Hard House Music [CD-single] [Import]

Hard House Music [CD-single] [Import]

Track Listings

1. Radio Edit

2. Slammin' Mix

3. Mash Up Matt's 4am Mix

Tracks:

Down On The Street
Loose
T.V. Eye
Dirt
1970
Fun House
L.A. Blue

Tracks:

T.V. Eye (Takes 7 & 8)
Loose (Demo)
Loose (Take 2)
Loose (Take 22)
Lost In The Future (Take 1)
Down On The Street (Take 1)
Down On The Street (Take 8)
Dirt (Take 4)
Slide (Slidin' The Blues) (Take 1)
1970 (Take 3)
Fun House (Take 2)
Fun House (Take 3)
Down On The Street
970

Album Description

Long before the raw power of punk icon Iggy Pop became legend, his first incarnation as Iggy Stooge of proto-punk trailblazers The Stooges roared into being. The essence of punk years before the genre existed, The Stooges' furious music was a howling, visceral, fuzztone-drenched, and unprecedented vortex of sound, as evidenced on their revolutionary self-titled, John Cale-produced 1969 debut album. Their bracing follow-up, Fun House portrayed their evolution into a fiercer, stronger band with Iggy's primal vocals and mad brilliance more potent than ever. Each immortal album is now remastered and twice as amazing with a second disc of rarities and previously unreleased tracks.

Customer Reviews:

Hot animalistic rock and roll at its best..........2007-05-28

This has to be one of the hardest hitting albums ever released. The fact that it came out in 1970 is amazing, only confirming that the Stooges were ahead of their time. (This album pre-dated the punk movement of '77 by seven years.) Also confirming that "Fun House" was a work of genius is the fact that Elektra records dumped the Stooges from their roster after they released this album, which proves the theory that genius is rarely understood, accepted, or recognized in it's time and is only appreciated in hindsight. This album wipes the floor with what is considered "heavy" today, you put it up next to a band like Nickelback or another band in that genre and it makes the other band look emotionless and weak by comparison. The first three songs on this disc don't let up a bit, "Down On The Street", "Loose", and "T.V. Eye" are all relentless grooves that capture the Stooges throbbing rhythm section, buzzsaw guitar, and Iggy's over the top vocals and gutteral screams and yelps. (I once read Iggy's explanation of what the "T.V." stands for in "T.V. Eye", and it doesn't stand for television, and thats all I can say on Amazon.) "Dirt" stands as one of the Stooges best slow songs, and doesn't lag for a seven minute dirge. The onslaught continues with "1970" which was later to be covered by many punk bands years later, most notably The Damned, who released it as "I Feel Alright" on their debut album. "Fun House" has one of my favorite Iggy vocals and a struttin' vamp of an arrangement by the band, including a honking sax. I can remember blasting it in college and having people walk by my door and asking, "What the hell's that noise?". "L.A. Blues" is like a free jazz blow out where the band implodes on itself. Unbelievable. This album sounds as fresh today as it probably did back then, and will remain timeless. It is amazing to me that the Stooges combined a punk attitude and aggressive music this way in the late sixties and early seventies, when hippies ruled the music scene. I spoke to a guy once who saw the Stooges live during this period and said it was the most inspiring thing he ever saw. If you are a rock fan and haven't heard this one, don't hesitate, just buy it. This disc never gets old and should be an essential for everyone's CD collection.

The loudest record ever made, and one of the best........2007-03-11

This second, astonishing album by Detroit's The Stooges is one of the great, unadulterated, balls-out moments in rock music. This is the first--and last-- time that rock, punk, metal and psychedelia would all organically coexist on one record, and the album remains a touchstone for punk, metal and radio-rock bands. ALthough many have tried, the intricate and living fusion of hormonal scream, deep groove and self-sconsciousness has never been re-attained. In this, their supreme moment, the Stooges wander through the drugged and adrenal detritus of the '60s with both distortion AND wah-wah pedals way up, and the result is simply intoxicating.

What appears to be on first listen simple three-chords-and-a-scream protopunk turns into something much more interesting. Don Galucci's production makes "Fun House", unlike their eponymous effort, really open up and breathe. Galucci creates a dark hint of space behind the lumbering swagger of "Down on the Street," and on the buzz-saw "T.V. Eye," the scream-and-howl sequence at the song's climax echoes eerily as the rhythm section shakes the listener buy the throat. Guitarist Ron Ashton uses wah-wah, fuzz, distortion, echoes, layered lines and everything from scratching to full-on howling feedback to give the songs layers and suprising intricacy. The rhythm section is as heavy as it is wiggly-- Dave Alexander throbs when necessary and noodles when possible.

Riding this monster wave are Iggy's vocals. From quiet moaning of "Hurt" to the twisted screaming at the end of "T.V. Eye," Pop is almost as mesmerising on record as, fights and broken glass antics and huge see-your-soul eyes, playing live. The music avoids the macho and sexist cliches of what would become metal and punk by not identifying Pop's Id with any political or social agenda. Pop, unlike the metalheads he so inspired, is not afraid of mocking himself, leading to an odd and yet captivating emotioanl vulernability. Mix this with the lumbering swagger of f*ck-me tunes like the animal-out-of-the-cage "Loose" and you get a kind of stoner sonnet cycle. You get the feeling listening to this disc that Iggy is coming to you straight and effortlessly from the unconscious-- from the straightforward tunes like "Loose" to the paranoia and simple weirdness of "She's got a T.V. eye on me..."

The songs are heavy and groovy, sometimes tightly structured ("Down on the Street"), here and there touching ("Hurt"), and sometimes, as Henry Rollins once said, housewreckers that just beg you to pick things up and destroy them ("L.A. Blues"). This is deeply sexy, groovy and massively, MONSTROUSLY loud stuff, like its cover a maelstrom of sound, since unsurpassed. Like "Exile on Main Street" and "Zen Arcade", this record works as both beer drinking and dope-smoking music, equal parts adrenalin and groove. The Stooges, like Curt Cobain, felt hugely "stupid/and contagious", and mananged to infect all of subsequent musical history. This is THE loudest record yet made, heavy, groovy, nasty and totally sexy.

