Touch I/Touch II [Enhanced] [Import]
Touch I/Touch II [Enhanced] [Import]
Track Listings
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Disc: 1
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1. Don't You Know What Love Is
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2. When the Spirit Moves You
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3. Love Don't Fail Me
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4. Black Star
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5. There's a Light
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6. So High
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7. Last Chance for Love
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8. Yes (You Need to Rock & Roll)
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9. Listen (Can You Feel It)
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10. My Life Depends on You [*]
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See all 11 tracks on this disc
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Disc: 2
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1. Never in Love
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2. Just One Step
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3. Frozen on a Wire
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4. Far Enough
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5. Too Much in Love
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6. Take It Back
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7. Anything for Rock & Roll
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8. You're Not a Child Anymore
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9. Between the Lines
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10. Beg Me
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See all 17 tracks on this disc
Editorial Reviews
Product Description
Aptly titled Japanese release containing both entire albums & more by this early '80s hard rock act that Deep Purple's Roger Glover produced. Disc one contains all nine tracks from their self-titled 1980 debut on Atco, plus two bonus tracks: 'My Life Depends On You' & a live version of 'Don't You Know What Love Is' recorded at the 1980 Donnington fest;Disc two has all 13 cuts from their 1981 & second & final album, plus rough takes of four other tunes as bonus tracks.28 tracks total. 1998 Bareknuckle release. Double slimline jewel case.
Touch I/Touch II,Touch,Avex Trax Japan,Album Rock,Dance Music,Pop,Prog-Rock/Art Rock,Rock/Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- SAIL ON, KURT!
- Not at All Vile Weill
- ELEVATOR MUSIC
|
Kurt Weill: Life, Love, & Laughter--Dance Arrangements, 1927-50
H.K. Gruber , and Palast Orchestra
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- Ein Freund ein Guter Freu
- Krokodile und Andere Hausfreunde
- Wochenend und Sonnenschein
- Superhits Präsentiert Vom Palast Orchester
- Superhits V.2
ASIN: B000055YBR
Release Date: 2001-02-12 |
Tracks:
- Mile After Mile
- Bilbao Song
- Stay Well
- Life, Love And Laughter
- My Ship
- Green-up Time
- The Little Gray House
- Blues Potpourri
- September Song
- All At Once
- Le Roi d'Aquitaine (Waltz)
- Foxtrot Potporri
- Alabama Song
- Lied Der Jenny
- Speak Low
- It Never Was You
- What Good Would the Moon Be
- Tango Ballade
- Kanonen-Song
Amazon.com
Here's a disc of 19 familiar and unfamiliar Kurt Weill songs arranged for dance band and played by an expert group of specialists in Roaring Twenties band music. They're led by singer-conductor-composer H.K. Gruber, whose previous recordings include Weill's Die Dreigroschenoper. The result is a start-to-finish delight. From the first notes, you're beamed back in time to one of those sleek transatlantic passenger liners, sitting in an art deco ballroom watching elegant couples in tuxedos and ball-gowns swirl by while the band plays hits from Weill's German and Broadway triumphs. Sure, the venom is leached from the originals, but who needs agitprop when you're on a dance floor? The arrangements are by a variety of hands, hired by Weill's European and American publishers with his approval to get more mileage from his musical theater works. They're delightfully square rhythmically and formulaic in transferring Weill's music to conventional dance bands, but the music still holds up and is fun to hear in its new clothes. A special treat is the eight tracks with Max Raabe, whose light tenor and falsetto singing preserve the spirit of Weill's songs, as well as perfectly mimic the boy band singers of times gone by. --Dan Davis
Customer Reviews:
SAIL ON, KURT!.......2006-04-23
I wouldn't take offence here oh, Weill purists! These reconstructions are charming and harmonically reverent to their originals, more than could be said for many versions of the Weill Songbook through the decades, including Lou Reed's friendly `adaptation' of the September Song's chord progression and melodic line!
Shoenberg and Webern expressed their disdain of Weill's music; curiously, Arnold had also disclosed a secret wish of having his own audiences walk back home "whistling his tunes", oh, don't ask why... You can certainly whistle, hum and sway your partner now, as the transatlantic's bouncy dancehall sails on just as Kurt, Lotte and the lot of them did when escaping the lethal hounds of early 30s Berlin.... the-next-little-dollar bound.
