Work It [Import]

Work It [Import]

Work It [Import]

Track Listings
 
1. Drugs & Rock 'N' Roll (Original Mix)
2. Turn Up That Stereo (Original Mix)
3. You Got The Love (Lee Haslam Remix)
4. F**K This F**K (Original Mix)
5. Dance Floor (Original Mix)
6. Hellfire (Bk Original 1999 Mix)
7. I've Had Enough (Original Mix)
8. Sweet Dreams (Vinyl Groover Remix)
9. Your Way (Original Mix)
10. Demons (Original Mix)
11. Music Is The Drug (Sentience Remix)
12. Future (Kam Pain Remix)
13. Expression (Lee Pasch Remix)
14. There's A Void (Ecstasy) (Original Mix)
15. Scramble
16. Midnight Express (Original Mix)
17. Bring The Funk
18. Insomnia
19. Safe To Dream
20. Square One Amada
See all 30 tracks on this disc

Editorial Reviews
Product Description
Tracks by Todd Terry, Groove Armada, Elvis Vs Jxl, Weather Girls, Sneaker Pimps, Odyssey and Natasha Bedingfield. Dvd is Pal Format.

Work It,Various Artists,Bmg,Miscellaneous,Pop
Joshua Bell - Gershwin Fantasy
Average customer rating: 5 out of 5 stars
  • Bell & Gershwin
  • Enchanting
  • Joshua Bell's playing is exquisite
  • S'Wonderful
  • My Starter Bell CD
Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Romance of the Violin
  2. Voice of the Violin
  3. Joshua Bell ~ Bernstein - West Side Story Suite
  4. The Essential Joshua Bell
  5. Tchaikovsky: Violin Concerto [Hybrid SACD]

ASIN: B000009OP5
Release Date: 1998-07-28

Tracks:

  1. Fantasy For Violin And Orchestra On Porgy And Bess
  2. Three Preludes: I. Allegro ben ritmato e deciso
  3. Three Preludes: II. Andante
  4. Three Preludes: III. Allegro ben ritmato e deciso
  5. Songs For Violin And Orchestra: I Got Rhythm
  6. Songs For Violin And Orchestra: Embraceable You
  7. Songs For Violin And Orchestra: Nice Work If You Can Get It
  8. Songs For Violin And Orchestra: Liza
  9. Songs For Violin And Orchestra: But Not For Me
  10. Songs For Violin And Orchestra: Sweet And Low-Down
  11. Songs For Violin And Orchestra: Love Is Here To Stay

Amazon.com essential recording

On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde

Customer Reviews:

4 out of 5 stars Bell & Gershwin.......2007-05-20

Two of my faves, George Gershwin and Joshual Bell -

Can't beat that!

Also, "Porgy" is a fave opera... so three out of three isn't bad!

5 out of 5 stars Enchanting.......2007-03-24

A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!

5 out of 5 stars Joshua Bell's playing is exquisite.......2005-07-08

Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.

5 out of 5 stars S'Wonderful.......2004-10-20

Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.

5 out of 5 stars My Starter Bell CD.......2003-11-05

This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.
Grease - Deluxe Edition
Average customer rating: 4.5 out of 5 stars
  • You 're The One That I Want
  • Prepare to be transported to Summer Nights
  • Great Soundtrack & Fun Extras from an Enduring Musical.
  • If You Love Grease, You'll Love This - Only 1 Major Flaw
  • Grease CD Reveiw
Grease - Deluxe Edition
Olivia Newton-John , John Travolta , and Stockard Channing
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Grease (Rockin' Rydell Edition)
  2. Grease: A New 50's Rock 'N Roll Musical - The Original Broadway Cast Album
  3. Grease - The New Broadway Cast Recording (1994 Revival)
  4. Grease II (1982 Film)
  5. Gold

ASIN: B0000C16OQ
Release Date: 2003-09-23

Tracks:

  1. Grease - Fankie Valli
  2. Summer Nights - Olivia Newton-John
  3. Hopelessly Devoted To You - Olivia Newton-John
  4. You're The One That I Want - Olivia Newton-John
  5. Sandy - John Travolta
  6. Beauty School Drop-Out - Frankie Avalon
  7. Look At Me, I'm Sandra Dee - Stockard Channing
  8. Greased Lightnin' - John Travolta
  9. It's Raining On Prom Night - Cindy Bullens
  10. Alone At The Drive-In Movie (Instrumental) - Jim Jacobs
  11. Blue Moon - Sha-Na-Na
  12. Rock N' Roll Is Here To Stay - Sha-Na-Na
  13. Those Magic Changes - Sha-Na-Na
  14. Hound Dog - Sha-Na-Na
  15. Born To Hand-Jive - Sha-Na-Na
  16. Tears On My Pillow - Sha-Na-Na
  17. Mooning - Cindy Bullens
  18. Freddy, My Love - Cindy Bullens
  19. Rock N' Roll Party Queen - Louis St. Louis
  20. There Are Worse Things I Could - Stockard Channing
  21. Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John
  22. We Go Together - Olivia Newton-John
  23. Love Is A Many Splendored Thing (Instrumental) - Sammy Fain
  24. Grease (Reprise) - Frankie Valli