The Stooges grab your neck. They pound your head into the wall. You begin to bleed. And then you find yourself begging for more. What else is there to say? Get it and turn it up, way up.

The animal is loosed and stalking you thru the FUN HOUSE .......2007-02-16

With the follow up to their eponymous debut, THE STOOGES make that "quantum leap" one often reads about, and in this case, FUN HOUSE is, in a word, stunning! Never pleasantly or hilariously "dumb" like the debut, FUN HOUSE is an amazing and perplexing advancement from that debut record which of and by itself would have sealed THE STOOGES' reputation. This band was even better than anyone could have ever guessed (though their record sales quickly relegated their two Elektra releases, the debut and FUN HOUSE, to the bargain bin). FUN HOUSE is jaw-droppingly unforgiving, a punch in the gut, a splash of acid in the face, hard power and hot metal, a lurching monster, referred to as "proto-punk" because of its influence on every Punk and Grunge band since, but really, such bands are belittled and reduced to mere "poodles" by this far-end risk that in fact is the most unique record of its era and a hybrid of 50s rock, 60s psychedelia, and that which was as yet unnamed (Punk) and no band has yet matched the achievement. Few records have predicted the coming decades as FUN HOUSE did in 1970, though typically unrecognized in its time. As Iggy Pop (a.k.a. Iggy Stooge) himself said, and to paraphrase, THE STOOGES could "eat all those poodles for breakfast." With a scorched earth policy that leaves no listener unscathed, this record is probably one of the most challenging records in the Rock n' Roll catalog, and not for the faint of heart, such as those moments all over the record when one hears Iggy blatantly snorting. If you ever listened to CAPTAIN BEEFHEART's TROUT MASK REPLICA you might get a shred of an idea of the accessibility of some of this record, particularly "L.A. Blues" which is a non-song cacophony of horror with the carnivorous animal Iggy loosed, roaring, and stalking the complacent world. But for the student and lover of Rock n' Roll, this record is a must. I think the primary reason Rock critics and diehard fans continue to cite THE STOOGES, especially FUN HOUSE, is because of the foresight of this material. The experimental aspect of the record is indicative of its era (it is completely un-commercial, but many bands included such material on their records in those days, though, frankly, lame by comparison) yet, like all three of THE STOOGES albums, FUN HOUSE never sounds dated. Tracks like the sustained tension of "Down On The Street", the superbly nasty and compelling "Loose," the luscious blues of "Dirt," the burping, mesmerizing "T.V. Eye," and the sucker-punch "1970," in which Iggy shrieks "...I feel alright" ending with a major snort (the sequel to "1969" when Iggy had "nuthin' ta do") are supremely realized and uncompromising, and if it weren't for their shocking effect, I'd be wearing a s**t eatin' grin. One of Rock's great romps, FUN HOUSE is not for the uninitiated, the timid, or uninspired. That being said, FUN HOUSE is one of the greatest records of Rock, a whole hell of a lot of fun, possibly my all time favorite, and one of the very few records of Rock that upon listening to for the first time I said to myself, "WOW!" In another word, a masterpiece.

Manic masterpiece.......2006-10-24

This is it, look no further: Fun House is The Stooges' manic, excessive, drug, alcohol and sex-fuelled homage to everything and anything that yer bona fide very naughty boy could ever do to have fun fun fun. Nihilistic madness, the lot of it, but not yer sophisticated New Yorker dressed in black sort of nihilism. More of yer trailer trash rebel who doesn't want to miss a minute of it.

Picture this album as the unfolding story of a weekend's rampage, beginning with the opportunistism of "Down on the Street" and ending up with the come-down of "L.A. Blues". The musical mayhem in between describes pretty candidly what he gets up to. Probably a cracking party, but one that few of us could survive intact. Some pleasures are better experienced vicariously, methinks.

One Funhouse You'll Never Leave.......2006-07-30

. . . even if you wanted to; but if you're a fan of pure rock I can't imagine you'd want this wasted soundscape to ever end. The only complaint one could make about _fun house_ is that it ends; this is about the best criticism one could make of an album, as I'm sure you would agree. Iggy, the Asheton Bros. & Co. get more out of sludgy three-chord rants than pretty much anyone before or since (see anything by Boris for a worthy contemporary heir). The Stooges live up to their namesake perfectly here and continue to set the pace for extreme music on this CD, be it punk, metal, experimental, or otherwise.

My favorite moment on the CD is when Iggy yells "I feel all right" repeatedly over the sloppiest detuned dirge one could imagine. Andy Mackay lands in the middle of the wreckage with a sax solo; he sounds like an alien playing an instrument in tune here, making things as weird as they could be. Note to extreme musicians: Iggy & Co. made the prototype for your kind of music THIRTY-FIVE years ago using more than just guitars & drums . . . IT CAN BE INTERESTING TO USE OTHER INSTRUMENTS BESIDES THESE TWO BASICS, as _fun house_ all too clearly shows.

"t.v. eye" is another scummy jewel, perhaps one of the most memorable riffs in the history of rock (perhaps because it or something like it has been in a thousand other songs before and after--regardless, this is the best version of this riff). Iggy pegs paranoia to a tee and says volumes for anyone who has ever felt weirded out (a great portion of us, to be sure). The miracle is that he does it in a few words ("she got a t.v. eye on me . . .). An absolute masterpiece of minor-key minimalism.

