Vers 1 [Import]

Vers 1 [Import]

Track Listings

1. Schonesoliel [Original Version]

2. Salvation [Digby & Oliver Remix] - L'Orient Imaginaire

3. Twisted [Pappa & Gilbey's Re: Mix]

4. Resistance [Original Version]

5. Sorry Mate You've Got the Wrong House [Steve Porter's Back on Trak Remi - Two Right Wrongans

6. Arrahant [Lemon 8 Inner Sanctuary Remix] - Gary Azukx,

7. Excursion [Funk Function Remix]

8. Onwards & Upwards [Original Version]

9. Earthbound [Pappa & Gilberry Remix] - Aquilia

10. Astrattaura [Original Version]

Editorial Reviews
Product Description
San Francisco DJ, Jerry Bonham, Mixes the First Label CD Compilation from Inversus Records, "Vers 1". Featuring Some of the Hottest Tracks that have Appeared on Inversus as Well as Three Tracks Exclusive for the CD Project, this Compilation is a True Indicator of the Past, Present and Future of the Inversus Label. Opening with the Beautiful "Schonesoliel", a Moving Melodic Break Beat Affair from New and Rising Canadian Stars, Benz and Md, the CD Moves Effortlessly from Cut to Cut, Showing off Bonham's Talents that have Cemented Him as a Stalwart of the Us Progressive Scene. Next, Australians Digby and Oliver's Dark and Throbbing Remix of Lorient's "Salvation" Sets a Dark and Moody Tone Before Things Move Quickly Into the Hard and Dark Sounds of Some of Inversus' Greatest Hits, Such as Pappa and Gilbey's "Twisted", and the Timeless Steve Porter Mix of "Sorry Mate, You've Got the Wrong House".

Customer Reviews:

Nothing but hits.......2001-01-31

As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.

Average customer rating:

Valuable compendium
Rareties available on CD at last!
Heavenly
WHO ELSE CAN SING LIKE THIS TODAY?

The Art of Joan Sutherland

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Joan Sutherland: BBC-Recitals 1958, 1960, 1961
The Art of the Prima Donna
La Stupenda ~ The Supreme Voice of Joan Sutherland
Serate Musicali
The Voice of the Century

ASIN: B000654OUQ
Release Date: 2005-03-15

Customer Reviews:

Valuable compendium.......2007-01-24

This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.

Rareties available on CD at last!.......2006-03-29

While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").

While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.

I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.

Heavenly.......2006-01-31

I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.

WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10

This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.

Complete Masterworks Recordings, 1962-1973

Average customer rating:

Horowitz: good. Amazon: good. Sony Classical: BAD.
ARE YOU CRAZY RICH OR CRAZY STUPID?
merely spectacular!
I have never regretted buying this...
The greatest 20th Cent. pianist at his best!

Complete Masterworks Recordings, 1962-1973

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

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Similar Items:

Complete Recordings on Deutsche Grammophon
Chopin: The Piano Works
Liszt: Piano Works
Horowitz Encores
Brahms: Works for Solo Piano

ASIN: B000002909
Release Date: 1993-10-05

Tracks:

Sonata In E Major, K 531 (L430): Allegro
Sonata In A Major, K322 (L483): Allegro
Sonata In G Major K455 (L209): Allegro
Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Etude In C-sharp Minor, Op. 25 No. 7: Lento
Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
3 Preludes - From Book II: V. Bruyeres. Calme
3 Preludes - From Book II: VI. General Lavine - eccentric.
Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico

Tracks:

Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
Etude-Tableau In C, Op.33 No.2: Allegro
Etude-Tableau In C, Op.33 No.2: Appassionato
Arabeske In C, Op.18: Leicht und zart
Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
KINDERSZENEN, OP.15: 2. Kuriose Geschichte
KINDERSZENEN, OP.15: 3. Hansche-Mann
KINDERSZENEN, OP.15: 4. Bittendes Kind
KINDERSZENEN, OP.15: 5. Gluckes genug
KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
KINDERSZENEN, OP.15: 7. Traumerei
KINDERSZENEN, OP.15: 8. Am Kamin
KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
KINDERSZENEN, OP.15: 10. Fast zu ernst
KINDERSZENEN, OP.15: 11. Furchtenmachen
KINDERSZENEN, OP.15: 12. Kind im Einschlummern
KINDERSZENEN, OP.15: 13. Der Dichter spricht
Toccata In C, Op.7: Allegro
Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)

Tracks:

Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Allegretto
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Vivo
Keyboard Sonatas: Allegro

Tracks:

Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
Fantasie In C, Op.17: II. Massig. Durchaus energisch
Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile

Tracks:

Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
Etude In F major, Op. 10 No. 8: Allegro
Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Serenade For The Doll. Allegro ma non troppo
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
Traumerei
Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso

Tracks:

Mazurka In B minor, Op. 33 No. 4: Mesto
Nocturne In E Minor, Op. 72 No. 1: Andante
Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
Piano Sonata In F Major, Hob. XVI: 23: III. Finale
Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento

Tracks:

Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Nocturne In F Minor, Op. 55 No. 1: Andante
Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
Sonata In E major, K 380 (L23): Andante commodo
Sonata In G major, K 55 (L335): Allegro
Arabeske In C Major, Op. 18: Leicht und zart
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
Traumerei
Variations On A Theme From Bizet's Opera 'Carmen'

Tracks:

Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
Adagio sostenuto In F Major
Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
Sonata In A Major, Op. 50 No. 1: II. Adagio
Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
Sonata In F-Sharp Major, K 319 (L35): Allegro
Sonata In G Major, K 260 (L124): Allegro
Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
Sonata In C major, Hob. XVI:48: II. Rondo
Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro

Tracks:

Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
II. Allegretto
Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto

Tracks:

Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
Etude in G-flat major, Op. 10 No. 5: Vivace
Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
Waltz in A minor, Op. 34 No. 2: Lento
Polonaise in A-flat Major, Op. 53: Maestoso
Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
Mazurka in E minor, Op. 41 No. 2: Andantino
Mazurka in D major, Op. 33 No. 2: Vivace
Etude in C-sharp minor, Op. 10 No. 4: Presto
Etude in E major, Op. 10 No. 3: Lento, ma non troppo
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Prelidu In B Minor, Op. 28 No. 6: Lento assai

Tracks:

Posonaise in A major, Op. 40 No. 1: Allegro con brio
Prelude in D-flat major, Op. 28 No. 15: Sostenuto
Etude in E-flat minor, Op. 10 No. 6: Andante
Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
Mazurka In F Minor, Op. 7 No. 3
Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
Kreisleriana, Op. 16: I. Ausserst bewegt
Kreisleriana, Op. 16: II.Sehr innig
Kreisleriana, Op. 16: III. Sehr aufgeregt
Kreisleriana, Op. 16: IV. Sehr langsam
Kreisleriana, Op. 16: V. Sehr lebhaft
Kreisleriana, Op. 16: VI. Sehr langsam
Kreisleriana, Op. 16: VII. Sehr rasch
Kreisleriana, Op. 16: VIII. Schnell und spielend

Tracks:

Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
Consolation In E Major S. 172 (R.12) No. 2
Pour les arpeges composes: Dolce e lusingando
La terrasse des audiences du clair de lune: Lent
Etude In A Minor Op. 104b No. 3: Allegro vivace
Scherzo & March S. 177 (R.20)

Tracks:

Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
Etude In D-Flat Major Op. 8 No. 10: Allegro
Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
Etude In F-Sharp Major Op. 42 No 3: Prestissimo
Etude In F-Sharp Major Op. 42 No. 4: Andante
Etude In C-Sharp Minor Op. 42 No. 5: Affannato
Etude Op. 65 No. 3: Molto vivace
No. 1: Allegretto
2 Poemes Op. 69: No. 2: Allegretto
Vers la flamme Op. 72: Allegro moderato
Feuillet d'album Op. 58
Fairy Tale In A Major Op. 51 No. 3
Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
Moment musical In B Minor Op. 16 No. 3: Andante cantabile
Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
Etude-Tableau In C Major Op. 33 No. 2: Allegro
Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)

Amazon.com

It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz

Customer Reviews:

Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24

I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!

When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.

Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.

And kudos to you Amazon; you're really looking out for your customers!

ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25

Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.

merely spectacular!.......2001-03-10

I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.

I have never regretted buying this..........2000-08-22

Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.

For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.

And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.

For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.

The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.

Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.

The greatest 20th Cent. pianist at his best!.......2000-04-15

If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!

Average customer rating:

The Romantic Harp

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Harp Showpieces
Music for Solo Harp
Judy Loman - Baroque Harp
Genius of Salzedo/Original Works & Transcriptions
The Harmonious Harp

ASIN: B000B6N66I
Release Date: 2005-10-18

Tracks:

Fantasy On A Theme Of Haydn, Op.31
Vers La Source Dans Le Bois
Sarabanda And Toccata
Impromptu-Caprice, Op.9
Spanish Dance No.1
Une Chatelaine En Sa Tour, Op.110
Impromptu, Op.86
III. Scintillation (Cadenza)
Prelude In C Major, Op.12, No.7
Ballade, Op.28

Average customer rating:

Messiaen and I genuflect in different ways
Worth It!
What does it matter if it's mono?
Profound Music, Profound Peformance. Poor Recording.
Invaluable

Messiaen par lui-même

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Olivier Messiaen: Complete Organ Works
Car Wheels on a Gravel Road

ASIN: B000002SBX
Release Date: 1992-05-12

Tracks:

Le Banquet Celeste (1926)
Diptyque (Essai sur la vie terrestre et l'eternite religieuse) (1929)
Apparition de l'Eglise Eternelle (1931)
L'Ascension I: I. Majeste du Christ demandant sa gloire a son pere
L'Ascension II: II. Alleluias sereins d'une ame qui desire le Ciel
L'Ascension III: III. Transports de joie d'une ame devant la gloire du Christ qui set la sienne
L'Ascension IV: IV. Priere du Christ montant vers son Pere

Tracks:

La Nativite du Seigneur: I. La Vierge et l
La Nativite du Seigneur: II. Les Bergers
La Nativite du Seigneur: III. Desseins Eternels
La Nativite du Seigneur: IV. Le Verbe
La Nativite du Seigneur: V. Les Enfants de Dieu
La Nativite du Seigneur: VI. Les Anges
La Nativite du Seigneur: VII. Jesus accepte la souffrance
La Nativite du Seigneur: VIII. Les Mages
La Nativite du Seigneur: IX. Dieu parmi nous

Tracks:

Les Corps glorieux: I. Subtilite des Corps glorieux
Les Corps glorieux: II. Les Eaux de la Grace
Les Corps glorieux: III. L'Ange aux parfums
Les Corps glorieux: IV. Combat de la mort et de la vie
Les Corps glorieux: V. Force et Agilite des Corps glorieux
Les Corps glorieux: VI. Joie et clarte des Corps glorieux
Les Corps glorieux: VII. Le Mystere de la Sainte-Trinite

Tracks:

