Your Shining [CD-single] [Import]

Your Shining [CD-single] [Import]

Track Listings

1. Radio Edit

2. Extended Mix

3. Original Hardcore

4. Dark Mix

5. Rezonance Q Remix

6. Hixxy Remix

Editorial Reviews
Product Description
5-track single includes Radio Edit, Extended Mix, Original Hardcore Remix, Dark Mix, Rezonance Q Remix & Hixxy Remix. Central Station. 2004.

Tracks:

Come Take Me In Your Arms
My Soul Is Filled With Love For You
What Are These Tears And Sighs
How I Loved Him!
A Maiden Adorning
He Has Come Back
See Here, Dorabella
Ah! Let me Live In This Dream
He's The God Of Youth And Springtime
The Silver Moon Was Shining
Ain't It A Pretty Night!
Take Me Away To The One I Adore
Oh Sleep, Why Dost Thou Leave Me?

Customer Reviews:

Good coloratura work by Elizabeth Futral.......2007-05-27

This is an interesting CD from soprano Elizabeth Futral. The theme of this is a set of operatic arias sung in English, not in the original French or Italian or. . . . I'm not sure how sold I am on the concept, but, after all, it's the singing and musicality that is most important. And, by that measure, Elizabeth Futral does very nicely.

The accompanying booklet begins by noting that (page 8) "The voice of the light soprano has enchanted listeners for centuries." Futral's singing is characteristic of this type of voice.

In this era, any coloratura soprano has two challenges: first, to compare with the past generation's astonishingly talented practitioners, well exemplified by Joan Sutherland and Beverly Sill. Second, though, there are some wonderful coloratura sopranos today against whom others will be compared, with Natalie Dessay and Sumi Jo among the most adept. Thus, Futral will almost automatically be compared with such exemplars. I do not think one could say she is the equal of those four just mentioned, but she does not compare badly either.

From the Wikipedia: "In musical notation, the Italian word staccato (literally detached, plural staccatos or staccati) indicates that notes are sounded in a detached and distinctly separate manner, with silence making up the latter part of the time allocated to each note. The rhythm is not affected. Notes identified as staccato should be played or sung abruptly and short." This is worthy of comment, since the "Bell Song" from "Lakme," one of the selections on this CD, features many such notes. Futral sings them well. Her performance in this work is well done (although it is somewhat jarring, again, to hear it sung in English). She begins with a nice high note and a bang up following trill. She displays good agility and features nice technique on staccato notes. Overall, this is well done. Toward the end, which calls for great ornamentation, she seems a bit hesitant at time, but she concludes with a nicely sung high note.

Other examples of her singing. From Handel's "Alcina," she sings "Come take me in your arms." Her voice is a light, standard coloratura voice (although not all coloratura sopranos have such a voice, of course). She displays considerable agility, a decent trill, and good ornamentation. There is a bit of harshness on a high note toward the close, but hardly fatal to the overall positive effect of her singing.

From Donizetti's "Linda di Chamounix," there is "My soul is filled with love for you" (otherwise known as "O luce di quest'anima"). Her version is not too shabby when compared with such greats as Sutherland and Jo. The cabaletta shows off, again, her agile voice. Good staccato high notes. Nice trills and a well nailed final high note.

Then there is the charming "Son vergin vezzosa" from Bellini's "I Puritani," here entitled "A maiden adorning." Again, nice agility, good trills, well done florid singing technique. While there is some harshness in the penultimate high note, overall, well done.

In short, Futral adds to a currently rich supply of coloratura sopranos, and compares well with the best of them.

At Last a Solo Recital on CD.......2005-03-19

Elizabeth Futral is one of those rare sopranos who seems to put pacing of her career, care of the voice, and commitment to repertoire range ahead of the too early media blitz that can hamper a singer's career. Clearly she has it all - beauty of voice, beauty of physical presence, fine acting skills, intelligence, and interpretive insights.

Having seen her Cleopatra in LA Opera's GUILIO CESARE and in SF Opera's production of Previn's STREETCAR NAMED DESIRE put her high on the list of important new sopranos. This rather strange recording gives samples of her foray's into all styles from Handel to Previn and does a fine job in capturing the beauty of her phrasing and quality of her seamless soprano voice. It is somewhat distracting to place a first recital recording before the public being sung entirely in English, especially for those who are unfamiliar with Futral's gifts. But credit Chandos with the courage to try something different, something that may introduce new audiences to the opera field.

