Legendary Sounds [Import]
Legendary Sounds [Import]
Track Listings
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1. Terminator Ii
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2. Journey From The Light
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3. Here Come The Drumz
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4. Gonna Be Right
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5. Athema
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6. Darkrider
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7. Gangsta
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8. Hardcore Junglism
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9. Just A Dream
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10. Spam
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11. Method To My Madness
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12. What Would We Do
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13. Oblivion (Head In The Clouds)
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14. Celebrate Life
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15. Universal Love (Version Ii)
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Editorial Reviews
Product Description
The Label that Brought Us Goldie, Four Hero, Doc Scott and Countless More Present Day Legends Finally Drops a Compilation of Some of the Defining Moments in Drum and Bass, Jungle and Hardcore. All of These Tracks Are Highly Sought after Early 90's Rave Anthems that Pushed the Boundaries of Dance Music Beyond What Most People Could Imagine. Featuring Tracks Such as Goldie's 'terminator Ii', Nookie's 'gonna Be Right', Manix' 'hardcore Junglism' and Four Hero's Unforgettable 'journey from the Light', this is an Essential Collection for Any Drum and Bass Enthusiasts who Want to Trace the Roots of this Ever-growing Scene.
Legendary Sounds,Various Artists,Reinforced,Dance
Average customer rating:
- Perfect jazz vocal recordings!
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The 1956 Torme-Paich Legendary Sessions
Mel Torme , and Marty Paich Dek-Tette
Manufacturer: Fresh Sounds Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Swing General
| Swing Jazz
| Jazz
| Styles
| Music
Traditional Jazz General
| Traditional Jazz & Ragtime
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
Similar Items:
- Incomparable!
- Love Nest/All over the Place
- Jazz 'Round Midnight: Mel Tormé
- Art Pepper + Eleven
- Back at the Chicken Shack
ASIN: B000I2KJPQ
Release Date: 2006-11-07 |
Tracks:
- Lulu's Back in Town
- I Love to Watch the Moonlight
- When April Comes Again
- Carioca
- Lady Is a Tramp
- When the Sun Comes Out
- Lullaby of Birdland
- Blues
- Fascinatin' Rhythm
- Keeping Myself for You
- I Like to Recognize the Tune
- Sing for Your Supper
- Nice Work If You Can Get It
- Something Gotta Give
- Foggy Day
- Fine Romance
- Let's Call the Whole Thing Off
- Top Hat, White Tie & Tails
- Way You Look Tonight
- Piccolino
- They Can't Take That Away from Me
- Cheek to Cheek
- Let's Face the Music and Dance
- They All Laughed
Customer Reviews:
Perfect jazz vocal recordings!.......2007-01-27
If you are looking for a place to begin with Mel Torme, start here! Mel Torme has a slew of recordings over six decades that are excellent, but many believe that the two albums compiled here on one disc (Mel Torme and the Marty Paich Dek-tette also known as Lulu's Back in Town, and Mel Torme Sings Fred Astaire) are the cream of the crop. Torme's vocal chords were in flawless condition, Paich's horn arrangements are endlessly fascinating (not to mention ample solos throughout by the band), and the songwriting is first class. There are so many highlights it's hard to know where to begin...
1. The trumpet solo on "Let's Face the Music and Dance"
2. Mel's scat solo on "Lullaby of Birdland"
3. The scorching arrangement for "The Way You Look Tonight"
4. The playful jabs at his friend Buddy Rich on "I Like To Recognize the Tune" (what to speak of Marty's arrangements which portray the lyrics perfectly).
5. Marty's dissonant horn arrangement in reponse to Mel's flawless mock-classical practice scales on "Sing for Your Supper."
6. Irresistable songs like "Let's Call the Whole Thing Off" and "They All Laughed."
Well, I could go on and on with this list all night, but it's getting late and I haven't even mentioned the packaging-- a wonderful booklet with 5 historic pictures from the sessions, one with a panoramic view of the band and Mel surrounding Marty Paich. The original liner notes are incorporated into a larger essay by Jordi Pujol. They even tell us the exact band members on each of the three session that were used for the recordings.
