It's All Vain [CD-single]

It's All Vain [CD-single]

Track Listings

1. Radio Edit

2. Original Mix

3. Innervisions Club Mix

4. Innervisions Overload Mix

5. Dogzilla's Atomic Acid Remix

6. Meat Katie Vs Christian J Rollerball Dub

Editorial Reviews
Product Description
One of the most sought after tracks at Midem's international music conference, 'It's All Vain' splices genres including House, Breaks & 2 Step to create a fresh, exciting sound. Six tracks, 'It's All Vain' (Radio Edit, Original Mix, Innervisions Club Mix,

It's All Vain,Magnolia,Ministry of Sound,5"CD Singles,Dance

Carmen (Sung in English)
Average customer rating:

English is an asset and a drawback

You Will Love Opera After Hearing Carmen In English

A wholly credible "Carmen" -- finally!

I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music
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Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.

Life Upon the Wicked Stage
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Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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Dream: The Lyrics and Music of Johnny Mercer

ASIN: B0000658H9
Release Date: 2002-05-07

Tracks:

The Song Is You - Jamie Anderson
How'd You like To Spoon With Me? - Jane Lanier
The Land Where The Good Songs Go - Pamela Myers
All The Things You Are - Alan Campbell
The Folks Who Live On The Hill - Lee Lessack
She Didn't Say Yes - Marissa Jaret Winokur
Pick Yourself Up - Street Sounds
You Couldn't Be Cuter - Marsha Kramer
Shimmy With Me - Lea Thompson
They All Look Alike - Bruce Vilanch
There It Is Again - David Holladay
Remind Me - Ron Rifkin
In Love In Vain - Melissa Errico
Make Believe - Linda Michele
Ol' Man River - Brock Peters
You Are Love - Dale Kristien
I Won't Dance - Bonnie Franklin

Tracks:

The Last Time I Saw Paris - Charles Busch
Long Ago (And Far Away) - Pam Dawber
They Didn't Believe Me - Pat Marshall
Look For The Silver Lining - Rod McKuen
A Fine Romance - Jane Carr
Sure Thing - Sally Kellerman
Don't Ever Leave Me/Why Was I Born - Joely Fisher
I'm Old Fashioned - Robert Morse
Yesterdays - Joan Ryan
Smoke Gets In Your Eyes - Dorian Harewood
In The Heart Of The Dark - Dale Kristien
Can't Help Lovin' Dat Man - Valarie Pettiford
The Way You Look Tonight - Hugh Panaro
Life On The Wicked Stage - Carole Cook
I've Told Every Little Star - Carole Cook
Till The Clouds Roll By - The Company

Average customer rating:

Another feast for Handelians
Excellent music

Handel: Saul
John Eliot Gardiner , Ruth Holton , Lynne Dawson , John Mark Ainsley , Donna Brown , Derek Lee Ragin , English Baroque Soloists , Philip Salmon , and Neil Mackie
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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ASIN: B00000412J
Release Date: 1991-09-12

Customer Reviews:

Another feast for Handelians.......2003-12-25

Here's another astonishing piece for all Handelians. Many of Handel's great pieces have sadly been neglected - just like many of Richard Strauss' operas which have only recently received attention from people like Botstein, Korsten and Sinopoli (deceased). Thankfully, Gardiner and his team took the trouble to record this astonishing masterpiece. I simply love this piece - Saul!! The Monteverdi choir is the best in the world - listen to their stunning virtuosity here. Thank you, Gardiner!!

Excellent music.......2003-09-14

Saul is one of those lesser known works by Handel. I certainly prefer Solomon, the Messiah or Israel in Egypt. Nevertheless, there is plenty of glorious music in Saul. The Monteverdi sings with their customary virtuosity. Casting of solo parts is superb. A bit on the pricey side but this is an investment that will yield rich dividends over a long period of time. Instead of listening to the Messiah all the time, or Solomon or Jephtha, why not be more daring and explore this lesser known work by Handel?

Average customer rating:

It's All in Vain
Magnolia
Manufacturer: Robbins Ent. Llc
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music
ASIN: B0006IINQY
Release Date: 2004-11-23

Tracks:

Innervisions [Radio Edit]
Original [Radio Edit]
Innervisions [Mix]
Innervisions [Overload Mix]
Original [Mix]
Original [Album Version]

Average customer rating:

Complete Secular Songs (3cd)

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
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ASIN: B0000DJENT
Release Date: 2004-01-13

Average customer rating:

Two great movies come together melodiously...
Two classic Fox musicals make pleasant listening.

State Fair/Centennial Summer

Manufacturer: Howard's
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Movie Soundtracks | Soundtracks | Indie Music | Stores | Music
ASIN: B000001MGH
Release Date: 1999-04-01

Tracks:

Opening Music: Our State Fair - Fay Bainter, , Charles Winninger
It Might as Well Be Spring
It Might as Well Be Spring (Reprise)
It Might as Well Be Spring (Reprise) - Phil Brown,
That's for Me - Vivian Blaine
It's a Grand Night for Singing - Dana Andrews, , Dick Haymes, William Marshall,
That's for Me (Reprise) - Dick Haymes
It's a Grand Night for Singing - Vivian Blaine, William Marshall
Isn't It Kinda Fun? - Vivian Blaine, Dick Haymes
All I Owe Ioway - Fay Bainter, Vivian Blaine, William Marshall, , Charles Winninger
It's a Grand Night for Singing/Finale - Dick Haymes
Overture: Centennial -- Long Live Our Free America
Railroad Song - Walter Brennan, , Eddie Dunn,
Right Romance
Up With the Lark - Walter Brennan, , ,
In Love in Vain - William Eythe
All Through the Day - Larry Stevens
Cinderella Sue - Avon Long
Up With the Lark (Reprise)
Finale

Album Description

Two soundtracks on one CD.

Customer Reviews:

Two great movies come together melodiously..........2000-12-11

This CD was a nice treat when I stumbled upon it a few years ago. Centennial Summer has always been one of my favorite movie musicals and alas, its not available on video. Jeanne Crain is also one of my favorite actresses from the 1940s, so it was great to see the State Fair (1945) soundtrack paired with Centennial Summer (even if her voice was dubbed for both films). Both film scores have nice, memorable and sing-along-able songs. I admit that the sound quality isn't the greatest... hey, they're old movies, therefore old masters, but I still give it the five star rating. The music recordings for the very rare Centennial Summer makes it worthwhile for me! I am so glad to see that they did not include the tracks from the 1962 remake of State Fair on this CD. The 1962 movie and music is typical of a remake... never as good as the original!

Two classic Fox musicals make pleasant listening........1999-02-17

The combination of CENTENNIAL SUMMER - a Jerome Kern hit with an Oscar-nominated score and - STATE FAIR -R&H's only score written directly for film (six songs resulting in an Oscar Nom for Original Score and an actual OSCAR for BEST SONG)- are a wonderful pairing. The sound is not great but we are talking pre-high fidelity. The STATE FAIR songs are well-performed and scored. A more interesting album would be to combine this soundtrack with the 1962 Dot Records track of the remake.

Average customer rating:

Superhits: 1973
Dobie Gray , Tony Orlando and Dawn , Todd Rundgren , Maureen McGovern , Stealers Wheel , Dr. Hook and the Medicine Show , B.W. Stevenson , Skylark , Art Garfunkel , and Helen Reddy
Manufacturer: Time Life Music
ProductGroup: Music
Binding: Audio CD
ASIN: B000SXFWNO

Product Description

Song list: 1. Helen Reddy: Delta Dawn 2. Jim Croce: Bad, Bad Leroy Brown 3. Tony Orlando and Dawn: Tie a Yellow Ribbon Round The Ole Oak Tree 4. Three Dog Night: Shambala 5. Dobie Gray: Drift Away 6. Al Green Call Me (Come Back Home) 7. James Taylor: Don't Let Me Be Lonely Tonight 8. Aretha Franklin: Until You Come Back to Me (That's What I'm Gonna Do) 9. Carly Simon: You're So Vain 10. Todd Rundgren: Hello It's Me 11. Maureen McGovern: The Morning After 12. The Four Tops: Ain't No Woman (Like The One I've Got) 13. Stealers Wheel: Stuck In The Middle With You 14. The Spinners: Could It Be I'm Falling In Love 15. Gladys Knight and the Pips: Midnight Train to Georgia 16. Seals and Crofts: Diamond Girl 17. Diana Ross: Touch Me In The Morning 18. Dr. Hook and the Medicine Show: The Cover of "Rolling Stone" 19. B.W. Stevenson: My Maria 20. Skylark: Wildflower and 21. Art Garfunkel: All I Know.

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Haendel: Saul [Hybrid SACD]

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Handel: Messiah [Hybrid SACD]

ASIN: B000A169OK
Release Date: 2006-01-10

Tracks:

Symphony: Allegro - Larghetto - Allegro - Andante Larghetto
1. Chorus: How Excellent Thy Name, O Lord
2. Air (Soprano): An Infant Raised By Thy Command - 3. Trio (Alto, Tenore, Basso): Along The Monster Atheist Strode
4. Soprano, Alto, Tenore, Basso: The Youth Inspired By Thee, O Lord - 5. Chorus: How Excellent Thy Name, O Lord
6. Recit & 7. Air (Michal): He Comes, He Comes! - O God-Like Youth! - 8. Recitative (Abner, Saul, David): Behold, O King, The Brave, Victorious Youth
9. Air (David): O King, Your Favours With Delight - 10. Recitative (Jonathan): Oh Early Piety!
11. Air (Merab): What Abject Thoughts A Prince Can Have! - 12. Recitative (Merab): Yet Think, On Whom This Honour You Bestow
13. Air (Jonathan): Birth And Fortune I Despise!
14. Recitative (High Priest): Go On, Illustrious Pair! - 15. Air (High Priest): While Yet Thy Tide Of Bood Runs High
16. Recitative (Saul, Merab): Thou, Merab, First In Birth, Be First In Honour - 17. Air (Merab): My Soul Rejects The Thought With Scorn - 18. Air (Michal): See, With What A Scornful Air - 19. Air (Michal): Ah, Lovely Youth, Wast Thou Designed
20. Symphony: Andante Allegro - 21. Recitative (Michal): Already See The Daughters Of The Land - 22. Chorus: Welcome, Welcome, Mighty King!
23. Accompagnato (Saul): What Do I Hear? - 24. Chorus: David His Ten Thousands Slew - 25. Accompagnato (Saul): To Him Ten Thousands - 26. Air (Saul): With Rage I Shall Start Burst His Praises To Hear
27. Recitative (Jonathan, Michal): Imprudent Women! - 28. Air (Michal): Fell Rage And Black Despair Possessed
29. Recitative (High Priest): This But The Smallest Part Of Harmony - 30. Accompagnato (High Priest): By Thee This Universal Frame
31. Recitative (Abner): Racked With Infernal Pains - 32. Air (David): O Lord, Whose Mercies Numberless
33. Symphony: Largo - 34. Recitative (Jonathan): 'Tis All In Vain, His Fury Still Continues
35. Air (Saul): A Serpent, In My Bosom Warmed - 36. Recitative (Saul): Has He Escaped My Rage?
37. Air (Merab): Capricious Man
38. Accompagnato (Jonathan): O Filial Piety! - 39. Air (Jonathan): No, Cruel Father, No!
40. Air (High Priest): O Lord, Whose Providence - 41. Chorus: Preserve Him For The Glory Of Thy Name
42. Chorus: Envy! Eldest Born Of Hell!
43. Recitative (Jonathan): Ah! Dearest Friend - 44. Air (Jonathan): But Sooner Jordan' Stream, I Swear
45. Recitative (David, Jonathan): Oh Strange Vicissitude! - 46. Air (David): Such Haughty Beauties Rather Move

Tracks:

47. Recitative (Jonathan): My Father Comes - 48. Recitative (Saul, Jonathan): Hast Thou Obeyed My Orders
49. Air (Jonathan): Sin Not, O King, Against The Youth - 50. Air (Saul): As Great Jehovah Lives - 51. Air (Jonathan): From Cities Stormed, And Battles Won
52. Recitative (Jonathan, Saul): Appear, My Friend - 53. Air (David): Your Words, O King, My Loyal Heart - 54. Recitative (Saul): Yes, He Shall Wed My Daughter!
55. Recitative (Michal): A Father's Will Has Authorised My Love - 56. Duet (Michal, David): O Fairest Of Ten Thousand Fair - 57. Chorus: Is There A Man
58. Symphony: Largo - Allegro
59. Recitative (David): Thy Father Is As Cruel - 60. Duet (David, Michal): At Persecution I Can Laugh
61. Recitative (Michal, Doeg): Whom Dost Thou Seek - 62. Air (Michal): No, No Let The Guilty Tremble
63. Recitative (Merab): Mean As He Was, He Is My Brother Now - 64. Air (Merab): Author Of Peace, Who Canst Controul
65. Symphony: Allegro
66. Accompagnato (Saul): The Time At Length Is Come - 67. Recitative (Saul, Jonathan): Where Is The Son Of Jesse?
68. Chorus: Oh Fatal Consequence Of Rage
69. Accompagnato (Saul): Wretch That I Am - 70. Recit - Accompagnato (Saul): 'Tis Said, Here Lives A Woman
71. Recitative (With, Saul): With Me What Would'st Thou - 72. Air (Witch Of Endor): Infernal Spirits
73. Accompagnato (Samuel, Saul): Why Hast Thou Forced Me From The Realms Of Peace
74. Symphony: Allegro
75. Recitative (David, Amalekite): Whence Comest Thou? - 76. Air (David): Impious Wretch, Of Race Accurst!
77. March: Grave
78. Chorus: Mourn, Israel
79. Air (High Priest): Oh Let It Not In Gath Be Heard
80. Air (Merab): From This Unhappy Day
81. Air (David): Brave Jonathan His Bow Never Drew - 82. Chorus: Eagles Were Not So Swift As They
83. Air (Michal): In Sweetest Harmony They Lived! - 84. Solo (David And Chorus): O Fatal Day! - 85. Recitative (Abner): Ye Men Of Judah, Weep No More!
86. Chorus: Gird On Thy Sword, Thou Man Of Might

John Tomlinson - Great Operatic Arias / PO, David Parry [in English]

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John Tomlinson - Great Operatic Arias / PO, David Parry [in English]
George Frideric Handel , Wolfgang Amadeus Mozart , Giuseppe Verdi , Hector Berlioz , Alexander Borodin , Alexander Sergeyevich Dargomizhsky , Liza Lehmann , Arthur Sullivan , Jacques Offenbach , Modest Mussorgsky , David Parry , Philharmonia Orchestra , John Tomlinson , Leslie Pearson , and Barry Banks
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Acis And Galatea: Polyphemus' Recitative And Air: I Rage, I Rage, I Rage, I Melt, I Burn!... - John Tomlinson
The Abduction From The Seraglio: Act I. Osmin's Song: When A Maiden Takes Your Fancy - John Tomlinson
The Abduction From The Seraglio: Act II. Osmin And Blonde's Duet: I'm Going, But Take My Advice - John Tomlinson/Helen Williams
The Abduction From The Seraglio: Act II. Pedrillo And Osmin's Duet: Vivat Bacchus!... - John Tomlinson/Barry Banks
Samson: Act II. Harapha's Air: Honour And Arms Scorn Such A Foe - John Tomlinson
Simon Boccanegra: Prologue. Fiesco's Scena And Aria: A Last Farewell I Bid You... - John Tomlinson/Geoffrey Mitchell Chor
Faust: Mephistopheles' Song Of The Flea: There Lived A King Of Old - John Tomlinson
Prince Igor: Act II. Prince Igor's Aria: No Rest, No Slumber - John Tomlinson
Prince Igor: Act I. Galitsky's Aria: The Prince Has Drunk His Fill?/The Sober Life Of Boredom - John Tomlinson/Geoffrey Mitchell Chor
Prince Igor: Act II. Khan Konchak's Aria: Igor, Listen - John Tomlinson
Russalka: Act I. Miller's Song: Like Every Maiden In The Whole Of Russia - John Tomlinson
Ernani: Act I. Silva's Scena And Cavatina: Can I Believe It?/Vain Illusion! When I Believed Her - John Tomlinson/Geoffrey Mitchell Chor
In A Persian Garden: Myself When Young: Myself When Young Did Early Frequent - John Tomlinson
The Mikado: Act II. The Mikado's Song: A More Humane Mikado...My Object All Sublime - John Tomlinson/Geoffrey Mitchell Chor
Genevieve De Brabant: Gendarmes' Duet: We're Public Guardians Bold Yet Wary - John Tomlinson/Andrew Shore
The Pirates Of Penzance: Act II. Policeman's Song: When A Felon's Not Engaged In His Employment - John Tomlinson/Geoffrey Mitchell Chor
Boris Godunov: Prologue, Scene 2 (Coronation Scene). Boris's Prayer: My Soul Is Sad - John Tomlinson/Chor Of Opr North/Choristers Of Leeds Parish Church