2000 O.D.

2000 O.D.

2000 O.D.

Track Listings
 
1. Out There in the Universe
2. So Deep
3. 2000 O.D.
4. First Trip
5. Loopy Loo.
6. Turn off Your Mind....Relax...Float Downstream.
7. Genetically Modified Human
8. Telepathic Contact

2000 O.D.,Space Tribe,Efa (Caroline),Dance,Dance Music,Goa Trance,Pop,Popular Music,Techno
Daniel Barenboim Live From the Teatro Colon 2000
Average customer rating: 5 out of 5 stars
  • A luminous recital
Daniel Barenboim Live From the Teatro Colon 2000
Daniel Barenboim , Wolfgang Amadeus Mozart , Fryderyk Chopin , and Alberto Ginastera
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
ASIN: B00006YX6Q
Release Date: 2002-12-10

Tracks:

  1. I. Allegretto Moderato
  2. II. Andante Cantabile
  3. III. Allegretto
  4. I. Allegro Assai
  5. II. Andante Con Moto
  6. III. Allegro Ma Non Troppo - Presto
  7. Sonata, Kk 9 In D Minor
  8. Sonata, Kk 159 In C Major
  9. Moment Musical, D780 (No.3) In F Minor
  10. 'Des Abends' (Fantasiestucke, Op.12 No.1)
  11. Etude, Op.25 No.2 In F Minor
  12. Nocturne, Op.27 No.2 In D Flat Major
  13. Bailecito
  14. Danza De La Moza Donosa (Danzas Argentinas, Op.2 No.3)
  15. Polichinelle (Prole Do Bebe, Book 1, 1918)

Amazon.com

Recorded August 19th, 2000 at the Téatro Colon in Buenos Aires, Daniel Barenboim's recital commemorating the fiftieth anniversary of his debut (at age seven) yields uneven results. In Beethoven's "Appassionata" Sonata, for instance, the pianist is below his best form. In contrast to his more controlled (and better engineered) DG recording, Barenboim forgoes the finale's essential repeat, and pounds his way through the coda with no pretense to subtlety. He swoons over Scarlatti's D Minor "Pastorale" sonata, and lays heavily into the C Major (K. 159) Sonata's dancing patterns. Mozart's K. 330 Sonata in the same key comes alive through Barenboim's witty, incisive way with the Finale. Following an iron-bound, charmless Schubert F Minor Moment musical, Barenboim positively sings out Schumann's Des Abends and the Chopin F Minor Etude and D-flat Nocturne. The Resta, Ginastera, and Villa-Lobos encores are played to the hilt, with all the idiomatic élan they deserve. --Jed Distler

Customer Reviews:

5 out of 5 stars A luminous recital.......2006-11-05

Barenboim never forgets his birth land. From time to time, he returns to give the best of his interpretative skills, but the big difference between and the rest of the keyboard players resides in his astonishing vision and well thought approach around the single or elemental piano work

Daniel illuminates the score due his directorial conception around the work; and as well as Ashkenazy, Perahia, Badura Skoda or Edwin Fisher this double vision nourishes and enriches the composition to play.

So, this is a very recommendable album to acquire. Barenboim in the peak of his powers giving the best of his craftsmanship.

Animal 2000
Average customer rating: Not rated
    Animal 2000
    A.D.O.R.
    Manufacturer: Tru Reign Records
    ProductGroup: Music
    Binding: Audio CD

    Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
    GeneralGeneral | Rap & Hip-Hop | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
    GeneralGeneral | Rap & Hip-Hop | Indie Music | Stores | Music
    ASIN: B0000516SI
    Release Date: 2000-11-21

    Tracks:

    1. The Birth
    2. Forever Lifeflow
    3. Animal 2000
    4. Treasures
    5. Cock'd Back
    6. Superfly
    7. Retro Wreck
    8. It Getz No Ruffa
    9. Metropolis Wizards
    10. Hey My Dawg
    11. The Rush (Mecca 2000 Mix)
    12. The Definition
    Two Thousand Years: Music From The Major Television Series
    Average customer rating: Not rated
      Two Thousand Years: Music From The Major Television Series