"L.A. Blues" is another fitting and memorable ending to this inferno of a funhouse. Coming as this album did in 1970, this instrumental somehow serves as the capstone for the decade without anyone emitting a word. It sounds like a Grateful Dead jam gone way, way wrong, as if to say "Well, here's where your drugs and free love got you: straight in the sh**ter. May as will make the hippy dream sound like what it's come to!" The miracle on this song is that Asheton & Co. manage to show no musical proficiency whatsoever, just a mass noise freak-out without sense or sensibility. "Welcome to the '70's," they seem to be saying, "it's gonna get way stranger from here on in." Listen to it really loud and I can pretty much guarantee that you'll understand why Lester Bangs couldn't stop singing the praises of these guys and this song in particular. It takes great music like this to inspire the greatest rock writing ever.

Like I said, the CD ends here and the listener wants way, way more. Iggy never quite captured this sort of glory again, but fellow gutter-snipes like the Ramones, the Clash, and the Pistols were able to make some equally worthy trash-thrum on their own. Guess one never does leave this funhouse, after all.

Average customer rating:

best J. geils
Should be rated 10 stars.
Great live album by a band best heard live
One Of The Great Live Albums Of ANY Day
Just Buy It!

"Live" Full House
J. Geils Band
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Customer Reviews:

best J. geils .......2007-05-07

what a great CD brings back memmories. Has to be the best they ever did great live CD

Should be rated 10 stars........2007-02-06

I have been listening to rock and roll for almost 40 years and have worked off and on over the years as a classic rock DJ. In my opinion, this is one of the 5 best "live" albums ever recorded, by anybody. The energy on this CD is absolutely incredible. Even if you're not a big J. Geils Band fan, this is an essential for any CD collection. They flat out rock like few bands I have ever heard!!!

Great live album by a band best heard live.......2006-11-15

It was 1971 at the University of Maryland, and students got several free concerts each semester as part of their activities fee. Very few of us that night had heard of the J. Geils Band when they got onstage at the Armory, but by the end, every person was up on their feet going crazy. This live album is all you need, really. They had only two studio albums to that point, and both are kickers. Most of the best on those two efforts appears here in higher-energy form. From Bloodshot on, they rarely recaptured the magic, IMHO. This may not be for audiophiles, but anyone who loves roots-based rock and roll done high-energy has to have it. Great CD to learn harp with, since Magic Dick is loud in the mix, and his licks ring classic, yet are inventive.

One Of The Great Live Albums Of ANY Day.......2006-10-30

It still holds up after all these years..any fan of 70's rock will surely rank this CD as one of the all time faves in terms of energy,shucking and jive basically an all out assault from this blue eyed soul band that were the top of the game in their great days of fusing elements of 50's based rock and roll, Chicago and Detroit blues into this hybrid of pure rock and roll with gratitude to the originals ranging from Little Walter,Otis Rush,John Lee Hooker and other greats.
Fronted by a rascal on vocals,Peter Wolf, alongside him the guitar of J.Geils, and the exuberant harmonica and keyboard and driving force of their drummer, this band cut this live album as their 3rd installment bringing their version of "looking For A Love" to a national audience.
Pure non-stop energy, this album preceded their hits of "Give It To Me", "Love Stinks", "Centerfold".
This group achieved later success but this is possibly their best offering that stands up to the test of time.

Just Buy It!.......2006-05-03

More than 30 years later still simply the best rocking live record I ever heard!

Average customer rating:

A follow up to a classic...not bad.
House with no blue
This isn't your father's Deep Purple
One and a half stars for Spanish Archer . . . .
My favorite Deep Purple album

The House of Blue Light
Deep Purple
Manufacturer: Umvd Special Markets
ProductGroup: Music
Binding: Audio CD

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Release Date: 1999-06-22

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Customer Reviews:

A follow up to a classic...not bad........2007-06-11

No question, "Perfect Strangers" is a Deep Purple classic. "The House of Blue Light" was the follow up. Not all the songs are classic Purple, or even in the vein of "Perfect Strangers," but as a whole the album is pretty solid. For me, Bad Attitude, Strangeways, Mitzie Dupree, and Dead or Alive are the highlights of this album. Gillan's vocal work is, for the most part, excellent, especially on Mitzie Dupree. The Unwritten Law could have been a good song if the vocals weren't incredibly...stupid, for lack of a better word. The tensions between Gillan and Blackmore resulted in some pretty darn good guitar playing from Ritchie (Dead or Alive) and vocals from Ian trying to bridge the gap ("...why don't we call it a day before we call it a nightmare, darlin'?") or lashing out ("...you think I'm chained up, but I'm just tied down"). Overall, "The House of Blue Light" is a consistent, if sometimes unspectacular, album.

House with no blue.......2007-05-12

Great title but where is the blues ??? no likee....

This isn't your father's Deep Purple.......2007-03-15

I my humble opinion this was the best of the reunited Deep Purple. Perfect Strangers was a great album but the music was cut from the same cloth that much of the early Deep Purple and Rainbow for that matter. The thing that was great about the original Mark II two lineup was that from "In Rock" to "Fireball" to "Machine Head" to "Who Do We Think We Are" the sound and music on each of the albums was very different. There was growth and adventure in the development of each album. The House of Blue Light returned to an attempt to be creative. Granted these won't be the songs that will talk about forever or hardly at all twenty years later but they are great in their own rights. Songs like "The Spanish Archer", "Hard Lovin' Woman", "Strangeways", "The Unwritten Law", and "Dead or Alive" show a real stepping outside of the box with the style of the band. It was unfortunate that this album and tour were marred by the fighting within the band however as has always been the case with the band, the music is seemingly at it's best when there is tension from within. I have heard the album termed as an "experimental" album and I would have to agree and say that this was a successful experiment.

One and a half stars for Spanish Archer . . . ........2006-12-29

I'm not sure what DP was trying to be on this effort, but it didn't work. Maybe they weren't trying too hard to be anything at all, which would explain the insipid songwriting and mostly forgettable performances.