Not at All Vile Weill.......2001-08-13
The ever versatile HK Gruber has done it again digging up these gorgeous dance arrangements for Weill's music--proving, if anything, Weill's versatility. Anyone familiar with the Capriccio historical Weill recordings will be aware of the long tradition of dance bands taking Weill's music as the lead for dance music or pop music incarnations (all the way up through the more obvious appropriations familiar to Americans: Mack the Knife and September Song). Hardly MUZAK arrangements (listen to the delicate violin in track 17's "What Good Would the Moon Be" to hear what I mean), this generous helping of 19 songs offers a chance to see Weill through a delightfully different but entirely compatible lens. Max Raabe provides the ideal vocal compliment on 8 of the tracks, his tenor floating effortlessly into his head voice suggesting a "period" sound reminiscent of Bing Crosby. The import title for this disc is "Charming Weill," and that modest adjective expresses the least of its virtues.
ELEVATOR MUSIC.......2001-05-23
This is a very strange CD: why would anyone want to take the quirky rhythms and melodies of the great Kurt Weill and "tame" them into dance arrangements? Certainly one has listened to (& even perhaps admired) dance arrangements of composers from Victor Herbert to Cole Porter to Jerry Herman, but these are all, if you will, main stream composers-- men whose music sounds good in original Broadway or Hollywood arrangements and just as good (or almost as good) as played by a dance band...think "Begin The Beguine" as done by Fred Astaire on film or "Begin The Beguine" done by Jo Stafford with the Paul Weston Orchestra.
But Weill was an innovator: a man who can still be listened to experiencing the thrill of something fresh and new. One immediately thinks of his collaborations with Bertolt Brecht in Germany: "Threepenny Opera" and "The Rise & Fall Of The City of Mahagonny" or "The Seven Deadly Sins", etc. his American opera, "Street Scene" with Langston Hughes or his American musical plays: "One Touch of Venus" with Ogden Nash or "Love Life" with Alan Jay Lerner, etc. The songs on this CD all deserve great recordings from the "Alabama Song" to "September Song" but they turn into a kind of flattened elevator music instead of having fresh interpretations or even more traditional ones. What happens is that the longing in "What Good Would the Moon Be" and the romance of "Speak Low" and the raucousness of "Bilbao Song" are all much too similar and much too easy.
It's a little weird to think of husbands whispering to their wives," Listen, honey, they're playing 'As You Make Your Bed' from "Mahagonny".........let's fox trot!"
Average customer rating:
- Bargain-priced overview
- Tracks listing for this CD
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The British Music Collection: William Walton
Manufacturer: Decca
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ASIN: B00005YW0X
Release Date: 2004-04-13 |
Customer Reviews:
Bargain-priced overview.......2006-12-01
This 4 CD set has some enjoyable, stirring music superbly performed, including Scapino, an overture in the form of a symphonic scherzo, the deservedly popular Crown Imperial and his moving viola concerto.
I was surprised to find that the opening music in his Facade is the theme music chosen for Michael Palin's hilarious Ripping Yarns, but disappointed at first when I realised that the Suite is entirely orchestral and does not include the Sitwell poems. But the music stands on its own very well, and I suppose I shall have to later invest in a CD which does include the quirky poetry.
Bryn Terfel does a great job as narrator in Belshazzar's Feast, which was previously the only other Walton work familiar to me.
Highly recommended.
Tracks listing for this CD.......2004-07-13
CD BOX
Disc 1:
1. Moderato [Concerto for Violoncello and Orchestra]
2. Allegro appassionato [Concerto for Violoncello and Orchestra]
3. Lento [Concerto for Violoncello and Orchestra]
4. Allegro assai [Symphony No.1]
5. Presto, con malizia [Symphony No.1]
6. Andante [Symphony No.1]
7. Maestoso - Brioso ed ardentemente [Symphony No.1]
Disc 2:
1. Scapino - A Comedy Overture
2. Andante tranquilo [Concerto for Violin & Orchestra]
3. Presto capriccioso alla napolitana [Concerto for Violin & Orchestra]
4. Vivace [Concerto for Violin & Orchestra]
5. Allegro molto [Symphony No.2]
6. Lento assai [Symphony No.2]
7. Passacaglia: Theme, Variations, Fugato & Coda [Symphony No.2]
Disc 3:
1. Fanfare [Façade: Suite No.2 for Orchestra]
2. Scotch Rhapsody [Façade: Suite No.2 for Orchestra]
3. Valse [Façade: Suite No.1 for Orchestra]
4. Tango-Pasodoble [Façade: Suite No.1 for Orchestra]
5. Swiss Yodelling Song [Façade: Suite No.1 for Orchestra]
6. Country Dance [Façade: Suite No.2 for Orchestra]
7. Polka [Façade: Suite No.1 for Orchestra]
8. Noche Espagnole [Façade: Suite No.2 for Orchestra]
9. Popular Song [Façade: Suite No.2 for Orchestra]
10. Old Sir Faulk [Façade: Suite No.2 for Orchestra]
11. Tarantelle Sevillana [Façade: Suite No.1 for Orchestra]
12. Andante comodo [Concerto for Viola and Orchestra (1929)]
13. Vivo con molto preciso [Concerto for Viola and Orchestra (1929)]
14. Allegro moderato [Concerto for Viola and Orchestra (1929)]
15. Tema [Variations on a theme by Hindemith]
16. Variation I [Variations on a theme by Hindemith]
17. Variation II [Variations on a theme by Hindemith]
18. Variation III [Variations on a theme by Hindemith]
19. Variation IV [Variations on a theme by Hindemith]
20. Variation V [Variations on a theme by Hindemith]
21. Variation VI [Variations on a theme by Hindemith]
22. Variation VII [Variations on a theme by Hindemith]
23. Variation VIII [Variations on a theme by Hindemith]
24. Variation IX [Variations on a theme by Hindemith]
25. Finale [Variations on a theme by Hindemith]
Disc 4:
1. Crown Imperial: A Coronation March
2. Thus spake Isaiah [Belshazzar's Feast]
3. If I forget thee [Belshazzar's Feast]
4. Babylon was a great city [Belshazzar's Feast]
5. In Babylon Belshazzar the King [Belshazzar's Feast]
6. Praise ye, the God of gold [Belshazzar's Feast]
7. Thus in Babylon the mighty city [Belshazzar's Feast]
8. And in that same hour [Belshazzar's Feast]
9. Then sing aloud to God our strength [Belshazzar's Feast]
10. The trumpeters and pipers [Belshazzar's Feast]
11. 10. Then sing aloud to God our strength [Belshazzar's Feast]
12. Coronation Te Deum
13. Overture - The Globe Playhouse [Suite from "Henry V" - Concert Suite from Film Score - Arr. Muir Mathieson (Excerpts)]
14. Passacaglia - The Death of Falstaff [Suite from "Henry V" - Concert Suite from Film Score - Arr. Muir Mathieson (Excerpts)]
15. Charge and Battle of Agincourt [Suite from "Henry V" - Concert Suite from Film Score - Arr. Muir Mathieson (Excerpts)]
16. Touch her soft lips, and part; [Suite from "Henry V" - Concert Suite from Film Score - Arr. Muir Mathieson (Excerpts)]
17. Agincourt Song [Suite from "Henry V" - Concert Suite from Film Score - Arr. Muir Mathieson (Excerpts)]
18. Orb and Sceptre
Average customer rating:
- Virtuoso Guitar
- "A Touch of Class" pretty much hits the nail on the head
|
A Touch of Class
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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- Spanish Guitar Virtuoso, Vol. 2
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ASIN: B000003CU1
Release Date: 1990-10-25 |
Tracks:
- Concerto No. 5 In F Minor, BWV 1056: Largo
- Siciliana
- Minuets I And II In G Major
- Greensleeves (Traditional) - Francis Cutting: Variations On Greensleeves - Greensleeves (Traditional)
- Andante
- Adagio
- Largo
- Theme And Variations On A Japanese Folksong 'Sakura': Introduction; Theme; Variations 1-6; Coda
- Clair De Lune
- Gymnopedie No.1
- Cavatina
Customer Reviews:
Virtuoso Guitar.......2000-07-26
This is an excellent guitar collection; in fact, it is an excellent classical anthology, guitar or otherwise. Angel Romero and his son, Lito (heard on tracks five through seven), represent the second and third generations of a family of guitar virtuosi.
