High Energy [Import] [CD-single]

High Energy [Import] [CD-single]

High Energy [Import] [CD-single]

Track Listings
 
1. Masquerade
2. Heartless
3. Running Wild in the Night
4. High Energy
5. Second Best
6. Chalk It up to Experience
7. Shy Guy

High Energy,Evelyn Thomas,Unidisc Records,Dance Music,Disco,Hi-NRG,Pop,Soul
Instruments of the Orchestra
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  • Instruments of the Orchestra - Great Reference Material!
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Please
Average customer rating: 4.5 out of 5 stars
  • One of my all-time favorites.
  • The Foundation for the Pet Shop Boys for the next two decades - and of the "Euro Dance" Sound
  • Let the show begin!!!
  • Adventure
  • I STILL FIND MYSELF GOING BACK TO THIS ALBUM!
Please
Pet Shop Boys
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Alternative DanceAlternative Dance | Alternative Styles | Alternative Rock | Styles | Music
GeneralGeneral | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
Euro DanceEuro Dance | Dance Pop | Dance & DJ | Styles | Music
GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Euro Pop | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Similar Items:
  1. Actually
  2. Behavior
  3. Very
  4. Introspective
  5. Introspective

ASIN: B000002U9K
Release Date: 1986-05-02

Tracks:

  1. Two Divided By Zero
  2. West End Girls
  3. Oppurtunities (Let's Make Lots of Money)
  4. Love Comes Quickly
  5. Suburbia
  6. Opportunities (Reprise)
  7. Tonight Is Forever
  8. Violence
  9. I Want A Lover
  10. Later Tonight
  11. Why Don't We Live Together?

Amazon.com

In many ways, Please brought Euro-techno into the unsuspecting homes of millions like no other album before. This time, the boys--in this case the Pet Shop Boys--were doin' it for themselves. "I Want a Lover" and "Tonight Is Forever" are songs by boys for boys about boys that snuck past so many because of the genderless (for the most part) objects of affection in the lyrics. Please announces with every synthesizer swell layered over electronic beats, that the boys came to dance and they could complain about their love lives while they were at it. There is also a snide swat or two at the socioeconomic state of things ("Opportunities"), but the Pet Shop Boys' debut will always be most remembered for Neil Tennant's Al Stewart-like vocals in "West End Girls." --Steve Gdula

Customer Reviews:

5 out of 5 stars One of my all-time favorites........2007-04-05

This album is one of the cornerstones of my collection and my history as a lover of dance pop in general. The debut from the Pet Shop Boys is actually what I consider their best. Compared to contemporary times, the technology was too elaborate in this era of their music, and the limitations they worked within gave the music a certain quality that was never equaled in their later albums.

Specifically, there is something dark about "Please". It has a cold longing to it that worked, especially considering the image of the band at the time--unsmiling, detached, seemingly far removed from the creation of their own album.

Their subject matter wasn't too pretentious. The melodies were very strong and sounded great played on such cold instruments. "West End Girls" will always be remembered as their biggest moment, which is ironic considering the longevity of their career and the devotion of their fanbase, but it truly is a wonder. They've done more elaborate and intelligent things since, but the simplicity of it is enduring.

Songs like "I Want A Lover" and "Opportunities" sounded absolutely icy in the midst of the 80s, when pop radio seemed to have a lot of crazy and, in retrospect, tasteless style. "Please" is a case of the right thing at the right time. It's just my opinion, but there is something here that the following albums never quite recaptured.

4 out of 5 stars The Foundation for the Pet Shop Boys for the next two decades - and of the "Euro Dance" Sound.......2006-09-18

When one looks at the history of musical acts that can be categorized as "Dance Music" or "Disco", there are few acts that have achieved the success and longevity of the Pet Shop Boys. The Pet Shop Boys have been making music for over 20 years - releasing an album usually about every one or two years. In the UK, the Pet Shop Boys have consistently produced Top 10 albums. They haven't had quite the same amount of success on American shores, but nonetheless they have still maintained a solid following. It actually didn't start out like that for the Pet Shop Boys in the U.S. They actually burst on to the music scene in 1986 with a #1 song entitled "West End Girls". They would then follow "West End Girls" up with another hit - "Opportunities (Let's Make Lots of Money)". These two songs would be part of the debut - and most successful album by the Pet Shop Boys "Please".

Just because this album was the most successful album by the Pet Shop Boys doesn't mean that their career went downhill afterwards. In fact, I would subscribe to the theory that "Please" would lay their foundation for the next two decades following its 1986 release. It might be that many may judge the Pet Shop Boys' success in terms of the pop charts and not consider things from where their sweet spot is - the Dance charts. "West End Girls" and "Opportunities" were songs that not only got airplay on the Pop and Dance clubs, but were even songs that got some airplay on some Rock stations. Eventually the Pet Shop Boys would find their niche on the Dance charts - and would never look back. The Pet Shop Boys came along at the end of the Classic Disco album. While acts such as Madonna and Janet Jackson were emerging during this period, the Pet Shop Boys were bringing their own unique style - that being the "Euro Disco" style (i.e. a heavily electronic style in the mold of Giorgio Moroder). In a lot of ways, "Please" made the Pet Shop Boys innovators in what was a new subgenre on the music scene.