The opening two tracks, "Bad Attitude" and "Unwritten Law", are decent -- no memorable riffs or great performances, but listenable. "The Spanish Archer," featuring some interesting guitar work by RB, is far better than that. The rest are hardly worth mentioning. Songs like "Dead or Alive" and "Mad Dog" have plenty of energy but no life. (The blue lights are on but nobody's home?) Overall, these songs sound almost like each musician was recorded separately and the tracks were later mixed.

"Perfect Strangers," which preceded this, is one of Deep Purple's best albums, and "The Battle Rages On" is very good. As far as "The House of Blue Light" goes, get "Spanish Archer" for your IPOD and then close the door.

My favorite Deep Purple album.......2006-10-30

Talk about an underrated album, from an underrated legendary band.

When most famous groups reunite (like Cream or Pink Floyd) they do it for a one-off show, or a small reunion tour and then it's goodbye! But NOT Deep Purple, once they reunited it was stated: We are in it for the long haul. Boy, they weren't kidding!

This was the follow up to their famous reunion album "Perfect Strangers." I always found this album, "The House of Blue Light" to be even better. Of all the rock music I bought back in the 80's only a handful are still played in my house. This being one of them.

Ian Gillan has to be one of the most underrated lyricists in all of rock music. Next to Ozzy and Robert Plant, Gillan's lyrics are like Bob Dylan, or Dylan back in the 60's. Anyway, the rest of the band are brilliant as ever. For being an 80's sounding rock album it has held up much better than all the other hard rock outfits of that era.

Highlights: The Unwritten Law, Dead Or Alive, The Spanish Archer and Strangeways

Average customer rating:

Fun House
Add A Little FIRE To Your FUNHOUSE
Thee Sound of Hell
Wow
"Sick, Twisted House" is more like it

Fun House
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Manufacturer: Elektra / Ada
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005IU2
Release Date: 1990-10-25

Tracks:

Down On The Street
Loose
T.V. Eye
Dirt
1970
Fun House
L.A. Blues

Amazon.com

Of course the Stooges were stupid, that was the whole point. Three chords were okay, two were even better, one or none (the cacophonous "L.A. Blues") was best of all. Drunk on their own testosterone, Iggy Pop and Co. kept things simple, loud, and brutal--and he's been coasting on the band's rep ever since. Slow and thuddy as it sounds now, almost nobody had ever made rock as primal as this second album. Iggy howled like a psycho, the band sounded like they could barely play the elementary riffs, and occasionally a moment of bone-headed poetry made it through the glorious muck. --Douglas Wolk

Customer Reviews:

Fun House.......2007-04-12

Iggy And The Stooges-Fun House ****

Fun House was the second Stooges album. Released in 1970 Fun House along with The Stooges two other albums Raw Power and the self titled The Stooges became what is now known as proto-punk. The stooges were the precursor to punk. But what is interesting about that is the band had the punk attitude but their music was sometimes lengthy and often contained horns, and jazzy time signatures, all of which are not in the punk genre usually. But that in itself is what makes it punk because The Stooges did what they wanted weather it was acceptable or not.

Iggy Pop, Dave Alexander, Steven Mackay, Sott and Ron Asheton are at the top of their game here. While this was Steven Mackays last album with the band he sure went out with a bang. Mackay wasnt an official member of the band really but he was always listed on the album up until Raw Power. But anyways the band was nothing less then amazing here.

On the bands debut, The Stooges, they had a song called '1969' which went on to become a classic, well here they have '1970' which while not as good as 69, is an excellent song and what do you know it also went on to become a classic. 'Down On The Street' which opens the album and does so brilliantly. It's a hard rocker with lots of energy and great guitar. 'Loose' is a lot like 'penatrate' from Raw Power. The titled refects the feel of the sound of the album. The song is about sex obviously. 'T.V Eye' is one of the better songs on the album, and Iggy gives a fantastic performance. 'Dirt' drags on a little long but is still a great song. 'Fun House,' the title track is one of the best songs on the album. It is rich in Saxophone. This is a longer song as well, almost eight minutes in length. But it never gets boring. The album ends with 'L.A. Blues' is well just noise. The album could have been better with out it. Iggy just growls and the band just plays random notes and scales as if it is a jazz improvision. Completly aweful way to end a otherwise great album.

Fun House has gone down in history as one of the all time greatest albums in punk, rock n' roll, and music in general. Fun House is an album that no collection should be without, and an album that no collection is complete without. If your a fan of Iggys solo work then you will love this. If you are a fan of punk you will really love this because you can see where they all drew influence from. Truly a great record that I would recomend to all who are interested.

Add A Little FIRE To Your FUNHOUSE.......2007-04-02

The sound of FUN HOUSE never gets old. The Stooges 2nd album, Fun House, was first released in 1970. They sound so much more ALIVE w/ POWER and agitated aggression, than on their debut self-titled release in 1969. FUNHOUSE is just mind blowing Sure-fire in your face ferocity!
On the front cover of the album it looks like Iggy is basking in the flames of Hell and the music portrays such a passionate deep, fiery kind of mess and rage.
Don Gallucci was FUNHOUSE's producer and directed the band members to capture the intensity felt from The Stooges live shows; and showcase it in the studio. What resulted from the studio sessions brought out a much more maniacal side to Iggy Pop, it just sounds like he was having so much fun making this album. JAZZ fused w/ Blues and Punk attitude all around.
Unfortunately in 1970, the majority record buying public wasn't interested in The Stooges or FUNHOUSE. They felt it's Hellish nature depicted a darker world of sex and drugs. I guess it was just ahead of it's time.
My favorite songs are: "Loose" - "1970" - & "Funhouse" - I do prefer RAW POWER's(Stooges 3rd album)version of "Dirt" better than the FUNHOUSE one.
The Stooges along w/ Iggy Pop and their three albums did inspire a lot of artists. Thanks to Iggy Pop's vision he influenced the proto-punks in London as well as New York. Such influence can be seen on Sonic Youth's earlier work: Confusion is Sex(their second full-length)
The Stooges also directly influenced Black Flag, Richard Hell, The Birthday Party, & in the later '80s, one of my Favorites - Mudhoney.
Rage Against the Machine - covered the opening track on FUNHOUSE -"Down On the Street," for their last album 2000s Renegades.
To Me FUNHOUSE sounds fresh even after the 37 years it has been released! And Rolling Stone named it one of the TOP 500 albums of ALL TIME(191)!

Yep - I give it 5 stars!

Thee Sound of Hell.......2007-03-22

This is what hell sounds like. Forget the dumb reviews talking about bad musicianship, sludge etc. This is a fantastic album that grinds along, and implodes at the end like a rocket in the sky. Buy it buy it buy it.

Wow.......2007-02-25

I bought this album about 10 years ago. I hadn't heard "1970" for a while (until earlier this evening) and almost forgot what a perfect piece of chaos it is. The sax player deserves serious praise (as well as whoever suggested putting sax on a Stooges album in the first place).

Funhouse is one of the most compact, cohesive, crazy albums ever recorded. The whole thing is quite an experience.

"Sick, Twisted House" is more like it.......2006-11-02

Still, what an album! If you want brilliant hard rock masterpieces, this is certainly one of them! The debut was brutal. But this transcends brutal. Along with The Velvet Underground's White Light/White Heat, it's one of those records that will make those less hardy listeners run and hide. Just listen to L.A. Blues, AKA Formless Mess. When I played this tune for my brother, he covered his ears and ran away. I can't say I blame him, either. That song lacks melody, harmony, or anything else even remotely related. I love it. It gets better - T.V. Eye certainly fills the "brutal, insane, straightforward rock 'n' roll" quotient required of anything Stooges-related. Sex anthems 1970 and Loose prove that NOBODY can do sex anthems (no pun intended) like the Stooges. Then there's the slow, lurching mutant-blues Dirt, very underrated and very, VERY cool. And there's that title track... woof. All the hype about this one is true.
And Howard Tuttleman, you are so self-absorbed it's sickening. You claim yourself "Master Reviewer" and "Teenage Genious". Well, guess what? You misspelled "genius", which speaks VOLUMES about your intelligence.

September Songs: The Music of Kurt Weill

Average customer rating:

some brilliant renditions, but can't quite all mix together
Cool and Camp
September Song Music of Kurt Weill
It's a long time between January and December
Ain't we Hip?!!?

September Songs: The Music of Kurt Weill

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Lotte Lenya Sings Kurt Weill / Levine, Lenya, Armstrong, Gilford, et al
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Stratas Sings Weill

ASIN: B0000029WM
Release Date: 1997-08-19

Tracks:

Mack The Knife - Nick Cave
Ballad Of The Soldier's Wife - P.J. Harvey
Alabama Song - David Johansen
Youkali Tango - Teresa Stratas
Lost In The Stars - Elvis Costello
Pirate Jenny - Lotte Lenya
Speak Low - Charlie Haden
Oh, Heavenly Salvation - The Persuations
Lonely House - Betty Carter
Surabaya- Johnny - Teresa Stratas
Furchte Dich Nicht - Mary Margaret O'Hara
September Song - Lou Reed
Mack The Knife - Bertolt Brecht
What Keeps Mankind Alive? - William S. Burroughs

Customer Reviews:

some brilliant renditions, but can't quite all mix together.......2006-10-19

I like the spirit of this album, which is to let the music of Kurt Weill attach itself to the many worlds it came from. This was classical music that also used elements of popular music at the time, all with a very dark and almost mechanical tone. So it would seem fitting to have exquisite voices like Teresa Stratas rub elbows with darker elements like Nick Cave in this collection. There are also the jazz influences developed by Charlie Haden and Betty Carter.

In all, there are some brilliant interpretations of Weill here. I am a fan of Cave's "Mack the Knife" and David Johansen's "Alabama Song," and how can someone NOT like Lotte Lenya herself on "Pirate Jenny" and the drolling of the immortal William S. Burroughs talking through "What Keeps Mankind Alive?"

But other tracks feel to be just too short of brilliance. I love that Lou Reed tries to turn "September Song" into a kind of rock ballad, almost a VU "It Was a Pretty Good Year," but the rendition seems a little short of energy and falls flat after a while. Elvis Costello, though magnificent as an overall artist, just doesn't bring new life to "Lost in the Stars."

Perhaps the problem in the end that the choices were a little too much of the Top 40 Weill (if there really can be such a term). These are songs that have for a long time been regarded as the best of Weill, and it might have furthered the purpose of his music to find new gems and bring them into the sunlight.

Cool and Camp.......2006-08-24

This is a very biased review- I originally had much of Weill's work on cassette tape- way back in the olden days- before CD's- so I am already very partial to many of the tracks on this CD- I would recommend it not only to Kurt Weill fans, and the fans of the various artists featured, but I would also strongly recommend this to anyone who likes artsy, camp, fun burlesque, Bohemian European stuff. The record, even though performed by contemporary artists still retains much of it's zeitgeist, it evokes the era in which Weill was writing and it rounds out any great eclectic record collection. It's a great musical discovery for fans of all sorts of genres, and EVERYONE should own at least one recorded arrangement of "Mack The Knife". (You know, for parties and stuff!)

September Song Music of Kurt Weill.......2006-08-22

Songs from the film-documentary done by various artists. Excellent choice if you like Mr Weill's music. I saw the film and always wanted the CD. Now I have and I recommend it highly.

It's a long time between January and December.......2004-06-11

Kurt Weill is one of those composers who juggles Jewish angst with Catholic guilt: and possibly vice versa. As a collection, it is nonpareil. Each interpretation becomes a definitive reading of the "song". Lord, it is one of the best assemblies of contemporary artists going. Lou couldn't be better; Ms O'Hara, in fine form, performs her deranged puppet-dance to the X. OK. An unknown. Roping-in, such a postmodern figure as, well, you-know-who, to orate Weill's lyrics is never less than exceptional. An amazing collection. Is there a DVD?

