Lady Fantasy & Japanese Girl [CD-single] [Import]

Lady Fantasy & Japanese Girl [CD-single] [Import]

Track Listings

1. Lady Fantasy

2. Lady Fantasy (Instrumental)

3. Japanese Girl

Tracks:

First Pavan And Galliard
Fanasy In C Major
Allemande (Italian Ground)
Hughe Ashton's Ground
Sixth Pavan And Galliard
'Lord Of Salsibury' - Pavan And Galliard
A Voluntary
Sellinger's Round
Fantasia In D

Customer Reviews:

Glenn Gould's strange genius, Sony's parsimony.......2007-03-12

Glenn Gould was a master of slow tempos, holding long melodic and contrapuntal lines together without using the damper pedal or any obvious pianistic tricks, and his extraordinary way with simple keyboard pieces shines through on this disc.

And even though these compositions are light stuff compared to the towering Bach masterpieces he recorded, there is plenty to enjoy here. And don't feel bad that Byrd and Gibbons are not played on a virginal. Nearly an hour of twanging away at these intimate, charming and modest pieces might drive an earnest modern listener crazy. Feel good about the heft and color of the modern Steinway. Gould brings body and warmth to what might otherwise be very minor pieces.

The "bonus" Sweelinck piece is further evidence of Gould's genius, but the sound quality is absolutely atrocious--taken from Canadian television in 1964 it sounds like something from a basement behind the Iron Curtain in the darkest, most technologically challenged days of Stalin's Cold War.

These are fine recordings that owe everything to Gould's eccentric and pure musical vision, but it must be stated that Sony Classical has hardly been generous with these reissues. The liner notes to this disc archly refer to "Columbia" in quotes, as if the record company that defined an entire era in classical music, comprehensively recording Bruno Walter, Leonard Bernstein, George Szell, Igor Stravinsky, and Glenn Gould, among countless other icons of the era, were a fictional bygone relic that modern day corporate record executives somehow have to refer to "in quotes."

One can hardly imagine that a perfectionist and technophile like Gould would allow such a poorly reproduced cut to be tacked on to one of the records he so lovingly produced.

Gould has never played so sublimely.....Sweelinck is amazing!.......2006-09-08

These recordings are absolute gems. In fact I daresay nothing like these performances has come before nor will come again. Gould is a genius, and the music he performs is timeless as well as historical. One can listen to this music and be transported to the 16th century, such is the power, beauty and effectiveness of Gould's interpretations. I cannot say enough of Gibbons and Sweelink, these masters are terribly underrated and unheard. Gould's touch is magical, technical virtuosity meets a true anachronistic artist. To the naysayers I say they have ears to ear yet do not hear, or in one ear and out the other. Anyone sensitive to true art will appreciate this music. Gould's performances and the composed music transcends banal quibbles like "he plays it too fast", or "it should be played on a virginal". Long live Byrd, Gibbons, Sweelinck and Gould!

Enraptured visions!.......2006-02-07

The interpretative art of Glenn Gould reached sidereal dimensions in this occasion playing the British virginalists. Gould made the complete journey and ellaborated a fine and fascinating portrait about the moods, mesmerizing approach, creating a spelling atmsophere around every single piece of this treasured album.

For all those who admire and still remaind his genius, this album is among his multiple golden recordings a special value.
Inspiered and fine recordings that will reward even the most exigenet listener.

A must-buy.

Brilliant.......2006-01-08

I echo the Spotlight review of J. Anderson, above, who has written eloquently. This music is a transporting experience.

Another Remarkable GG Recording..........2004-05-24

As a GG fan for over 30 years, I thought I knew most of his work; Sony, however, has issued more than was previously available--in a most excellent form. And so, I have the pleasure of discovering yet more wonderful GG works.

I had previously heard of the infamous Byrd/Gibbons recordings in the later 1970s; however, I had never actually heard the recordings themselves (--somehow the LP escaped me). Anyway, I am pleased to announce that this is another remarkable GG recording, and the infamy is due only to critics with a lack of understanding.

