French Touch [CD-single] [Import]
French Touch [CD-single] [Import]
Editorial Reviews
Product Description
Pascal R is at the Crossroad of Various Projects that Reflect Different Sounds and a Diversified Interest in Music, as Impulsion and as Pascal R!.
French Touch,Pascal R,Wallo
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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CBS Dinner Classics: Romance
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ASIN: B0000027XF
Release Date: 1992-04-07 |
Tracks:
- Crisantemi
- Carmen: Micaela's Aria
- Serendae For Strings In E Major, Op.22: II - Tempo Di Valse
- KINDERSZENEN, OP.15: Traumerei: No.7
- Two Elegiac Melodies, Op.34: II - The Last Spring
- Hassan: Serenade
- Fantasia On 'Greensleves'
- Londonderry Air
- Elegie
- Souvenir d'un lieu cher, Op.42: Melodie In E-Flat Major, No. 3
- Cavalleria Rusticana: Intermezzo
- I Love You
- Woodland Sketches, Op.51: To A Wild Rose, No. 1
- Henry V: Touch Her Soft Lips And Part: No.2
- Pavane For A Dead Princess
- Prelude To Irmelin
- Rhapsody On A Theme By Paganini, Op.43: Variation XVIII: Andante Cantabile
Customer Reviews:
LOVE THIS CD !!!.......2007-03-11
I was looking for a recording of Londonderry Air performed by the Philadelphia Orchestra/Eugene Ormandandy. After listening to several sample clips on this CD, I ordered it. The entire CD is beautiful and relaxing. It's become one of my favorites.
Average customer rating:
|
Bedroom Adagios
Manufacturer: Decca
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ASIN: B0000BWVBV
Release Date: 2003-09-09 |
Tracks:
- Concerto For Harpischord, Strings, And Continuo No. 5 In F Minor, BWV 1056 - Raymond Leppard
- Concerto Grosso In B Minor, Op. 6, No. 12 - The Academy Of St Martin-In-The-Fields
- Pavane For A Dead Princess - Steve Erquiaga
- Romance For String Orchestra - The Academy Of St Martin-In-The-Fields
- Carnival Of The Animals - Pittsburgh Symphony Orchestra
- Bachianas Brasileiras No. 5 - Alexandre Lagoya
- En Bateau - l'ochestre de la suisse romande
- Humming Chorus - BBC Concert Orchestra
- Sicilienne - Steve Erquaiaga
- Italiana - The Academy Of St Martin-In-The-Fields
- Una Furtiva Lagrima - BBC Concert Orchestra
- Chanson De Matin, Op. 15, No. 2 - BBC Concert Orchestra
- Suite In E Major For Lute, BWV 1006A/1000 - Eduardo Fernandez
- Touch Her Soft Lips, And Part - Bournemouth Symphony Orchestra
- Suite for Cello Solo No. 3 In C Major, BWV 1009 - Pepe Romero
- Jesu, Joy Of Man's Desiring - Julian Lloyd Webber
- Pavane - Nicholas Kraemer
- Serenade For Strings In E Major, Op. 22 - The Academy Of St Martin-In-The-Fields
Tracks:
- O Mio Babbino Caro - BBC Concert Orchestra
- Cavatina - Goran Sollscher
- La Fileuse - L'Orchestre De La Suisse Romande
- Flower Duet (Sous Le Dome Epais) - BBC Concert Orchestra
- Pied-En-L'Air - Nicholas Kraemer
- Arioso - Steve Erquiaga
- Two Aquarelles - English Chamber Orchestra
- In Paradisum - Stephen Cleobury
- After A Dream - Steve Erquiaga
- Suite For Cello Solo No. 1 In G Major, BWV 1007 - Mischa Maisky
- My Bonny Boy - The Academy Of St Martin-In-The-Fields
- Concerto For Guitar In D Major, RV 93 - Eduardo Fernandez
- Un Bel Di - BBC Concert Orchestra
- Holbert Suite, Op. 40 - Gothenburg Symphony Orchestra
- Concerto For Oboe In D Minor, BWV 1059 - Heinz Holliger
- Vissi D'Arte - BBC Concert Orchestra
- Sheep May Safely Graze - William Bennett
- Fantasia On Greensleeves - William Bennett
Customer Reviews:
Exceptional Collection.......2003-12-31
I have heard many, many classical "mood" collections, and this is one of the best, with many surprise selections.