The way the songs are ordered - they follow a loose concept. The Pet Shop Boys apparently "escape" to London's West End. They explore the West End, look for ways to make money, explore the suburbs, deal with Violence, and consistently explore love and relationships, and eventually contemplate the future.

"Two Divided by Zero": This song didn't exactly ignite me on fire. I felt it was weak for an opening song. I didn't care for the computer sounding "divided by" repetitions. This song deals with looking for an "escape".

"West End Girls": This is one of those landmark songs. Neil Tennant's does most of the song as a "rap" - and it works perfectly. Tennant is fabulous with singing the chorus. The "rap" provides a narrative. While I'm not a rap, when it's used in an effective manner like in this song - it pays big. Combine this with Euro sounding synthesizers and even some horn and you have a masterpiece. One can make the argument that Madonna's "Jump" on her 2005 "Confessions on a Dance Floor" album samples part of this song.

"Opportunities (Let's Make Lots of Money)": This song probably has a semi-autobiographic feel for Tennant and fellow Pet Shop Boy Chris Lowe. Tennant provides a very believable "pitch" to convince a partner to join him in a business venture. As per the lyrics, it appears that Tennant has had "enough of scheming and messing around with jerks" and is "looking for a partner; someone who gets things fixed". The song almost a nice quasi-orchestral start before segueing into a Euro sounding melody. I like the drum machine in this song.

"Love Comes Quickly": This has a classic "Euro" sound to it. This song took a while to grow on me, but it did. The line from this song "cause when you least expect it; waiting round the corner for you" combined with the song's title tells the whole story.

"Suburbia": This song at times at a bit more of a pop feel. The keyboards are terrific on this one - as well as the "suburban sound effects". Tennant delivers a great commentary on life in the suburbs.

"Opportunities (reprise)": This is a short reprise of "Opportunities". It is all instrumental. I wish this reprise was longer - because this song has you wanting more.

"Tonight is Forever": Not only does this song provide a classic "Euro" sound, but it also has a feel like Giorgio Moroder's music. Very good track - I'm surprised it didn't get more attention on the club scene.

"Violence": This is a nice change of pace song. For this song, the Pet Shop Boys employ a slight Funk influence. They pull off this song perfectly.

"I Want a Lover": This song has a slight classical start to it, then like "Opportunities" it segues into a "Euro Disco" sound. This is another underrated track.

"Later Tonight": This song is sung as slow ballad with some electronic instrumentation. Tennant's vocals are the story on this song as he pulls them off well.

"Why Don't We Live Together?": This song also has a "Euro" feel to it. Tennant uses the "rap" angle again flawlessly on this track. I'm also surprised this song didn't get more airplay in the dance clubs. This song was the perfect "wrap-up" to this album.

Whether one subscribes to the "concept" of what "Please" offers or not, you can also make the argument that each song stands solid on their own. I wish that the liner notes included the lyrics to each of the songs. Overall, I found this to be an outstanding album. If you especially like the "Euro Disco" sound, this would be an album I'd highly recommend.

5 out of 5 stars Let the show begin!!!.......2006-01-04

I don't know whether they have evolved a "more mature sound" during their 90 albums but PSB will always be the champion of pop music for me just for the sake of their brilliant first three albums, beautifully rounded by Discography: Please, Actually and Introspective are the results of a massive will to burst out for Neil & Chris, not in commercial sense, but in feelings and psychological terms. Being not-so-ggod looking, silent and always introspective personalities, the duo expressed what they felt about the outside world in their first three albums, and the consequences are mindboggling.

Please is the first suberp product of this chemistry bonded between two members. Starting from the brilliant "Two Divided by Zero", Neil, both vocally and lyrically, displays a somehow frightened and desperate personality while the music reflects so much confidentiality that the opposite reaction is wonderful.

"Two divided by zero" which would not be inappropriate in a James Bond soundtrack is followed by the ever-green and seminal West End girls, followed by clashing but epic Opportunities followed by a fan-love Love Comes Quickly and the ever-critical Suburbia ("where is the policeman when you need one?"). In good ol' casette days, this is where the Side A stops and you just raise your head in astonismment about the smooth flow of songs. Then you continue your dreamscaping journey: A reprise of Opportunities gives way to the brilliant Tonight is Forever ("I have no job but I can stay in bed all day), a simple version of Violence (a much improved version appeared as a later b-side but the skeleton remains the same), the flippy but burning I Want a Lover ("Just put your arms around me but it doesn't mean you love me"), the self-expressing slow piece Later Tonight (never the piano sounded so good in a poptrack before) and closure by Duran Duran-like Why Don't We Live Together?

Did you read the whole paragraph without a stop? Yes, this is how the album flows: Breathless, fantastic, topnotch music (and don't forget this is the "unexperienced" product of Boys) with some of the best lyrics in the entire cannon of pop music that Britney Spears or Kylie could not even dream of in their wildest dreams.

It's a pity that PSB remain a cult band in the United States but there is always a buyer group of good music and this is also true for them. They are now iconic figures around the globe and one of the best and most respected groups as pop music goes. They are up there with the Beatles and much above their peers when you look at the whole sum.

Please is a lucky piece of great music and the starting point of a amazing career for them and a dazzling journey for music lovers.

If you love pop music, buy this you won't regret.
If you don't like pop music, then try this...you may be surprised and awarded more than you think...

5 out of 5 stars Adventure.......2005-08-29

This CD is excellent. The songs are like stories that take you into them. West End Girls is of course the one with the most radio play in California (in the past), but the other songs are great as well. Listening is like going on an adventure with people you probably never would encounter on your own. I first bought this as an audio tape in the 80's and now, 15-20 years later it still feels good!

5 out of 5 stars I STILL FIND MYSELF GOING BACK TO THIS ALBUM!.......2004-06-02

HERE I AM..MANY YEARS AFTER THIS ALBUM WAS RELEASED AND I STILL YEARN FOR IT! THIS ALBUM IS ONE OF THE ALBUMS I CHERISHED MOST DURING HIGH SCHOOL! SONGS LIKE "WEST AND GILRS..SUBURBIA..LOVE COMES QUICKLY" AS WELL AS UNREALEASED ONES SUCH AS "VIOLENCE..WHY DON'T WE LIVE TOGETHER AND TWO DIVIDED BY ZERO ARE CLASSICS IN MY EYES. WHAT IS IT THAT MAKES SOMEONE WITH OVER 300 CD'S..OLD AND NEW..WANT TO LISTEN TO THIS ALBUM? I'LL TELL YOU WHAT IT IS.."ONE..THE MUSICIANSHIP AND ARTISTRY OF EVERY SONG.. TWO..THE MEMORIES EACH SONG EVOKES OF A TIME I STILL LONG FOR"!! COMING FROM A FAN OF SO MANY DIFFERNT TYPES OF MUSIC(TOOL..DMX..COLDPLAY..MARC ANTHONY..MAXWELL..CREED..EMINEM..BOB MARLEY..THE DOORS..KENNY G.) BELIEVE ME WHEN I TELL YOU.."THIS IS A CLASSIC"!!!!
Tribe
Average customer rating: 5 out of 5 stars
  • Dancing shoes for the soul
Tribe
Gabrielle Roth & the Mirrors
Manufacturer: Raven
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
GeneralGeneral | New Age | Styles | Music
MeditationMeditation | New Age | Styles | Music
Minimal TechnoMinimal Techno | Techno | Dance & DJ | Styles | Music
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ASIN: B00004UEOU
Release Date: 2000-06-20

Tracks:

  1. Tsunami: Flowing
  2. Tsunami: Staccato
  3. Tsunami: Chaos
  4. Tsunami: Lyrical
  5. Tsunami: Stillness
  6. Talking Sticks: David & Rob
  7. Talking Sticks: Bob M
  8. Talking Sticks: Rocky
  9. Talking Sticks: Benny K
  10. Talking Sticks: Joey B
  11. Talking Sticks: Sanga
  12. Talking Sticks: Cyro

Customer Reviews:

5 out of 5 stars Dancing shoes for the soul.......2000-09-27

This is great, as are all her previous albums. If you like James Asher or Professor Trance, you will love this. If you have not idea who these folks are, but you want earthy primal rhythmic music to move you, you will still love this.
High Energy: Dance Music of the 80's
Average customer rating: 5 out of 5 stars
  • A must buy!
High Energy: Dance Music of the 80's
Various Artists
Manufacturer: Hot Productions
ProductGroup: Music
Binding: Audio CD

DiscoDisco | Dance & DJ | Styles | Music
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ASIN: B000001QYF
Release Date: 1995-09-26

Tracks:

  1. High Energy - Evelyn Thomas
  2. So Many Men So Little Time - Miquel Brown
  3. The Boys Come To Town - Earlene Bentley
  4. Easy Love - Vikki Benson
  5. Can't Take My Eyes Off You - Boys Town Gang
  6. The Love I Lost - Seventh Avenue
  7. Maybe This Time - Norma Lewis
  8. I Want A Man - Bonnie Foreman
  9. My Heart Keeps Beating Faster - Rocq-e Harrell
  10. Stress - David Christie
  11. Stranded - Elaine Charles
  12. Stay With Me - India
  13. Where Is My Man - Eartha Kitt
  14. Right On Target - Paul Parker
  15. Rocket To Your Heart - Lisa
  16. Native Love (Step By Step) - Divine
  17. I Like You - Phyllis Nelson
  18. I'm Gonna Get Your Love - Jade

Tracks:

  1. Earthquake - The Fliritations
  2. She Has a Way - Bobby 'O'
  3. Party - Julius Brown
  4. Landslide - Croisette
  5. You're A Beat - Eastbound Expressway
  6. Searchin' (I Gotta Go Find A Man) - Hazell Dean
  7. Stormy Weather - Viola Willis
  8. Don'T Leave Me This Way - Carol Jiani
  9. We Are Invincible - 501's
  10. I'm Gonna Love You Forever - Jimmy Ruffin & Jackson Moore
  11. I Am What I Am - La Cage
  12. Love Disco Style - Erotic Drum Band
  13. Boys Come And Go - April
  14. Work Me Over - Claudja Barry
  15. He's Number One - Fantasy
  16. I Believe In Dreams - Jackie Rawe
  17. Male Stripper - Man 2 Man

Customer Reviews:

5 out of 5 stars A must buy!.......2002-11-09

I'm a big fan of Hi-NRG music. Today it's hard to find all the tracks from the early 80s. This CD has so many big hits from those years that you can't stop dancing. Only original artists with the original versions, no remixes. Although you find only 7'' versions this CD is absolutely great. I highly recommend it, also (if you don't have them) buy the series Gay Classics Vol. 1 - 12 (Hot Productions), where you find the 12'' versions.
Great Joy - A Gospel Christmas
Average customer rating: 5 out of 5 stars
  • A must have in your collection!
  • One of the Best!!!
  • Puts Me in the Holiday Spirit!
  • Great Joy! Great Scott! Powerfully inspirational!
Great Joy - A Gospel Christmas
Broadway Inspirational Voices , Billy Porter , Darius de Haas , Sara Ramirez , Phylicia Rashad , Michael McElroy , and Buryl Red
Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD

GospelGospel | Christian & Gospel | Styles | Music
GeneralGeneral | R&B | Styles | Music
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General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
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ASIN: B0000C23I9
Release Date: 2003-10-21

Tracks:

  1. Joy To The World
  2. O Holy Night
  3. O Come, O Come, Emmanuel
  4. Go Tell It On The Mountain
  5. Hark! The Herald Angels Sing
  6. Away In A Manger
  7. Little Drummer Boy
  8. Infant Lowly, Infant Holy
  9. Some Children See Him
  10. You Oughta Know
  11. What Child Is This
  12. Have You Heard About The Baby?
  13. There's A Song In The Air
  14. A Christmas Wish
  15. Silent Night (Orchestra)

Customer Reviews:

5 out of 5 stars A must have in your collection!.......2007-01-03

I backed my way into this CD - I heard the choir singing background on a song that's on Brian Stokes Mitchell's CD, and wanted to learn more about them. So I googled the Broadway Inspirational Voices and came up with this CD. I ordered it, and my musical world was transformed. I gave the CD to my choir director, and our choir performed 2 songs from the CD for the holiday services, much to the delight of our congregation. Everyone I have recommended this CD to has fallen in love with it. The arrangements, the singing, and the overall musicianship are at such a high level that you simply MUST HAVE this in your collection. You will NOT be disappointed!!!

5 out of 5 stars One of the Best!!!.......2006-12-10

I ordered this CD this year after listening to a sample (Joy to the World). I knew I had to have this CD. When it arrived and I listened to it, I was just amazed. Michael McElroy and his crew did an outstanding job on this compilation. The music is awesome. The singing is wonderful. EVERY song is simply amazing, and it causes you to sing along with them. I simply enjoy the fact that they sing the traditional songs and put a little twist to them, but easy to catch on to. If you buy this CD, you will simply enjoy it very much. One of the absolute best. I give it 10 stars!!!!

5 out of 5 stars Puts Me in the Holiday Spirit!.......2005-11-02

Great Joy has quickly become my favorite Christmas album! The Broadway Inspirational Voices bring so much energy and well, joy, to every song. It also features solos by some great Broadway performers (Gavin Creel, Billy Porter, etc.).

5 out of 5 stars Great Joy! Great Scott! Powerfully inspirational!.......2003-12-05

I read about this CD in the NY Daily News, and ordered a copy. WOW! The CD is literally thrilling, like being at a live concert! Some big time singers make up this CD, Billy Porter has an amazin solo, Gavin Creel's voice is as beautiful as any, Michael McElroy is a genius! If you buy one Christmas CD, this is the one. Beautiful, powerful, and true to the title, it has brought me great joy. I am getting a few more for gifts, this is truly something to share in this season.
The Other Side
Average customer rating: 5 out of 5 stars
  • melissa ferrick
  • I am so addicted
  • Believe the reviews
  • the master class
  • Awesome Tunes
The Other Side
Melissa Ferrick
Manufacturer: Right on Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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ASIN: B00025ETXM
Release Date: 2004-06-01