Messe de la Pentecote: I: Entree
Messe de la Pentecote: II: Offertoire
Messe de la Pentecote: III: Consecration
Messe de la Pentecote: IV: Communion
Messe de la Pentecote: V: Sortie
Livre d'orgure: I: Reprises par interversion
Livre d'orgure: II: Premiere piece en trio
Livre d'orgure: III: Les Mains de l'abime
Livre d'orgure: IV: Chants d'oiseaux
Livre d'orgure: V: Deuxieme piece en trio
Livre d'orgure: VI: Les Yeux dans les roues
Livre d'orgure: VII: Soixante-quatre durees

Customer Reviews:

Messiaen and I genuflect in different ways.......2006-02-08

I stumbled across a short biography of Messiaen in a literary journal. A devout Catholic, Messiaen was purportedly commited to preservation of medieval sacred music -- which led me to pick up this album -- and yet all I find is that composed some of the most minimalistic modern 'music' that I've ever heard. According to musical theorists, there is a beauty in the mathematical algorithms that he exercises on his keyboard, but in no way does that beauty extend into a melodic piece. This is not sacred gregorianesque music, this is not heavenly plainsong, this is not glorious baroque. If Messiaen truly did intend this to be sacred music, all I can say is that he and I genuflect in different ways.

Worth It!.......2005-12-15

When I approached this set I too was worried about the mono recording and the quality of the sound, but then I realized it's Messiaen himself playing his works. The Deutche-Grammaphone box set looks wonderful but to hear the compser play his music as he intended is worth more than stereo.

The music itself is some of the best 20th century classical/experimental. Messiaen's organ works are special. He used a church organ in the way his contemporaries were using tape machines, sine generators, filters and early modular synthesizers. The result is highly luminous and cerebral. The music drifts in and out structure and dissonance. One of the great characteristics about these works is that they all flow from one sound source(the organ), which gives off a feeling of sonic autonomy as if the music were a completely self-perpetuating entity, always existing. Who knew an organ could facilitate so many tones and resonances? "Soixante-quatre durées" is the pinnacle of his experimental endevours.

What does it matter if it's mono?.......2005-03-10

This is a monumental masterful monolithic monstrosity of a set of cd's (pardon the alliteration). Messiaen was truly an organist at heart, and his organ works are truly organ works. He never wrote as some did, with no knowledge of the instrument. He had been organist at Saint-Trinité for twenty-plus years before this recording, and he has inspired me to learn some of these pieces myself. There is so much to say about these amazing discs, but I will limit myself to saying that no matter what people say about mono recordings or unadvanced compositions, from Le banquet céleste to the Livre pour orgue, Messiaen's genius shines through. My personal favorite is the opener, Le banquet céleste. It touches a certain place in your soul left for whatever deity you worship. Buy this recording, because it is such a bargain for a master of his art in the 20th century.

Profound Music, Profound Peformance. Poor Recording........2001-08-24

One of the peculiarities of the twentieth century is the presence of recordings. If Mendelssohn had wished to hear Bach perform, it was too late; the secrets that Bach held playing his music were forever lost to him. Not many recognized Messiaen during his lifetime as the genius performer and composer that he was, and so now that the chance to hear him in person has passed, those interested must turn to recordings. How fortunate we are to have the recordings, though! It is good that we have records of titans like Bartok, Ives and Messiaen in our vaults! This is a must for any musician and a worthwhile listen for any `layman.' Messiaen was one of the most influential teachers of music in the Twentieth century and has left us some of the most important ovure from the epoch. Listening to a modernist perform his modern works, there is none of the coldness that comes from performers playing the music without understanding it, none of the feeling of listening to a trained bird. Messiaen plays expressing complex and powerful emotions; faith, awe, terror, mystery, majesty. The drawback is, of course, the poor recording that blunts the powerful timbres of the organ. But comparing Messiaen's performance with any that I have heard, I would take this recording before any of the other recordings of Messiaen's music. It is very powerful. Listen especially to the `Pentacost Mass.'One of the best recordings I own. One of the few profound performances recorded.

Invaluable.......1999-11-29

A must for organists who play Messiaen's works. How fortunate that we have a recording of Messiaen playing his own organ compositions. Although the performances aren't perfect they are extremely helpful, especially regarding tempii .. when he notes "extremement lent", he means it !

Average customer rating:

The artistry and allure of a French nightingale
High note feast :)
Simply beautiful high notes
Mady Mesplé's wonderful album
A glorious bit of memorabilia from a sadly forgotten soprano

The Very Best of Mady Mesplé

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Airs D'opérettes
Very Best of
Natalie Dessay - French Opera Arias
The Very Best of Régine Crespin
The Very Best of Kirsten Flagstad

ASIN: B0006VYELY
Release Date: 2005-04-26

Tracks:

Ah!...Ou Va La Jeune Hindoue?
Ah! Je Veux Vivre
Oui! Pour Ce Soir...Je Suis Titania La Blonde (Polonaise)
Les Oiseaux Dans La Charmille
A Vos Jeux...Partagez-vous Mes Fleurs...Et Maintenant, Ecoutez Ma Chanson!
Una Voce Poco Fa
Ah! Non Credea Mirarti...Ah! Non Giunge
Di Piacer Mi Balza Il Cor
Gualtier Malde...Caro Nome
Il Dolce Suono...Ardon Gl'Incensi...Spargi D'Amaro Pianto

Tracks:

Quartet No.2 For Soprano, Violin, Viola, & Cello
In Furore Giustissimae Irae
I. La Dame D'Andre - Gabriel Tacchino
II. Dans L'Herbe - Gabriel Tacchino
III. Il Vole - Gabriel Tacchino
IV. Mon Cadavre Est Doux Comme Un Gant - Gabriel Tacchino
VI. Fleurs - Gabriel Tacchino
Les Chemins De L'Amour Op.106 (Anouilh) - Gabriel Tacchino
A Chloris (Viau) - Dalton Baldwin
Si Mes Vers Avaient Des Ailes (Hugo) - Dalton Baldwin
L'Heure Exquise (Chanson Grises, Verlaine) - Dalton Baldwin
Le Chapelier (Chalupt)
Dapheneo (Godebska)
La Diva De L'Empire (Intermezzo Americain) (Bonnaud & Bles)
Ecoutez, C'est Le Chant Des Cigales
Au Bord Du Chemin Qui Passa A Ma Porte
La Bergere Colinette (Villanelle)
Tout Est Soleil, Tout Est Printemps

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

The artistry and allure of a French nightingale.......2007-06-03

This is one of the rare cases when the title of a CD matches completely its content. The Very Best of Mady Mesplé showcases the amazing talent and legacy of the beautiful lady that was the star coloratura soprano of the Paris Opera during the second part of the twentieth century. The first CD is dedicated to opera arias, and only a hearing of the first number, The Bell Song from Delibes' Lakmé, gives us a summary of what makes Mesplé so special. There is hardly a more musical or virtuosic version than the one presented here (from her complete recording of the opera). The legend is presented by the soprano with engaging interest and great attention to the words. The bell refrains are amazingly fast, with diminutive stacatti, a great trill and ravishing high notes. The final cadenza is very exciting, ending with a firm, beautiful high E that soars triumphally over the orchestra. All these qualities are present when she is singing Juliette, Philine, Ophélie and Olympia. Particularly on this last aria she conveys in her voice the illusion of hearing an automaton instead of human being and there is no ornamentation except on an interpolated high Eflat at the end. It is remarkable how Mesplé always is musical with her ornamentation. The Italian arias that end the first Cd are very pretty, even though they are not as successful, given the distinctive sound of the soprano, more in her element with the nuances of her native language than the legato singing that is proper to the belcanto style. However, the arias are still lovely, specially Una voce poco fa, where Mesplé showcases not only her high register but also the lower part of her voice by singing the first part of "Io sono docile" exactly the way it is written. CD number 2 takes the listener to a totally different aspect of Mady Mesplé's artistry with incursions into contemporary music, a Baroque cantata, French art song and French operetta. The Quartet no.2, for soprano, violin, viola and cello is a very demanding piece where the soprano becomes another instrument: dissonant and difficult intervals are required in all the registers of the voice. The soprano succeeds on this as well as the motet by Vivaldi, a totally different number of equal difficulty. A great part of the CD is then dedicated to songs by Poulenc, Hahn and Satie, where the singer perfectly conveys the mélodie style with her very distinctive sound, that can convey all degrees of emotion, from innocence to worldliness. Specially remarkable are Poulenc's Le chemin de l'amour, Hahn's Si mes vers avait des ailes and Satie' La diva de l'empire. The final part of the CD is dedicated to French operetta arias, a very important part of Mesplés discography. All the selections are a delight. It is worth noticing that she recorded the virtousic aria from Massé's Les noces de Jeanette in 1981, in the later part of her career and there is no difference in the sound and technique from Mesplé's debut recordings. The CD ends in a high note (literally and metaphorically) with a delightful waltz by Johann Strauss where she ends with a stunning Aflat over high C. In summary, this is a superb presentation of the career of Mady Mesplé, a singer who was not only one of the most stunning coloraturas of all time, but also a gifted and versatile artist.

High note feast :).......2006-10-02

I love this set. Her voice is similar to that of Pons, but this is in clear stereo sound! And her highest notes don't sound like whistle tones! The Bell song won me over; Sutherland is still my favorite singer, but she did not have the acuti of Mesple. Very good listening here.It is all so effortless - that final note on CD 2 (A-flat above high c''') is astonishing!

Simply beautiful high notes.......2006-08-14

I feel ashamed of myself. Really. For all the years I have been listening to pons and sutherland and callas and the more recent dessay and jo, I never really paid attention to Mady Mesple. I really wished I had. Her voice is so pure and bell-like similar to Pons but with a much richer middle range and with the most impressive solid low range I have heard on a coloratura sopranos. It is a tragedy that she was over shadowed by the coloratura powerhouse which is Joan Sutherland. Her high notes are to die for and really it would hard to find anyone who can hit them like her. She may not have Pons agility but the lightness and tone of her high e flat can certainly go head to head with pon's and may possibly be a tiny step above pon's which up until this point didn't think was possible.

Mady Mesplé's wonderful album.......2005-08-30

I felt a sense of awe listening to Mady Mesplé's voice. Of the two CD set, I much prefered CD #1 as #2 was a bit too modern for me. #1 has many of my favorite soprano arias, and Mlle. Mesplé did them all justice.