It is consistently restful and calming.
I recommend it highly.
Average customer rating:
- Wonderful in all respects!
- its very best,ameising
- 15.00
|
French Touch
Richard Galliano
Manufacturer: Dreyfus
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000IWNJ
Release Date: 1999-05-18 |
Tracks:
- Bebe
- A French Touch
- J.F.
- Caruso
- Heavy Tango
- Sanguine
- Augusta
- You Must Believe In Spring
- Passarinho
- Sanfona
- L' Envers Du Decor
- Tacot Blues
Amazon.com
Richard Galliano is a renowned jazz accordionist and innovator of musette, early-20th-century Parisian dance-hall music. He indeed brings a French touch to this album of jazz improvisation--along with a Brazilian, American, and Italian one. The result is an interesting collaboration among Galliano, saxophonist Michel Portal, drummer Daniel Humair, and the late bassist J.F. Jenny-Clark. Skipping between Miles Davis-influenced bop and Brazilian samba, the music here is rich in thriving rhythms laced with balmy French romanticism. --Karen Karleski
Customer Reviews:
Wonderful in all respects!.......1999-12-03
What a wonderful listening experience! Richard Galliano is a wonderful musician. This is a finely crafted CD and has provided me with hours of listening pleasure.
its very best,ameising.......1999-10-21
i need this cd immiedetl
15.00.......1999-10-21
i need this cd immiedetl
Average customer rating:
- A Splendid Souvenir to Remember a Spectacular Performance!
- god moves in a peculiar way.........i am god......
- Orpheus in the Underworld
- Excerpts
- Highlights or total Opera?
|
Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD
All Works by Offenbach
| Offenbach, Jacques
| ( O )
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Similar Items:
- Offenbach: Gaite Parisienne; Orpheus in the Underworld; Voyage to the Moon
- Offenbach - Orphée aux Enfers / Dessay, Naouri, Fouchécourt, Beuron, Podles, Petibon, Smith, Gens, Cole, Minkowski
- Gluck - Orphée & Eurydice (Berlioz version) / von Otter, Barbara Hendricks, Fournier, Gardiner
- Gluck: Orphée et Eurydice (Berlioz version) / Larmore, Upshaw, Hagley, Runnicles
- Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
ASIN: B00001O2XK
Release Date: 1999-09-14 |
Tracks:
- Orpheus In The Underworld: Prelude
- Orpheus In The Underworld: Hello, I'm Public Opinion
- Orpheus In The Underworld: Eurydice Is All A-flutter!
- Orpheus In The Underworld: So That's The Game
- Orpheus In The Underworld: I Feel A Cool Intoxication
- Orpheus In The Underworld: We, The Watchdog Of The People
- Orpheus In The Underworld: Tzing, Tzing, Tzing, Tzing!
- Orpheus In The Underworld: A Night On The Town
- Orpheus In The Underworld: Remember What You Did To Leda
- Orpheus In The Underworld: Look Out, Look Out, Move Over There!
- Orpheus In The Underworld: He Is Coming, Oh, How Boring
- Orpheus In The Underworld: Oh, Oh, Look At That Look He's Giving Me
- Orpheus In The Underworld: Though I Was King Of All Beotia
- Orpheus In The Underworld: We Can Tell She's In Hell
- Orpheus In The Underworld: My Little Spies Uncover
- Orpheus In The Underworld: There You Are, You Look So Neat
- Orpheus In The Underworld: It's Strange, But A Touch Seemed To Wake...