You just can't go wrong with this recording. We owe Fresh Sounds Records' (jazzcity series) a debt of appreciation for getting these albums back into print, and for putting a special focus on Marty Paich's contribution. One of America's great contributions to the world of jazz vocal music has been given a proper representation! =--=-=- om=-=-=- Nick
Average customer rating:
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The Legendary Jutta Hipp
Jutta Hipp
Manufacturer: Fresh Sounds Records
ProductGroup: Music
Binding: Audio CD
Germany
| Continental Europe
| Europe
| International
| Styles
| Music
Cool Jazz
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
ASIN: B000I2KJOM
Release Date: 2006-11-07 |
Average customer rating:
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PASSION FLUTE
Bobbi Humphrey
Manufacturer: Paradise Sounds Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
Jazz Funk
| Funk
| R&B
| Styles
| Music
General
| Jazz
| Indie Music
| Stores
| Music
International Jazz
| Jazz
| Indie Music
| Stores
| Music
Similar Items:
- Satin Doll
- Blacks and Blues
- The Best of Bobbi Humphrey
- City Beat
- Street Lady
ASIN: B00000IAYI
Release Date: 1999-01-01 |
Tracks:
- Steppin'out
- Tobago Nights
- Harlem River Drive
- The Magic,The Music
- Passion Flute
- Marvelous Marlin
- Where
- Rainbows
Album Description
SMOOTH JAZZ WITH THE LYRICAL AND SORING SOUNDS OF THE"FIRST LADY OF FLUTE",MS.BOBBI HUMPHREY. SPECIAL GUESTS INCLUDE THE LATE GWEN GUTHRIE,PREMIER PERCUSSIONIST,RALPH MACDONALD, AND OTHER TOP SESSION PLAYERS. "HARLEM RIVER DRIVE" UPDATED ON THIS CD,HAS BECOME A FAVORITE NOT ONLY IN JAZZ CIRCLES, BUT ALSO IN HIP-HOP SAMPLING.
Customer Reviews:
The very best I love it.......1999-09-14
This artist is sensationa
Average customer rating:
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Legendary Sounds
Various Artists
Manufacturer: Reinforced
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
ASIN: B0001Z2TJO
Release Date: 2004-05-10 |
Tracks:
- Terminator Ii
- Journey From The Light
- Here Come The Drumz
- Gonna Be Right
- Athema
- Darkrider
- Gangsta
- Hardcore Junglism
- Just A Dream
- Spam
- Method To My Madness
- What Would We Do
- Oblivion (Head In The Clouds)
- Celebrate Life
- Universal Love (Version Ii)
Album Details
The Label that Brought Us Goldie, Four Hero, Doc Scott and Countless More Present Day Legends Finally Drops a Compilation of Some of the Defining Moments in Drum and Bass, Jungle and Hardcore. All of These Tracks Are Highly Sought after Early 90's Rave Anthems that Pushed the Boundaries of Dance Music Beyond What Most People Could Imagine. Featuring Tracks Such as Goldie's 'terminator Ii', Nookie's 'gonna Be Right', Manix' 'hardcore Junglism' and Four Hero's Unforgettable 'journey from the Light', this is an Essential Collection for Any Drum and Bass Enthusiasts who Want to Trace the Roots of this Ever-growing Scene.