A number of the selections are more commonly heard performed by piano; however, in the hands of a guitarist of the calibre of Angel Romero, what can be done on the piano can be done with at least equal efficacy on the guitar. The only non-Western piece is the variations on Sakura, which should be particularly pleasant listening experience for those not previously familiar with it.
If one is building a classical music library, this is a recording that one should want to include.
"A Touch of Class" pretty much hits the nail on the head.......2000-02-08
Angel Romero is one of three classical guitar-playing brothers, one of the others being Pepe (who is also excellent). I purchased this CD solely to get the hauntingly beautiful "Cavatina" from the movie "Deer Hunter." I've been very happy with this recording - the Cavatina is lovely, there are some "classical guitar standards," and some other pleasant surprises. I like the Variations on "Greensleeves," and variations on a Japanese folk song, "Sakura." The sound quality is typical Telarc, which I generally find to be top-notch.
Aficionados of classical guitar music will especially enjoy this CD, in my opinion, and I would recommend it to anyone who wants some lovely, tranquil music to either listen to or to use as unobtrusive background music.
Average customer rating:
|
Touch I/Touch II
Touch
Manufacturer: Avex Trax Japan
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ASIN: B00000895Z
Release Date: 1998-03-24 |
Tracks:
- Don't You Know What Love Is
- When the Spirit Moves You
- Love Don't Fail Me
- Black Star
- There's a Light
- So High
- Last Chance for Love
- Yes (You Need to Rock & Roll)
- Listen (Can You Feel It)
- My Life Depends on You [*]
- Don't You Know What Love Is [Live][*]
Tracks:
- Never in Love
- Just One Step
- Frozen on a Wire
- Far Enough
- Too Much in Love
- Take It Back
- Anything for Rock & Roll
- You're Not a Child Anymore
- Between the Lines
- Beg Me
- Is It Really Me?
- Feels Like Loce
- Let Me Love You
- Tonight [Rough Mix Version]
- Just Take a Beat of My Heart [Rough Mix Version]
- Look [Rough Mix Version]
- I Found Someone [Rough Mix Version]
Album Description
Aptly titled Japanese release containing both entire albums & more by this early '80s hard rock act that Deep Purple's Roger Glover produced. Disc one contains all nine tracks from their self-titled 1980 debut on Atco, plus two bonus tracks: 'My Life Depends On You' & a live version of 'Don't You Know What Love Is' recorded at the 1980 Donnington fest;Disc two has all 13 cuts from their 1981 & second & final album, plus rough takes of four other tunes as bonus tracks.28 tracks total. 1998 Bareknuckle release. Double slimline jewel case.
Album Details
Japanese Exclusive Release. CD Two is Completely Produced by Todd Rundgren.
Product Description
Ultra-rare 1998 commemorative concert of both Hall & Oates and Chicago. After the production, these two legendary live performances were never made available on tape or DVD. Only a limited, commemorative tribute 2 CD set through Best Buy Stores (long out of print) who sponsored the tour. July 7th, 1998, these 2 super groups rocked Harbor Lights Pavilion in Boston all night long!! Great interviews, too. Both shows were superb. Daryl & John played: Romeo is Bleeding, Out of Touch, Say It Isnt So, Urges, If a Promise Aint Enough, One on One, Sara Smile, Throw the Roses Away, I Cant Go For That, Maneater. Then Chicago took the stage with: Dialogue- Part I & II, Make Me Smile, Color My World, Youre My Inspiration, Free, If You Leave Me Now, Feeling Stronger Every Day, Saturday in the Park, All Roads Lead to You, Just You and Me, Beginnings, Does Anybody Know What Time It Is, Im a Man, Hard to Say I'm Sorry/Get Away, In the Mood, 25 or 6 to 4. It was a tremendous show for old and new fans, alike.
