World Dance Music [Import]

World Dance Music [Import]

Track Listings

1. World Dance Mix

2. Washington

3. I Thought It Was You

4. So Good

5. Funky Beats

6. Whoomp

7. Water Verve

8. Don't Tell Me Lies

9. Ale Espana

10. Ayla Part Ii

11. We Want Some Pussy

12. Angel

13. Only Begin To Love You

14. Pass The Toliet Paper 98

15. Everybody Get Down

16. Spirit Of Area

17. Space Invaders

18. You Make Me Feel (Mighty

19. Stamp Your Feet

20. Touch Me Baby

See all 30 tracks on this disc

Tracks:

Walsingham
Can she excuse my wrongs?
Ryght honorable: as I have bin most bounde unto your honor
Flow my tears
Have you seen the bright lily grow
Then in time passing on Mr. Johnson died
The Most High and Mighty Christianus the Fourth, King of Denmark
The lowest trees have tops
And accordinge as I desired ther cam a letter
Fine knacks for ladies
From thenc I went to the Landgrave of Hessen
Fantasy
Come, heavy sleep
Forlorn Hope Fancy
And from thence I had great desire to see Italy
Come again
Wilt thou unkind thus reave me
After my departure I caled to mynde our conference
Weep you no more, sad fountains
My Lord Willoughbys Welcome Home
Clear or cloudy
Men say that the Kinge of Spain is making gret preparation
In darkness let me dwell

Amazon.com

In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina Roden

Album Description

StingÂ's Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet.

Customer Reviews:

great CD.......2007-07-23

As usual, this is a great STING's cd. Wonderful music and interpretation. Its amazin these songs were written on the 16 century.
I will completely recomend anyone this CD.

Very disappointing.......2007-07-19

As we all know, the music of John Dowland is lovely. When played by Paul Odette or Julian Bream it is exquisite. However, this production is almost depressing. Sting's gravelly voice finally grated on me and I probably won't play this again. The lute performance is mediocre also. The best song is that which they use to promote the album. Pass on this one.

*sigh*.......2007-07-16

I am a lutenist myself, who had experience as both a rock guitarist and a classically trained clarinetist before also picking up the lute. I have a great love for Dowland that comes from years of playing his songs myself as well as hearing great musicians (like Paul O'Dette) play them. And this CD makes me sad.

In a way, it doesn't surprise me that Sting would do this. For years now he's been trying to gain cred in the classical music world (I have a 1988 recording of him doing Stravinsky's A Soldier Tale that delighted me when I was 16 and musically ignorant, but now makes my eyes roll into the back of my head). What upsets me is he had to do something that's initimately important to me as a musician. The is problem is that when it comes this kind of music, as others have said, he IS an amatuer, and all his heavy-handed, juvenile earnesty and clumsy, misplaced intensity just drains out all the joy I would normally experience from these songs. Moreover, he's voice isn't merely "untrained" - it's *shot* from years of strain caused by bad "rock" vocal technique. It's just pitiful to listen to in such an exposed context. If you think this is how these songs ought to be intrepreted, you're sadly mistaken.

There are people who would call Sting a "pop genius, " laud him and hand him all sort of impressive looking awards and honors, but this is the music of a real genius, someone who knew not just how to write lyrics that hit home with his audience, but as how to compose songs with unparallel grace, form and sophistication in an idiosyncratic style that bridged convention and innovation. And Sting simply cannot do Dowland's music justice. He just doesn't have the chops or the insight. It's great he's supposedly "studied" this music and that he wrote lengthy, flowery liner notes, but did he really need to record this CD for any reason that his own self-satisfaction? It's far too obvious he hasn't done the same level of groundwork of countless Early Music musicians who don't do this a hobby or avocation from political causes or high-profile celebrity, but as their sole passion. Why couldn't he simply support those musicians, without trying to grab some spotlight for himself? Having a decent lutenist as a sidekick just isn't enough to pull him up from his amatuerly, self-important bog, either. Frankly, he just doesn't get it, and at this stage, I don't think he will.

Early music lovers don't need someone like Sting to bring this music to us - we've been doing just fine without him because we have so many other, really wonderful musicians around to keep this music alive. Someone else recommended Nigel Rogers and Paul O'Dette, and I would gladly recommend them over this celebrity-fuel nonsense as well. Yes these are both musicians with academic backgrounda, but that doesn't mean they are academic musicians - far from it. They just have to hold down teaching positions and do master classes because they don't have a pop career to play the bills. Musicially and professionally, they're what Early Music musicians ought to be - dedicated, educated, passionate and yet they don't have any need to take themselves this deathly seriously.

Elizabethan Music.......2007-07-12

This is the audio component of an hour long video made by Sting on the work of Elizabethan composer John Dowland. (The video does adds greatly to the value as it places the music against the background and age (16th C) for which it was written.) Sting's voice is light tenor and right for these poems set to music about everlasting human concerns that persist to our day. But you'll not see those wonderful lutes that accompany the words, so complex to play with a beauty of sound not heard today. Between his music Sting gives an excellent spoken commentary to complete an attractive presentation of esoteric classical music with a modern undertone.

Vibe shift.......2007-07-10

Why bother? Still would like to say i love the 'shift' it takes to get into this music and how i (and my home) feel when i've enter this rather rarified realm of listening.

Average customer rating:

Maybe 4.5 stars, but still stellar
Soulful West African soul
First Introduction To Angelique Kidjo
Not as good as Black Ivory Soul - but still enhoyable
Who Knows?

Djin Djin
Angelique Kidjo
Manufacturer: Razor &Tie
ProductGroup: Music
Binding: Audio CD

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CéU
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Black Ivory Soul

ASIN: B000MTOWSU
Release Date: 2007-05-01

Tracks:

Ae Ae
Djin Djin featuring Alicia Keys and Branford Marsalis
Gimme Shelter featuring Joss Stone
Salala featuring Peter Gabriel
Senamou (C'est L'amour) featuring Amadou and Mariam
Pearls featuring Josh Groban and Carlos Santana
Sedjedo featuring Ziggy Marley
Papa
Arouna
Awan N'La
Emma
Mama Golo Papa
Lonlon (Ravel's Bolero)

Amazon.com

Angelique Kidjo has four Grammy nominations, a mantel-full of international awards, several dance hits, and notable appearances on film and TV soundtracks to her credit (to say nothing of being a major style icon and a UNICEF Goodwill Ambassador). So this Benin-born, New York-based singer-composer has long since gotten past having to prove anything to anybody--other than to herself. On Djin Djin (the title refers to a bell that sounds at daybreak in parts of Africa), she is self-indulgent in the best possible sense, shooting for a big, glossy, super-pop sound that nonetheless remains essentially, even devoutly, African in inspiration and execution. Produced by Tony Visconti (The Moody Blues, T. Rex, David Bowie, Boomtown Rats, and Morrissey), the release is a bewitching amalgam, with guest stints from Joss Stone, Carlos Santana, Branford Marsalis, Josh Groban, Alicia Keys, Peter Gabriel, Malian husband-and-wife team Amadou and Mariam, and noted reggae scion Ziggy Marley. Kidjo, her salty-sweet voice in top form, moves confidently from ballad to club track to homespun earthmover. She never for a second relinquishes control of the festivities, even during a hectic, Haitian-rara-influenced cover of the Rolling Stones' "Gimme Shelter" and "Lon Lon," in which she takes on--and takes over--French composer Ravel's "Bolero." --Christina Roden

Album Description

With DJIN DJIN (pronounced "gin gin"), Angelique Kidjo returns to the soul of Benin - and, for the first time, shares it with a cast of all-star guests, in a marriage of cultures that has significance far beyond music alone. Inspired by the traditions and culture of Kidjo's native Benin in West Africa, the title of the album refers to the sound of the bell that greets the beginning of a new day for Africa.

The diversity represented by Alicia Keys, Peter Gabriel, Josh Groban, Carlos Santana, Joss Stone, Branford Marsalis, producer Tony Visconti, and the others who contribute to DJIN DJIN speaks to the lesson of this project: For all the differences in the music of our time, the river of Africa flows through it all.

The key was to build DJIN DJIN on a Beninese foundation. The heartbeat, then, comes from percussionists Crespin Kpitiki and Benoit Avihoue, both members of Benin's GangbÃ© Brass Band. Details of their country's rhythmic heritage, specific in some cases to individual villages, feed the rhythms they lay down throughout the album.

To this mix Kidjo welcomes players whose backgrounds complement the idea of DJIN DJIN: drummer Poogie Bell, known for his work with Erykah Badu and Chaka Khan; funk keyboard wizard Amp Fiddler, whose credits include Prince and George Clinton; Larry Campbell, whose multi-instrumental work has adorned the music of Bob Dylan, Emmylou Harris, and Paul Simon; Senegalese bass giant Habib Faye, a fixture with Youssou N'Dour; guitarists Lionel Loueke, from jazz legend Herbie Hancock's band; Romero Lubambo, a Brazilian wonder whose credits include Diana Krall and Dianne Reeves; Joao Mota, from Guinea-Bissau and kora master Mamadou Diabate.

Produced by Tony Visconti. (David Bowie, T. Rex, Morrissey)

Customer Reviews:

Maybe 4.5 stars, but still stellar.......2007-07-01

Angelique Kidjo's amazing whether she's covering Hendrix in "VooDoo Child" or singing West African tunes. Her roots are much wider than just her country of origin. It'd be hard for me to name a favorite among these gems. I love the people she's selected to work with. "Gimme Shelter" with Joss Stone may be the kind of duet that's going to propel her right up to the top of the charts where she belongs. Smart move, lady, for sure, but I also love the songs where Angelique sings her own music alone.

Soulful West African soul.......2007-06-22

Angelique Kidjo is one of those rare artists who has the Midas touch. No matter who she's performing with, no matter what she's performing, she makes beautiful music. While "Djin Djin" can be considered one of her more mainstream albums, she still proudly shows her African roots. In a sense,it's not surprising it's sold alongside coffee at Starbucks; "Djin Djin" is as potent as a cup of steaming java.

The opening "Ae Ae" is anthemic;it's a power ballad in which Kidjo calls on her fellow Africans to be self-sufficient. The title track is a jazzy collaboration with Alicia Keys and Branford Marsalis. It's Benin meets the Big Easy. Kidjo does an amazing cover of the Rolling Stones' "Gimme Shelter" with Joss Stone. The '60s British Invasion gets an African makeover,transforming it into a tribal rave-up. Kidjo and smoky-voiced Peter Gabriel complement each other in "Salala." A thumb piano gives "Senamou" a deeply African flavor. "Sedjedo", a duet with reggae heir Ziggy Marley, doesn't quite work. Marley is relegated to the sidelines. However, Kidjo's rousing singing saves the piece. The same goes for "Pearls." Josh Groban's operatic voice is unsuited to the style of the song. It's Afropop meets Latin rock (since Carlos Santana plays the guitar),not the Three Tenors or Il Divo. Kidjo's amazing singing again saves the song from becoming a novelty song. In "Papa","Arouna","Awan N'La","Emma" and "Mama Golo Papa" Kidjo shows she doesn't need collaborators. She's still going strong since her debut in 1990. She covers difficult issues such as marital conflict and divorce soulfully. Finally, in "Lonlon" Kidjo transforms Ravel's annoying and overplayed "Bolero" into rousing,toe-tapping Afropop. Instead of being filler or a song worth skipping, "Lonlon" serves as a grand finale.

Angelique Kidjo is accomplished,as a person and as an artist. She is a UN Goodwill Ambassador;she has her own charity,Batonga. In Bono's guest-edited issue of "Vanity Fair" about Africa, Harry Belafonte praises her activism. Angelique Kidjo's music is truly angelic. "Djin Djin" is a great introduction to her music, and is a perfect mainstream introduction to African music. It's as rousing and flavorful as a good hot cup of coffee.

First Introduction To Angelique Kidjo.......2007-06-20

This is my first introduction to any of Angelique Kidjo's music. I bought this compact disc for myself as a birthday present based on the reviews it has received and listening to the short musical segments found on Amazon.Com.

After recently listening to "Djin, Djin" on a 4 hour road trip, I feel in love with the music & lyrics! The music is fantastic and varied from song to song.... Angelique Kidjo is phenomenal as an artist. I also enjoyed the musical guests performing on "Djin, Djin" too. This compact disc is perfect as background music while long distance driving, at home relaxing, during dinner parties, etc.

Not as good as Black Ivory Soul - but still enhoyable.......2007-06-11

This is a good release, with many guests on it, but not quite as accessable as the Black Ivory Soul CD. However, it will get you up and moving.

Who Knows?.......2007-06-08

I would love to review this CD by never received my order from Amazon. Nor have I received a credit either. I doubt I will ever order anything from Amazon again.

Average customer rating:

Beautiful World
I wouldn't have been caught dead listening to a boy band!!
Take That, welcome back...for good!
Not The Best
Best Ever Yet! Must have!

Beautiful World
Take That
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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Never Forget: The Ultimate Collection
Take That - Greatest Hits
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Love Album
Rudebox

ASIN: B000KGGB2A
Release Date: 2006-12-04

Tracks:

Reach Out
Patience
Beautiful World
Hold On
Like I Never Loved You at All
Shine
I'd Wait for Life
Ain't No Sense in Love
What You Believe In
Mancunian Way
Wooden Boat

From Amazon.co.uk

It's been a long ten years since Take That disbanded. Their recent reformation and world tour offered overwhelming evidence that, far from being forgotten, the post-Robbie quartet can still command hysterical amounts of goodwill and adoration. Beautiful World illustrates why this is so. Written in conjunction with songwriter/producer John Shanks (Ashlee Simpson, Anastacia, Alanis Morissette), the album is crammed full with the songwriting magic that made their rise to fame so meteoric in the first place. Far from being an exercise in nostalgia, the project moves the band in a slightly new direction. The four come across as more mature, more democratic (all members share songwriting credits on the album, rather than just Barlow), and even more adept at making epic pop that somehow avoids the cheese factor. Lead single "Patience" is a perfect example of how powerful and accessible their songs can be. It'd be a good contender for the album's peak moment if the rest of the tracks weren't so damn good too. With traditional Take That style songs (the immediately likeable "Reach Out", the brimming "Like I Never Loved You At All"), nicely punctuated up by incongruous outings like Jason Orange's folkish "Wooden Boat" and Mark's upbeat, Beatles-esque "Shine", Beautiful World sets a whole new standard for a band previously known more for their singles than their long-players.--Danny McKenna

Album Details

After a Hugely Successful Reunion Tour which Saw them Play to Over Half a Million People, Take that Unveil their First Single and Studio Album for Over Ten Years. These Will Follow the #1 Dvd Release that Captured the Magic of their 32-date Sell-out UK Tour, Including Footage of their Triumphant Homecoming Show in Manchester. Hot on the Heals of their Stunning Single `patience', Take That's Fourth Studio Album `beautiful World' (Their First in Ten Years) features Writing Contributions from Each Member of the Band.

Customer Reviews:

Beautiful World.......2007-05-25

All I cansayabout this album is that Take That has changed alot. It more mature and for all earlyer Take That- fans, this is not for you. But on my conpinion i think the earlyer Take That was a bit nerdie.

I wouldn't have been caught dead listening to a boy band!!.......2007-05-02

But, this is really amazing. I was barely familiar with these guys because I listen to a lot of American and British indie/alternative until my friend said "Remember that song 'I want you back for good' "
Uh...sort of.

After hearing Patience I was hooked and this album is great. Age and experience has served them well.

Take That, welcome back...for good!.......2007-04-30

Move aside Westlife, Justin Timberlake, and Backstreet Boys.

The greatest boy band of our time Take That have returned with a big bang.

Beautiful World is That's 4th studio recorded album, not counting the compilations. It's a nice collection of mellowed-down ballads along with some foot-stompers and crowd-pleasers.

The Manchester boys have grown up. It's been 10 years since the time Gary Barlow, Mark Owen, Howard Donald, and Jason Orange announced that they were parting ways -Robbie Williams ditched the band months earlier and ended up being the most successful of them all, he does not return to the lineup this time around (it's his loss really). The overall feel and sound of World reflects the boys' maturity and self assurance. It also symbolizes the first time the boys share songwriting duties: Gary Barlow isn't the sole writer, Mark, Howard, and Jason all are credited; Jason debuts as a lead singer on the fantastic album closer Wooden Boat.

The album opens up with the breathtaking Reach Out, a beautiful ballad and future single, that reminds us why we loved Take That in the first place. The UK Number 1 singles Patience and Shine are simply awesome, the latter written and sung with conviction by Mark is probably one of the best pop songs I've heard in a long time, while the former is sung by Gary with such an infectious passion; Patience is technically Gary's first hit single in about a decade. Mark's Shine is the most upbeat song on the album with a beat that is similar to ELO's Mr. Blue Sky, with Beatlesque harmonies and an incredible chorus; the music video to Shine includes references to The Beatles' Your Mother Should Know video. Howard's radio friendly self-reflective Mancunian Way, a potential single, is a cool song that will eventually grow on you after a couple of listens, while the feel-good title track, Beautiful World, features one of the best harmonies the boys have ever produced. Gary's lovely ballads Ain't No Sense In Love, another potential single, Like I Never Loved You At All, and the first group effort I'd Wait For Life produce a nostalgic sense of how great it was being a fan of Take That in the 90's. Mark's What You Believe In is an elusive bluesy pop-rock number. Finally, Jason Orange's breakthrough Wooden Boat is a country influenced acoustic number (Jason actually has learned to play guitar and write songs over the 10 years that passed), and turns out to be one of the highlights on World. There's also a bonus track that appears shorty after Boat fades out titled Butterfly, a sweet catchy ballad written by Gary.

Beautiful World might not be as great as Everything Changes or Nobody Else, and Take That might not be as young and exciting as they were once. The album does lack the typical Take That dance and upbeat tracks along with the piano-driven ballads that made past efforts much more balanced. However, their return with this album deserves a very warm welcome. I'm sure the fans will agree!

So I will end by saying: Take That, welcome back...and hopefully, for good this time!

Track Picks:

Reach Out
Patience
Beautiful World
Shine
Mancunian Way
Ain't No Sense In Love
Wooden Boat/Butterfly

Recommended

B+

Not The Best.......2007-03-28

If You Like The Old "Take That" this Is Not for you.
I have all The Cd's They put out and This New One STINKS! compared to the rest, doesn't even sound like them

Best Ever Yet! Must have!.......2007-03-18

This come-back release for Take That is absolutely superb. You would never have guessed that they were ever gone from the music scene for the past few years. The tunes are right on with today's hits yet it retains the sound that made the group a hit in the past. You would never have guessed that Robbie Williams is no longer a part of the ensemble. Take That is positively right on.

Average customer rating:

Chill
Same quality as always
Not any where near the 1st and 2nd
A weak link in a strong chain
And the tradition continues...

Buddha Bar, Vol. 9
Various Artists
Manufacturer: George V (Imports)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000MRA83K
Release Date: 2007-05-08

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Sospiro - Bardo State
Flight BA0247 - Mystic Diversions
Sleep - Amanaska
Yes Boss - Hess Is More
Koop Island Blues
Mongolia on the Line - Eccodek
Wood Street
Heart Beat of Life - Existence
Essence of Our Origins - The Lushlife Project
Astradeni - Michalis Koumbios
Iceflowers - Asheni,
I Know Jayne
Sunday - Nikonn
Fragment Two... the First Picture - Kenneth Bager, Julee Cruise
Bugu Jazz - Burhan al

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Mrs Daisy May
Pila - Cosmic Orient
Djinns [Trentem Remix] - Djuma Soundsystem
As the Day Breaks [Montreal Remix] - Grant Lee Phillips, Carmen Rizzo
Daydream - Massivan
Africa [Quicksound/Alain Vinet Remix] - Cirque du Soleil
Roots 4 Acid
Last Chance - Passion of Percussion
Machete - Novalima
Chambermaid Swing - Parov Stelar
Choban in Space - O.M.F.O.
Amor Que Se Baila - Otros Aires
Gypsy Majik [Gypsy Lounge Vocal Remix]
Loneliness [Chill House Mix] - Blank & Jones
Indusufi - Bahramji,
Karma Busta Rhythm - DJ Ravin,

Album Description

DJ RAVIN returns to head up Buddha Bar 9. The theme this time is the English Springtime, to pave the way for the new Buddha Bar club opening in London later this year. A breathtaking, fresh and sun kissed selection, with surprising titles coming from places like Greece and Eastern European countries and also from Australia.

Album Details

2007 Ninth Volume of this Most Popular of Lounge Series, Celebrating the Opening in September 2007 of Buddha-bar London, Just Two Steps Away from the Infamous Waterloo Bridge. This Breathtakingly Fresh, Sun-kissed Selection by Ravin Includes Surprising Titles from Places Like Greece and Eastern European Countries as Well as Australia...a Renewal of the Lounge Music World! "Buddha-bar 9" Follows in the Footsteps of Its Predecessors, Remaining as Light and Groundbreaking as Ever with Exclusive, Outstanding Tracks that Definitely Emerge as Genre References. Included in this Breath is the Amazing "Koop Island Blues" by Koop, but also Hess with "Yes Boss". To Quote Ravin's Compilation Production...fasten Your Seat Belt!

Customer Reviews:

Chill.......2007-07-24

Buddha Bar 9 is chilled out nicely, and does justice to the atmospheres of the actual restaurants. I rarely write reviews, but the others were too negative. I'm listening right now and I think the track selection and overall feel is amazing. I don't think the soundbites did it justice. A CD like this is a bridge to my other favorite genre: progressive trance. Several of the songs could practically be on Coldharbour.

Personally I think 6 was the 1st knockout, and 7 was an impressive evolution in sound that still kept the stereo full of rich HI-FI. 8 sucked and most of the earlier ones did too (IMO), but this CD makes me want to twist one up. Ravin is the Truth.

Same quality as always.......2007-06-27

I always find it interesting when people pan these albums, I mean seriously even if it's not your favorite it should get a minimum of 3 stars just for the quality of the music and honestly how can you know in one day if you are going to like it over all. Good music takes time to settle in and establish itself, if you want disposable pop, you are in the wrong place. 1 star would mean a terrible album and this is not that from any angle, like it or not the musicians are all top notch. That being said, this is exactly like versions 1-8 before it, so chances are if you like them you will grow to like this. You may prefer others, but they are all very similar. This one has some hauntingly beautiful music and some thumping chill burners. It's a very good selection for the buddha bar family. Highly recommended although not at $64, you can download it for much less.

Not any where near the 1st and 2nd.......2007-05-26

I get so excited when the new Buddha Bar CD's come out and rush to get them as fast as possible. This time and the last few hasn't been as deep and strong as the ones in the past. Still a nice collection of unique music but a bit of dissapointment for me.

A weak link in a strong chain.......2007-05-08

The Buddha-bar series is some of the greatest music we enjoy.
I never write reviews, until now.
Sorry to say, buddha bar 9 is the most dissappointing in the series.
Go back to BB8,7,6,4,2,1. Buddha Bar Nature DVD is excellent.

And the tradition continues..........2007-04-20

Ravin continues to amaze me as a DJ starting with his early days on the George V record label. His style continues to evolve from one album to the next and he has delivered yet again. Though Buddha Bar III is still my all time favorite out of the previous 8 albums, I can see myself making this one a close second. Sophisticated mixes with delicate layers laid with artistic flair that only a true artisan can enamor. This series has gathered a lot of fame over the years, and I am really glad that Buddha Bar IX is here to keep that flame alive. Buy this album without an apprehension...pure sonic bliss.

Average customer rating:

Among Rasputina's best
We Never Even Had A Nightmare Or A Beautiful Dream About This...
Unlike Anything You've Ever Heard Before...
You're showing every sign of losing your heart
I think I know what "D" stands for

Oh Perilous World
Rasputina
Manufacturer: Filthy Bonnet
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QEILTM
Release Date: 2007-06-26

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1816, The Year Without a Summer
Choose Me For Champion
Cage In a Cave
Incident In a Medical Clinic
Draconian Crackdown
Child Soldier Rebellion
Oh Bring Back the Egg Unbroken
Old Yellowcake Breaking News
In Old Yellowcake
We Stay Behind
A Retinue of Moons / The Infidel Is Me
The Pruning

Amazon.com

Oh Perilous World is the sixth release by Rasputina, a singularly inventive outfit led by Melora Creager. A cellist herself, she creates a frontline of multiple cellos. Eschewing the faux-classical shenanigans of the Electric Light Orchestra, she welds the instruments with sensibilities that evoke everyone from Van Dyke Parks to Tom Waits. The album opens with the lines "In the spring of 1315 there began an era of unpredictable weather. It did not lift until 1851. You remember 1816 as the year without a summer." The dozen songs address the set's title with a mix of journalism and poetry. Creager draws directly from the daily news, but rather than paddling about in simple reportage, she uses phrases and ideas as starting points for her rich and multifaceted results. She moves easily from ballads laced with dulcimers to spiky rockers sporting fuzzed cellos and propulsive drums. The arrangements, which sometimes include layered vocal choruses, utilize complexity with natural grace. --David Greenberger

Amazon.com

Oh Perilous World is the long awaited new studio album from chamber-rock trio Rasputina. Deciding current world events were more bizarre than anything from the distant past, Rasputina foundress Melora Creager culled words, phrases and whole stories from the Internet that especially intrigued her to create the lyrical inspiration for the album. Rasputina has built a loyal and committed following over six albums through their constant live recitals.

Customer Reviews:

Among Rasputina's best.......2007-07-21

Like all the reviewers here, I'm a long time fan. I have to say that I had to warm up to this album. I did not think it was very good at first but am now glad that I spent the time to get to know it better.
As with all Rasputina albums, I think most listeners will enjoy about three quarters of the album, love two or three tracks especially, and absolutely hate two or three of the tracks.
The curious thing about Rasputina is that sometimes one can go from hating one of the songs to loving it (I just did that with "Incident in a Medical Clinic.")
Melora continues here to expand her vocal repertoire. Melora shifts from saccharine crooner to carny caller to slide guitar blues singer to vaudeville singer. Some of the songs also switch personalties with such abandon that at times I was reminded of the work of Raymond Scott.
Yes definitely get the bonus CD.

We Never Even Had A Nightmare Or A Beautiful Dream About This..........2007-07-16

Oh Perilous World, Rasputina's fifth original CD release, brilliantly blends current world events with their classic historical style, all fused together with cellos, drums, and haunting vocals.

This album, like most of their previous efforts, is a concept album, following this storyline: Mary Todd Lincoln is Queen of Florida, and her blimp armies have attacked Pitcairn Island, where Fletcher Christian's son Thursday ("played" by drummer Jonathan TeBeest) emerges as a resistance icon.

Melora Creager (the brains behind Rasputina) "wrote the songs featured on Oh Perilous World over the last two years after deciding current world events were more bizarre than anything she could scrounge up from the distant past." And indeed, subjects range from the 9/11 attacks, Osama Bin Laden. Hurricane Katrina, Avian Flu, and the like. Because the subjects are blended in with the concept theme, I don't feel they are presented in an in-your-face way.

"The songs were recorded primarily with cello and drums, but despite this simple palette Rasputina create a wide range of textures and effects, including what seems to be electric guitars and violins -- but is actually cunningly played and recorded cello."

My favorite songs are "1816, The Year Without a Summer"; "Draconian Crackdown"; "We Stay Behind"; and "The Infidel is Me."

IF YOU ARE A DEVOUT FAN, I recommend you buy the CD from their website, as you may still be able to get a copy of the limited edition, which has a bonus disc featuring three additional songs and six of their infamous skits. The bonus disc tracks are as follows:

1. The Question Of Time
2. Identity Tokens
3. The Humanized Mice
4. The Pruning (Pat O'Brian / Access Hollywood Mix)
5. Flood Corps
6. Incapable Of Regret
7. Desert Vampire
8. The Contractors
9. Infidel (Instrumental Demo)

I think the skit "The Pruning (Pat O'Brian / Access Hollywood Mix)" alone is worth the extra money, as it's a hilarious recording of (someone who sounds a lot like) Pat O'Brian speaking the lyrics of the song over the music. It's truly funny!

All in all, these girls are my favourite band in the world, and Melora's addition of Sarah Bowman on second chair only reinforces that fact.

(All quotes are from Rasputina's website.)

Unlike Anything You've Ever Heard Before..........2007-07-10

...and I mean that in a good way. This album and this band are proof that the best music and most talented artists ARE NOT ON YOUR RADIO.

Let me add that I am not your typical Rasputina fan. I'm a blue-collar male who is pushing 40 and listens to artists like Tool, Chris Cornell, and the Beatie Boys. I happened upon a review for "Cabin Fever" in Blender Magazine and was intrigued by the promise of "Gothic Chamber Rock" and I bought the CD without ever having heard a note of music from Rasputina. I was blown away by that album and quickly bought up all their previous CDs. I've bought every subsequent release via pre-order because I'm that excited to hear what Melora has cooked up next.

This album is absolutely brilliant. I was worried when I listened to it the first time through because I didn't like it and every other Rasputina album hooked me instantly. By the third time through, I liked it and by the 5th time I thought this could be the best Rasputina album yet. I love every song on this album with the possible exception of track 10, "We Stay Behind".

I don't know that this would be the best CD for a Rasputina newbie. For that I would recommend "Cabin Fever".

Do a lesser known artist a favor and tell a friend about Rasputina. Most will be glad you did.

You're showing every sign of losing your heart.......2007-07-10

Gothic alt-rock played with cellos -- it sounds pretty horribly precious, doesn't it?

And it would be, if Rasputina weren't such great musicians, who could mingle tragic history stories with quirky chamberpop and classical instrumentation. And their latest album "Oh Perilous World" comfortably straddles the fence between rock and cabaret, and seems to be having fun while it does so.

It opens with a creepy, ominous cello melody, and Melora Creager's girlish voice telling us solemnly, "In the spring of 1315/There began an era of unpredictable weather/It did not lift until 1851/You remember 1816 as the year without a summer." It's a rambling, weird song about Freemasons, Ben Franklin, Frankenstein, volcanoes and other such subjects.

Things get even stranger with the quirky chamber-rocker that follows ("choose me to be your champion/I am possessing of a very righteous style!"), not to mention the string of melodies that follow: clashing cellopop, gothic balladry, a rapid-fire rocker, a tinkly pop song, rambling interludes, and the sweeping beauty of "Old Yellowcake" and the sly "A Retinue Of Moons/The Infidel Is Me."

Rasputina is one of those genrebusting bands -- they manage to keep themselves rooted in rock, pop, chamber music, and still sound like they live in a big old ruined Victorian house with some friendly ghosts and a lot of newspapers. They're a little bit of everything, and have kept their quirk.

Obviously the main instrument here is cello. Lots of cello. And Creager knows how to mold it to her purpose, whether it's a melodious sweep, an awkward twang, or urgent dark chords like an electric guitar. But to keep it from getting monotonous, there's some fuzzy guitar in "Draconian Crackdown" that takes over the song, as well as a gentle piano in the ballads, and a jingle of bells here and there.

Creager has a pretty, girlish voice, but she sings some pretty weird, sometimes gruesome songs about broken butterflies, blood-spattered lace curtains and the descendants of mutineers. Some are taken from actual history. And how can you ignore lyrics so quirky as to tell you that a reaper is inthe flowerbed? Or that "I have charisma and of course a winning smile/I stand accused of being an audacious redeemer/Not a charge I can deny."

Full of history and dark humor, "Oh Perilous World" is a pretty solid chamber-rock album that has its moments of excellence. Definitely worth hearing, if nothing else for its cello playing.

I think I know what "D" stands for.......2007-07-01

"Oh Perilous World" is another step in the direction hinted at w/ the highly underrated "Cabin Fever". This time out we have a kind of concept album w/ lyrical content influenced by current events more so than on previous releases. Even when the subject matter veers toward the more familiar Rasputina territory of centuries past, it draws interesting parallels between our civilization's past and present, often pointing out how little we seem to learn from our mistakes.
Musically, Melora Creager continues to move forward ensuring that no Rasputina record sounds like what she's done before.The dulcimer that first showed up on "Cabin Fever" plays a more prominent role along w/ some wonderful recorder playing by Ms. Creager and some piano provided by (official member since "Frustration Plantation") drummer Jonathan TeBeest. This is all anchored quite expertly by the cello playing of Melora and new 2nd cellist Sarah Bowman.
The melodies are, as always, gorgeous and the band balances the classical & heavy elements (along w/ some wonderful psychedelic moments) beautifully.
If you can, get the deluxe limited version. The bonus CD compliments the album even better than the one that accompanied the limited version of the last disc.
Lets hope that more people come to realize what a national treasure we in the U.S. have in Rasputina. Support the lovely, dangerous art of Rasputina while they are around. You don't run across music this great every day.

Average customer rating:

Vintage Vince and Andy - Welcome Back Erasure!
STOP! Stand there where you are...and DON'T buy this version of the CD!!!

Light at the End of the World
Erasure
Manufacturer: Mute U.S.
ProductGroup: Music
Binding: Audio CD

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I Could Fall in Love with You
On the Road to Nashville
Sunday Girl
Abba-esque
Union Street

ASIN: B000OLHGD4
Release Date: 2007-05-22

Tracks:

Sunday Girl
I Could Fall In Love With You
Sucker For Love
Storm In A Teacup
Fly Away
Golden Heart
How My Eyes Adore You
Darlene
When A Lover Leaves You
Glass Angel

Album Description

Recorded in Autumn 2006 in a converted home studio in Maine, LIGHT AT THE END OF THE WORLD is ERASURE'S return to pop form after 2006's critically-acclaimed acoustic album, UNION STREET. Features the single, "I Could Fall In Love With You". Andy Bell declares: "This album is to show people that our pop isn't finished... it's saying we can still do it, we can still write great songs".

Customer Reviews:

Vintage Vince and Andy - Welcome Back Erasure!.......2007-05-31

I've been an Erasure fan since the beginning -- unlike many who got on board much later, I actually remember the rare Thomas the Train cover for "Oh L'Amour" -- and I have to say this is a terrific album! After the interesting but ultimately unsatisfying reinvention for "Union Street" and the equally interesting but not terribly original "Other People's Songs" -- and let's not even talk about "Loveboat", this is a much-needed return to their vintage synth-driven sound.

More upbeat and peppy than "Nightbird" (which I also loved), "Light at the End of the World" sounds like a cross between "Cowboy" and "Wild!" to me -- with a little bit of "Chorus" and "I Say I Say I Say" thrown in for good measure. "Sucker For Love" sounds like an updated version of "La Gloria", and it's even more fun. "Sunday Girl" is a perfect synthpop masterpiece. "I Could Fall In Love With You" puts me in mind of "Don't Say Your Love Is Killing Me", and so it goes on with all Vince's vintage bleeps, buzzes, and knob-twiddling. By the way, if you've got quick ears, you'll also here echoes of "Always", "Treasure", "Snappy", "Crown of Thorns", and even "March On Down The Line". Listen closely! :)

It sounds like he's dusted off some of the old analog keyboards and sequencers, to great effect. Andy's vocals are in tip-top shape, only stretched a little on the deepest notes (like the notes he used to lose himself in so beautifully on "You Surround Me"). A fantastic album, and it couldn't come at a better time.

Welcome back, Erasure!

STOP! Stand there where you are...and DON'T buy this version of the CD!!!.......2007-05-23

Immediately search for the album again and get the 'limited edition' version with the two bonus tracks. It's less money than this version--and the two bonus tracks are two of Erasure's best!!!

Average customer rating:

Suprising
Speak Spanish or Not, This CD is Great
Smooth and Sexie
Learn Spanish and groove at the same time: Latin Lounge
Putumayo

Putumayo Presents: Latin Lounge
Various Artists
Manufacturer: Putumayo World Music
ProductGroup: Music
Binding: Audio CD

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Putumayo Presents: Acoustic Brazil
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Putumayo Presents: Nuevo Latino
Putumayo Presents: Baila - A Latin Dance Party

ASIN: B000A8AWVO
Release Date: 2005-09-06

Tracks:

Reflejo De Luna - Alacran
Sueno Mama - Roberto Poveda
Siempre Me Quedara - Bebe
Dame Tu Querer - Sidestepper
Mariposa (En Havana) - Si Se
Caminhos De Cuba - Luiz De Aquino
Don't Leave Me Now - Amparanoia
Folia - Wagner Pa
Carmela - Charanga Cakewalk
Esta Noche - Federico Aubele
In Love With You - Deepak Chopra
Sentimientos - Andres Linetzky

Product Description

Tango, cumbia and son meet electronica in this contemporary collection of chill-out grooves. Alacran Reflejo de Luna Roberto Poveda Sueño Mamá Bebe Siempre Me Quedará Sidestepper Dame Tu Querer Si*Sé Mariposa (en Havana) Luiz de Aq

Customer Reviews:

Suprising.......2007-06-15

After purchasing many compilations I began to fear that I would never again hear a cd as good as my first (Siddharta Vol. 1) but this cd woke me up. Some songs are better than others. "Siempre Me Quedará" for example is one of the best songs I've heard in months and all are consistantly good except for one song called "Carmela" which sounds like something my grandparents would dance to.
When I realised that Putumayo made many discs with many different themes without sticking to 1 theme I assumed it would be commercial and weak, but the disc outdoes most buddha bar or hotel costes compilations!
A great Listen, I highly recommend it.

Speak Spanish or Not, This CD is Great.......2007-04-10

I am a Spanish student and am nearly fluent. It's fun to listen to this CD and know what they're saying, but even if you can't speak a word of Spanish, this CD will retain a special place on your shelf (or a permanent place in your CD player). The music varies from tangoes to salsas to mambos. I especially enjoy listening to this CD in my car because... it's just plain fun to listen to.

Smooth and Sexie.......2007-03-13

All the cuts offer a tasty bite of Latin flavor. Latin Jazz and Euro fusion. Great listening music or as a back drop to accent a dinner party. The music is captivating, enchanting, and just a pleasure to listen. This is the kind of music that goes great with a sunset, wine, and a friend.

Learn Spanish and groove at the same time: Latin Lounge.......2007-01-04

I just bought this CD at the airport in San Jose, Costa Rica. It was playing over the loudspeaker in the gift shop and I was hooked. Happy to help the local economy but I could have saved some $ if I had bought it on amazon. This is an amazing CD. Not only is the music great, but you can also improve your Spanish by listening to the lyrics. If you like groovy Latin music, buy this now.

Putumayo.......2006-12-15

PUTUMAYO is awesome music, a real eye opener. Similar in many ways to the BUDDHA BAR approach but different flavour.

Anyone who enjoys this cd may want to try MANU CHAO (proxima estacion ... ESPERANZA) for another trully great Latin American music.

This is definitely one of the easiest CD's to pop in, along with Nuevo Latino .... anytime anywhere ... just makes you enjoy the moment so much more.

Average customer rating:

What's so wrong with the 'classic' label?
Have fun for a change!
One of their best albums!!!!
Not their best and certainly not their worst.
Great Effort for the old guys

Light at the End of the World
Erasure
Manufacturer: Mute U.S.
ProductGroup: Music
Binding: Audio CD

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I Could Fall in Love with You
On the Road to Nashville
Union Street
Release the Stars
Pet Shop Boys: Life in Pop

ASIN: B000OLHGCU
Release Date: 2007-05-22

Tracks:

Sunday Girl
I Could Fall In Love With You
Sucker For Love
Storm In A Teacup
Fly Away
Golden Heart
How My Eyes Adore You
Darlene
When A Lover Leaves You
Glass Angel
Be My Baby (bonus track)
I Don't Know Why (bonus track)

Amazon.com

After something of a departure--two live discs and the unplugged Union Street (2006)--Erasure returns to full electronic form. From the languid opening wash of "Sunday Girl," Andy Bell and Vince Clarke make no bones about wearing old hats. Most of Light at the End of the World works within the familiar confines of the vintage Erasure formula, drunk on everyman synthesizers, listing through painfully vague and obvious rhymes. ("I get really repetitive because I don't read enough!" Bell admits.) Backed a long-studied love of pop, gospel, and the dance floor, Bell and Clarke revel in this stuff. "Sucker for Love" and "Fly Away" dabble most obviously in such pap, but the band still packs a few surprises, if only for the devoted. "Storm in a Teacup" tackles the alcoholism of Bell's mother in a rare confluence of straightforward storytelling and concrete imagery, and despite being an insincerely fictitious character study, "Darlene" moves with a syncopated, driving bounce that Erasure has rarely, if ever, found in 22 years of mid-tempo electro-meandering. If you don't like Erasure already, you probably won't take a shining to Light at the End of the World. If you do, let's hope their world spins on. --Jason Kirk

Product Description

Limited edition version features two bonus tracks.

Customer Reviews:

What's so wrong with the 'classic' label?.......2007-07-24

Erasure have crafted their best album in years, possibly since Chorus in 1991. So many reviewers, professional and amateur, have written off this CD as 'classic' Erasure, scolding them for being, well, Erasure. From the opening synth call of Sunday Girl to the lift that is I Don't Know Why, this album is gloriously exciting, well-written and clever. Each song fits together intricately and while Sunday Girl, I Could Fall in Love with You (with its beautiful video) and Storm in a Teacup, first stood out for me, I keep finding new favorites as I continue listening to the CD. There are no throwaway tracks on this CD. In this age of random-play iPods, it is seldom that I listen to complete CDs in order anymore. Being able to have thousands of songs at one's disposal can make great music disappear into the electronic shuffle. This CD, however, has captured my attention in a way that no other recent pop releases have, whether by Erasure (or Andy Bell) or other artists (Pet Shop Boys, Kelly Clarkson). I will be listening to the CD for a long time. It defines Erasure today, and any obvious nods to their past sound only serve to prove that their sound is strong and enduring, unlike the "top" music of today, which I am very grateful they didn't try to emulate (hello, Robbie Williams and Madonna) just to go to the top of the charts.

Have fun for a change!.......2007-07-21

Every 10 years Erasure produces a very good album. In 1987 it was the "Innocents" with the big top 40 hits. Then in 1997 came "Cowboy", IMHO thier best, now late in the game of pop music-2007 comes "Light" filled with danceable singalongs that still can touch my heart.

A revival of sort back to the day of glitteringly produced synth pop that your granny may tap her feet to. "Sucker for Love" really revives this almost forgotten style. They were the first openly gay band who sold really well. Now,being out, "drags" bands down.(no pun intended)

Most of the songs work really well. Andy Bell keeps it personal, sharing his trials of life. "Fly Away" makes me feel good about my own losses in life.We are all in this together.I love you after all these years, Andy!!! "Glass Angel" has an urgency that gives a dark ending to an upbeat album. I hope these guys have another great album in 2017!

One of their best albums!!!!.......2007-07-10

This is one of their best albums and the two bonus tracks in the Deluxe Edition are better than most of the tracks in the standard edition. Buy it now!!!!

Not their best and certainly not their worst........2007-07-07

This is not a bad album, but it is not their best. I agree that this returns to the dancier pop sounds of Chorus and prior albums. Still, it is missing that that depth and originality that will make these songs classics similar to A Little Respect, Blue Savannah, I Love To Hate You or Always.

What you have here is a polished, enjoyable but somewhat samey sounding album. I love this band, and I really want to love this, but it just seems like an average album to me. I guess all fans will have their favorites. I lean more towards the synthy sweetness of I Say X 3 and the ambient explorations of the Erasure album. Regardless of my thoughts on this album, I am thrilled that Vince and Andy continue to make music and tour the US.

Highlights of this release for me are Storm In A Teacup, Fly Away and When A Lover Leaves You.

Great Effort for the old guys.......2007-07-06

Light at the End of the WOrld is a very, very admirable effort from the Erasure boys. It is very much in the vein of some of their earlier efforts and more upbeat and dancey than recent offerings from the kings (queens?) of europop.

THe single, I could Fall in Love is just stunning in its overproduced, electronic whirlwhind sound and feel. YOu can't sit still when it plays. Several other tracks have "potential hit" markend on them as well...Sunday Girl for instance.

If you loved older Erasure albums, but have been bored by the newer, softer sounds, this is your chance to have some fun with the boys Clarke and Bell once again.

Ken Burns's Jazz: The Story of American Music

Average customer rating:

A Good Selection, An Odd Accompaniment to the Documentary
Great Intro to Jazz
Ken Burn's Jazz CD
A must have..
Good starter set for jazz beginners

Ken Burns's Jazz: The Story of American Music
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Jazz: A History of America's Music
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The History of Jazz
Martin Scorsese Presents The Blues: A Musical Journey
Jazz Styles: History and Analysis (9th Edition)

ASIN: B000050HVG
Release Date: 2000-11-14

Tracks:

Star Dust - Louis Armstrong & His Orchestra
Soon One Mornin' (Death Come A-Creepin' in My Room0 - Mississippi
Memphis Blues - Lieut. Jim Europe's 369th Infantry ("Hell Fighters") Band
Livery Stable Blues - The Original Dixieland Jazz Band
Charleston - James P. Johnson
Chimes Blues - King Oliver's Creole Jazz Band
Back Water Blues - Bessie Smith
The Pearls - Jelly Roll Morton
Dead Man Blues - Jelly Roll Morton's Red Hot Peppers
Wild Cat Blues - Clarence Williams's Blue Five
Cake Walkin' Babies (From Home) - Clarence Williams's Blue Five
Sugar Foot Stomp - Fletcher Henderson & His Orchestra
Heebie Jeebies - Louis Armstrong & His Hot Five
Potato Head Blues - Louis Armstrong & His Hot Seven
West End Blues - Louis Armstrong & His Hot Five
The Mooche - Duke Ellington & His Orchestra
East St. Louis Toodle-Oo - Duke Ellington & His Washingtonians
Black Beauty - Duke Ellington & His Orchestra
Mood Indigo - The Jungle Band
There Ain't No Sweet Man (Worth The Salt Of My Tears) - Paul Whiteman & His Orchestra featuring Bix Beiderbecke
Singin' The Blues - Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke
Riverboat Shuffle - Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke
Hotter Than 'Ell - Fletcher Henderson & His Orchestra
I Got Rhythm - Ethel Waters

Tracks:

It Don't Mean a Thing (If It Ain't Got That Swing) - Duke Ellington & His Orchestra
Echoes of Harlem - Duke Ellington & His Orchestra
Moten Swing - Benny Moten's Kansas City Orchestra
St. Louis blues - Louis Armstrong & His Orchestra
Ain't Misbehavin' - Louis Armstrong & His Orchestra
For Dancers Only - Jimmie Lunceford & His Orchestra
King Porter Stomp - Benny goodman & His Orchestra
Rose Room - The Benny Goodman Sextet
Sing, Sing, Sing (With a Swing) - Benny Goodman Sextet
Jumpin' at the Woodside - Count Basie & His Orchestra
Sent for You Yesterday and Here You Come Today - Count Basie & His Orchestra
Lester Leaps In - Count Basie's Kansas City Seven
Oh, Lady, Be Good! - Jones-Smith Incorporated
Without Your Love - Billie Holiday & Her Orchestra
Strange Fruit - Billie Holiday
God Bless the Child - Billie Holiday with Eddie Heywood & His Orchestra
Three Little Words - Art Tatum
Rebecca - Pete Johnson & "Big" Joe Turner
Harlem Congo - Chick Webb & His Orchestra
A-Tisket, A-Tasket - Chick Webb & His Orchestra featuring Ella Fitzgerald
Shine - Django Reinhardt & Le Quartet du Hot Club de France
Dear Old Southland - Noble Sissle & His Orchestra

Tracks:

Body and Soul - Coleman Hawkins
Cotton Tail - Duke Ellington & His Orchestra
Take the 'A' Train - Duke Ellington & His Orchestra
Begin the Beguine - Artie Shaw & His Orchestra
In The Mood - Glenn Miller & His Orchestra
Well, Git It! - Tommy Dorsey & His Orchestra
Solitude - Billie Holiday with Eddie Heywood & His Orchestra
Drum Boogie - Gene Krupa & His Orchestra
Salt Peanuts - Dizzy Gillespie & His All Star Quintet
Groovin' High - Dizzy Gillespie Sextet
Ko-ko - Charlie Parker's Re-Boppers
Scrapple From the Apple - Charlie Parker Quintet
Enbraceable You - Charlie Parker Quintet
Get Happy - Bud Powell Trio
Epistrophy - Thelonious Monk
Straight, No Chaser - Thelonious Monk
Manteca - Dizzy Gillespie & His Orchestra
Moon Dreams - Miles Davis Nonet
Just Friends - Charlie Parker
Rockin' Chair - Louis Armstrong
They Can't Take That Away From Me - Sarah Vaughan & Her Trio
Walkin' Shoes - Chet Baker & Gerry Mulligan
Fine and Mellow - Billie Holiday

Tracks:

Doodlin' - Horace Silver & The Jazz Messengers
I Get A Kick Out of You - Clifford Brown & Max Roach
St. Thomas - Sonny Rollins
Django - The Modern Jazz Quartet
Take Five - The Dave Brubeck Quartet
So What - Miles Davis Sextet
Giant Steps - John Coltrane
Rick Kick Shaw - Cecil Taylor Trio
Chronology - Ornette Coleman
Original Faubus Fables - Charles Mingus
Acknowledgment - John Coltrane Quartet

Tracks:

Hello, Dolly! - Louis Armstrong
Desafinado - Stan Getz & Charlie Byrd
In a Sentimental Mood - Duke Ellington & John Coltrane
Tourist Point of View - Duke Ellington & His Orchestra
E.S.P. - The Miles Davis Quintet
Spanish Key (single version) - Miles Davis
Birdland - Weather Report
Mister Magic - Grover Washington, Jr
Rockit - Herbie Hancock
Un Ange en Danger - M.C. Solaar & Ron Carter
Tanya - Dexter Gordon
Soon All Will Know - Wynton Marsalis
Death Letter - Cassandra Wilson
Take The "A" Train - The Lincoln Center Jazz Orchestra

Amazon.com

This five-CD box set soundtrack to filmmaker Ken Burns's 10-part, 19-hour documentary Jazz spans nearly a century of jazz styles, from the martial rhythms of James Reese Europe to the soul-jazz of Grover Washington Jr. It includes time-tested classics like Benny Goodman's 1938 classic, "Sing, Sing, Sing"; John Coltrane's chanting 1965 immortal track, "A Love Supreme"; Billie Holiday's blue-ember ballad, "God Bless the Child"; and Ella Fitzgerald peeling off "A-Tisket A-Tasket." Bebop is represented by Charlie Parker's orchestral bop version of "Just Friends"; Thelonious Monk's nocturnal calling card, "'Round Midnight"; and Dizzy Gillespie's "Salt Peanuts" and "Groovin' High."

The jazz-instrumentalist-as-singer comes to life on Coleman Hawkins's "Body and Soul" and Horace Silver and the Jazz Messengers' "Doodlin'." Clifford Brown and Max Roach's "I Get a Kick out of You" epitomizes the hard-bop era, while Miles Davis's "So What" stands as the modal masterpiece. The cool school is in session with Chet Baker and Gerry Mulligan dishing out "Walkin' Shoes," and the Modern Jazz Quartet's soulful elegy "Django" straddles all the above musical orbits. As for Django Reinhardt, he's featured on "Shine" with the justly famed Le Quartet du Hot Club de France.

Louis Armstrong's "West End Blues" and "Potato Head Blues" and Duke Ellington's rousing rendition of Billy Strayhorn's anthem, "Take the A Train," and his moody "Solitude" show why they are the Olympian masters of this art form--and the most frequently featured artists in the series. Although Ken Burns tries bringing the music up-to-date with Wynton Marsalis, Cassandra Wilson, and two jazz-hip-hop-influenced tracks--Herbie Hancock's robotic "Rockit" and the French-language "Un Aige en Danger" by MC Solaar and bass legend Ron Carter--there are significant holes here. After Cecil Taylor and Ornette Coleman, the avant-garde period from the late 1960s to the 1980s is lacking. And aside from the bossa nova hit "Desafinado," Latin jazz is also missing. It's a tough task summarizing jazz in five CDs, and Burns has given us a vibrant and vivid multicolored aural portrait of the music. --Eugene Holley Jr.

Customer Reviews:

A Good Selection, An Odd Accompaniment to the Documentary.......2007-04-25

To chronicle the first six decades or so of American jazz in five CD's is an ambitious undertaking. Ken Burns pulled it off by making it the soundtrack to stories he wanted to tell. This made for heavy representation of songs from Louis Armstrong, Duke Ellington, Charlie Parker and Miles Davis easy choices. The documentary, in some ways, tells like an allegory of racism and civil rights in 20th century America, yet the soundrack includes white musicians like Chet Baker, Stan Getz, Dave Brubek and Benny Goodman in the CD selections. Brubek's inclusion is particularly notable after the documentary was so dismissive of "West Coast Jazz" - I don't even remember Take 5 being mentioned in the documentary. It would have been nice to include Bill Evans since every jazz pianist that followed him credited Evans as an influence, but his work as side man on "So What" is all we get. Herbie Hancock's Rockit is nowhere close to representative of his body of work. My main disappointment is that after Free Jazz and the like, jazz had nowhere left to go except backwards, yet the contemporary "pop" jazz at the end comes across as the latest and greatest thing yet. I respectfully disagree.

Great Intro to Jazz.......2007-03-23

For those just getting into Jazz or just need a refresher course this is a great CD. I brought it for my husband who is a big Jazz fan and he just loves it and gets alot of use out of them.

Ken Burn's Jazz CD.......2007-01-14

A great cd with many remastered original recordings of jazz greats. Each cd features a different jazz era, so one can select a jazz genre to suit one's mood.

A must have.........2007-01-05

..for any jazz fan or music history buff. LOADS of content, hours and hours of great music.

Good starter set for jazz beginners.......2006-02-22

This is a beautifully packaged 5 disc set highlighting some of the greatest jazz artists of all time. If you buy this set and are really excited about the sound and the masterful artists presented then, I highly recommend collecting the 22 discs of individual artists by Burns which showcase the popular and influential music of those artists. Having all of the Ken Burns Jazz editions is of course just a start but a good start into the world of jazz it will be.

Average customer rating:

Turkish Delight
Not Your Daddy's Groove Album...Though I Wish it Was!
It Grows on You
Tantalizing Turkish Musical Potpourri
Buy the music. Hear the music. Love the music.