Average customer rating:
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The Legendary Sounds of Sun Studios
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD
Traditional Blues
| Blues
| Styles
| Music
Electric Blues Guitar
| Blues
| Styles
| Music
General
| Country
| Styles
| Music
Honky-Tonk
| Country
| Styles
| Music
General
| Traditional Country
| Country
| Styles
| Music
General
| Compilations
| Country
| Styles
| Music
General
| R&B
| Styles
| Music
Rockabilly
| Oldies & Retro
| Rock
| Styles
| Music
ASIN: B000IHY16Y
Release Date: 2006-10-31 |
Tracks:
- Rocket 88 - Jackie Brenston
- When it Rains it Pours - Billy "The Kid" Emerson
- Booted! - Rosco Gordon
- Dixie Fried - Carl Perkins
- Whirlwind - Charlie Rich
- Red Hot - Billy Lee Riley
- Just Walkin' In the Rain - The Prisonaires
- Gospel Train - The Jones Brothers
- Walk That Lonesome Valley - Million Dollar Quartet
- Drinkin' Wind Spo-Dee-O-Dee - Malcolm Yelvington
- Rockhouse - Roy Orbison
- Whole Lotta Shakin' Goin On - Jerry Lee Lewis
- Flying Saucers Rock N'Roll - Billy Lee Riley
- Miss Froggie - Warren Smith
- Raunchy - Bill Justis
- Sitting By My Window - The Five Tinos
- Juiced - Billy Love
- Great Balls of Fire - Jerry Lee Lewis
- Ubangi Stomp - Warren Smith
- Ooby Dooby - Roy Orbison
- Don't Be Cruel - Million Dollar Quartet
- Mona Lisa - Carl Mann
Tracks:
- Defrost Your Heart - Charlie Feathers
- Howlin' Tom Cat - Harmonica Frank Floyd
- Folsom Prison Blues - Johnny Cash
- Blackland Farmer - Sleepy LaBeef
- Runnin' Around - Charlie Feathers
- Pool Shark - Dave Dudley
- Who Will the Next Fool Be - Charlie Rich
- Thanks A Lot - Jeanne Newman
- Blue Suede Shoes - Carl Perkins
- Girl Most Likely - Jeannie C. Riley
- Where the Old Red River Flows - Jimmie Davis
- Southbound Line - Tracy Pendarvis and the Swampers
- In the Jailhouse Now - Webb Pierce
- Sweet Country - Dane Stinit
- My Kind of Carryin' On - Doug Poindexter & the Starlite Wranglers
- Jump Right Out of this Jukebox - Onie Wheeler
- Two Young Fools In Love - Barbara Pittman
- I Walk the Line - Johnny Cash
- How Long - Maggie Sue Wimberley
- Another - Roy Drusky
- Feelin' Low - Ernie Chaffin
Tracks:
- Mystery Train - Little Junior's Blue Flames
- Bear Cat - Rufus Thomas
- How Many More Years - Howlin'Wolf
- The Boogie Disease - Dr. Ross
- Easy - Jimmy & Walter
- Sweet Home Chicago - David 'Honeyboy' Edwards
- Just Come On Home - Frank Frost
- Policy Man Blues - Sleepy John Estes
- Cotton Crop Blues - James Cotton
- Blue Guitar - Earl Hooker
- We All Gotta Go Sometime - Joe Hill Louis
- I'm Gonna Murder My Baby - Pat Hare
- Seems Like A Million Years - Willie Nix
- So Long Baby, Goodbye - Sammy Lewis & Willie Johnson
- Time Has Made a Change - Jimmy De Berry
- She May be Yours - Joe Hill Louis
- If You Love Me Baby - Little Milton
- Feelin' Good - Little Junior's Blue Flames
- Come Back Baby - Dr. Ross
- The Wolf Is At Your Door - Howlin' Wolf
- The Last Time - Woodrow Adams
- Tiger Man (King of the Jungle) - Rufus Thomas
Album Description
Sun Records was the label that orchestrated the sublime careers of so many legendary artists: Elvis Presley, Johnny Cash, Roy Orbison, Howlin'Wolf and Carl Perkins were some of the who's who list of artists that began their careers in this backwater record company in America. This 3 CD box set tells the story of Blues, Country, and Rockabilly, and features all of these artists and more. Over 60 tracks featuring well-loved classics and rarities.
Average customer rating:
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Jazz in Mexico, Vol. 1: Legendary 1954 Sessions
Various Artists
Manufacturer: Fresh Sounds Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| Compilations
| Jazz
| Styles
| Music
ASIN: B0007N19PK
Release Date: 2005-02-08 |
Tracks:
- Begin the Beguine
- Everything Happens to Me
- Pennies from Haeaven
- Jeepers Creepers
- Silenciosa
- Contigo en la Distancia
- Volver
- Vacilando
- All the Things You Are
- I Surrender Dear
- Don't Blame Me
- Viernes a las Nueve
- Bme Mucho
- Prisionero del Mar
Customer Reviews:
Se habla Espan~ol!.......2005-05-15
These are the sessions produced by Jazz critic Roberto Ayala, who made an extensive search around Mexico to find the most talented musicians in the Jazz medium in order to record them.