      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

      All Works by AllegriAll Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B000026BRD
      Release Date: 1999-11-09
      Bach 2000 Light (Without Sacred Cantatas)
      Average customer rating: Not rated
        Bach 2000 Light (Without Sacred Cantatas)
        Various Conductors , Various Performers , and Various Ensembles
        Manufacturer: Elektra / Wea
        ProductGroup: Music
        Binding: Audio CD

        AllemandesAllemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music
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        All Works by Carl Philipp Emman. BachAll Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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        InventionsInventions | Forms & Genres | Classical | Styles | Music
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        PassacagliasPassacaglias | Variations | Forms & Genres | Classical | Styles | Music
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        VariationsVariations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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        FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
        OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
        CelloCello | Strings | Instruments | Classical | Styles | Music
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        ViolinViolin | Strings | Instruments | Classical | Styles | Music
        Academy of Ancient MusicAcademy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
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        Baroque (c.1600-1750)Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music
        GeneralGeneral | Sacred & Religious | Classical | Styles | Music
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        CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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        CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
        CapricesCaprices | Vocal Non-Opera | Opera & Vocal | Styles | Music
        MagnificatsMagnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music
        MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
        MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
        OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
        PassionsPassions | Vocal Non-Opera | Opera & Vocal | Styles | Music
        PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ClassicalClassical | Box Sets | Stores | Music
        ASIN: B00001IV8C
        Release Date: 1999-09-21

        Amazon.com

        The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

        Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

        Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

        The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For\ the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

        Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

        The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May --This text refers to the complete edition of this title

        Album Description

        Volume 1, 11 Discs
        Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

        Volume 2, 14 Discs
        The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

        Volume 3, 7 Discs
        The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

        Volume 4, 16 Discs
        The Organ Works; 16 CDs; Ton Koopman

        Volume 5, 11 Discs
        The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

        Volume 6, 11 Discs
        The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

        Volume 7, 13 Discs
        The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

        Volume 8, 10 Discs
        The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt
        Chalice of Steel
        Average customer rating: Not rated
          Chalice of Steel
          Paragon
          Manufacturer: B.O. Records
          ProductGroup: Music
          Binding: Audio CD
          ASIN: B000OG6QUI

          Product Description

          1999 German release on B.O. Records. Song list: 1. Intro 2. Dragons Flight 3. Legions of Metal 4. Chalice of Steel 5. Wheels of Eternity 6. Desectrate 7. Intro : Dark Tale 8. Casting shadows 9. Burn at the Stake 10. Journey Home 11. A.D. 2000 12. Violence and Force
          2000 O.D.
          Average customer rating: 4.5 out of 5 stars
          • Ollie Wisdom is going the right way
          • Man, that is so deep...
          2000 O.D.
          Space Tribe
          Manufacturer: Efa Imports
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Dance & DJ | Styles | Music
          GeneralGeneral | Techno | Dance & DJ | Styles | Music
          TranceTrance | Dance & DJ | Styles | Music
          GeneralGeneral | Dance & DJ | Indie Music | Stores | Music
          Techno-HouseTechno-House | Dance & DJ | Indie Music | Stores | Music
          ASIN: B00002MECT
          Release Date: 1999-12-07

          Tracks:

          1. Out There in the Universe
          2. So Deep
          3. 2000 O.D.
          4. First Trip
          5. Loopy Loo.
          6. Turn off Your Mind....Relax...Float Downstream.
          7. Genetically Modified Human
          8. Telepathic Contact

          Customer Reviews:

          5 out of 5 stars Ollie Wisdom is going the right way.......2000-10-16

          2000 o.d is one of the best trance albums of 1999. Ollie Wisdom seems to be going the right way and 2000 o.d is by far their best album yet... i say yet because religious experience promises to be one of the best this year. My favorite track is definitely track 5, loopy loo... nice intro and then some serious bass, which makes you want to groove all night... track 3 and 6 are also simply mind blowing... very pumping and spacey trance with amazing sound samples which just add to make mindlblowing songs. I have always felt that space tribe has amazing sound samples in their cd's, and 2000 o.d is a confirmation of this fact. A must buy for a collector of trance... but maybe you would want to wait for religious experiences if you want to check out 1 album of space tribe. However i would reccomend them both as 2000 o.d. is simply too good to miss.