Customer Reviews:

Desert Island Early Music Disc.......2006-03-19

I actually heard this on Ohio State's Radio Station, WOSU, way
back in the summer of 1971, I'd just picked up my dog from the vet's, there was a thundershower going on, and this fantastic
album came on the air. I was immediately entranced with it, and
immediately bought the LP. It was out of print for many years,
and so last summer when I was in Seattle for Cycle One of the Ring, I was overjoyed to see a copy of this at Tower Records;and
instantly purchased it.

This is quite possibly one of the best Early Music discs ever
made, bar none. In fact, I believe it set off the Early Music
Revolution-without it, there might be a much smaller interest in
Early Music due to living history enthusiasts, such as the SCA
(Society for Creative Anachronism), Renfaire devotees, and others.

This is the germinal album that started it all: it was the first time that a historical movie had been accurately scored
with the music and instruments of the timeperiod-and David Mun-
row's Early Music Consort's lively interpretations galvanized
a belated enthusiasm for Early Music that continues to evolve
to this very day.

In short, BUY THIS ALBUM-it is a classic. And wonderful to listen to. An added frisson is the Song by King Henry VIII him-
self, "Pastime With Good Company," in his younger days he was
quite the all-round renaissance man, jouster, writer, composer,
athlete, and his music is pretty good, too.

As a companion album to this, I would highly recommend one of the other David Munrow albums to start with, Two Renaissance
Dance Bands, which is LP format was known as Music of the Court:
Music for King Henry VIII and Elizabeth I." This contrasts the
dance music heard at both courts, and the times, also a desert
island early music disc.

In short, BUY THIS DISC!!!!!!!!!!!It kicks musical Uknowwhat!!!

It completely shatters the old, long-held belief that Early Music was dull, dull, dull. Far from it. It was every bit as
lively as anything from the 18th, 19th centuries, and our own.

I'm thrilled to find this is now available on CD!.......2006-01-02

I first received this album as a gift way back in the early 70's, when I was an eleven year old Henry VIII fan. It is often thought to be the score for the BBC six-part series The Six Wives Of Henry VIII, but was actually the score for a spin-off movie by the same name, also starring Keith Michell as King Hal. The six-part series actually did not have much music in it (low budget).

This album has excellent examples of early music, performed on period instruments. It features one song written by Henry VIII, as well as many authentic period pieces. There are a couple of "cheats" - a setting of a poem purportedly written by Anne Boleyn in the Tower before her execution, and a Robin and Marian ballad which was written specifically for the movie, but the rest is authentic and authentically performed. The weakest part of the album is a poor choice in counter tenor, who performs Pastime In Good Company and the song made from the Anne Boleyn poem - he has problems with pitch and diction. Otherwise, the album is purely thumbs up.

Awesome!.......2005-12-30

This CD is actually a re-release of an old album not from the TV series but actually from a spin-off movie. The TV series is titled, "The Six Wives of Henry VIII". The movie was called "Henry VIII & His Six Wives" (which, unfortunately, was never released on video or DVD here in the states, but may be one day). Regardless, this music from the film is a wonderful example of Tudor and Elizabethan music played on authentic instruments by on of the greatest early music scholars and musicians, the late David Munrow. This is an excellent CD for fans of early music and anyone who wants to experience the true sounds of the period.

It's on the mark........2004-12-16

I saw the mini series on PBS and I now own the videos. I believe it is on a box set of DVD's too. The music on this CD is the soundtrack to the series. If you loved Elizabeth R with Glenda Jackson playing Queen Elizabeth back in the 1970's you will definitely love this series. The music and the acting are so incredibly good.

Royal Lewters: Music of Henry VIII & Elizabeth I's

Average customer rating:

Music of The Royal Lewters
great CD

Royal Lewters: Music of Henry VIII & Elizabeth I's
Paul O'Dette
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Early Sixteenth Century Venetian Lute Music
Dowland: Complete Lute Works, Vol.1-5
Robin Hood: Elizabethan Ballad Settings
Baroque Lute Music, Vol. 1
John Johnson: Lute Music

ASIN: B00007BKAE
Release Date: 2003-05-13

Tracks:

Pastyme With Good Companie
Fantasie
Philip's Dump
The Duke Of Somersettes Dompe
My Lady Careys Dompe
Fantasy
Sellenger's Round
A Dump
Chi Passa Per 'Sta Strada
Anthony Pavyn
A Downe
Fantasia
Pawn
A Canzonetta
Collard's Ground
A Canzonetta
The Gathering Of Pescodes
A Paven To Delight
The Galliard To Delighte
Quadro Paven
Omnino Galliard
Carmans Whistle
Passingmeasures Pavin
Walsingham
A Pavin By Mr. Johnson
Galliard
Conde Claros

Customer Reviews:

Music of The Royal Lewters .......2005-08-13

Reviewing a Paul O'Dette lute recording is a difficult task, because one runs out of superlatives so quickly. This is a CD of music written by (or "thought to have been written by") the court lutenists of Henry VIII and Elizabeth I.

My only quibble with this CD is that there are almost none of the more familiar English lute pieces heard here, save for Ferrabosco's "Fantasia" and Robert Johnson's setting of "Carman's Whistle". O'Dette's playing is excellent throughout, it is just a shame that the musical compositions themeselves are frequently rather weak. Still, not every English lute player was the equal to Dowland or Cutting, and this CD is a valuable historical document of representative pieces from the lesser musicians. (NB: There is an extended group of works by John Johnson here, a lutenist whom many consider quite highly. For myself, I've never been able to develop a taste for his pieces.)

I believe that this CD and "Robin Hood" are available as a 2-CD set called "Lusty Gallant"; I would recommend the double-disc for a purchase rather than the two individual CDs.

great CD.......2003-07-23

I'm a big fan of Paul O'Dette - I stumbled on vol. 4 of his "Complete Works of John Dowland" in a used record store a while back and have been enchanted with lute music ever since.
The Royal Lewters is a collection of Tudor-era lute music: lots of charming pieces by little-known composers, and for many of the selections the composer isn't known. There is a surprising amount of variety here, many different tempos, moods, etc., everything from cheerful little dance-like tunes to more solemn, introspective pieces and laments. The recorded sound is excellent, nice and spacious.

Average customer rating:

Hard-swinging contemporary big band performance

Desert Lady/Fantasy
Toshiko Akiyoshi Jazz Orchestra Featuring Lew Tabackin
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music
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Carnegie Hall Concert
Hiroshima: Rising From the Abyss
Art Pepper Meets The Rhythm Section
The Original Quartet With Chet Baker [2-CD SET]
Concert By The Sea

ASIN: B0000029IX
Release Date: 1994-08-09

Tracks:

Harlequim Tears
Desert Lady-Fantasy
Hangin' Loose
Hiroko's Delight
Broken Dreams
Bebop

Customer Reviews:

Hard-swinging contemporary big band performance.......2003-01-18

Pianist/arranger Akiyoshi performs three of her compositions, a tune co-written with primary soloist Lew Tabackin, and one of Tabackin's tunes, plus Dizzy Gillespie's "Bebop". This hard-swinging performance has many exciting moments and will appeal to modern jazz fans with a taste for the brassy tone of massed horns.

Great Pianists of the 20th Century - Earl Wild ~ The Art of the Transcription

Average customer rating:

Entertaining
Riveting
A true romantic.
Redemption of the Transcription

Great Pianists of the 20th Century - Earl Wild ~ The Art of the Transcription
Christoph Willibald Gluck , Jean-Philippe Rameau , Johann Sebastian Bach , Richard Wagner , Nikolay Andreyevich Rimsky-Korsakov , Fritz Kreisler , Felix Mendelssohn , Gioachino Rossini , Fryderyk Chopin , Pyotr Il'yich Tchaikovsky , Adolf Schulz-Evler , Mily Balakirev , Henri Herz , Sigismond Thalberg , Leopold Godowsky , and Earl Wild
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Andre Previn: Great Pianists Of The 20th Century (Music Of Mozart, Poulenc, Shostakovich, Gershwin)
Mitsuko Uchida
Daniel Barenboim
Jorge Bolet 1

ASIN: B00000IIYU
Release Date: 1999-04-13

Tracks:

Melodie d'Orphee
Rigaudon
Elegie
Tambourin
Toccata and Fugue in D minor, BWV 565
Isoldens Tod
The Flight Of The Bumble-Bee
Liebesleid
A Midsummer Night's Dream: Scherzo
Grande Fantaisie On 'Semiramide'
Chants polonais: My Joys
Chants polonais: Spring
Chants polonais: The Maiden's Wish
Swan Lake: Pas de quatre