This was March 5th, 1954
(These CD's volume one and volume two are made in Spain and I give four stars because the sound quality is not as good as it could have been had the master tapes fallen into the hands of Rudy Van Gelder for example, I wish these could be remastered.)
In 1954, Hector "El Arabe" Hallal tenor and alto saxophonist had been playing in the United States and Mario Patron (pianist,flutist) had recently arrived to Mexico City from Mazatlan.
Cesar Molina was the first Mexican trumpeter in many years to play Jazz and had always been in the best orchestras in Mexico.Pablo Jaimes pianist from the Art Tatum school was possesor of great technique and inventiveness but sadly inclined only to play foreign composers as opposed to Mario Patron,(I say sadly because Jazz versions of Mexican boleros are very very rare and far in between making me wish I could hear this wonderful pianist in a more Latin mode), Victor Ruiz Pasos,best bass player in his speciality and leader of several groups. Tino Contreras, the most outstanding drummer in Mexico at the time and the one that fought the most to make Jazz known in the country. Tomas "La Negrita" Rodriguez and Roman Lopez saxophonists, the later a member of the orchestra of Luis Alcaraz and last but not least Pepe Solis trumpeter in the orchestra of Everett Hoagland and the quartet of Chucho Zarzosa, who plays French Horn like a dream.
Both volume one and two of "Jazz in Mexico the Legendary 1954 sessions" offer some world class performances of great numbers by Cole Porter, Gershwin, Benny Goodman and Jerome Kern, and the Mexicans Consuelo Velazquez, Maria Grever, Mario Ruiz Armengol, Jose Sabre Marroquin, Luis Alcaraz and two of the interpreters: Ruiz Pasos and Patron Contreras.
My personal favorite is volume two, maybe because it has more Mexican tunes in it, but I recommend both.
The best numbers in VOLUME ONE are:
"Cuerdas Tristes", written by Ruiz Pasos, It has a taste of the Mexican balads of the 50's, but immersed totally in the Jazz language, with some of the best bowing in the CD.
"Rumbola" by Contreras, proves that not only Max Roach can groove. Cesar Molina swings with every note, on the spot, very smooth.
"Cuando vuelva a tu lado" shows the best interpretation of this number I've ever heard, here Molina is smooth as silk and the walking bassline by Ruiz Pasos is right on time, giving you a feel of well-being as you listen, despite the fact that this is a bolero, Mario Patron plays a la Oscar Peterson, without excessive ornamentation or waste of notes,really nice.
"How high the moon" shows the incredible chops of "El Arabe", making you wonder if he could have become as famous as Sonny Rollins if he had been born in a different place while Pablo Jaimes gets smoke out of the keys and shows great stride technique.
"You can depend on me" is another high swinging number showing the great talent of these musicians, I wish I could get them in a studio today! (Maybe the sound would be better)
"Casbah" dedicated to a coffee shop around downtown Mexico City's Ayuntamiento shows the Mambo sound of the saxophone ensemble with "El Arabe","La Negrita" and Roman Lopez on Baritone taking you back to the feeling of Mambo No. 5 and immediately after keep swingin' with a more Benny Goodman texture, the transition between the two imperceptible. The latin groove by Contreras is as good as any of the American drummers of the day, and this lasts for merely 58 seconds before plunging into the improvisations by each of the performers. Specially good is the solo by Pepe Solis. I wonder why there aren't as many French horners in Jazz as there are trumpeters...
Volume one closes with "Fascinating rhythm" by Gershwin, well interpreted, very tight, but it sounds a lot like a Swing Orchestra up to the 56 second, when the more boppy feel begins.
VOLUME TWO has also some great tracks, among my favorites being:
"Everything happens to me", with nice brushwork by contreras but mostly, a very sentimental Patron playing piano just like the Mexican 50's should be.
"Pennies from heaven" is another great number but nothing out of the extraordinary, maybe because this number has been played and played by so many different people. Competent, though.
This second CD also has more latin numbers and they are ALL great:"Silenciosa", with an almost Wynton Marsallis quality to it.
"Contigo en la Distancia", also the best interpretation I've heard of this number which lends itself perfectly for the Jazz medium shows that influences flow South and not only North.
"Volvere'" an uptempo number written by Maria Grever, again with wonderful trumpeteering and good keywork, proves that "El Quarteto de Cesar Molina" is the best group in the CD.