- Orpheus In The Underworld: Do Not Look Back Or All Will Be Lost
- Orpheus In The Underworld: ...He Is The Only God
- Orpheus In The Underworld: Infernal Gallop
Customer Reviews:
A Splendid Souvenir to Remember a Spectacular Performance!.......2003-10-30
Having been fortunate to have seen the English National Opera's production in 1988 of "Orpheus" with Wilson and Pountney's outrageously naughty English text, this highlight CD serves as an audio souvenir. Too bad the ENO didn't have the foresight to film the production-would have made a great DVD. The CD booklet does have a few photos of the sets designed by Gerald Scarfe (who also designed Pink Floyd's "The Wall" album artwork) so you get a taste, combined with the CD selections, of what the production was like.
god moves in a peculiar way.........i am god.............2002-01-17
Offenbach is great anyhow, but this recording is riotous. The translation into English is first-rate, really funny stuff, and the singing is pretty good, too. Very worthwhile.
Orpheus in the Underworld.......2000-03-17
The rewritten lyrics, in English, are some of the wittiest and wicked in operetta. Wilson and Pountney have recaptured the spirit of naughtiness, not a small accomplishment in our licentious times. Though delighted to have the highlights, I wished a CD set or video of the full production were available.
Excerpts.......1999-12-23
This is a collection of excerpts. It is in English and is quite good. The performance of the entire operetta has been discontinued and it is a pity.
Highlights or total Opera?.......1999-11-01
I would like to know if this is highlights from the opera or the total opera.
Average customer rating:
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In Memory Of... Classics for Funerals
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Similar Items:
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- Music for the Funeral Service
- Pan's Labyrinth (New Line Two-Disc Platinum Series)
- God Is Not Great: How Religion Poisons Everything
ASIN: B0006SGF1O
Release Date: 2005-02-22 |
Tracks:
- Funeral March From Op.35 - BBC Philharmonic
- Agnus Dei - Richard Hickox
- Komm Susse Tod - BBC Philharmonic
- Pie Jesu - Libby Crabtree
- 'Nimrod' - Alexander Gibson
- 'I Know That My Redeemer Liveth' - Joan Rodgers
- Largo - Simon Standage
- Pavane - BBC Philharmonic
- Vocalise - Detroit Symphony Orchestra
- 'When I Am Laid In Earth' - Emma Kirby
- 'Meditation' - Yuri Torchinsky
- Pavane Pour Une Infante Defunte - Louis Lortie
- Irish Tune - BBC Philharmonic
- Adagio For Strings, Op.11 - Neeme Jarvi
Tracks:
- Introitus - Choir Of Saint John's College
- 'Le Dernier Sommeil De La Vierge - BBC Philharmonic
- Panis Angelicus - BBC Philharmonic
- Adagietto - Neeme Jarvi
- 'Dead March' - BBC Philharmonic
- 'Ruht Wohl, Ihr Heiligen Gebeine' - Harry Christophers
- Cantus-In Memory Of Benjamin Britten - Neeme Jarvi
- Agnus Dei - City Of Birmingham Symphony Chorus
- 'Touch Her Soft Lips And Part' - Richard Hickox
- 'Death Of Ase' - Vernon Handley
- 'Jesu, Joy Of Man's Desiring' - Michael Austin
- Sursum Corda, Op.11 - Bournemouth Sinfonietta
- Marcia Funebre - Walter Weller
Average customer rating:
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Classical Chillout
Manufacturer: Union Square Music
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ASIN: B0000C7PSS
Release Date: 2003-09-23 |
Tracks:
- Adagio - Angela Malmsbury
- O Mio Babbino Caro - J. Michael Leonard
- Piano Concerto No.2. 2nd Movement - Jorge Luis Prats
- Gnossiennes No.1 - Pro Arte Guitar Trio
- Touch Her Soft Lips And Part - Black Dyke Mills Band
- Canon - Harold Britton
- Barcarolle - Kenneth Smith
- Rhapsody In Blue - Jack Gibbons
- Adagio, Orchestral Version - London Symphony Orchestra
- Hebrides Overture - London Symphony Orchestra
- Zadok The Priest - Huddersfield Choral Society
Tracks:
- Symphony No.40. 1st Movement - London Mozart Players
- Gymnopedies, No.1 - Pro Arte Guitar Trio
- Spring - Allegro - Moscow Virtuosi
- Night On The Bare Mountain - Loris Tjeknavorian
- Morning - John Lubbock
- The Entertainer - Philip Dyson
- The Sorcerer's Apprentice - Enrique Batiz
- Aquarium - Royal Philharmonic Orchestra
- Nocturne In E Flat - Peter Frankl
- Capulets And Montagues - Loris Tjeknavorian
- Pastoral Symphony, 5th Movement - Richard Hickox
Tracks:
- Symphony No.9, 2nd Movement - London Philharmonic Orchestra
- Dam Busters March - London Philharmonic Orchestra
- O Sole Mio - Beniamino Gigli
- Waltz Of The Flowers - Royal Philharmonic Orchestra
- Moonlight Sonata, 1st Movement - John Lill
- Jupiter - London Festival Orchestra
- Dance Of The Swans - Royal Philharmonic Orchestra
- Simple Symphony - Richard Hickox
- Fur Elise - Alan Schiller
- Air On A G String - John Lubbock
- Flight Of The Bumblebee - Loris Tjeknavorian
- Symphony No.1. 1st Movement - Halle Orchestra
Tracks:
- Prelude A L'Apres Midi D'Un Faune - Enrique Batiz
- Serenade For Strings In E Major - The Northern Sinfonia Of England
- Concerto For Violin & Oboe, 2nd Movement - Chamber Orchestra Of Europe
- Pavane Pour Une Infante Defunte - Mexico State Symphony Orchestra
- Violin Concerto In G Minor, 3rd Movement - Xue-Wei
- A Walk To Paradise Garden - The Philharmonia Orchestra
- Spartacus Suite - The Armenian Philharmonic Orchestra
- Fantasia On A Theme Of Thomas Tallis - Sir Neville Marriner
- Summertime - Graham Johnson
Average customer rating:
- "Bateman & Temple...double the listening pleasure"
|
Shakespeare at the Movies
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00005B1EF
Release Date: 2001-05-22 |
Tracks:
- Twefth Night: I'll Tell Thee A Tale - Ben Kingsley
- Henry V: Overture - The Globe Theatre - Crouch End Festival Chorus/Paul Bateman
- Henry V: Passacaglia - The Death Of Falstaff - Paul Bateman
- Henry V: 'This Day Is Called The Feast Of St. Crispian' - Ioan Gruffudd
- Henry V: Battle And Charge - The French Court - Paul Bateman
- Henry V: 'Touch Her Soft Lips And Part' - Paul Bateman
- Henry V: Finale - The Agincourt Song - Crouch End Festival Chorus/Paul Bateman
- Hamlet: Prelude - Paul Bateman
- Hamlet: Ball At The Ballet - Paul Bateman
- Hamlet: 'To Be, Or Not To Be, That Is The Question - Derek Jacobi
- Hamlet: 'Sweets To The Sweet Farewell' - Kenneth Alwyn
- Much Ado About Nothing: Overture - Kenneth Alwyn
- Much Ado About Nothing: Goddess Of The Night/Strike Up, Pipers - Crouch End Festival Chorus/Paul Bateman
- Antony And Cleopatra: Suite - Jenny Agutter/Bruce McGregor
- Antony And Cleopatra: Suite - Crouch End Festival Chorus/Paul Bateman/Nick Raine
- Julius Caesar: Overture - Paul Bateman
- Julius Caesar: Caesar's Triumphant Entry Into Rome - Paul Bateman
- Julius Caesar: 'Friends, Romans, Countrymen, Lend Me Your Ears' - Derek Jacobi
- Julius Caesar: 'Caesar Now Be Still/Finale' - Paul Bateman
Tracks:
- The Taming Of The Shrew: 'Good Morrow, Kate' - Derek Jacobi/Jenny Agutter
- The Taming Of The Shrew: Overture - Paul Bateman
- Richard III: 'Now Is The Winter Of Our Discontent' - Derek Jacobi
- Richard III: Prelude - Paul Bateman
- Romeo + Juliet: The Balcony Scene - Paul Bateman
- Romeo And Juliet: 'But Soft, What Light Through Yonder Window Breaks?' - Ioan Gruffudd/Jenny Agutter
- Romeo And Juliet: Suite - Kenneth Alwyn
- Love's Labour's Lost: 'Love's Labour's Lost/Arrival Of The Princess' - Paul Bateman
- A Midsummer Night's Dream: 'If We Shadows Have Offended' - Jenny Agutter
- A Midsummer Night's Dream: Intermezzo From Cavalleria Rusticana - Paul Bateman
- Shakespeare In Love: Suite - Paul Bateman
- Henry V: Prelude - 'O For A Muse Of Fire' - Paul Bateman
- Henry V: St Crispian's Day - Paul Bateman
- Henry V: 'Once More Unto The Breach, Dear Friends, Once More' - Ioan Gruffudd
- Henry V: Non Nobis Domine - Couch End Festival Chorus/Paul Bateman
- Twelfth Night: If Music Be The Food Of Love - Shaun Davey
- Twelfth Night: The Wind And The Rain - The Irish Film Orchestra/Fiachra Trench
Customer Reviews:
"Bateman & Temple...double the listening pleasure".......2001-06-29
Paul Bateman and "The City Of Prague Philarmonic Orchestra" extend their listening pleasure with this latest release ~ "Shakespeare At The Movies"...backed by the world renown "Crouch End Festival Chorus" led by their Choir Master - David Temple. Also appearing...Kenneth Alwyn and Nic Raine to this already "blue-ribbon" 2-CD-Set of the finest music ever to grace the big screen.
Composers who's who is the marquee'...Miklos Rozsa & Sir William Walton from the '40s & '50s...Michael J. Lewis, Nino Rota, Dimitri Shostakovich from the '60s...John Scott from the '70s...Craig Armstrong, Patrick Doyle, Pietro Mascagni & Stephen Warbeck from the '80s, '90s & 2000...each sharing their God-given-talent with the masses, the love of film scoring.
Must mention a highlight in this awesome collection..."ANTONY AND CLEOPATRA" (1972), haunting in content, mixed with heavenly voices and a wonderful flute solo, strings sweeping as a flowing breeze centering around the brass section...over six minute suite in length...composed, arranged and orchestrated by John Scott...conducted by Nic Raine, excels with a love theme pouring generously in each measure, followed by passionate counterpoint, overlayed with a veil of sweet melody.
The entire collection is a film-score-buffs "pot of gold", just waiting at the end of your rainbow...powerful, overwhelming and outstanding performances from all who contributed...James Fitzpatrick (Producer) never fails with each endeavor, Reynold da Silva (executive producer), Paul Bateman, Rickie Clark and Nic Raine (associate producers)...you might try other albums from Silva, all worthy of a good listen ~ "Crimson Pirate:Swashbucklers Of The Silver Screen" (SSD-3009)..."The Mark Of Zorro" (SSD-3010)..."Cinema Century 2000" (STD-5023)..."Alien Invasion:Space & Beyond 2" (SSD-1083)..."Space 3:Beyond The Final Frontier" (SSD-1112)..."Cinema's Classic Romances" (SILKD-6018)..."Bond Back In Action 2" (SSD-1119)
Total Time: Disc One 70:51 on 19 Tracks & Disc Two 70:25 on 17 Tracks ~ Silva Screen SILKD-6024 ~ (2001)
Average customer rating:
- Best Comprehensive Survey of Canadian Music Available
|
Introduction to Canadian Music
Manufacturer: Naxos
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Forsyth, Malcolm
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ASIN: B0000014C7
Release Date: 2006-03-01 |
Tracks:
- Marche Indienne - Hannaford Street Silver Band
- Fiesta: Vif Et Bien Rythme - Neil Chotem
- The Contented House - Mario Bernardi
- Carnival Overture - Kazuhiro Koizumi
- Fall Fair - Uri Mayer
- Harbours - Nimmons 'N' Nine Plus Six
- Andante Allegro - Orford Quartet
- Fast And Frenzied - Robert Aitken
- Mont-aux-Sources - Mario Bernardi
- Allegro - Robert Silverman
- Allegro Vivace - Lento - Franco Mannino
- Giocoso (With A Touch Of The Absurd) - Janina Fialkowska
- Thunder Dragon - Espirit Orchestra
- Romance For Brass Band - Steven Chenette
- Akasha (Sky) - Bramwell Tovey
- Elan - Walter Boudreau
Tracks:
- Magnus Dominus - Patrick Wedd
- Hodie, Christus Natus Est - Elmer Iseler Singers
- Feller From Fortune - Elmer Iseler
- Soleils Couchants - Patrick Wedd
- Ave, Verum Corpus - Vancouver Chamber Choir
- Notre Seigneur En Pauvre - Saint John String Quartet
- Pemoengkah - Robert Aitken
- Quarks - Judy Loman
- Toccata For Flute And Soprano - Robert Aitken
- No.2 - Valerie Tryon
- African Funeral Song - Nexus
- Chanson Du Matin - David Kent
- Six Themes-Solaires - No.1 - Piano Soleil - Richard Raymond
- Le Jeu De Telephone - Ensemble Koln
- Alma Chillin - Mark Duggan
- Dripsody - Hugh Le Caine
- Big Bang II - Marcelle Deschenes
- Nadir - Douglas Perry
Customer Reviews:
Best Comprehensive Survey of Canadian Music Available.......1999-01-19
This anthology of three Centuries(!) of Canadian music was assembled by a former producer from the Canadian Broadcasting Corporation who now works for Naxos Canada. This producer is also active in the Canadian music world, so he knows whereof he speaks (or selects, as in this case). Liscensing the best performances available from major Canadian and International labels, this is the best collection of, and introudction to, the entire Canadian music scene that I have ever come across. The booklet is informative and is as enjoyable a read as is the 2 CD set is to listen. I doubt there will ever be anything quite like it again. If only NAXOS would now start recording Canadian music on top of the Canadian artists they already record, than they will truly have one of the finest and most comprehensive classical catalogues in the world. As for now, don't pass this one up.
Average customer rating:
- Munch's excellece with the French repertoire
- Another rotund success of this baton 's genius!
- Great compilation
|
The French Touch
Paul [composer] Dukas , Camille Saint-Saens , Maurice Ravel , Cesar Franck , Charles Munch , and Boston Symphony Orchestra
Manufacturer: RCA
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ASIN: B000003GBP
Release Date: 1998-02-10 |
Tracks:
- The Sorcerer's Apprentice
- Omphale's Spinning Wheel, Op.31
- Mother Goose: Pavan Of The Sleeping Beauty
- Mother Goose: Hop-O'-My-Thumb
- Mother Goose: Laideronette, Empress Of The Pagodas
- Mother Goose: Beauty And The Beast Converse
- Mother Goose: The Fairy Garden
- Le Chasseur Maudit: The Peaceful Sunday Landscape
- Le Chasseur Maudit: The Hunt
- Le Chasseur Maudit: The Curse
- Le Chasseur Maudit: The Demons Chase
Customer Reviews:
Munch's excellece with the French repertoire.......2006-01-27
The Alsatian conductor Charles Munch (1902-1968) led the Boston Symphony Orchestra from 1949 to 1962, succeeding the Russian-born conductor and teacher Serge Koussevitsky. Munch excelled in the French repertoire throughout his career and this RCA Victor disc features four excellent examples of his abilities with this unique music.
There is indeed a "French touch" in classical music, a certain amount of elegance, wit, and brilliance that requires a gifted hand to be successful. Munch was one of those rare conductors who could definitely bring out the best in the Boston Symphony, making an American orchestra sound more French than could be expected.
Munch, who founded the Orchestra of Paris near the end of his life, was chosen by RCA Victor to make its very first commercial stereophonic recording, in early 1954, of Hector Berlioz's "The Damnation of Faust." For the next eight years, Munch and the Boston Symphony made numerous recordings in RCA's remarkable "Living Stereo" process, which were made in Boston's historic Symphony Hall with a triple-track tape recorder and three microphones. The recordings first appeared in stereo on reel-to-reel tapes, while most listeners heard them on conventional high fidelity discs. Finally, in 1958, RCA began releasing stereo discs, relying on four years of stereo tapings.