Tracks:

Arabesques On 'An der sch, blauen Donau'
Fantasy On 'A Life For The Tsar'
La Cenerentola: Variations On 'Non pita'
Fantasy On 'Don Pasquale', Op.67
Symphonic Metamorphosis On 'Krleben'
7 Virtuoso Etudes: 7 The Man I Love
7 Virtuoso Etudes: 1 I Got Rhythm
7 Virtuoso Etudes: 4 Embraceable You
7 Virtuoso Etudes: 6 Fascinatin' Rhythm
7 Virtuoso Etudes: 5 Somebody Loves Me
7 Virtuoso Etudes: 3 Liza
7 Virtuoso Etudes: 2 Oh, Lady Be Good

Customer Reviews:

Entertaining.......2007-01-23

A very interesting pianist, this. He's an entertainer as well as a serious musician and he plays entertaining pieces. He is also a first class composer of transcriptions. Some of his charming Gershwin transcriptions (for which he is rightly famous) are included on this CD.

Earl Wild has an interesting pedigree in pianistic terms, having studied (if only briefly) with one of Liszt's many pupils. Technically he is often excellent, but some pieces seem to fall more easily under his fingers than others. For example, on another CD he makes rather a meal of Liszt's Grande Galope Chromatique but on this CD he plays superbly the fiendishly difficult Rachmaninoff arrangement of Mendelssohn's Midsummer Night's Dream Scherzo - a piece which never lets up in its demand for a deft touch, accuracy and speed. Whatismore, the Scherzo is recorded live, so no editing and barely a single wrong note or misplaced phrase. Bear in mind that Rachmaninoff himself is reputed to have had three takes at it before ending up with a recording he was satisfied with! Overall I don't think Wild has the same order of technical ability as Horowitz, Rachmaninoff, Rubinstein, Barere or Cziffra but he does demonstrate the vital ability to make certain pieces sound "right" in his hands. This certainly doesn't manifest itself in everything he plays, but more in the pieces where he seems to feel at home.

He has obviously put a lot of thought and work into some of these recordings and I would single out the Schubert-Tausig March, Rigaudon, the Midsummer Night's Dream Scherzo, his Gershwin and Tschaikovsky transcriptions and the Blue Danube arabesques as particularly charming and well-performed. I doubt anyone could play his beautiful Embraceable You transcription as well as him. The 2nd Hungarian Rhapsody is also good - solidly played and with plenty of gypsy spirit, and he doesn't pull the piece about all over the place like most pianists do. And the Bumblebee isn't bad either. Also excellent is Gluck's Melodie d'Orphee. He plays this beautifully with exquisitely judged balance and tone. It's a shame some of the other pieces aren't quite as good - Isolde's Liebestod is off target, unfortunately.

I think Earl Wild was one of the great transcribers and it's a shame he didn't write a lot more transcriptions because each one is a beautiful addition to the piano literature. His short and sweet transcription of the Pas de Quatre from Swan Lake (which he plays on this CD) is a total masterpiece. He also dared to play entertaining pieces and to indulge in showmanship, and why not? Why should a concert be a dry lecture? Yes, he is one of the great pianists but not because he had a unique sound or technique - more because he was a great and daring performer and because he made a contribution to piano literature for which the world ought to be grateful.

Riveting.......2000-07-03

This is an incredible CD, marred only by audience coughing and the unnecessary, deafening applause at the end of most cuts, reminiscent of a sitcom laugh track (hence the 4 star rating instead of 5); otherwise, it would have been perfect. The excellent selection of music and Wild's virtuoso playing are both marvelous. I was particularly taken with the Bach fuge and the splendid Gershwin transcriptions. Don't miss this one!