Tracks:

  1. Beijing
  2. The Other Side
  3. Nebraska
  4. Streetlight
  5. I Give Up
  6. Bad Bad Girl
  7. Fearless
  8. Every Three Words
  9. Anything Anywhere
  10. Westbound

Amazon.com

On her seventh studio album, Ferrick gets in touch with her inner control freak, producing, arranging, recording, mixing, and playing every note. That sound you hear isn't a train wreck; it's her manic, percussive guitar and jittery drumming pushing her strongest set of songs over the edge of polite folk confines. The aggressive, albeit mostly acoustic, sound suits the sexual and personal confidence of her lyrics. She burns bridges and laughs, "I'm a wicked good swimmer/watch me dive." She dares an ex-lover to call her "fearless" and when she finds a new partner she threatens to dance into a romantic "slaughterhouse." But the set's finest moment is the deceptively simple highway song "Westbound," a trance-like groove surrounded by spacey synth loops and murmured vocals urging Ferrick further down the road--an apt closing sentiment for her most ambitious album. --Roy Kasten

Customer Reviews:

4 out of 5 stars melissa ferrick.......2007-05-12

i personally love her music,found her on another melissa fan site.went and purchased a used cd.have all her music,will be seeing her for the first time this summer[07]

5 out of 5 stars I am so addicted.......2005-01-07

I recieved this CD in June for my birthday, and listened to it a few times....then when I really listened to it about a month later, I couldn't get enough of it, and I still can't seem to get it out of my CD player. I absolutely love Westbound and Every Three Words, well, actually there isn't a bad song on the whole CD. After seeing her in concert in December, I have discovered that I am completely addicted to ALL of her music... I am buying all the cd's as quick as I can find them. This is my favorite studio album (so far)!

5 out of 5 stars Believe the reviews.......2004-12-04

How many ways are there to say something's good? And how many reasons? I'll throw my 2 cents in because The Other Side really is that good, right up there with Everything I Need and Valentine Heartache, Melissa's 2 best studio albums in my opinion.

She rocks out a bit more on this one, grooving hard on "Bad Bad Girl." "Beijing," the opening track, is the sort of catchy, joyous tune I haven't heard much of since Everything I Need. And the closing track, "Westbound," a low-key song with an undertoned chorus, incorporates electronic elements I haven't heard in her music before and makes the instrumentals more prominent and more important than the vocals.

There really aren't any weak moments on the album. It's folk, pop, rock, and groove. It's very much Melissa.

Don't forget that as good as she is in the studio, Melissa is even better live. So be sure to check out her 3 live albums and catch a show if you can.

5 out of 5 stars the master class.......2004-09-30

After seeing Melissa Ferrick so many times live I started to feel like her albums weren't living up to what I knew best became her - getting on stage and breathing it all: the music, the space, the audience. *The Other Side* has broken my disenchantment with her studio work. 30 seconds into the first song, you know it's all her, and you're grateful for every blissful minute of it. 'Beijing', 'Nebraska', and 'Bad Bad Girl' are standouts - perhaps we have a live replacement for 'Drive' in the latter? I haven't seen her perform in almost a year, but I would be ecstatic to see her drag that song out like she has 'Drive'.

If you've never heard Melissa before, this or *Everything I Need* are good introductions. If it's been awhile, don't hesitate to get this album. And if you've never seen her live, save your money and get a ticket. One gets the feeling that she's found her calling and that she is singularly and entirely herself when performing these songs that mean so much to her. Rarely do I feel that so intensely at any show, and to see her is to feel a connection with her and Brian and everyone else in the room who is tossing around and sharing amazing energy. At a good show, it's better than drugs.

5 out of 5 stars Awesome Tunes.......2004-08-03

I am a recent Melissa Ferrick fan, and I must say I was impressed by this album. I have all her previous records, and Melissa is a musician that never ceases to amaze me. Every album has its own distinct flavor, and this one is no exception. Very different from her past inspirations, this album lacks much of the raw, gritty guitar on her older, much less-produced albums. I must say when I first played this album, I wasn't sure what to think. Especially by the end track "Westbound", which sounds more like a remix of something, but like I said: It's different, and I loved it for that. Like with her past albums, it displays a new side of her talent as a musician, as she plays all the instruments, and once again, we are blessed with her sexy in-your-face lyrics. I have to agree with the other folks who have written reviews that "Bad Bad Girl" is the best track on the album, though, I'd also like to cast a vote for "Anything Anywhere", and "Nebraska", though "Nebraska" isn't as powerful as the live version on "70 People at 7000 Feet". Then again, Melissa is always best live.
Daikaiju
Average customer rating: 4.5 out of 5 stars
  • Large. Apparition. Beast.
  • Pitchforkmedia.com reviews Daikaiju!!
  • HybridMagazine Review
  • Much more than a surf band
Daikaiju
Daikaiju
Manufacturer: Reptile
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Surf RockSurf Rock | Oldies & Retro | Rock | Styles | Music
GeneralGeneral | Miscellaneous | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
Similar Items:
  1. Heavy Surf
  2. Instrumentals
  3. Locked and Loaded
  4. Ultra Sonic Surf Guitars
  5. Sway

