Magic Time [CD-single] [Import]

Magic Time [CD-single] [Import]

Track Listings

1. Magic Time

2. Girlfriend

3. Magic Time (Mixed By Takkyu Ishino)

4. Magic Time (Radio Edit)

Tracks:

Stranded
Celtic New Year
Keep Mediocrity At Bay
Evening Train
This Love Of Mine
I'm Confessin'
Just Like Greta
Gypsy In My Soul
Lonely And Blue
The Lion This Time
Magic Time
They Sold Me Out
Carry On Regardless

Amazon.com

Like a human infusion of chamomile tea, hearing Van Morrison's voice has the effect of instantly soothing even the most stressed listener. That said, some of his releases have been so mellow that they muted the '60s soul influences that had been a part of Van's appeal. Not so with Magic Time, a wonderful balance of groove and smoothness, with a "live off the floor" feel evident throughout the disc. Right from the start "Stranded" shows Van at his crooner best--relaxed, present, and joyful. "Celtic New Year" comes next with a very Astral Weeks feel, leading one to believe that this disc might be sedentary through and through… until "Keep Mediocrity at Bay" kicks in, a feisty blues romp proving that though in his sixties, Morrison still has the sass of his best previous days. Morrison's cover of Sinatra's brassy "This Love of Mine" and Perry Como's "I'm Confessin'" are full of cheek and charm. Morrison-as-producer has chosen stellar horn sections that elevate the music from good to great and come from an obvious deep love of classic blues and soul. He's a lover and a fighter (the disc has two references to his disdain of the music industry: "They Sold Me Out" and "Carry On Regardless"), but ultimately true to his own musical vision. This destined-to-be-classic release will please a wide variety of his fans. --Denise Sheppard

Essential Van Morrison

Astral Weeks
Moondance
It's Too Late to Stop Now [LIVE]

Tupelo Honey
Into the Music
Saint Dominic's Preview

Customer Reviews:

Van morrison-Magic Time.......2007-05-31

What can one say about one of the greatest artist of modern times? He could sing the phone book and make it interesting. I've loved Van the Man since the days of THEM and have more of his music in my collection than anybody else. I've seen every performer I've wanted to see worth seeing...almost...except Van and Paul Simon...and just may go to Austin in September if gas comes down! This particular CD is blues and he sticks to the genre like syrup on pancakes on Saturday morning....ummmmm! He is a true genius that deserves to be affected and particular and maybe even strange and a recluse if choosen...like greta garbo...just wants to be left alone. If anyone calls tell them you haven't seen me. He will be worth shedding a tear over when he is gone because he has made the world I live in so much better. Thanks Van the Man for Magic Time always.

DISAPOINTED LONG TIME FAN.......2007-05-15

Definately not his best effort. In fact I have only listened to it one time. Having been a fan since the 60's I can easily say that this is not worth the time or money to include it in your collection. There are so many memorable tunes from Van the Man don't disapoint your self with this one.

standard van morrison fare. nothing wrong with that........2007-02-21

3 and 1/2 stars i would say. this is an enjoyable set, absolutely. there is not really a bad van morrison recording out there (heck, i even get enjoyment from "a period of transition"), but let's face it: van is not trying very hard here. this is the kind of recording he is so used to making that he could call it in on the phone from home. a little r & b, plenty of mid-tempo stuff with nice tame saxophone, standard blues harmonica and some gentle string arrangement stuff. all nice, all predictable. none of it classic (listen to "astral weeks," or "veedon fleece," for the classic stuff). the only tune here that's close to outstanding is "gypsy in my soul," which is very, very strong. lots of the rest has an almost cheesy las vegas feel to it. and hey, nothing wrong with that; i find it enjoyable, myself. it's just not great. it doesn't even try for great. it is what it is: an easy to listen to piece of entertainment. fine by me.