A true romantic........2000-06-21

If you've never heard Earl Wild before, this is a good starting point for you. His technique is impeccable and his mastery of tone allows him to play the most intricate music in the clearest manner. I must admit this disc didn't grab my attention from the very beginning. I found many of these recordings to be an inconsequential jingle-jangle of notes with no true meaning. I still feel that way about the two Thalberg pieces. He may have been Liszt's worthy pianistic rival, but as a composer he comes nowhere close to the great Abbée. Here these pieces get as good a performance as they are likely to get. Also I think Moszkowski's arrangement of the D minor Prelude and Fugue is greatly inferior to Busoni's. I don't care for the way it's played here either. It's too rushed for my taste and it sounds too homophonic, I don't hear the counterpoint of the fugue. This, I believe, is the fault of the arranger and performer alike. The rest of the recordings are excellent. Schulz-Evler's Arabesques are brilliantly played although my favourite recording will always be Jorge Bolet's. Godowsky's transcriptions are so complex and crowded with melodic lines and sonorities that it will leave you gasping for breath. Their performance demands technical powers of the highest caliber. Without that the music will drown in notes. Earl Wild posesses precicely this technique, and in his hands these pieces sound spectacular. Henri Herz's variations may lack profundity but are charming nonetheless. The gems on this disc are Wild's "Virtuoso Etudes" after Gershwin. "Concert Etudes" would have been an even more appropriate title, for despite all the virtuosity, harmonic and melodic invention is the true protagonist. The mood ranges from witty to atmospheric and together with Wild's technique and beautiful tone these pieces create a wonderful unioun. Last but definently not least, I would like to mention the Glinka-Balakirev Fantasy. Here the art of transcription is at its peak and as before, Wild is in full command. Here especially is where his musical gifts shines the brightest. He has it all, perfect legato playing, beautiful singing tone and crystal clear pedaling. A flawless performance. Earl Wild is without doubt a member of the pianistic elite, an old school romantic. I for one think he would have deserved a second unit in the "Great Pianists" series.

Redemption of the Transcription.......2000-02-24

Be prepared: the first piece on this album weaves such a magical spell that you may be startled out of your chair by the applause at the end. The bulk of this collection is from a concert performance, and it was a humdinger. Wild not only displays his astonishing virtuosity, but demonstrates that many of these arrangements and transcriptions are valuable pieces of music in their own right. The Rameau becomes 20th-century neoclassicism through Godowsky and Wild. The Arabesques on the Blue Danube Waltzes becomes a more serious piece than the original ever was. And so on: the bottom line is it's an experience that you don't want to miss. The real gems of this collection, however, are not from the live recital: what I find myself going back to again and again are the Gershwin transcriptions by Wild himself. Breath-taking virtuosity, fascinating arrangements, a beautiful recorded sound, and some great tunes!

Average customer rating:

Peculiar Amazon indexing

100 World's Best Loved Melodies

Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

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Scherzo | Forms & Genres | Classical | Styles | Music

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General | Classical | Styles | Music

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The Most Relaxing Classical Album in the World...Ever!

ASIN: B0009VNBR4
Release Date: 2005-07-05

Tracks:

Blue Danube
Waltz of Flowers
Waltz No. 1
Waltz of the Snowflakes
Naila Waltz
Spanish Dance
I Dream of Jeannie With the Light Brown Hair
Sugar Plum Fairy
Dance of the Comedians
Camptown Races
Carnival of the Animals Finale
Dance of the Clown [From "A Midsummer Night's" Dream]
Dance of the Hours
Dance of the Swans [From "Swan Lake"]
Faust Ballet
Tritsch Tratsch Polka
Hungarian Dance
Dance of the Priestesses
Overture from "William Tell"
Toreador Song [From "Carmen"]
Overture from "Carmen"
Samson & Delilah
Ride of the Valkyries
Baracole from "The Tales of Hoffmann"
Scheherazade
Water Music - The Hornpipe
Nocturne
Eine Kleine Nachtmusik
Hungarian Rhapsody
Prde L& Arlenne
Preer Gynt Suite No. 1 Anitra's Dance
Liebestraum
Adagio from "The New World Symphony"
Flight of the Bumblebee
Ave Maria
Air on a G String
Neapolitan Song
Violin Concerto
Serenade No. 4

Tracks:

When You Wish Upon a Star
Chances Are
Calcutta
Cherry Pink and Apple Blossom White
Gigi
They Call the Wind Maria
Memories Are Made of This
Catch a Falling Star
Smoke Gets in Your Eyes
So in Love
Begin the Beguine
Misty
Little Things Mean a Lot
Embraceable You
It Might as Well Be Spring
On the Street Where You Live
Moment to Remember
Anniversary Song
Golden Days
Theme from a Summer Place
Tonight
Lullaby of Broadway
Easter Parade
Tenderly
Young at Heart