Tracks:

  1. Grease (Instrumental Version) - Gary Brown
  2. Summer Nights (Sing-A-Long Version) - Jim Jacobs
  3. Hopelessly Devoted To You (Sing-A-Long Version) - John Farrar
  4. You're The One That I Want (Sing-A-Long Version) - John Farrar
  5. Sandy (Sing-A-Long Version) - Louis St. Louis
  6. Greased Lightnin' (Single Version) - John Travolta
  7. Rydell Fight Song (Instrumental) - Jim Jacobs
  8. Greased Up And Ready To Go (Instrumental) - Jim Jacobs
  9. Grease Megamix: You're The One That I Want/Greased Lightnin'/Summer Nights - Olivia Newton-John
  10. Grease Dream Mix: Grease/Sandy/Hopelessly Devoted To You - Olivia Newton-John
  11. Summer Nights (Martian Remix) - Olivia Newton-John
  12. You're The One That I Want (Martian Remix) - Olivia Newton-John

Amazon.com

There's no better example of American pop culture's hall-of-mirrors ethos than producer Alan Carr's relentlessly buoyant 1978 film adaptation of the stage musical Grease. Inspired by that decade's rampant 50's nostalgia, it now paradoxically evokes the campy 70's excesses that spawned it. That sense of recycled decades in collision is underscored repeatedly on this deluxe, double-disc Grease-fest, especially on the set's second disc of bonus materials that spans vintage singles of the title track (its instrumental B-side) and "Greased Lightnin'," some sing-along karaoke tracks, and a handful of alternately slick/techo-savvy remixes (originally produced for the film's 20th anniversary) that are testament to its enduring, era-defying appeal. The original soundtrack itself has been treated to a stellar digital remastering that fills disc one, and remains a joyous monument to camp, sheer ambition, and exuberant nostalgic illusions. Includes a slip-cased, double-fold-out case and new booklet with complete song lyrics. --Jerry McCulley

Customer Reviews:

5 out of 5 stars You 're The One That I Want.......2007-04-03


The complete Grease experience. This cd is a two disc-set with disc one being the complete soundtrack, while disc two is all bonus material including the popular Grease Megamix. Fans of the movie would want to make this cd an essential part of their music collection.

5 out of 5 stars Prepare to be transported to Summer Nights.......2006-03-26

Well here we are with a great piece of history.

This album has not only captured the spirit of the movie but the essence of a 1970's version of the 1950's. I have seen this play live and yes some things are different. Yet I grew up on the movie. I even find myself singing some of the songs now and then. Of course you will never see me singing "Look At Me, I'm Sandra Dee." However I do keep this in my car as great driving music. This album is not you can pick apart and say things like missing songs, in the wrong order etc. It sounds and feels just right. There will be many versions yet this one is the Grease - Deluxe Edition [ORIGINAL RECORDING REMASTERED] [SOUNDTRACK] gives you more information about each of the tracks allowing you to feel that you have inside information and to feel that you know more of what went into the making of each song.

5 out of 5 stars Great Soundtrack & Fun Extras from an Enduring Musical........2004-07-06

I'm enjoying listening to this great soundtrack that I loved as a child after a long hiatus. I had it on 8-track 25 years ago. So it's fitting that I should get the 25th Anniversary Edition on CD. The 24 songs from the movie are just as everyone remembers them, so I'll talk about the Bonus Disc, which contains 10 alternative versions of the songs plus 2 previously unreleased instrumentals from the film.