          4 out of 5 stars Man, that is so deep..........2000-06-09

          2000 o.d. is the only cd from Space Tribe that i listened to. I thought it was a risky buy at first (especially when i saw the cover which, in my opinion, is really ugly)but after 20 seconds my mind was blown away by the cool trance beats that this cd is filled with. The tracks are very fast-paced and energetic. There's always something interesting going on. The 3 last tracks are what keeps this cd from perfection but they still rock in their own way. I can't really compare this to other Space Tribe offerings that were made before so I can't say if it's better than any other of their cds ,but regardless of the past this is really a high quality title that fans of fast, trippy trance will really enjoy, period.
          Richard Tauber In Opera
          Average customer rating: Not rated
            Richard Tauber In Opera

            Manufacturer: Grammofono 2000
            ProductGroup: Music
            Binding: Audio CD

            All Works by FlotowAll Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
            All Works by LeoncavalloAll Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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            Tauber, RichardTauber, Richard | ( T ) | Featured Performers, A-Z | Classical | Styles | Music
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            Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
            Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
            Offenbach, JacquesOffenbach, Jacques | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
            Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
            Vocal Works by VerdiVocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music
            Flotow, Friedrich vonFlotow, Friedrich von | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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            FrenchFrench | Languages | Opera & Vocal | Styles | Music
            GermanGerman | Languages | Opera & Vocal | Styles | Music
            ItalianItalian | Languages | Opera & Vocal | Styles | Music
            ASIN: B000003UFS
            Release Date: 1996-01-15

            Tracks:

            1. Don Giovanni: Dalla Sua Pace
            2. Don Giovanni: Il Mio Tesoro
            3. Die Entfuhrung Aus Dem Serail: Konstanze, Kostanze
            4. Die Zauberflote: Bildnisarie
            5. Martha: Ach So Fromm
            6. Rigoletto: Quseta O Quella
            7. Rigoletto: La Donna E Mobile
            8. Il Trovatore: Ah, Si, Ben Mio
            9. Il Trovatore: Di Quella Pira
            10. La Traviata: De' Miei Bollenti Spiriti
            11. Les Contes D'Hoffmann: Legend Von Kleinsach
            12. Les Contes D'Hoffmann: Ha, Wie In Meiner Seele
            13. Carmen: Air De Fleur
            14. I Pagliacci: Prologo
            15. Tosca: Recondita Armonia
            16. Tosca: E Lucevan Le Stelle
            17. Madama Butterfly: Addio Fiorito Asil
            18. Turandot: Non Piangere Liu
            19. Turandot: Nessun Dorma
            Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
            Average customer rating: 3.5 out of 5 stars
            • Bach is priceless
            • Buy the works you like....
            • Poor Bach
            • A Treasure Trove
            • 147 out of 153 ain't bad!
            Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
            Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas
            Manufacturer: Teldec
            ProductGroup: Music
            Binding: Audio CD

            AllemandesAllemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music
            MinuetsMinuets | Ballets & Dances | Classical | Styles | Music
            TriosTrios | Chamber Music | Classical | Styles | Music
            GeneralGeneral | Chamber Music | Classical | Styles | Music
            All Works by Carl Philipp Emman. BachAll Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
            All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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            MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
            MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
            OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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            ASIN: B00001IV8B
            Release Date: 1999-09-14

            Tracks:

            1. Wie schon leuchtet der Morgenstern
            2. Du Wahrer Gottes und Marien Sohn
            3. Erfuellet, ihr himmlischen goettlichen Flammen
            4. Ein irdscher Glanz, wein leiblich Licht
            5. Unser Mund und Ton der Saiten
            6. Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
            7. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
            8. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
            9. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
            10. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
            11. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
            12. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
            13. Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
            14. Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
            15. Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
            16. Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
            17. Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
            18. Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger

            Tracks:

            1. Ich elender Mensch, wer wird mich erloesen
            2. O Schmerz, o Elend, so mich trifft
            3. Solls ja so sein
            4. Ach lege das Sodom der suendlichen Glieder
            5. Hier aber tut des Heilands Hand
            6. Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
            7. Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
            8. Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
            9. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
            10. Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
            11. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
            12. Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
            13. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
            14. Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
            15. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
            16. Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
            17. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
            18. Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
            19. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber

            Tracks:

            1. (Caro) Was Gott tut, das ist wohlgetan
            2. (Alto, Tenore) Was Gott tut, das ist wohlgetan
            3. (Soprano) Was Gott tut, das ist wohlgetan
            4. (Basso) Was Gott tut, das ist wohlgetan
            5. (Alto) Was Gott tut, das ist wohlgetan
            6. Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
            7. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
            8. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
            9. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
            10. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
            11. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
            12. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
            13. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
            14. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
            15. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
            16. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
            17. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
            18. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
            19. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
            20. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden

            Tracks:

            1. Sinfonia
            2. Nach dir, Herr, verlanget mich
            3. Doch bin und bleibe ich vergnuegt
            4. Leite mich in deiner Wahrheit
            5. Zedern muessen von den Winden
            6. Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
            7. Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
            8. Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
            9. Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
            10. Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
            11. Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
            12. Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
            13. Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
            14. Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
            15. Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
            16. Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
            17. Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
            18. Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
            19. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
            20. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
            21. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
            22. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
            23. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
            24. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
            25. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
            26. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
            27. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden

            Tracks:

            1. Die Zeit, die Tag und Jahre macht
            2. Auf, Sterbliche, lasset ein Jauchzen ertoenen
            3. So bald, als dir die Sternen hold
            4. Es streiten, es siegen die kuenftigen Zeiten
            5. Bedenke nur, begluecktes Land
            6. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
            7. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
            8. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
            9. Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
            10. Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
            11. Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
            12. Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
            13. Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
            14. Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
            15. Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
            16. Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens

            Tracks:

            1. Kyrie eleison
            2. Christe eleison
            3. Kyrie eleison
            4. Gloria in excelsis Deo
            5. Laudamus te
            6. Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
            7. Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
            8. Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
            9. Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
            10. Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
            11. Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner

            Tracks:

            1. Singet dem Herrn ein neres Lied
            2. Der Geist hilft unser Schwachheit auf
            3. Komm, Jesu, komm
            4. Jesu, meine Freude
            5. Fuerchte dich nicht, ich bin bei dir
            6. Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall

            Tracks:

            1. Fantasia et Fuga in g BWV 542
            2. Fuga in g BWV 578
            3. Canzona in d BWV 588
            4. Praeludium et Fuga in h BWV 544
            5. Praeludium et Fuga in a BWV 543
            6. Fant in c, BWV 562 - Ton Koopman
            7. Prld Et Fuga in C, BWV 531 - Ton Koopman
            8. Fant in G, BWV 572 - Ton Koopman
            9. Fant in C, BWV 570 - Ton Koopman
            10. Passacaglia in c, BWV 582 - Ton Koopman

            Tracks:

            1. Inventio 1 BWV 772
            2. Inventio 2 BWV 773
            3. Inventio 3 BWV 774
            4. Inventio 4 BWV 775
            5. Inventio 5 BWV 776
            6. Inventio 6 in E, BWV 777 - Zuzana Ruzickova
            7. Inventio 7 in e, BWV 778 - Zuzana Ruzickova
            8. Inventio 8 in F, BWV 779 - Zuzana Ruzickova
            9. Inventio 9 in f, BWV 780 - Zuzana Ruzickova
            10. Inventio 10 in G, BWV 781 - Zuzana Ruzickova
            11. Inventio 11 in g, BWV 782 - Zuzana Ruzickova
            12. Inventio 12 in A, BWV 783 - Zuzana Ruzickova
            13. Inventio 13 in a, BWV 784 - Zuzana Ruzickova
            14. Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
            15. Inventio 15 in b, BWV 786 - Zuzana Ruzickova
            16. Sinf 1 in C, BWV 787 - Zuzana Ruzickova
            17. Sinf 2 in c, BWV 788 - Zuzana Ruzickova
            18. Sinf 3 in D, BWV 789 - Zuzana Ruzickova
            19. Sinf 4 in d, BWV 790 - Zuzana Ruzickova
            20. Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
            21. Sinf 6 in E, BWV 792 - Zuzana Ruzickova
            22. Sinf 7 in e, BWV 793 - Zuzana Ruzickova
            23. Sinf 8 in F, BWV 794 - Zuzana Ruzickova
            24. Sinf 9 in f, BWV 795 - Zuzana Ruzickova
            25. Sinf 10 in G, BWV 796 - Zuzana Ruzickova
            26. Sinf 11 in g, BWV 797 - Zuzana Ruzickova
            27. Sinf 12 in A, BWV 798 - Zuzana Ruzickova
            28. Sinf 13 in a, BWV 799 - Zuzana Ruzickova
            29. Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
            30. Sinf 15 in b, BWV 801 - Zuzana Ruzickova