Tracks:

Claire de Lune
Piano Concerto No. 1
Minute Waltz
Piano Concerto
Fantasy Impromptu
Piano Sonata No. 20 - Finale
Swan
Polonaise No. 6
Waltz in C Minor
1812 Overture
Light Cavalry Overture
Nutcracker Overture
Marche Militaire
Tannhauser Overture
Radetsky March
Tragic Overture
Triumphal March
Tales of Vienna Woods
Emperor's Waltz
Waltz. Wine, Women and Song
Voice of Spring
Fledermaus Overture
Skater's Waltz
Roses from the South
Romance
Symphony No. 5
Mer
Moonlight Sonata
Capriccio Espagnol
Lohengrin
Symphonie Fantastique
Greensleeves
Souvenir
Lonely Heart
Die Meistersinger
Polovtsian Dance

Customer Reviews:

Peculiar Amazon indexing.......2007-06-08

A search for Deep Purple's "Smoke on [in] the water," brought up this title. I rate it only #1 because I could not locate the "Smoke on the Water" listing. Amazon seems to be having an indexing problem.

Average customer rating:

Glorious
"Watts" not to like?

André Watts

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Solomon

ASIN: B00000IIYS
Release Date: 1999-04-13

Tracks:

Piano Concerto No. 1 In E flat: 1. Allegro maestoso
Piano Concerto No. 1 In E flat: 2. Quasi adagio - Allegretto vivace - Allegro animato
Piano Concerto No. 1 In E flat: 3. Allegro marziale animato
Grande Etude de Paganin No. 3 'La campanella'
Etude d'execution transcendante No. 10 In F Minor
Hungarian Rhapsody No. 13
Totentanz
Fantasy In C, D. 760 'Wanderer - Fantasie'

Tracks:

Gerswin Songbook (Transcribed For Piano By Composer): 1 Swanee
Gerswin Songbook (Transcribed For Piano By Composer): Somebody Loves Me
Gerswin Songbook (Transcribed For Piano By Composer): 17 Who Cares (So Long As You Care For Me)?
Gerswin Songbook (Transcribed For Piano By Composer): 4 I'll Build A Stairway To Paradise
Gerswin Songbook (Transcribed For Piano By Composer): The Man I Love
Gerswin Songbook (Transcribed For Piano By Composer): Nobody But You
Gerswin Songbook (Transcribed For Piano By Composer): Please Do It Again
Gerswin Songbook (Transcribed For Piano By Composer): 'S Wonderful
Gerswin Songbook (Transcribed For Piano By Composer): 6 Oh, Lady Be Good
Gerswin Songbook (Transcribed For Piano By Composer): Sweet And Low-Down
Gerswin Songbook (Transcribed For Piano By Composer): That Certain Feeling
Gerswin Songbook (Transcribed For Piano By Composer): Liza (All The Clouds Roll Away)
Gerswin Songbook (Transcribed For Piano By Composer): I Got Rhythm
Variations In C MInor, WoO 80
Etude In C, Op. 10 No. 1
Etude In C Sharp Minor, Op. 25 No. 7
Etude In Minor, Op. 25 No. 12
Children's Corner: Doctor Gradus Ad Parnassum
Children's Corner: JImbo's Lullaby
Children's Corner: Seranade For The Doll
Children's Corner: The Snow Is Dancing
Children's Corner: The Little Shepard
Children's Corner: Golliwogg's Cake-Walk
Variations On Theme By Corelli, Op. 42: Theme
Variations On Theme By Corelli, Op. 42: Variation I
Variations On Theme By Corelli, Op. 42: Variation II
Variations On Theme By Corelli, Op. 42: Variation III
Variations On Theme By Corelli, Op. 42: Variation IV
Variations On Theme By Corelli, Op. 42: Variation V
Variations On Theme By Corelli, Op. 42: Variation VI
Variations On Theme By Corelli, Op. 42: Variation VII
Variations On Theme By Corelli, Op. 42: Variation VIII
Variations On Theme By Corelli, Op. 42: Variation IX
Variations On Theme By Corelli, Op. 42: Variation X
Variations On Theme By Corelli, Op. 42: Variation XI
Variations On Theme By Corelli, Op. 42: Variation XII
Variations On Theme By Corelli, Op. 42: Variation XIII
Variations On Theme By Corelli, Op. 42: Intermezzo
Variations On Theme By Corelli, Op. 42: Variation XIV
Variations On Theme By Corelli, Op. 42: Variation XV
Variations On Theme By Corelli, Op. 42: Variation XVI
Variations On Theme By Corelli, Op. 42: Variation XVII
Variations On Theme By Corelli, Op. 42: Variation XVIII
Variations On Theme By Corelli, Op. 42: Variation XIX
Variations On Theme By Corelli, Op. 42: Variation XX
Variations On Theme By Corelli, Op. 42: Coda

Customer Reviews:

Glorious.......2001-02-19

There are not many words that can describe this beautiful performance, so it is better to describe how I felt when listening to it. At times I smiled at the beauty of the piece selected and the grace at which it was played, other times I felt a surge of energy through me as Watts played with power on the Liszt pieces. This is a true gem to add to anyone's collection.

"Watts" not to like?.......2001-02-06

I've been a big Andre Watts fan for most of my piano playing years. And the Great Pianists Series does a fine job in selecting two cds of music from his recordings that show Mr. Watts' particular musical skills.

Andre Watts has been criticized for having a somewhat limited repertoire, but this may be because he plays only what he truly loves. And the love shows through especially in the Liszt Campanelle Etude, the Gershwin and the Chopin.

Tracks:

Pavan
Gaillard
Susanna Fair
Rejoice Unto The Lord
John Come Kiss Me Now
Fantasia No. 2
Have Mercy Upon Me, O God
In Nomine No. 2
In Angel's Weed
Fair Britain isle
Fantasia
Triumph With Pleasant Melody
Pavan In A Minor
Qui passe: For My Lady Nevell
Fantasia No. 3
In Nomine No. 5 A 5: In Nomine No. 5
Christ Rising Again

Customer Reviews:

One of my favorites.......2006-11-23

This CD has a mixture of pieces that would have been performed in a domestic setting, from secular/devotional songs to verse anthems, virginal music and viol consort. Many of the vocal pieces are found in Byrd's "Songs of Sundry Natures." I particularly enjoyed the verse anthems 'Have Mercy Upon Me, O God' and especially 'Christ Rising Again' which is probably the finest recording of that well-known anthem that I've ever heard. Red Byrd captures the domestic nature of these pieces, which is nothing like the typical ethereal cathedral boy soprano/Tallis Scholars type of performance that you would normally hear. They have a very earthy sound and the viol consort plays quite energetically. I also am a big fan of historical pronunciation which they use. And of course I can never get enough of Caroline Trevor's fantastic alto voice. As a result, I've bought every Red Byrd CD I can get my hands on. Do yourself a favor and pick up this bargain CD.

One of the best of all recordings of William Byrd.......2005-07-14

William Byrd is regarded by many as the greatest composer England has ever produced, as a kind of musical Shakespeare. He was certainly one of the greatest of the composers of the Seconda Prattica from around the period of the Reformation and Counter Reformation.

The collection of consort music here is simply superb. Pieces like 'John Kiss Me Now' remind us of the fact that variation form began in England around this time. All of the performances are as good as any I have yet to hear of Byrd's music and Naxos clearly scored something of a coup when managing to sign up this group for a recording like this. This would be equally highly recommendable for three times the price. Just look at the list of performers and you will even find Tesser Bonner of the Tallis Scholars listed here. Needless to say she sings beautifully too.

Perhaps my very favourite aspect of this recording is the fact that period pronounciation is used. While some may feel this to be pedantic, the rather quaint and rustic sounding Tudor English pronouciation in my mind only enhances the characterfulness of the pieces. I must say it puzzles me why even the likes of Emma Kirky insists on using modern English pronouciation when singing Byrd.

This is a hugely enjoyable CD and for the price it is a genuine steal that enhances the image of Naxos as a company dedicated to quality music making, that puts the giant multinational recording cooporations to utter shame. For that Naxos deserve our accolade and support.