Average customer rating:
|
Serenata: World's Most Beautiful Melodies
Manufacturer: Sony Special Product
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Binding: Audio CD
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ASIN: B000002YFD
Release Date: 1995-12-01 |
Tracks:
- Sleeping Beauty: Waltz
- Traumerei
- Spanish Dances: Andalucia
- Ich Liebe Dich
- Ser
- Tales Of Hoffmann: Barcarolle
- Blue Danube Waltz
- Die Fledermaus: Waltz
- Spring Waters
- Eugene Onegin: Waltz
- Str Qt, Op.11: Andante Cantabile
- Henry V: Touch Her Soft Lips And Part
- Prld 2: Theme
- The Seasons: Autumn Festival
Average customer rating:
|
Jericho/The Ghostbreaker
Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD
All Works by Schifrin
| Schifrin, Lalo
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Similar Items:
- Far And Away: Original Motion Picture Soundtrack
ASIN: B000B5XSNU
Release Date: 2005-10-25 |
Tracks:
- Jericho, Television Series Theme
- Jericho: A Jug of Wine, A Loaf of Bread, And Pow!, Television ...
- Jericho: Upbeat & Underground, Television Episode Score/Jericho/Op ...
- Jericho: Dutch & Go, Television Episode Score/Episode Titles/Raspb ...
- Jericho: Have Traitor Will Travel, Television Episode ...
- Jericho: The Big Brass Contraband, Television Episode Score/Dumb ...
- Jericho: Wall to Wall Kaput, Television Episode Score/Baby Buggy ...
- Jericho: Eric the Redhead, Television Episode Score/The ...
- Jericho: One for the Mountain, Television Episode Score/The Takeover
- Jericho: Two for the Road, Television Episode Score/Last ...
- Jericho: Four O'Clock Bomb to London, Television Episode ...
- Jericho, Alternate Main Title
- Ghostbreaker/Main Theme
- Ghostbreaker/Teaser. Enter Bryant Manning/A Bloody Dart/The Only ...
- Ghostbreaker/Act I. The Spooked Skyscraper Strikes Again/It Starts
- Ghostbreaker/Men of Unitran
- Ghostbreaker/Act II. Accent the Supernatural/That's Phineas Rumson/The
- Ghostbreaker/Greensleeves
- Ghostbreaker/Act III. Don't Trip Over Diablo/The ...
- Ghostbreaker/Organ Piece
- Ghostbreaker/Act IV. To Outspook a Spook/The End of Kent/Let's ...
- Ghostbreaker/End Credits
Album Description
"Theme Composed by Jerry Goldsmith" Jericho was a WWII adventure series following three Allied specialists on secret missions throughout Europe. The theme and second episode were scored by Jerry Goldsmith in his military-suspense mode, replacing a theme by Lalo Schifrin who had scored the pilot. Goldsmith's theme and complete episode score are included on this CD, as are Schifrin's unused theme and a suite from his pilot score, significantly foreshadowing his music to Mission: Impossible. The remainder of Jericho was scored by Morton Stevens, Gerald Fried and Richard Shores, and suites from all of their episodes are included. The music recalls the style of The Man From U.N.C.L.E. but perhaps more grim. "Music Composed and Conducted by Johnny Williams" The Ghostbreaker was a one-hour pilot starring Kerwin Mathews as a parapsychologist investigator; although foreshadowing such television series as Kolchak: The Night Staker and The X-Files, it did not proceed to a series. The theme and pilot score to The Ghostbreaker were by none other than John (then "Johnny") Williams, who wrote a dynamite theme that compares favorably to his TV work for Irwin Allen, and a creepy score including harpsichord and solo soprano. The totality of Williams's score is included here -- a forgotten jewel by one of the world's most famous composers.