A glorious bit of memorabilia from a sadly forgotten soprano.......2005-05-10

Mady Mesple is one of the best kept secrets of the music industry today. Of course, when you're singing around the same time as Joan Sutherland you're rather likely to be overshadowed. Still, Mesple offers a wealth of musical goods that even Sutherland never could have given. Not only is her coloratura technique virtually flawless, she (gasp)inflects every word she sings with great sensitivity to the text, never losing grasp of the character she is striving to portray. Of course, she does have a rather controvertial aspect to her voice that many listeners may object to, As a classic french coloratura, her vibrato is VERY fast, fluttering tremulously at all times but never getting in the way of her pitch. Still, her high notes are exceptional (the second CD ends with a glorious high A flat) and the fresh, girlish beauty of her tone is unsurpassed even today (my apologies to Natalie Dessay). Be sure not to miss her Bell Song, by FAR the best I have ever heard! Her voice has a crystaline quality that is PERFECT for that particular aria. Her Doll Song is rather weak, but her mad scene from Hamlet MORE than makes up for it (can we say eight seconds of beautiful high F harp?!!). The second CD offers Mady in a more matura phase of her life, singing sensuously in more traditional art songs before going on to challenging operetta arias. And you won't want to miss the violin, viola, cello, soprano quartet that opens the CD!!! Let's just say you're in for a surprise... this CD is a must-have!

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin

Average customer rating:

Essential for the chansom junkie. Buy It.
Almost completely wonderful
Indisputable Gallic flair
Idiomatic, fresh, cleanly recorded
the best songs ever ruined by uneven performing

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Francis Poulenc , Dalton Baldwin , Elly Ameling , Gérard Souzay , Nicolai Gedda , Michel Sénéchal , and William Parker
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Debussy - Mélodies / Ameling · Mesplé · Command · Souzay · von Stade · Baldwin
Fauré - Mélodies / Souzay · Ameling · Baldwin
A French Song Companion
Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
The Songs of Henri Duparc

ASIN: B000002S31
Release Date: 1992-01-23

Tracks:

LE BESTIAIRE OU CORTEGE D'ORPHEE: I - Le Dromadaire
LE BESTIAIRE OU CORTEGE D'ORPHEE: II - La Chevre Du Tibet
LE BESTIAIRE OU CORTEGE D'ORPHEE: III - La Sauterelle
LE BESTIAIRE OU CORTEGE D'ORPHEE: IV - Le Dauphin
LE BESTIAIRE OU CORTEGE D'ORPHEE: V - L'ecrevisse
LE BESTIAIRE OU CORTEGE D'ORPHEE: VI - La Carpe
COCARDES: I - Miel De Narbonne
COCARDES: II - Bonne D'enfant
COCARDES: III - Enfant De Troupe
5 POEMES DE RONSARD: I - Attributs
5 POEMES DE RONSARD: II - Le Tombeau
5 POEMES DE RONSARD: III - Ballet
5 POEMES DE RONSARD: IV - Je N'ai Plus Les Os
5 POEMES DE RONSARD: V - A Son Page
CHANSONS GAILLARDES: I - La Maitresse Volage
CHANSONS GAILLARDES: II - Chanson A Boire
CHANSONS GAILLARDES: III - Madrigal
CHANSONS GAILLARDES: IV - Invocation Aux Parques
CHANSONS GAILLARDES: V - Couplets Bachiques
CHANSONS GAILLARDES: VI - L'offrande
CHANSONS GAILLARDES: VII - La Belle Jeunesse
CHANSONS GAILLARDES: VIII - Serenade
AIRS CHANTES: I - Air Romantique
AIRS CHANTES: II - Air Champetre
AIRS CHANTES: III - Air Grave
AIRS CHANTES: IV - Air Vif
Epitaphe
3 POEMES DE LOUISE LALANNE: I - Le Present
3 POEMES DE LOUISE LALANNE: II - Chanson
3 POEMES DE LOUISE LALANNE: III - Hier
4 POEMES DE GUILLAUME APOLLINAIRE: I - L'anguille
4 POEMES DE GUILLAUME APOLLINAIRE: II - Carte Postale
4 POEMES DE GUILLAUME APOLLINAIRE: III - Avant Le Cinema
4 POEMES DE GUILLAUME APOLLINAIRE: IV - 1904
5 POEMES DE MAX JACOB: I - Chanson Bretonne
5 POEMES DE MAX JACOB: II - Cimetiere
5 POEMES DE MAX JACOB: III - La Petite Servante
5 POEMES DE MAX JACOB: IV - Berceuse
5 POEMES DE MAX JACOB: V - Souric Et Mouric
8 CHANSONS POLONAISES: I - La Couronne
8 CHANSONS POLONAISES: II - Le Depart
8 CHANSONS POLONAISES: III - Les Gars Polonais
8 CHANSONS POLONAISES: IV - Le Dernier Mazour
8 CHANSONS POLONAISES: V - L'adieu
8 CHANSONS POLONAISES: VI - Le Drapeau Blanc
8 CHANSONS POLONAISES: VII - La Vistule
8 CHANSONS POLONAISES: VIII - Le Lac

Tracks:

5 POEMES DE PAUL ELUARD: I - Peut - Il Se Reposer?
5 POEMES DE PAUL ELUARD: II - Il La Prend Dans Ses Bras
5 POEMES DE PAUL ELUARD: III - Plume D'eau Claire
5 POEMES DE PAUL ELUARD: IV - Rodeuse Au Front De Verre
5 POEMES DE PAUL ELUARD: V - Amoureuses
A Sa Guitare
TEL JOUR, TELLE NUIT: I - Bonne Journee
TEL JOUR, TELLE NUIT: II - Une Ruine Coquille Vide
TEL JOUR, TELLE NUIT: III - Le Front Comme Un Drapeau Perdu
TEL JOUR, TELLE NUIT: IV - Une Roulotte Couverte En Tuiles
TEL JOUR, TELLE NUIT: V - A Toutes Brides
TEL JOUR, TELLE NUIT: VI - Une Herbe Pauvre
TEL JOUR, TELLE NUIT: VII - Je N'ai Envie Que De T'aimer
TEL JOUR, TELLE NUIT: VIII - Figure De Force Brulante Et Farouche
TEL JOUR, TELLE NUIT: IX - Nous Avons Fait La Nuit
3 POEMES DE LOUISE DE VILMORIN: I - Le Garcon De Liege
3 POEMES DE LOUISE DE VILMORIN: II - Au-Dela
3 POEMES DE LOUISE DE VILMORIN: III - Aux Officiers De La Garde Blanche
2 POEMES DE GUILLAUME APOLLINAIRE: I - Dans Le Jardin D'anna
2 POEMES DE GUILLAUME APOLLINAIRE: II - Allons Plus Vite
MIROIRS BRULANTS: I - Tu Vois Le Feu Du Soir
MIROIRS BRULANTS: II - Je Nommerai Ton Front
Le Portrait
La Grenouillere
Priez Pour Paix
Ce Doux Petit Visage
Bleuet
FIANCAILLES POUR RIRE: I - La Dame D'andre
FIANCAILLES POUR RIRE: II - Dans L'herbe
FIANCAILLES POUR RIRE: III - Il Vole
FIANCAILLES POUR RIRE: IV - Mon Cadavre Est Doux Comme Un Gant
FIANCAILLES POUR RIRE: V - Violon
FIANCAILLES POUR RIRE: VI - Fleurs

Tracks:

BANALITES: I - Chanson D'orkenise
BANALITES: II - Hotel
BANALITES: III - Fagnes De Wallonie
BANALITES: IV - Voyage A Paris
BANALITES: V - Sanglots
CHANSONS VILLAGEOISES: I - Chanson Du Clair Tamis
CHANSONS VILLAGEOISES: II - Les Gars Qui Vont A La Fete
CHANSONS VILLAGEOISES: III - C'est Le Joli Printemps
CHANSONS VILLAGEOISES: IV - Le Mendiant
CHANSONS VILLAGEOISES: V - Chanson De La Fille Frivole
CHANSONS VILLAGEOISES: VI - Le Retour Du Sergent
METAMORPHOSES: I - Reine Des Mouettes
METAMORPHOSES: II - C'est Ainsi Que Tu Es
METAMORPHOSES: III - Paganini
2 POEMES DE LOUIS ARAGON: I - C
2 POEMES DE LOUIS ARAGON: II - Fetes Galantes
2 POEMES DE GUILLAUME APOLLINAIRE: I - Montparnasse
2 POEMES DE GUILLAUME APOLLINAIRE: II - Hyde Park
2 POEMES DE GUILLAUME APOLLINAIRE: I - Le Pont
2 POEMES DE GUILLAUME APOLLINAIRE: II - Un Poeme
Paul Et Virginie
Mais Mourir
Hymne
3 CHANSONS DE FEDERICO GARCIA LORCA: I - L'enfant Muet
3 CHANSONS DE FEDERICO GARCIA LORCA: II - Adelina A La Promenade
3 CHANSONS DE FEDERICO GARCIA LORCA: III - Chanson A L'oranger Sec
Le Disparu
Main Dominee Par Le Coeur
CALLIGRAMMES: I - L'espionne
CALLIGRAMMES: II - Mutation
CALLIGRAMMES: III - Vers Le Sud
CALLIGRAMMES: IV - Il Pleut
CALLIGRAMMES: V - La Grace Exilee
CALLIGRAMMES: VI - Aussi Bien Que Les Cigales
CALLIGRAMMES: VII - Voyage

Tracks:

Mazurka
LA FRAICHEUR ET LE FEU: I - Rayon Des Yeux...
LA FRAICHEUR ET LE FEU: II - Le Matin Les Branches Attisent...
LA FRAICHEUR ET LE FEU: III - Tout Disparut...
LA FRAICHEUR ET LE FEU: IV - Dans Les Tenebres Du Jardin...
LA FRAICHEUR ET LE FEU: V - Unis La Fraicheur Et Le Feu...
LA FRAICHEUR ET LE FEU: VI - Homme Au Sourire Tendre...
LA FRAICHEUR ET LE FEU: VII - La Grande Riviere Qui VA...
PARISIANA: Le Joueur De Bugle
PARISIANA: Vous N'ecrivez Plus?
Rosemonde
LE TRAVAIL DU PEINTRE: I - Pablo Picasso
LE TRAVAIL DU PEINTRE: II - Marc Chagall
LE TRAVAIL DU PEINTRE: III - Georges Braque
LE TRAVAIL DU PEINTRE: IV - Juan Gris
LE TRAVAIL DU PEINTRE: V - Paul Klee
LE TRAVAIL DU PEINTRE: VI - Joan Miro
LE TRAVAIL DU PEINTRE: VII - Jacques Villon
La Souris
Nuage
Dernier Poeme
Une Chanson De Porcelaine
LA COURTE PAILLE: I - Le Sommeil
LA COURTE PAILLE: II - Quelle Aventure!
LA COURTE PAILLE: III - La Reine De Coeur
LA COURTE PAILLE: IV - Ba, Be, Bi, Bo, Bu
LA COURTE PAILLE: V - Les Anges Musiciens
LA COURTE PAILLE: VI - Le Carafon
LA COURTE PAILLE: VII - Lune D'avril
Toreador
4 CHANSONS POUR ENFANTS: I - La Tragique Histoire Du Petit Rene
4 CHANSONS POUR ENFANTS: II - Nous Voulons Une Petite Soeur
4 CHANSONS POUR ENFANTS: III - Le Petit Garcon Trop Bien Portant
4 CHANSONS POUR ENFANTS: IV - Monsieur Sans-Souci
Fancy
Colloque