A lot to like.......2007-02-10

I'm not really familiar with the career of Van Morrison or many of his recordings, but I was completely taken with this terrific collection of songs. Morrison has a smokey, bluesly delivery here that is tremendously appealing. My favorite tracks are "Stranded," and "Greta Garbo," but there aren't any losers on the whole CD. Highly recommended.

An eclectic mix of soul, jazz and blues.......2007-01-13

Van Morrison never fails to put across an intimate feel with his music. It seems to place you in a smoke filled juke joint somewhere in middle america, or in an upscale jazz club in some big city the moment you listen to it. His distinctive vocals always deliver the heart of the piece he is performing. This collection is exceptionally good, not one track you will likely skip during playtime. Well done...

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
Moon River
Days of Wine and Roses
Baby Elephant Walk
Theme from Hatari
Charade - Henry Mancini, Henry Mancini
Thorn Birds Theme - National Philharmonic Orchestra
Blue Satin
Two for the Road
Mr Lucky
Theme from the Molly Maguires - National Philharmonic Orchestra
Moment to Moment
As Time Goes By - Henry Mancini, Henry Mancini
Shot in the Dark
Misty
Theme from Love Story
Pennywhistle Jig - National Philharmonic Orchestra
Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
Moonlight Sonata
Tender Is the Night - Henry Mancini, Henry Mancini
Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
Raindrops Keep Falling on My Head
Crazy World
Mona Lisa

Tracks:

Peter Gunn
Unchained Melody - Henry Mancini, Henry Mancini
Summer Knows
Experiment in Terror
Windmills of Your Mind
Till There Was You
Speedy Gonzales - Henry Mancini,
Sweetheart Tree
Love Theme from Romeo and Juliet
Dream a Little Dream of Me
Lonesome
Pie in the Face Polka - National Philharmonic Orchestra
Love Is a Many Splendored Thing
By the Time I Get to Phoenix
Dear Heart
Charade [Opening Titles]
Shadow of Your Smile
One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
Breakfast at Tiffany's
That Old Black Magic
Evergreen
Midnight Cowboy

Album Description

1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.

Album Details

Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.

Customer Reviews:

not enough Galway.......2003-10-02

There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.

Too Good to Last.......2000-03-03

I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.

70s Music Explosion, Volume 4: Magic 2-CD Set!

Average customer rating:

70s Music Explosion, Volume 4: Magic 2-CD Set!

Manufacturer: Time Life, EMI Music
ProductGroup: Music
Binding: Audio CD

Pop Rock | Pop | Styles | Music

General | Classic Rock | Styles | Music
Similar Items:

70s Music Explosion Volume 2: Escape, 2-CD Set!
70s Music Explosion: 70s One-hit Wonders 2-cd Set!

ASIN: B000EIDGC2

Product Description

70s Music Explosion Volume 4: Magic 2-CD Set! Songs: Bellamy Brothers: Let Your Love Flow * Silver Convention: Fly Robin Fly * Raspberries: Go All The Way * Olivia Newton-John: Have You Never Been Mellow * Hot Chocolate: You Sexy Thing * The Knack: My Sharona * Nick Gilder: Hot Child In the City * Blue Swede: Hooked On A Feeling * Jean Knight: Mr. Big Stuff * Gilbert O'Sullivan: Alone Again (Naturally) * Little River Band: Reminiscing * The Sylvers: Boggie Fever * Robert John: Sad Eyes * Pilot: Magic * John Paul Young: Love Is In The Air. 30 songs in all!

