Take It Easy [CD-single] [Import]
Take It Easy [CD-single] [Import]
Track Listings
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1. Take It Easy (Edit)
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2. Take It Easy (Alpinestars Ski Mix)
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3. Loca
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Editorial Reviews
Product Description
Second single from dance/pop duo's 2000 release 'On The Ropes'. Tracks 'Take It Easy' (Edit, Alpinestars Ski Mix) & 'Loca'. Slimline jewel case.
Take It Easy,Mint Royale,Import [Generic],5"CD Singles,Pop,Rock
Average customer rating:
- Trailer Park Musical a good hear.
- A Tornado of Fun!
- One Of My Favorite New Musicals In Years
- The show (and Recording) ROCKS
- Wasn't That Funny
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The Great American Trailer Park Musical
Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD
General
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| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
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Similar Items:
- The Color Purple (2005 Original Broadway Cast)
- The Drowsy Chaperone (2006 Original Broadway Cast)
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- See What I Wanna See (2005 Original Off-Broadway Cast)
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
ASIN: B000CNE13M
Release Date: 2006-01-17 |
Tracks:
- This Side Of The Tracks
- One Step Closer
- The Buck Stops Here
- It Doesn't Take A Genius
- Owner Of My Heart
- The Great American TV Show
- Flushed Down The Pipes
- Storm's A-Brewin
- Road Kill
- But He's Mine/It's Never Easy
- That's Why I Love My Man
- Panic
- Finale
- This Side Of The Tracks (Remix)
Customer Reviews:
Trailer Park Musical a good hear........2007-05-15
This musical is a good laugh and can bring up the spirits of any musical theatre buff. The voices are excellent and they showcase a great characterization of the personages represented in the show. It is a CD that entices the listener to go ahead and get tickets to the show and go see it. Also a personal acquaintance of mine Leslie Kritzer does a phenomenal job on the CD.
A Tornado of Fun!.......2007-04-10
This seems to be my year for finding recordings of lesser known musicals that are just awesome. It started with buying Zombie Prom, and continues with The Great American Trailer Park Musical!
But this show is just all-out fun! The tunes are catchy (I got one of them running through my head, right now) and the lyrics are quite clever. The three main ladies become the Greek chorus, telling us about life in their trailer park, Armadillo Acres, located in Starke, Florida. The show then focuses on one agoraphobic housewife who hasn't left her trailer in 20 years, and her husband who has had enough and starts fooling around with a stripper who is on the run from her boyfriend. Sound crazy? It is! And a whole lotta fun!
Yes, there are some explicit lyrics, but nothing excessive. So do yourself a favor and give this album a listen. You might just want to move into your own "manufactured home" before you know it.
One Of My Favorite New Musicals In Years.......2007-01-31
When I tell people about this show, I tell them it is far better than it had to be... With a title like that, the audience draw is already built in, but with great songs and a very clever story (without ever being offensive or degrading) this musical is a fun hit. And while it is not the old-school "Okalhoma" style musical, there are a lot of musical niceties about the show - layered melody lines, tight harmonies and clever clever phrases and lyrics. I fully recommend it.
The show (and Recording) ROCKS.......2006-09-26
The whole point of theatre, even in a tongue-in-cheek satire like this one, is to have some sense of truth. The "Great American Trailer Park Musical" completely hits the target dead-on. With it's ridiculous pop culture references, use of white trash musical pastiche (honky tonk country, corporate rock, wedding disco, and the like), and general use of bad taste in a visual (and audio) aesthetic, the show is one loaded joke that never tires. And the over the top performances, all grounded in this evident truth, provide an evening of Laugh after Laugh - more so than similar pieces like "Urinetown" and "Altar Boys".
Sure the language, for those who have expressed concern in above reviews, can be strong at times. But never is the language used in a matter of fact fashion. For those who have ever even remotely hung around a trailer park (as it quite Clearly states in the TITLE) or even around those who inhabit a Sociologists Jackpot of research, You know that crude humor and strong language are staple of the norm.
"Oklahoma" and "Cats" this show is not. However, "Great American Trailer Park Musical" is a definite piece to listen and pay attention to. With the general climate of new musicals to be either repackaged musicals from movies (Wedding Singer, Hairspray, Footloose, etc) or jukebox musicals (Mamma Mia, All Shook Up, Hot Feet, etc) - there is a new genre that is emerging, the "in-joke" musical. Trailer Park, Altar Boys, Spelling Bee, and title of show are examples of this. These are shows that blur satire and exaggeration with real life all the while dealing in a specific subject matter.