"Vacilando" by Luis Alcaraz displays the enormous influence that Jazz had on the late Band director-composer, with a steaming solo by Tino Contreras, as good as Gene Krupa closing the number.
"Don't blame me" displays a very silky tenor, marked by an accurate Ruiz Pasos on bass.
"Viernes a las Nueve" blows your mind with the incredible Sax ensemble with "El Arabe" on alto and "La Negrita" on tenor as well as Roman Lopez on Baritone. Tino Contreras yet again with the afro-cuban groove shows who's the granddaddy of Mexican drummers. Outstanding solo on French Horn by Pepe Solis, everybody playing tight, swiveling from swing to bop in the blink of an eye. Nice bass solo by Victor Ruiz Pasos, this particular number is my favorite on both CD's and was written by Hector "El Arabe" Hallal himself.
"Besame Mucho" is a big number in Japan, made famous by Trio los Panchos, who brought bolero to this Far Eastern land. It sounds a little too much big band but it's good (Dominick Farinacci makes a better interpretation on his CD of the same title ASIN: B0002Q2KHI)
"Prisionero del Mar" is the last number, written by Luis Alcaraz, seems like this is the number where the musicians had the most fun, you can hear them yelling at each other words of encouragment, just like in a hot session where everything clicks.
Great closing number for a great CD.
Want more Mexican Jazz? Check also www.jazzenmexico.com
Average customer rating:
- Without History...
- A brilliant guitarist but . . .
- A long-time fan, and I love it
- A real departure for Brooks
- Sorry to say I agree.
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Nectar
Brooks Williams
Manufacturer: Signature Sounds
ProductGroup: Music
Binding: Audio CD
General
| Contemporary Folk
| Folk
| Styles
| Music
Singer-Songwriters
| Contemporary Folk
| Folk
| Styles
| Music
General
| Folk
| Styles
| Music
Traditional Folk
| Folk
| Styles
| Music
General
| Bluegrass
| Country
| Styles
| Music
Bluegrass
| Country
| Indie Music
| Stores
| Music
General
| Folk
| Indie Music
| Stores
| Music
Similar Items:
- Skiffle-Bop
- Hundred Year Shadow
- Guitar Player
- Dead Sea Cafe
- 7 Sisters
ASIN: B000087DT9
Release Date: 2003-02-11 |
Tracks:
- Birth Of The True
- Forget About Him
- Singing In The Dark
- Half The Grace
- May You Never
- Yellow Hummingbird
- Unexpected Rose
- Great Big Sea
- Mother Earth
- She Loves Me (When I Try)
Customer Reviews:
Without History..........2004-05-26
Unlike other reviewers here, I came to Nectar as my first Brooks Williams CD (following the use of a track at the end of a TV series was following). It stunned me. The warmth of the instrumentation & the voice. The playful, intricate lyrics and the outsanding guitar work. It's a sublime album that I can put on anytime and while away 40 minutes in the blink of an eye. I'm now on a mission to acquire some other Williams recordings. Hope I won't be shocked or disappointed. Buy this record!
A brilliant guitarist but . . ........2004-04-29
. . . as another reviewer mentioned above, this recording is a disappointment. I purchased this CD when I saw him live and was pretty excited to listen to his newest recording considering he's a very talented musician. Little Lion is a super instrumental album and I hope he does more like that!
A long-time fan, and I love it.......2003-12-20
I saw Brooks in concert not too long ago, for about the 5th time, and he mentioned that he's gotten hate-mail from people about this album. It's definitely a departure, but I love it. I've kept it in my car for weeks at a time, and I mean listening to it twice a day.
Brooks is paying tribute to his extremely rich set of influences on this album. He admires the music from when pop used to be a GOOD word, instead of evoking images of mostly naked teenagers dancing with large snakes.
Sonically, this album is fat and sassy. In contrast to the spare production of his other albums, which were largely Brooks's work, he's gotten a great producer to work with him on this one. The album is impeccably consistent from start to end, and I think Brooks was really happy with the process. He said "I was so tired of working so hard on recording the albums, I just wanted to hand over the reins and see what happened while I enjoyed playing music instead of nitpicking details." That's a semi-quote. In any case, the new producer really brought a lot to it -- I daresay he enjoyed having the free rein as much as Brooks enjoyed letting it go. The songs are pretty densely arranged as a result, with (gasp!) electric guitar and a very different set of hooks (guess who? Yes, Mr. Producer helped arrange and sits in on the electric guitar).