Paul

Ain't we Hip?!!?.......2003-07-23

This is the avant version of these songs, everything done with that Downtown fingers-across-the-blackboard screech. They even got Johanson doing it, which is no less than amazing. The sole exception is the Persuasions' "O Heavenly Salvation", but one song does not an album make.

The mystery here is that there's a perfectly good compilation from the 80s, "Lost in the Stars: the Music of Kurt Weill", featuring many of the same songs--and, if I'm not mistaken some of the same performers. That's the one you want. Too bad it's OP.

World Upside Down
Average customer rating:

Awesome rock

Awesome

Their best one to date...hands down!

House Of Lords - Melodic Rock At It's Best!!

Not quite at their best...but close!

World Upside Down
House of Lords
Manufacturer: Locomotive
ProductGroup: Music
Binding: Audio CD

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The Power and the Myth

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ASIN: B000F7CDRQ
Release Date: 2006-06-12

Tracks:

Mask of Eternity (Overture No. 1)
These Are the Times
All the Way to Heaven
Field of Shattered Dreams
I'm Free
All the Pieces Falling
Rock Bottom
Million Miles
Your Eyes
Ghost of Time
My Generation
S.O.S. in America
World Upside Down

Album Description

2006 release from House of Lords, the hard rocking 'supergroup' formed by former Giuffria/Angel keyboardist Greg Giuffria in 1988. World Upside Down is quite possibly the best CD House Of Lords has ever released. Frontiers.

Album Details

House of Lords Are One of the Most Important and Definitive Bands of Arena Hard Rock Era. Their Music Boasts Influences from Whitesnake, Deep Purple, Van Halen and the Classic 80's Us Melodic Rock Sound and Has Helped to Define High Energy Rock N Roll. The Group Released Three Very Successful Albums from 1988 to 1992 Before Disbanding. A Decade Later in 2003, They Returned to Deliver the Album "the Power and the Myth" to Great Acclaim. After a Short Tour, Singer James Christian Decided to Continue with the Band's Trademark Aided by his Original Bandmate Gregg Giuffria. A New Line-up Added New Life Into the Grandiose Sound: Jimi Bell on Guitars, B.j Zampa on Drums and Jeff Kent on Bass and Keyboards Make Up the New Powerhouse Band. This CD Can Be Considered Sonically as an Extension of their Critically Acclaimed "Demons Down" Album. Every Song Tells a Story and Every Moment of Music is House of Lords at their Very Best!

Customer Reviews:

Awesome rock.......2007-05-13

All the songs are good; excellent use of keyboards along with the guitar riffs.
The intro and the 2nd song are awesome!
HOL is a really good rock band.

Awesome.......2007-05-03

I rated this album a 5 because I thought a 4 was too low. Great songwriting, great melodies, great hooks. There are no "filler" songs on this album - ALL the songs are good. I would go so far as to say the best album House of Lords has recorded. Well worth the money.

Their best one to date...hands down!.......2007-04-26

I've been following House of Lords for quite sometime now and I have to say, this is their best one yet! Eventhough one of my favortie drummers played on Sahara, Tommy Aldridge, World Upside Down surpasses that release as well. Every song is melodic hard rock bliss with their hooks, choruses, big guitars, big drums, intricate keyboards, and the big bottom end! If you like classy hard rock music in the vein of Whitesnake, Hardline, and Danger Danger, then buy House of Lords' "World Upside Down". Don't wait another minute!

~Brian~

House Of Lords - Melodic Rock At It's Best!!.......2007-04-21

World Upside Down is a must for any House Of Lords fan or an melodic rock fan in general. It's a shame to see that this CD is not available in wide release in the USA. Spend the extra few dollars and pick it up as an import.. well worth it!

Not quite at their best...but close!.......2007-04-16

House of Lords are one of the most underrated bands from eighties/nineties. Their debut album should have seen success like the Whitesnake 1987 album, but was not promoted heavily enough. Most fans have been waiting for a return to form. Well, this album is close, but bringing the sound more up to date. It's probably third best to Sahara and their self-titled album, but is a worthy purchase if you like hard melodic rock from the late eighties.

Average customer rating:

Making Music on the Beauty Way
Rockin' Folkie
My favorite of Eliza
Hard Core Emotions
Thoughtful and Soulful

Hard Times in Babylon
Eliza Gilkyson
Manufacturer: Red House
ProductGroup: Music
Binding: Audio CD

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Lost and Found
Land of Milk and Honey
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RetroSpecto
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ASIN: B00004Y9Z0
Release Date: 2000-10-10

Tracks:

Beauty Way
Hard Times In Babylon
Highway
Coast
Engineer Bill
Persephone
Baby's Waking
Twisted
Flatline
In My Dreams
Walk Away From Love
Sanctuary

Customer Reviews:

Making Music on the Beauty Way.......2007-03-18

Eliza Gilkyson comes from a musical family. Her father wrote both pop hits and Disney movie tunes, while her brother Tony played in an incarnation of X and was also involved with the movie "Walk The Line. To that end. "Hard Times In A Babylon" reflects Eliza's legacy. Like Lucinda Williams' "Gravel Road" CD, this album has a great deal to do with the drive to create, with the pitfalls, the hope and the redemption.

I saw Eliza play a show with Casey Chambers and Patty Griffin, and was enchanted by the two songs she played from "Hard Times In Babylon." First was "Beauty Way," which charts the course she took after her father. The best line is the description of the lure of fame and the disappointment of the illusion in the distance: "By the time I hit L.A. I was hotter than a pistol, but you're never hot enough." She introduced the song during the show by describing how her Father wrote for "The Jungle Book." "'Bear Necessities' paid for my braces...."

The second is the tender title track, mourning the loss of a friend. Again, touching on the joys and hardships in the creative soul, Eliza asks "Woody you could have called out/There's not a man or a woman here in the big house tonight/who wouldn't have run to pull you through."