Track 1 on the Bonus Disc is an instrumental version of the film's theme, "Grease", written and produced by Barry Gibb. Frankie Valli's voice has been replaced by a saxophone. The chorus is vocal, but the voices are not those in the original song. You could use this as a sing-along version, as it would be easy to sing over the sax. Tracks 2-5 are officially sing-along versions. "Summer Nights" includes the chorus vocals from the film and sounds good. "You're the One That I Want" has new chorus vocals of questionable merit. "Sandy" is a new arrangement. It's not as good as the film version, but you can sing along. Track 6 is the single version of "Greased Lightning" that you may have heard on the radio back in the day. It's differs from the original in that the bad words have been replaced for radio airplay. Tracks 7-8 are previously unreleased instrumentals from the film. "Greased Up and Ready to Go" is lively. Tracks 9-10 are mixes that I occasionally hear on the radio. The "Grease Megamix" and the "Grease Dream Mix" are fun, if awkward. Tracks 11-12 are Martian Remixes of "Summer Nights" and "You're the One That I Want". They retain the original vocals, but set them to a Latin rhythm. They make pretty good dance tracks.

This 2-disc set isn't in a jewel case. The case is paperboard with 4 panels that fold out. This is inside of a clear vinyl slip case on which the tracks are written. This isn't convenient packaging. On the bright side, the case won't crack in the mail. Tucked inside one of the panels is a booklet that contains lyrics and credits.

The "Grease: 25th Anniversary Deluxe Edition" is a terrifically fun soundtrack to one of the all-time great movie musicals. And for all those preteen girls who go wild over the movie with each new generation, the bonus material is perfect for parties and horsing around.

3 out of 5 stars If You Love Grease, You'll Love This - Only 1 Major Flaw.......2004-05-15

Disc 1 is like the original album, which I also own. 1 major flaw is that "Love Is A Many Splendored Thing" cuts off at the very end of it! I was upset by this, hence the 3 stars instead of 4. Disc 2 is a lot of fun w/some remixes and sing-a-longs, all in all, I'm pretty happy with it being that I'm a HUGE Grease fan. If you like Grease, you'll love this, it's fun. Too bad when they "remastered" it, they didn't catch there 1 mistake. Oh well, at least I have it on another album.

5 out of 5 stars Grease CD Reveiw.......2004-04-26

This Grease CD is the best! I listen to it every week. I just love Your The One That I Want.:) Amazon.com has everything!Olivia Newton-John and the boy singer have the best voices. Now thatnks to Amazon.com I can listen to it! The Grease CD is the best!:)
City of Angels (1990 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • Fun Show, Average Score
  • Cleverness personified
  • Fantastic Jazz Musical That's FUN!!!
  • Great Jazz-Oriented Score
  • I love it!
City of Angels (1990 Original Broadway Cast)
Cy Coleman , David Zippel , James Naughton , and Randy Graff
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000272K
Release Date: 1990-02-09

Tracks:

  1. Prologue-Theme From City Of Angels
  2. Double Talk
  3. What You Don't Know About Women
  4. You Gotta Look Out For Yourself
  5. The Buddy System
  6. With Every Breath I Take
  7. The Tennis Song
  8. Ev'rybody's Gotta Be Somewhere
  9. Lost And Found
  10. All You Have To Do Is Wait
  11. You're Nothing Without Me
  12. Stay With Me
  13. You Can Always Count On Me
  14. Alaura's Theme
  15. It Needs Work
  16. L.A. Blues
  17. With Every Breath I Take-Duet
  18. Funny
  19. I'm Nothing Without You
  20. Epilogue-Theme From City Of Angels
  21. Double Talk Walk

Amazon.com

Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David Horiuchi

Customer Reviews:

3 out of 5 stars Fun Show, Average Score.......2007-02-21

Fun show, ingenuos concept, so-so score, with one exception. The ballad With Every Breath I Take is brilliant. One of Coleman's best pieces.

5 out of 5 stars Cleverness personified.......2006-10-16

A duet between an author and the character he created, each claiming "you're nothing without me," is just one example of how sharp, witty and clever show is, with an unusual score, jazzy and bluesy and very 1940s, and some of the best lyrics I know.

5 out of 5 stars Fantastic Jazz Musical That's FUN!!!.......2006-04-14

City of Angels is an incredibly fun, classy, and jazzy musical that delivers. Stellar vocal performances are provided by the entire cast, particularly the female end. The fact that Randy Graff was the only female from this cast nominated at the Tony Awards that year floors me. Kay McClelland and Rachel York deserved nods for their powerful solos, With Every Breath I Take and Lost Found, alone. These two songs are also the type of sultry, jazz solos that one would expect in the 40's, which is why the show works. The music is completely period with when the show takes place, and that's why I love it. The best tracks are:

3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)

4 out of 5 stars Great Jazz-Oriented Score.......2005-06-25

1990 Tony winner for Best Musical, "City Of Angels" contains a great score, filled with jazz-oriented melodies & torch songs. Not all the songs are terrific, but most of the score lends itself to repeat listenings. Best tracks include:

Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny

Great cast ... great buy!