Average customer rating:

Mixed feelings
Your love for this superb collection will be here to stay...
He's done it again
Absolutely 'S WONDERFUL!
A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Romance on Film/Romance on Broadway
Nice Work If You Can Get It: Songs by the Gershwins
Hopeless Romantics
Isn't It Romantic
Michael & George (Feinstein Sings Gershwin)

ASIN: B000065DVH
Release Date: 2002-05-21

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Average customer rating:

Magic: Kiri Sings Michel Legrand

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

I Was Born in Love With You
Michel Legrand by Michel Legrand
Kiri Sings Porter; Dame Kiri TeKanawa
Michel Plays Legrand
I Love Paris

ASIN: B000008LF8
Release Date: 1992-11-10

Tracks:

His Eyes, Her Eyes
I Will Say Goodbye (Je Vivre Sans Toi)
Ask Yourself Why
Summer Me, Winter Me
Magic, For Voice With Brass & String Choirs
I Was Born in Love With You
Rose in the Snow
Blue, Green, Grey and Gone
One Day
Martina (Enfants Qui Pleurent) - Dame Kiri Te Kanawa
Nobody Knows
After the Rain
Little Boy Lost
Breezy's Song
What Are You Doing the Rest of Your Life?
One at a Time
Windmills of Your Mind
Comme Elle Est Longue Mourir Ma Jeunesse!

Average customer rating:

One of Abdullah's most essential records.A marvel!!!
Abdullah Ibrahim, ultimate African musical ambassador?

African Magic
Abdullah Ibrahim
Manufacturer: Enja Justin Time
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Modern Postbebop | Jazz | Styles | Music

General | Jazz | Indie Music | Stores | Music

Modern Post Bop | Jazz | Indie Music | Stores | Music
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African Sun
Voice of Africa
A Celebration
African Piano
Yarona

ASIN: B00007MB53
Release Date: 2003-01-28

Tracks:

Blue Bolero (Fragment 1)
Third Line Samba
Blue Bolero (Fragment 2)
Blues For A Hip King
District Six
Tuang Guru
Blue Bolero (Fragment 3)
Joan - Cape Town Flower
Pule
The Stride
Thaba Bhosigo
The Mountain
Machopi/Jabulani
Black Lightning
Duke 88
Solitude
Eleventh Hour
Blue Bolero (Fragment 4)
In A Sentimental Mood
Moten Swing
For Coltrane
Whoza Mtwana
Tsakwe/Royal Blue
Blue Bolero

Amazon.com

Recorded in Berlin at the 2001 Jazz Across the Border Festival, this trio performance is a loosely knit, yet powerful suite that moves across space and time from the landscape of Ibrahim's native South Africa to the history of jazz. Along the way he pays homage to guides and mentors, like the spiritual teacher Tuang Guru and John Coltrane. Duke Ellington gets special attention in the suite's latter stages, including a brief fragment of "Solitude," a deeply personal transformation of "In a Sentimental Mood," and Ibrahim's vigorous "Duke 88." Incorporating familiar Ibrahim themes like the majestic "The Mountain," the suite is sometimes knit together by "Blue Bolero," a bittersweet melody that appears in fragmentary interludes until it ultimately emerges as the suite's lambent conclusion. Elsewhere, one piece evolves naturally into another, with Ibrahim's personal magic consisting in an ability to weld melody and rhythm together in ways that are both unexpected and absolute. Bassist Belden Bullock and drummer Sipho Kunene contribute notably to the rhythmic dialogues of "District Six," "The Stride," and the floating "For Coltrane." --Stuart Broomer

Customer Reviews:

One of Abdullah's most essential records.A marvel!!!.......2003-05-29

This concert,recorded July 13,2001,in Berlin,Germany,is one of Abdullah Ibrahim's greatest record.This extraordinary piano player,also known as Dollar Brand,was born Adolph Johannes Brand in Cape Town,South Africa, 1934.During a trip to Europe,he met Duke Ellington,in the early sixties;Duke was so fascinated by the young african musician that he organized a recording session for the Reprise label ( Duke Ellington presents the Dollar Brand Trio,February 1963;at this time,Frank Sinatra's label,Reprise,had an excellent musical director,a certain...Edward Kennedy "Duke" Ellington !!!).Then,Dollar became one of the most talented and adventurous jazz piano players,and his music always combined strong jazz and classical influences and the magic of african music.Just like Randy Weston.
Dollar Brand,then Abdullah Ibrahim,recorded several masterpieces: "African piano","anatomy of a south african village","ode to Duke Ellington","Memories","anthem for the new nations","live at Sweet Basil"(with Carlos Ward),an outstanding duet with Gato Barbieri,and recently,"Cape Town revisited".
This sublime concert is build like an Ellingtonian suite;it turns around "Blue bolero",which appears four times during the recital until a fifth one,an extended version,the last tune of the night.There are some of Abdullah's well known tunes,like "Blues for a hip king"(dedicated to King Sobhuza of Swaziland,who died as a very old man some 10 or 15 years ago),"Cape Town flowers","the mountain","Tsakwe";some salutes to Duke Ellington,"Duke 88","in a sentimental mood" and "solitude";a tribute to Trane,"for Coltrane",and even a glance at Kansas City,with a short excerpt from Bennie Moten's "Moten swing".
Backed by Belden Bullock on bass and Sipho Kunene on drums,Abdullah Ibrahim drives us into his magical world;it seems like the best of both jazz and african music are combined to create one of the most fascinating music ever played.
Within one month,on June 27,I'll be lucky enough to see and hear Abdullah on stage in my town.Lucky because the guy who was supposed to play that night cancelled the date.It was Paul Bley.Abdullah will replace him.This will be a somptuous evening!!!

Abdullah Ibrahim, ultimate African musical ambassador?.......2003-02-14

He's been around long enough. He comes from a country (South Africa) typifying and perhaps summing up what's wrong with colonialism, thus giving him that essential oppression-earned gravitas. And he seems somehow to have grafted an authentic African sensibility onto a genuine yet progressive assimilation of Duke Ellington, perhaps the greatest of all jazzmen.

And, yes, there really is magic in the air on his latest cd, African Magic. Perhaps it's the recurring fragment, "Blue Bolero," finally fully realized and unfolded as the last number in this live concert, but slyly and serendipitously salted into the procedings throughout (no less than four times). Perhaps it's the bizarre juxtiposition of Berlin and Africa that yields these mysterioso results. Perhaps it's simply a faithful jazz practitioner finally reaching critical mass. Whatever.

Tracks:

I Only Have Eyes For You
Smoke Gets In Your Eyes
The More I See You
Unforgettable
The Second Time Around
Love Is A Many Splendored Thing
The Way You Look Tonight
What's New?
More Than You Know
As Time Goes By
I'm In The Mood For Love
For All We Know

Album Description

This sequel to Emile's first recording of romantic melodies, My Foolish Heart, continues the tradition of nostalgic listening pleasure. These tender melodies create a dreamy vision of love lost and found, woven by Emile's magical and sensitive talent.

Customer Reviews:

This cd close to being great, very very close.......2002-11-01

First I would like to say that I have owned this cd for several years now. When I first bought it I played it a few times and decided that this cd was not for me. I put it in my non-play pile of cds and it has sit there ever since, until yesterday, when I decided to give it another chance. To my surprise I liked this cd on this go round. I think that possibly my music taste has grown over the years.

Now I would like to talk about this artist, Emile. He seems to be a very gifted interpetator of music. He plays in a very interesting style. His music is very easy to follow and his communication skills are very grand. He seems to hold the listners interest with each performance.

The repertoire offered here is just splendid. He choose all my favortie songs to perform. He basically did a good job with these songs.

The only thing that keep me from rating this cd a five star rating was the beginnings and endings of each songs. You see, Emile started each song with an imrpovision and ended each song with an improvision. This to me distracted from the song being performed. I am lucky to own the software for sound production and I was able to edit these beginnings and endings to clean up the songs.

I would like to recommend this cd.

Romantic Memories.......2000-03-05

Those of us who remember Eddie Duchin's piano techniques and the the crooners of our youth, cannot help but love this CD. I have played it for guests three times in the two weeks I have had it and they all want to order a copy. I am just ordering it again as a gift. Pandolfi plays beautifully and the songs chosen are some of the lovliest popular love songs written. It makes perfect dinner music for the senior crowd.