Those are my two favorites from this hard edged folk singer. There are plenty more to enjoy on "Hard Times In Babylon." For me, they are "Engineer Bill" with its snaky lead guitar, and gospel inflected "Sanctuary," which ends the album on a hopeful note. If you enjoy Casey Chambers, Nanci Griffiths, Patty Griffin of even the Dixie Chicks, you'll probably enjoy Eliza Gilkyson.

Rockin' Folkie.......2005-08-28

I was buying gas during a long road trip through Wyoming. Song number five was playing on my truck stereo while I was pumping gas and a beautiful woman in a nearby gas bay started staring at me. Hark, a clue, I thought... I must not be the only one who likes that song a lot. It's a great song.

My favorite of Eliza.......2004-12-11

Have had the privilege of hearing Eliza in very intimate local venues and she's got the most outstanding honey-and-whiskey voice. That voice always takes center stage with simple arrangements backing. This is an amazing album, covering everything from sinning to salvation. "Hard Times in Babylon" according to Eliza is autobiographical of the worst times in her career. "Sanctuary" is a beautiful hymn no matter what spiritual affiliation you have. While Eliza's newest "Land of Milk and Honey" has been nominated for a Grammy in the Folk Category this year, I think "Hard Times" is a very good place to start listening to Eliza's music.

Hard Core Emotions.......2004-06-15

To me, this album was a breakthrough for Eliza Gilkyson. I can see by some people's reviews that they miss the more folksy side of Eliza. But if I could only keep one Eliza Gilkyson album ... I personally would choose this.

These songs are daring! Not just lyrically with such great lines as "I've got a foolish heart, but I'm not an idiot." and "Be still, my beating heart" in reference to not quite wanting to go on today. But it's also musically extraordinary. The opening song is catchy as anything. And then, she moves to ballads, hard rock-n-roll beats, sultry numbers, experimental formats. What remains consistent throughout the album is the hard core emotional honesty.

Lyrics always take center stage on this album -- she annunciates clearly, and no matter what's going on musically, you can always hear the words plainly. I like that.

And these are some serious words! Backed by husky expressiveness.

This is an album that challenges you to explore the emotional realms -- and not just the cheery ones.

I loved her previous albums. But to me -- this one is art.

Thoughtful and Soulful.......2002-10-24

Who said good songs can't be intelligent and thoughtful, and still tug at your heart and fill your soul? Eliza has a one of a kind voice, is a lyrical, poetic songwriter, and bares her soul in her songs. Sometimes things get a bit cryptic, but in this CD the heart is on the sleeve. I wouldn't say it is an uplifting CD, it has its dark side, but I wouldn't call it depressing either. The darkness just gives the music an edge that feels good. Every song has been played over & over on the repeat feature of my CD player. I immediately went searching for more. Her latest, "Lost & Found" lives up to the promise of this stellar CD.

Average customer rating:

Full House
Wes Montgomery
Manufacturer: Riverside
ProductGroup: Music
Binding: Audio CD

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Plays Duke Ellington
Cannonball Adderley Quintet in San Francisco
Power to the People
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ASIN: B000NDEXQQ
Release Date: 2007-03-27

Tracks:

Full House
I've Grown Accustomed To Her Face
Blue 'N' Boogle
Cariba
Come Rain Or Come Shine
S.O.S.
Cariba
Come Rain Or Come Shine
S.O.S.
Born to Be Blue
Born To Be Blue

Varese Sarabande 25th Anniversary Celebration

Average customer rating:

A good value
The Sound Track Since Bernard Hermann
Good mix of film music
A mixed collection of movie music
Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Paramount 90th Anniversary Collection: Scores
In Session: Film Music Celebration
The Essential Elmer Bernstein Film Music Collection
Jerry Goldsmith: 40 Years of Film Music
Music In Film (National Public Radio Milestones Of The Millennium)

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

The Man from Snowy River (Bruce Rowland)
The Winds of War (Bob Cobert)
Blue Velvet (Angelo Badalamenti)
Witness (Maurice Jarre)
Raising Arizona (Carter Burwell)
Pee Wees Big Adventure (Danny Elfman)
Halloween (John Carpenter)
A Nightmare On Elm Street (Charles Bernstein)
The Fly (Howard Shore)
RoboCop (Basil Poledouris)
The Empire Strikes Back (John Williams)
The Right Stuff (Bill Conti)
The Final Conflict (Jerry Goldsmith)
The Abyss (Alan Silvestri)
Brainstorm (James Horner)
Peggy Sue Got Married (John Barry)
My Left Foot (Elmer Bernstein)
The Dead (Alex North)
Stanley & Iris (John Williams)
The Milagro Beanfield War (Dave Grusin)
Driving Miss Daisy (Hans Zimmer)

Tracks:

Steel Magnolias (Georges Delerue)
Unforgiven (Lennie Niehaus and Clint Eastwood)
Raggedy Man (Jerry Goldsmith)
The Grifters (Elmer Bernstein)
Green Card (Hans Zimmer)
City Slickers (Marc Shaiman)
Father Of The Bride (Alan Silvestri)
While You Were Sleeping (Randy Edelman)
Babe (Nigel Westlake)
The Adventures Of The Great Mouse Detective (Henry Mancini)
The Adventures of Robin Hood (Erich Wolfgang Korngold)
The Young Indiana Jones Chronicles (Laurence Rosenthal)
The Secret Garden (Zbigniew Preisner)
A Little Princess (Patrick Doyle)
Rudy (Jerry Goldsmith)
Iron Will (Joel McNeely)
Memphis Belle (George Fenton)
Eye Of The Needle (Mikl)
Total Recall (Jerry Goldsmith)
Back To The Future Part III (Alan Silvestri)

Tracks:

To Die For (Danny Elfman)
The Player (Thomas Newman)
Black Robe (Georges Delerue)
Medicine Man (Jerry Goldsmith)
2001 (Alex North)
Star Wars: Shadows Of The Empire (Joel McNeely)
The Crow (Graeme Revell)
Blade (Mark Isham)
The Omen (Jerry Goldsmith)
Vertigo (Bernard Herrmann)
Scream (Marco Beltrami)
The Sixth Sense (James Newton Howard)
Xena: Warrior Princess (Joseph LoDuca)
Air Force One (Jerry Goldsmith)
Starship Troopers (Basil Poledouris)
The Matrix (Don Davis)
The Iron Giant (Michael Kamen)
Youve Got Mail (George Fenton)
A Little Romance (Georges Delerue)
Pleasantville (Randy Newman)

Tracks:

Sunset Boulevard (Franz Waxman)
L.A. Confidential (Jerry Goldsmith)
Rounders (Christopher Young)
The Score (Howard Shore)
The Replacements (John Debney)
Gone In 60 Seconds (Trevor Rabin)
The Bourne Identity (John Powell)
Rush Hour 2 (Lalo Schifrin)
XXX (Randy Edelman)
Die Hard (Michael Kamen)
The Last of the Mohicans (Trevor Jones)
Moby Dick (Christopher Gordon)
The Mists Of Avalon (Lee Holdridge)
Cleopatra (Alex North)
Life As A House (Mark Isham)
Emma (Rachel Portman)
In The Bedroom (Thomas Newman)
Cast Away (Alan Silvestri)
One True Thing (Cliff Eidelman)
Unfaithful (Jan A.P. Kaczmarek)
Far From Heaven (Elmer Bernstein)
Ice Age (David Newman)
Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating:

Gret Start For A Band Criminally Unrecognized
The Australopithecus Afarensis of Hard Rock
The front cover of this album says it all...
Hard Hard Rock
Early '70's hard rock

Dust
Dust
Manufacturer: Repertoire
ProductGroup: Music
Binding: Audio CD

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ASIN: B000025QTV
Release Date: 2001-05-08

Tracks:

Stone Woman
Chasin' Ladies
Goin' Easy
Love Me Hard
From a Dry Camel
Often Shadows Felt
Loose Goose

Album Details

The Hard Power Rock Trio of Bassist Kenny Aaronson (Who Would Go on to Play with Rick Derringer and Foghat), Drummer Marc Bell (Who Later Went on to Play in Richard Hell's Voidoids) and Guitarist Richie Wise (Who Would Later Produce Albums for James Brown and the Eddie and the Cruisers Soundtrack) Cut their Chops on this and their Subsequent Second Album. Just a Portend of Things that were to Come....

Customer Reviews:

Gret Start For A Band Criminally Unrecognized.......2007-01-13

I actually got Hard Attack, their second album, before this one and though that one is so much better, this is still a great example of 70's hard rock. It also has a cool cover. The songs are a mix of hard rock voices (styles) that make up a great overall piece of work. My favorite is Loose Goose and my band used to cover that song, though I must admit, not very well!

For a great introduction to this rather obscure band, I highly recommend it. Then go out and find Hard Attack. You won't be disappointed.

The Australopithecus Afarensis of Hard Rock.......2006-08-16

First and foremost, I'm an absolutely unapologetic disciple of the band Black Sabbath. As such I make a concerted effort to acquaint myself with those bands who, whether they admit it or not, have a definitive Sabbath influence to their sound. That having been said it's important to comment as to how I learned of the existence of the seminal band Dust.
I first saw the band Pentagram (a band who by their own admission are strongly influenced by Sabbath and the mighty yet obscure band Sir Lord Baltimore)live circa 1986 at the now long defunct Eastside nightclub in Washington, D.C.. Pentagram are local to D.C.,so not only was it convenient but fortuitous.
I developed an immediate fondness for them and their sound. Sir Lord Baltimore, it seems, were greatly influenced by the band Dust. I finally managed to get my claw-like hands on Dust's only 2 album releases, and am exuberant, nay extatic, that I did. Both releases are gems for those who appreciate the likes of The James Gang, Frijid Pink and Free, very good and yet under appreciated and virtually unknown in terms of mass popularity in the annals of seminal hard rock. Of significant note, Mark Bell (Dust's drummer) went on to perform with both Richard Hell & The Voidoids (a seminal NY punk band) and The Ramones as Marky Ramone, initially appearing on their 4th studio release "Road To Ruin". And Kenny Aaronson (the bassist and slide & pedal steel guitarist for Dust) performed with the likes of Bob Dylan, Leslie West, Sammy Hagar, and Foghat among a slew of prominent and talented performers rock & roll personalities.

The front cover of this album says it all..........2005-11-03

So this is the great, under-rated, over-looked DUST? Anyone care to guess WHY they were so over-looked? Give you one hint: BORING! Yep, I decided to seek this album out, along with HARD ATTACK, and this album was Sominex City. Their only claim to fame was that the drummer became a Ramone, the bassist became a session dude, and the guitarist produced some Kiss albums. The only redeeming factor is the last tune "Loose Goose" and maybe "From A Dry Camel". Otherwise, stay FAR FAR away from this nonsense.

Hard Hard Rock.......2004-12-10

Have had the albums since they first came out.Got to know Kenny Aaronson as he lived in the same neighborhood as me in Brooklyn,N.Y..I loved this one and the second one Hard Attack.I recommend both CD's for fans of hard core music.Joe

Early '70's hard rock.......2002-12-14

Most people have never heard of this group, let alone the music. This is probably one of my top 5 albums of all time. It's hard to compare their musical style to any other major bands, but I'd say it's great hard rock with raw production and great use of stereo (listen to this one with headphones).
Singer/guitarist Richie Wise went on to produce the 1st 2 Kiss albums, drummer Marc Bell went on to become Markie Ramone, and bassist Kenny Aaronson went on to various studio projects, including HSAS (the Sammy Hagar / Neal Schone group of the early '80's)
If you like good old fashioned hard rock, give this a try!

Music:

Music

music

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