Absolutely necessary for every fan of Classic music.......1999-02-19

Extremely fantasti

Average customer rating:

Really great, even if you didn't see the movie
Classic music from a classic movie!
Colin Firth Sings!
"the spirit of Wilde lives on through Oliver Parker & Mole"

The Importance of Being Earnest
Charlie Mole
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Importance of Being Earnest
Pride and Prejudice - The Special Edition (A&E, 1996)

ASIN: B000066AN6
Release Date: 2002-05-07

Tracks:

Importance Of Being Earnest Front Titles
Jack Leaves For The City
Algy Goes Bunburying
Arrival At Lady Bracknell's
The Interview
Jack And Gwendolen
Punting On The River
The Vital Importance Of Being Earnest
Cecily's Fantasy
Teatime
Lady Bracknell
The Debt Collectors
The Serenade (Lady Come Down) - Rupert Everett
Perfectly Heartless
Found In A Handbag
'Where's That Baby?'
Dr. Chasuble Proposes To Miss Prism
'Ernest After All'
Lady Come Down - Rupert Everett

Customer Reviews:

Really great, even if you didn't see the movie.......2006-09-06

My wife and I love this music from the movie. The orchestral arrangements are great. This soundtrack consists mostly of the same three themes and variations thereupon, but with such wide arrays of treatment that it is really fun to listen to. It also helps that the movie was so vibrant that each individual scene can be called to mind simply by hearing the related track. Mostly consists of 1920s-style Jazz, but the dream sequence is very new-age. Colin Firth and Rupert Everett are simply hilarious, lending their voices to a song based on lyrics by Oscar Wilde.

Classic music from a classic movie!.......2002-10-23

The soundtrack to "The Importance of Being Earnest" is one that no music lover should be without. Right after seeing the movie I purchased the soundtrack. Even though I knew that the music was catchy in the movie, there was so much going on that it was really secondary. However, when you have nothing BUT the music playing, it is amazing! The music is a mix of toe-tapping movements and scene-recalling sounds. The song that Colin Firth and Rupert Everett sing is even included, and even funnier than when they sing it in the movie. I would highly recommend this soundtrack to add to your collection! FIVE STARS!! *****

Colin Firth Sings!.......2002-07-24

Imagine that. A rich ragtime jazzy compliation of songs which vividly bring you back to scenes from the movie. Rupert and Colin are hysterically funny but sweet in their versions of Lady Come Down.

"the spirit of Wilde lives on through Oliver Parker & Mole".......2002-05-14

This third remake of mistaken identities is quite witty with a biting tone that is captured by the director Oliver Parker, and a cast of players that pull this off with style. The roles are suited for Rupert Everett (Algernon Moncrieff), Colin Firth (Jack Worthing), Judi Dench (Lady Bracknell), Frances O'Connor (Gwendolyn Fairfax) and Reese Witherspoon (Cecily Cardew) is delightfully funny with a "Once upon a Time" hint, that completely confuses all the characters as to who is "Earnest". Well I won't spoil it for you, you'll just have to listen to the
score.

Our composer, Charlie Mole comes up with one of the happiest and delightful scores, reminiscent of the Henry Mancini days. Not since the Mancini years, have we had such a wonderful selection of tunes, each listener travels farther and farther into the story line. Mole's music takes you into the realm of aristocratic thick of things, with a adventurous touch that brings Oscar Wilde's story up to date with all the musical entrapments. Two wealthy noblemen hoping to win the love of their "hearts desire", each cue becomes more than just music, but a character within the film.

Hats off to Eliza Thompson (music supervisor), Simon Chamberlain (orchestrator), Geoff Alexander (conductor/orchestrator) and wonderfully recorded and mixed by my favorite engineer Mike Ross-Trevor. All in all, this score is a "film-score-buffs" fantasy come true, each cue has several genres. Throughout the album we have sprinkles of Jazz, Swing, shades of Scott Joplin and Parlor Tunes, even Rupert and Colin take a run at "LADY COME DOWN", a light and refreshing vocal duo that adds a personal touch. My highlight pick is "PERFECTLY HEARTLESS", collects each theme and wraps them into one neat package, gotta love it!