"Trailer Park" is a hip, new and exciting piece of music theatre, even if not groundbreaking. For those who like to play it safe may I suggest the "20 Great Broadway ShowStoppers" CD - all songs are from 1932 to 1949. You will be sure no profane language will infect you there.
Wasn't That Funny.......2006-07-29
I gave this a good listen, but did not find it all that funny ... or memorable.
Average customer rating:
- Whisperings the Best
- Simply said - Excellent
- from Solo Piano Publications
- The Best Kept Secret
- Great
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Whisperings: The Best of David Nevue
David Nevue
Manufacturer: Midnight Rain Productions
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Overcome
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- The Vigil
- While the Trees Sleep
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ASIN: B000090PEW
Release Date: 2001-10-17 |
Tracks:
- While the Trees Sleep
- Home
- Ascending With Angels
- Light
- Solitude
- A Turn to Grace
- The Emerald Valley
- Joy
- The Gathering Fields
- I Wonder as I Wander
- Psalm 77
- Dance of the Muse
- Be Thou My Vision
- The Vigil
- Voice in the Wilderness
- The Night Season
- No More Tears
Album Description
'Whisperings' is a 'best of' collection of fan favorites from David Nevue's first four albums, 'The Vigil,' 'The Last Waking Moment,' 'While the Trees Sleep' and 'The Tower.'
An Excerpt from the Linear Notes...
"With a piano style somewhere between Chopin and George Winston, David Nevue brings melody and heart back to instrumental music. His neoclassical piano stylings reflect his wide musical influences - Clannad, Chopin, Pink Floyd, Rachmaninoff, Renaissance, George Winston and Rush. David's music also reflects his love of literature, quoting numerous influences from C.S. Lewis to The Bible.
David's artistry is demonstrated not only in his music, but in his thematic approach to each album. Rather than creating collections of unrelated compositions, David treats each individual work as but one chapter in a much bigger story that stirs the imagination and carries the listener to a gratifying conclusion."
Customer Reviews:
Whisperings the Best.......2007-02-05
I stumbled onto David Nevue's piano work while surfing the web. This CD is a compilation of (I presume) some of the best compositions from his other CDs. Whisperings is absolutely stunning and outstanding. Unlike a lot of New Age music where you hear it once and then you move on, David's original works tend to stay with you. The melodies are really quite intricate and his playing is superb. I guess the finest compliment I could offer up for this CD is that my 16 year old daughter (who can switch between rock stations on my car radio faster than a speeding bullet) mentioned to me the other day "Hey Dad, this music is really, really nice to listen to!" Enough said.
Simply said - Excellent.......2005-10-03
I need not say anymore as the previous few reviews have done justice to it. Simply put, this is an excellent Piano player, composer. His songs are deeply touching and moving. I enjoy listening to it whenever i feel the need to relax. It is highly recommended by me.
from Solo Piano Publications.......2003-06-17
"Whisperings" is a "best of" collection of fifteen piano solos from David Nevue's first four albums (1985-2000) and two previously unreleased pieces. Nevue's playing and composing styles are pensive and deeply personal, but communicate clearly to the listener in a gentle musical language. Often thoughtful and introspective, Nevue's work tends to be positive without being sugary, and reflects the strength as well as the surrender of profound faith. Nevue occasionally polls his listeners from his website about what their favorite pieces are, and such a poll was done to help in the selection of which pieces to include in this collection (similar polls are done from time to time to help decide which pieces to release in sheet music form). The four albums that are represented are "The Tower" (1992), "While the Trees Sleep" (1995), "The Last Waking Moment" (1997), and "The Vigil" (2000). Although the pieces are not in chronological order, it is very interesting to hear how this artist has developed over the years. Most of the selections are original compositions, but a few are arrangements; those are "A Turn to Grace," which evolves into a lovely setting of "Amazing Grace," "I Wonder As I Wander" by John Jacob Niles, and the classic hymn "Be Thou My Vision." A few of my own favorites are "No More Tears," "The Vigil," "Psalm 77," "Ascending With Angels," and "The Night Season." If you are new to David Nevue's work, this is an outstanding introduction. If you have his previously released albums, this is a really nice "cream of the crop" collection.
The Best Kept Secret.......2003-04-29
I ran across David Nevue by accident while surfing the net late one evening. After listening to his free mp3 downloads, I purchased all of his CD's. This particular CD is a compilation of his greatest hits. I recommend this CD for your collection. You will not be disappointed. It is outstanding! The music is excellent. David Nevue is the best kept secret in contemporary piano music today. Buy the CD and you'll see what I mean!
Great.......2003-04-28
I've been enjoying David Nevue's music for years. I'm thrilled to see that he's now showing up on Billboard's chart.
Average customer rating:
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
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- Haydn: The Masterworks [Box Set]
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
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Relax Take It Easy
ProductGroup: Music
Binding: Audio CD
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- Grace Kelly
ASIN: B000QEINQS
Release Date: 2007-06-19 |
Album Description
The album version is backed with Ashlee Beedle Castro Mix, acoustic version & video. Universal. 2007.
Average customer rating:
- I waited for this for five years
- Excellent collection but BIG PUBLISHING MISTAKE!
- ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
- SUCH MAGICAL MUSIC OF THE NIGHT!
- A Must Have for Sir Andrew fans
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Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005R5UJ
Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance
Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
- Mixed feelings
- Your love for this superb collection will be here to stay...
- He's done it again
- Absolutely 'S WONDERFUL!
- A beautiful 2 disc CD-another hit for Michael
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The Michael Feinstein Anthology
Manufacturer: Elektra / Wea
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- Romance on Film/Romance on Broadway
- Nice Work If You Can Get It: Songs by the Gershwins
- Hopeless Romantics
- Isn't It Romantic
- Michael & George (Feinstein Sings Gershwin)
ASIN: B000065DVH
Release Date: 2002-05-21 |
Tracks:
- Nice Work If You Can Get It
- Isn't It Romantic
- Swinging On A Star
- Ask Me Again
- Rhode Island Is Famous For You
- 'S Wonderful
- Wonder Why
- Too Marvelous For Words
- Where Do You Start
- Theme From The Bad And The Beautiful
- Easy To Love
- Alexander's Ragtime Band
- Who Are You Now?
- You're An Education
- You Are There
- Sophisticated Swing
- Love Can Change The Stars
- Come Out, Come Out Wherever You Are
- Half Of April (Most Of May)
- Marianne
- They Can't Take That Away From Me
- I Love A Piano
Tracks:
- That's Entertainment
- My Favorite Year
- Ten Feet Off The Ground (With Rosemary Clooney)
- I Never Felt Better
- Someone To Watch Over Me
- Kiss Her Now
- The Ugly Bug Ball
- For You, For Me, Forever More
- The Mole People
- And So To Bed
- You're All The World To Me
- Old Friend
- Isn't It A Pity (with Rosemary Clooney)
- Pattisserie
- Open Your Eyes
- For Love Alone
- I Won't Send Roses/Time Heals Everything
- Get Out And Get Under The Moon (with Page Cavanaugh)
- My Romance
- Love Is Here To Stay
- Violin (with Liza Minnelli)
Amazon.com
The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.
If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."
Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley
Album Description
The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.
Customer Reviews:
Mixed feelings.......2005-10-05
This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.
Your love for this superb collection will be here to stay..........2002-07-18
The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!
He's done it again.......2002-07-15
Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.
This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.
Way to go Michael, you've done it again!
Absolutely 'S WONDERFUL!.......2002-06-10
There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.
This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.
This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!
A beautiful 2 disc CD-another hit for Michael.......2002-06-09
I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.
Average customer rating:
- Forgive the cheesy title, but a star is re-born once again.
- A Star Is Born Soundtrack Review
- Judy at her peak!
- a "Star" shines like never before...
- Musical perfection of the highest magnitude!!!
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A Star Is Born (Expanded 1954 Film Soundtrack)
Judy Garland , Harold Arlen , and Ira Gershwin
Manufacturer: Sony
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Similar Items:
- A Star Is Born
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- Easter Parade: Original Motion Picture Soundtrack
- Judy Garland In Hollywood: Her Greatest Movie Hits - Original Soundtrack Performances 1936-1963
- Judy in Love & Alone
ASIN: B00009KU7U
Release Date: 2004-05-18 |
Tracks:
- Overture
- Night Of The Stars
- Gotta Have Me Go With You
- Norman At Home
- Pasion Oriental
- The Man That Got Away
- Cheatin' On Me
- 'I'm Quitting The Band...'
- The Man That Got Away (Instrumental Version)
- Esther In The Boarding House
- Oliver Niles Studio
- Esther's Awful Makeup
- First Day In The Studio
- Born In A Trunk (Medley)
- Easy Come, Easy Go
- Here's What I'm Here For
- The Honeymoon
- It's A New World
- Someone At Last
- Lose That Long Face
- Norman Overhears The Conversation
- It's A New World (Alternate Take)
- The Last Swim
- Finale - End Credits
- When My Sugar Walks Down The Street
- The Trinidad Coconut Oil Shampoo Commercial
Customer Reviews:
Forgive the cheesy title, but a star is re-born once again........2007-07-09
In 1954, Judy Garland gave the most acclaimed performance of her career as a musical movie star in George Cukor's musical remake of the 1937 straight-up drama A Star Is Born. After its premiere, the film was heavily edited and would not be seen in its near complete form again for nearly thirty years. Judy was nominated for an Academy Award for her performance, but lost to Grace Kelly, to the chagrin of many Garland fans to this day, as well as many celebrities of the day. (Groucho Mark famously called it the biggest robbery since Brinks.)
In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.
In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.
This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.
The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)
Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.
Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.
A Star Is Born Soundtrack Review.......2007-01-10
A really excellent soundtrack to go with an excellent movie. This is some of Judy Garland's best material in both music and acting. The power of her voice on "The Man That Got Away" is amazing. "Born In A Trunk", "It's A New World", "Someone At Last" and "Lose That Long Face" are other recommended tracks. This is a MUST HAVE for all you Judy Garland fans.
Judy at her peak!.......2006-05-30
Judy Garland's finest film work was "A Star Is Born." Because she and her husband, Sid Luft, were also the producers, it was the most intensely involving production she had ever undertaken. The laser focus of her brilliant talent was never before realized on film to this degree. Also, she had gained tremendous personal confidence due to the unprecedented audience response to the concerts she had done between her MGM films and ASIB. The love with which the live audience embraced her, brought new heights to her acting as well.
The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
A must-have for every serious Garland collector.
a "Star" shines like never before..........2005-04-27
This reissued remaster of A STAR IS BORN is a must-own for fans of the movie, and in particular those who were somewhat dissatified by the previous CD edition (CK 44389). That edition was great for offering us most of the main numbers in stereo/mono mix but was marred by poor analogue distortion and other remastering problems (though this was the best that could have been done at the time). This new edition (CK 65965) presents the entire score, including background and incidental sections as well as the cut material, in a sparkling new package.
The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.
"When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.
Musical perfection of the highest magnitude!!!.......2005-02-25
Was there ever a more perfect voice than the one possessed by Judy Garland? Powerful yet gentle. Dynamic yet restrained. Bone-chilling yet soothing. She had the pipes!
And her instrument was showcased at its best in the music from her triumphant "A Star is Born".
This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.
The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.
Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.
Average customer rating:
- Failed Ideas
- Simply Exquisite
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Out of This World
Harold Arlen , Herbert/ Arlen, Harold ("Hal") Stothart , Allan Schwartzberg , Joe Beck , Cyro Baptista , James Saporito , Jeffrey Harris , and Mike Renzi
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic
| Vocal Pop
| Pop
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
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- Another Woman in Love
ASIN: B0000TAZ5Q
Release Date: 2003-11-18 |
Tracks:
- Any Place I Hang My Hat Is Home
- Come Rain or Come Shine
- Ac-Cent-Tchu-Ate the Positive/Get Happy
- It's Only a Paper Moon
- Let's Fall in Love [*]
- Sleepin' Bee
- Ding-Dong! The Witch Is Dead
- Optimistic Voices [*]
- Over the Rainbow
- Let's Take a Walk Around the Block
- Don't Like Goodbyes
- Right as the Rain
- Out of This World
- Man That Got Away/Stormy Weather (Keeps Rainin' All the Time)/Blues in
- My Shining Hour
Customer Reviews:
Failed Ideas.......2004-12-09
Maureen McGovern is a national treasure. Her Naughty Baby CD to me is the 2nd coming of Christ. By comparison Out of this World is quite disappointing. Mostly either Harold Arlen or MM's uninspiring interpretations and/or Renzi's arrangements don't seem to suit MM on this CD. The drums and percusion are sometimes schlocky. The screechy sax is always terrible. Also not working for me are the electric keyboard/synthesizer, the electric guitar and the cello. Even Renzi's piano playing is sometimes a let down. Jay Leonhart's great bass work seems to be the only thing that you can depend on here. Did MM do this to herself or is Renzi mainly responsible? Spend your money instead on: Naughty Baby, The Music Never Ends, The Pleasure of his Company and Christmas With MM. All wonderful music.
Simply Exquisite.......2003-12-01
I'd forgotten what a beautiful, supple vocal instrument McGovern has. Here, she sings blues- and jazz-flavored tunes, torchy ballads, and more--all Harold Arlen--including "It's Only a Paper Moon," "Over the Rainbow," "Let's Take a Walk Around the Block," "The Man That Got Away" and "Come Rain or Come Shine." Her "Optimistic Voices" (from The Wizard of Oz) is worth the price of the entire CD. It is simply exquisite, like a fine jewel, polished and gleaming with feeling.
Average customer rating:
- English is an asset and a drawback
- You Will Love Opera After Hearing Carmen In English
- A wholly credible "Carmen" -- finally!
- I love Carmen!
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Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
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ASIN: B00007JGRN
Release Date: 2003-03-11 |
Tracks:
- Prelude
- In The Plaza
- Just Look At That Delicious Morsel
- Here Come Our New Soldier Boys
- Jose! There Was A Girl Here Looking For You Just Now
- Off With You Old Soldier Boys
- Corporal! Sir!
- We Have Heard The Bell Summon Us To Meet Here
- Ah, Just Look!
- But Why Hasn't She Come, Our Carmencita?
- Love's A Bird Wild As Any Rebel
- Carmen! We Will Follow You High And Low!
- The Cheek Of It!
- Give Me News Of My Mother!
- Your Dear Mother And I Were Leaving Church This Morning
- I See My Mother's Face!
- Wait A Moment - I'm Going To Read The Letter
- Come And Help
- So, Corporal: Tell Me What Happened
- Well, Carmencita: What Do You Have To Say For Yourself?
- Where Are You Taking Me?
- There's An Old Bar In The City
- Careful - It's Lieutenant!
- Entr'acte
- From Far Away Mysterious Sounds
- Bravo, Bravo! More! Keep Dancing!
- Hurrah! Hurrah! The Torero!
- Who's That? It's Escamillo, The Bullfighter From Granada
- Hurrah! Hurrah! The Torero!
- You're Most Kind
- We'll Come With You, Senor Torero
- Toreador, Be Ready!
- At Last! We Got Rid Of Them As Quickly As We Could
- There's A Little Job That We're Starting!
- Being In Love Is Not A Reason
Tracks:
- To Bid You Welcome To Our Bar
- La La La La La La La La...
- Back To Camp!... Go At Once!
- That Flow'r You Threw To Me I Treasured
- No, It's Not Love At All!
- Hello! Carmen!
- Lieutenant Fair, It's True
- The Sky Above The Open Road
- Entr'acte
- Keep Going, Dear Old Friend, Kep Going!
- Right! Let's Stop For A While
- Shuffle! Cut Them!
- In Vain You Would Avoid The Bitter Things They're Saying
- You're Back!
- As For That Man, It Should Be Easy!
- Is This The Place?
- I Say That There's Nothing To Fear
- It's Him! I'm Sure It's Him Over There!
- Escamillo Is My Name, And I Come From Granada
- She Had A Lover Here
- Hola! Hola! Jose!
- You Should Take Care, Carmen
- Alas! Jose, Your Mother Is Ill
- Entr'acte
- A Few Cuartos! A Few Cuartos!
- Here They Come! Here They Come!
- If You Love Me, Carmen
- It's You! It's Me!
- Viva! Viva! What A Corrida!
Customer Reviews:
English is an asset and a drawback.......2004-07-20
The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.
Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.
This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.
You Will Love Opera After Hearing Carmen In English.......2004-02-09
What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.
The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.
A wholly credible "Carmen" -- finally!.......2003-09-17
This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.
I love Carmen!.......2003-08-15
I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.
And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.
The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.
The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.
A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.
Average customer rating:
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The String Quartet Tribute to the Eagles
Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Latin Pop
| Latin Music
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Latin Rock
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General
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General
| Compilations
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Pop Rock
| Pop
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Tributes
| Pop
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General
| Classical
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| Music
General
| Chamber Music
| Classical
| Styles
| Music
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ASIN: B0000CC85T
Release Date: 2003-10-14 |
Tracks:
- Peaceful Easy Feeling
- Hotel California
- Desperado
- Lyin' Eyes
- Best Of My Love
- Take It Easy
- Tequila Sunrise
- I Can't Tell You Why
- Take It To The Limit
- Dustbound Train
Product Description
1. Peaceful Easy Feeling
2. Hotel California
3. Desperado
4. Lyin' Eyes
5. Best Of My Love
6. Take It Easy
7. Tequila Sunrise
8. I Can't Tell You Why
9. Take It To The Limit
10. Dustbound Train (Original Composition)
Format: CD
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