This compilation begins with Paul Dukas' greatest work, his musical telling of "The Sorcerer's Apprentice," inspired by the Goethe poem that was itself inspired by an ancient legend of an Egyptian sorcerer who lived underground and enjoyed bringing inanimate objects to life. In this case, the sorcerer used a broom to fetch water. His apprentice, or assistant, had been watching and, after his master had departed, he was able to duplicate the feat. However, the apprentice soon discovered he did not know how to stop the broom, which continued to bring water, flooding the room. In desperation, the sorceror hacked the broom to bits, only to have the bits form new brooms with hands carrying more buckets filled with water. Only the return of the sorcerer himself prevented total disaster and, of course, he promptly disciplined the sorcerer.
Dukas' music closely follows the story and even the rhythms of Goethe's poem. In Munch's hands, the full drama of the story is presented with great intensity and finesse. He brings out the full mystery and intrigue of the musical tale. The growing flood can be visualized with the powerful playing of the Boston Symphony. This is definitely one of the greatest performances of this work and, unlike the familiar Stokowski recording for Walt Disney's "Fantasia," it is presented uncut.
Less familiar on this disc is Camille Saint-Saens' "Omphale's Spinning Wheel," a symphonic poem that depicts the legendary Hercules' humiliation for disobeying divine authority. He is put to work as a servant for a queen, who forces him to dress as a woman and to work endlessly at a spinning wheel. Saint-Saens' music is also mysterious and haunting; one clearly senses Hercules' humiliation as the music spins relentlessly, with no end in sight. This performance vies with Leonard Bernstein's later recording as one of the best recorded. The Boston strings particularly excel in the recording.
Maurice Ravel's delight in children and children's tales is wonderfully represented by his ballet "Mother Goose." This is the suite, which omits the introduction and interludes heard in the full score. It is magical, delightful music, representing several of the traditional fairy tales that have delighted children of all ages for many years. Munch brings out the best in this lushly-orchestrated music.
Finally, there is a real rarity: Cesar Franck's "The Accursed Huntsman." Here is a story of a man who dares to go haunting on a Sabbath and is pursued by demons as punishment. This 1962 performance was one of Munch's last recordings with the Boston Symphony. I first heard it on the original RCA Victor LP, in which it was coupled with Ernest Chausson's symphony. I have heard a few other recordings of this music and none have come close to the intensity that Munch achieved. The sound, of course, is exceptionally good and it remains a truly high fidelity achievement. The famous Boston Symphony chimes, used particularly in Munch's performances and recordings of Berlioz's "Symphonie Fantastique," are yet another more factor in this incredible performance.
Another rotund success of this baton 's genius!.......2006-01-11
There have been supreme performances about these well recognized Ravel 's works. But there are two unsurpassed factors that assure this one as the most expressive, warm and sumptuously lyric performance of My mere you had heard ever; the presence of The idiosyncratic Boston Symphony, the most European of the American Orchestras and by addition, the successful podium by the Alsatian master: Charles Munch, this magisterial combination feeds back by itself and truly was a true blessing this winning blending has worked out with such perfection level.
On the other hand Cesar Franck 's work is simply unique. The only version that could be named as its rival would be Artur Rodsinzki.
Acquire this CD without dilation, because Munch 's grandness has been proved so many times and to talk about the sound of this sidereal Orchestra under Koussevitzky, Munch and Leinsdorff is now part of an incandescent chapter in the glorious background of the Great Music.
Great compilation.......2000-09-04
The RCA Living Stereo series has several outstanding efforts by Charles Munch and the Boston Symphony: discs headlined by Berlioz' Symphony Fantastique, Saint-Saens'Organ Symphony and Ravel's Bolero. This selection is every bit as good. The same verve that characterizes those performances is found here. Indeed, you'd be hard pressed to find more energetic performances of any of the works on this disc.
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