Average customer rating:
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Organ Music of Ned Rorem
Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD
Fantasies
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ASIN: B00004U945
Release Date: 2000-07-25 |
Average customer rating:
- Excellent selection combining Walton and Shakespeare
|
Walton: Scenes from Shakespeare/ Gielgud, Plummer, Marriner
William Walton , Neville Marriner , John Gielgud , and Christopher Plummer
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Walton
| Walton, Sir William
| ( W )
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ASIN: B000000AB9
Release Date: 1996-10-15 |
Tracks:
- As You Like It - A Poem For Orchestra After Shakespeare: i Prelude-
- As You Like It - A Poem For Orchestra After Shakespeare: ii Moonlight
- Henry V - A Shakespeare Scenario: I Prologue
- Henry V - A Shakespeare Scenario: II Passacaglia On The Death Of Falstaff
- Henry V - A Shakespeare Scenario: IV Interlude: 'Touch Her Soft Lips And Part'
- Henry V - A Shakespeare Scenario: V i) Harfleur-
- Henry V - A Shakespeare Scenario: V ii) The Night Watch
- Henry V - A Shakespeare Scenario: VI St Crispin's Day -
- Henry V - A Shakespeare Scenario: Agincourt
- Hamlet - A Shakespeare Scenario: II Fanfare
- Hamlet - A Shakespeare Scenario: Soliloquy -
- Hamlet - A Shakespeare Scenario: III The Ghost
- Hamlet - A Shakespeare Scenario: V The Question -
- Hamlet - A Shakespeare Scenario: 'To Be Or Not To Be' -
- Hamlet - A Shakespeare Scenario: VIII Threnody
- Hamlet - A Shakespeare Scenario: IX Finale (Funeral March)
- Richard III - A Shakespeare Scenario: II Prelude
- Richard III - A Shakespeare Scenario: III Monologue: 'Now Is The Winter Of Our Discontent'
- Richard III - A Shakespeare Scenario: VII The Princes In The Tower
- Richard III - A Shakespeare Scenario: X Death Of Richard And Finale
Customer Reviews:
Excellent selection combining Walton and Shakespeare.......2003-01-25
This album contains music from the four Laurence Olivier Shakespeare films that composer William Walton scored between 1936 and 1954. All of the selections have been previously released on three or four previous albums, most of which are now out of print, so this edition is a very welcome compromise, although it does omit a few selections from the earlier albums to fit as much material as possible on one disc--hence, the four stars instead of five given to this album.
All of the music is magnificently played; in fact, one could argue that it is better performed than on any previous recording, even the composer's own. Sir Neville Marriner once again proves himself a brilliant conductor, and he gets spectacular performances out of his orchestra and chorus.
Despite what it says on the packaging, the "As You Like It" selection contains no dramatic readings at all from the play. However, the music from "Henry V", "Hamlet", and "Richard III", features dramatic readings by Christopher Plummer and Sir John Gielgud. Many of today's generation may be unaware that Plummer was a noted Shakespearean actor onstage and on TV (in a semi-forgotten BBC "Hamlet" still not issued on video) before he hit it big as Captain von Trapp in "The Sound of Music. While some may accuse him of being hammy, I find his performances of Henry's speeches enormously effective.
Sir John Gielgud performs speeches from "Hamlet" and "Richard III", and his performance as Hamlet is quite good, despite the fact that Gielgud's voice is noticeably weaker than on other Shakespeare albums he has made. There is still a strong hint of the briliant Hamlet he must have been onstage in the '20's and '30's. He is sorely miscast as Richard, though, especially in comparison with Olivier's famous performance. Gielgud can be sinister; I have seen him be so onscreen, but he simply cannot suggest the demonic figure which Shakespeare created.
However, this album is no less enjoyable for that. It is a true thrill to finally have a digital stereo combination of Walton's beautiful music for these films combined with speeches from them read by two of the world's great dramatic actors.
Music:
- Trance Mania: Non Stop Mixed By Js16 [Import]
- Tunes [Import]
- United People [Enhanced] [Import]
- Urban Hang Suit/Embrya [Import]
- Used to Love U Pt.1 [CD-single] [Import]
- Velfarre V.17 [Import]
- Very Loud Lullaby Pt.2 [CD-single] [Import]
- Viva La Felicita [CD-single] [Import]
- Vol. 4-Dream House Compilation
- World of Freestyle, Vol. 3 [Import]
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