Customer Reviews:

Essential for the chansom junkie. Buy It........2006-10-25

'Poulenc Melodies' performed by a really impressive lineup of vocal talent including Elly Ameling and Nicolai Gedda is exactly the kind of recording you need if you are compulsive about having 'complete' collections of things. This shows a range of composition which smaller releases such as single CD 'Voyage a Paris' (Hyperion, with Felicity Lott and Graham Johnson)can give us. For starters, many of these chansom showed a lot more evidence of more modern stylings and a far greater range of interpretation. In fact, I even had to check the lyrics in the included booklet to verify that on some songs, the performers were singing in French. Even though I have a smattering of knowledge of French, I would have sworn that the singers were performing songs in Russian.

I am happy that all four discs run for more than 60 minutes. No cheap short changing here. If you don't want to spring for the large set, the Hyperion release is great, but this is worth every penny.

Almost completely wonderful.......2005-04-29

Its very considerable advantage lies in its completeness. Poulenc was one of the very greatest songwriters of any era. If you have no Poulenc songs in your collection, start here. The recommendation of Kruysen is a fine one, but only after you have heard this as a basis of comparison. Of Ameling, Senechal, Souzay, Gedda, and Parker, the only disappointment is Parker, who - I'll just say it - sings with his usual bleat. Souzay is a shade past it in vocal quality, but he still understands these songs as well as anybody, with great declamation (and that, after all, is what most of French singing is about). The dryness of the voice is nowhere close to disastrous, as it might have been in Italian opera. Indeed, it lends an air of life lived, without excuses. Gedda is okay. The standouts are Souzay, Ameling, and Senechal. Baldwin accompanies superbly.

Indisputable Gallic flair.......2004-06-06

These performances are piquant and stylistically right on target. Even if Souzay is past his best here, he brings a lifetime of experience to bear and the other performers are wonderful. Ignore the curmudgeon who blasted this set. You will enjoy this tremendously if you love Poulenc.

Idiomatic, fresh, cleanly recorded.......2001-05-12

This is a fine set. Dalton Baldwin accompanies each singer with clarity and zest. And who can resist the affectionate singing of the likes of Nicolai Gedda and Elly Ameling? The "melodies" themselves are magnificent--among Poulenc's finest creations. Whether you have other performances of these works or not, I think you'd be pleased with this beautifully recorded set. Certainly the 70's-vintage performances are more individual in profile, more "romantic," if you will, than those conjured by most of the "anonymous" singers of our own age. Recommended with enthusiasm.

the best songs ever ruined by uneven performing.......2001-05-05

This is a warning for all Poulenc fans NOT to take the bargain route and purchase this immense collection -- you might think you're getting a great deal but: the singing and pianism is substandard and doesn't do the music justice (remotely). Songs like Bonne Journe'e or Ho^tel are all but ruined... Here's what to buy: Bernard Kruysen's CD of selected Poulenc masterpieces (favoring the Elouard settings)... nobody will ever come close to Kruysen in interpreting Poulenc. Avoid THIS CD. They still get 2 stars for (1) being encyclical and (2) delivering clear and even sound quality.

Average customer rating:

Lean and mean Scriabin ... you know you like it!
Save your weekly three BigMac's and buy this CD set instead! top recommendation. cheap, cheap, cheap!!! :D
Bleah
Sloppy, bombastic, and with poor sound quality
Idiomatic and expressive Scriabin

Scriabin: Complete Sonatas
Michael Ponti , and Scriabin
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Complete Piano Works of Scriabin
Scriabin: Complete Symphonies
Saint-Saëns: Complete Works for Piano
Horowitz Plays Scriabin
Fauré: Piano Music complete [Box Set]

ASIN: B00007J4SK
Release Date: 2002-12-10

Tracks:

Sonata-Fantasy In G-Sharp Minor Op. Posth.
Allegro Appassionato
Andante
Presto
Allegro Con Fuocoso
Presto
Funebre
Andante
Presto
Drammatico
Allegretto
Andante
Presto Con Fuoco
Alegro. Impetuoso. Con Stravaganza - Languido - Presto Con Allegrez

Tracks:

Andante
Prestissimo Volando
Modere
Allegro
No. 1: Allegro Fantastico
No. 2: Allegretto
No. 3: Molto Vivace
Lento - Allegro Agitato
Moderato Quasi Andante
Moderato - Allegro
Poeme No. 1
Poeme No. 2
Vers La Flamme Op.72
No. 1: Guirlandes
No. 2: Flammes Sombres
No. 1: Douloureux Dechirant
No. 2: Tres Lent 'Contemplatif'
No. 3: Allegro Drammatico
No. 4: Lent, Vague, Indecis
No. 5: Fier Belliqueux

Customer Reviews:

Lean and mean Scriabin ... you know you like it!.......2007-05-06

The wide divergence of review comments about this CD reflects the difference of opinion and preference for how Scriabin's music should be played. As a member of the Scriabin Society of America, I've personally seen and heard many different interpretations of many of these sonatas ... along with strong opinions voiced both pro and con.

In the end, it all comes down to whether you like your Scriabin lean and taut ... or prefer him broad and expansive. I come down on the "lean" side, which is why I enjoy these performances. Michael Ponti misses some notes here and there, but when your Scriabin is almost going off the edge, that's what happens. Scriabin should never sound "pretty" -- especially in the Sonatas. Yes, there are moments of sheer exquisiteness to savor, but ultimately this is music that stretches the bounds of tonality and rattles the structural cage, trying to break free.

