Life in One Day [Import]
Life in One Day [Import]
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Product Description
The alternative rap act's 1997 album, Lazy K was former rapper of Basehead. Amethyst.
Life in One Day,Lazy K,Rock/Pop
Average customer rating:
- They were right--there is NO business like the show business they did way back when !!!
- One of the best cds I ever bought.
- Never Sounded Better
- Somewhere Over The Rainbow
- "Hollywood Musicals of the Golden Age are still among us"
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B000066RO5
Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley
Customer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!
Never Sounded Better.......2006-03-16
Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.
Somewhere Over The Rainbow.......2006-02-24
A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
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- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
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- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
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- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
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- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- AN EXCELLENT INTRODUCTION TO NORWAY'S GREATEST COMPOSER
|
The Best of Grieg
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
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Similar Items:
- The Best of Haydn
- Best Of Rimsky-Korsakov
- Best of Elgar
- Best of Schumann
- Best of Schubert
ASIN: B0000014H9
Release Date: 1994-02-15 |
Tracks:
- Piano Concerto In A Minor, Op.16: Allegro molto moderato
- Two Elegiac Pieces, Op.34: Last Spring (Varen)
- Norwegian Dance No.2, Op.35: Allegretto tranquillo e grazioso
- Peer Gynt Suite No.1, Op.46: Morning
- Peer Gynt Suite No.1, Op.46: Anitra's Dance
- Peer Gynt Suite No.1, Op.46: In the Hall of the Mountain King
- Peer Gynt Suite No.2, Op.55: Arabian Dance
- Peer Gynt Ste No.2, Op.55: Solveig's Song
- Holberg Suite, Op.40: Prelude
- Holberg Suite, Op.40: Andante
- Norwegian Bridal Procession, Op.19, No.2
- Lyric Suite, Op.54: No.3 Notturno
- Lyric Suite Op.54: No.4: March of the Dwarfs
- Wedding Day At Troldhaugen, Op.65, No.6
- Two Elegiac Melodies, Op.34: Heart Wounds (Hjertesar)
- Sigurd Jorsalfar, Op.56: Homage March
Customer Reviews:
AN EXCELLENT INTRODUCTION TO NORWAY'S GREATEST COMPOSER.......2000-05-18
When i first picked up this cd, i must say that i was somewhat dubious in doing so. 'It's just another Grieg collection', i was thinking to myself. However, this collection is more than this. It offers an excellent insight to Norway's greatest composer. Fine for anyone who wishes to find out more about this great composer.
Average customer rating:
- Simply Wonderful
- Music like this could make me a convert
- Powerful!
- Tenor terrific
- oh molly oh
|
The Impossible Dream
Bobby Scott , Shay Healy , Frank Wildhorn , Irish Traditional , Stanislao Gastaldon , Stephen Sondheim , Rolf Lovland , Joni Mitchell , Charlie Chaplin , Brian / U2 Kennedy , Sarah McLachlan , and Proinnsias O Duinn
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD
All Works by Porter
| Porter, Cole
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- Ronan
- My Life Belongs to You
- The Dawning of the Day
- Halfway Home: My Life 'Til Now
- The Very Best of The Irish Tenors
ASIN: B000078JM7
Release Date: 2002-11-12 |
Tracks:
- The Impossible Dream (from Man of La Mancha)
- Night and Day
- (My Grandfather's) Immigrant Eyes
- Isle of Hope Isle of Tears
- He Ain't Heavy He's My Brother
- What's Another Year
- When I Look At You
- My Irish Molly '0
- Musica Prohibita
- No One Is Alone
- You Raise Me Up
- Danny Boy
- Both Sides Now
- Smile
- Life, Love & Happiness/I Still Haven't Found What I'm Looking For
- Angel
Amazon.com
The term Irish tenor may be fraught with as many wrong-headed, anachronistic characterizations as any phrase in music. But Ronan Tynan not only returns here to the PBS airwaves that helped spread his fame as a member of the Irish Tenors trio, but he overturns a few clichés while delivering a live concert (recorded at the Royal Dublin Society in June 2002) that encompasses everything from Broadway and pop chestnuts to Italian operatic repertoire. Tynan rewards Irish traditions old and new (a medley of Brian Kennedy's and U2's "Life, Love & Happiness"/"I Still Haven't Found What I'm Looking For") and even makes left turns into folkie songstress territory (Joni Mitchell's "Both Sides Now," Sarah McLachlan's "Angel"). Backed by RTE Orchestra, the unlikely international star invests himself completely in all of it, his strong, crystalline voice playing off the traditions, while forging strong new bonds with the contemporary. --Jerry McCulley
Customer Reviews:
Simply Wonderful.......2005-08-29
This CD is just as great as the more recent "Ronan" CD. I clicked on 3 stars in error. This is a 5++ star album! His voice is sheer perfection, and the songs are wonderful. I also highly recommend the DVD of "The Impossible Dream," even though I didn't care at all for the London Community Choir who sing four songs. Note: The American version of the DVD doesn't have the 25-minute "Dr. Courageous" extra on it that the Irish version does. I saw him in concert last month, and besides having a voice that soars to the rafters, he is warm, funny and endearing.
Music like this could make me a convert.......2005-08-17
I've always been a rock and roll fan since back in the 60's. Listening to this cd could easily convert me into a classical music fan as well. Wow what a voice.
Powerful!.......2003-01-22
Having seen Ronan in person recently in the U.S., I was impressed first and foremost by his singing ability, and second by his stage presence and warmth. He is a special performer and human being. I am proud to be a Ronan Tynan fan.
Tenor terrific.......2003-01-18
I am not a fan of this kind of music, but I bought this after hearing a few sound snippets at amazon and WoW! what a find. Excellent song selection, powerful singing, fine music quality for a live recording. Expand your horizons and enjoy. (get this wayno)
oh molly oh.......2002-12-15
ronan tynan is a great role model for adults and children alike. he was born with a deformity and made a decision he would make something of himself, he had a goal and he surpassed it. no one puts as much of their heart into as he. he puts the audience into his songs, he makes us feel he is singing to each one of us individually. HE IS THE GREATEST IRISH TENOR I HAVE EVER HEARD, INCLUDING JOHN MC CORMAC the great irish tenor of the 30's
Average customer rating:
- great singers, great songs
|
Encores from Encores!
Manufacturer: Drg
ProductGroup: Music
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- Brian Stokes Mitchell
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ASIN: B00008XERI
Release Date: 2003-05-06 |
Tracks:
- Overture [From Do Re Mi]
- Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
- All My Life [From Do Re Mi] - Nathan Lane
- Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
- Good Clean Fun [From Tenderloin] - David Ogden Stiers
- My Gentle Young Johnny - Debbie Gravitte
- Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
- It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
- Where or When [From Babes in Arms] - David Campbell, Erin Dilly
- Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
- I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
- Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
- Zip [From Pal Joey] - Bebe Neuwirth
- I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
- I Am Loved [From Out of This World] - Marin Mazzie
- Nobody's Chasing Me [From Out of This World] - Andrea Martin
- From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
- Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
- He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
- Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker
Customer Reviews:
great singers, great songs.......2006-05-03
Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.
Average customer rating:
|
Magic: Kiri Sings Michel Legrand
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
Te Kanawa, Dame Kiri
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ASIN: B000008LF8
Release Date: 1992-11-10 |
Tracks:
- His Eyes, Her Eyes
- I Will Say Goodbye (Je Vivre Sans Toi)
- Ask Yourself Why
- Summer Me, Winter Me
- Magic, For Voice With Brass & String Choirs
- I Was Born in Love With You
- Rose in the Snow
- Blue, Green, Grey and Gone
- One Day
- Martina (Enfants Qui Pleurent) - Dame Kiri Te Kanawa
- Nobody Knows
- After the Rain
- Little Boy Lost
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- What Are You Doing the Rest of Your Life?
- One at a Time
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- Comme Elle Est Longue Mourir Ma Jeunesse!
Average customer rating:
- Beatles Baroque
- Boring - Boreades
|
Beatles Baroque II
Les Boréades de Montréal
Manufacturer: Atma Classique
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Beatles Baroque
- Beatles Baroque III
- Bach Meets the Beatles: Revisited
- Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic
- The Beatles Gregorian Songbook
ASIN: B00006L6W6
Release Date: 2002-11-12 |
Tracks:
- Hello Goodbye
- Ob-La-Di-Ob-La-Da
- Michelle
- Maxwell's Silver Hammer
- Come Together
- For No One
- I Am The Walrus
- The Inner Light
- We Can Work It Out
- Within You Without You
- Girl
- Love You To
- When I'm 64
- Julia
- A Day In The Life
Customer Reviews:
Beatles Baroque.......2005-09-26
Sometimes you long for that old 'elevator music'. This is the one to get!!!
Boring - Boreades.......2005-09-15
I think that this CD is really boring, it's music of The Beatles performed in Barroque Instruments, but the music is 99% The Beatles and 1% Barroque. Really boring.
Average customer rating:
- a voice teacher and early music fan
- Joy and sadness perfectly combined
- Good music, okay performances
|
Music For Queen Mary-A Celebration Of The Life And Death Of Queen Mary
Manufacturer: Sony
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- The Coronation of King George II / The King's Consort · Robert King
- Glorious Sound of Brass
ASIN: B000002AP6
Release Date: 1995-04-04 |
Tracks:
- Anthem: I Was Glad
- Anthem: Praise The Lord, O Jerusalem
- Whilst He Abroad Does Like The Sun
- The Sullen Years Are Past
- Stript Of Their Green Our Groves Appear
- ODE FOR QUEEN MARY'S BIRTHDAY: Symphony
- ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now Does The Glorious Day Appear
- ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Not Any One Such Joy Could Bring
- ODE FOR QUEEN MARY'S BIRTHDAY: Tenor Solo: This Does Our Fertile Island With Glory Crown
- ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now Does The Glorious Day Appear
- ODE FOR QUEEN MARY'S BIRTHDAY: Bass Solo: It Was A Work Of Full As Great A Weight
- ODE FOR QUEEN MARY'S BIRTHDAY: Countertenor Solo: By Beauteous Softness Mixt With Majesty
- ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Her Hero, To Whose Conduct And Whose Arms
- ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Our Dear Religion
- ODE FOR QUEEN MARY'S BIRTHDAY: Tenor Solo: No More Shall We The Great Eliza Boast
- ODE FOR QUEEN MARY'S BIRTHDAY: Symphony
- ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now With One United Voice
- ODE FOR QUEEN MARY'S BIRTHDAY: O Dive Custos - Elegy On The Death Of Queen Mary
- ODE FOR QUEEN MARY'S BIRTHDAY: Incassum, Lesbia - The Queen's Epicedium
- The Queen's Farewell. March
- The Queen's Farewell. March
- March
- THE BURIAL SERVICE: I Am The Resurrection (Morley)
- THE BURIAL SERVICE: Thou Knowest, Lord (Purcell)
- THE BURIAL SERVICE: Canzona (Purcell)
- THE BURIAL SERVICE: I Heard A Voice (Morley)
Customer Reviews:
a voice teacher and early music fan.......2006-01-27
Purcell compositions for Queen Mary span the whole of her brief reign. He provided music for her coronation, on April 11,1689; for the formal celebraton of her birthday on April 30 each year; and for her funeral, on March 5, 1695. At the coronation of William and Mary his 'I was glad' was one of 9 anthems performed during this ceremony. Purcell, in his position as Abbey Organist had tailored the music with precision. The opening passage is in stately block chords-straightforward for the choir to co-ordinate while proceeding along the nave, and arriving in their places just in time to watch the conductor for the closing bars. Later in the service the 2nd anthem by Purcell was sung:"Praise the Lord, O Jerusalem",
The centerpiece of this disc is the Ode for Queen Mary's birthday"Now does the glorious day appear" and glorious it is!!! It is divided into 14 sections; some solos, some duets and some choruses. It was easily the finest royal ode he had as yet composed, and also the most richly scored; laid out for five part strings, the violas being divided. Thanks to this exotic scoring, the ode abounds in moments of gorgeous opulence. For Mary's funeral services (she died at the age of 33) Purcell composed 3 pieces all included in this disc and all memorable.
The performers include Westminster Abbey Choir; the New London Consort; soloists: sopranos Emma Kirkby and Evelyn Tubb-countertenor Michael Chance-tenor Ian Bostridge-basses Stephen Richardson and Simon Birchall. All of this under the direction of Martin Neary.
The notable distinction of this recording is as follows and I quote from the accompanying jacket:"Complete music for Queen Mary's funeral, newly assembled and edited, and performed in Westminster Abbey by the Abbey Choir for the first time since 1695". The recording is beautifully adorned inside and out, and the sticker on the outside proclaims that it is music featured in the Westminster Abbey Funeral service fo Diana, Princess of Wales.
Joy and sadness perfectly combined.......2000-02-19
This CD is subtitled "A Celebration of the Life and Death of Queen Mary" and it thus divides into two sections. To begin with, we hear a number of works written for the Queen during her life, among which are short songs by John Blow (including "The sullen years are past" which has never been recorded before) and a massive setting of one of many odes for the royal birthday celebrations by Henry Purcell - "Now does the glorious day appear," which is a sweeping and powerful work with a variety of ground bass arias, duets, recitatives, choruses and orchestral symphonies - all making for a fine and rewarding listening experience.
In the second section, the focus moves onto music written during the mourning period after Queen Mary's death. Purcell continues to prove himself the greatest composer of the time, in his semi-sacred songs (in Latin) mourning her death, and in the music he wrote for her funeral. This section is indeed a highlight of the disc as it attempts, in a very scholarly way, to recreate the funeral in the Abbey as it might have sounded in 1695, with the Funeral Sentences by Thomas Morley interspersed with Purcell's own material and a number of Farewell Marches for trumpets and drums only.
The members of the Abbey Choir under Martin Neary do an admirable job of stepping into the shoes of their forebears under Purcell; accompanied by the period instrument-equipped New London Consort, the sound is truly magnificent. In addition, a number of prestigious soloists appear, including Emma Kirkby and Ian Bostridge (undoubtedly key performers for capturing the purity and delicacy of this music), Michael Chance (who seems a little under-utilised), Stephen Richardson (a rich and profound bass voice if ever I heard one) along with members of the Abbey Choir itself. Of special note- one does not often find a choral CD on which all three senior musical officials at the cathedral (Organist, Assistant Organist and Organ Scholar) are heard playing, but this is one such recording: Martin Baker and Stephen Le Prevost fill in organ continuo parts in various places, as does Dr Neary himself (who also plays the harpsichord for most of the solo pieces).
Arc of Light have done it again- a recording of extreme loveliness, going right down to the packaging which features some beautiful artistry (in fact, the main cover photograph is given an explanation in the booklet notes owing to the special way in which it was produced). A true gem in all respects.
Good music, okay performances.......1999-03-26
This disc presents a somewhat eclectic collection of music devoted to Queen Mary (mostly by Purcell, but by some other contemporaries as well). Despite the common theme I couldn't get rid of the feeling that the pieces didn't "click." Neither did the soloists sound at ease. Michael Chance, perhaps, deserves the most praise. But alas, some of the pieces that he normally sings (e.g. Incassum Lesbia) were given to sopranos, who couldn't do them nearly as much justice. The voice of one of the sopranos kept cracking up (don't know which one: the past-her-prime Emma Kirkby or whoever-she-is Evelyn Tubb). Ian Bostridge is undeniably a great performer, mainly known for his brilliant lieder interpretations. I don't want to say that baroque is not his cup of tea because he is vocally well suited to this repertory. Yet I didn't think he was as great in Purcell as many of his countrymen, such as John Mark Ainsley, Charles Daniels or Mark Padmore (to the extent one recording is enough of a basis to judge, which perhaps it is not). I don't want to be unfair, but I've heard Purcell performed better. This is not a bad recording, just not the best.
Average customer rating:
- Grimethorpe is Never Grim!
|
The Melody Shop
Manufacturer: Chandos
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- Movie Brass
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- Old Rugged Cross: 24 Brass Band Favourites
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ASIN: B000007MY1
Release Date: 1998-06-16 |
Tracks:
- The Melody Shop - Major Peter Parkes
- MacArthur Park - Grimethorpe Colliery Band
- Doretta's Aria - Mark Walters
- Lezghinka - Grimethorpe Colliery Band
- The Debutante - Richard Marshall
- Prelude To Act III - Major Peter Parkes
- Every Time We Say Goodbye - Jonathan Beatty
- Rhapsody Espana - Major Peter Parkes
- Trumpet Blues And Cantabile - Grimethorpe Colliery Band
- Adagio - Mark Walters
- Gallop - Major Peter Parkes
- Slaughter On 10th Avenue - Grimethorpe Colliery Band
- Paganini 18th Variation - Nigel Fielding
- Punchinello - Major Peter Parkes
- Ave Maria - Richard Marshall
- Light Walk - Mark Walters
- One Day In Your Life - Melvyn Bathgate
- Toccata - Major Peter Parkes
Customer Reviews:
Grimethorpe is Never Grim!.......2001-01-19
West Yorkshire in England consistantly produces eight to ten of the best brass bands in all the world. The Grimethorpe Collery Band's "Melody Shop" demonstrates why this band is always counted among the finest. This particular CD offers the listener a wide variety of musical tidbits. For the lovers of classical music, Grimethorpe's rendition of the Galop from Rossini's "William Tell" will certainly put you in that Lone Ranger mood!(This piece was heard in the movie "Brassed Off" with Grimethorpe providing the soundtrack for the fictional Grimley Band featured in the movie.)For 70s fans, the band does a hard-charging version of Jimmy Webb's "MacArthur Park."
There is even a hymn on the CD. Barrie Gott's "Lightwalk" (from the old hymn tune "Walk in the Light) actually comes out of the Salvation Army Brass Band literature. I doubt that most listeners ever heard a hymn swing like this one!
My personal favorite is the cut of "Lohengrin: Act 3 Prelude" by Wagner. It is hard to believe that this is a brass band- and I mean ALL BRASS- playing with such fire and technical accuracy. What a group! What a piece! What a wonderful combination!
If you own no brass band CDs, this is a good place to start a collection. It listens "easy," has some tunes you know, and is consistantly entretaining.
Average customer rating:
- A little something different
|
Symphonic Magic, Vols. 1-4
Manufacturer: Michelle Records
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Similar Items:
- Symphonic Suites of the Animated Classics
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ASIN: B0000011KK
Release Date: 1997-06-24 |
Tracks:
- The Circle of Life - Kingston SO/Glen Fast
- I Just Can't Wait To Be King - Kingston SO/Glen Fast
- Can You Feel the Love Tonight - Kingston SO/Glen Fast
- The Lion Sleeps Tonight - City of Prague Phil/Colin Frechter
- Hakuna Matata - Kingston SO/Glen Fast
- Carnival of the Animals: Introduction-Royal March of the Lion - American PO/Barry Faldner
- Carnival of the Animals: Wild Asses - American PO/Barry Faldner
- Carnival of the Animals: The Aquarium - American PO/Barry Faldner
- Carnival of the Animals: Aviary - American PO/Barry Faldner
- Carnival of the Animals: The Swan - American PO/Barry Faldner
- Carnival of the Animals: Finale - American PO/Barry Faldner
- William Tell Overture - Ljublijana SO/Anton Nanut
- Radetsky March - Sofia SO/Barry Faldner
- Give a Little Whistle - Kingston SO/Glen Fast
- When You Wish Upon A Star - Kingston SO/Glen Fast
- I've Got No Strings - Kingston SO/Glen Fast
- Turn Of The Old Music Box - Kingston SO/Glen Fast
- Hi Diddle-dee-dee (an Actor's Life for Me) - Kingston SO/Glen Fast
- When You Wish Upon A Star (reprise) - Kingston SO/Glen Fast
- Symphonie Fantastique: March of the Scaffold - Ljublijana SO/Anton Nanut
- Hebrides Ov Op.26: Fingal's Cave - Ljublijana SO/Marko Munih
- The Magic Flute Ov, K.620 - Ljublijana SO/Marko Munih
Tracks:
- (Just) Whistle While You Work - Kingston SO/Glen Fast
- I'm Wishing - Kingston SO/Glen Fast
- With A Smile And A Song - Kingston SO/Glen Fast
- Some Day My Prince Will Come - Kingston SO/Glen Fast
- One Song - Kingston SO/Glen Fast
- Heigh-Ho - Kingston SO/Glen Fast
- The Nutcracker Ste, Op.71a: Miniature Ov - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: March - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Dance of the Sugarplum Fairy - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Russian Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Arabian Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Chinese Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Dance of the Pipe Flutes - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Waltz of the Flowers - Ljublijana SO/Marko Munih
- Colonel Hathi's March - City of Prague PO/Colin Frechter
- The Bare Necessities - City of Prague PO/Colin Frechter
- I Wanna Be Just Like You - City of Prague PO/Colin Frechter
- Poet and Peasant Ov - Ljublijana SO/Anton Nanut
- 'L'Arlesienne' Ste No.2: Farandole - Ljublijana SO/Marko Munih
- The Love of Three Oranges March - American PO/Barry Faldner
- Finlandia - Ljublijana SO/Marko Munih
- 'Eine Kleine Nachtmusik' (A Little Night Music) (Ser in G, K.525 Allegro) - Ljublijana SO/Alexander Von Pitamic
Tracks:
- Belle - Kingston SO/Glen Fast
- Beauty and the Beast - Kingston SO/Glen Fast
- Be Our Guest - City of Prague PO/Colin Frechter
- The Sleeping Beauty Ballet Ste, Op.66: Introduction, The Tree Fairy - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Adagio, Pas d'action - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Pas de caricature - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Panorama - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Waltz - Volgograd SO/Edward Serov
- Arabian Nights - Kingston SO/Glen Fast
- Prince Ali - Kingston SO/Glen Fast
- A Whole New World - Kingston SO/Glen Fast
- One Jump Ahead - Kingston SO/Glen Fast
- Scheherazade, Op.35: The Sea and Sinbad's Ship - Ljublijana SO/Anton Nanut
- Dumbo Overture - City of Prague PO/Colin Frechter
- March Militaire - Sofia SO/Barry Faldner
- 'Peer Gynt' Ste No.1, Op.46: In The Hall of the Mountain King - Ljublijana SO/Andrew Schenck
- Light Cavalry Ov - Ljublijana SO/Marko Munih
Tracks:
- If I Knew You - City of Prague PO/Colin Frechter
- Just Around The River Bend - City of Prague PO/Colin Frechter
- Colours Of The Wind - City of Prague PO/Colin Frechter
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro (The Bird) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Moderato No.11 (The Cat) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Pin Andante No.15 (The Grandfather) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino, Come Prima No.17 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.18 (The Grandfather) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante Molto No.19 (The Wolf) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.24 (The Duck) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Vivo No.30 (The Bird) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Meno Mosso-Moderato No.35 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro Moderato No.39 (The Hunters) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.41 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Sostenuto-Listesso Tempo No.48... - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante-End No.53 (Peter) - American PO/Barry Faldner
- Swan Lake Ballet: Scene (moderato) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Waltz - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Swan Dance (allegro moderato) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Scene (andante) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Czardas (moderato) - Ljublijana SO/Marko Munih
- Bibbidi-Bobbodi-Boo - City of Prague PO/Colin Frechter
- A Dream is a Wish Your Heart Makes - City of Prague PO/Colin Frechter
- We Can Do It - City of Prague PO/Colin Frechter
- So This Is Love (Cinderella Waltz) - City of Prague PO/Colin Frechter
- 'Carmen Ste' No.1: The Toreadors - Ljublijana SO/Marko Munih
- In the Steppes of Central Asia - Ljublijana SO/Marko Munih
- 1812 Ov, Op.49 (finale) - Ljublijana SO/Marko Munih
- Marriage of Figaro Ov, K.492 - Ljublijana SO/Anton Nanut
Customer Reviews:
A little something different.......2007-01-10
I enjoyed this music and am using some of it to choreograph a little different "Disney" for my students.I think it will come in handy in the future as well.
Music:
- Live at Brixton Academy 1999 [Import] [Live]
- Living in the Ice Age V.2 [Import]
- Lost Recordings [Import]
- Lovely Head [CD-single] [Import]
- Macao Cafe: Balearic Lounge Collection V.4 [Import]
- Making Music [CD-single] [Enhanced] [Import]
- Mama Who Da Man Pt.2 [CD-single] [Import]
- Maximum Streets [Import]
- Million $ Maiden [Explicit Lyrics]
- Much Against Everyone's Advice Pt.1 [CD-single] [Import]
Music
music
Recommended Music:
Fray [Import]
Kalevi Kiviniemi
Matrix
Music: The Broadway Musical, 1918-1946 [Box set]
Mrs Cruff - Re-Issue [Import]
Live Chronicles [Live] [Import]
Lotosblume
Predatah or Prey [Explicit Lyrics]
Red
Legley: Works for Symphonic Band
Once Upon a Time
Out of This World
Nuthin' but a Gangsta Party, Vol. 2 [Explicit Lyrics]
Lord Do It
You Don't Know My Mind