Brooks's voice is also recorded quite differently from past albums, which gives it a breathier sound, a bit closer to you but a bit standoffish as well. It works well, much better than my description, which is sort of like dancing about architecture, if you know what I mean. This is a tough review to write!
The songwriting is stock Williams, really solid lyrics and music. It's only different in that a) it's not the same songs and b) it's produced differently. If you know what I mean, you know that this is a strong compliment.
All in all, one of my favorite albums. Do yourself, get a copy, a pair of Sennheisers, and spend an evening with it. Write back if you're not convinced.
A real departure for Brooks.......2003-04-16
I'm surprised at some of the reactions to this album. There's so much to like about it. It has a bit more of a pop sound than his early stuff, but I love it. "Forget About Him" and "Half the Grace" would be top tens on the charts if the music industry sold music instead of images or clothing.
I didn't really need to hear another version of "Mother Earth," but other than that there isn't a wasted moment on the album. Also, the production on this album just blows away any of his previous albums. Phil "The Funk Monster" Madeira and his B-3 organ are a perfect match for Brooks' style.
Sorry to say I agree........2003-04-06
I've enjoyed Brooks for many many years, with the highlights being North From Statesboro and Knife Edge, IMO. Actually, Little Lion is pretty amazing too -- glad he finally did an all-instrumental album. I have no idea what happened here, like another reviewer. His voice is very muted on all the songs, like he's whispering almost every song -- a singing style I've never heard him do recorded or live. And it just doesn't work. The songs themselves are good; he did a super live show recently that I enjoyed immensely. This recording, however, is a great disappointment. And trust me, it hurts to say bad things about someone whose music I've enjoyed so much over the years.
Average customer rating:
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Every Man I Love Is Either Married Gay Or Dead...Live
Kacey Jones
Manufacturer: Igo Records
ProductGroup: Music
Binding: Audio CD
General
| Contemporary Country
| Country
| Styles
| Music
General
| Country
| Styles
| Music
General
| Live Albums
| Country
| Styles
| Music
Contemporary
| Bluegrass
| Country
| Styles
| Music
General
| Miscellaneous
| Styles
| Music
General
| Comedy
| Miscellaneous
| Styles
| Music
Country Comedy
| Comedy
| Miscellaneous
| Styles
| Music
General
| Comedic Music
| Comedy
| Miscellaneous
| Styles
| Music
Similar Items:
- Never Wear Panties to a Party
- Sweet Potato Queens' Big-Ass Box of Music
- Men Are Some of My Favorite People
- Kacey Jones Sings Mickey Newbury
- The Sweet Potato Queens' First Big-Ass Novel: Stuff We Didn't Actually Do, but Could Have, and May Yet
ASIN: B00067HPIW
Release Date: 2004-11-16 |
Tracks:
- Opening monologue
- Every Man I Love Is Either Married, Gay, or Dead
- Bubba bit
- 1-900-Bubba
- Christmas Underwear bit
- I'm Down to My Christmas Underwear
- Waitin' for the Guy bit
- Waitin' for the Guy to Die
- I Could Get Over Him bit
- I Could Get Over Him
- Whay Can't They Send 'em bit
- Whay Can't They Send 'em All?
- Pizza Man bit
- Dressin' Up for the Pizza Man
- We're All in This intro
- We're All in This Alone
- Piggly Wiggly bit
- Down At The Piggly Wiggly
- My Own Bed bit
- My Own Bed
- Put The Seat Back bit
- Put the Seat Back Down
- The Vasectomy Song - bonus studio track
- I'm Down to My Christmas Underwear - bonus studio version
- Waitin' for the guy to Die - studio version
- Down at the Piggly Wiggly - studio version
Album Description
Musical humorist, serious vocalist, Kacey Jones, deftly mixes clever commentary with flat-out great sound on this, her first-ever, LIVE solo CD. Recorded before a sold-out crowd at the legendary Bluebird Cafe' in Nashville, here's what co-producer and engineer, Vaughn Skow, has to say: "I've recorded many LIVE albums, but never one like this. No words can adequately describe the manner in which Kacey dominated the room that night. It was truly electric and proves, once again, that a great entertainer needs no more than an acoustic guitar and a microphone to produce magic." Four bonus studio tracks round out this fabulous FUN-filled evening with Miss Jones.