ASIN: B0007GAER6
Release Date: 2005-03-08

Tracks:

  1. Daikaiju Die!
  2. Attack of the Crab Women
  3. The Trouble with those Mothra Girls
  4. Sharkakhan
  5. Showdown in Shinjuku
  6. The Daikaiju who Loved Me
  7. Son of Daikaiju
  8. Incognito
  9. Super X-9
  10. Farewell to Monster Island

Customer Reviews:

4 out of 5 stars Large. Apparition. Beast........2006-04-19

Very good stuff here. Not your average surf band. In fact, the traditional surf/reverb sound is toned down, and replaced by a lot more of a distortion sound. If you happen to own the Los Straitjackets 3-D album, think of the first track, Squid, and that should give you a little bit of an idea. Most of this album is very uptempo, so it's perfect for driving and backflipping around your apartment. Too bad these guys will never get famous coz we need more music like this in the world. Kinda makes you wanna watch a Godzilla movie.

4 out of 5 stars Pitchforkmedia.com reviews Daikaiju!!.......2006-01-30

I thought this review said it best of all:

Rating: 7.8

Somewhere along the line, surf music ceased to have anything to do with actual surfing and migrated to kitsch. Dick Dale had "Pipeline", the Surfaris had "Wipe-Out!", and Man...or Astroman? had..."You Can't Get Good Riblets in Space". But although shuddering tremolo bars fit the image of a guy in floral print trunks, the music is mostly instrumental and as such essentially abstract, so you can make it mean anything you want it to. Even early surf rockers like the Ventures and the Tornados realized this and began to incorporate the astronautical, lounge, and kitsch elements that color most efforts in the genre these days.

So the term "surf" as it relates to music today basically just refers to music with lots of reverb and crazy guitar playing, which is fine-- you can acknowledge the roots without trying to turn them into branches. I can say pretty categorically that Croatia's Bambi Molesters are the best surf band in the world today, but given Man...or Astroman?'s long silence, Daikaiju certainly have a claim to the #2 spot. Much like fellow modern surf-rockers Los Straightjackets, the men of Daikaiju keep their identities secret, each represented by a mask in the band's press releases, which also feature a lot of fake Japanese-to-English translations like "Kabuki men deliver most high rocket impact!"

Students of Godzilla, Mothra, and Gamera know that Daikaiju is Japanese for "giant monster," and the Huntsville, Ala., quartet are obviously enamored with the most conspicuous aspects of Japanese popular culture, though they refrain from sticking soundclips from Mechagodzilla sequels all over their albums the way so many other surf groups recently have. They instead opt to let the music speak for itself, and when it does, it's impressive, to say the least. Though their sound is closer to Man...or Astroman? than anything else (it's of course possible that there are members of that band hiding out in their ranks) there's a certain degree of prog muscle behind all that reverbed shredding.

Surf is one of those funny genres where a fan basically knows what to expect and enjoyment comes from hearing it done really well, and Daikaiju delivers on that score, but there is one monumental surprise lurking in this mix in the form of album closer "Farewell to Monster Island". At almost nine minutes long it's nearly four times longer than the average surf instrumental and in place of the manic snare and ride cymbal of a surf beat, the band rides a skanking dub riddim, marrying two genres that in retrospect were born to love each other. The e-bowed interlude is something to hear, but even more impressive is the simple fact that the guitarists hiding behind these masks have a jazz-like sense of how to phrase a solo. The song is the kind of jam that bands just don't do any more, and it sort of makes me wish more would.

So in the end, Daikaiju is an impressive full-length debut for a band that's clearly got more up its sleeve than a few Trashmen 45s and tablature print-outs for "Rabble Rouser". The thing with the masks and stage names like Secret Asian Man and Brain Conflict is frankly little more than a distracting sideshow to the main event, which is of course the band's massive wave of prime surf. Grab your board.

-Joe Tangari, August 31, 2005
[...]

5 out of 5 stars HybridMagazine Review.......2005-09-01

Like me, have you longed for the release of a really great surf rock album? Not a surf rock album that was merely a sterilized distillation of Dick Dale's moments of greatness, but one that reminded how the genre could be freshened up and made viable once again? Perhaps an album that would be as great as the first time that Shadowy Men On A Shadowy Planet made the world sit up and take notice of Canadian surf, or the first time that Man Or Astroman? grabbed hold of space rock and twanged it into surf? Then, boy have I got just the album for you!

Daikaiju's eponymous release is full to the brim with twanging and boinging guitars, blistering tom rolls, and throbbing basslines. From the very first notes of "Daikaiju Die!" the album is a rollicking good time ride through the world of surf rock. Most tracks on the album clock in at right around three and a half minutes, which makes the album pass by so quickly that there will be an immediate need to hit the play button again. None of the tracks are sleepers (Take that, other surf bands!) and every track has it's own unique character, which makes this one of the finest surf albums of all time. Standouts include the brilliant tremolo swoops on "Incognito" and the stuttering machine gun guitars of "Super X-9". The jazzy cymbal wash of "The Trouble With Those Mothra Girls" makes perfect counterpoint to the deliberate bass walks and chiming guitars. The Van Halen-esque rhythm guitars on the intro to "Sharkakhan" give way to a fast paced racing song that would fit right at home in any good spy movie, especially during a chase scene.

No sleeper tracks. Distinctly different feels melodies in each song. Amazing guitar, bass and drum tones. Musicianship of the highest caliber. Those are the things you will find on this release, Daikaiju. And really, beyond that, the only thing you need to know about Daikaiju is that one of the guys goes by the moniker Secret Asian Man. And who can't stand behind that?

-L. Keane

5 out of 5 stars Much more than a surf band.......2005-03-09

It would be easy to label Daikaiju a surf/spy rock band.

Easy, but not really fair, and certainly not accurate.

Daikaiju blends the instrumental surf rock genre with all sorts of other influences. Super-heavy riffs worthy of any hard rock outfit ("Daikaiju Die!"), beautifully intricate melodies (see "Farewell to Monster Island", and hints of reggae, jazz, and even some jamband-esque elements makes for an album that is very distinctive and interesting, never getting repetitive or tiresome at all.

I reccommend this record not only to surf fans, but to lovers of great, unique, instrumental music in general. Buy this record now and experience "the soundtrack to the greatest monster movie never made"

Oh, and for god's sake...seek out their first CD "The Phasing Spider Menace". It's out-of-print, but it's worth any price you might pay just for "Rising Up From the Depths of Time".
Endless Wave, Vol. 1
Average customer rating: 4 out of 5 stars
  • relaxing, inspiring
  • Very liberating
Endless Wave, Vol. 1
Gabrielle Roth
Manufacturer: Raven
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | New Age | Styles | Music
MeditationMeditation | New Age | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
Minimal TechnoMinimal Techno | Techno | Dance & DJ | Styles | Music
GeneralGeneral | New Age | Indie Music | Stores | Music
Similar Items:
  1. Endless Wave, Vol. 2
  2. Sweat Your Prayers
  3. Initiation
  4. Maps to Ecstasy: The Healing Power of Movement
  5. Bones

ASIN: B00002DE3T
Release Date: 1996-04-30

Tracks:

  1. The Wave I: Body Parts
  2. The Wave I: Flowing
  3. The Wave I: Staccato
  4. The Wave I: Chaos
  5. The Wave I: Lyrical
  6. The Wave I: Stillness
  7. The Wave II: Body Parts
  8. The Wave II: Flowing
  9. The Wave II: Staccato
  10. The Wave II: Chaos
  11. The Wave II: Lyrical
  12. The Wave II: Stillness

Customer Reviews:

4 out of 5 stars relaxing, inspiring.......2007-06-27

If you are looking for a CD that'll take you away while moving your body in new sensuous, uninhibited, spiritual ways, this is the one to get. Enjoy!!

4 out of 5 stars Very liberating.......2002-03-10

A friend introduced me to this guided dance CD and I really enjoyed it. My half-hour of following Roth's rhythms and encouragements and improvising my own movement left me feeling incredibly expressed, relaxed, and liberated. Rather than my mind leading my body, for once my body led my mind. Definitely a valuable experience.

I haven't listened to the second half, so I won't comment. Neither have I seen the video, but my friend said watching others do the guided dance detracts from the experience. I bet she's right; I danced with my eyes closed most of the time anyway. If you're interested, get the cd.
Headin' Out
Average customer rating: 5 out of 5 stars
  • surf lives!
  • GREAT FOLLOW UP
  • Very Good CD
  • A "Vara" great surf band returns
Headin' Out
The Vara-Tones
Manufacturer: Veetone
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
Surf RockSurf Rock | Oldies & Retro | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Rock | Indie Music | Stores | Music
Similar Items:
  1. Jetty Subject To High Surf
  2. Surf Sensation
  3. Locked and Loaded
  4. War of The Surf Guitars
  5. Surf-N-Burn

ASIN: B000BGQSJ0
Release Date: 2005-09-14

Tracks:

  1. Headin' Out
  2. Pipeline
  3. The V-Factor
  4. Tickler
  5. Prima Vara
  6. Ramrods 'n' Hotrods
  7. Surf Rider
  8. Surf Man
  9. Mrs. Moto
  10. Ocean Meets Land
  11. Reverberator
  12. Rockin' the Bach
  13. Thingamajig
  14. Beyond the Blue
  15. Soupy Sez
  16. Nite Creatures
  17. Siboney

Product Description

Headin' Out is the second album from the Vara-Tones, following up their very successful first effort "Jetty Subject To High Surf". This album picks up where they left off with more high energy and totally authentic instrumental surf music, as would be expected from these four veterans of the original surf music scene of the sixties.

Customer Reviews:

5 out of 5 stars surf lives!.......2007-05-06

The Vara-Tones were a small time band back in the heyday of surf music, but they have reformed to put out some amazing music. They have the surf sensibilities of the first wave artists, yet play with the energy and edge of 18 year olds! The guitars have incredible tone with tons of reverb. One of the best surf bands out there, and this release is my favorite.

5 out of 5 stars GREAT FOLLOW UP.......2006-11-08

TO THEIR LONG AWAITED ORIGINAL CD, JETTY SUBJECT TO HIGH SURF. THIS ONE IS JUST AS GOOD, MAYBE EVEN A BIT BETTER (IF THAT'S POSSIBLE). FANS OF TRUE SURF MUSIC WILL NOT BE DISAPPOINTED. BILL EPPS IS A GREAT GUITAR PLAYER, AND HAS "THE SOUND". EVERY CUT ON THIS ALBUM IS A WINNER. CAN'T WAIT FOR THEIR NEXT RELEASE (IF THERE IS ONE).

4 out of 5 stars Very Good CD.......2006-08-11

Bill Epps keeps getting better. I liked this CD a lot more than the other Vara-tones release.

5 out of 5 stars A "Vara" great surf band returns .......2005-10-18

The "V" men are back! Back with that great "V" surf sound only they can produce. This is a wonderful explosion of reverb and surfalishious melodies. Headin'Out sets the mood for this great disc with 17 tracks of classic surf sound. Well worth the wait for true Vara-tone fans!!
Fresh Pants
Average customer rating: 5 out of 5 stars
  • They just keep getting better
  • Fresh Pants
  • Another great one!
Fresh Pants
Dotsero
Manufacturer: Cinderblock Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Jazz FusionJazz Fusion | Jazz | Styles | Music
Smooth JazzSmooth Jazz | Jazz | Styles | Music
GeneralGeneral | Jazz | Indie Music | Stores | Music
Similar Items:
  1. West of Westchester
  2. Dotsero Live at Jazz@Jack's
  3. Jumpin' Thru Hoops
  4. Essensual
  5. Off the Beaten Path

ASIN: B0002KIQ5E
Release Date: 2004-07-06

Tracks:

  1. You Talkin to Me?
  2. Sweetness #34
  3. My Leap of Faith
  4. Fresh Pants
  5. Sweet Emotion
  6. Green Goblin
  7. Sleep Tight Katydid
  8. Together Forever
  9. Just Because

Album Description

The latest CD release and 7th studio project from Dotsero featuring 9 fresh tracks set for worldwide release on June 22, 2004. The music has the same unique and identifiable Dotsero sound as previous releases, but adds an undeniable energetic edge and enthusiasm that seems to mirror their live performances that audiences far and wide have come to know and love. Fresh Pants is contemporary jazz at its best.

Customer Reviews:

5 out of 5 stars They just keep getting better.......2005-01-30

This is one of Dotsero's best albums yet with funky tunes like Green Goblin (can't get that bass line out of my mind) and You Talkin to Me?. There's techno-Jazz with Just Because, upbeat smooth tunes like Sweetness #34, and the jazzy-version of Sweet Emotion just plain rocks.

5 out of 5 stars Fresh Pants.......2004-08-24

This is the best Dotsero CD yet. Full of energy, soul, funk. Green Goblin rocks, My Leap of Faith is beautiful, Just Because is funky and fun. Completely in love with Dotsero's version of Aerosmith's Sweet Emotion !!!!

5 out of 5 stars Another great one!.......2004-07-12

Whew! I always look forward to Dotsero's newest release and I'm never disappointed. This is another great effort by the band. They're extremely talented musicians, a pleasure to watch and listen to live and just plain 'ole nice guys. My favorites on this CD are Sweetness #34, My Leap of Faith, Green Goblin and especially 'Just Because.' What a great song! It's been awhile, but I'm planning to see them soon at their joint in Denver so I can hear all their new songs "live."

Music:

  1. In Case of Plank
  2. It's Summertime [CD-single] [Import]
  3. Jagger 67 [CD-single] [Import]
  4. Johnnie Pate at the Blue Note [Live]
  5. Karianne [Import]
  6. Keepin It Lovely [Import]
  7. Komm in Form-Dein Idealgewich [Import]
  8. Latin Chill [Import]
  9. Le Haamin [CD-single] [Import]
  10. Le Rouge Lounge [Import]

Music

music

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Latin Fire the Collection

Manhattan at Midnight [Import] [Original recording remastered]

More Explosive Dance Sports [Enhanced]

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