Surely after the recent successes of Futral performances in the opera houses more recordings will follow. Meanwhile this is a tasty sampler of just how versatile - and special - Elizabeth Futral is. Grady Harp, March 05

An Interesting display.......2003-07-23

Coloratura-soprano Elizabeth Futral is a remarkable artist with a beautiful instrument and a most impressive technique. Her appearences in record stores are mostly on lesser known and up and coming labels such as Opera Rara and CHANDOS; with a few performances on DG.

This CD has an unusual semi-personal package. Duets, trios and quartets are featured. The title of the program is called Great Operatic Arias which seems rather broad for a soprano recital disc.

Futral sings well as always, however the content seems to lack a bit of intricacy and polish. Each aria, duet etc leaves you wondering whether or not a bit more time could have been put into this. The arias range from baroque to 20th century; covering four languages.

The entire program is performed in English and this is interesting... Although some of the arias just sound plain strange in English! It is a very nice thing to actually completely and instantly understand what is being sung. I was most impressed with the CHANDOS Lucia di Lammermoor. Futral probably gave her best performance on record in that role. She is astonishingly good on that recording. Her mad scene is awesome!

Tracks:

No. 6 from Hermit Songs, Op. 29: Sea-Snatch
I Hear An Army
Sure On This Shining Night
Bessie Bobtail
If You've Only Got A Moustache
Gentle Annie
Don't Bet Your Money On The Shanghai
Evening Song
An Old Song Re-Sung
No. 1 From Three Poems, Op. 11: The Lament Of Ian The Proud
Song Of The Dagger
A Damsel In Distress: Nice Work If You Can Get It
Shall We Dance?: They All Laughed
Girl Crazy: Embraceable You
The Goldwyn Follies: Just Another Rhumba
They Cannot Stop Death - Blue Mountain Ballads
Heavenly Grass
Lonesome Man
Cabin
Sugar In The Cane
Anything Goes: Blow, Gabriel Blow
Jubilee: Begin The Beguine
Seven Lively Arts: Ev'ry Time We Say Goodbye
FIFTY MILLION FRENCHMEN: The Tale Of The Oyster

Customer Reviews:

a voice teacher and early music fan.......2007-02-26

This is such a great collection of 20th century songs, that it behooves me to say something brief about each composer on this disc. I think that by doing so the listener gains more insight and thus more appreciation of all aspects of the song material.

The music of Samuel Barber (1910-1981), whether his symphonies, concertos,operas, chamber music or songs, is notable above all for a pronounced and refined lyricism. Barbr wrote songs thruout his career, and his published vocal output, though relatively small, is perhaps the most distinguished of an American composer. He preferred lyrical , romantic poetry, and his word-setting was perfect.
Stephen Foster (1826-1864) published his first song when he was 18 and by dint of hundreds more became, in the words of Aaron Copland,"our own national hero (who) had a naturalness and sweetness of sentiment that transformed his melodies into the equivalent of folk song." He was truly a songwriter rather than a composer, for he wrote no concert works or operas.
Charles Tomlinson Griffes (1884-1920) assimilated Debussian impressionism and,somewhat later, Oriental exoticism. During his brief career, he composed 64 songs, including four song-cycles.
George Gershwim(1898-1937) began his career in Tin Pan Alley and eventually, with works such as 'Rhapsody in blue' for piano and orchestra and some other works, brought Jazz into the concert hall.
Paul Bowles (1910- ) has long enjoyed celebrity status as an author,a writer of novels, short stories and essays. After a brief study with Aaron Copland, he made a considerable reputation as a composer of incidenal music. Virgil Thompson once described Bowles's songs as "enchanting for their sweetness of mood, their lightness of texture, for in general their way of being wholly alive and right".
Cole Porter (1891-1964) had the rare ability to invent superior catchpenny tunes; deceptively simple, often elegant melodies that stay in the ear. Consequently,he became one of the most successful American songwriter of his era.

As to Samuel Ramey's performance of these songs, one can only say 'business as usual', and that means great sound, great diction, great interpretation and always with that extra something that only a few bassos have!!!!The variety of works is varied and interesting and, if you please, is NOT a cross-over album. There are too many songs that denote the classical element. He was wise enough to vary his selection to avoid that particular situation. I really like this disc!!!!!

The greatest American bass.......2007-01-10

Ramey fans will not be disappointed by this charming collection of vocal gems.

Good, but one dimensional.......2000-04-26

Samuel Ramey is undoubtedly one of the finest and most versatile opera singers of his generation. However, these songs do not show his voice off at his best. One of Ramey's main faults is a lack of variety and vocal colour which is ABSOLUTELY needed in a song recital. This lack of colouring means that most of the songs come out sounding the same. The other major concern is that Mr Ramey's vibrato is quite pronounced. Most opera singers can get away with this when singing with an orchestra, but when he just has piano accompaniment it is much more noticeable. Still, it is good to have a recording of some of these lesser known songs and it is still an enjoyable cd.

Primo basso assolutto!!.......1998-11-17

Having attended Mr. Ramey's recent recital in Chicago where he sang a number of the songs on this recording, I can say that there is simply no bass today to rival him for sheer vocal glory. Whether it is the bel canto repetoire, baroque decorations, or as here, the American literature, Ramey is THE bass of the day. Unlike the former days when bassos were relagated to either buffoon, rich uncle, or some other supporting role, Ramey has almost single-handedly elevated the basso to star status. Roles that languished for years because there was no one up to their demands are now staples of Ramey's catalogue. Warren Jones is a sensetive and intelligent accompanist. In fact he played the entire recital from memory.

A Quiet Thing; David Daniels & Craig Ogden

Average customer rating:

Star-crossed Crossover
a voice teacher and early music fan
Crossing Over in Dreamy Style....David Daniels Scores Again
Reveries
Food for the Soul

A Quiet Thing; David Daniels & Craig Ogden
David Daniels , Craig Ogden , Alec Wilder , John Harold Kander , Gabriel Faure , Franz Schubert , Johann Sebastian Bach , Leonard Bernstein , Stephen Foster , Harold Arlen , John Dowland , and Vincenzo Bellini
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Jazz | Styles | Music

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Similar Items:

David Daniels - Serenade
Berlioz: Les Nuits d'Été
Handel: Opera Arias; David Daniels
Handel: Oratorio Arias
Sento Amor; David Daniels;

ASIN: B0000AC8MR
Release Date: 2003-08-05

Tracks:

A Quiet Thing
Blackberry Winter
So Pretty
My Shining Hour
Pampano Verde
Con Amores, La Mi Madre
A La Caza
Come Again, Sweet Love
Flow, My Tears
Music For A While
Vaga Luna, Che Inargenti
Malinconia, Ninfa Gentile
Ma Rendi Pur Contento
Ave Maria
A Simple Song
Ave Maria
Beautiful Dreamer
Shenandoah
Plaisir D'Amour

Amazon.com

On this record, David Daniels, one of our finest, most sought-after countertenors, adds a wide variety of styles, from Italian bel canto, popular classics, and American art- and folksongs to his signature Renaissance and Baroque repertoire. He appears to be equally at home in all of them, naturally adapting his vocalism, phrasing, diction, and delivery to each idiom, while his uniquely beautiful voice retains its pure, floating quality and intense expressiveness. His astonishing breath control lets him spin and sustain endless phrases; his middle range is dark and warm, his top bright and radiant. (Hearing those ringing E-flats, Es and Fs from a male voice never ceases to surprise.) The program seems aimed at including something for everybody, but reversing the usual route, arrives at the European 15th century by way of the American 20th, opening with John Kander's title song and songs by Alec Wilder, Harold Arlen, and Leonard Bernstein, who is represented by the frighteningly contemporary anti-war protest "So Pretty" and a song from "Mass." Three beautiful Spanish Renaissance songs and three famous English songs by Dowland and Purcell are followed by three luxuriously romantic, intimately caressing ones by Bellini; the program ends with three popular favorites, two American, one French. The only false note is struck by two overly familiar versions of "Ave Maria": Gounod's, a skillful extraction of a fine melody from Bach's C-major Prelude (sung here in D-flat), and Schubert's, a setting of Ellen's prayer from Sir Walter Scott's "Lady of the Lake." Craig Ogden's otherwise excellent guitar arrangements of the original piano and lute accompaniments are less successful here; the texture is too thin to support and sustain the intensity of the music. --Edith Eisler

Customer Reviews:

Star-crossed Crossover.......2007-03-13

There are many fine ways to hear David Daniels -- the Handel arias CD for instance, or the unique and wonderful performance he delivers on the DVD of Handel's Theodora. This CD, as other reviewers have declared, is half wonderful, half awful. "Innocent" music has to be sung by innocent voices. The Berlin Philharmonic can't play mariachi, Mick Jagger can't sing Danny Boy, and David Daniels shouldn't sing Shenandoah.

a voice teacher and early music fan.......2006-01-29

My problem with this disc has nothing to do with David Daniel's singing; rather it has to do with the line-up of songs. Some of them simply do not suit his voice. I really don't want to hear him singing:"My Shining Hour"-"A Simple Song"-"Beautiful Dreamer" or "Shenandoah"; and I'm not really fond of hearing the "Ave Marias". Not that he didn't do justice to them;he did! But the remainder of the selections were perfect for him and I think the contrast between the 2 genre is hard to take. The great songs on the album are great indeed:the 3 songs by Bellini;the 2 songs by Dowland;2 songs by Purcell and Martini's "Plaisir d'amour". I would still buy the album for these songs alone for they are performed with skill and emotion.

Crossing Over in Dreamy Style....David Daniels Scores Again.......2004-08-05

When I realized Liza Minnelli and Barbra Streisand covered the first two songs on this CD, I had to admit I was a bit worried that "A Quiet Thing" would be one of those crossover albums that famous opera singers need to do to please their management companies. But leave it to countertenor David Daniels to continue venturing into new territory for his rarefied voice type. Although Baroque-loving traditionalists may balk at his choice of repertoire this time, he paints a broad musical canvas along with guitarist Craig Ogden, encompassing American folk, English and Spanish renaissance, Italian bel canto, two versions of "Ave Maria", and even some Tin Pan Alley. This could have been an unwieldy smorgasbord for a lesser singer, but never underestimate Daniels' vocal dexterity, incredible coloratura and superb taste. Daniels and Ogden have really turned this program into a cohesive vision full of simply beautiful music wonderfully realized through voice and guitar - probably the best such coupling I have heard since Kathleen Battle and Christopher Parkening's "Pleasures of Their Company" more than a decade ago.

Standout tracks include Alec Wilder's melancholy "Blackberry Winter", a contemporary piece which ranks right up there with any of Daniels' much-revered Handel arias; John Dowland's "Come Again, Sweet Love", so familiar yet perfect for his voice; the one-two Americana sequence of "Beautiful Dreamer" and "Shenandoah"; and the title track by John Kander, which he sings with a languid quality that adds dimension to its original meaning. Such flights of vocal beauty make one wonder when he will tackle the Sondheim songbook. This is a terrific album, ideal for those who want an introduction to not only the countertenor voice but also the artistry of David Daniels.

Reveries.......2004-04-04

A QUIET THING: Songs for Voice and Guitar is a unique, idiosyncratic, irresistible collection of songs that span from contemporary melodies from Broadway to English lute songs to versions of Ave Maria (Bach/Gounod and Schubert) to American folksongs. And as if this variety of communication weren't enough, these songs are performed by countertenor par excellence David Daniels and the subtle and sensitive guitarist Craig Ogden. Both performers are intensely musical, intuitive interpreters of poetry and melody line and offer popular ballads from the stage of today with as much sincerity as bel canto songs of Bellini and the other-worldly Dowland and Purcell. For those unfamiliar with the countertenor oeuvre then this is a beautiful introduction to that vocal quality. David Daniels is internationally celebrated for his resurrecting the original countertenor roles in Handel operas and his voice has more power on the opera stage in this unfamiliar vocal range than those many regular tenors. Not being a fan of crossover recordings (big opera stars singing Broadway show tunes) I admittedly approached this album with reservation. But listening to these two men changes all that. Here in this aptly titled collection Daniels proves that his soft and quiet range is just as admirable as his 'big role arias'. The collaboration between Daniels and Ogden is clear and pitch perfect and the result is a recital - no, salon - of intimately communicated moments. An album to treasure.

Food for the Soul.......2004-03-02

Having everything from Marylin Manson and The Offspring to Rossini and Offenbach in my CD collection, I'm certainly not a die-hard classical music fan. Driving home one night (stuck in peak-hour traffic) I heard "A Simple Song" (tack 15 from this album) on the radio. It was just so simple, so peaceful and joyous. I had never heard of David Daniels, but I bought the album and have listened to it constantly. It is superb. Even if you think you don't like the counter-tenor (male alto) voice, try this album, you won't regret it.

Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]

Average customer rating:

A touching English Butterfly

Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Turandot (Chandos Opera in English)
Verdi: La Traviata
Puccini - La bohème / Haymon · O'Neill · Opie · McLaughlin · A. Miles · Dazeley · Shore · PO · Parry
Tchaikovsky - Eugene Onegin / Te Kanawa · Hampson · Rosenshein · Gedda · Sir Charles Mackerras [in English]

ASIN: B00005QF3K
Release Date: 2001-11-20

Tracks:

Act I: Introduction - Cheryl Barker
Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
Act I: 'My Fate I Have To Follow' - Cheryl Barker
Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
Act II Part I: 'One Fine Day' - Cheryl Barker

Tracks:

Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker

Amazon.com

This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine

Customer Reviews:

A touching English Butterfly.......2002-03-27

Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.

She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.

Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.

Tracks:

Nabucco: Part One - Introduzione
Nabucco: Part One - Recitativo e cavatina
Nabucco: Part One - 'D'Egitto la sui lidi'
Nabucco: Part One - 'Qual rumore?'
Nabucco: Part One - 'Come notte a sol fulgente'
Nabucco: Part One - 'Guerrieri e presto il Tempio'
Nabucco: Part One - 'Io t'amava!'
Nabucco: Part One - Corco - 'Lo vedeste?'
Nabucco: Part One - 'Finale ''Viva Nabucco!'
Nabucco: Part One - 'Che tenti?'
Nabucco: Part One - 'Tremin gl'insani del mio furore'
Nabucco: Part One - O vinti'
Nabucco: Part One - 'Mio furore'
Nabucco: Part Two, Scene One - Scena ed aria
Nabucco: Part Two, Scene One - Anch'io dischiuso un giorno'
Nabucco: Part Two, Scene One - 'Chi s'avanza'
Nabucco: Part Two, Scene One - 'Salgo gia deltrono aurato'
Nabucco: Part Three, Scene One - 'Donna,chi sei?'
Nabucco: Part Three, Scene One - 'Oh,Di qual'onta aggravasi'
Nabucco: Part Three, Scene One - 'Ah, qual suon!'
Nabucco: Part Three, Scene One - 'Deh, Perdona'
Nabucco: Part Three, Scene Two - Coro e profezia (Introduczione - Introduction)
Nabucco: Part Four, Scene One - 'Dio Di Giuda'
Nabucco: Part Four, Scene One - 'Porta fatale, or t'apriral!'
Nabucco: Part Four, Scene One - 'Cadran, cadranno i perfidi'
Nabucco: Part Four, Scene Two - Finale ultimo 'Oh,dischiuso e il firmento'
Nabucco: Part Four, Scene Two - 'Ah, torna Ieraello'
Nabucco: Part Four, Scene Two - 'Immenso jeovha

Customer Reviews:

Cerquetti's Abigaille.......2003-09-06

First off, it should be known to the potential buyer that these are HIGHLIGHTS only. The mono sound is acceptable. Orchestra and chorus are average at best. The focus clearly is on Anita Cerquetti and her rendition of Abigaille. Even though in the booklet listing of tracks her name is omitted on the last cue point. I never heard this singer live. My first encounter with her voice was the studio GIOCONDA with del Monaco and Simionato and I liked it very much. As Abigaille I find her less convincing. The voice is beautiful and even. But she cannot convey Abigaille's high flying ambitions. She sounds noble most of the time. Never aggressive or infuriated or spiteful or menacing. Her repentance/dying scene is superficial. Which makes me wonder how often Miss Cerquetti may have had the chance to sing this role during her brief career and develop a feeling for it. At times she unexpectedly breaks a phrase to catch her breath, which I find somewhat irritating. And some climax seem "rushed". It's also a bit disappointing to me that the "Salgo gia" cabaletta gets no repeat. Guess such were the customs in those years, even for concert performances. I am pleased with Messrs. Dondi (in the title role) and Trama. Aside from their vocal qualities I find them very much in character. Also the singers of Fenena and Ismaele made me prick up my ears. Taken all in all, it's worthwhile to have this document. It will nicely supplement your studio NABUCCO. It's been a guilty pleasure of mine to compare Anita Cerquetti to Elena Suliotis and Dino Dondi to Tito Gobbi. And I wish that one day the Metropolitan Opera's NABUCCO with Leonie Rysanek under the baton of Thomas Schippers will appear on CD.

Good soloists, mediocre chorus, mono recording.......2002-10-24

The soloists are very good, but the chorus (key in this opera) is not on the same level. "Va Pensiero", the famous chorus piece, is very weakly done. The mono recording is only just adequate, OK for the soloists but flat and dull for stage presence and orchestration.

Blistering Vocalism.......2001-02-23

I first heard this rare pearl over 20 years ago on some faded third-generation cassette. Despite the dim sonics, I was thrilled to hear a diva who could actually negotiate the scorching roulades of Abigaille's music while still sounding like a singer and not some wounded forest creature howling in pain. Apart from Callas' live performance, we've had precious little to celebrate in recorded Abigailles. Sure, Scotto lit a few fires with her EMI pressing, but who wouldn't with a microphone clenched betweeen her teeth and the volume control nailed in place at the top of the control panel? For Heaven's sake, most of the current generation of half-wit dimpled divettes and "sound-enhanced" melody muffins could come off like an Abigaille with the right studio wizards calling the shots.

Cerquetti was the REAL thing. Like Margharita Roberti (listen to her in Christoff's ATTILA recording), Caterina Mancini and Fedora Barbieri, she came from a school of barnstormers who could shake the foundations of San Carlo or La Scala with truly schooled, crafted voices that emanated from the viscera and not the top of the larynx. Cerquetti was one of the Queens of Can Belto, and this new release in great sound is one of the treasures among re-releases of the past decade. I cast aside all conservatory terminology and call this type of performance a ripsnorter for the ages. With Callas, Cerquetti, and Dimitrova on disc, and the rare likes of Linda Roark-Strummer performing the role onstage, the other studio bunnies can turn their attention to gentler repertoire and give the rest of us a break.

Glorious Cerquetti in very good Nabucco.......2000-07-19

With the exception of the famous Hebrew's choir 'Va pensiero', the number of recordings of 'Nabucco' is notably low. One possible reason is the extraordinary vocal demand of the female leading role, King Nabucco's daughter Abigaille. Very few sopranos have succeeded with this difficult role: Maria Callas, Elena Suliotis, Renata Scotto, Ghena Dimitrova (arguably the best). Now we have a live recording of the great Italian soprano Anita Cerquetti, and she is probably so good as Dimitrova. Cerquetti was one of the greatest sopranos of the century, although she had an astonishingly short carreer (she retired at the age of 30!). Most of her (scarce) recordings are live performances, so having any single piece of recording of her extraordinary voice is a real must. This Nabucco was one of the last documents of her operatic carreer, and here she sounds so splendid that it remains a mystery why she decided to give up singing so soon afterwards. The rest of the cast is very good, especially the bass Ugo Trama as the High Priest Zaccaria. Dino Dondi is a good Nabucco, but his interpretation of the title role is not a reference. The orchestra sounds well, and the choir efficiently provides the necessary support. The quality of sound is good for the time (1960). To Summarize: This incredibly low priced recording has an adequate combination of the elements needed for a good Nabucco: A very good choir, an excellent bass (Trama), a good baritone (Dondi) and a star of stars as princess Abigail: the great soprano Anita Cerquetti. Enjoy it!

Verdi at the most exciting way!.......2000-01-05

You have to buy this recording! Cerquetti is our and Verdi's dreams Abigaille! If you really are an opera fan or have any concern about Verdi you need this recording. Go for it!

Average customer rating:

The Great Voices of the Century, Vol. 2

Manufacturer: Rajon
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Folk | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Rock | Imports | Stores | Music
ASIN: B0007KUIU0
Release Date: 2005-02-14

Tracks:

Stars Were Brightly Shining (From "Tosca")
Come In The Gondola (From "Night In Venice")
Because
Open Road (From "The Gypsy Baron")
Merry Widow Waltz
Count Your Blessings
All Through The Night
Maidens Of Cadiz
Tristesse
If You Were The Only Girl In The World
Silver Threads Among The Gold
Deep In My Heart, Dear (From "The Student Prince")
Songs My Mother Taught Me
Torna A Surriento
Over The Rainbow (From "The Wizard Of Oz")
Parted
Bachelor Gay (From "Maid Of The Mountains")
Trottin To The Fair
White Wings
Lost Chord
Creed
Drinking Song (From "Merry Wives Of Windsor"
De Glory Road
Ol Man River (From "Showboat")
Changing Of The Guard
Blue Danube
Huguette (From "Vagabond King")
If I Were A Blackbird
ILl Sing A Song Of Love To You
Intermezzo
Panis Angelicus
Berceuse De "Jocelyn"
WeLl Gather Lilacs (From "Perchance To Dream")
Holy City
O For The Wings Of A Dove
Goodnight (From "Cousin From Nowhere")
Believe Me If All Those Endearing Young Charms
Drink To Me Only With Thine Eyes
ChElla Mi Creda Libero ( From "Girl Of The Golden West")
Loves Old Sweet Song
Last Rose Of Summer
River Stay Way From My Door
OSilver Moon (From "Russalka")
La Marseillaise
Nessun Dorma (From "Turandot")
Who Tied The Knot (From "Gypsy Baron")
They Call Me Mimi (From "La Boheme")
Rosary
Song Of India (From "Sadko")
Serenade
My Heart & I (From "Old Chelsea")
Smilin Through
Sanctuary Of The Heart
Vilia (From "Merry Widow")
ILl Take You Home Again, Kathleen
I Love You Truly
Road To The Isles
Eriskay Love Lilt
Vivere
Old Father Thames
Tales From The Vienna Woods
Oriental Prayer (From "Lakme")
My Song Goes Round The World
I Love Thee
On The Road To Mandalay
Wiegenlied (Cradle Song)

Album Description

3 CD set from the Rajon 'Great Series'. 66 tracks. 2005.

Entertaining Made Simple: Pinot Pasta & Puccini

Average customer rating:

Once you get past the gimmicks...

Entertaining Made Simple: Pinot Pasta & Puccini
Robert Merrill , Richard Tucker , Sherrill Milnes , Rosalind Elias , Paul Plishka , and Jussi Bjorling
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Entertaining Made Simple: Merlot Filet Mignon & Mozart
Entertaining Made Simple: Champagne Chocolate & Chopin
Entertaining Made Simple: Brew BBQ & Blues
Entertaining Made Simple: Chardonnay Shellfish & Schubert
Entertaining Made Simple: Big Reds Bistro & Ballads

ASIN: B0000A4FTQ
Release Date: 2003-07-22

Tracks:

Musetta's Waltz - Boston Pops Orchestra
Doretta's Dream - Leontyne Price
Your Tiny Hand Is Frozen - Sir Georg Solti
Oh Pretty Girl - Robert Merrill
Oh Mimi, Never To Return - London Philharmonic Orchestra
Oh My Beloved Daddy - London Symphony Orchestra
Entrance Of Butterfly - Boston Pops Orchestra
One Fine Day - Leontyne Price
Love Duet - Boston Pops Orchestra
Flower Duet - Leontyne Price
Humming Chorus - Erich Leinsdorf
Strange Harmony - New Philharmonia Orchestra
Love Duet - New Philharmonia Orchestra
For Love And Art - New Philharmonia Orchestra
The Stars Were Shining - Erich Leinsdorf
My Lord, Hear Me - Tullio Serafin
None Shall Sleep - Erich Leinsdorf

Customer Reviews:

Once you get past the gimmicks..........2005-06-07

...this is actually a pretty decent one-disc compilation of Puccini's best-known arias. The vocal performances, featuring Domingo, Price, Bjoerling, and Tucker (among others) in their prime are matchless. Even the slightly over-orchestrated instrumental arrangements of arias from "Boheme" and "Butterfly" don't get too sticky as played by the great Arthur Fiedler and the Boston Pops. All in all, well worth your money. I give it one star less than I would otherwise because of the extramusical gimmickry, but, truth to tell, a plate of pasta while lsitening, with a little red wine, might actually enhance the experience at that!

Richard Tauber: You Are My Heart's Delight

Average customer rating:

Richard Tauber: You Are My Heart's Delight

Manufacturer: Prism
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B00004KRZ6
Release Date: 1999-01-01

Tracks:

You Are My Heart's Delight
Girls Were Made To Love And Kiss
Vienna City Of My Dreams
Serenade (When The Moon Is Shining White)
O Maiden My Maiden
Don't Be Cross (Sei Nicht Bos)
Wayside Rose
Roses From The South
Tales From The Vienna Woods
My Heart And I
Simple Little Melody
You Mean The World To Me
Your Love Could Be Everything To Me
Serenade
White Wings
Free And Young
Nightingale Song
Vater Mutter Schwestern Brudern
Im Chambre Separee
Music In My Heart
Ach So Fromm
Play Gypsies
Greet Me My Vienna
Goodbye

Average customer rating:

What a great album!
Heavy Rotation

Heavy Rotation
Thomas Jefferson
Manufacturer: Evanworks
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Pop Rock | Pop | Indie Music | Stores | Music
ASIN: B00006IJNZ
Release Date: 2002-08-20

Tracks:

Another Year
Gold
Eyeball
Grand Central Station
Fade
Radio God
Don't Keep Me Waiting
Too Fine
Soul Patch
Bigtown
Upstate
Calling Rufus
I Will Not Let You Down
Sleeper

Album Description

HEAVY ROTATION is the new release from New York's JEFFERSON THOMAS....fourteen tracks of Jefferson's own brand of infectious pop gems, served up hot over a din of unruly guitars, post-modern beats, and scratchy blue-eyed-soul vocals.

Customer Reviews:

What a great album!.......2002-09-24

I saw Jefferson Thomas play in Central Park recently. I tried to buy a copy of this CD after the show, but they sold out too fast! And I'm not surprised. Not only are all the songs on the CD great, but they sound even better live, because Jefferson's band is HOT! So often you think an album is great and then you go to see somebody live and you're let down, but not in this case. My favorite song was "Another Year" until I saw the Central Park show, and they did such a beautiful job on "Gold" that I think that's my favorite now.

Great songs, great voice, great stage presence - and the album has a HUGE booklet with all the lyrics. And don't turn off your CD player right away after the last song...if you wait long enough, there are some hilarious out-takes that come in at the end. This CD is worth every penny!

Heavy Rotation.......2002-09-09

This is a great album!!!! He is something of a mix of Sheryl Crow and Melissa Etheridge, a great singer/songwriter who hasn't forgoten how to rock. I've seen him live 3 times, if he is in your area, be sure to check him out, until then get this album!! I haven't been able to get it out of my CD player since I got it.

Average customer rating:

I'VE HEARD OF NICHE MARKETS....
Very difficult
Two great tastes that go great together! Caine and Mahler

Dark Flame

Manufacturer: Winter & Winter
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

General | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Mahler: Urlicht - Primal Light / Caine, Bensoussan, et al.
Solitaire
Live at the Village Vanguard
Goldberg Variations: Aria and 70 Variations Adapted, Arranged and Composed by Uri Caine
Love Fugue

ASIN: B0000CCNKF
Release Date: 2004-02-03

Tracks:

Dark Flame
Only Love Beauty
In Praise Of Lofty Judgement
Two Blue Eyes
Shining Trumpets
The Lonely One In Autumn
Song Of The Prisoner In The Tower
When My Sweetheart
Labor Lost
On Youth
Rhinelegend
When Your Mother Comes In The Door
St. Anthony Of Padua Preaches To The Fishes
Only Love Beauty

Amazon.com

With his forays into Brazilian music, hip-hop, and Bach, musical boundaries have no meaning for the Philadelphia-born pianist Uri Caine. On this CD, Caine takes on composer Gustav Mahler. Caine, along with his jazz companions, clarinetist Don Byron and trumpeter Ralph Alessi, expand and elaborate on 14 of Mahler's lieders. With his spry allusions to Herbie Hancock and Glenn Gould, Caine manages to "keep it real" in the classical tradition, and introduce jazz and world themes into these compositions. Augmented by an eclectic array of singers, actors, and poets, Caine and company manage to pull of a musical mutiny of pleasing proportions with the inclusion of opera, Hebraic, and Germanic concert music. The title track is a mournful elegy to the atrocities of Columbine and the Holocaust while "Labor Lost" riffs on Freudian psychoanalysis. "The Lonely One in Autumn" and "On Youth," adapted from Mahler's "Das Lied von der Erde," breathe with an Asian atmosphere, thanks to the Silk Road sonorities of the Chinese erhu, dizi, and pipa instruments. Mahler remarked that, "I am thrice homeless. As a Bohemian born in Austria. As an Austrian among Germans. And as a Jew throughout the world." Uri Caine's expansive art is a welcome home for Mahler's restless and rootless genius. --Eugene Holley, Jr.

Customer Reviews:

I'VE HEARD OF NICHE MARKETS...........2005-01-28

...And we all have a niche (were made for our niches) but...

Why is it that when one discusses Uri Caine, one only gets to the actual music as the last thing, if you ever get to discussing the music at all?

For those of you who don't know Uri (a jazzman and an avant-garde guy--if ever there was one--at play in the fields of giants like Mahler--here and in Primal Light--as well as Bach--I can't recommend his Goldbergs enough) this is who he is. When you get to know his stuff, you'll see the irony in that statement.

To get to the music--

Do not pull out. Do not dissect. If you're gonna give Uri Caine his due (I think you should at least give his works a once over), then you need to hear this stuff as a whole work; just like you'd treat with Mahler's stuff. Stepping into Two Blue Eyes or Song of the Prisoner in the Tower without perspective will make you run the other way.

However, taken as a whole, I find myself absorbed into the sound worlds Uri creates in Dark Flame. It's a little like coming down off the mountain when you're done.

This music makes me feel strangely closer to Mahler as well.

I can't think of a better recommendation for this work than that.

Dark Flame won't be everybody's cup of tea. But this is no novelty. It is a singular brew worth trying at least once.

Very difficult.......2005-01-03

I got this one because I'm familiar with Uri's playing with Dave Douglas. I figured it might be a strange album, but I underestimated how strange it was for me. This album doesn't have much jazz in it. The title track, "Shining Trumpets", and "St. Anthony" are the jazziest ones, and my favorites. Many of the other songs have voiceovers, most commonly a German voice which sounds like it was taken from "Cabaret". There's also some spoken English and Chinese. Since I'm unfamiliar with the context, and German and Chinese languages, the spoken pieces don't grab me.

I just found it difficult to listen to, and it doesn't make a lot of sense to me as a whole. This album may be a five-star album for someone else.

Two great tastes that go great together! Caine and Mahler.......2004-06-24

Stark, Lush, Beautiful, Horrid, Moving and startling. Uri and Gustav do again and again. The arrangements and the absolute music are of the highest level. If you've not heard these works, do it now!

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