Once you've heard Ponti's take on Sonatas 4 and 5 -- or the Black and White Mass Sonatas for that matter -- you'll never again be satisfied with a merely "correct" or "poised" reading. That's selling Scriabin WAY too short ... but it's what 80% of the other pianists do. Oh yeah, but they might get all the notes correct.

Save your weekly three BigMac's and buy this CD set instead! top recommendation. cheap, cheap, cheap!!! :D.......2006-08-08

this complete sonatas box cannot be directly compared with competing recordings, such as Ashkenazy or Hamelin, because..it has many more pieces and sonatas(!): 10 sonatas, 2(!) early sonatas in G-sharp minor, and in E-flat minor, 3 Etudes op.65, 2 Poemes op.71, Verslaflamme op.72, 2 Danses op.73, 5 Preludes op.74. What a shame that Hamelin did not include E-flat minor sonata on his expensive hyperion release, oh well. Although i own the Hamelin set yet, for years, i also bought this Ponti set. For two simple, clear, reasonable reasons: [1] the VoxBox costs only 5EUR's (+3EUR shipping) in Amazon's caimanzone, which is a ridiculously low price (I paid 35EUR's for Hamelin!), so i have nothing to lose! Here in Germany I get three BigMac@McDonald's for 8EUR's, which equals one dinner for me :P, so I better save on the saturated fats and acids and calories and get the Ponti VoxBox. [2] the VoxBox complements/supplements my other PontiPlaysScriabin-VoxBox which lacks those later preludes, etudes, poemes and danses, and I dont want to miss these little pieces. well, at least not for the sake of 8EUR's.
Ponti's playing is less crisp and impetuous than Hamelin's but who of you would ever dare to complain after having saved three big macs and gained such an attractive jewecase box? No, for 8EUR's i cannot and will not complain. This was definitely one of the best deals in my collector's career. Thanks to amazon, thanks to its caimanzone :)
Total times of the two discs are 79:08, 79:35.

Bleah.......2005-11-15

If I could have given this 0 stars I would have. Ponti shows us that it is possible to get a large proportion of the notes right and still make absolutely no sense of the music. The only way I can describe the 7th sonata is laughable. The opening bars alone make it obvious that the pianist has little knowledge of beautiful tone on the piano. I know there is a lack of recordings of the 7th sonata specifically, but any other recording is miles better. The best I have heard is Joseph Villa's.

Sloppy, bombastic, and with poor sound quality.......2005-06-11

I can't accept wrong notes unless the performance is live, even though his crazed performance of the youthful E flat minor sonata (with the wrong final movement, by the way) is interesting, although ultimately unsatisfying. There are two sets of the Scriabin sonatas to avoid. Ogdon's and Ponti's. Like Ponti, Ogdon seriously lacks polish and hits some wrong notes, too. His performances are coarse, harsh, and difficult to listen to at all. Of the two sets, I'd rather listen to Ponti's.

Here's a breakdown for my suggested recordings of the sonatas, based on those I've heard:

G#m posthumous: Hamelin.

Ebm posthumous: Glemser.

No. 1: Kocyan, then Ashkenazy, then Taub. Kocyan tells a story. Ashkenazy is passionate. Taub is darker.

No. 2: Kocyan, then Glemser or Sofronitsky, then Ashkenazy. Kocyan's fluidity takes it, but Sofronitsky is artistic. Glemser's first movement is beautiful.

No. 3: Laredo or Horowitz. Then Glemser or Taub. Then Ashkenazy or Sofronitsky.

No. 4: Taub or Sofronitsky. The latter has more artistry, the former a more coherent and appropriate tone.

No. 5: Horowitz or Taub. The former has electric genius, the latter has wonderful refinement. Hamelin's is excellent (definitely his best Scriabin performance). I've heard that Richter's is great, but I don't have it.

No. 6: Richter (genius but bad sound quality), then Taub. Hamelin's is athletic and precise, but there is little mystery.

No. 7: Glemser, then Laredo. The former brings out all the complexity with precision, the latter is sharp and clear. I have not heard Richter's.

No. 8: Ashkenazy. Then Szidon or Laredo. I've read that Sofronitsky's is good, but I don't have it.

No. 9: Sofronitsky, then Horowitz (all versions), then Glemser, then Szidon and Taub.

No. 10: Horowitz or Taub. Same contrast of styles between the pianists as the fifth sonata. Like the fifth, this is Taub's other brilliant performance.

Other pieces:

Fantasy in B minor: Glemser
Vers la flamme: Sofronitsky or Horowitz, then Laredo.
Piano concerto: Ugorski/Boulez, then Ashkenazy/Maazel. Both are excellent, but I give the edge to Ugorski.
Poem of Ecstasy: Maazel
Prometheus: Ashkenazy/Maazel

Idiomatic and expressive Scriabin.......2004-06-10

Mr. Ponti reached a high peak with these set of Scriabin Sonatas. It's very difficult to find out the set as a whole. In this sense we must recognize the huge effort for recording these works, are decissive if you want to know the intimate world of Alexander Scriabin a passionate and troubled musician.
The wide frequency of emotions covered in these Sonatas are showed by Ponti, with flowness , deep honesty an conviction.
Acquire this set if you really love Scriabin piano music.

Average customer rating:

No no no no
A clever fusion
Amateurish
What a Voice!
What a fabulous CD!

Classic French Songs

Manufacturer: Eroica Classical
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms &