I See grace

I See grace

Track Listings

1. Radio Edit

2. Siminz Remix

3. Quillroader Remix

4. Tresice Remix

5. Original Full Length

6. Joel Armstrong Grace-o-holic Remix

7. Timo Rozendal Remix

8. Treebeard Remix

9. Yesha Cohen Remix

10. Hyp0static Remix

Editorial Reviews
carey jarvis,the dance chapel, july 30,2004
Wow. ohwowohwowohwow! Every single song on this thing is a top notch track.....

EVERY

SINGLE

ONE!!!!!!!!

Product Description

Customer Reviews:

Angels from heaven.......2002-12-12

This album is fantastic..you get what ever you were looking for all at one glance..

Hymn singing as it should be.......2002-01-17

This is a very fine recital drawn from the core of the church and cathedral choir repertoire. Martin Neary proves here (perhaps more convincingly than anyone else) that a good hymn can be just as magical as a through-composed anthem for choir alone, and that the repetition of a single tune over verse after verse need not be a dull experience.

The hymns and tunes selected are indeed among the best-loved works in English church music. "O God, our help in ages past," "Love Divine," "Eternal Father, strong to save," "Be thou my vision," "Guide me, O thou great Redeemer" and the eventide chestnuts "Abide with me" and "The day thou gavest" are all bound to be the most recognisable even to those who are not regular churchgoers. Some of the Victorian composers have immortalised the cream of their talent in such hymns as "The King of Love my shepherd is" and "O thou, who camest from above." Purcell's tune "Westminster Abbey" - extracted from his anthem "O God, thou art my God" and set to the words "Christ is made the sure foundation" - shows how a stroke of inspiration of long ago can survive endless musical change by being adapted and absorbed into hymnody. Another adapted work is Hubert Parry's hymn "O Praise ye the Lord," actually the final part of an extended anthem ("Hear my words, ye people") and is presented on this disc in its original form, making for an interesting and refreshing change to the repetitive verses of the rest of the collection. Completing the programme are settings that fall more definitely outside of the realms of congregational singing: the powerful "Kontakion of the Dead" to an ancient tune and harmonisation from Kiev; the moving Air from County Derry set to the verse "I would be true" for unaccompanied boys voices (as sung by these very choristers at the Funeral of Princess Diana in 1997); Martin Neary's little tune "Studland" written for the blessing "May the Grace of Christ our Saviour;" his lovely arrangement of Sebastian Temple's "Make me a channel of your peace" (also sung at the Diana funeral) is here as well. Each item is a gem in its own right.

In this performance, each gem is polished to a high standard. Contrast is effectively made by the use of subtly different forces for different verses - there is an appropriate use of boisterous tenors and basses in "O worship the King" at the verse "O tell of his might," and a plethora of soul-stirring unaccompanied verses, particularly in "Praise to the Holiest in the Height." (I would challenge anybody to find a more moving moment in hymnody, achieved with such utter simplicity, than the performance of "And in the garden secretly, and on the Cross on high, should teach his brethren, and inspire to suffer and to die" as it is on this disc.) This is not to say that Martin Baker's accompaniments are not another wonderful element in the performance: for instance, his clever doubling of the tune at a low octave in "Who would true valour see" for the words "No lion can him fright; he'll with a giant fight." On the subject of words, every single one is treated with care and attention to its meaning, individually and in context - the ensemble is finely honed and the enunciation is immaculate. Martin Neary draws every ounce of poetical significance from the words in these hymns, making real sense of them and allow them to speak as music, not simply as long lines of verse to get through as quickly as possible (which is often the problem arising with hymn singing in many churches today). As a finishing touch, several hymns have descants and alternative harmonisations, many of them supplied by Neary, who knows how to make them effective, stunning and highly original. An ensemble of trumpets and drums joins the Abbey Choir and organ for the performance of "All people that on earth do dwell" in the festive arrangement by Vaughan Williams - this is as stirring as many of the other hymns are moving.

Tracks:

This Year Of Grace: Dance, Little Lady
This Year Of Grace: A Room With A View
This Year Of Grace: Mary Make-Believe
This Year Of Grace: Try To Learn To Love
This Year Of Grace: Lorelei
A Dream Of Youth (The Dream Is Over)
Bitter Sweet: Zigeuner
This Year Of Grace: World Weary
Private Lives, Act 1, Love Scene: Someday I'll Find You
Private Lives, Act 2, Scene: I Never Realised/If You Were The Only Girl In The World
Half-Caste Woman
Any Little Fish
Cavalcade: Lover Of My Dreams (Mirabelle Valse)
Cavalcade Vocal Medley: Soldiers Of The Queen/Goodbye Dolly Gray/Lover Of My Dreams/I Do Like To...
Cavalcade, Epilogue: Toast To England
Noel Coward Medley: Parisian Pierrot/Poor Little Rich Girl/A Room With A View/Dance Little Lady...

Customer Reviews:

The style is the man--and the song.......2001-05-02

Many composers have chosen to perform their own material and commit it to discs, with mixed results. Only with Noel Coward do we feel that a good deal of the charm of his numbers lies in the very way he performs them. For proof, we now have the Naxos Nostalgia (8.120529), which dishes up 16 tracks of the ultra-refined son of W. S.Gilbert, giving us six selections from "This Year of Grace," one from "Bittersweet," a medley of treasures from his "Cavalcade," another from his other works, and a few other trifles that are better than most of what is written today.

Add to all this two classical scenes with Coward and co-star Gertrude Lawrence from his "Private Lives," incredibly valuable for those local drama groups who butcher this work in that this CD can teach them the tone and rhythms that are essential in making this classic succeed.

The subtitle of this set is "The Complete Recordings, Volume 1: 1928-1932." So we can look forward to future offerings featuring this fascinating composer-lyricist-performer. Thank you, Naxos, yet again.

Noel Coward Songbook
Average customer rating:

a voice teacher and early music fan

Mad dogs and an Englishman called Ian

Coward the Composer, Quite Charming without the Camp

COWARD'S THEATRE SONGS

Noel Coward Songbook
Ian Bostridge
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music
General | Classical | Styles | Music
General | Easy Listening | Pop | Styles | Music
Cabaret | Broadway & Vocalists | Styles | Music
Similar Items:

Ian Bostridge - Songs of Faure, Debussy & Poulenc

Perspectives

Mad About the Boy

Schubert: Winterreise

Die Schone Mullerin

ASIN: B00006HM8Z
Release Date: 2002-09-17

Tracks:

I Travel Alone
Parisian Pierrot
Poor Little Rich Girl
World Weary
Mary Make-Believe
A Room With A View
Dance, Little Lady
If You Could Only Come With Me
I'll See You Again
Zigeuner
The Dream Is Over
Any Little Fish
Twentieth Century Blues
Mad Dogs And Englishmen
Let's Say Good-bye
Something To Do With Spring
The Party's Over Now
Someday I'll Find You
Never Again

Customer Reviews:

a voice teacher and early music fan.......2006-03-25

I have always admired the nonchalant and somewhat dry humor of Noel Coward lyrics, not to mention the interesting twists and turns that his music often takes, I admire Ian Bostridge for attempting his songs and doing a "bang-up" job of it! A quote from Ian Bostridge prior to making this recording:"My first concern while contemplating a disc of Noel Corward songs was finding a voice for them,,,,,,We need to remember that, in Coward, we have not only a formidable playwright and screenwriter, but also the English equivalent of Irving Berlin or Cole Porter". After I heard this from Bostridge (on an interview on ABC) I began to appreciate the songs much more than previously.There is much philosophising going on as in "I Travel Alone" and some are quite humorous as in "Mad Dogs and Englishmen". One has to listen more than once to get it all, but it's worth the time. And I definately think that Ian found the voice to sing them.Do I prefer Bostridge singing classical??Of course!!!!!But I still enjoy a break now and then and I'll take this disc for that reason.

Mad dogs and an Englishman called Ian .......2005-09-02

I must say that I approached this album as a fan of Ian rather than Noel Coward (and admittedly still don't really have a good idea of who the man is). So in terms of Ian's singing, I like it a lot. He has a wonderfully dextrous voice and a clear tone, complemented by Jeffrey Tate on the piano and the soprano Sophie Daneman for several numbers.

Generally I find myself unable to appreciate the work of classical singers who do crossover albums, but Ian is an exception. It has been said elsewhere that he may lack a robustness in his voice, but here in fact, one would not wish for an overpowering tenor. He isn't at all overblown, unlike many other singers in crossovers. The lightness of his voice lends a kind of intimacy to these recordings, as if he were singing in a café or an at-home musical evening.

The material is, of course, a departure from Schubert, &c., but he handles it well. However, I do think that he has a better emotional feel for the 19th century German romanticists and the 20th century British classical composers (i.e. Britten). This recording is pleasant but it seems to me to lack the emotional depth of Ian's Schumann in particular - a perceived deficiency that might lie with the composer Coward rather than the performer.

I like to listen to this CD when I want to listen to Ian sing, but am not in the mood for his more serious/depressing recordings (a la Schubert & Britten). The lyrics are pretty inane, the same goes for the songs themselves - melodically speaking - but Ian makes them special. So four stars.

Coward the Composer, Quite Charming without the Camp.......2002-11-18

I love this CD. I have a collection of Noel Coward performing his major songs, and I found it entertaining, but frankly I was never much drawn to it after the initial novelty wore off. I never really appreciated Coward as a composer because his campy persona and limited vocal talents got in the way. I bought this CD as a gift for a big Coward fan, and I am ashamed that I have not yet given it to him because I enjoy it so much. Bostridge is a really fine tenor. The beauty and subtlety of his voice bring out the beauty of Coward's melodies and the wit of his lyrics without overwhelming them with a heavy and mannered "classical" style, which is the bane of most such "crossover" CDs. The CD is also beautifully recorded. Outstanding songs include "I Travel Alone," "Parisian Pierrot," "World Weary," and "A Room with a View." Bostridge also has just the right touch with the goofier songs like "Mad Dogs and Englishmen," "Something to do with Spring," and "Any Little Fish." I highly recommend this CD to anyone who enjoys witty cabaret songs in general and Coward in particular. It really did give me a new and greater appreciation of Coward's considerable talents as a composer.

COWARD'S THEATRE SONGS.......2002-09-30

Sometimes musical artists should NOT attempt cross-over albums. I am a huge fan of Jessye Norman, Leontyne Price and Joan Sutherland, but their ventures into "popular" music were, at best, misguided and, at worst, heavy-handed and pretentious. Although Ian Bostridge does not embarrass himself, there is no question that he should stick to more "serious" music and leave musical comedy to other singers.

Tracks:

Beauty, Since You So Much Desire
Love Me Or Not
Your Fair Looks
Never Love Unless You Can
O Never To Be Moved
The Cypress Curtain Of The Night
Awake Thou Spring Of Speaking Grace
Come, You Pretty False-Eyed Wanton
So Tired Are All My Thoughts
Fire, Fire
Pined I Am, And Like To Die
Author Of Light
See Where She Flies
Fair, If You Expect Admiring
Shall I Come, Sweet Love, To Thee?
It Fell On A Summer's Day
Kind Are Her Answers
Beauty Is But A Painted Hell
Sweet Exclude Me Not
Are You What Your Fair Looks Express?
I Care Not For These Ladies
Never Weather-Beaten Sail

Customer Reviews:

a voice teacher and early music fan.......2006-12-24

Thomas Campion (1567-1620) was a poet as well as a musician, and his songs definately reflect this ability, for they could just as well be read as sung. Philip Rosseter ( his friend) states that his 118 songs were "superfluous blossomes of his deeper Studies," no doubt referring to his Latin poetry , or perhaps medicine, which was his profession. What Campion did better than Dowland, or any other English composer of the day, was to "couple my words and notes lovingly together, which will be much for him to doe that hath not power over both." It is best to listen to them in order of priority to poem, melody and lastly singer. His melodies are simplistic and unadorned by shocking harmony designed to overpower the weight of the word itself. T.S. Eliot was in no doubt about Campion's quality:"except for Shakespeare, the most accomplished master of rhymed lyric of his time."
The performance of these songs by Drew Minter (countertenor) accompanied by Paul O'Dette (lute) is really quite outstanding. I must say that this disc is so much better than Minter's other disc of lute songs "Sweeter Than Roses". His voice had a much clearer tone quality and he did not get 'nasal' or 'edgy' as he is prone to do. He kept his voice light and distinct with very neat diction. When he goes for a loud full sound like Michael Chance or David Daniels his voice is not pleasant to hear. But this album is very good and his emotional investment into each song was excellent. Just a very good LISTEN!!!!

Serious Drawback.......2006-04-08

Elizabethan Songs. Twenty-two songs by Thomas Campion (1567 – 1620), performed by Drew Minter (countertenor) and Paul O’Dette (lute).
Recorded in November 1989 at Bethel United Church of Christ, Manchester, Michigan.
Harmonia Mundi. Originally issued as HMU 907023, now re-issued as part of the budget-price Classical Express series as HMCX 3957023. Total time: 58’23”.

Thomas Campion was a contemporary of both Shakespeare and Dowland and was a medical doctor who wrote poetry which he also set to music. Drew Minter performs twenty-two of these here with his inimitable coppery countertenor, a voice which is, in fact, very beautiful, but needs considerable getting used to if you are new to it. (Minter sings at alto pitch, but nobody would mistake him for a female!) He is accompanied by master lutenist Paul O’Dette, whose contribution remains fairly quietly in the background. The songs themselves are, of course, in Elizabethan English, making them rather difficult to understand. And this is where this CD suffers a serious drawback: the texts are not printed in the thin CD booklet; instead, there is a note saying that they can be downloaded from the internet, but when I tried to visit the site mentioned (on more than one occasion recently), the server was down, the address unknown. I nevertheless enjoyed listening, but without really knowing what Minter was singing so delightfully about. Campion’s melodies sound to my ear a little “samish”, and I occasionally found myself wishing that the program had been interrupted by a lute solo or two.

Pleasant recital of Dowland contemporary.......2001-03-28

There is little overlap between this Campion CD and the similar recital featuring another American countertenor, Steven Rickards, on Naxos. However if forced to choose between the two note that the Naxos release includes sung texts, while this one from Classical Express does not. On the other hand O'Dette is a more characterful lute player.

British Choral Music of the 20th Century

Average customer rating:

Spend your money elsewhere

British Choral Music of the 20th Century

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B00005QX6V
Release Date: 2001-11-13

Customer Reviews:

Spend your money elsewhere.......2006-01-26

I haven't even listened through the entire CD. I don't think I can bring myself to spend my time doing so. Where to begin. From the selections I've heard, the chorus sounds incredibly thin and weak, the organ overpowering them on numerous occasions. Part of the blame in that, however, goes to the mix...the choir not getting enough mic to balance out the instruments. That happens too often in chorus/instrument recordings and it drives me batty. The music selections aren't so inspiring either. You would do much better devoting your hard-earned dollars to Eric Whitacre's acappella choral works, or any of his contemporaries.

Average customer rating:

Songs from the Shows

Manufacturer: Dutton Vocalion UK
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Cabaret | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music

Broadway & Vocalists | Imports | Stores | Music

Pop | Imports | Stores | Music
ASIN: B00006RY8M
Release Date: 2002-11-12

Tracks:

Pennies from Heaven
But Where Are You? [Let's Face the Music]
For Sentimental Reasons
June Is Bustin' Out All Over [From Carousel]
Careless Rhapsody [By Jupiter]
Jupiter Forbid [By Jupiter]
Nobody's Heart [From by Jupiter]
Ev'rything I've Got [By Jupiter]
Saga of Jenny, Pt. 1 [Lady in the Dark]
Saga of Jenny, Pt. 2 [Lady in the Dark]
This Is New [Lady in the Dark]
Girl of the Moment [Lady in the Dark]
My Ship [Lady in the Dark]
One Life to Live [Lady in the Dark]
Ace in the Hole [Let's Face It]
I Said No [Sweater Girl]
My Cousin in Milwaukee
Someday I'll Find You [Private Lives]
Dance Little Lady [This Year of Grace]
Zigeuner [Bitter Sweet]
I'll See You Again [From Bitter Sweet]
Room With a View [This Year of Grace]
I Cling to You [Ziegfeld Follies of 1933]
What Is There to Say? [Ziegfeld Follies of 1933]

Average customer rating:

a voice teacher and early music fan

Songs by John Danyel

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000002ZU7
Release Date: 1995-05-23

Customer Reviews:

a voice teacher and early music fan.......2006-10-29

All of John Danyel's music can be heard on this one recording, and from this music we can assume that he was a lutenist/singer. His approximate birth date was in 1564 and died somewhere around 1625. Although there exists only four solos for lute and two duets, in these six compositions Danyel displays considerable musical and technical ability. The paucity of so few pieces remaining can no doubt be blamed on the prevailing practice of improvisation: much of the surviving lute music was written down only by or for students. The twenty songs cover a great deal of style-secular,sacred,two short cycles (one a funeral elegy , and the other highly chromatic), a dialogue, dance-songs, a part song all of which make use of high quality poetry. The singers on this disc are highly skilled and experienced and sing these tunes with energy and skill. I was pleasantly surprised by Nigel Short's countertenor voice as I had not heard him prior to this disc.; and I'm wondering why I have not heard him,for his voice is very pleasing. The other singers: Libby Crabtree (soprano); Charles Daniels(tenor);Matthew Vine (tenor); Adrian Peacock (bass). David Miller (lute), Jacob Heringman(lute) and Mark Caudle (bass viol) make up the excellent instrumental ensemble. All in all, a very entertaining disc.

Average customer rating:

I See grace
Noah DeSmit
Manufacturer: Demulcent Records
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

General | Dance & DJ | Indie Music | Stores | Music

Tracks:

Radio Edit
Siminz Remix
Quillroader Remix
Tresice Remix
Original Full Length
Joel Armstrong Grace-o-holic Remix
Timo Rozendal Remix
Treebeard Remix
Yesha Cohen Remix
Hyp0static Remix

Album Description

A collection of mostly trance remixes of Noah DeSmit's original track I See Grace. The remixes vary from above & beyond style aggressive trance to laid back fragma style. The song contains elements of Amazing Grace,one of the most recognizable hymns of all time!

Caneuon Cymru: Welsh songs, hymns & anthems
Average customer rating:
Caneuon Cymru: Welsh songs, hymns & anthems

Manufacturer: Herald
ProductGroup: Music
Binding: Audio CD

General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
ASIN: B00000J8BR
Release Date: 1999-06-01