            Tracks:

            1. Prelude and Fugue in A minor: Praeludium
            2. Prelude and Fugue in A minor: Fuga
            3. Prelude and Fughetta in E minor: Praeludium
            4. Prelude and Fughetta in E minor: Fuga
            5. Prelude in G major BWV 902a
            6. Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
            7. Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
            8. Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
            9. Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
            10. Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
            11. Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
            12. Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
            13. Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
            14. Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
            15. Prld in E, BWV 937 - Zuzana Ruzickova
            16. Prld in C, BWV 939 - Zuzana Ruzickova
            17. Prld in d, BWV 940 - Zuzana Ruzickova
            18. Applicatio in C, BWV 994 - Zuzana Ruzickova

            Tracks:

            1. Suite in G minor BWV 995: Prelude
            2. Suite in G minor BWV 995: Allemande
            3. Suite in G minor BWV 995: Courante
            4. Suite in G minor BWV 995: Sarabande
            5. Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
            6. Ste in g, BWV 995: Gigue - Luca Pianca
            7. Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
            8. Ste in e, BWV 996: Allemande - Michele Barchi
            9. Ste in e, BWV 996: Courante - Michele Barchi
            10. Ste in e, BWV 996: Sarabande - Michele Barchi
            11. Ste in e, BWV 996: Bourree - Michele Barchi
            12. Ste in e, BWV 996: Gigue - Michele Barchi
            13. Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
            14. Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
            15. Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
            16. Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca

            Tracks:

            1. Concerto for two violins BWV 1043: Vivace
            2. Concerto for two violins BWV 1043: Largo, ma non tanto
            3. Concerto for two violins BWV 1043: Allegro
            4. Concerto BWV 1042: Allegro
            5. Concerto BWV 1042: Adagio
            6. Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
            7. Con in a, BWV 1041: Allegro - Alice Harnoncourt
            8. Con in a, BWV 1041: Andante - Alice Harnoncourt
            9. Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
            10. Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
            11. Con in g, BWV 1056R: Largo - Alice Harnoncourt
            12. Con in g, BWV 1056R: Presto - Alice Harnoncourt
            13. Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
            14. Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
            15. Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt

            Amazon.com

            The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

            Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

            Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

            The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

            Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

            The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May

            Album Description

            Volume 1, 15 Discs
            Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt

            Volume 2, 15 Discs
            Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt

            Volume 3, 15 Discs
            Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt

            Volume 4, 15 Discs
            Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt

            Volume 5, 11 Discs
            Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

            Volume 6, 14 Discs
            The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

            Volume 7
            , 7 Discs
            The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

            Volume 8, 16 Discs
            The Organ Works; 16 CDs; Ton Koopman

            Volume 9, 11 Discs
            The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

            Volume 10, 11 Discs
            The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

            Volume 11, 13 Discs
            The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

            Volume 12, 10 Discs
            The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

            Customer Reviews:

            5 out of 5 stars Bach is priceless.......2006-11-10

            I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.

            2 out of 5 stars Buy the works you like...........2006-01-11

            If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.

            2 out of 5 stars Poor Bach.......2005-11-26

            In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."

            I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
            right out of business.

            The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)

            Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?