Simply soothing........1999-11-10

I was shopping in an antique store when I heard this music playing. I immediately thougth "I am going to buy this CD if I see it." I aparoached the store keeper to advise me on the album title andthe artist's name. The lady handed the disc to me and told me that " This is new by Emile Pandolfi" I bought it immediately and thought "Why have I not heard of this artist earlier?' Now this pianist is one of my favorite,

Average customer rating:

Excellent Collection, Even Better Price
An Oldie Re-Issue, But Still A Goodie!
Watch Out! This Music Will Raise Your Cholesterol!

Captain Blood and Other Swashbucklers

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Maltese Falcon and Other Film Scores
Korngold: The Sea Hawk
Tiomkin: Red River
King Kong: The Complete 1933 Film Score
Adventures Of Robin Hood

ASIN: B0007ACVL4
Release Date: 2005-02-22

Tracks:

The King's Thief - Miklos Rozsa
Scaramouche: Main Title - Victor Young
Scaramouche: Vanished Merchant - Victor Young
Scaramouche: The Tomb, Andre And Aline - Victor Young
Scaramouche: Why? - Victor Young
Scaramouche: Pavane - Victor Young
Scaramouche: Andre Escapes - Victor Young
Scaramouche: The Big Apple - Victor Young
Scaramouche: The Magic Box/Roses And Napoleon - Victor Young
Scaramouche: End Cast - Victor Young
Captain Blood: Main Title - Erich Wolfgang Korngold
Captain Blood: Slaves/Arabella And Blood - Erich Wolfgang Korngold
Captain Blood: Tortuga - Erich Wolfgang Korngold
Captain Blood: Port Royal/Island Of Magra/English And Pirate Ships - Erich Wolfgang Korngold
Captain Blood: Pirates' Flag - Erich Wolfgang Korngold
Captain Blood: Finale - Erich Wolfgang Korngold
The Three Musketeers: To Paris/Fencing Demonstration - Max Steiner
The Three Musketeers: Love Theme - Max Steiner
The Three Musketeers: Fight Behind Palace - Max Steiner
The Three Musketeers: Night Time/Pigeons - Max Steiner
The Three Musketeers: Carriage Ride - Max Steiner
The Three Musketeers: Finale - Max Steiner

Customer Reviews:

Excellent Collection, Even Better Price.......2005-10-14

I picked this CD up as an afterthought while searching for some background music for a play I was putting together, and while it cost less than half of the other swashbuckler soundtrack CDs, it has more tracks than most, more variety than any(dramatic to romantic to action), and solid sound quality. If you're after a whole collection of the Korngold era tunes in one CD, this is it.

An Oldie Re-Issue, But Still A Goodie!.......2005-04-03

A re-issue of tracks from Marco Polo 8.223607, 1995. Practically perfect in every way. But the brass could be a bit more crisp and defined. Primarily an early work from master restoration magicians Messrs. John Morgan and William Stromberg. And now at "popular prices." Don't delay on this one!

William Flanigan, Ph.D.

Watch Out! This Music Will Raise Your Cholesterol!.......2005-03-16

And it will buckle your swash, too.

These performances appeared in 1995 on Naxos's full-price sister label, Marco Polo, and are among a spate of movie music scores making their appearances now at budget price. Some are wonderful - like Honegger's score for 'Les Misérables,' Georges Auric's 'Beauty and the Beast,' and Wojciech Kilar's 'Dracula.' Some don't stand up too well on their own, like Steiner's 'King Kong' or Waxman's 'Objective: Burma!'. But this one definitely has the best of the best, all in that late-romantic, richly scored music we associate with the genre. The producers have put together some of the best cues from four swashbucklers and from beginning to end this is music to enjoy, with no dead wood anywhere along the way.

