, and Berlioz very special, but makes him equally adept with the gentle little gems he sings on this disc. He is helped somewhat by the fact that these songs, most of which were written in the very early part of the 20th century, are a lot closer to the 'classical' style than more modern pop. But what really makes Heppner perfect for this material is his total identification with the texts, his tenderness, and his utter sincerity. Also, his diction is superb - you won't need the printed texts to understand what he is singing. In the hands of a lesser singer, some of these old fashioned songs would be absolute treacle. But an artist like Heppner can raise up even 'substandard' compositions and give them the aura of greatness.

In the more upbeat songs, Heppner sings with the thrilling, heroic tone that has made him in demand in every opera house in the world. He makes 'Let All My Life Be Music' into his personal mission statement. 'Homing' was also a favorite of another great Wagnerian tenor, namely Lauritz Melchior. 'I Love Life!', complete with splendid high C, is sung with enough cheer and vigor to bring anybody out of a depression. But this repertory is often gentle and introspective, and Heppner can also easily fine down his voice to a splendid pianissimo, drawing you in and enticing you to pay attention as opposed to banging you over your head like many other tenors do. Ivor Novello's 'Love is My Reason For Living' and Ernest Charles' 'Let My Song Fill Your Heart' are light, gracious Viennese waltzes. The familiar 'Roses of Picardy', 'Bird Songs at Eventide' and 'I'll Be Seeing You' are also sung sweetly and caressingly. Two more Novello songs are among the best tracks on the album. 'Someday My Heart Will Awake', is soft, gentle, and nostalgic, rising to a passionate conclusion. 'We'll Gather Lilacs' is obviously a love song from Heppner to his wife Karen (to whom the entire album is dedicated), full of yearning and deeply moving.

The operetta selections are even more special. In the Serenade from 'The Student Prince', which is alone worth the price of the CD, Heppner makes something truly thrilling of the declaration 'Oh, hear my longing cry!/Oh, love me or I die!', and ends with not one but two spectacular high Cs. What a pity that the chances of him ever recording the entire operetta are so slim! The cajolingly sung title song from 'The Desert Song' is almost as fine, as is 'Love Me Tonight' from 'The Vagabond King'. Finally, the title song 'I'll Follow My Secret Heart', with yet another brilliant high C, makes a splendid finish to this very enjoyable album.

I should also give credit to noted composer and orchestrator Jonathan Tunick for his warm, rich, and perfectly scaled arrangements of these songs. Like Heppner, he finds the perfect mood for each piece and never engages in schmaltz that one might expect from some of this material. The only complaint I have about this disc is the one I have about many contemporary CDs - why is there only 54 minutes of music on a medium that can hold almost 80 minutes? There are assuredly more than 18 songs Heppner could have recorded in this vein. I would have liked to have seen more operetta items in particular. Although I suppose they couldn't have recorded the Drinking Song from 'The Student Prince' as well as the Serenade without a chorus, it would have been nice if 'Deep In My Heart, Dear' had been included. Still, the quality of what is there far outweighs the quantity. The excellent documentation, in German and French as well as English, includes a personal note from Heppner, biographies of all the composers as well as Heppner and Tunick, and complete song texts. The cover shows Heppner surrounded by red velvet, designed, amusingly enough, by Red Herring Productions!

Whether you're an opera lover who wants to hear a great tenor in a lighter mood, or a fan of early 20th century popular music who is curious to see what it sounds like sung by a genuinely great voice, this disc is essential. It is an excellent introduction to Heppner's artistry if you haven't experienced it before, and after listening to it you might want to try some of his opera CDs, both solo recitals and complete recordings. There are few voices that could serve as a better introduction for a neophyte to the wonderful world of opera. If only more 'crossover' singers (both classical and pop) had Heppner's musical integrity...

This cd has left me speechless, wow!.......2001-02-18

Air give me air, I need lots of air, air, air.......This cd has caused me a lot of adverse breathing.

The things that I have read about Ben have been very true. He really is a lot more than I ever bargained for. He is THAT GOOD.

I need to go out on a limb and say that he is the best tenor I have ever heard. In my wildest dreams I never thought anyone could be that good.

For this cd Ben choose to sing a lot of standards. Bravo! This is my kind of music. Ben did an excellent job crooning us with his golden voice. He knew when to hold back and when to sing at full strength. This is marvelous how he worked each song to get the full meaning out of it.

The only complaint I have is there was not enough of the good olde songs that I wanted to hear Ben sing. I know it's hard to please all the people all the time and I understand where Ben was coming from.

Tracks:

Wouldn't It Be Nice
You Still Believe In Me
That's Not Me
Don't Talk (Put Your Head On My Shoulder)
I'm Waiting For The Day
Let's Go Away For Awhile
Sloop John B
God Only Knows
I Know There's An Answer
Here Today
I Just Wasn't Made For These Times
Pet Sounds
Caroline No
Hang On To Your Ego

Product Description

1. Wouldn't It Be Nice
2. You Still Believe In Me
3. That's Not Me
4. Don't Talk (Put Your Head On My Shoulder)
5. I'm Waiting For The Day
6. Let's Go Away For Awhile
7. Sloop John B
8. God Only Knows
9. I Know There's An Answer
10. Here Today
11. I Just Wasn't Made For These Times
12. Pet Sounds
13. Caroline No
14. Hang On To Your Ego

Format: CD

Customer Reviews:

Great sounding accompaniment piece to Pet Sounds.......2005-07-17

This album is great to listen to if you, like me, have listened to Pet Sounds millions of times and want a new variation on it. The Angry String Quartet does a great job recreating this amazing work of art, and brings to light the orchestral genius of Brian Wilson's musical and vocal arrangements. The Quartet extend most of the songs, and it is a bit awkward getting used to at first ( having listened to the original songs so many times), but in the end, it is a pleasant change.