            If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.

            5 out of 5 stars A Treasure Trove.......2004-03-07

            This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.

            5 out of 5 stars 147 out of 153 ain't bad!.......2001-04-29

            Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.

            If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.

            In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!

            I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].

            The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.

            We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.

            It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.

            If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.
            Too Thuggish 4 U: 2000
            Average customer rating: Not rated
              Too Thuggish 4 U: 2000
              Chilly D.
              Manufacturer: S.a.o.g. Ent
              ProductGroup: Music
              Binding: Audio CD

              GeneralGeneral | Rap & Hip-Hop | Styles | Music
              Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
              ASIN: B00004T8L9
              Release Date: 2000-04-25

              Tracks:

              1. Too Thuggish 4-U Intro - Chilly D.,
              2. Too Far Gone [Remix] - Chilly D.,
              3. Husle on... - Chilly D., , Lil' Sin,
              4. G.E.T.O. G.A.N.G.Z.T.A., Pt. 2 - Chilly D., ,
              5. Survival of Tha Husler [Remix] - Chilly D.
              6. T.E.A.R. D.R.O.P. (Closing Doors)
              7. Get It Started
              8. Gangzta P_____! - Chilly D., Dirty Red
              9. C What I C! - Chilly D.,
              10. Thuggin' - Chilly D.,
              11. Do U Feel? - Chilly D., ,
              12. Momma and Daddy [Radio Edit] - Chilly D., Draby,
              13. My Hood Raised a Thug - Chilly D.,
              14. Criminal Enough - Chilly D.,
              15. Wild, Wild, South [Radio Edit] - Chilly D.
              16. Hommiez Gone [Radio Remix] - Chilly D.
              Piano e forte, April 2000: APR Catalogue & Details of Special CD
              Average customer rating: 5 out of 5 stars
              • From APR's treasure chest
              • A great selection
              Piano e forte, April 2000: APR Catalogue & Details of Special CD

              Manufacturer: Appian ( Apr )
              ProductGroup: Music
              Binding: Audio CD

              PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
              WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
              All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
              GeneralGeneral | Dohnányi, Ernö von | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by KhachaturianAll Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by Domenico ScarlattiAll Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
              All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
              EtudesEtudes | Forms & Genres | Classical | Styles | Music
              PreludesPreludes | Forms & Genres | Classical | Styles | Music
              GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
              SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
              SuitesSuites | Forms & Genres | Classical | Styles | Music
              GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
              Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
              GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
              General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
              PianoPiano | Keyboard | Instruments | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
              GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
              GeneralGeneral | Classical | Styles | Music
              GeneralGeneral | Chamber Music | Classical | Styles | Music
              Lullabies & BerceuseLullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
              BarcarollesBarcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music
              RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
              GeneralGeneral | Opera & Vocal | Styles | Music
              RussianRussian | Languages | Opera & Vocal | Styles | Music
              ASIN: B00004RJ2V
              Release Date: 2000-03-28

              Customer Reviews:

              5 out of 5 stars From APR's treasure chest.......2000-09-01

              I daresay this disc is a positive "mixed bag", a well-done blend of old and new recordings by pianists who have been featured earlier on APR releases and by "newcomcers". It is a real pleasure also to learn from the booklet that Cor de Groot's recorded legacy will be in the catalogue again. And Sergio Fiorentino's Rachmaninov-like account of Mendelssohn's "Spinning Song" and above all his incomparable recording of that composer's Etude in B flat cannont be appreciated enough.

              5 out of 5 stars A great selection.......2000-08-04

              This CD contains a fascinating variety of pieces and pianists. I had never heard the "Musical Box" by Deodat de Severac - very amusing. The Alkan Prelude played by Ronald Smith is well worth hearing. I would further recommend his new double CD, also on APR - containing Alkan Chamber Works + some piano pieces.(APR 7032)

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              4. Amorematico [Import]
              5. Audiophonic, Vol. 3
              6. Beats by the Pound
              7. Bleep Blurp Blip: the Music of [Import]
              8. Brown
              9. Bunkka [Import]
              10. Cheer Trax Volume 13

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