Average customer rating:
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Sights and Sounds from a Legendary Life: The James Dean Story
Manufacturer: Blue Moon
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
ASIN: B0007TF0Y0
Release Date: 2005-04-26 |
Tracks:
- Prelude
- Boyhood
- Who Am I?
- Thinking of Home
- Rebel at Work
- Finding His Power
- Hollywood
- Movie Star
- Lost Love
- Success and Then What? - Tommy Sands
- Testing the Limits of Life
- Return Home/Let Me Be Loved (End Title) - Jimmy Wakely
Tracks:
- Main Title [From East of Eden]
- Cal's Dance [From East of Eden] - Jimmy Wakely
- Nocturne [From East of Eden] - Steve Allen
- Vindication of Cal [From East of Eden] - Dick Jacobs & His Orchestra
- Main Title [From Rebel Without a Cause]
- Jim's Ride to the Planetarium [From Rebel Without a Cause]
- End of the World [From Rebel Without a Cause]
- Knife Fight [From Rebel Without a Cause]
- Death of Plato/End Titles [From Rebel Without a Cause]
- Main Title [From Giant]
- There's Never Been Anyone Else But You [From Giant]
- His Name Was Dean
- We'll Never Forget You
- James Dean
- Remembering James Dean
- Theme [From East of Eden]
Tracks:
- Bonus Material [DVD][*]
Average customer rating:
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Choral Masterworks Series Volume 1
Manufacturer: St Olaf Records
ProductGroup: Music
Binding: Audio CD
Classical
| Indie Music
| Stores
| Music
General
| Classical
| Styles
| Music
Similar Items:
- Choral Masterworks Series Volume 2
- Great Hymns of Faith
- Beautiful Savior
- Eric Whitacre: Cloudburst and other choral works
ASIN: B00021XPMC
Release Date: 1998-12-11 |
Tracks:
- O Savior Throw the Heavens Wide
- O Sacred Head
- Come, Guest Divine
- When Curtained Darkness Falls
- The Spires
- O Sing Unto Him
- Lulluby on Christmas Eve
- Doxology (Psalm 50, 3rd movement)
- Beautiful Savior
- Sing Ye to the Lord (1st movement)
- Hvad Est Du Dog Skjon
- Cherubim Song
- Praise to the Lord
Tracks:
- Der Herr ist mein Hirte (Psalm 23)
- The Three Kings
- Beauty in Humility
- Restoration
- Tenebrae Factae Sunt
- Motet for Advent: O How SHall I Receive Thee
- Motet for Advent: Lord, Hosanna
- Benedictus
- As a Flower of the Field
- Sing to God
- Lost in the Night
- Wake Awake
Product Description
On this 2 disc set of digitally remastered recordings one hears the legendary sounds of the St. Olaf Choir under the direction of F. Melius Christansen with famed soloist Gertrude Boe Overby. Track Listing: 1. O Savior Throw the Heavens Wide 2. O Sacred Head 3. Come 4. Guest Divine 5. When Curtained Darkness Falls 6. The Spires 7. O Sing Unto Him 8. Lulluby on Christmas Eve 9. Doxology (Psalm 50, 3rd movement) 10. Beautiful Savior 11. Sing Ye to the Lord (1st movement) 12. Hvad Est Du Dog Skjon 13. Cherubim Song 13. Praise to the Lord 14. Der Herr ist mein Hirte (Psalm 23) 15. The Three Kings 16. Beauty in Humility 17. Restoration 18. Tenebrae Factae Sunt 19. Motet for Advent 20. Benedictus 21. As a Flower of the Field 22. Sing to God 10. Lost in the Night 23. Wake Awake
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- Lo-Fi Stereography
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- Mixed By Tidy Boys-Guyver & Ian M [Import]
- Music for the Odd Occasion [Import]
- New Age Dreams
Music
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