Putumayo Presents: Turkish Groove
Various Artists
Manufacturer: Putumayo World Music
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Middle East | International | Styles | Music

Turkey | Middle East | International | Styles | Music

International | Putumayo World Music Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Arabic Groove
Putumayo Presents: North African Groove
Putumayo Presents: Sahara Lounge
Putumayo Presents: Paris
Putumayo Presents: Brazilian Lounge

ASIN: B000E6ESP8
Release Date: 2006-03-21

Tracks:

Kirmizi Biber - Bendeniz
Kalmadi - Mustafa Sandal
Buda - Sertab
Pis Pisla - Nilgul
Dudu (Ozgur Buldum Remix) - Tarkan
Sinanay - Gulseren
Kusursuzsun (Acoustic Version) - Emrah
Ayrilik Gunu - Goksel
Oha Falan Oldum Yani - Tugba Ekinci
Atiyosun - Nazan Oncel
Sanima Inanma - Sezen Aksu

Amazon.com

In 2005, Putamayo's A&R man, Jacob Edgar, traveled to Turkey, a country that straddles Europe and Asia, hung out in its exotic nightclubs, and produced this compilation. If you were expecting to hear some belly-dancing, snake-charming tunes, this CD's 11 tracks will quickly disabuse you of those cliches. These selections exhibit a funky fusion of central Asia, the Balkans, and the Middle East that also includes rap, hip-hop, electronica, and even suggests Ballywood. Turkey's boy idol Tarkan serves up a spicy fluted-and-strings track on "Dudu," equally matched by Mustafa Sandal's Flamenco-flavored heartthrob number, "Kalmadi," with an evocative stringed instrument called a kanun. The ladies also get their groove on, as evidenced by Sertab Erener's whispery soprano on "Buda" and Nazan Oncel's New York-style rap, "Atiyosun." Turkey is an impressive cultural blend of East and West, and nothing signifies that blend better than its pop music. --Eugene Holley, Jr.

Album Description

In 2005, Putumayo's head of A&R, Jacob Edgar traveled to Istanbul to immerse himself in Turkey's culture and discover its music. Though its cities are filled with the ancient architecture of its long history, Turkey is considered one of the most modern Muslim countries in the world. This cultural juxtaposition is most evident in Turkey's contemporary pop music scene, where classical traditions and instrumentation blend with sophisticated global pop and dance music. Turkish Groove, reflects this unique musical mosaic and joins the successful Groove series.

Much like their Western pop counterparts, Turkish stars push the limit of their society's standards of acceptability. As a result, Turkish pop music is crossing over to audiences outside Turkey, making inroads into the contemporary scenes of Europe and Latin America though remaining largely unknown in other parts of the world.

As Turkish pop takes its place on the international stage, its fusions of cultural traditions and modern techniques play to an ever expanding audience. Putumayo's Turkish Groove hopes to serve as an introduction to the contemporary sounds of this culturally rich country.

A portion of the proceeds from the sale of this CD will be donated to Karnaval Kid in support of their efforts to improve childcare and education for disadvantaged children in Turkey.

Customer Reviews:

Turkish Delight.......2007-07-02

"Turkish Groove" is a tantalizing taste of Turkey;like Edmund in "The Lion,the Witch,and the Wardrobe" one listens to the Turkish Delight and wants more. It's sweet, savory, and from its opening song, it's an amazing journey into the exotic locales of Istanbul and Topkapi. It's a compilation that avoids the bellydancer&harem cliches.

It begins with Bendeniz's rousing "Kirmizi Biber",a catchy song in which a woman complains about her lover's neglect. Mustafa Sandal's "Kalmadi" and Gulseren's "Sinanay" (the latter is a humorous song about giving directions to Istanbul) both deflty weave Latin and Turkish rhythms. Sertab,who looks like a Turkish Trudie Styler (Sting's wife),sings the beautiful Asian-flavored "Buda"...a hypnotic song about finding nirvana like the Buddha. Though Turkey is predominantly Muslim, this song shows that Eastern&New Age spirituality have found inroads in that country bridging Europe and Asia. Turkish heartthrob Tarkan has the catchy "Dudu" (Ozgur Buldum Remix). Think of an Anatolian Justin Timberlake with an exotic,amazing sound and lots of talent. Emrah's "Kusursuzsun (Acoustic Version)" is a memorable song in its simplicity;it also shows how Turkish differs from Arabic. In fact,Turkish is linguistically related to Hungarian (Magyar) and Korean. Goksel's "Ayirilik Gunu" blends Bollywood and retro flavors. Tugba Ekinci's rousing "Oha Falan Oldum Yani",with its exotic instrumentation,is a passionate plea to a cheating lover;Ekinci shows that she has more than sex appeal,but amazing vocals as well. Nazam Oncel's "Atiyosun" is a poetic song about everyday life.

"Turkish Groove" is a compilation of appetizers of Turkish music;now I'd like to explore the music of Tarkan,Sertab,and Goksel further. "Turkish Groove" is a perfect introduction to Turkish music in its variety.It's a fun musical excursion to Istanbul and Topkapi

Not Your Daddy's Groove Album...Though I Wish it Was!.......2007-04-14

Being a big fan of Putumayo's Groove series (having bought and enjoyed World Groove, Asia Groove, African Groove, and even Arabic Groove), I was really looking forward to Turkish Groove. I (mistakenly) figured that since it was in the Groove series it had everything that I was looking for - i.e. a blend of traditional ethnic music with funky Western electronica and/or hip-hop beats. Unfortunately, Turkish Groove fails to deliver on that premise. Unlike a previous reviewer, I found very little "hip-hop" about this album, and was thus disappointed.

Having said that, the (Turkish pop) music on this CD is enjoyable. The music is up-temple and you could probably dance to it - if you try real hard. Just be aware, it's not like some of the other CDs in Putumayo's Groove CD series.

It Grows on You.......2007-04-08

I really like this CD. It is upbeat and has some great dance beats to it. I could have done without the hip hop/pop portions(not a big fan of that type of music) but even with that, it is a very good CD and it is on the player with my other top 3. The first song Bendeniz is great belly dancing music. It really gets the hips moving.
The only reason I gave this CD 4 starts is because of the very few hip hop areas, but even those are begining to grow on me.

Tantalizing Turkish Musical Potpourri .......2007-04-07

We found Turkish Groove to be a great representative sampling of Turkish music. The songs were suitable for dancing, listening to or relaxing to.
We were pleased with the choices selected and have listened to the CD multiple times.

Buy the music. Hear the music. Love the music. .......2006-10-25

I'm a huge Turkophile. Just don't get me started, I'll bore you for hours on how amazing Turkey is. Incredible history. Sublime landscapes. Limpid seas. Beautiful weather. Exquisite food. Gracious hospitality. Some of the most beautiful women (and men, I have on good authority) in the world. One of the most poetic and beautiful languages on the planet.

Not to mention incredible music.

Ah, the music.. Until you've been at a traditional peasant wedding on the Aegean, or to a nightclub in Van where the Kurds are breaking it down the Old School Anatolian way with a traditional eight piece band, well.. you just haven't been there. You haven't really heard it. And you can't know what you're missing. No CD will replicate those sort of experiences.

Not even this one. But it comes sort of close. This disk isn't old school like the music I heard the above mentioned places. But it catches some of that same energy and soul (NB: not soul as in Marvin Gaye, but soul as in Mehmet the Conquerer & the Book of Dede Korkut.) It's froth off the top of the rich Turkish pop scene. Music that's a fusion of the traditional with international pop influences.

And contrary to our Turkish friend from Izmir commenting here, I have to say that it does make sense. It's a nice melange of tunes. A taste of modern Turkey. Afyet olsun, as they say. For someone who's never heard anything from Turkey other than maybe Tarkan, this will prove a tasty morsel. BTW, Tarkmeister's a Turkish version of Ricky Martin, only a hundred thousand nintey nine million times as good. He is the only artist with two songs on this mix.

My favorite tune here is Sinanay, a folk cover, with a great irrepressible bass line. It opens with a Latin American dude asking for directions "Donde esta Istanbul? Estoy perdido aqui!" to which the Turkish girl goes "Istanbul?" And then breaks into poetic song telling the poor goofball how to get there. Just çok comik & wicked güzel, chooch.

Atiyosun deserves special mention, as well. The lyrics- as well as I can gather with my 500 word Turkish vocabulary- are a girl telling a guy to get lost. It's bracingly laconic, relentlessly catchy.

Those are two highlights. Know that there is nary a bad track on this thing.

So buy this disk, slap it on during your next party, and everyone will dig it, I promise you. Your parents, super hip acquintances, dorky friends, annoying roomate, maiden aunt.. Everybody. Why? Because it's groovy. It's Turkish. And - Need I say it? - like all things groovy & Turkish, it rocks.

PS. And be sure to go to Turkiye someday, if only in your dreams.

The Muslims won't hurt you. And more than a few Turks will welcome, even embrace you. You will always savour & never regret it.

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