"The String Quartet Tribute to the Beach Boys' Pet Sounds" is an interesting, and ultimately, satisfying listen. I'd recommend this to anyone who wants to hear Pet Sounds in a different light or would like to understand why so many people have found Brian Wilson's music to be utter genius...and just about anyone else.

Average customer rating:

Sounds of the Eighties: The Late '80s
Various artists , Tell It to My Heart - Taylor Dayne/Valerie - Steve Winwood/What I Am - Edie Brickell & New Bohemians/When Smokey Sings - ABC/Funkytown - Pseudo Echo/Out of the Blue - Debbie Gibson/Waiting for a Star to Fall - Boy Meets Girl/ , At This Moment - Billy Vera & Beaters/Could've Been - Tiffany/Jacob's Ladder - Huey Lewis & News/In Your Room - Bangles/Hungry Eyes - Eric Carmen , and Is This Love - Whitesnake/Wait - White Lion/Carrie - Europe/Just Between You and Me - Lou Gramm/I Knew You Were Waiting (For Me) - Aretha Franklin & George Michael/Never Gonna Give You Up - Rick Astley
Manufacturer: BMG Special Products TCD-785
ProductGroup: Music
Binding: Audio CD

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Sounds of the Eighties: The Early 80s- Take Two

ASIN: B000NHZUD2

Product Description

R988-19 (BMG Special Products TCD-785) - Sounds of the Eighties: The Late '80s - Various Artists [1996] Tell It to My Heart - Taylor Dayne/Valerie - Steve Winwood/What I Am - Edie Brickell & New Bohemians/When Smokey Sings - ABC/Funkytown - Pseudo Echo/Out of the Blue - Debbie Gibson/Waiting for a Star to Fall - Boy Meets Girl/At This Moment - Billy Vera & Beaters/Could've Been - Tiffany/Jacob's Ladder - Huey Lewis & News/In Your Room - Bangles/Hungry Eyes - Eric Carmen/Is This Love - Whitesnake/Wait - White Lion/Carrie - Europe/Just Between You and Me - Lou Gramm/I Knew You Were Waiting (For Me) - Aretha Franklin & George Michael/Never Gonna Give You Up - Rick Astley

Anne Sofie von Otter - Wings in the Night (Swedish Songs)

Average customer rating:

I wish I was Swedish
A feeling of discovery

Anne Sofie von Otter - Wings in the Night (Swedish Songs)
Wilhelm Peterson-Berger , Sigurd von Koch , Wilhelm Stenhammar , Ture Rangstrom , Emil Sjogren , Anne Sofie von Otter , and Bengt Forsberg
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Anne Sofie von Otter - Folksongs (Dvorak, Kodaly, Britten, Grainger, Larsson, Hahn)

ASIN: B000001GRT
Release Date: 1996-03-26

Tracks:

Nothing Is Like The Time Of Waiting
When I Walk By Myself
Like The Stars In The Sky
In The Month Of Tjaitra
Of Lotus Scent And Moonlight
The Wanderer
A Ship Is Sailing
Maiden Blond And Maiden Brunette
A Seaside Song
Wings In The Night
The Farewell
Pan
Come Little Buck To The Boy
The Sun Shines Prettily In The Evening
If You Love Me
Spring Night's Rain
Mankind's Lot
The Wild Swans
The Forest Is Asleep
I Kiss Your White Hand
In The Maple's Shade
Jutta Comes to the Volkungs
Old Swedish
Melody
Supplication to Night
Boljeby Waltz
Return
You Look At Me With Silent Questions
I Broke Off A Little Rose For You
I Should Like to Hover over Valley and Hill
Aspaker's Polka

Customer Reviews:

I wish I was Swedish.......2006-06-10

This is simply my favorite disc of song out there. As a recreational singer, it's wonderful to come across a disc like this and be given an entire new world of song that you can't even find music for. The songs by Sigurd von Koch, who spent some time in Asia, are beautiful enough to dissolve your brain! In The Month Of Tjaitra and Of Lotus Scent And Moonlight are so full of beautiful imagery and wonderful music I can't see why people sing anything else. And the folk-inspired Pertersen-Berger songs are loads of fun too, although of course not as moving.

A feeling of discovery.......2000-09-23

The songs on this wonderful Swedish anthology may not be familiar to most listeners but they occupy an idiom not so dissimilar to the world of Grieg. (Otter and Forsberg's Grieg recital from a few years earlier is also indispensible.). The nostalgia-tinged melancholy (or is it wistful joy?) of Wilhelm Peterson-Berger's folk-inspired songs, for example, convey a hint of Grieg's art yet are distinctively Swedish. There are nine selections by Peterson-Berger, out of 31 total, and they all exemplify this composer in full melodic flower. The other composers offer something closer to what we think of as art songs: somewhat rarefied, reserved, melodically rich and often evocative. The piano accompaniments are always first rate. This treasury provides a rich and varied 74-minute overview of Swedish song.

If the quality of the Swedish literature as a whole is half as good as what's presented here, let's hope that this is only an introduction from Otter and Forsberg, who would seem to have this repertoire to themselves although one could not hope for more understanding interpreters. After all, they are Swedish! All of imagination of their earlier Grieg interpretations is present here as well. There is all the necessary depth of characterization without affected artsiness.