5 out of 5 stars I love it!.......2005-02-22

This is one of my favorite soundtracks ever! Since I'm going to be working on music for the show, I'm happy that this is the case. It has been in my CD player for a few weeks now, and there's enough variety for it not to get old. But having read through the script makes the lyrics infinitely wittier. Musicals are supposed to rely partially on the lyrics and partially on the script. This show does that perfectly. Without the script, the lyrics are (apparently) lacking. But without the lyrics, the script is missing something. When you put the two pieces together, however, it's really easy to see why this show won a Tony.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. What to Listen for in Music
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  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
With a Song In My Heart (from the 1952 film)/  Pal Joey  (with 1952 cast members)
Average customer rating: 4.5 out of 5 stars
  • with a song in my heart/pal joey sound tracks
  • With A Song In My Heart CD
  • A Jane Froman double feature.
  • "Pal Joey's" Pal
  • another great twofer from DRG
With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AGWH6
Release Date: 2003-08-26

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  7. Get Happy
  8. I'll Walk Alone
  9. They're Either Too Young Or Too Old
  10. I'm Thru With Love
  11. An American Medley
  12. WIth A Song In My Heart
  13. Overture
  14. You Mustn't Kick It Around
  15. I Could Write A Book
  16. Chicago
  17. That Terrific Rainbow
  18. What Is A Man?
  19. Happy Hunting Horn
  20. Bewitched
  21. Pal Joey
  22. The Flower Garden Of My Heart
  23. Zip
  24. Plan You Now, Dig You Later
  25. In Our Little Den
  26. Do It The Hard Way
  27. Take Him
  28. Bewitched (Reprise)
  29. Finale

Album Description

First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.

Customer Reviews:

5 out of 5 stars with a song in my heart/pal joey sound tracks.......2007-03-31

I actually was so pleased to see a CD available because I have been longing for the movie "with a song in my heart" to become available on VHS and then on DVD, and it never has, so now at least I can enjoy the songs from the movie. The cast track from Pal Joey was just an added bonus.

5 out of 5 stars With A Song In My Heart CD.......2007-03-19

I saw the film, "With A Song In My Heart" when I was twelve or thirteen years old and have wanted the sound track for many years. As an impressionable teenager in the 1950s, I have collected over time many of the films from that time on VHS or DVD, to satisfy my memories of the period. I regret that this particular film is not available on VHS or DVD, but, this CD is the next best choice. It is really enjoyable to hear the richness and depth of the voice of Jane Froman, who was one of the best singers of the time. I can still recall many scenes from the film and this CD revives the memories so well.

4 out of 5 stars A Jane Froman double feature........2006-09-16

This DRG CD pairs two recordings starring Jane Froman.

WITH A SONG IN MY HEART

Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.

PAL JOEY

Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.

In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.

4 out of 5 stars "Pal Joey's" Pal.......2006-07-30

While the legubrious and over-orchestrated songs from the film "With a Song in My Heart" are typical of their era (and Jane Froman's stilted renditions are what once stood for emoting) the "Pal Joey" cast recording is an absolute delight. The orchestrations are bouncy and jazzy in a way that has long been forgotten, and the performances (except for the aforementioned Ms. Froman, whose Vulgnarian renditions are at times quite disconcerting, and who hits the sonic notes like lazer beems but misses the emotional ones by a country mile) are exceptional. Helen Gallagher deserved her Tony from the evidence of this recording, with Elaine Stritch not far behind her. But the overall impact surpasses any recording of "Joey" including the historic one that lead to this revival. There's energy, intensity and a whole lot of fantastic song writing (leave it to to Rogers and Hart) to satisfy any musical theater fan. A must have for anyone who loves "Old Broadway."

4 out of 5 stars another great twofer from DRG.......2004-01-21

Jane Froman was one of the top vocalists of her era. Froman's greatness is celebrated in this new 2-on-1 album, which comprises the film soundtrack of WITH A SONG IN MY HEART as well as the 1952 Broadway revival cast album of PAL JOEY.

WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".

The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.

Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.

The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.

The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".

A fine addition to your collection. [DRG 19054]
Allure of Sanctuary
Average customer rating: 4.5 out of 5 stars
  • Allure of Sanctuary
  • Allure of Sanctuary
  • A Brilliant Piano Album (reviewed by Stephen Cairns at [...])
  • Allure of Sanctuary
  • from Solo Piano Publications
Allure of Sanctuary
Karen Marie Garrett
Manufacturer: Karen Marie Garrett Publishing, Waterstreet Records and Publishing Inc.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000BGQXKE
Release Date: 2005-09-20

Tracks:

  1. Tip Toe Dancer (Kathryn's Song)
  2. Lake EWOK Muse (Piano & Cello)
  3. Simple Things
  4. Allure of Sanctuary
  5. Welcome B.
  6. The Green Hills
  7. Gnossienne No 1
  8. Gnossienne No 2
  9. Gnossienne No 3
  10. Will's Song
  11. Toll of War
  12. Lake EWOK Muse Reprise (Piano Solo)

Album Description

A STUNNING CD RELEASE BY KAREN MARIE GARRETT AND LEGENDARY PRODUCER WILL ACKERMAN, creator of Windham Hill Records, gold and platinum record producer, and Grammy Award-Winning recording artist.

Recorded between George Lucas' Skywalker Sound Studios in Marin County, California and Mr. Ackerman's Imaginary Road Studio in Windham County, Vermont.

VICTORY REVIEW; ACOUSTIC MUSIC RESOURCE OF THE PACIFIC NORTHWEST; TOM PETERSEN
"Karen Marie Garrett is a top-drawer pianist headed for bigger things. Allure of Sanctuary is the Olympia artist's third release, following a straight classical disc and another in this New Age vein. This new release is as soothing as it's intended, but it's also energizing. Where a lot of New Age is so light it begins to drift and grow unidentifiable, Garrett's compositions are distinct, with melodies for the listener to hook into. It's billed as New Age, but several cuts qualify as Light Jazz - very mellow Vince Guaraldi, perhaps. Thus, Garrett is a distinctive new artist in this field and could, with the right promotion, see herself at the top of the New Age charts (Allure is already getting significant airplay on Easy Listening stations). It won't hurt a bit that she is a pupil of the founder of the New Age genre, Will Ackerman; nor do dead-enders get invited to record their albums at Skywalker ranch, using Lucas's Bluthner grand! Get this album, neighbors - you can say you "knew her when."

Reaches #8 on Top 100 New Age Radio Charts in just FIVE weeks!

TOP 20 ALBUM LIST OF THE YEAR FOR 2005
Kathy Parsons, Solo Piano Publications, New York

Recipient of ENGLAND'S PIANO HEAVEN "GOLD AWARD"
Stephen Cairns, Piano Heaven, England

Customer Reviews:

5 out of 5 stars Allure of Sanctuary.......2007-06-13

Allure of Sanctuary is an outstanding album. The music seems to draw you in and want to play it over again

5 out of 5 stars Allure of Sanctuary.......2007-05-13

I received this as an Easter present and it is one of the best CD's I have heard in a long time. The music is wonderful.

5 out of 5 stars A Brilliant Piano Album (reviewed by Stephen Cairns at [...]).......2006-12-09

What an amazing album! This is Karen Marie Garrett's third album, and it is a real find. I am immensely impressed with the delightful melodies which run consistently throughout this album. Tip-Toe Dancer has to be heard to be believed. It is such a beautiful piece of music, and makes the listener want to stand up and start dancing. This track is just one of an album full of highlights. Welcome B and Simple Things are so delicate. This album is produced by Windham Hill founder Will Ackerman. Consequently, the production is first-class. A joy from beginning to end. Bravo!!

4 out of 5 stars Allure of Sanctuary.......2006-07-19

Soothing, relaxing music to release tension and smooth out those tight muscles.

5 out of 5 stars from Solo Piano Publications.......2005-11-14

"Allure of Sanctuary" is the second CD released by Karen Marie Garrett. It is astounding how much this artist has grown since her 2002 debut, "Pensare Piano." Will Ackerman's gifts as producer certainly helped to make this CD as breathtaking as it is, but if the quality of music isn't there, no producer in the world can give it soul and depth - and this CD has mega-doses of both. A classically-trained pianist from the age of five, Ms. Garrett plays with the strength and emotional clarity that come from years of expressing oneself at the piano, sharing the joys and sorrows of life with the beloved 88's. The twelve pieces include eight original compositions, a lovely arrangement of "The Green Hills" by Brian Gibson, and Erik Satie's "Trois Gnossiennes," performed as originally composed. Most of the pieces are piano solo, but Garrett is joined on two by award-winning cellist Eugene Friesen (I LOVE cello and piano together!). Some of the other tracks have English horn, light percussion, and wordless vocals, but this is truly an incredible piano album.

The CD begins with "Tip-Toe Dancer (Kathryn's Song)," one of the lighter pieces in this collection. It was inspired by a story told by a close friend about a childhood dance performed for friends and family. Graceful yet playful, it is easy to imagine the seriousness of the young dancer and the warm reception of the adults. "Lake EWOK Muse" is an improvisational duet for piano and cello that followed a sunrise meditation beside Lake EWOK at Skywalker Ranch, where the album was recorded. The feeling of serenity envelops you as you listen to the two artists interact seamlessly, creating a perfect sense of peace. "Simple Things" is a celebration that begins in a classical style reminiscent of a children's piano study and evolves, retaining the sweet melody and simplicity of the message but becoming a full and graceful solo. The title track is fascinating. It begins with a mournful piano prelude and becomes a rhythmic dance with a seductive Spanish flavor. Susan Whittle's vocals and percussion provided by Will Ackerman and Derrick Jordan add to the enchantment. "Will's Song" is an improvisational piece that is so deeply felt that it almost sends a chill - what a beauty! "Toll of War (Adagio)" is a wrenching duet for piano and cello. A profound statement of humanity rather than of politics, the sense of loss and pain reach to the depths of the soul. This is a piece that needs to be heard. The gentle, pensive closing track is a solo piano reprise of "Lake EWOK Muse."

"Allure of Sanctuary" is a must-have CD!
How Sweet the Sound: Spirituals & Traditional Gospel Music
Average customer rating: 4.5 out of 5 stars
  • Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound
  • Crystalline
  • Best Chanticleer CD Yet
  • How Angry the Sound?
  • This CD is the bomb!
How Sweet the Sound: Spirituals & Traditional Gospel Music
Chanticleer
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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ASIN: B00029CZPW
Release Date: 2004-09-14

Tracks:

  1. Jesus Hits Like An Atom Bomb
  2. Surely God Is Able
  3. Amazing Grace
  4. Medley: Soon One Mornin' - What You Goin' Do When The World's On Fire? - You Can't Hide - Run On For A Long Time
  5. Didn't It Rain
  6. Sit Down Servant - Plenty Good Room
  7. Keep Your Hand On The Plow (Hold On)
  8. My Soul Is A Witness
  9. There Is A Balm In Gilead
  10. Medley: Sometimes I Feel Like A Motherless Child - Poor Pilgrim Of Sorrow - Walk In Jerusalem
  11. Be Still And Know That I'm God

Amazon.com

Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a participant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler

Customer Reviews:

5 out of 5 stars Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound.......2006-02-10

On this standard red book 16-bit CD we are offered that rare and special invitation: Come now, pilgrim - take yet another good step forward in gospel praise or supplication. How can we progress in our individual and collective spiritual journeys towards whatever transcendent glories ground us, revive us, and lead us on despite life's challenges, unless we sing?. Are you having set backs? This CD is good medicine, and it is both a worthy addition to the gospel music shelf and perhaps just the sort of musical medicine that turns out to be good for you, on more than one level of body, mind, and soul. Not a bitter root aftertaste, nor a nagging fishy oil payback in any of this welcome elixir. I guess that is why we call it, Good News.

The arrangements of new and old gospel standards have been set by counter-tenor Joseph Jennings - a leading Chanticleer member of long standing - intently drawing upon both the florid improvisations of the soloists and gospel groups climbing ever so dazzlingly into the fiery chariots that sacred texts say carried off the prophet; and yes, rooted as well in the impeccably crafted close harmonies and inwardly solid strength of gospel quartets and ensembles like Fisk University's Jubilee Singers and many other exemplars.

So, when you listen to this one you will be immediately surrounded by that amazing and great, gathering could of witnesses. The messages are familiar: Keep your hands on the plow. Surely God is able. There is a balm in Gilead.

Like the famous vocal work by Ralph Vaughan Williams, his Serenade to Music as written for a star-crossed group of well-known British soloists of the era; so this gospel outing brings the small male ensemble Chanticleer to the fore - both as a vocal group and as a fabulous collection of solo voices who are prodigiously gifted vocal stars in their own rights. Capping off Chanticleer as an embarrassment of riches is a guest turn by San Francisco's own Bishop Yvette Flunder. She is the real deal, too, as both an ordained minister whose leadership in black churches has blazed fireworks in celebration of melding religion with social justice, and a Jen-U-Wine good news singer who can preach and pray and moan with the best of them.

Only the superhumanly perfected intonation of their cappella group singing, as well as the superb blend and polish of the Chanticleer dozen, will remind a listener than this group is as famous for its Flemish medieval polyphony or its unerring Purcellian clarity, as any other ensemble of twelve voices now appearing before us.

So, forget all the categories and musicology boxes which would seal off gospel music from pre-Bach cathedral masters of polyphony. With this CD we can just revel in the mysteries of good music, regardless. Yeah, Josquin, I'm talking bout you - Sit down servant, there's plenty good room.

Five stars. Highly recommended.

4 out of 5 stars Crystalline.......2005-04-08

I'm not a huge fan of gospel, because I find it to be led by emotion, and musically undisciplined. Rousing, yes - but a little goes a long, long way. I've also found most gospel recordings to be sonically challenged. Almost as if microphones were incapable of capturing the music with clarity. None of this holds true for "How Sweet the Sound." This is a beautifully recorded cd, and every tune is both musically precise, and emotionally resonant. It is, however, a little hard to listen to in one sitting because of the "sameness" of the arrangements. That's a small quibble - who says any cd has to be experienced all at once - and "There is a Balm in Gilead," alone is worth the price of admission.

5 out of 5 stars Best Chanticleer CD Yet.......2005-02-01

This is the Best Chanticleer CD yet. I have listened to it dozens of times. Money well spent. I have even given copies to several of my friends.

2 out of 5 stars How Angry the Sound?.......2005-01-02

My daughter gave me this CD, because, while I'm not religious, I'm a long time fan of gospel music. The first pass through the record, I found myself wandering off to other tasks. So, the second time I put it on the player I forced myself to sit completely through the record. I'm not familiar with Chanticleer, so I had no idea whey she thought I'd like it, but she's is right more often than not. This would be one of the "not" times.

I guess this as an attempt to make gospel music "hip." With songs like "Jesus Hits Like An Atomic Bomb" and "What You Gon' Do When the World's On Fire?" the lyrics are like walking a American urban street being threatened by strangers. Far from being uplifting, the songs are decidedly unfriendly. The feel of the music reminded more of the howling noises I suffered as a forced member of my parent's Kansas Methodist Church than the sweet, honest sounds of real gospel music. That intangible thing I get from listening to gospel music that is heartfelt and painfully honest, even if deluded, was nowhere to be heard in "How Sweet the Sound." Instead, the music is chant-like, monotonous, and cold.

I would not recommend this record to anyone outside of the Midwest. If you miss the sterile sounds of a Midwestern protestant church in full howl, this might be your cup of weak wine. If gospel music is what you're looking for, look elsewhere.

5 out of 5 stars This CD is the bomb!.......2004-11-28

From "Jesus Hits Like an Atom Bomb" to "Amazing Grace", this CD is packed with glorius gospel spirituals and terrific talent. Highly recommend to music lovers of all faiths!
Jerry Goldsmith: 40 Years of Film Music
Average customer rating: 4.5 out of 5 stars
  • Awesome Set!
  • Elmer Bernstein Film Music Collection
  • Overall a strong Goldsmith sampler
  • Jerry Goldsmith - 40 years of pleasure
  • Almost the perfect compilation
Jerry Goldsmith: 40 Years of Film Music
Jerry Goldsmith
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009KIYDG
Release Date: 2005-08-09

Tracks:

  1. Blue Max, The
  2. Blue Max, The
  3. Blue Max, The
  4. Blue Max, The
  5. Blue Max, The
  6. The Man From U.N.C.L.E.: Doctor Kildare / Room 222 / Waltons, The / Barnaby Jones / Television Themes Medley
  7. In Harm's Way
  8. The Sandpebbles: Chinatown / Patch Of Blue, A / Poltergeist / Papillon / Wind And The Lion, The / Motion Pictures Medley
  9. Generals, The
  10. Tora! Tora! Tora!
  11. Wild Rovers, The
  12. Pursuit
  13. Wind And The Lion, The

Tracks:

  1. QB VII
  2. QB VII
  3. QB VII
  4. QB VII
  5. QB VII
  6. Waltons, The
  7. Papillon
  8. Police Story
  9. Omen, The
  10. Capricorn One
  11. Swarm, The
  12. Boys From Brazil, The
  13. , The (First) Great Train Robbery
  14. Alien
  15. Star Trek The Motion Picture

Tracks:

  1. Masada
  2. Poltergeist
  3. First Blood - Rambo II
  4. Twilight Zone: The Movie
  5. Under Fire
  6. Under Fire
  7. Under Fire
  8. Under Fire
  9. Gremlins
  10. Baby - Secret Of The Lost Legend
  11. Legend
  12. Lionheart
  13. Rambo III
  14. Total Recall

Tracks:

  1. Star Trek Voyager
  2. Basic Instinct
  3. Russia House, The
  4. Gremlins II
  5. Medicine Man
  6. Shadow, The
  7. Forever Young
  8. First Knight
  9. Powder
  10. Airforce One
  11. L.A. Confidential
  12. Mummy, The
  13. Haunting, The

Album Description

Jerry Goldsmith's death in 2004 marked the end of one of the greatest careers in film composing. This lavish 57 track 4 CD set traces the path of his astonishing achievements and includes recordings conducted by Goldsmith himself. Featuring The City Of Prague Philharmonic Orchestra, The Philharmonia Orchestra, The National Philharmonic Orchestra, and The Daniel Caine Orchestra. Includes over 280 minutes of music.

Customer Reviews:

5 out of 5 stars Awesome Set!.......2007-07-01

I am a huge fan of Jerry Goldsmith. They did a great job preserving his vision. I can listen to this collection for hours. Great music!

5 out of 5 stars Elmer Bernstein Film Music Collection.......2006-11-03

This is compilation of hit film music from one of the greatest composers in motion pictures. What is surprising though is the music not included like the Ghost And The Darkness, the 13th Warrior, Rudy and others. To be sure, 4 discs are not enough for a composure of this stature. THe recording, however, is an "engineering masterpiece" which makes the music even more enjoyable than when you first heard it at the movies. When are we ging to get the music that was omittd from this compilaton?

4 out of 5 stars Overall a strong Goldsmith sampler.......2006-04-11

Okay, this is a CD review, so the focus is on music, but I've got to say this first: this has got to be a contender for the ugliest cover art ever. I mean, come on...instead of a tribute to the composer, the cover looks like someone spilled a glass of merlot over a NASA photo.

Fortunately, even an ugly cover will not ruin good music. And the good news is that I'd say about 75 percent of the music is good....and on a 4 cd set, that's a lot. Like other Silva compilations, the strength of this compilation is the variety. There are selections from the big releases (Star Trek, Omen, Rambo), but there is also a healthy dose of tracks from the smaller releases(Under Fire, Lionheart, The Swarm).

Two examples come to mind. Capricorn One and The Great Train Robbery are two movies that are not exactly household names today, but are dominated by two of Goldmith's finest main themes. The City of Prague Philharmonic come through with terrific renditions. And there are plenty of other strong performances...a few being concert versions conducted by Goldsmith himself. Suprisingly, "The Wind and the Lion" works, which is no small accomplishment given the ferentic original performance of "Raisuli Attacks".

It's not a complete success. A few of the performances fall flat, particularly some of the more inventive scores. Total Recall is just bad, mangling the performance with poor percussion and synthesizer choices to boot. Also a letdown is the Klingon Attack from the first Star Trek movie. The Prague Philhamonic attempt doesn't sound bad--it's just that once you've heard the original soundtrack's "blaster beam" with enough bass to rattle your teeth...well let's just say Silva's version is a little tinny in comparison.

But I shouldn't dwell on the negative. Overall, this is a strong sampler of Goldsmith's variety. There are plenty of quality performances here, and despite a few omissions (noticeably Planet of the Apes)this is a very good release from Silva.

4 out of 5 stars Jerry Goldsmith - 40 years of pleasure.......2006-02-22

It was wonderful to hear Mr. Goldsmith's music that went all the way back to The Man from UNCLE, The Waltons, Dr Kildare, etc. And then to hear his music up to the present. The man was a genius!

4 out of 5 stars Almost the perfect compilation.......2005-12-31

Age has its value.... This sweeping collection of compositions brings back so many great memories. This collection shows how significant Goldsmith was for both the movie screen and the small screen. With such a grand collection, every reader can be assured that at least one movie or TV program they like or remember had Goldsmith's contribution. It was an amazing life and the collection well worth having.

However, as sweepig as it is, there are a few holes in the selection. "First Contact", one of the sweetest and richest compositions from the Star Trek is absent. "The Ghost and the Darkness" is missing and the "Medicine Man" music should include the theme song. By dwelling on several selections from the Blue Max, these were squeezed out. Three full and important movie themes got the axe.

However, all but "The Ghost and the Darkness" are readily available and not overly expensive as is the "Ghost" CD. This is a must have for the TV and movie music fan.

Before there was Hans Solo there was Napolean Solo, before ER there was Dr. Kildare. Jerry Goldsmith IS Sci-Fi. "Resistance is futile.. you MUST assimilate this CD collection."
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
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  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. <