The Main Title of Miklós Rosza's 'The King's Thief' is a heckuva lot better than the 1955 Edmund Purdom movie for which it was written. Victor Young's 'Scaramouche' is represented by nine cues, among them the delightful 'Main Title' and the faux-baroque 'Pavane.' The inventor of this sort of movie music, Erich Maria Korngold, is here represented by six cues from the 1935 Errol Flynn blockbuster, 'Captain Blood.' All five cues are terrific and sweep you along, but I particularly like 'Slaves--Arabella and Blood,' a seven-minute tone poem of great beauty and ingenuity. Max Steiner, a transplanted Viennese like Korngold, contributes six cues from 'The Three Musketeers,' also from 1935. The love theme is really gorgeous.

These scores were reconstructed by the late Christopher Palmer ('The King's Thief'), William Stromberg ('Scaramouche') and John Morgan ('Captain Blood' and 'The Three Musketeers') from conductor's piano scores; the full scores, like many of their era, were lost. In one case the score had only a violin line. The three arrangers attempted, then, to reproduce the orchestrations from the movie sound track itself, a difficult task at best, but it sounds to me like they did a marvelous job collectively. These orchestrations have the sweep and grandeur of the originals.

The Brandenburg Philharmonic Orchestra (Potsdam, Germany) is conducted by Richard Kaufman. They are beautifully played and recorded.

This one is worth having if you love the flamboyant style favored in adventure films; this is the crème de la crème.

Scott Morrison

Average customer rating:

Nice
Ancient Realms
Must have CD for harp lovers.
Take Me Away - A Journey
Wonderful

Ancient Realms: Solo Celtic Harp
Jennifer Pratt-Walter
Manufacturer: Soundtracks
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Celtic | International | Styles | Music

General | Pop | Styles | Music

The Mystic Harp
Celtic Harp 1: Music of Turlough O'Carolan
Mystic Harp, Vol. 2
Celtic Harp
Wind And Wood: A Sylvan Dance for Harp and Flute

ASIN: B00000HZKK
Release Date: 1998-06-01

Tracks:

Inscription of Seikilos/Saltarello
Lament For Hector the Hero
Loch Tay Boat Song
Merch Megan
My Roving Galway Boy
Slangpolska fron Smoland
The Castle of Dromore
Au Renouvel du Tens
I Would Be With You
Nobilis Humilis
Kiss Me Quick, Me Mither's Coming
Galician Walz
All Through The Night
Hymnus ad Gallicinium

Album Description

Slip through the veil of time to the haunting strains of the Celtic harp. Experience the magic of the Celtic lands, Medieval Europe, Scandinavia, and Ancient Greece with music that is delightfully intimate, soulful, and deeply touching.

Customer Reviews:

Nice.......2006-02-24

Both my Dad and I really liked this CD. It's not totally spacey and new-age but still has a magical quality--mixed with the interest of Celtic music.

Ancient Realms.......2003-05-18

If you enjoy sounds that are truly beautiful , pleasant and do in fact help the mind "slip through the veil of time", than Ancient Realms surely fits these sort of sounds. It is a wonderful CD and Jennifer Pratt-Walter is a truly gifted artist.

I Hope she does many more such works.

regards,

Must have CD for harp lovers........2003-01-28

As a harp student I listen to this CD over and over to catch the phrasing of the melodies.
All tracks on the CD move one off into the special place that harps take us.

Take Me Away - A Journey.......2000-08-12

I have thoroughly enjoyed listening to Jennifer's CD. The music inspires me when I am creating and completing various quilting proejcts. My best times to work on my projects is early in the morning and this music allows me to wake up peacefully - a great way to start my day. The music has just the right touch to brighten up my insides and allows the freedom to explore my artistic side! Of an evening, this CD has just the right touch of music flow to allow me to think about the day - a perfect way to relax and reflect.

Wonderful.......2000-01-22

This CD is beautiful! The music is mesmerizing and transports you to another place and time. I would highly recommend it.

Music: